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#like i genuinely do not care for most of these creators ... so its easy swimming over here
bearpillowmonster · 4 years
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Top 15 Music Artists!
I won’t be doing a separate song one, instead I’ll just recommend a few for each artist (at most 3). Other than that, there aren’t any rules to this, no order, it’s all just opinion. I will however say that I don’t like “one genre or another” I either like a song or I don’t and I’m not as big of a stan for individual artists, just what song they created so I always hate when people ask me. Not to mention most music I listen to is from either a game, anime, or movie. I’ll try to make most of these the clean versions.
Daft Punk: This is an easy one. They created the Tron Legacy soundtrack (Tron seems to always make its way onto most of my top 15 lists), they are my number 1 that I would go see in concert (that’s still around) if only they’d have another tour. So many other artists have sampled their work and people have mixed their tracks with other artists on YouTube and they just add to the excellent sound. 
Some notable jams: Robot Rock, Instant Crush, Something About Us
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David Bowie: This a bit of a comfortable one, in a way it reminds me of my stepdad but his music ranges from stuff about space to just every day stuff that massages your needs, another one that can have remixes done and just add to the magic. I’ve heard some of his songs before he died like Moonage Daydream in Guardians of the Galaxy but it was only after his death that I really started liking his music. I used to think he was an actor first and a musician second but I stand corrected. 
Some notable jams: Oh! You Pretty Things, Moonage Daydream, Space Oddity
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The Weeknd: This boy can drop a track and the words don’t even have to matter because the lyrics can be twisted but the vocals and the beat say otherwise and I know somewhere, somehow, you’ve heard his music even if you haven’t realized it. Oh and Starboy? Yeah that features Daft Punk. Oh and that song? Got its own Marvel comic! (before it was cancelled after the first issue due to name and story issues) 
Some notable jams: Starboy, Secrets, Reminder
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Kendrick Lamar: I don’t consider myself into rap much but I genuinely think that Kendrick is probably one of the best rappers. Who else do you know that talks about Grey Poupon mustard and makes it sound good? His voice is recognizable and calm but almost raspy but then he can turn it and make it fast and angry, either would make just about any song sound good. I wish they had him cover ‘Can you feel the love tonight’ for the Lion King, because I could just imagine how good it’d sound especially with Beyonce. 
Some notable jams: Humble, Poetic Justice, Swimming Pools
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Electric Light Orchestra: My introduction was Don’t Bring Me Down but what really brought me into their music was trying to come up with something classic for a soundtrack for one of my stories and well this stood out the most. 
Some notable jams: Don’t Bring Me Down, Turn to Stone, Strange Magic
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The Black Eyed Peas: I grew up in this age. This was the kick-off to getting myself into music. It was my first CD, it was my first song on my new iPod nano, it was the first time I even showed an interest (which was late in the game).  
Some notable jams: Imma Be, Just Can’t Get Enough, Back to Hip-Hop
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Aerosmith: Another early one for me because this is what I was exposed to as a kid and everything since then has made an impression on me. Steven Tyler had the most plays on that iPod nano. I would normally suggest Dream On but I picked You See Me Crying first because it came to mind first to display the range of music they have, it’s a very sad song but also a bit of a calmer one that I don’t think gets nearly as much attention as it should. 
Some notable jams: You See Me Crying, Cryin, Walk This Way (Ultimate version)
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Kanye: He made a music video based on Akira. Did I mention that it popularized the shutter shades again? Oh, and the song? Yeah it samples Daft Punk. That’s not even the only time he did that either, he sampled a track from Tron with Kid Cudi (but it was just a demo). He does a lot of sampling but somehow he builds on the original songs and tracks and makes them better. 
Some notable jams: Stronger, Roses, Through the Wire
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MJ: I can’t find a better deconstruction of a song than Billie Jean. It’s practically a masterpiece. Take the track out and the vocals still sound good. Take the vocals out and the track still sounds good. You can do whatever the heck you want to this song and it will still sound good, I even listen to the Animal Crossing remix sometimes. The closest I could find to that was Billie Joel’s ‘For the Longest Time’ because it’s acapella. 
Some notable jams: Billie Jean, Bad, Thriller (vocals only, it’s creepier)
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Twenty One Pilots: Trench. Need I say more? I like nearly every song in that album and that’s rare. I see plenty of stans for this band but that’s not what made me care, because a lot of their old songs are ear worms and have been overused and I think even they realize that such as ‘Ride’ and ‘Stressed Out’ (more like Worn Out). But then somehow something good came out of the Suicide Squad movie, a special song, Heathens! By the title, it sounds odd but upon closer inspection, it’s juicy. On top of that, Trench comes out and basically clarifies that a lot of their music videos connect and involve theories with their own universe and whole ARGs devoted to it. 
Some notable jams: Heathens, Legend, Chlorine 
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Genesis: If I could give this band a number, it would be 17 because that’s the age that Genesis seemed to define. I liked a lot of their songs but I began using the songs as references to my love life at the time because I was going through a lot. I like Phil Collins on his own too but Genesis simply has more tracks that I love, I even bought and read Phil’s autobiography because as you probably already know, he did the music for both Tarzan and Brother Bear. 
Some notable jams: Invisible Touch, In Too Deep, Tonight Tonight Tonight
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John Mayer: I almost put Drake Bell here instead but John Mayer is the kind of music you listen to when your heart aches and I for one like it. 
Some notable jams: Heartbreak Warfare, Moving On and Getting Over, Gravity
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Smash Mouth: These later ones are getting a bit weird, huh? But yeah, the famous ‘All Star’ creators make some decent music, I won’t even reference any more from Shrek.
Walking on the Sun, Can’t Get Enough of You Baby, When the Morning Comes
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Sweet: You remember that part in Regular Show where they had the dance off with the ghost DJ’s? Or how about the Guardians of the Galaxy Vol.2 trailer? I even have a shirt with their logo on it because I liked the idea of making it tie-dye but it didn’t work very well so now it’s just an orange stained Sweet tee. 
Some notable jams: Love is like Oxygen, Fox on the Run, Ballroom Blitz
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Sheryl Crow: “This ain’t no disco. This ain’t no country club either. This is L.A.” I can’t help but vibe when I hear her, I’m not into country (as you can see from this list) but she makes it fun, she is an exception of sorts, she doesn’t do just one thing. If you read her Wiki, she does basically all genres and I like that she isn’t bound to one thing, it’s representative of her fun music and personality. Yeah, she’s guilty of the mainstream wear out as well but they can’t have them all. Picture is technically Kid Rock but she’s featured and I’d feel bad if I didn’t include it. 
Some notable jams: All I Wanna Do, Picture, Real Gone
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dustedmagazine · 4 years
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Listed: Tomás Nochteff (Mueran Humanos)
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Mueran Humanos, an Argentinian duo now based in Berlin, mixes post-punk, industrial-inflected synth explorations, garage rock and psychedelia. Carmen Burguess and Tomás Nochteff share vocal duties and play a very basic line-up of instruments: bass, synths, drum machines and samplers. In his review for Dusted, Andrew Forell called their latest, Hospital Lullabies, “a thrilling concoction of electronic, industrial, bass-driven body music fueled by the transgressive spirit of a DAF or a Psychic TV.” Here, Tomás presents his list of visionary music.
A list of visionary music
What is a visionary? Visions can come in dreams, in journeys to other worlds, in hallucinations. They can be the product of will, of a derangement of the senses, or they can come uninvited to save you or to haunt you and destroy your mental balance, even your life. It can be heavenly, or hellish, but to be authentic visions they have to be otherworldly. And to be visions rather than just imagination, they must have an element of truth. Not literal truth, like “that wall is green,” but a different kind of truth, the one that´s expressed in symbols, in metaphors, in omens and obsessions. In “Heaven and Hell,” Aldous Huxley analyzed the visions of people under the influence of psychedelic drugs, the visions of mystics and the visions of schizophrenics. He found fundamental parallels and concluded that they must have been visiting the same places. These people are not merely hallucinating, but they are perceiving another reality, visiting a different world, or maybe they are perceiving the world as it really is. And he quotes Jung on this: “schizophrenics and mystics are on the same ocean, but schizophrenics are drowning and mystics are swimming.” A visionary could be a mix of all these archetypes. Like Philip K Dick: was he on drugs? Yes. Was he mad? Yes. Was he seeking enlightenment? Yes. Had his visions an element of truth? No doubt about it. Were his visions revelations? To some extent, yes.
On our last album, Hospital Lullabies, the songs deal with all these different experiences on the journey to another world and on the invasion from another world into everyday life, with its horror and its beauty, the agony and the ecstasy. And how one copes, or doesn´t, with it.
So to celebrate it, I made a list of music that I do consider visionary. There’s madmen, there’s mystics and there’s psychonauts, all possible combinations of the three archetypes and everything in between.
Pharoah Sanders—“The Creator has a Masterplan” (Impulse)
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I don´t know much about cosmic jazz, or any jazz for that matter, but what I know is that this record is pure bliss. “Harvest Time,” on Pharoah is another masterpiece. Alice Coltrane and Don Cherry are also incredible. This is music of the spheres; it has the touch of God.
Rudimentary Peni—CacophonyI (Outer Himalayan Records)
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One of the few perfect punk bands ever, for lots of reasons. The bass lines are extraordinary, for example. But they belong here because of schizophrenic member Nick Blinko: incredible artist & novelist, obsessed with Catholicism and the supernatural horror. A guy who stopped his medication to force himself into a psychotic crisis just to write an album. Hero. Martyr.
Nico— “Janitor of Lunacy” (Cherry Red Records)
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For me, Nico was the best and more underrated of all Velvets (and we love Velvet Underground as much as anyone). Also, the production from John Cale on her records is probably his best work too, or at least among his best. I feel that she is not appreciated enough. Iggy said that meeting her changed him. I suspect that´s true for all her famous friends: Bowie, Lou Reed, John Cale, Leonard Cohen, etc. They were all larger-than-life characters. And we know there is an element of self-built mythology on all that, a bit of acting. There is nothing wrong with that; rock and roll at its best is a complete artform and we must appreciate this self-built mythology as part of their craft. But with Nico you don´t get that feeling. She seemed that she didn´t care about her image, she was born Nico and I suspect that in that sense she inspired them all to no end. She was the genuine article. One of our main loves in music. Essential with a capital E.
Coil—“I Don’t Want To Be The One”
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Jhonn Balance wanted to be a magician, and he died trying. I think he succeed in building a shamanic body of work with the help of the great late Sleazy and a myriad of brilliant contributors. Coil´s music at its best it´s like a plasma between worlds, or a very, very good psychedelic drug. My most beloved electronic/industrial/post-industrial project ever and one of our main influences. This performance is superb.
Lungfish — Feral Hymns
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I´m not interested in DC post hardcore per se, and I don´t have any tattoos. I shouldn´t care about Lungfish the way I do, but they knock me out every single time. Daniel Higgs is a seer. I don´t know what he is talking about, but at the same time, my gut knows exactly what he is talking about. He speaks in images, like Tarot, like the religious painters, like Rimbaud and San Juan de la Cruz. His delivery is supreme. Raw and fragile, yet powerful and precise. Over circular, repetitive, minimal structures of music that have a haunting, arresting effect. Hypnotic, magical, devotional music. Either you get it, or you don´t. I can´t explain it. That´s the beauty of it, I suppose. And the truly mark of the visionary artist.
Ghedalia Tazartes—“Une Éclipse Totale De Soleil Part 2”
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Ghedalia for me represents the pure, untouched, sui generis artist. Applying the techniques of musique concrete to the ancient folk music of the Sephardic Jews with a raw energy that usually you can only find in punk, or blues. I see in him an archetype, the Fool card in the Tarot. The madman that opens the gates of heaven and hell, gives himself to these supreme energies and survives only because of his perfect innocence.
OM—“Sinai (live at Sonic City)”
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Maybe the greatest rock band of the last 20 years. Here with Robert Aiki Aubrey Lowe to maximum effect.
Charlemagne Palestine—Live in Holland 1998
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Like Ghedalia, Charlemagne Palestine is a Jewish artist that works in the avant garde field but subverts it with the tradition of his folk music instead of sticking to the cold, cerebral, rational program of academia. He has his own world. Watch this and you will understand what I am talking about.
Virgin Prunes—Excerpts from Sons Find Devils/“Walls of Jericho”
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There is a VHS tape called Sons Find Devils, comprised of live shows and short experimental films (some of them made by Balance, from Coil). I had it as a teenager and watched it countless times. Sadly, it is not complete on YouTube or elsewhere but here are some small extracts. With their heretic mix of Irish Catholic imagery, Irish Paganism, Bataille, performance art and post punk, the Virgin Prunes made a unique and extraordinary body of work. A testament of its importance is that Gavin Friday was guest singer of two bands in this list: The Fall and Coil. And Mr. Scott Walker himself invited him to sing on a play. Maybe the historians ignore them, but Mark E. Smith, Scott Walker and Coil knew where it’s at, didn´t they? Their record If I die I die is a masterpiece. Produced by Colin Newman from Wire, no less, if you need more validation.
Boredoms—Vision Creation Newsun
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I like some of the more comical, early work of Boredoms, but with Super AE and this one they got me. They got serious and spiritual, channeling Alice Coltrane, tribal drumming, kraut rock and noise into a glorious, euphoric sound. Maybe they are not visionaries, but their music can produce visions. I saw them around 2005 (on acid) with the three drummers line up, still in this phase. I remember thinking “this is what cavemen had in mind when they invented music.” I actually saw it, with my eyes closed. Early humans. In caves. Inventing music. God bless LSD.
Aphrodite´s Child — 666
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The one record I bought for the cover only, it cost me 50 cents, best deal of my life. A concept album about the apocalypse. Easy contender for the best psychedelic rock album of all time. Pet Sounds? Get outta here. An absolute masterpiece.
Tim Buckley—Starsailor
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Tim Buckley is a mystery. He died too young. How he went from his L.A. folk rock first album to the absolute unique sound of Starsailor and Lorca is impossible to understand and a miracle of music. All six records in between are masterpieces. He was possessed by genius and has the most beautiful voice. I don´t know much about him, but his music put me out there.
Sun Ra—Night Music 1989
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Watch this. Space is The Place, indeed.
Pescado Rabioso—Artaud
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This guy, Luis Alberto Spinetta, is considered by many to be the most important rock musician in my country. So being an arrogant teenage punk, or whatever, of course that alone was enough to reject him altogether without even thinking. But a couple of years ago I was blown away by a book of poems he published in 1978. Incredibly beautiful, unique and sophisticated poetry. I recently started, too late, to listen to his music. This is one of his most famous and revered records. It´s dedicated to, and inspired by Antonin Artaud, who tried and failed to reach the mystic enlightenment, generating a body of work in the process which is a testament to his spiritual ambition, his radical rejection of the material world and his pain. Spinetta understood this, he said the record was trying to find an answer to Artaud, a way out of it, a way out of the pain. It´s psychedelic music of the highest order. The lyrics are incredible but you can enjoy it even without understanding them.
Dead Can Dance—Dyonisios
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I kept forgetting this band exists. This new album is great. I listened to it non-stop during last Winter/Spring. It´s the perfect time because the record is about Dyonisios, so as a soundtrack for the rebirth of Nature it´s perfect. Probably their best work in years. Sublime.
The Fall—“Garden” (Live at the Hacienda, Manchester, UK, 1984)
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No list of visionary rock and roll would be complete without Mark E. Smith. Famously he said, “I used to be a psychic but I drank my way out of it.” Indeed, there was a time, between 1978-1990, when he was possessed by something, injecting realism with mysticism, mixing high and low planes, exposing the supernatural forces that hides in the cracks of everyday life. He never talks about hell neither heaven, but rather the way they mix and manifest here on Earth. You’ve got countless of bands using occult/mystic imagery, and you know it´s nice but it´s just a game. You’ve got thousands of bands referencing Burroughs and the cut-up technique, but no one can write as Burroughs did. MES did it. MES wasn´t playing. He was a realist of the augmented reality, he told it like it is, in his fragmented, hallucinatory, unpretentious, visionary prose poetry.
There is a lot in his lyrics that can be read in a mystic, occult way. He left a lot of clues for the ones that can read them. His texts are kaleidoscopic, and they reflect what´s in your mind, really. I think he will be recognized with time as the great experimental writer that he actually was rather than merely an angry Mancunian punk. He had more in common with someone like Iain Sinclair than with any other rock musician. One of my favorite web sites is The Annotated Fall, where fans analyze his lyrics in depth. Pay a visit if you can, I can´t recommended it enough. In many ways, he was too intelligent for rock and roll, and that´s why he was misunderstood, but he didn´t care, he believed in constant work, never explain, never apologize. The Fall took all the best things in rock and roll: Can, Velvet Underground, punk, Captain Beefheart, and pushed it to the next level. Our favorite rock group ever.
Huun Hur Tu — “Prayer”
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I tried to stick to Western, modern music but I can´t help including this.
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salosion · 3 years
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I Know Y👁U’RE Not Shocked Only Cause It Makes Sense, And When It Makes Sense It Takes The Element of Surprise Away Cause Logic Great But Can Be Lame But Were In This Game Perfectly Divine To Navigate To Gardens Of Euphoric Love.
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Y👁U Also Don’t Want Too Cause You Know Its Impossible Know You Can’t.
Y👁U Don’t Drip This Hue Is a Colour So Grand.
I Dr💧p So Hard I Nourish The Plants. 🌹
You Drip So Hard The Drool Is What Lands And Then Waters The Lands of The Gardens Grands
But Y👁U Are So Great And So Much Greater Then Me I Just AM.
and If This Were Not But Again ONLY FUCKING STRAIGHT UP FACTSS THIS PACK OF CASHEWS ONLY ALWAYS POETICALLY FUCKINGLY TICKLES SPEWS.
And is This Were Not True That Y👁U’RE So Greattt FUCKINGGGG GREATERRR THEN THE NEWEST GENERATIONS KINGGG
👑👑👑 SALO 👑👑👑
If This Was Not Facts True Then How The Fuck Could I Truly Genuinely Love You ?
LIFES a Paradox 🎁 Thank You Mother For Blood and Skin and More Then Love Counts Eveything I Play With So Much Fucking Soul They All Think I’m
Crazy Cause They haven’t touched the drops of the droplets of te drops of the hearts to your tums you feel it in knots never done forever he rocks KINGDOMSSSS COMEEESS.
🎁
I LOVE Y😘U
IF Y👁U DONT LOVE ME I STILL ADORE
Y👁U & TRULY DO NOT GIVE A FLYING FUCKS FUCK GO GIVE A FLYING FUCKS FUCKS MAYBEY THEN YOU’LL GET THAT PROMOTION.
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