#like a pretty good chunk of the filler arcs. and also the chunk of the series between the 5 kage arc and the war arc | Explore Tumblr Posts and Blogs

vydante · 3 years

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Restart | END | Avengers x Male! Reader

I am discontinuing my Restart series because I've simply lost creative juices for it. That's it, no elaborate or other reason. Anyways, I didn't want to just end it on the last chapter, and as someone who loves to overshare (especially if it's unsolicited), I thought some might like to see what drafts I had in plan, going chapter by chapter.

It goes up to Ch. 20 with additional bonus chapters, and chapters where I wasn't sure where they were going to be placed in the timeline.

If you have any comments, let me know! I'd love to read them :)

Here goes! Warning: very long, since the formatting is weird! The reader will be referred to as (Name) and "you", as in the story.

Right after Ch. 12 (Circumvention), are 2 special chapters (High Caliber Bullet) & (America's Sweethearts).

(High Caliber Bullet)'s basic plot was that Barnes, now # amount of weeks since the last chapter, has gained some freedoms and can now go out and about with either (Name) or DAHLIA for supervision (via his phone, and through the cameras everywhere).

In this particular chapter, he basically goes out for a typical grocery run with DAHLIA "accompanying" him, since before, he remembers (Name) telling him that "I won't always be there with you". But something bad happens! Wooo! (Maybe an attempted robbery, I didn't have the details sorted out yet.)

Either way, DAHLIA loses contact with him, and she tries to contact you ASAP, but it takes a little while since your dumbass was asleep the whole time! Wow! The suit had to manually power on and shake you awake.

Anyways, the only thing I had "written down" after that was that, after a failed search attempt for James, you go back home and are greeted with a surprise... "Kabedon"? Or, you're pinned to the walls by James... Or, rather, the Winter Soldier!

You're not sure what's going on, only that, "Wow, Barnes is acting weird. Why is he suddenly Russian? Wh- Okay, wow, he's suddenly gotten a lot closer. Now, wait a fuckin' minute-!"

Either way, you and James make a discovery of a second personality living inside his body- the Soldier! Or Winter, I'm still unsure which I would have gone for. If you're familiar with certain WinterIron tropes, this is one of them. Anyways, that's the end of that chapter, or what I had written so far, anyway.

This chapter is really important to the canon of Restart since it establishes Soldier, but it didn't fit into my initial plans of 10 chapters an arc, so. That's why it's a "special" chapter.

The next "special" chapter after that was (America's Sweethearts). I had written 2 "chunks" of text for this chapter. The main plot is, basically, you and Steve spent a platonic (promise!) Valentine's Day together. Hence the title. Cute, right? This was referenced in Ch. 9 (Revelation) during Future! Steve's reminiscing.

Anyways, below the next text is what I had written for that chapter. It will be in normal text.

No other thoughts on that, so let's move on.

"You live like this?"

In his defense, Steve's apartment wasn't messy in the slightest. In fact, it was the other way around- everything was too clean, too pristine, too detached. The only saving grace he's getting from standing in the middle of his apartment is the fact that compared to the chilly Brooklyn weather, it was almost obnoxiously warm in his apartment.

Not only did he have the heater going on, but he had another separate, portable heater blasting hot air in the corner.

(Sometimes, and only sometimes, Steve will stand in front of the heater and slowly spin around like a rotisserie chicken. The heat feels good, in his defense.)

The heat was something that you, thankfully, didn't comment on as you shed your jacket and slung it around the coat hanger near the door. You're wearing an over-sized tee- Thor's tee, he absentmindedly notes- and some sweats, both like and unlike the (Name) he often sees.

(It's not uncommon for Steve to glance at a newspaper or TV still shot and see you with your hair slicked back and dressed head to toe in a suit so expensive he's confident it costs at least a few years' worths of a typical New Yorker's rent.

Neither is uncommon to see you on the front cover of Men's Magazine, wearing a simple tee that shouldn't look that good on you but still does and posing confidently for the camera.

But despite all that, all of the clearly flattering outfits you could possibly wear at the tips of your fingers, often Steve will see you wear a disparagingly obnoxious, dirty shirt, and an old pair of sweats as your go-to outfit.)

(No, he will never admit that he really likes seeing you like that. Even with the mysterious smudged substance often found on the bottom of your sweats, as if you had swing danced in mud and crude oil.)

Regardless, while he often questions your private life fashion choices (and this is coming from a man who willingly wears khakis), he at least knows why you're wearing what you are, given the fact that he's also dressed in an overused tee and some joggers.

"What's wrong with my apartment? Not up to par with your penthouse standards?" Steve jests.

"Steve. Please." You threw him an unimpressed glare, much to Steve's never-ending amusement.

You glanced back to the inside of the apartment and squinted at it with what Steve could only describe as a rich man's scrutinizing gaze, before shrugging nonchalantly. You strolled into his apartment with a confidence Steve can still never get used to, one that reminds him so much of Tony's, and even Howard on his bad days.

(He understands why Tony doesn't like it when he brings Howard up, as he belatedly realizes that Howard didn't die the same man he knew him as, but he never understood why you've suddenly gotten bitter about Howard as well.)

He follows you into the hallway, and if it weren't for the fact that this was his apartment, he would've looked like a lost puppy following its new owner.

His apartment's not really that big, so it doesn't take long before you've both reached the living room. A simple TV, simple couch, simple table. Nothing really exciting in his living room, but it serves its purposes, in Steve's opinion.

(This is the end of that chunk. Next is where I picked up in writing. Short time skip, they both fall asleep and now Steve's waking up.)

It was the change in the smell that woke him up.

It's always the scent of fresh linen that greeted him early in the morning, something that's become so attuned to his everyday life. So when, instead, popcorn and sweets drifts his way, for a brief second his heart rate jumps.

'What?', his mind asks as he opens his eyes, bleary but cautious.

'Oh,' his mind responds back at him when his eyes drift down to your sleeping form laying splayed right on top of him, body glued to his side. You're mainly hogging the blanket, but he doesn't really mind as he runs hot 24/7.

'Oh', his mind repeats softly, as something deep unfurls from his stomach and rises to his throat, clenching up and unable to say anything as his eyes fixate themselves on your steady breathing. Your lips are too close to his neck, each breath too warm, even for him. His skin burns where it meets yours, and absently he thinks, 'this is nice'.

'Yeah,' he lifts his hand to brush away a strand of hair away from your eyes, 'This is nice.'

Steve blearily throws a glance at the clock on his nightstand. 4 more minutes until he'd typically wake up and start his day with a morning jog.

'No,' his body protests.

'Okay,' his mind agrees without a fight.

He carefully reaches over and presses the silence button on his alarm. Above him, a breathy exhale escapes your lips at the sudden movement, and if possible, you curl closer to him than you were before. He pauses, unsure if you're going to wake up or not, but relax when he realizes that you're still in a deep slumber.

(Another break. Next sentence was supposed to be the final sentence of the chapter.)

In the end, neither of you commented about how Steve had missed his daily morning run as his limbs were straddled in between yours.

Ch. 13 (Upheaval) and 14 (Airlocked) are short in terms of drafting, so I'll combine them into one section here. Ch. 13 (Upheaval) was about taking down SHIELDRA in a better manner than the mess that was CA:TWS. And (Name) also forces Steve and Natasha to fess up immediately about Tony's parent's murderer. ((Name) threatens them.)

As for Ch. 14 (Airlocked), it's pretty much a filler chapter of sorts. (Name) graduates, there's now an official class-action lawsuit against Ross, also now keeping an eye on Baron Zemo, and we see some progression on Barne's therapy session. Not much, but some.

I really was not looking forward to these two chapters, as I knew they were gonna be boring as hell.

Ch. 15 (Spiralling) has actual written chunks. It's basically about the early prevention of Ultron. The Avengers go to a Sokovian HYDRA base, take out baddies, and the Super Twins get captured first- wow! But not before Wanda does... something to (Name), causing you to hallucinate and lose contact with the team- uh oh!

But don't worry! You get run over by a car. Lol. Below is what I had written for it, sans minor text.

A/N: In Ch. 7 (Summer), there was a 'dream-sequence' that happened where (Name) was on Titan with Tony, Peter, Stephen, and the GOTG. I've now decided that in canon, (Name) was not on Titan- instead, you were on Earth instead during IW helping at Wakanda. Just a brief plot-hole wrap-up; let's imply that (Name) had watched video footage of the fight at Titan via Tony's suit afterward, and that's where the nightmare came from. Okay bye.

(VERY abrupt start into the story, not meant to be the start of the chapter in the final draft, just where I wanted to start writing. Intro to Wanda.)

You jerked your head, catching a glimpse of brunette hair in the corner of your eyes. You swung your gauntlet instinctively and made instant contact with whatever was next to you. Flutters of red wisps followed your eyes, and you instantly knew what just happened as a body dropped next to you.

You grunted and leaned onto the nearest wall, watching the girl's limp body with caution. Your shoulder plate lifted, and a tranquilizing dart connected to her thigh.

Just in case.

"Guys, I- I've been- ugh..." You wanted to vomit, the pounding in your head worsening with each millisecond that passes. Already, your surroundings distort you with each blink, walls melting and the floor sinking in on itself. "I've been- com-," you swallowed back your bile, "-compromised... Sending- location... Ergh..."

You didn't even have enough time to hear a response before the whole world around you shifted. You squeezed your eyes shut, trying to calm your thundering heartbeat. The pounding got worse as the armor around you dissipated into nothing but the under-suit you were wearing. Before, where there were the shouting and gunshots, is now replaced with an eerie silence filled with just your laborious breathing.

You didn't know the full extent of what visions you were about to see, but you needed to remember that none of this is real. Scientifically, that was your only safe haven from possibly losing your mind for what's about to come. And it was worse because you had no idea what visions you'd see. Would you see Thanos? The Chitauri, just like your father once had? Or would it be something more close to home; the bunker? Tony's dead body, splayed with vomit around him, frostbitten to the touch and still like a marbled statue?

Ready to go up and arms at whatever it was you're about to see, you cautiously opened your eyes.

(Line break, there's meant to be an "oh shit" line, like "Only, you were met with eyes far too similar to yours." but I still didn't know what I wanted to do for the hallucination sequence. Maybe meeting an older you, a younger you, or your dream life without the Avengers or meta-humans.)

(Below is an abrupt shift in the story; same general setting, but outside POV! What I had was dialogue only, alternating between people in bold, as a POV switch.)

(Name) "Guys, I- I've been- ugh... I've been- com-compromised... Sending- location... Ergh..."

(Steve) "Apex, do you copy? (Name)!"

(Steve) "Shit, (Name) isn't answering! Tony!"

(Tony) "Got his location, he's inside the base. J.A.R.V.I.S., what's his status?"

(J.A.R.V.I.S.) "I'm sorry, Sir, but it appears that I am not in contact with his suit."

(Tony) "Wha- the hell do you mean you're not in contact?!"

(J.A.R.V.I.S.) "I cannot connect to his suit; it appears that Young Sir has somehow deprogrammed me from his suit."

(Tony) "Wha-!"

(J.A.R.V.I.S.) "However, it seems as if there is an A.I. present nonetheless. Though..."

(J.A.R.V.I.S.) "I do not recognize the code. Would you like me to attempt at forming a mode of communication?"

(Tony) "Yeah, just- God, make sure (Name)'s okay, please."

(J.A.R.V.I.S.) "On it."

(J.A.R.V.I.S.) "Establishing a connection."

(DAHLIA) "Mister Stark?"

(Tony) "Wha- I'm sorry- who are you?"

(DAHLIA), ignoring Tony, "An enhanced got to (Name). The operative is down, but (Name)'s experiencing hallucinations. I can't get through to him- you need to get to him, now. I fear he may hurt himself more than he already has."

(DAHLIA) "And if I may be privy to a request?"

(Tony) "What?"

(DAHLIA) "Don't bring Rogers." (I don't remember why I wrote this bit.)

(Steve) "Any updates on (Name)?"

(Tony) "Yep, and by the looks of it," there was a loud boom coming from the base, and as Tony looked up to see an all too familiar suit fly out of the building. Or, rather, flying was an interesting way to put it- it was more of a free-falling more than anything else.

(Steve) "What was that?"

(Tony) "That was (Name), and he's not havin' a great time I'll tell you that."

His voice was light and joking, but he'd be lying if he didn't say that his heart wasn't in his throat by the sight of you flying out of the building and falling back into the forests.

(Line break, another POV switch)

Steve sprinted towards the loud boom, movements quick and calculated, but mind racing a thousand miles an hour. He saw a red and gold glint fly up above him, zipping in and out between trees gracefully.

(Line break, but no switch, same place. Another story POV shift, sort of. Steve makes contact with (Name), or so he thinks.)

"(Name)? Hey, do you copy?"

The suit was eerily silent, glowing eyes that once gave comfort to the soldier now bringing nothing but an awful, gripping dread; one that he'd get when there were Nazi soldiers nearby, but he couldn't tell where even with his enhanced senses. The suit gave away nothing that usually screamed out everything that was you- no head swaying, no restless and constantly shifting feet, only a stillness that looked so unnatural. Almost as if there was no one in there.

"(Name)?"

There was no response from you.

The hairs on Steve's neck stood up, everything in his system suddenly screaming to get out of there, run, leave, get away from the suit, but he ignored it as he took a cautious step forward.

Again, you didn't seem to react.

Then, the suit took a step forward.

Then another one.

And another one.

"(Name)-"

Before he could say anything more, the suit lunged forward. Only for a moment could Steve react, but even he wasn't as fast as you could be when you're in the suit. He raised his shield, ready to be shot at, but only the sound of harsh metal on metal makes it to his ears. By the sounds of it, it sounded like Tony had managed to land a direct hit on you, from wherever position he was at. Cautiously, Steve lowers his shield to look.

But instead of the familiar red and gold suit of armor greeting him, it's the sight of two (color) suits wrestling on the ground with each other that manages to sucker-punch all air from his lungs.

(Basically, you went bat shit insane and got out of the older suit, then prematurely activating the nano suit instead, in a fit of panicked hallucination. The older suit, now operating by DAHLIA, was trying to protect Steve from being ambushed by (Name), and now they're wrestling.)

(Another big break, but I think I had a hallucination sequence from (Name)'s POV planned here. Not sure what I was gonna do here since I planned this like, maybe in 2018, early 2019. It's... 2021 now...)

"-(Name)!"

Your eyes widened as the world around you suddenly shifts out of existence, and instead, you're outside in the dim, snowy alps once again. Someone called out to you, you don't know who, but there's a light in the corner of your eyes that's so goddamn bright. You turn your head in the direction of the light, and amidst all of the yelling and gunshots, DAHLIA's cool, chilling voice rings the loudest in your ear.

"Aborting protoc-"

And then the world turned black.

Ch. 16 (Enflamed) also has written text. Basically, you're recovering from being caught slipping by a car, the team is now aware of certain secrets you've been keeping behind their backs, and you realize that you have to get back to Barnes to let him know you're okay.

This chapter was meant to be focused on the twins, but I guess I forgot that as I was "writing" it. Basically, the gist was that their parent's deaths weren't by officially licensed Stark tech (maybe even a counterfeit since Stark weapons are the best, and don't malfunction as it did in WandaVision ep. 8). Maybe HYDRA was the one that did it in order to recruit more people. Or something like that. Basically, Tony wasn't the one who authorized those weapons to be sold and used there, but it was Stane. Either way, they get their own healthy moment to mourn and lament over it all.

Here's the text below. Italics for a dream sequence, since you were unconscious/ in a coma from being bOnked on by a car.

"Hey, sweetheart."

You smile, turning around to face the voice only to be greeted with lips on yours. You chuckle, amused that this was the first thing you'd be greeted with, but lean into the kiss anyways as you wrapped your fingers around their cheek.

They pull back first, but their eyes are warm as they smile, lingering in the space between the two of you. Where their hands laid on your hips, your skin burned bright hot, but you paid no mind to it.

(There's supposed to be more, maybe foreshadowing, but I stopped here in terms of the dream sequence. Jump cut to another POV, but you're waking up!)

(Name) "Hnng..."

(Steve) "Stay down! You're in no condition to move at all, just- just rest, okay? The doctors- and- your dad are coming."

(Steve) "How're you feeling? You want some water?"

You tried to turn your head to look at the blonde but hissed suddenly.

(Name) "S'nnof'a' b'ch..." (Son of a bitch.)

Steve helped you settle back onto your pillow- which even he'll admit doesn't look like the most comfortable setting in the world.

"Language, (Name)..."

He reprimanded, but there's no heat in his words as he's just so thankful that you're even capable of forming any words, no matter how profane they may be.

Beside him, Clint laughs a bit too loud for comfort. Steve wants to tell him to be quiet, as he's sure you're sensitive to noise right now, but God he can't blame the archer for his overwhelming relief.

Lord knows Clint wasn't the only one to stress over their youngest Avenger.

"First words after a damn coma, and it's 'son of a bitch'! I told you he's a fighter!"

"Of course he is, he's a Stark after all."

All eyes turn to see the billionaire and assassin walk into the room. They look clean and pristine as always, but by the slight sheen of sweat on both of them, Steve knew they rushed here as soon as word spread that you were awake.

(Natasha) "Tooting your own horn a little much there?"

Natasha's smile betrays her words as she looks fondly from the senior Stark to the junior. Even the ironclad wall she has up 24/7 has a soft spot for the team's junior member.

(Especially for the junior member, but you didn't hear that from Steve.)

(Tony) "It's both of our horns, excuse you."

Tony turns his attention to you and places a gentle hand on your shoulder.

"You sure took a hit back there, champ."

"Mmm... 'm feel like a... Nn... A damn Make A W'sh kid...", (Mm, am feeling like a damn Make A Wish kid...) your eyes, though blown out from still being drugged up, wandered across each Avenger. You frowned, then smirked- well, as best as you could, anyways.

"Where's th' Hul'k? T'or?" (Where's the Hulk? Thor? (As a joke, since usually the whole gang visits, but they're missing))

"Relax junior, you're not that special. We can only afford so many Avengers to visit you."

Despite his harsh words, Tony places a kiss right on your forehead. Your eyes flutter closed, lashes delicately batting as Tony leans away.

(Big block of nothing, there were supposed to be more text here, more dialogue or something. Same setting!)

(Tony) "So. We need to talk about what happened back there. Y'know. The brand-smackin' new A.I. that's in your suit- she's been awfully quiet. Oh, and the- lord, the thing's a work of art- the- what is it? Nanite suit? That's in a collar- a collar? I mean, I'm not one to judge questionable fashion statements, but-"

(Steve, or someone else) "Tony."

(Tony) "Right- but, we are going to talk about all that, okay?"

"L'ter, ple's? Am tir'd..." (Later, please? Am tired.)

"An' b'sides, chok'r's fun..." (And besides, chokers are fun.)

(Line break, basically, you remember you have a certain Winter Soldier that's been sitting at home without any word from you.)

’Oh fuck.’

(Big line break, basically, you get discharged from the hospital, and now you visit the safehouse Barnes is in to check up on him.)

It was eerily quiet when you opened the door to the safe house. You limped into the door, thankful that the ride on the way back, there were no paparazzi to see you leave at all. (Really, Happy should get a raise.) Lord knows how much of a rile that'll get out of the news media.

'Avengers' Golden Boy: Fatally Injured?' or something dumb like that.

You'd love to roll your eyes, but the tension that's coiling up in your gut surpasses the want as you slowly step into the house. It's warm, more so than the slow brewing chill that's been tempering outside. James never liked the cold, but even so, the house was warmer than you remembered. His shoes are still near the doorway, in the exact place that you remembered it to be, so he definitely hasn't gone anywhere.

(Though, the alerts that were on your phone from DAHLIA definitely show that he wanted to.)

For a brief moment, you were concerned that there wasn't enough food; but even then, DAHLIA would still be up, so she could place an online order to refill the fridge at a moment's notice, so it's not like James (even with his super-soldiered appetite) would starve himself here.

You quietly slipped out of your shoes, slowly as to not incur another cramp in your back, and stepped into the hallway barefooted. You glance into each room you pass by, but not a single sign of the soldier was anywhere to be found.

You stopped when you stood in front of one specific lounge room; yours and James' favorite lounge room.

Lurking into the room, you glanced around.

The room looked exactly like how it did days before when you were still conscious. There are a few mugs strewn about. Most empty, conjoined in one area of the table (James' area), but there's one that's filled with your favorite drink. A drink that you don't remember making for yourself.

And it's placed right in front of your favorite chair, too. Something squeezes at your heartstrings as you couldn't help but smile fondly.

It's gone cold, you absently note as you dip a finger into it. Wiping your finger on your pants, you grabbed it and the rest of the empty cups, making a note to place them into the dishwasher when you make it into the kitchen.

"James?"

You called out, but only your voice echoed back. The cups quietly rattled with each step, and it's not long before you make it into the kitchen. It, too, looks the same, but there's a thin layer of dust only a clean freak would notice. The sink is empty and clear of any beads of water. Unused for a little bit, you concluded.

Yeesh.

You placed all of the cups into the dishwasher, which was also dry and empty as well. Sighing, you turned on the machine and jumped out of your skin when you felt a pair of built arms wrap themselves around you tightly.

It only takes a split second for you to realize that, no, this is not some ax murderer that's about to choke the life out of you, it's just James.

James who, apparently, is holding you flush against his chest, fingers curling themselves against your bandaged abdomen. You held back a wince of pain, careful not to make your breathing waver, as James nuzzle his whole head against the crook of your neck.

(Honestly, for someone named the Winter Soldier, he sure is warm because whew, boy-)

"Ja-"

"I thought you were gone."

His name is caught in your throat as James' voice- gritty, deep, unused- rumbles into your skin. You freeze, unsure of what to say to that as you shuddered, suddenly breathless as he mouths at your neck. Your ears turn bright red as he takes that moment to speak up, not once letting up on his fingers ghosting a trail on each muscle on your abdomen.

"You were gone. One second you were in my arms, and the next... The next, DAHLIA's tellin' me you're in a damn coma."

You winced, not sure how to respond to both what he said or the growl that accompanied it. You looked up at the camera that was in a nearby corner and threw it a withering glance, feeling slightly betrayed by DAHLIA for telling James that.

Thankfully (or probably not), James isn't really looking for a response as he continues on.

"Моя звездная пыль (My stardust)," Russian slips out, bringing a chill up your spine as bits of Winter spills out from James' fingertips, "The witch got to you, didn't she?"

Goosebumps raised on your skin, and to your silence, James snarled. You can barely feel his teeth graze on your nape, and you really don't know if you should feel embarrassed or something else.

And wow, okay, maybe you should tell James to ease up on the "hug", because holy shit, his grip's getting tighter and it's starting to actually hurt.

(Ah, he might tear the stitches.)

"HYDRA сукa...! Я убью ее...!" (HYDRA bitch...! I'll kill her...!)

You huffed, still red in the face as he hasn't even nudged away from letting you go. You patted his forearm, signaling for him to loosen up his grip, and to his credit, he does. Barely, but it was still something.

"I dunno what ya' just said in Russian, but I know what Hydra сукa means. No cussing in Russian, only in English."

He mumbles something incoherent into your shoulder, rubbing circles into your stomach with a tantalizingly slow speed. You coughed; in literally any other situation this would be one of the hottest things you've ever experienced, but considering that James was more Winter than James right now, and your stomach is literally burning in pain from the rubbing, you opted to ignore the fact that you really liked that James was this close and spoke up.

"Not to alarm you or anything, but uh, if you keep rubbing my stomach like that," your breath hitched, the pain starting to become a little too much, "I'm gonna pass out from the pain," you said, with clenched teeth.

(End of what I had written down. Anyways, not sure where I was gonna go from here.)

Ch. 17-20 are relatively short in terms of what I had written down.

Ch. 17 (Reconditioning) has 3 things typed down:

integrating the twins, thoughts of integrating bucky

supreme distrust between you and the twins

meanwhile maybe thoughts from twins abt you? you're around their age

3rd bullet introduces the idea that they might be love interests. Maybe. Shrugs. That chapter would be heavier on the character developments of the twins, both as their own persons and their relationship with you, specifically. They don't like you because you're Tony's son, still some bitter feelings there, and you don't like them because... Well... there's just a lot of bad feelings. They helped kill J.A.R.V.I.S. in your original timeline. Wanda basically fucked off with Vision. She antagonized Tony. (And there is a hypocrisy there since I would've written you to have done the same thing there. (Name) isn't perfect.)

You just didn't get along with Pietro since, back when he wasn't dead, you were immature and not yet accustomed to dealing with people who're purposefully frustrating/ teasing/ mocking/ etc. Nothing really personal with him, it's Wanda that you had beef with. But you'll get over it one day.

Ch. 18 (Longstanding) is shorter.

you and james have a talk, and after a year or two being solitary, you agree that he should be in the avengers

he joins the avengers

That's it, that's the chapter.

Ch. 19 (Accountability) deals with newer Accords (not a Sokovian one! Just from the proposed need for accountability).

It goes better around this time, as basically all of the Avengers agree to it, with their own caveats of course. Steve especially, but of course, he's willing to work with the governments about it this time around. Also, Peter Parker gets introduced, in accordance with the "underaged enhanced/ superheroes" clause, or some bull like that.

Ch. 20 (Wakanda) is basically the intro to CA:CW but like, civilized. No bombing since Zemo still has his family. Introduces Wakanda, and T'Challa as a potential love interest. If you're interested in IronPanther, I highly recommend reading the IronPanther Collection by Okyverlo on AO3. It's great and got me a lot of interest in T'Challa as a love interest.

As for official chapters with the plot, that's about it. I wasn't sure what to do afterward.

There were some loose ideas I had about what would happen to (Name). Maybe the truth is revealed, that you're actually from the future, and Dr. Strange separates past and future you into two separate bodies. Future! you into your original future body, and past! you into the current body. Past! you still have the same memories and thoughts that future! you had, but with less angst. Future! you is noticeably more depressed and just a bummer. Lol.

And after that, 2023! you would go back to the future where you belonged, and Past! you would stay in the present since, duh, that's still Past! you's original timeline. It's a little confusing when I type it down haha.

I was thinking maybe 2023! you would pair up with Steve since you realized how burdensome it is to continue to resent someone. Now you understood what Tony meant.

And Past! you would definitely pair up with James, but maybe Steve too. A nice lil' polygamous relationship.

Now here's the other, non-official chapters.

2 What If's, and 3 Specials, in the order they're listed at the moment.

What If (2013 Counterpart) plays with an initial idea I had, where Past! (Name) was actually sent into the future into 2023! (Name)'s body during the prologue. Not sure where I was gonna go with this chapter, but I really wanted to mess with that possibility, and show just how immature and teenager-y Past! you were.

What If (Swapped Places) plays with the idea that you and Tony, in the original timeline, had swapped places. You were on Titan with Spiderman, Dr. Strange, and the GOTG, while Tony was on Earth with everyone else. That's all I had planned. Maybe you actually won and managed to get the gauntlet off of Thanos when you realized that Peter Quill was about to go crazy over his ex's death, and you knocked him down in time.

Special (Find My Body, Only At The Oak Tree), deals with you and your depression over the reality that you might have to relive the blip again, and aside from the Avengers, you really don't have anyone else and nothing's worth really living for at this point. I actually have a lot written for this one. Not sure if I wanted this to be canon.

Trigger warning: suicidal tendencies.

(Below is the general idea I had for the plot.)

(names) birthdays across the years so far

we see slow mental deterioration of (name) as he aches

we see as we reach closer and closer to the deadline, (name) dreads even thinking about thanos and wants to die before even looking at him, a symbol of their failure

lowkey highkey suicidal

___

The first time you celebrated your 17th birthday was in 2014.

The second time you celebrated your 17th birthday was also in 2014... Obviously.

The first time you celebrated your 17th birthday, the whole tower was flooded with people who you knew and people who you couldn't care to know. It was filled with what little was left of your friend group outside of the Avengers; it was also filled with the rich, the pompous, the irritating of New York.

You got into a yelling match with your dad that night, over something you couldn't even bother to remember, and stormed off into your room, fuming as the party still went on without their birthday boy present.

(It's always like that as if you're replaceable. Surely, you must be; the Avengers can and will, if need be, exist without you.)

The second time you celebrated your 17th birthday, you told your dad you wanted it to be small and personal. Only the Avengers were there, as a few days ago did you spend a pre-birthday celebration with some of your high school 'friends' (which only mainly consisted of playing Smash Bros Brawl in your room and eating an ungodly amount of junk food as you fake laughed along with their shitty jokes.) (Steve promptly made you burn those calories off in training.).

(What Steve doesn't know is that you purposefully ate that much to train with him; otherwise, you had the whole day off the next day.

You didn't want to be alone.)

It was sweet as everyone gave their gifts to you (which you already knew what it was, but said nothing of it), and as everyone got drunk off of the expensive liquor or Asgardian mead, you quietly snuck out of the building and back into the safe house where James was waiting for you.

(He waits, but how much of it is because he has no other choice?

It is not like that, you keep reminding yourself.

Who is to say, other than you?

James never says anything of it, and you start to wonder if he feels as if he has no choice.

As if he feels like he's been made another prisoner, once again.

At what point, what is separating the distinction between you and HYDRA, in his mind?

You're not too keen on finding out the answer anytime soon.)

The whole way there, you thought of nothing in particular.

You quietly celebrated with him too, shared a few slices of cake he made just for you before you quietly said goodnight to him. He kissed you on the cheek, said a simple goodnight, and slipped away into his own bedroom.

Meanwhile, you spent the rest of the night drinking too much alcohol, alone, in the dark of your room, staring at nothing in particular, thinking about nothing in particular.

The next morning, you jokingly wished you had just died last night as you're bent over the toilet emptying your stomach contents.

___

The first time you celebrated your 18th birthday, you spent it outside in another country with your friends.

The second time you celebrated your 18th birthday party, you rented out a bumper kart arena with the Avengers.

The first time you celebrated your 18th birthday, you tried desperately to hang onto the remaining friends you had outside of the Avengers, a chance to feel normal for once. You practically went hiking across Europe and into Asia over the week of your birthday, and by God did you visit so many places. From the Louvre to the casinos in New Deli, you trekked everywhere with your friends and acted as a cash pig for their endeavors under the guise of celebrating your birthday. Least to say, you always got 'accidentally' blackout drunk on multiple occasions, oblivious to their actions.

Later you found out and cut them off instantly without another word. They didn't seem to notice that you stopped talking to them.

It hurt.

Pointless of you to try to maintain that friendship.

So on your next 18th birthday, having long forgone those friendships ages ago, you suggested going bumper karting with the Avengers. Bruce operated as the 'coach' of sorts, but he seemed to have enjoyed it as well.

It was fun, obviously.

It went on for a few hours, as you all had made up mini-games to play along with as they got bored of chasing after each other aimlessly for half an hour. A few games had you pairing up with some of the Avengers; the other had them actually using their skills to try to maim each other.

(Wanda at one point lifted everyone into the air as Pietro zoomed through the rink; though, he did slip and slam into the wall. Everyone laughed, but it was interrupted as Wanda promptly dropped everyone out of shock.

Everyone was too busy in their own shock as well to notice your labored breathes, wild crazed eyes, or how you clawed viciously at your throat at the sight of Wanda's red wisps. Your fingers were tinted a sick vermilion.

Thankfully, the arena was relatively dim, so no one could tell what just happened.)

It was fun. Everyone didn't hold their shoves back, and when things riled up, it turned into who would break a bone first. No one did, but everyone was definitely sore afterward. Of course, the enhanced ones didn't limp as much, but it made your limp nothing out of the ordinary.

(You tried your most damn not to just collapse completely, both exhaustion and pain threatening to snap your spine into little bits and pieces.

You jokingly wished it did.)

Thankfully, during the whole ordeal, no one noticed how you didn't avoid obvious hits, instead opting to just get harshly jostled in your kart and neck snapped haphazardly to the side at the sudden jolt. Or how you 'accidentally' keep forgetting to put on your seat belt or keep your fingers inside the kart.

Or at least, if they noticed, no one said anything as you limped around the tower the next day, bruises marred everywhere on your skin, a sheen of sweat blanketed on your skin throughout the whole day.

___

The first time you celebrated your 19th birthday, you were too swamped with both college and SI to actually... Celebrate.

You didn't even realize it was your birthday. No one did, actually; it took one of your professors to comment on how your name was trending on Twitter to actually get you to realize what the day was.

But even that didn't change your schedule, and as you moved on with your day, so did Twitter and the Avengers.

You never got to celebrate your 19th birthday, too swamped with other things to care.

The second time you celebrated your 19th birthday, you had too much free time in the world.

It ended up being just like your 17th. The Avengers had a little get-together (they remembered this time; what made it so different?) and all of them got drunk wildly off their asses. Once again, you slipped away from the main lounge, and stalked silently, blank-faced, towards a balcony.

You adjusted your collar appropriately and stood there. You stared outside into the bustling busy streets of New York, the city that never sleeps.

(Strange, that it's named that when often times it's the quietest whenever you're there to see it.)

You spend maybe 10 minutes standing there, staring into the oblivion that is New York.

And then, you climbed onto the railings.

Standing there, there was no rush of adrenaline that coursed its way through your veins, nor was there any fear or dread.

Only an overwhelming and crippling exhaustion that made waves through your body. No longer are you in your 19-year-old body, but your 27th. No longer are you in your younger, former self; one that shone brightly above the others, aspiring as both a heroic figure and one that would help pave the way towards a better, peaceful world.

No, instead, your soul feels like it's settled deep into your bones, an aching tire that keeps rocking and rattling at your already fractured, beaten down body, laughing at how pathetic you look.

(You're so tired.

You just wanted to live normally.

You never can, you eventually come to realize on your first 24th birthday.

That thought, now fully realized, would come to permeate it's way deep into your bones.)

All you wanted to do was to just take one step forward, off of the railing that you're so delicately balanced upon, and dive into air headfirst.

Really, all it takes is just one step.

And truly, you've never felt more at peace as your body dropped from the railings, descended quickly towards the streets below you.

What should've been a quick few seconds of a dive felt like an eternity drowning in a bottomless pool. The lights of New York flashed and beamed at you, but it changed rapidly from one to another. Your throat closes, shuttering, and you want so desperately to start screaming.

Only, no one would hear them.

The winds would carry away your screams, rushing a sound of its own that would overpower yours.

You wonder, absently, was this similar to what Rhodey felt that day?

Well.

You'd never really find out, now, will you?

Too late to ask.

(There's no way to get back home.

You can never see Morgan again- the Morgan that called you her big Care Bear, the Morgan that cried and threw a temper tantrum because you forgot to give her a goodnight kiss.

You can never see mom and dad again- while they're still here, it's just not the same. You'll never get to see the same Pepper who was so relieved just to see you alive after the Battle of Wakanda, even if you were practically on your death bed. You'll never get to see the same Tony who you spent hours crying into the shoulder of after the Blip.

You can never see the same Steve, Natasha, Rhodey, anyone, ever again.

Years spent just trying to be better, to help the world, to mend and build any relationships you could, gone.

And even if they weren't?

There's just no way to get back home anymore. Not back to the person you used to be.)

The next day, you got an earful from your parents when photos of your falling body appear all over the internet. All the meanwhile, you're not really listening to them, just staring right back at them.

Odd.

('When did you start looking at me with contempt?', you'd ask one day.

Tony just stares at you, then out the window. In his hand, he's holding a cup of coffee; in yours, water. You've since stopped drinking anything remotely sugary, caffeinated, or alcoholic, though you've never told anyone why.

'When did you start mistaking concern with contempt.', he responded, though it was more of a statement rather than a question.

You stared at him, then followed his gaze out the window.

Neither of you says anything, even as the hours go by in the blink of an eye.)

(That's all I had written down so far. Not sure where I wanted to go with this afterwards.)

Special (Vapidity, Testament To Absence) deals with future DAHLIA realizing what it means to mourn someone.

The house is empty.

It is an irrelevant thought, DAHLIA notes.

Technically speaking, the house has been empty quite often than not; after all, you were a busy man with an equally busy schedule. Being the CEO of SI and a huge contributing factor to the world's rebuilding made it more or less impossible for you to stay at home for long. Though, she also doesn't linger long in the house, either. But she's still there regardless, even if she's also with you on the other side of the planet for diplomatic reasons.

She knows of the emptiness inside this house; it was never an unfamiliar concept.

But with this emptiness, she's never once associated loneliness with it either.

It's a bit better when Virginia occasionally comes around to the house to do some maintenance. She might even bring along little Morgan with her.

("You keep saying she's a pest, but I know I sure as hell ain't the one that keeps shifting the TV to the kids' channels when she's around," you comment, not even taking your eyes off of the pan. DAHLIA says nothing towards your accusations, instead opting to tell you that you're burning your eggs.

You aren't, but she says nothing amidst your panic.)

A few others occasionally visit, too, much to DAHLIA's internal disapproval.

Rogers used to visit every day ever since she first noted the emptiness. His behavior was also peculiar. He'd prowl around the house, pausing here and there at random parts of the house. He'd often just... Stand there, seemingly looking at nothing for a long period, before jolting back and continue what he was doing. She's thankful that he hasn't noted her silence when he's around.

Often Banner would come along too, and he'd be talking quietly with Rogers. As of recently, they've stopped visiting though. Probably because of the recent news (that (Name) might still be alive, just lost in time), DAHLIA almost bitterly notes.

James ("Just call him Rhodey- literally no one calls him James nowadays." you laugh, eyes crinkling with amusement) visits too. He doesn't linger for long, but he makes sure to check up on DAHLIA, help tend to the flowers... She'd even dare say she wishes he'd visit more often.

Peter also visits here and there as well. He often comes with Morgan and Virginia, but there have been a few occasions where he's come here by himself. He'd spend most of his time in the garden, your favorite place. And when he's alone, she'd given him privacy out of respect, but even at a long distance, she can hear him talking by himself. He'd come back eyes red and swollen, but he's always smiling afterward.

A few others have visited too, but not as often as the others. Though, none of that really helps negate the emptiness she feels as she wordlessly navigates through a routine she devoted herself to after your disappearance.

And the final chapter, Special (Chemically Compromised) is basically a fluff filler with (Name) chaperoning Peter's field trip, inspired by an Instagram post.

Written in bits and pieces, unfinished. Not sure if I wanted it to be romantic (the name implies it in a nerdy way) or just a fun, platonic, "dude you're literally embarrassing me" way.

(Peter) "I can't believe you're doing this...!"

(Name) "What? What's wrong with this?"

Pan to (Name) dressing like he's a Typical, Normal Civilian Man, but it's clearly (Name) Stark, son of Tony Stark, and an Avenger.

(Peter) "I don't need you to chaperone my field trip...! May could've done this-"

(Name) "No, she really couldn't, sweetheart. She's got a busy shift, and even told me that no one else's parents was free."

(Name) "Listen- this really could have gone worse if, say, Tony, knew. God knows Tony would've dropped everythin' and just embarrass ya- he did that shit to me every chance he got," Peter winces, almost forgetting that Tony was still your dad, and a chill ran up his spine as he imagined what it would have been like for you.

(Peter) "But still..."

(Name) "Don't worry, I'll just wear a cap and sunglasses."

(Peter) "That can't possibly work."

(Name) "You'd be surprised- Sam's standin' down there, right near that phone booth."

Peter's head snapped over to where you were pointing at, and indeed, right on the floors of the Manhattan streets, there was a relatively built black guy that's wearing a cap, sunglasses, and a brown leather jacket. Peter tilted his head.

He hasn't been around Sam all that much, but he still knows what the Avenger looked like. But even then, he wasn't sure if that man was actually Sam. He's built right, but Peter can't see much of his hair or eyes. Plus, he's kind of far away.

He squinted at the man, before glancing back at you, now unsure of himself.

(Peter) "That's really the Falcon?"

You stared at him, before snorting.

(Name) "Nah, I'm joshin' ya, that's just some random guy...", you glance at the man, sniffing, "... Probably."

That's... pretty much it. That's all I had for Restart, as far as writing goes.

Now here are some closing thoughts, just to wrap all of this up nice and tight, sort of.

I'm not really happy with how the initial chapters were paced and how they were written. My writing style has mildly changed, and if I had the motivation to, I'd love to rewrite them. But alas, I don't.

I think about this story often; or at least, variations of it. It's like when you daydream, and you restart it but to the left. But unfortunately, writing a plot without too many plot holes while remaining as canonically correct as possible, and making it interesting without being a complete word-by-word remake of the movies, is difficult.

I'm not sure if I would ever pick up this story again, especially since this whole chapter told you what I had in store anyways.

Thank you to those who took the time out of their day to write nice and encouraging comments about this story. It's unfortunate it had to end this way, but I'm glad it happened anyways. And hopefully, it's the same for you.

And remember: the one thing writers love to do is talk about their story! If you have any other comments, questions, or just general thoughts about the story, I'd love to discuss it further!

Anyways. If you're reading this now, thanks for sticking with Restart for as long as you did.

_____

Masterlist

_____

I know I had people on the tagged list, but it’s a bit hard to get them all as URL’s change, so I opted not to. Sorry!

#male reader #avengers x male reader #steve rogers x male reader #bucky barnes x male reader #avengers #reader insert #avengers x reader #restart

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joshhhhhhhhhhhhhhh · 2 years

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Sonic Movie 2 Spoilers lol

hi so I got back from the movie. I have some thoughts, though honestly the main thing I want to say is I’m just happy about how good it was lol.

I don’t exactly have a unique take on the first movie - it’s an inoffensive kids movie that was completely fine, but lacked much of an identity and definitely needed to take more from its source material. In comparison, this sequel takes a lot more actual elements from Sonic. And it’s not just that, right. If the movie was just the first movie again but now there are more Sonic characters, you’ve not really solved the problem of why the first movie felt so bland. Where the strengths of this movie largely lie is in how much works it puts in to justify those elements, replicate them authentically and yet bring something new with them to the table. Sonic, Tails and Knuckles’ arcs in this movie are genuinely intertwined impressively well, both technically and thematically. And they feel like very natural things for the characters to go through in regards to the plot this time around as well. The movie was great for faithfully adapting elements from the games while transforming them a little to fit this version of the series, it was super nice to see! It felt like a different interpretation of Sonic rather than just, some mid kids movie with Sonic’s face in it. I’d say they upped the reference game as well tbf, with level design chunks borrowed from Labyrinth Zone or fight choreography paying homage to Sonic X and some Sonic Battle moves and shit. Definitely just rambling at this point tbh, the only reason it’s one paragraph is again so it’s harder to accidentally spoil yourself for people reading. I don’t wanna be a dick lol. Reminded that I was actually spoiled of both Super Sonic during the final fight, though even with being spoiled it still felt like a genuinely hype scene that delivered a great action climax for the movie, even if thematically it’s actually kind of a weakest link. I was also spoiled on Shadow as the mid-credits scene, though his appearance had me hyped all the same lol. I definitely need more to pad this paragraph out just so people don’t read “Shadow” on accident as easily. The movie had surprisingly little going against it too, which was nice. Wouldn’t really know where to cleanly divide the acts but suppose from like, Sonic and Tails setting out on their journey to when the gang escape from the old owl temple place, that part of the movie dragged quite a lot. I genuinely really liked the first few scenes of the movie too so I was worried that these scenes being quite dull would’ve continued throughout the movie - like all the good had dried up. Thankfully that wasn’t true. Although, the Uptown Funk dance sequence, and really the entire Siberian bar sequence of the movie, were pretty much unbearable lol. Okay I think I can be done.

Also not that it affects the quality of the movie itself a lot, but what a fucking awful cinema experience holy shit. The lights weren’t dimmed properly is the only thing I can fault the theatre for, but that was the rowdiest, most disruptive fucking annoying audience ever. Here’s the thing, right. If it was kids being excited, I wouldn’t care, because that’s harmless and cute and they’re kids so why be mad lol. But when grown adults are doing exaggerated laughs and screams and shouting out everything that happens in the movie, or that guy that screamed the onomatopoeia “achoo” randomly for no fucking reason? It was unbearable! Also god forbid people sit down for more than 5 fucking seconds, felt like I couldn’t even fucking see the movie.

But yeah that was mostly filler text so people don’t accidentally spoil themselves by skim-reading unintentionally lol. True, the cinema experience was shit, but that doesn’t undo the movie being good and that’s what I’m gonna remember most.

Genuinely good movie. We love to see it.

#sonic #1.4.22

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snkpolls · 3 years

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SnK Episode 68 Poll Results (for Manga Readers)

The poll closed with 146 responses. Thank you to everyone who participated!

Please note that these are the results for the Manga Readers’ poll. If you wish to see the results for the Anime Only Watchers’ poll, click here.

---

RATE THE EPISODE 140 Responses

The anime continues its positive streak with just over 90% of respondents rating the episode a 4 or 5. MAPPA appears to be blowing this season out of the water for most of us!

Noice

Good!

I liked it

WHICH OF THE FOLLOWING MOMENTS WAS YOUR FAVORITE? 144 Responses

We got a pretty mixed pie chart this week. To be expected, given how many moments were in this episode. At a tie with the largest pieces of the pie were Hange’s eccentric attempt to greet the Marleyans and Eren’s gunshot figuratively hitting Sasha. Behind that two more options tied in each with 10.4% of the vote - EMA’s conversation at the shooting range and Sasha appreciating Nicolo’s cooking. This is followed closely by Eren’s mirror scene with 9.7% of the vote. Onyankopon explaining why he looks different when Sasha asks him about it took a solid 9% of the vote.

WHAT WAS THE MOST EMOTIONAL PART OF THE VISIT TO SASHA’S GRAVE? 144 Responses

This was almost too close to call, but Mikasa sitting alone managed to edge out just slightly over Connie’s “I’ve lost half of me” moment at Sasha’s grave. Trailing behind the two were Nicolo’s grief and the agreement between Papa Braus agreeing to a free meal from Nicolo.

AFTER SEVERAL TENSE AND ACTION PACKED EPISODES, HOW DO YOU FEEL ABOUT THE TRANSITION TO SOMETHING MORE CALM? 138 Responses

The larger chunk of respondents are feeling relieved to get a break from the action for a few episodes. 21.7% prefer the action but don’t mind a break here and there, while 21% state that they enjoy the exposition more than the action anyway, so they are content. A small handful don’t care either way.

We needed this for another build-up to more action

I like the action but it’s important to move the story along

These just feel mandatory fillers to me.

I miss the warriors

I feel fine with it. I thought that was going to be some happy-go-me episode, but gladly it still had a serious tones.

This episode felt like a very welcome respite after the absolute shitshow that was spoilers week and....whatever the fuck chapter 137 was.

Nice breather of sorts, I always like seeing characters from action-heavy series in their downtime.

WOULD YOU RATHER GET A SURPRISE GREETING FROM EREN & HANGE, OR ARMIN & LEVI? 141 Responses

The vast majority of respondents would prefer the slightly less lethal greeting given by Hange and Eren at the beginning of the episode. We’re not sure if the other 29.1% are masochists or just really love Levi and/or Armin that much more. Or perhaps they’re intrigued by the pig piss from the filthy island devils.

ON A SCALE OF 1-5, HOW HAPPY ARE YOU TO BE BACK ON PARADIS? 139 Responses

Overall, fans are happy to be back in familiar territory and put into the perspective of the Survey Corps again. Let’s get ready to rumble!

MAPPA HAS SPRINKLED IN ANIME-ONLY ADDITIONS THROUGHOUT THE EPISODE. AS A WHOLE, HOW DO YOU FEEL ABOUT THEM? 139 Responses

Though subtle, MAPPA did include some anime filler (such as Eren’s, erm, mouth breathing). 51.1% enjoyed the noticeable additions, while 37.4% are completely confused by the question and didn’t realize there were any. A handful generally don’t prefer additions but enjoyed what little ones we had this episode. A small sliver didn’t care for them.

HOW DO YOU FEEL ABOUT THE SCENES FROM CHAPTER 107 THAT WERE PEPPERED IN BETWEEN THE MOMENTS FROM CHAPTER 106? 139 Responses

MAPPA is shuffling things around to pick up the pacing of this arc, and 48.2% of respondents are feeling very positively about it. 38.8% also feel that both the order of events in the original manga and the anime work out just fine regardless. A couple of smaller groups either felt that things were a bit off from the manga, or didn’t really care either way.

I think it's great because it allows an episode to start and end on the same chapter if mappa ever wanted it, allowing the right twists or cliffhangers to be in the right episodes, all WITHOUT having to slow down, which I wholly appreciate.

I'm fine with the changes. Mappa is doing good job.

WHAT DO YOU THINK ABOUT THE CHANGE OF GABI BITING HER NAIL AND ANGRILY SAYING EREN’S NAME IN HER JAIL CELL? 142 Responses

Nearly half of voters feel that both MAPPA’s take and Isayama’s original take work just fine for Gabi’s character. 28.9% prefer the anime’s take on Gabi’s reaction to all that happened, while 14.8% feel that her more defeated posture in the manga makes more sense for her character.

I'm a mix of both? Her defeated posture implies that she's not happy with the way things worked out with them in jail and Zeke betraying them. On the other hand, her angry face is realistic to the scene too because it implies she really blames Eren for their current predicament.

She looks like some female version of young, angry Tarzan. This time Mappa should have kept the original postures, because the defeated Gabi feels to be more realistic, than the crazy anime one.

I think they both work but the anime's take might be the anime team beating us over the head that she's just like Eren when he was young.

Makes it clear to the anime-onlies that she really is psychotic

Gabi sucks

HOW WELL DO YOU THINK MAPPA NAILED THE TRANSITION OF EREN SHOOTING THE GUN, TO SASHA TAKING THE HIT? 141 Responses

The response to MAPPA’s take on Eren’s shot inadvertently hitting Sasha was overwhelmingly positive, with only a few people saying that they could have done better with it.

Eren shot linked to Sasha's death was awesome. Mappa is nailing it!

THE PART WHERE JEAN, SASHA AND CONNIE ARE TRYING TO GUESS WHAT A PORT IS WAS CUT OUT, WITH ARMIN’S NARRATION INSTEAD CUTTING INTO THE SCENE. WHAT DO YOU THINK ABOUT IT? 140 Responses

Exactly 50% felt that while having that JSC characterization would have been very much welcome, they’re okay with that small detail missing from the manga (granted, it was at least acknowledged by one panel being animated). 25.7% have a more nonchalant response, stating that if it helps with the pacing, they’re fine with small cuts like this. 10.7% are just let down by JSC’s lack of characterization in the anime overall and didn’t appreciate even more being taken from their characterization in this episode.

I was more so interested in our Paradis Peeps talking about newly discovered technology but I’m happy with what we got.

Not dissappointed since I understand you can't show everything but I love them so sad

Why was it animated then?! I’m so confused

Normally I don't like it when they cut corners like this, but I wasn't fond of that scene in the first place so it's okay.

If by "anime" you mean the entirety of it including the past 3 seasons, then option 3. I'm always going to be salty about how much they took out or changed for these three during the uprising arc. So far mappa has done okay with them, I guess.

Would have been a funny JSC moment, but it was really absolutely pointless. In manga format it works as just background words on a panel. Animating it takes seconds of an episode that could be used elsewhere. So I'm fine with it being cut out.

SOME HAVE COMPLAINED THAT THE ENDING SCENE OF EREN REPEATING HIS MANTRA INTO THE MIRROR LACKED THE IMPACT IT HAD IN THE MANGA. HOW DO YOU FEEL ABOUT THAT? 138 Responses

43.5% were receptive of the anime only shots, but favor the way the scene was portrayed in the manga more. 34.1% felt that both versions were done well, with only 9.4% feeling that the impact was largely the same (if not better). Based on the write-ins, the main complaint seems to be the lighting/color scheme of the scene not quite meeting expectations, or that MAPPA made Eren’s back look weird.

theyll make up for it when eren screeches at hange next ep

Impact was there, art just felt a bit wonky and toned down the scene overall. 9/11

This goes into my criticism of the color palette and shading style mappa uses, which is far more subdued. The contrast is lowered and the scene is very dark, and there is little rim lighting, so while the actual lineart has far more detail, the detail in the lighting is reduced. Damn I really am writing a wall text aren't I? I prefer Wit Studio's art style a lot but Mappa has honestly been doing great so I couldn't care less, manbun Eren is hot.

I prefer the manga version. I think the anime version have weirds shadows in eren's back. Plus the mirror don't have the same energy, less impactful

Cool scene in the anime, an unforgettable blow to the brains in the manga

Idk

Most of the time seeing things for the first time is what's really impactful. Feel this way towards Armin's transformation in the boat as well. It was definitely less impactful than when you first read it in the manga.

I understand the fandom because this moment was very popular when the chapter was out. I think that in the anime Eren lacks the anger he had in the manga. His voice was too calm while repeating his mantra. .

WHY DOES HIS BACK LOOK LIKE THAT

I didn't care for it in the anime, it was really underwhelming.

I think most people are annoyed about the lighting than the impact. It’s a bit too dim and the lamp hides Eren’s new hair.

Didn't like the anime version at all

The animation wasn't good and they totally fucked his hair, face, and body up. Although the added shots were definitely welcome.

Eren could've been sexier/animated better, I hope they do better next ep 😭

WE WILL ASK YOU AGAIN. HOW WILL THE ANIME DEAL WITH MIKASA’S HIZURU TATTOO/SYMBOL? 135 Responses

With Mikasa meeting Kiyomi presumably being inevitable in episode 69, we wondered if any opinions had changed on this. 34.1% feel hopeful that the tattoo will be retconned into the anime and that we will see this scene faithful to the manga. 28.9% think that Mikasa will happen to have some kind of embroidery on hand already. 25.9% don’t want to make a call either way, and a small handful think Mikasa’s going to just pull out an embroidery kit and go with it, lol.

The embroidery will be on the inside of her bandage.

Japanese are very taboo about tattoos because of the Yazuka... it will 100% be the embroidery.

I don't know but I hope it gets retconned. Never liked the embroidery thing.

It won't be included

Let’s just... ignore it..

I really really hope MAPPA retcons Mikasa's tattoo next episode. This will be the one retcon I will absolutely celebrate. Plus, it's not really a retcon if they're just amending Wit's changes.

WE WILL ASK YOU AGAIN, AGAIN. WITH THE PACING CURRENTLY UTILIZED BY MAPPA, WHERE WILL EPISODE 16 END? 137 Responses

Uncertainty continues to loom over exactly how far MAPPA will get into this (first half of the?) season. Nearly 40% don’t want to make predictions one way or another, while 23.4% feel that it won’t make it quite to chapter 122. The rest believe it will make it to chapter 122, with 17.5% feeling there will only be minor cuts, if any, and the remaining 13.1% feeling that there will be major cuts to make the feat to chapter 122.

116 (?) when the allied force attack paradis

122 with the amount of cuts being somewhere in between. They can cut a lot of the Gabi and Falco plotline and still have the story remain intact.

See, I'm not sure buy I'm also worried and curious about it all. It brings up the question of will the story continue in a possible second half of the season? With the manga ending very soon now, it makes sense to have the story wrap up in its anime medium as well. Fees like there's some kind of uncertainty surrounding this, it's unnerving tbh.

119 with Eren's head being blown off.

gabi no scoping eren, ending creds is eren entering paths and we see ymir standing behind him, s4p2 starts w the ymir backstory

121

No idea and I don't think about it. I just enjoy the show.

Your guess is as good as mine, I'm still fearing major cuts.

119

HOW DO YOU FEEL ABOUT NICOLO’S PORTRAYAL? 138 Responses

With Nicolo now formally introduced in the anime, we were curious how you felt about his portrayal. Overall the reaction was positive, with 48.6% agreeing that he’s a “cutie pie chef”, and another 45.7% feeling that his design and seiyuu are absolutely great! A small handful were less happy with the voice, but happy with the design, and a sliver went in the opposite direction, preferring voice over animation.

HOW DO YOU FEEL ABOUT THE ADDED DETAIL OF THE FLOWER BOQUETS AND THEIR SYMBOLISM ON SASHA’S GRAVE? 140 Responses

Respondents vastly appreciated the flower symbolism from MAPPA with 82.9% of the pie. 12.9% aren’t really sure what symbolism there even was, and a small amount either don’t care or felt the effort could have been spent on something other than flowers for Sasha.

WHICH SCENE FROM THE PREVIEW ARE YOU MOST LOOKING FORWARD TO? 143 Responses

This pie chart wound up being almost eerily even. 42.7% are most looking forward to the 104th discussing Eren (hopeful for the train flashback?). 39.9% instead are looking more forward to Hange and Eren’s tense conversation at his jail cell. The remaining three preview moments were pretty evenly split as well.

DO YOU THINK WE’LL GET BLUSHING!104TH NEXT EPISODE? 130 Responses

71.5% feel that there is a chance we will get the train flashback of the 104th in this episode, but don’t want to say for absolutely certain. 18.5% feel that it is a guarantee based on what we saw in the preview. 10% feel it is instead guaranteed that we will NOT get the scene in 69.

WE WILL LIKELY SEE PREGNANT HISTORIA NEXT EPISODE. THOUGHTS? 140 Responses

The plotline that continues to be a frustrating mystery in the manga - Historia’s pregnancy. 34.3% aren’t particularly looking forward to seeing her in the rocking chair and aren’t very stoked about having to relive this plotline all over again. 33.6% mainly just care about seeing how the anime only fans react to the scene. 17.9% just miss Historia altogether and will take any scraps they can get. And a small handful, at 9.3%, are actually looking forward to seeing anime!Historia with a baby bump.

Don't really care about historia

It's in MAPPA's hands now. I just hope they can add a little more of her screentime somehow.

I hope so. I want to see the design of her adult self.

I honestly wouldn't mind if Historia's entire arc, which consists of equal parts pregnancy, irrelevance and uselessness, is just completely cut in the anime lol

not interest

I'm not interested

I've hated this fucking plot line with all my being and what it's done to Historia since the leaks for this chapter were revealed years ago. So I'm not looking forward to anime-only people jumping in with their hot takes too. 🤮🤮

ADDITIONAL THOUGHTS ON THE EPISODE?

mikasa was shown in sasha's grave in the morning/afternoon and then she was shown again at dusk. SHE SPENT THE WHOLE DAY THERE. and annie... what a queen. and hisu's few scenes? so pretty.

Really glad the pacing was well done

nicosasha ship just flew in and took the spotlight

fantastic!! maybe it's just because this isn't my first time going through this arc anymore, but i feel like the anime feels chronologically less confusing than the manga—I remember being very confused my first time reading these chapters.

The lack of score by Hiroyuki Sawamo is negatively impacting my relationship with the anime. The depth of the emotion that could have been evoked was not present. I also did not get the sense that Nicolo and Sasha were in love, which was a major disappoinment. There were other aspects that weren't so bad, though; specifically, Levi's portrayal and Onyankopon's philosophy.

It felt a bit all over the place, but just seeing things from the manga being animated, I ain’t even mad.

I think that the scene between Sasha and Nicolo was made better in the anime. Isayama has problems with writing romantic moments, so in the manga the whole moment looked like it was taken from some light romance. Mappa made this scene more serene. I liked it.

I think MAPPA is doing so great tbh! I just need them to hurry up and explain if there will be a part two to this final season or what?! I need to know if we get more anime or they'll diverge into movies or.... just tell us! Lol!

How DAREEEE they not give Levi his black steed!!!! .....Although knowing what happens ummm yeah maybe his pony gets to live another day this way lol

Here comes the train wreck, choo choo!

I'm really sad I didn't get to hear Sasha call Jean a perv. I was really looking forward to that. LOL I love them. When EMA were at the shooting range, it looked too much like Mikasa wasn't wearing any pants.

VERY solid. Not the biggest fan of the War for Paradis arc but I'm here for the ride.

WHERE DO YOU PRIMARILY DISCUSS THE SERIES? 128 Responses

Thanks again to everyone who participated!

#snk poll #snk polls #snk spoilers #snk s4 #shingeki no kyojin #attack on titan #snk #aot

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eijiroukiriot · 3 years

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here are my thoughts of all the filler/anime original content (filler) added to the bnha anime except i’m not looking up a list this is just everything i can remember

iirc there wasn’t really any filler in season 1 (probably because they had the least episodes to work with and a brand new show doesn’t really want to waste viewer time on boring/unimportant content) BUT season 1 did come with the first OVA which, although it was pretty forgettable, had some genuinely fun moments i.e. iida and uraraka’s very cute interactions and that part where 13 praises bkg like “he’ll surely become a beautiful hero” and sero’s like “well, he’ll never be beautiful”. i don’t have bad feelings towards it but since all the rest of the OVAs and even though i’m complaining about training exercise plots the show had just started and it was still a good way to get new viewers acquainted with the class

okay so this is gonna get wordy but bear with me: since anime moved away from the “popular series air year round” structure to the “popular series air in 1-2 cour chunks at a time” the definition of filler changed a lot - in like the early 2010s all you’d hear is “naruto is unwatchable because of how much time they waste on meaningless filler arcs” and i’ve never watched naruto myself but i’d imagine the fact that studios were expected to air 50 episodes a year was a huge part of why it turned out like that. but since things are different now the game is more about “how much of our original story can we fit into a short burst of episodes, and if we have extra time, what can we do to expand on it” and i think bnha proved in season 2 that they were really good at playing that game! s2 does not waste any filler time. like. that tsuyu episode is one of the most beloved episodes of the season and a GREAT example of how to use an extra episode to give a minor character some time to shine while also checking in on some other characters (i’m not gonna get into jean man thoughts right now but Bakugou Makes Kids Cry was a really good scene to expand on how horikoshi first wrote that internship and sorta. a part of why everything after it feels less credible)

s2 also had the OVA with the zombies and tsuyu’s backstory which only took up the first few minutes BUT made it so that OVA checked off both the boxes of adding something to the story while also just being fun to watch. that scene at the end where all might offers a mummified deku cake in the hospital and he’s just like “i can’t eat this” is just so good

obviously i’m biased about pool episode but also i think krbks are the only people who came out of that episode really happy. other than really firmly establishing their friendship (which is actually really good & important buildup to kamino) it’s a pretty clunky way to recap the characters and not even all of the flashback sequences were really handled in a way that made sense. i think the concept of a pool episode/race could’ve been done better if they had spent more time on it but what’s there is fine and it’s always nice to see the kids being kids. still don’t get why the girls didn’t get to race though

i remember being so excited when miss saiko intelli was revealed because that was one of the first anime original GIRLS and i thought everything about the fight with her was fun! very fun watching her and her weird school friends, very fun watching momo and jirou work together while shouji held tsuyu like a baby. i enjoyed it

i hate that mystery episode. like. not all filler really has to add anything to the story, if it was a really fun and exciting episode that would’ve been just fine but the whole episode was just deku walking around explaining a mystery that the audience had no chance of figuring out on their own. i liked the shot where all the kids poked their heads out from behind a corner in a little stack though

i don’t remember if it was that episode or not but i do remember there also being a scene with melissa sort of promoing the movie in the anime which i didn’t mind because it was pretty quick and well integrated

i liked the first episode of season 4! camera guy’s quirk was cool, there were a lot of fun shots of the kids, and i thought the moment with him and deku at the end was really heartwarming. i don’t 100% remember what it was but it was heartwarming

season 4 had a good amount of side arcs and the school festival arc was lighthearted and character-focused enough that i don’t think they had or needed any filler but also if i’m wrong please don’t correct me about it i like living with the mystery

i just put this in the tags for that ask 1 second ago but season 4 ova was. boring. especially because they got 2 episodes to work with and decided to do another training episode. not much came out of it plot or character-wise other than 3 musketeers (is that what we’re calling them now .) working together and bkg accepting deku as a cane to lean on. those were good scenes but they could’ve shown them in a different scenario (like in team up mission!). idk what there really is to gain from making ovas anyway (unless they’re on a streaming service or something?) so i guess profit isn’t really the issue at hand but you gotta imagine that the people in charge know that another training exercise OVA isn’t gonna be the most exciting thing possible for fans. i’m not gonna demand that they make a fantasy au OVA or anything but if they had the resources to make 44 minutes of new animation and content it feels like a waste that they repeated what they already did without really fleshing anything new out

#just saw a reply on that last ask saying 'come on that ova was great' so if you wanna talk abt it genuinely come into my inbox #i didn't enjoy it but also if you wanna tell me why you did i will 100% listen #anyway this is me rambling for many many words which is one of my favorite things to do #i've been watching jenny nicholson videos this whole weekend and i love that format of just talking for a really long time about something #you care about/have a lot of thoughts on #so! these are my thoughts and opinions #if you've read this far i feel like you deserve like a dollar or a chocolate bar or something #thoughts

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yeonchi · 3 years

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Doctor Who Hiatusbreaker Update 2

Although the premiere of Doctor Who Series 13 is still a while off, let alone the announcement of a premiere date, there are a few things I’d like to talk about before that time comes. Let’s get right into it.

Filler series plans to talk about Series 1-10

Some time ago, I had plans to make a ten-part series talking about Series 1-10 in detail, but because I had a lot of stuff going on, those plans were reduced to something I call Doctor Who 10 for 10 - 10 Things for 10 Series, which was to state ten things about each series with at least 4 to 6 of these things being my opinions on each series. This was intended to be a filler series to bide the time before Series 13 comes out, but that may have to come at another time. I’m also continuing with Kisekae Insights if anyone wants to check it out.

The post-Series 13 forecast

Since Series 13 would be Jodie Whittaker’s third series as the Doctor, signs are pointing to this being her final series. There are also rumours stating that there will be two specials in 2022 that would serve as her final episodes. If this is the case, then it means that Jodie Whittaker would have been the Doctor for five years; a five-year-long ordeal of pain because series seem to be released pretty much every other year as a result of the almost-year-long gaps between them, not to mention the fact that less episodes are being produced as time goes on. Whether Chris Chibnall will be remaining on is still unknown at this time. Frankly, I’ll be glad when this is all over because I (and many other fans) have been kept hanging for so long. I just hope the Timeless Child payoff will be worth it.

At this point, the only reason why I’m still watching the series is mainly because I want to know how the Timeless Child arc plays out. The initial shocks have come and gone, but now this is where we wait and see if the aftershocks are as worse.

When I started my Thirteenth Doctor Reviews, I made a pact that I would cut off all ties with the series going forward if the Fourteenth Doctor was another female. Given the Timeless Child arc and the rumours that Olly Alexander would replace Jodie Whittaker (which would make him the first gay actor to play the Doctor) that came and went because his agent stated that he was focusing on music for the time being, I’ve honestly stopped giving a shit at this point. I’ll probably continue being a casual fan of Doctor Who, watching episodes as they come out, but regardless, all that this series will be to me is like what the Koei Warriors series has degraded itself to over the past decade. I’ll still be grateful for all the inspiration and opportunities it has provided me with over the years, but I’ll probably accept that the series has gone on a downward spiral with seemingly no way of coming back up. But hey, all will be revealed in due time, so the forecast isn’t that bleak for now.

The first look into Series 13 (added 26 July 2021)

So just today, two days after I originally published this post, the teaser trailer for Doctor Who Series 13 was released following the 2021 San Diego Comic Con@Home. Aside from the Doctor, Yaz and Dan, the only other character we see is Vinder, a recurring character throughout the series who will be played by Jacob Anderson. Recurring character, you say, and that’s because Series 13 will apparently be a single serialised story. This brings callbacks to The Trial of a Time Lord or more loosely, the multiple two-parters of Series 9. We still don’t get an exact premiere date, only that it will premiere “later this year”, but given that Series 11 and 12 took about 10 months to film, we can predict that filming of Series 13 will likely be wrapping up in the next month. Whether there will be a shorter run of five or six episodes (thereby reserving two of those episodes for the 2022 specials, assuming they won’t be filmed separately to Series 13) is unknown, but regardless, I’m looking forward to watching and reviewing the series for myself.

Jodie Whittaker and Chris Chibnall leave Doctor Who (added 30 July 2021)

In news that will surprise no one, Jodie Whittaker and Chris Chibnall have announced that they will be leaving the series in 2022. Technically, the news isn’t much of a surprise in terms of Whittaker than it is for Chibnall, as Russell T Davies and Steven Moffat have been showrunner for two Doctors each. But hey, with this, it means that my Thirteenth Doctor Reviews will also be a review of Chibnall’s run as showrunner.

My initial thoughts on this, which may or may not change coming up to Whittaker’s final episode - it was an okay run while it lasted, but honestly, good riddance. How’s that five year plan of yours going, Chibnall? If your plan was to divide the fanbase and leave them hanging with gaps between series, then you’ve really done it.

On top of this, Series 13 will be six episodes long, with the remaining two episodes to be broadcast as specials in 2022. The first of them will be a New Year’s Special (surprise surprise) and the second will follow in Spring 2022 (Northern Hemisphere). The Thirteenth Doctor’s final episode will premiere in Autumn 2022 (Northern Hemisphere) as part of the BBC’s Centenary celebrations. Some tentative dates I’m predicting are 18 October 2022, the 100th anniversary of the BBC, 23 November 2022, the 59th anniversary of Doctor Who, or 1 January 2023, which would make it another New Year’s Special (I’m not discounting 25 December 2022, I just think it’s less likely given how this era has been).

With this, the Fourteenth Doctor is expected to debut in 2023, the 60th anniversary year of Doctor Who. I just hope the new production team doesn’t disappoint the fans with that.

In terms of statistics, Jodie Whittaker has played the Doctor for 31 episodes, making her run the second shortest behind Christopher Eccleston. Peter Capaldi played the Doctor for 40 episodes, Matt Smith for 44 episodes and David Tennant for 47.

My hopes for Whittaker and Chibnall’s final episodes haven’t changed; I want to see what happens with the Timeless Child arc (and also Ruth). Whether the Fourteenth Doctor will be male or female (or played by a non-binary or trans actor), I have a few basic preliminary hopes for the next run; make each series 13 episodes again with a Christmas Special each year and put the series back on Saturday nights, like it was before Whittaker and Chibnall. Also, can we go back to filming in the 16:9 ratio? I can never get over how weird it looks on my screen (at full screen, it doesn’t look so weird when I have it playing on half screen, which is what I usually do when I write my reviews).

Jay Exci - The Fall of Doctor Who

Yes, it has been a while and I know I could have told everyone about this earlier, but better late than never I suppose. A couple of months ago, Jay Exci did a 5-hour long critique of the Chibnall era in his video, The Fall of Doctor Who. For some reason, there are those who see it as controversial because they’re NPCs who don’t want to hear criticism of the Chibnall era or they’re spergs who aren’t mature enough to sit through a 5-hour video they can watch in chunks, but hey, it’s pretty good. This is more in-depth than the reviews that people like Bowlestrek or Nerdrotic make, which essentially put Jay on their level in the eyes of the NPCs despite denying that they are on their level and being a sperg about how they’re better than them. Welcome to the party, Jay, you can check out anytime but you can never leave.

Anyway, you can check out the video below. Even if you don’t feel like watching the whole video, I highly suggest that you watch section 4.2 onwards (timestamped link here) as it does resonate with my feelings on the Timeless Child arc. I swear, this is just like Dynasty Warriors 9 all over again. I know the feeling.

youtube

Cancel culture comes for Noel Clarke and John Barrowman

The thing about cancel culture is that people can be petty about things other people have done or said years ago and they can justify it with the excuse that they’re doing it to hold those people accountable. Depending on the context, it can expose the fact that that person is a major piece of shit or it can be an overreaction to something, which in the minds of today’s society is normally the latter.

Around the time that Noel Clarke was nominated for a Bafta at the end of March, allegations emerged of abuse and sexual misconduct against him. 20 women came forward with their stories and as a result, the final episode of Viewpoint was pulled from broadcast (but still released on Blu-ray and DVD) and Bulletproof was cancelled before filming on the fourth series would begin.

In May, video emerged of Clarke at Chicago TARDIS in 2014 talking about how John Barrowman would expose his genitals and slap it on people and things. This led to allegations about Barrowman surfacing, resulting in him apologising for his actions even though he had already been reprimanded for them over a decade ago and apologised in November 2008. Despite this, his contribution to the immersive theatrical event Doctor Who: Time Fracture was pulled and Big Finish have decided to shelf the release of Torchwood: Absent Friends, which would have featured David Tennant as the Tenth Doctor.

Now, I don’t care about Noel Clarke by any means, but this situation is honestly sad for John Barrowman because it shows that cancel culture spares no victims and leaves no fossil undiscovered. These PR stunts have clearly shown that the spineless people involved with those productions are so concerned with saving face that they are unable to just overlook these transgressions for the sake of fans who actually wanted to see him reprise his role as Captain Jack Harkness. But hey, what do I know? I don’t really care for anything other than the TV series, but it really shows how shameless corporations can be.

Once again, we don’t exactly know when Doctor Who Series 13 will premiere, but if you ask me, I predict that it will premiere in October or November. I’ll see you all again around that time.

#doctor who #thirteenth doctor #thirteenth doctor review

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filmadaydiary · 3 years

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1/22/21 to 1/23/21

Marvel Part 3

This is the biggest chunk of the films by a bit, and a lot happens in here. I think there are four origin stories, and there’s even a sequel to one of those origins within the same group. A LOT happens, and in general things have been settled into a comfortable formula. And yet here we have some new directors, a lot of new characters, and some new takes on old favorites. Now that the MCU is so established, it seems people were more comfortable taking risks with these stories, and I think it pays off in audience satisfaction. Also, yes, we did watch seven movies in two days. What can I say? We’re good kids staying locked down.

1/22/21

Ant-Man – Peyton Reed, 2015

I’m very disappointed that this could have been an Edgar Wright movie. It comes so close, with the way Luis tells his stories and the structure of the final battle between the two tiny men. And yet it is definitely not Edgar Wright. It’s a pretty basic superhero origin story. That being said, Paul Rudd is a national treasure and absolutely carries this film. He is a delight to watch as the funny, clever lead, as he always is. He was made to be a quippy genius in a cool suit. Okay, that makes him sound like Iron Man. In a way, Ant-Man is Iron Man Lite. He’s not rich, he’s just an everyday guy. He is an engineer, but maybe not a genius. Most importantly, he’s genuinely funny, not rude, and he cares about his family. I do think the characterizations are what make this movie compelling, not the plot. It ties in very nicely to Civil War, and I enjoyed watching it directly before the epic crossover event. Having light-hearted characters with less worldly stakes keeps the MCU grounded and keeps superheroes from being too out of touch.

Captain America: Civil War – Joe and Anthony Russo, 2016

I hesitate to say this, but I think this might be my favorite movie in the MCU. I can’t quite put my finger on why, because there are certainly more epic team-ups, and I hate when friends fight. And yet, I still love this film. One, you get Hawkeye in a non-Avengers event, which is always terribly exciting. Two, you get the character intros of some of the best characters ever (Spider-Man and Black Panther). And three, you get an intense debate about morals that actually gives you something to talk about after you leave the theater. It feels rare to have a superhero movie that doesn’t have morals hitting you over the head with righteousness and love. This movie really makes you think about control and consequences. And I love a movie that makes you think. I’m also slightly biased because I had a great premiere experience, I got to see an early screening and the exclusivity made it more exciting too. It pulls on a lot of existing threads within the MCU and brings the conflict to a head in a spectacular way.

1/23/21

Spider-Man: Homecoming – Jon Watts, 2017

The stand-out role in Civil War, seeing Spider-Man on the big screen under Disney’s purview was certainly a treat. I appreciate that they didn’t go for yet another Peter Parker origin story, instead jumping in after he’s already become Spider-Man. We all know the story of the radioactive spider bite by now, so getting to see Spider-Man grow as a friendly neighborhood guy is delightful. It’s a high school coming-of-age movie that happens to feature superheroes. The stakes are brought down to a relatable level. Asking out the girl he likes is just as important as catching the bad guy, perhaps even more so. Tom Holland is the absolutely perfect casting choice, capturing both being an awkward teenager and being a web-slinging badass. And Tony Stark gets the opportunity to right his wrongs and step up to be a father figure for someone who desperately needs one. I do wish we got to focus on Peter’s story a little more, instead of using him as a pawn to fulfill Tony’s character arc. But that’s a small criticism for an otherwise lovely movie.

Black Panther – Ryan Coogler, 2018

Black Panther rocked the world when it came out, and rightfully so. Here we have a Black superhero who brings a respectful version of African traditions to the big screen. The worldbuilding of Wakanda is spectacular, showing that this hidden nation knows more about technology than anyone else in the world. It flies in the face of negative stereotypes about African peoples and blends aspects of tribalism in without making them feel like tokens. I think I like the Dora Milaje the best, the squad of women warriors who protect the king. They are so strong and beautiful with their shaved heads and spears and I love them. After Black Panther’s introduction in Civil War, it was nice to go into this movie and see what he dealt with in the weeks after his father’s death. Once again, seeing things in chronological order helped clarify any confusion I had about the timeline of things when they came out months apart in theaters. T’Challa had a really rough couple of weeks in there. Oh, and Michael B. Jordan is also excellent in his role as Killmonger. It’s a great movie for so many reasons.

Doctor Strange – Scott Derrickson, 2016

I feel like a lot of people don’t like this movie. It is true that Doctor Strange is a little bit like a discount Tony Stark, a man who thinks the rest of the world is below him because of his superior intellect. At least this movie has the decency to break him down to nothing before giving him ridiculous superpowers that serve to reaffirm that belief. I think this movie is fine. It’s definitely one of the more visually arresting films, which I always appreciate. On visuals alone, I’d pick this over something like Ant-Man or Thor 2. The concept is also relatively cool, making it seem like wizardry can be learned by anybody. However, it does feel out of place in the timeline. We’re getting close to the end of the line here, and all this movie does for the overarching plot is introduce the Time Stone. But while I think it’s a perfectly passable origin story, it doesn’t make sense here at this point in Phase 3 of the MCU. Plus Marvel didn’t really need another overpowered quippy white man. Again, this is a fun movie to watch, but for the first time in awhile, this is better on its own than in sequence.

Thor: Ragnarok – Taika Waititi, 2017

Taika Waititi is a creative genius and should be allowed to take over the entire film industry. What We Do in the Shadows is one of my favorite movies of all time and I’m so glad that he is now on the map and taking over the Thor franchise going forward. He took the goofy Thor we all know and love and turned up the humor without compromising character, adding in nods to the previous movies and the fans without offending anybody. To say nothing of Korg, arguably one of the best side characters we’ve seen in the MCU thus far. After seeing it for the first time on my birthday, my brother announced upon leaving the theater that this was his new favorite MCU movie. I do think that this ranks pretty highly for me. It makes Thor fun again. Plus it’s just a really good movie. Like it features characters we already know, and then uses characteristics we haven’t seen before to make them well-rounded and more interesting to watch. And it’s stylistically very well done too! The scene with Thor using his lightning and the flashback with the Valkyries and the fight on the rainbow bridge... It’s all so good. And I haven’t even mentioned Jeff Goldblum. There’s a very good reason my brother likes this movie so much. It’s because it’s excellent.

Ant-Man and the Wasp – Peyton Reed, 2018

Now, Thor: Ragnarok leads directly into Infinity War, so I do sort of wish we’d gone into that next. But it was more important for us to watch Infinity War and Endgame back to back, so we decided to throw the Ant-Man sequel in here. This movie is about what Ant-Man and his friends were up to immediately before the events of Infinity War, maybe even during, because he wasn’t in that movie. And it sets up some VERY important plot points for Endgame. It makes a lot of sense to release these in the order they did. This is still an okay movie, but it ultimately feels like filler. Which is a shame, because these are good characters. Paul Rudd is still a delight, and so is the supporting cast of thieves. At the end of the day, it does feel necessary to watch this movie at some point so that the other ones make sense, but it also doesn’t feel like it has much impact on its own. The villain is interesting enough, the dialogue is still snappy, but the most impactful part of the film is the end credits scene when you see the Pym family get dusted. It’s a preview of what’s to come, even more haunting if you know it’s coming. But the part of the movie that makes you sit up and pay attention should not be hidden away in the credits.

#filmblr #filmcommunity #filmmaking #Film Review #film

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cesare-and-raistlin · 5 years

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The Untamed/MDZS Spoiler Review

Book rating: 3.5/5 Drama rating: 8.5/10

This is going to be a comparative review of the novel and the live-action drama. I started with the drama, and watched about 25 episodes (all that were available at the time) before I started reading the book. I finished the book at around the time episode 38 came out.

So both my viewing and reading experiences were directly impacted by me consuming both versions at the same time, which is why I don’t think I can write a review that isn’t about comparing the two.

Overall, I’d say I like the drama better. The main actors’ performances, Xiao Zhan’s in particular, played a large role in that. But neither work was perfect, and each had their respective strong points.

First off, I think I have to make it clear that Wei Wuxian is my favourite character (which is good, since he’s the main character). This is important for this review, as I will take into great consideration how each version treated him, his story and his arc.

I usually separate my drama rating into two: I give a maximum of 5 points for objective quality and 5 points for personal appreciation. But I had to cheat here. The most The Untamed could have gotten with that system is a generous 7.5/10, and that feels somewhat wrong for a drama that made me feel so much.

The Untamed is probably the first longer Chinese drama that I watched where I never felt like there were too many episodes. Even The Rise of Phoenixes and Guardian, which I both love, had filler that could easily have been cut. But this drama was almost never boring and mostly stayed focused on the main characters, and with 50 episodes, that’s really impressive.

Dark Wuxian

The best thing about the novel for me was probably how delectably gruesome it was. The drama was only PG-13—and I’m being generous—, but the book was R-rated in every aspect. And while the sex scenes weren’t especially my thing (more on that later, unfortunately), the violence was unrestrained in the best possible way.

I love villains. I really do. And while Wuxian wasn’t exactly a villain, every single one of his villainous scenes was just marvellous. I think he has a body count of about 6,000 in this book. Six. Thousand. His Sunshot Campaign moments were some of my favourite, especially the scene where Lan Wangji and Jiang Cheng finally find him after searching for him for three months. The way Wuxian dealt with Wen Chao was extremely gruesome (after all, he made him eat his own legs), but it was sooo satisfying.

(Please don’t come out of this review thinking that I’m a sadist. This kind of events in real life would absolutely horrify me. But this is fiction. And I enjoy my fiction best when it’s ruthless.)

Dark Wuxian, as I’ve been calling him, is definitely my favourite aspect of the book. We don’t get enough of him, but what we get is amazing. Wuxian is a morally gray character. On a D&D spectrum, over the course of this story, he goes from chaotic good to chaotic evil to chaotic neutral. He does good things, he does bad things, he does selfish things, he does selfless things. He’s a complex character.

But it seems that the drama decided that no, Wei Wuxian wouldn’t be a bad person. At all. The only really reprehensible thing we see him do (and even that is debatable) is killing a few dozen Wens and torturing Wen Chao (in a much less gory way than in the book, but I can live with that). From the moment after he comes back to Lan Wangji and Jiang Cheng, he is somewhat… muzzled. The book has him digging out corpses and using zombies to fight in the war, while the drama opted for the much less morally ambiguous “smoke ghosts” that aren’t ever really explained. There were no giggling zombie girls serving him tea either, which I also feel is a shame.

But, then again, I can live with that.

What annoyed me the most, and something for which I cannot forgive the drama, is the Nightless City battle. Forget how poorly executed the whole thing was—I’d given up on this drama’s technical quality long ago. I can accept bad CGI. I can accept incompetent editing. I can even accept odious music. What I will not accept, however, is Wuxian to be absolved of his every fault by making someone else the author of the massacre and the reason for Jiang Yanli’s death. The greatest thing about Wei Wuxian is that is he not blameless. But that’s what the drama made him, and I’m absolutely bitter about it. The drama’s Wuxian doesn’t lose control: control is taken away from him. He doesn’t pay the price for his overconfidence. Jin Zixuan dies at Qionqi Path, not because Wuxian’s instincts and PTSD get the better of him and make him lash out like a cornered dog, but because someone intervenes. His sister dies, but it’s not his fault. And this is really frustrating me.

The book asks this question: Can someone who does bad things be a good person?

But the drama doesn’t, because the drama doesn’t allow Wuxian to be bad.

Also, we’re supposed to accept that Su She was talented enough to overpower Wuxian at the technique that he himself invented? And without owning the Tiger Seal? You’re kidding me, right?

Storytelling and Authenticity

One of the major changes in adapting the novel to live action was the decision to spend 60% of the story in the past storyline, something the novel was very concise about. The events presented in both versions are generally the same, but the drama greatly expanded on the material that it had, and let me say, this was the best thing they could have done. Making most major characters meet at the Cloud Recesses? Genius move. The characters had time to build relationships, something they didn’t always have in the book. It was necessary, notably, to establish a connection between Wei Wuxian and Wen Ning and Wen Qing before the YunmengJiang massacre, so that the rescue wouldn’t come out of nowhere, something it kind of did in the novel. The relationship between the three Yunmeng siblings was explored in detail, making their later tragedy several times stronger and more painful. Though Wuxian stayed the main character the entire time, the drama also gave a POV to other characters, most notably to Lan Wangji, which was a great improvement to the book, where Wangji is a POV characters for maybe two scenes. While I’m never a fan of not having Wuxian’s prettiness on my screen, we do needed to see scenes like the attack on the Cloud Recesses or Wangji’s punishment with our own eyes. Getting these moments through exposition only would have made for weaker storytelling.

And weaker storytelling was what we unfortunately got with the novel. This is not the right story for a one protagonist only third person limited point of view. Especially when that one protagonist is dead for 13 years, 13 years during which many things happen. Wuxian gets reincarnated, and now needs to know what has been going on when he was dead. Being limited by the narrative style that she set herself, the author was forced to deliver the exposition in huge chunks through the Empathy spell, occupying several chapters each time and thoroughly boring me in the process. This could have been delivered organically with additional POV characters, but the book went the route of the exposition dump.

To be fair, similar exposition dumps are also there in the drama. But they do not feel as much out of place, as the drama made a point to show us scenes with and about the concerned characters beforehand, Jin Guangyao in particular. He was an already well-established character long before he became a major player in the story. Which certainly wasn’t the case in the book.

Something that is easier to do on screen than on paper is the everyday gestures of the characters. Things like Jiang Cheng rolling his eyes at everything that Wuxian does, Wuxian holding his flute Chenqing the same way one would do a sword, the Yunmeng bros playfully hitting each other at any given time, Wen Ning looking at everything with puppy eyes, the ducklings junior disciples using exaggerated fighting stances, Wuxian and Wangji’s eyes crossing every time one of them decides to do something.

You can, technically, put all of these, every instance, in a book. But by writing something, you draw attention to it. You not only make it important, you also make your main character notice it. Which is why writers don’t include every single move their characters make in their book, since most aren’t necessary to the story, would feel repetitive and would distract the reader, or would make the protagonist more observant than they should be. The beauty of film, however, is that you can include these details, as much as you want, without directly drawing the viewer’s attention to them. There are many ways to do this; wide or crowded shots are some examples. These seemingly unimportant details were extremely useful in accomplishing what seemed to be one of the drama’s main objectives: they made the whole thing feel sincere. Character quirks and background interactions work wonders at making you feel like the people on your screen are real and not just played by actors. The relationships between the characters felt so much more real and made me feel so many things that the book didn’t. While I wouldn’t go so far as saying that the book characters felt stale or artificial, the drama definitely added another layer of authenticity.

The drama was better at portraying Wuxian’s conflicted emotional state in the events from his return from the Burial Mounds to the Nightless City battle. Of course, it’s to be expected, as the drama spent way more time in the past storyline than the novel did. But by deciding to spend more time with the Jiang siblings, it was also able to depict the way Wuxian’s behaviour changed and how his new physical weakness affected him in a way that wasn’t present in the book. Wuxian doesn’t possess a golden core any longer, and he doesn’t want anyone to know about it. But there are things he cannot fake. Two scenes in particular come to mind. In the first, Wangji attacks Wuxian suddenly, and after barely blocking a few blows, a shocked Wuxian just closes his eyes and waits for the sword to kill him. He used to be one of the best swordsmen, but without any spiritual energy, he now knows that he cannot win a sword fight against Lan Wangji. So he closes his eyes and accepts his imminent death with a painful expression on his face. In the second scene, Wuxian tries to reconcile with Jiang Cheng after an argument, but his brother shoves him the second he touches him. Wuxian falls on the ground, and stays there. The look on his face is a combination of shock and hurt, as he comes to the realization that even playful fighting with his brother is now out of his grasp.

These scenes were a great addition by the drama. Not only did they succeed in adding tension to the characters’ relationships, they also successfully teased Wuxian’s lack of golden core. In the book, this reveal doesn’t entirely come out of nowhere, but you also really needed to pay attention to every detail to guess it. The drama plays a different game: while it is still perfectly possible for less attentive viewers to be surprised by the later reveal, the real emotional pull of the subplot has now become “When will the people who love Wuxian discover the sacrifices that he made?” The fact that the mystery is easier to guess for viewers simply manages to make them more invested in the eventual reveal and how it will affect the characters. And the reveal itself is… *kisses fingers* delicious.

Adaptations Are Hard

In adapting the book, the drama succeeded in many things, several of which I’ve already mentioned. But too many times to count, it also failed to stand on its own.

This isn’t a drama that was ever going to be 100% faithful to its source material. Because of China’s censorship laws, it had to change a lot of things to be able to air. Of course, the gay romance was turned into a bromance (although it didn’t dupe anybody). All the R-rated content was turned into PG-13 appropriate. Undead Wen Ning was made kind of alive in the drama (reminding me of how Chu Shuzhi was a zombie in the Guardian novel but a perfectly alive dude in the drama). Most walking corpses were replaced by black shadows, and were only used by villains. (China really doesn’t like undead characters, guys.) It has been brought to my attention that Wuxian’s toned down evilness may also be a result of adapting to censorship, and if that’s the case, it makes me both more annoyed and more understanding of what the drama did.

However.

When you change something from the source material, whatever the reason is, you have to think about what the implications of your changes are. Which the scriptwriters of The Untamed clearly didn’t.

“Wei Wuxian has been killing indiscriminately since the Sunshot Campaign!” No he hasn’t.

“I’ve fought 3,000 people before, I can take 3,000 of you now.” No you didn’t.

“Sect Leader Jiang, don’t forget that one of the main powers that surrounded the Burial Mounds was you.” That siege never even happened.

Over and over, the drama changes things from the book but doesn’t adapt its later scenes to fit those changes. This results in a succession of lines that feel out of place and incongruous.

In a similar way, they have Wuxian be reincarnated into his old body instead of into Mo Xuanyu’s body. And I get it. I understand why. Your lead actor may very well be the best thing about your show, and giving him up midway through would be a pain for several reasons. BUT. They kept the whole thing about people not being able to recognize Wuxian until the Koi Tower sequence when he unsheathes Suibian. Even though he has the same jaw, the same hair, the same clothes, the same voice, the same basically everything that he had before his death. I guess the drama realized that pushing this farce with Wangji wouldn’t work, so they dropped the whole series of scenes where Wuxian tries to make Wangji believe that he’s Mo Xuanyu. It still doesn’t redeem how senseless other scenes are. In the book, Jin Ling frees Wuxian after Jiang Cheng caught him because he genuinely thinks that Wuxian is Mo Xuanyu, whom he knows personally and probably doesn’t want to see get tortured. But in the drama, he frees Wuxian because…? Jiang Cheng has seen Wuxian’s face and has stated that it’s him, so Jin Ling shouldn’t have any reason to doubt his uncle.

It’s an adaptation. It’s alright to change things. But guys, the changes have to make sense!

Did anybody proofread the script? Nobody?

The Technical Stuff, or Me Shitting on This Drama for 700 Words Straight

If what you’re looking for is competent filmmaking, then I would suggest you look elsewhere.

But if you want an interesting story, sympathetic characters, poignant relationships, and themes of what is right and what is wrong and all the gray areas in between, then go ahead!

— Me, August 15

So.

This is not well-made television.

Like, at all.

Ok, so the costumes are pretty great. The different clans are easy to distinguish while never seeming cartoonish, the details of each garment are exquisite, and, let’s face it, Wuxian black robes simply stole the show. The weapons were really pretty. Some of the tracks from the soundtrack are actually quite nice. There are a few beautiful visuals. The main leads’ acting was good.

But I’m sorry, I have no more nice things to say.

The cinematographer obviously didn’t know how to frame a shot. Camera angles were often awkward or downright useless. The camera moved amateurishly, enough to bring the production values down by itself. Chinese drama reviewer Avenue X has dedicated a significant part of her Untamed review to the problems with this drama’s photography, and since she knows what she’s talking about way more than I do, I’ll leave a link to her video here: X

The editor didn’t know how to edit a scene. It was mostly apparent during fight scenes, with their weird cuts and incessant fading to black for no reason, although I don’t think that I could call any scene of this 50-episode drama “well edited.” Even my favourites. The best ones are just passable.

The editing and cinematography aren’t necessarily bad because of a lack of budget, which we know was a problem with this drama. You can make simple but great content with a small budget. No, they’re bad because the people responsible were not competent.

The two directors themselves don’t have the best track record. The Legends and The Plough Department of Song Dynasty are not well-made dramas in any way. Even Secrets of the Three Kingdoms, on which director Cheng Wai Man worked, was great because of its script and its characters but was brought down by its underwhelmingly average technical craftsmanship.

The sound mixer didn’t know how to juggle the diegetic music and the soundtrack. You know, when you have a main character who fights with a flute, maybe, just maybe, don’t use the tracks from the soundtracks that have flute in them in his scenes. There are many points during the drama where I could hear flute music but had no way of knowing whether that music was diegetic or not, if Wuxian was really playing or if it was part of the soundtrack. Wen Chao: “The flute! The flute! Is it the flute?” Wen Zhuliu: “It’s not. It’s the sound of the wind.” [Meanwhile in the background: flute music.] At this point of the story, Wen Chao is clearly deranged and Wen Zhuliu acts as the voice of reason. However, as the audience, we can hear the sound of a flute. Is it part of the soundtrack? Is Wen Zhuliu in denial or lying to Wen Chao? Is Wuxian playing for Wen Chao’s ears only? There was no need for this scene and others like it to be so confusing.

Most of the secondary actors didn’t know how to act. Xiao Zhan and Wang Yibo were mostly great, particularly once they got used to each other better, and I can name a few actors whom I think did a really good job (Xuan Lu who played Jiang Yanli and Liu Haikuan who played Lan Xichen) but most others were passable at best and horrible at worst.

The VFX artists were just lost all the time. Though I will say that the black shadows created by Wuxian usually looked pretty cool. But they had neither the time nor budget to make this CGI-heavy show seem realistic in any way. Is this a surprise? No. I’m used to Chinese web-drama CGI by now. And I actually appreciate that The Untamed made some efforts to have practical effects when possible. They still looked bad (that giant dog was absolutely terrible), but they could have been so much worse if they had been computer animated. At least they tried.

We Need to Talk About Wangxian, I Guess

The drama’s version of Wangxian is amazing. It’s soft and romantic and heartfelt and authentic. And the fact that it’s technically supposed to be a bromance doesn’t take anything away from it. Nobody in their right mind watches this show and thinks, “They’re just friends.” Where Guardian still tried to (unsuccessfully) pass Weilan as bros, the people who made The Untamed were all *wink wink* with the entire relationship: having Wuxian and Wangji call each other “soulmates” and gaze at each other like the two idiots in love that they are, holding hands, being overprotective, and even including a damn montage of them falling in love. (How this drama still hasn’t been cancelled in China is an absolute mystery to me.)

Book Wangxian is… something else.

In the drama, Wuxian and Wangji become friends rather fast. And while Wuxian still has some moments when he believes that Wangji is there to put him down (“Lan Zhan, I’ve always known that we’d end up in a fight to the death”), he mostly understands that they’re friends. Book Wuxian, on the contrary, still believes that Wangji is out to get him well into the present storyline. And let me be clear: both versions work. They carry very different emotions, but they work. Until we get to the romance.

Because in the book, Wangxian kinds of happens out of nowhere.

In the novel, Wuxian suddenly goes from “Lan Wangji hates me and I need to get away from him” to “Is homosexuality contagious” to “I really wanted to sleep with you!” (in front of his damn nephew, may I add), and that’s fine, in theory. But the transitions in between those changes of heart aren’t really there. 99% of the story is told from Wuxian’s point of view, and I still came out of the book not really knowing why he likes Wangji. That’s kind of a problem.

And then there’s the sex scenes. Oh, the sex scenes.

It would be an exaggeration to say that they sex scenes of the book ruined Wangxian for me, but they certainly did nothing good for the ship in my heart.

It’s not really on brand of me to talk about these things in detail, so I’ll be brief: there is a consent issue with pretty much every single sex scene. In the very first, Wangji is inebriated and cannot consent. The very worst one, which is part of the extras, is clearly a rape. A dream rape, sure, but a rape nonetheless. And the book treats it like something, I don’t know, exciting? So yeah, after finishing the book, Wangxian was making me uncomfortable. The show’s absolute sweetness made it better, but I still have a sour taste in my mouth.

Conclusion

After this review, you may be thinking, “Wow, she really doesn’t like either the book or the drama that much.” But this is just harsh love. I have an eternal soft spot in my heart for this story. To quote my own tweets:

“I have to hit pause every 30 seconds because I love Wuxian so much my heart hurts.”

“it's so good

i wanna cry”

#the untamed #mdzs #mo dao zu shi #wei wuxian #chen qing ling #lan wangji #that demonic fluffball

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toaarcan · 5 years

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Scourge the Hedgehog: The Bad Fanfic Apotheosis

Y’all are gonna hate me for this one.

This is something of a followup to my previous post, Fiona Fox: Depth vs. Prominence, and inspired directly by the discussion I had with a friend in the comments section of the DA upload of it.

Part 1: Fanfic vs. Canon- Genesis of the Recolour Elements of the Archie Sonic the Hedgehog comic have long been compared to a bad fanfiction, particularly the parts of the story written by Ken Penders, though other writers like Bollers, Chacon, and Flynn have drawn that label too. I'm one of the people that's done it, and that's largely because I hold fanfic and official material to very different standards. There are certain things you can do in fanfic that you can't do in official material, especially with franchises like Sonic, and especially with more niche parts of said franchise, like a comic series. Of course, there are also certain things you can do in both, but you probably shouldn't. And Scourge is one of them. What exactly the process behind Scourge's creation was is something that's been debated. For a lot of people, he's considered to be a parody of the then-rampant "Sonic Recolour" fad, wherein fans would take screenshots of Sonic X, and other official artwork, and then edit it in Microsoft Paint, or another similar program, to create their own characters and stories. Now, this was long decried by other fans, myself included, as incredibly lacking in creativity and originality. It also had an "Ew, cringe" reaction, due to the often-shoddy editing, text-to-speech voices, and usually some top-tier mid-2000s Nu Metal for the music. These days, it's much easier to look back and say "These were mostly made by kids who were just having fun, and it's completely harmless", and it becomes apparent that a lot of the people that were making fun of them and criticising them were grown men, at which point you kinda realise that this "internet fad" was basically just bullying a bunch of children for not being up to the creative standards of some adults. Everybody was looking for the next Chris-Chan, but Chris-Chan is a near-unique entity, as only one other person alive has ever managed to combine that sheer void of talent with a monumentally repulsive personality, and that person is Ken Penders. But Sonichu is the least interesting thing about Chris, and Chris became the laughingstock that he is because of his inability to avoid posting his entire life on the Internet, which was something of a rarity in those halcyon days before the rise of modern social media. Sonichu was a gateway to the actually interesting content also on his channels, whereas these recolour-creators didn't have anything like that, just endless Windows Movie Maker slideshows. And, like, Chris was in his 20s when he became the Internet's punching bag for the first time, and while he's a horrible person, so were the people that dedicated their time and effort to trolling him- His story is fascinating, but it has no heroes. And into this collective cocktail of grown men shitting on preteens, so Ian Flynn introduced Scourge the Hedgehog. Is Scourge a parody of Sonic recolours? I sincerely hope not. The reason for that is twofold, and I'll discuss how his portrayal generally doesn't seem to be mocking those tropes further down the page, but the second issue with the idea that he is a parody is best explained by Sir Terry.

Parody can never punch down, and as a then-24 year old man writing official canon for a franchise, mocking a bunch of 10 year olds on the Internet for making bad stories would definitely be punching down. And, as I said, nothing about the way Scourge is written is in any way poking fun at the tropes of these fancharacters and stories. It's pretty much all played completely straight. So not only do I hope Ian wasn't trying to mock these fancharacters, but there's also little reason to believe that he actually was. He's not a parody, he is a send-up. And on the one hand, it's kinda nice to throw a bone to those kids. But on the other hand... is Scourge really the character you want to represent your part of the fandom in official material? A cruel, violent, abusive, vicious monster that spends his time palling around with a girlfriend that the writer reforged to be the most unlikable character in the entire comic? Yeah, can't say that's what I'd want if I were one of those people, but he seems to be popular enough, so maybe I'm in the minority there. But now we get to the meat of the problem. You see, the way Scourge is written is one of those things that you can do in fanfic, but you shouldn't do in canon. Part 2: What is a Mary-Sue? The term "Mary-Sue" gets thrown around a lot these days. It's gradually lost all meaning, and has slowly become a term for "Female character that I don't like," mainly used by whiny, easily-offended Broflake Youtubers, who get all pissy that Star Wars films aren't specifically catering to them, to the point that you only have to make a girl be good at something in a movie and these pissbabies lose their shit. I liked Episode VII and VIII more than I, II, or VI, get fucked. But what, then, is a Mary-Sue? And why is it relevant to Scourge? The answer to that first question is a lot more complicated than it might seem. Not just because there are now several different varieties of the trope, but also because the trope itself evolved as it began to be applied to non-fanworks, and additionally because the name itself is somewhat non-indicative. A male Mary-Sue can exist, though these are normally referred to as "Marty-Stue" or "Gary-Stue", or more cynically "The Protagonist". Check out the average Batman comic these days and you'll see what I mean. Originally, the term applied only to a self-insert character in a fanfic, that was an overly-idealised version of the author, dramatically overpowered, hugely popular, normally dating whichever member of the cast the author wanted to bone, or sometimes multiple partners at the same time, along with a few other traits. It's actually pre-Internet term, originating in a Star Trek fanzine when "Mary-Sue" was created as a parody of other fans' similar characters. Over time, the trope evolved to the point that, while the "author avatar" feature is still a pretty big indicator, it's not really necessary. So while there are probably plenty of people out there who want to be Batman, not every character that is a Mary-Sue is someone for the author to project themselves onto, and not every author avatar is a Mary-Sue. Generally, the important features of a Mary-Sue are now: 1) Receives a great deal of favouritism from the author 2) More powerful than the rest of the cast, often to the point of absurdity 3) Faces zero consequences for their actions. 4) Liked by characters that have no reason to do so 5) In a relationship with a character that has no reason to date them, previous relationships be damned. 6) Most importantly, the story will bend over backwards to give them easy wins, even in situations where they logically should struggle. You're probably starting to get where I'm going with this, and if you're not... Part 3: Creator's Pet Scourge is a Creator's Pet. He gets shown a fair bit of favouritism from Ian Flynn, primarily the guise of how much focus he gets. Scourge is the most prolific villain in Ian's run, aside from Eggman himself. While other, better villains like Mogul and Naugus were being imprisoned repeatedly until one retired and the other became a dog, and a huge chunk of the comic's remaining antagonists were being subsumed into the Eggman Empire, Scourge was only moving up, not only being the villain of Ian's first two issues on the book, but continuing to make sporadic appearances for the next twenty issues, before appearing as the new leader of the Destructix under Finitevus in the Enerjak Reborn arc, followed swiftly by a stint as the Big Bad in Bold New Moebius. Does he actually deserve this level of importance? You be the judge, but personally, I don't think so. Even within those stories, Scourge gets special treatment, the biggest and most obvious being Metal Scourge. Now, personally, I think Metal Scourge was a better character than Scourge himself, but the fact that, of all people, Scourge got a Metal counterpart before anyone else, including Knuckles, who had such a counterpart in the games for over a decade by that point. Especially since, well... Metal and Mettle is a fun story, but it doesn't really do anything for Bold New Moebius as a whole, does it? It's basically pure filler, only really serving to add another dead Metal Sonic to Ian's list and stall the plot out for a bit longer. And, of course, the most clear indicator of Scourge's favouritism is that he was he first Archie character to receive his own Sonic Universe arc, and the only one to do so without needing two or three SEGA characters also making up the rest of the lead cast. "Lockdown" isn't a particularly good story, but its existence speaks to not just the insane popularity that such an unworthy character received, but also Archie's willingness to indulge that. Sonic Universe was largely intended to tell stories revolving around the members of the SEGA cast that, for whatever reason, weren't able to regularly appear in the main book. This... frequently got broken, with Sonic, Tails, Sally, Bunnie, Antoine, and Amy all taking centre-stage in the book before obvious candidates like the Chaotix got a look in, some of them twice over, but Scourge was the only time they were willing to try a story based entirely around one of their characters, and they gave it to the already extremely prominent Scourge. It's pretty clear that Ian loved using this character, and did so as much as possible. YMMV on whether that's good or not. Part 4: Scourge OP plz nerf Let's be real, he's overpowered as fuck. Now, overpowered characters aren't necessarily bad, but it's significantly harder to write an OP character than an on-average one, and Scourge didn't work out so well. From the moment he turns green, he's basically unstoppable. The one time he actually seems to remotely struggle is actually in 161, where he looks ever-so-slightly winded after curbstomping Sonic and Shadow at the same time. From then on, while he does start to slowly even out with Sonic, he also continues to utterly demolish basically everyone else, especially his easy conquest of Moebius. It's been suggested that conquering Moebius should be easy, because the big threats are all good, kind people there, but that somewhat ignores that there are anti-versions of the heroes kicking about too. All the (Mostly) benevolent rulers of the Primeverse should be tyrannical despots there, and there are excessively powerful entities like the Anti-versions of Merlin and the Guardians, not to mention whatever horrors Anti-Gerald would've unleashed on the world, and that's without the Suppression Squad themselves. While the comic has generally treated Sonic as being able to stomp the entire rest of the FF, well, who says it has to be a fight? Why the fuck doesn't Patch just poison him? I mean, the obvious answer is "Because then Bold New Moebius won't have a main villain", and sometimes contractual villain immortality has to be a thing, but a good writer should be able to avoid putting the characters in that position. Following on from that, Scourge gets to fight basically the entire FF and Suppression Squad at the same time, (Sonic and Amy are absent and Fiona is on his side), and he's winning until Sonic shows up. Then directly after that is the hedgehog brawl, and despite Sonic managing to get everyone against Scourge, he easily manages to escape and break out his Super form. Even after spending his time in the No-Zone completely powerless, Scourge manages to break out the moment he gets his powers back, despite the prison being full of characters who should be equally or more powerful than him, and the police force that caught them all, basically unchallenged. Scourge never faces an actual challenge in the comic. He never struggles, and the one time he actually loses? Ian makes up some new lore on the spot, which is contradictory to SEGA lore from the same year, and then uses that to have Sonic trick Scourge into depowering himself. Not only does Scourge never struggle with anything, but he also never actually loses a fight. Part 5: When will you learn, that your actions have consequences?! Probably never, because Scourge's actions never have consequences. Throughout his entire run, Scourge gets to go wherever he wants, do what he wants, with or to whomever he wants, and he never has to deal with the fallout of the decisions he makes. Absorbs the energy of a matter world into his antimatter body? He's better than fine, it only made him stronger. Turns up in Knothole with his secret girlfriend's hated arch rival by his side? Never mentioned again. Blows Fiona's connection to him, costing Finitevus' operation a potential spy in Knothole, where Knuckles is? Not even considered a factor. Ditches Finitevus to go and make Moebius into an egopolis? Finitevus isn't bothered, and supports Fiona's efforts to rescue him later down the line after than plan backfired on him. Blinds Patch in one eye out of jealousy/spite? The guy that poisoned Armand and Max, took a torch to Antoine's personal life, took advantage of Sally's frayed mental state, emotionally damaged Bunnie, and tried to assassinate Elias to get what he wanted lets him get away with it. Openly announces that he's going to destroy both worlds? Conveniently does it when he's alone with Sonic so nobody can tell Fiona what she's letting herself in for. He eventually does get sent to jail, but he breaks out with ease the next time he turns up. Because, y'know, that's just what we want to see. Villains never having to deal with karma. Part 6: What does anyone see in him? Scourge doesn't quite get the "everyone loves him" treatment, but he still gets a whole lot more respect than he's ever earned. Both Sonic and Zobotnik are portrayed arbitrarily deciding that maybe there's a shred of good in this monster, and this is the part where I stress that he's abusive again. Maybe if I repeat that enough it'll sink in. Despite knowing full-well the sort of person Scourge is, Sonic's response to Scourge's crappy cribbing of the "One Bad Day" speech is to try and turn it around and claim that Scourge only needs a tiny bit of decency to be a good person, and this is outright untrue, and given what we see of Scourge later, I'm frankly disgusted that Ian tried to pull this with a character he'll pretty much unambiguously portray as an abuser. Zobotnik's case is even more baffling. We're introduced to the guy in the Lockdown arc, and it's implied that he's effectively a tyrannical warden, ruling over the No-Zone with an iron fist, taking an almost sadistic delight in punishing the inmates. But yet, for whatever reason, he decides that it's a good idea to try and rehabilitate Scourge, for no adequately established reason. Even on the other side of the morality line, we have Finitevus, who apparently respects Scourge enough to not just make him leader of the Destructix during the Enerjak Reborn arc, despite him very clearly not being a leader, and not being liked by any of his comrades except Fiona, but then when he promptly ditches the whole plan toward the end, Finitevus apparently decides that he not only wants to get him back, but is willing to go to great lengths and risk losing the only team of mercenaries dumb enough to work for a guy who is quite open about his intentions to "purify the world with Chaos fire" in order to do it. And speaking of, the most egregious case of this comes again in Lockdown, where the Destructix all end up siding with Scourge. Across the second half of the arc, Scourge learns his new team's backstories, and despite them clearly showing traits and beliefs that should make them respect him less, this somehow works in his favour, and he manages to wrest leadership of the team from Fiona. Especially galling is that it appears that Fiona loses their respect early on because of her faith in Scourge, who to them, looks pathetic, but then they end up supporting him anyway, despite doing nothing to earn it. But wait, one's missing... Looks like it's that time again. Part 7: Oh right, he's an abuser. It's time to talk about Fiona. Fiona's heel turn is really, really effective at selling you on the idea that Fiona is a vile, cruel, and selfish person. It's a dramatic, "big bang" moment that, in basically a single panel, got an entire fandom to hate a character. Now for some it was more of a "Love to hate" thing, but there are plenty of people out there who just really hate Fiona for this single moment. And when you're introducing a new major villain, maybe that's what you want to accomplish. What it doesn't do, however, is sell you on her motives for taking that course of action. Fiona, for the rest of her existence, mainly antagonises Sally, whom she has no worthwhile connection to on either side of her turn, other than being the evil Sally to Scourge's Evil Sonic, and stands around or clings to Scourge's arm, looking smug about her abusive relationship. And yes, it is abusive, verbal abuse is still abuse, and the implications that he's physically abusive are present too. I know this is something that Scourge's fans don't really want to accept, but it's true, and we're going to get into that later. For now, what matters is that this character's run as a villain mainly consists of: Fiona: "Hey Sugar-Queen, look at how much my boyfriend yells at me and insults me, and probably beats me when he's angry. I make smart decisions and you suck." We never come to understand why this character, who is so motivated by her belief that everyone will eventually double-cross her that she has decided to start lashing out at people before they can turn on her, is willing to put her faith 100% in someone so repeatedly deceptive that he first approached her by pretending to be someone else. Like, in terms of bad first impressions, that's up there with arriving at a job interview in full clown regalia. The comic makes no effort to show why these characters like each other. Scourge allegedly likes her because she chooses to turn evil and join him, rather than being born evil, but this clashes with not only the fact that Fiona is a genuinely good person before this, who makes a solid effort to stay loyal to her friends first, and is lured into villainy by him, but also the fact that she blames everyone but herself for her current situation, but especially with the fact that all of the foreshadowing for Fiona turning evil consists of people not trusting her because she has a shady history. Scourge claims to appreciate that Fiona is a good person that chooses to be evil, but the narrative has a clear message of "If you started evil, it doesn't matter if you try to become good, you will always revert to type." Which isn't exactly a good message, Ian. In return, all we get from Fiona's side is that Scourge "has no expectations of her and just wants to have fun", which clashes entirely with how we see them interact in subsequent arcs, where Fiona frequently looks disturbed or apprehensive, or just bored, while Scourge yells at her and threatens her for not meeting his standards. Seriously, why do people ship this? But okay, okay. Scourge is a good liar, and Fiona's established paranoia and history do make her vulnerable to manipulators like him, so maybe she falls for his lies and gets taken for a ride. That could happen, sure. Doesn't really explain why she becomes a horrendous person all of a sudden, but whatever. Maybe he convinced her to do it as a sort of hazing, and a means of ensuring she couldn't go back. That fits with his abusive nature (You might also notice that this the explanation I used in Revival). But why does she stay? And why does she refuse every out she's given? Why, after everything that pulled her to his side has turned out to be bullshit, does she remain devoted to him? Now, you can argue that due to the abuse and the manipulation she's suffered, she believes she has to stay with him, and that's a fair shout, but her appearance in Journey to the East is kind of a stumbling block for that theory, because we're shown a Fiona who is fully capable of functioning without him, and even after making efforts to establish herself... the next time we see her she's gone back for him. And now... well, it's time to talk about that "A" word I've been bringing up a lot in this section. Scourge is abusive. I've frequently referenced that he verbally abuses Fiona every time she displeases him across the book, but the most telling scene is this one from Issue 190.

"You do not want to be sent back with me." Translation: "If I get sent back, and you're sent back too, I'm going to beat the shit out of you." Fiona (With her invisible left arm) isn't excluded from this threat. Fiona isn't surprised by this threat either. Nor does she not take the threat seriously. She looks like she's expecting to be struck. He beats her. And please, nobody say that "he's just angry", that's apologism. Now, I dunno if this was in the script, or if Fiona's face was something Yardley did on his own, but given that this arc ends with Super Scourge announcing his intention to destroy both Mobius and Moebius, simply because he can, regardless of the collateral, I'm willing to bet that this relationship wasn't a happy, stable one. But, unfortunately, this element was never made clear enough. Now, your mileage may vary on whether you think Sonic the Hedgehog comics are the appropriate place to discuss abusive relationships or not, but we've got one now, and Ian dropped the ball. This wasn't a Joker/Harley, where the pairing was clearly abusive but also sold DC/Warner millions of dollars worth of merch, this wasn't a RWBY, where Adam took three years to show up and had already won a huge number of fans from his admittedly cool design and powers, so people already liked him before they even knew what his personality was like. Ian had full control over this, no merch to worry about, and Scourge's prolific appearances gave him plenty of opportunity to make it clear that this was an ugly, repulsive thing that Fiona needed to get out of ASAP. And he didn't. Because panels like this, and all the yelling, clearly weren't enough for the fandom. No, you point this detail out to them and they'll make excuses, try to pretend it didn't happen, or just get offended, or worst of all, outright say they don't care and still ship it. We have fanartists who became real official artists creating stories where this garbage-fire pairing is used for sad feels, not because Fiona got stuck in a relationship with a controlling, violent monster, but because oh no they really loved each other and now Fiona's dead isn't it tragic don't you feel sorry for Scourge? No. No I don't. I feel sorry for the thousands of teenagers who support an abusive relationship because Ian was too cowardly to make it clear that the relationship in question was just that. Now, do I think that Ian is an intentional abuse apologist? No. Do I think he wimped out of taking the necessary steps to make it clear that this was bad because he didn't want people to dislike his shitty pet villain? Oh yeah, I do. Scourge's reputation was more important to Flynn than appropriately and sensitively portraying a destructive, damaging relationship between a woman and her monstrous partner. Well, I say "Woman", let's not forget that Fiona was meant to be sixteen, and realistically if you take her timeline into account she's more likely to be about fourteen. Real fucking classy. Part 8: Effort? What effort? So, now we get to our final criteria. And frankly, it's the easiest one to cover. From the moment, Scourge turns green, his life becomes a cakewalk. Everything he ever wants is handed to him with zero actual struggle on his part. Wants to be stronger than Sonic? He is. Zero side-effects to using a Chaos energy form from a mirror universe, or having a Super transformation interrupted, he just seemingly gets to be half-Super forever. Wants another leg-up on Sonic? Here's Fiona, sans personality. Sonic says he's just a lame ripoff of himself? He conquered a planet in a week, look at how cool he is. Also his team all roll over and make him their leader even though they hate him and they could easily kill him. He gets to walk through the entire FF/Squad teamup, and the Hedgehog teamup, and then when he gets to the No-Zone, Zobotnik, who has kept far smarter and more dangerous characters locked up for decades arbitrarily decides to reform him and gets completely suckered by him. The Destructix fully throw in with him, despite him never actually earning their respect. He never loses a fight where he wasn't depowered first. You know what the irony of this is? Ian has a character whom he is contractually obligated to never have lose for longer than an issue or two. And honestly, he wasn't awful at disguising that. Sonic gets a few wins that feel too easy, but for the most part, the issues with this rule mainly manifest in Sonic's limp responses to the tragedies happening around him, and a sprinkling of minor failures and pyrrhic victories ensure that the rule looks more like shoddy writing in a few places unless you're explicitly told about it. And even then, he still manages to make it look like Sonic struggles to attain those victories, that he has to actually put his back into it every time. He is challenged. Scourge isn't allowed to be challenged. That's the irony. Ian has a protagonist who he is not allowed to have lose, and Sonic still manages to be avoid looking like a boring invincible hero, while Scourge just never faces anything that can actually pose a threat to him. Powerful opponents crumple before him. Characters' personalities and development shift to suit his needs. The plot warps to benefit him. Because heaven forbid Scourge actually have to work for his wins. Who needs stakes when you can have the writer on your side! Part 9: In summation... I think you should've all twigged where this is going by now, so let's wrap up. 1) Does Scourge receive a great deal of favouritism from the author? Yes. 2) Is Scourge more powerful than the rest of the cast, often to the point of absurdity? Yes. 3) Does Scourge face zero consequences for his actions? Yes. 4) Is Scourge liked or respected by characters that have no reason to do so? Yes. 5) Is Scourge in a relationship with a character that has no reason to date him? Yes. 6) Most importantly, does the story will bend over backwards to give Scourge easy wins, even in situations where he logically should struggle? Yes. According to these criteria, Scourge the Hedgehog is almost a textbook example of a Mary-Sue. Which is probably why something as disgusting as him got away with so much. I guess, then, that his role in Revival, and a lot of the stuff before that, is the unfortunate reality of a Mary-Sue who suddenly has to deal with the fact that they're no longer getting that special treatment from the writer. That now their actions have consequences, that now the universe doesn't shape itself to their desires.

#Sonic the Hedgehog #Archie Sonic #Ian Flynn #Scourge the Hedgehog #Fiona Fox #Evil Sonic #Critical #CW: Abuse #TW: Abuse

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harperfinkles · 5 years

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My Ranking Of Every Barbie Movie

A few months ago I finally decided to watch every barbie in order. When I was a kid I loved barbie movies, but I stopped watching them after Princess & The Popstar came out, and I felt like I’ve been missing out ever since.

Here I present to you: My Ranking Of Every Barbie Movie!

Keep in mind that I’m basing this off of my personal enjoyment of each film, and not by how “good” it is. There are many movies here that are ranked high despite being objectively flawed, as well as there are movies ranked low despite being objectively good. My opinions are also subject to change, especially since some of these I’ve only seen once.

36: Barbie & Her Sisters In A Puppy Chase

This entire movie is a mess. Like most of the barbie & her sisters movies there’s no real plot. The events of this movie only happen because of bad luck, which is never a good way to kick off your movie. I also find barbie to be completely OOC in this movie. Her disorganization and lack of planning is something that isn’t present in any of the sisters movies. Don’t get me wrong, I enjoy movies that humanize barbie and give her more flaws but there are way more creative ways to do it. It doesn’t help that her insistence to “keep positive!!!” and “be optimistic :)))” just robs this movie of any meaningful message.

Then after the frustrating mess that is the puppy chase itself, Chelsey STILL wins her dance competition despite the fact that barbie didn’t let her practice, and she cheated by adding her sisters and the horses to the dance. It’s unbelievably stupid. I don’t know how the writers of this movie thought we would buy into that. I’m probably never going to watch this movie again.

35: Barbie Presents Thumbelina

The main reason I don’t like this movie is because of the style of the Twillerbees. Unlike Mariposa (the only other movie that doesn’t have a barbie protagonist) their faces look inhuman in a way that makes it hard to relate to them. I would’ve much preferred if Thumbelina had just gotten the normal barbie face, just her body becoming smaller. Besides that I think the girl whose name I can’t remember is annoying, and I didn’t like Thumbelina’s plan to get on her good side to save their home. Both of their character developments were weak and unbelievable. Then once the parents were convinced to stop demolition the movie lost all of its dramatic tension. This movie isn’t ‘bad’ per say, just completely boring. Not I understand why I never rewatched this as a kid.

34: Barbie In Princess Power

This movie had so much unrealized potential, but fell apart due to its plot that went all over the place. The villain and his frog were extremely annoying, Kera’s friends were completely one note characters, and Dark Sparkle was so petty and unnecessary. The part that pissed me off the most was how Kera’s identity was revealed to everyone. First off Wes was forgiven for this way too easily, despite it completely making me lose what little faith I had in his character, and secondly her parents handled it so casually. It seemed more like she had gotten in trouble for sneaking out to go to a party than her being forced into getting superpowers and using them to fight crime in the city. Plus the animation was absolutely horrible. What is with Mattel and changing barbie’s model every new movie?

I really wish this movie was better. Barbie as a superhero is such an amazing concept, and it makes me sad to see it executed so terribly.

33: Barbie & Her Sisters In The Great Puppy Adventure

Another movie with the most annoying villains possible. They’re the core reason I couldn’t stand watching this. In addition to that I found that the treasure being under the big willow tree was completely predictable from the first ten minutes of the movie. And even though the puppies were quite cute, their voices were so annoying. There are also a few plot holes (if you can call them that) such as the metal detector app (it hurt typing that) and how the girls knew that scaling the wall of the cave would lead to where the elevator lead. Despite this I still liked learning about barbie’s childhood and all of her achievements, though her grandma was quite creepy.

32: Barbie & Her Sisters In A Pony Tale

This movie straight up has no plot. It’s the worst of the sisters movies in that regard. Many chunks of this movie felt like filler (such as the party scene), and the character conflicts were weak and contrived (such as Chelsey and Staci's). One thing that I really liked about this movie is Barbie’s character, but that’s pretty consistent with all the sisters movies that aren’t Puppy Chase. I also found the two french guys very annoying (is there any sisters movie with a good villain?).

31: Barbie: Fairytopia

I feel bad for putting this one so low, especially considering how high my placements of all the sequels are. It feels like information is revealed to quickly at the beginning and the rest of the movie is just boring. Elina is very interesting but she could use a lot more character development. The part about her being bullied for not having wings was relegated to cheesy dialogue and didn’t really amount to anything. Plus the fungi aren’t nearly as funny as they are in Mermaidia.

The main reason I’m not putting it lower is for nostalgia and setting up the rest of the Fairytopia series. Aside from that I also really liked the vibe of the one underwater scene, and the “friends you haven’t met” line was quite good. This movie is just a complete anomaly in the great track record of early barbie movies. You honestly don’t even need to watch it to understand the sequels.

30: Barbie: A Perfect Christmas

As a musical this movie really sucks. The only song that I actually liked was barbie’s one solo, and even her singing voice there really didn’t sound like her. There’s really no plot to this movie, but I did find myself enjoying the dynamic of the sisters a lot more than the other sisters movies (even though Skipper’s Arc with the concert came out of nowhere and stressed me out). The way Santa’s magic was shoehorned into the story really bothered me though.

29: Barbie Video Game Hero

The best thing about this movie is definitely the side characters. They all had nice designs and personalities, especially Bella and Chris. The concept of this movie is also so creative and fun that I actually enjoyed it way more than I thought I would. I liked it mostly during the first two levels as well as the bonus one, but the last two really soiled it for me. The fact that there’s an open world game with no clear way to win makes no sense in the context of the rest of the game, and the Just Dance advertisements are absolutely cringey. This movie has a strong beginning but really falls behind in the second half. The last scene of the movie really made me want to rip my eyes out.

28: Barbie: Spy Squad

This movie really suffers from not getting the audience to care. The characters aren’t developed enough in the opening and the way the girls got their jobs as spies seemed too easy. The storyline felt too straightforward, and even the plot twist at the end was kind of cheap.

Despite this I still really enjoyed many parts of this film. For one the animation is amazing. I loved the character designs, especially Patricia’s. Speaking of her, I thought she was a pretty good villain, even if she was a little cheesy and her ‘redemption’ arc was very clumsy. I also thought Lazlo was sweet. A lot of modern barbie movies only go halfway with the romance because they don’t want to be seen as bad role models for girls, and a lot of the times the Ken characters just seem unnecessary. I thought it was a good idea to have him be the “love interest” of a non barbie character so his inclusion doesn’t feel useless, even if they never actually got together. It was also just really fun to see all the spy technology.

27: Barbie: The Princess And The Popstar

The placing of this movie is extremely unfortunate since I actually really liked Tori and Kiera’s characters. They both had spunk and I really like the tropes of the roundy princess and the celebrity who doesn’t find satisfaction in fame. The reason this movie is so low comes down to the terrible plot. It felt like they were trying too hard to make it similar to the Princess & The Pauper even though Tori and Kiera’s characters would much better suit a different plotline. The villains were just insanely frustrating and had such unclear motivations. The songs were also pretty bad (other than Here I Am), the Ken character is annoying, and the climax has barely any emotional weight since it wasn’t led up to properly. But hey, at least Tori/Kiera is a high quality ship. If it wasn’t for their relationship this movie would be much lower.

26: Barbie: A Fashion Fairytale

I love the set up for barbie’s character in this movie. She’s just been fired for the first time, Ken broke up with her, and she feels like her life is falling apart. She really reached a new layer of dimension with this movie, and she’s the best barbie as herself character in all of the movies. My main problem is the boring plotline with the flairies. Their character’s aren’t interesting and what they do to the clothing isn’t anything special. This movie also suffers from the boring villains. Barbie’s character is my main reason for liking this movie, along with the Ken plotline, even if it could be quite contrived.

25: Barbie: Star Light Adventure

This is a very weird movie. I had completely different reactions to it during the two times I saw this movie. The first time I thought it was very disappointing. The title said “adventure” so I was very surprised when the characters spent most of the movie training in the same location and we barely got to see any cool new locations. The pace was also extremely slow, especially near the beginning. The second time I started to appreciate the movie for what it is. The animation is absolutely stunning and I love what we saw of the creatures in this universe. Sa-Lee is definitely one of my favourite side characters, and the rest of the team was pretty cool too.

They also added a bunch of new things that I think are very unique to this movie. For instance I loved that barbie’s had telekinesis. She definitely needs more superpowers in future movies. I also liked that we got to see her parents.

My main gripe with this movie has to be Constantine. He was annoying for no reason and I think the movie would’ve benefitted from either having him be nicer and more of a character arc, or having him be a full villain who’s using the team for personal gain.

24: Barbie: Mariposa & The Fairy Princess

As a sequel this movie sucks. It doesn’t cover the same themes as the first movie, we don’t get Elina telling the story, the stakes are nowhere near the height as the first one was, and the characters in the first movie don’t get nearly enough screentime. Willa and Carlos’s part in this movie was underwhelming, but I’m especially annoyed by the fact that Rayna and Rayla weren’t even mentioned once. This all probably would’ve been different had the movie been made closer to the original, and I’m extremely confused as to why they waited to make it in 2013.

However if you disassociate it with the first movie it becomes way more enjoyable. I thought Catania was sweet and lowkey ship her with Mariposa (though it still doesn’t compare to the Mariposa/Carlos/Willa OT3). The crystal fairies themselves were an interesting addition to the universe and their designs were really pretty (I actually wish I was still into barbie at the time it was released just so I could’ve got some of the dolls). The increase in animation quality was also a plus. I’m also so happy that after the first movie Mariposa started running a library. It was such a natural progression in her character arc and it’s so perfect. There are still a lot of problems, such as a villain who feels utterly disconnected from the main story, clumsiness and miscommunication being repeatedly used as plot devices, and the annoyingness that are the puffballs. I’m still glad this movie happened and if you liked the first movie you should definitely check this one out too.

23: Barbie And The Secret Door

Oh boy is this one a mixed bag. It was actually the first "new” barbie movie that I saw, but it definitely did the trick of making me want to watch the other ones.

On the positive side this movie is so pretty. I love all the bright colours and the designs for Nori and Romy. Speaking of which, they were such great side characters, and an adorable ship! I especially like Romy since she was so funny and adorable. Plus, the “what’s a boy?” comment made me laugh. I thought that the world building aspect of this movie was really interesting, even if the animal designs weren’t the best.

On the negative side, I feel like the music was extremely disappointing. It got less annoying on my second watch through, so maybe I just have to warm up to it. I also feel like the villain was boring. This movie deserved a more serious antagonist, especially since we saw how terribly she affected the fairies and mermaids. I did overall like princess Alexa, but I’m kind of unsure about her arc relating to responsibility. I think a lot of modern barbie princess movies in general just aren’t as interesting as the ones that take place in the past.

22: Barbie: Dolphin Magic

What a cute movie. I loved Isla’s so much! She and Barbie were so adorable together. The dolphin’s themselves were quite cute too.

This is a very feel good movie, and it almost makes you ignore its flaws. The main thing that annoyed me is why couldn’t they just pick up the dolphin and put him back in the ocean? He’s not even that big, and there isn’t much distance that you’d have to walk with him anyway. The plot and villain aren’t that interesting either, and the sisters were sometimes annoying (such as Staci’s broken foot having no weight on the plot, and Treasure being absolute garbage). Barbie also seems a little too perfect in this movie, which isn’t even true for the rest of the sister movies and they’re all way lower on this list. I also laughed a lot when Barbie called Ken her “Friend”, since apparently romance is too inappropriate for a barbie movie. Still, if you ignore this and just watch all the Barbie/Isla scenes, the movie is really good.

21: Barbie: Fairytopia: Magic Of The Rainbow

Being introduced to all the different fairies in this movie was so much fun. I love all their different personalities and designs, especially Glee, Sunburst, and Lumina. Elina grew so much in this movie, and it truly is the perfect ending to the trilogy. The flight of spring was really cool too. The only real flaw this movie has is how clumsily Elina’s magic abilities are added in. It almost seems like she knew how to use it all along, even if we know she didn’t.

Also Dizzle is the worst. And that one apprentice’s wings being the braids in her hair was FUCKING RIDICULOUS.

20: Barbie In Swan Lake

This movie is definitely the most legitimately beautiful barbie movie out there. The colours are so nice, the dancing is so majestic, and I’d want to live in the forest any day. Odette is one of the prettiest barbie characters and I love her wardrobe. This movie also has two of the most iconic villains of my childhood who make me laugh every time I think of them.

Despite this I still don’t think this is nearly as good as everyone makes it out to be. First off, Odette’s character arc as the ‘chosen one’ wasn’t executed believably, and she wasn’t even that interesting. The romance was way too instalove-y for my taste (even Rapunzel had a more believable romance than this). The message of this movie was also really unclear in the Chelsey scenes. Overall it’s a great fairytale that I have lots of nostalgia for, but it doesn’t hold up as well when you really dig into it.

19: Barbie: Fairy Secret

I love how Barbie and Raquelle’s relationship is expanded upon in this movie. In Fashion Fairytale Raquelle’s motivations were confusing and she felt very flat. I love how we got to see them forced to work together despite their hard feelings and eventually come to forgive each other at the end once they got to the root of their issues with each other. It’s the ideal enemies to loversfriends scenario.

This movie is just really fun. Exactly what a barbie movie should be. Barbie’s stylist friends were great, and the Ken parts were pretty funny. I do overall like the worldbuilding, though Gloss Angelos looked way to small to even be classifed as a city, let alone the biggest fairy city in the world. It’s like 90% castle and 10% actual city.

In the end I always wish that Barbie, Raquelle, and Ken remembered what happened to them, and that’s the most frustrating part about this movie.

18: The Barbie Diaries

Despite being made by a completely different studio than the other movies (and having a downgrade in animation quality), this movie really holds up today. There’s a lot going on here, and it makes the plot seem way more complex than any other barbie movie. We also get to see into barbie’s head a lot more than any other barbie as herself movie, what with her fantasies that we got to see visualized. This movie is just the perfect blend of magic and normal life, and even if I do prefer the fantasy based barbie movies, this one will always hold a place in my heart.

17: Barbie And The 12 Dancing Princesses

There really isn’t much to be said about this movie. It’s just plain good. There’s nice music, a good plot, a great villain, a cute cat character, and a girl obsessed with bugs. What more could you want?

The only thing I don’t like is the wedding scene. It seemed quite out of place. Their relationship wasn’t that important to deserve the last few minutes of the movie.

16: Barbie And The Three Musketeers

Barbie sword fighting is all I’ve ever wanted in life. This movie really broke the mold for what barbie could do. Corinne is a great protagonist, and the other musketeers were great too (even if their personalities weren’t developed that much). I love how important their friendship was and how easily Corinne integrated into their group. This movie is super fun and just makes me want to scream “GIRL POWER” from the top of my lungs.

There were still some drawbacks though. The prince was annoying, I got so tired of that one sound effect that keep on repeating over and over again (if you’ve seen the movie you know what I’m talking about), the cat was way too immature, and while the villain was good, he was not subtle at all. The movie still had a solid storyline, and I loved how it ended with the girls going on another adventure. *sigh* If only this movie had a sequel.

15: Barbie: The Pearl Princess

Lumina is one of my favourite barbie protagonists. She just felt human in a way that not many others do (even though she’s technically a mermaid, not human). She was naive, but not stupid. I loved seeing her react to a world she hasn’t seen before. This movie had such a unique approach with her aunt Scylla. Her aunt may have done something completely wrong, and she admits to that, but Lumina doesn’t ignore the way aunt Scylla has cared for her and loved her over the years. She accepts her found family and her biological family at the same time, and lets her have a chance at redemption. In addition to that I really loved Lumina’s pre transformation outfit. It’s my second favourite barbie mermaid outfit next to Nori’s in Mermaidia.

I also liked how much the animals of this movie felt like active members of society, and had intelligence levels equivalent the mermaids. I’ve never really seen that in a barbie movie, at least to this extent. Kuda was a great animal sidekick who really felt like one of Lumina’s true friends. I also like how Spike looked dangerous but was a real softie on the inside.

There are a lot of other elements of this movie that I liked too, like how sweet Fergus was, and his love of botany. I liked the gag about Caligo thinking he’s being poisoned, and being paranoid about which cup he’s gonna drink from. Even if the Ken character wasn’t utilized much, I liked his dolphin friend. My only complaint is that the climax was a little messy, and I didn’t enjoy Caligo as a villain that much.

14: Barbie In A Mermaid Tale 2

This worked very well as a sequel to the original Mermaid Tale. Eris’s return as a villain felt very natural, and this movie continued to have Merliah feel like a genuine teenager with her own dreams and mood swings. The only reason it’s lower than the first one is because the plot isn’t as all encompassing and it doesn’t feel like Merliah’s life has changed as much as it did originally, if that makes sense. The plot also feels a little too fast at times, but the pacing doesn’t affect the movie drastically.

Kylie was a wonderful addition to the cast. She was mean, but you could clearly tell that it came from her insecurities about her own talent. I cannot emphasize how well her conflict with Merliah was developed. I loved their banter at the beginning and how they came to understand each other at the end, to the point where it didn’t matter who won the competition. It’s just.....SO GAY. I love it.

Speaking of which, Fallon and Hadley were both really cute in this movie too, more so than the first one. I just love how little men there are in the Mermaid Tale movies.

13: Barbie: Princess Charm School

Last time I watched this movie a few years ago I absolutely hated it, but after rewatching it again my opinion has completely turned around. The plot of this movie may still be very basic, and the supporting characters, Princess Isla and Hadley, were very one note, but it’s the strength of the Protagonist, Blair, that really makes this movie. I love seeing her determination in an environment she’s not used to, and how selfless she was even when she’s surrounded by selfishness.

Also can we appreciate how dark this movie was? Dame Devin literally MURDERED Blair’s parents in a car accident. It’s not like that hasn’t happened in any other movie, but in this one the tone just feels a lot more jarring.

I really appreciated Delancey’s character development. She seems so cold and unforgiving at the beginning, but as more information is revealed to her she changes for the better. She was raised in such a negative environment and I can’t help but be proud of her. Her friend Portia was also really funny too. I love the “YOU STOLE MY CAKE” scene.

12: Barbie As The Island Princess

Is there anything better than crazy island girl characters who talk to animals? I think not.

I love Ro’s animal family. Azul and Sagi are essentially Ro and Tika’s dads, and it’s adorable. Azul’s peacock sounds are just absolutely ridiculous, and I love it.

The music of this movie was also soooooo good. Words cannot describe how The Rat Song makes me feel inside. On a more serious note, I Need To Know is absolutely perfect. I love the visuals that go along with it. And just when you think it’s over, Ro’s part ends and Prince Antonio comes in AND IT’S SO PERFECT. Love Is For Peasants is also the best barbie villain song in any movie. “You need to stop reading those books. Filling your head with thoughts!” ICONIC. The soundtrack of this movie isn’t as good when listening to it outside of the context of movie when you compare it to stuff like the Princess And The Pauper, but it’s still really good nonetheless.

The romantic element of this movie was also really good. I think this is the first time on this list that I’ve listed the romance as a positive aspect. Ro and Antonio are just really compatible people who fulfill very essential parts of themselves when they meet. This may be an unpopular opinion, but I also love Tika’s development in regards to their relationship too.

The villain was pretty okay, but I especially love princess Luciana. She may be a romantic rival to Ro, but she’s a victim too, and she’s given a very sympathetic role in the story even if her mother is the villain. Her arc was very satisfying.

11: Barbie In A Christmas Carol

Not really a typical barbie movie to list as one of my favourites, but it’s a christmas essential for me. Having Barbie be Scrooge was a very risky move, but god, did it pay off. Eden was cruel, but her story is so sad. I always feel her fear when her aunt disrupts Catherine’s party. This is definitely another one of the darkest barbie movies.

Also, GHOSTS. Ghosts should have been in more barbie movies. They all had cool concepts and designs, mainly Aunt Marie and the ghost of christmas future.

Catherine was such a joy to see in this movie. She’s a very kind and selfless person, but her friendship to Eden puts her in conflict with that side of herself. Seeing her fulfilling Eden’s role in the vision of the future was actually kind of scary. It makes it all the more satisfying when Eden apologizes to Catherine in the end. I really love their friendship.

Christmas Carol was always one of my favourite christmas tales after I watched the Mickey version, and I think this movie did it justice (thought it was slightly less traumatizing than that, thankfully).

10: Barbie In The Nutcracker

Even though I’ve had a copy of this for the longest time I never really took the time to watch and appreciate it. And now that I have I’ve gotta say that this was a great start to the barbie saga. The producers still hadn’t settled on making barbie movies the way they’re known for now, and you can tell by the lack of female characters and a few of the 2D sequences, but the sense of adventure this movie has is so unlike any movie that came after. And despite the limited resources they had for animating it still ended up looking stunning. They animators had such a good sense of colour, and all the landscapes looked amazing.

Before watching this I always thought that The Magic Of Pegasus had the best (canon) romance of any barbie movie, but now I actually think that this may be better. Clara and Prince Eric have great chemistry and such a believable bond. The last dance scene was amazing and it so was heartbreaking when Clara was sent back to the real world. I love the scene when Eric visits Clara’s house and confirms that it wasn’t all a dream.

Also, I really appreciate Clara’s decision to stay in the magical world. So much media, including barbie movies, puts emphasis on people staying with their family and choosing more stable environments. What writers don’t realize is that that’s boring. We don’t watch movies to learn about people’s normal lives, and I’m so grateful that this story ended the way it did. So yeah, thanks writers.

There were also many scary moments here too. The rock monster is TERRIFYING. Maybe the reason I don’t remember this movie is because the rock monster traumatized me so much I had to repress it. The Mouse King was also quite creepy. I wish newer barbie movies committed to making scary villains like him.

9: Barbie In A Mermaid Tale

I probably have the most nostalgia towards this movie since it was always my sister’s favourite growing up. Now it’s one of the only barbie movies she’ll watch with me other than the sequel. I expected to not enjoy this movie as much since I’d kind of exhausted it by this point, but I guess I surprised myself.

As I mentioned in Mermaid Tale 2, Merliah feels like a genuine teenager. She likes her normal life and hates responsibility. Because of this her arc of deciding to save her people feels so much more genuine and poignant.

The world building of this universe is just so good. The plot with Calissa and Eris was great, and I love the scene where Merliah is picking out a tail. The world just looks so pretty and magical, even if magic doesn’t play a huge role in this film. The soundtrack sets the scene so nicely, and Queen Of The Waves is definitely one of my favourite barbie songs.

8: Barbie In The Pink Shoes

This is definitely a huge unpopular opinion, so I should get all the negatives of this movie out of the way first. The animation of the faces is extremely creepy, Kristin was very irresponsible to decide to change her routine up at the last minute, and she would’ve worked much better as a choreographer than as a dancer. Despite these flaws there’s still something about this movie that makes me love it.

For one, despite the creepy faces, the dancing animations were still pretty good. And even though Kristin’s arc wasn’t the best I still find her final dancing scenes (the one in the ice palace and the one on stage) to be so inspiring. Keep On Dancing is such an amazing song and it gave me chills the first time I heard it. The movie is also quite pretty. The ballet outfits aren’t as traditional as ones in earlier barbie ballets, but they still have flare and nice colours.

The movie is also really funny. It makes fun of the ballets it covers a lot. I love the “you don’t look a day over 16″ part. The two suitors especially, Hilarion and Prince Albrecht, were so funny. I loved how their petty jabs at each other turned into compliments when faced with adversity. Hayley was also pretty funny since she was the realist of the movie.

I think the irl characters were used very nicely in the ballet world, and I liked how when Kristin got back it turned out that everything wasn’t as bad as it seemed before. Tara wasn’t as mean and Madame Natasha wasn’t nearly as scary. That’s one of my favourite tropes in fiction.

7: Barbie & The Diamond Castle

Liana and Alexa are basically a married couple. There is literally no way to refute this. Their arguments are adorable and domestic, and they clearly love each other more than anything in the world. They may have their differences at times but when it comes down to it they know each other more than anyone else does and work together so nicely. Every aspect of their lives is intertwined so much that separation usually isn’t an option for them. My heart broke when they parted since I knew that that was how Lydia would defeat them. I cried when Liana came to Alexa’s rescue, and the movie ending with them going to back to their normal house instead of staying at the diamond castle was beautiful. Truly the best and purest barbie ship.

Now that that’s out of the way let’s talk about everything else. The plot of this movie is so unique. There is no other barbie movie that’s about music itself. The muses and their drama and betrayal with Lydia was so intriguing. Seriously, Lydia was a scary villain. I was terrified of her as a child. Liana and Alexa seemed like they’re helpless against her powers, and it feels all the more victorious when they defeat her. The last fight scene was truly epic.

I really appreciate how little Liana and Alexa care about the two twins. They’re my least favourite part of the movie, and even if they do start working with them later on in the movie it’s made very clear that they don’t care about them at all.

6: Barbie In Rock ‘N Royals

I really didn’t have high expectations for this one. It was after I had watched The Princess And The Popstar and Secret Door, which both gave me a bad feeling about barbie pop musicals. But this movie really came through and made itself my second favourite barbie musical movie, and my sixth favourite overall.

The only thing I disliked was Courtney’s weird facial design. That’s it. The rest of the movie is basically perfect.

The movie started off at a relaxing pace but I was never tricked into thinking it would end that way. I love the Camp Pop vs. Camp Royalty plotline. Finn and Lady Ann seemed simple at first but their past was revealed at the perfect time. Clive was hilarious and him becoming the real villain was executed so well.

Seeing Courtney and Erika react to the camps was a delight. Their friends were so quirky and nice to them, and the camps themselves were pretty fun too (UNICORNS). Them finally meeting at the beach was such a breath of fresh air. I could imagine them becoming great friends in the future (cough sequel cough). Erika was probably my favourite of the two since she just looked really cool and had a more interesting arc. I just love it when two groups of people who have seemingly nothing in common come together to achieve a common goal. Also I have a theory that Sloan and Princess Olivia were in love the whole time, and the competition was the first time they could smile around each other without being ridiculed by their peers.

Now, onto the music. My favourite song is probably Gotta Get To Camp. I was shocked at how good it was. The choreography was also the most interesting since it was the only time the characters spontaneously burst into song. When You’re A Princess is also such a bop.

This is definitely the first movie I’d recommend to any classic barbie fan who wants to try out some of the new ones.

5: Barbie: Mariposa & Her Butterfly Fairy Friends

This is probably the closest to a perfect barbie movie you’ll get. The protagonist is very relatable, the supporting cast is great, everyone has good development, the world is scary yet so fascinating, and the villains are amazing. Also it has a non barbie protagonist. Having Elina narrate the story was such a great decision. Mariposa really sticks out in the long list of barbie protags. Her transformation scene near the end was so great. It fits the theme of the movie so well and I think that anyone can get inspiration from Mariposa’s journey.

When it comes to characters everyone is so much fun. Carlos is another one of my favourite barbie love interests, even if the movie didn’t commit to the romance fully. He and Mariposa have their love of reading in common and they like each other for non superficial reasons. Willa is also adorable and sweet. It would be very interesting to find out how she and Mariposa met, since they’re so different, yet they’re close friends nonetheless. Rayna and Rayla are both quite interesting cases. When they first showed up I rolled my eyes and thought they’d be tossed out of the way very soon, but they continued through the story and changed as people. They gained respect for Mariposa, and vice versa. Henna was also pretty cool too.

The setting was so interesting too, more than any other Fairytopia movie. Every place looks like it has danger lurking, and he characters genuinely felt small next to the landscape. One of my favourite things in this movie has to be the absolutely horrifying Skeezites. I remember playing the DVD game as a kid and having nightmares about it later.

4: Barbie As Rapunzel

This is probably the scariest barbie movie. Unlike other scary ones like Mariposa and Diamond Castle there’s such an aura of misery and helplessness to this movie that is like no other. Gothel is the main reason for it. The tower just looks so dark and every scene in the normal world has such tension surrounding it. It makes me even more emotional when Rapunzel finally frees herself from the tower.

All the paintbrush scenes are integral barbie moments for any kid growing up. I remember being fascinated by her art, and by how hope came to Rapunzel in her worst moments. We don’t get a real answer to how the paintbrush came to be, but it doesn’t feel necessary. It’s just so beautiful.

I love the animal sidekicks in this movie too. Penelope is so adorable, and I love how she, like Rapunzel, found the courage in herself to stand up and disobey her father. And having a dragon be one of the good guys was a really risky move for the second barbie movie, but it payed off so well.

This was truly an ethereal movie.

3: Barbie And The Magic Of Pegasus

This movie definitely has the most riveting original plot of any barbie movie. Wenlock was a terrifying villain and Brietta’s story is so sad. Plus, barbie standing up for Wenlock’s wives at the end basically invented feminism. I love that it’s about an ice skating barbie, and all the skating scene were so fun too.

Shiver is also adorable. I had a lot of the dolls as a kid and the only things I have left from them are the Shiver toy and the Wand Of Light. Speaking which, that wand was so epic and pretty. The movie was just so aesthetically pleasing.

Annika is another one of my favourite barbie protagonists. Like Merliah, she genuinely feels like a true teenager who's rebelling against her strict parents, and she learns a great lesson. Aidan was also a great mirror for her and when I was younger they were my favourite barbie couple. They have lots of good banter and I really buy their relationship development. I especially love the ice dancing scene at the end.

This movie is a barbie essential for me. It represents so much of my childhood. I used to watch this movie obsessively and it’s just as good now as it was back then.

2: Barbie: Fairytopia: Mermaidia

This is kind of an odd choice for my second favourite barbie movie. This one used to be my #1 favourite before I rewatched the one coming. I was obsessed with mermaids and fairies as a kid and no other movie captured my imagination the way this one did. The land of Mermaidia is so pretty and reminds me of everything I dreamed about as a kid. It also gave me Nori, my favourite non barbie character in any barbie movie and one of my biggest childhood crushes. I love how her sass comes from her insecurities about Nalu, and how she and Elina start to like each other once they see past him.

Elina/Nori is also another contender for my favourite barbie ship. They have nice banter (and I’m sure by now you all know how much I love that) and I love the scene when Elina sacrifices her wings for a tail to save Nori (that’s totally my favourite scene in any barbie movie). I wish we got more of their relationship in Magic Of The Rainbow, but I guess that wouldn’t have fit with the movie. Oh well.

This movie works very well as a sequel, while also being better than the original in every way. We had the same villain, and we got to see a part of the Fairytopia universe that we only saw a glimpse of in the first one. After Elina got her wings it only feels natural that the possibility of her losing them again is explored, as well as the prospect that maybe she doesn’t need wings to be herself. And compared to the original movie the stakes have been raised much higher, we have more reasons to care about the characters, and it’s so much funnier. The fungi annoyed me in the first movie but in this one they made me laugh constantly. And this movie wouldn’t be complete with the amazingness that is opera Bibble.

This movie doesn’t have the best plot, but it doesn’t suffer from it either. It’s one of those movies that just makes me feel relaxed and at peace (other than the Depths of Despair scene, though at this point I’ve seen it enough that it doesn’t phase me as much anymore).

1: Barbie As The Princess And The Pauper

We all knew this was coming. No other barbie movie comes close to this classic. It’s gonna be hard to describe why I love it so much since everything that’s amazing about this movie has already been said a thousand times before, but I’ll give it a go.

Anneliese and Erika are amazing characters. They may come from different social classes but they both have the shared experience of not being able to fulfill their dreams. This movie is so good at showing you how trapped they feel, yet still their duty to their lives never waver. My mom has an interesting story about how she got into this movie. She initially thought that barbie would be a terrible role model for me and my sister until she saw The Princess And The Pauper. Anneliese and Erika are clearly very complex protagonists who have interests outside of romance and are active participants in changing their destinies and saving the kingdom. Especially with Erika, who decides to achieve her dream of becoming a famous singer before getting married to King Dominick.

This movie has a bunch of nice relationships too. Anneliese and Erika click with each other so well and respect each other’s troubles without downplaying their situations due to the class difference. The romances were both nicely developed too. Erika and Dominick may have fallen in love over the course of a day but I appreciate how much he likes her stranger side (like when he walked in on her singing to her cat lmao). Anneliese and Julian’s relationship feels especially believable since they’ve known each other for a very long time. I also really like that they waited for Erika to come back before getting married. OT4 goals.

Preminger is a barbie villain like no other. The rest of my top ten has been dominated by scary and serious villains, but Preminger is just so funny and dramatic compared to them all. He’s the only barbie villain that has became very well known in pop culture.

All of the songs in this movie are so iconic. I think that’s the biggest strength of this movie. I'm constantly listening to music and the soundtrack is a great way for me to take this movie everywhere I go. The Cat’s Meow is a beautiful song, Written In Your Heart feels so inspiring, I Am A Girl Like You is great character study, If You Love Me For Me is a beautiful and tender love song, How Can I Refuse? is an iconic villain song, and Free is a great introduction to the characters, as well as my number one favourite barbie song. Every song has something special about it and that makes it one of the most memorable movie soundtracks ever for me.

I also love the cats Serafina and Wolfie. They’re two of the best animal sidekicks in any barbie movie since they feel a lot like the human characters. THEY ALSO HAVE SO MANY BABIES IN THE END FUCKING GOD.

I hope you all enjoyed my ranking. Feel free to comment with your favourites and least favourites, just be aware that this is all personal to me and really says nothing about the objective quality of each of these movies.

#barbie #barbie movies

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