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#like I get it bc I criticize the show too
inannasdream · 2 days
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i think the reason why i gravitate towards belos on a deeper level a lot more than any of the other characters in toh is bc my preference in characters and stories is in how they are affected by institutions and the messiness that results from understandable character flaws exacerbated by those institutions, whether they are the oppressed or are enabled to become the oppressor. belos is a mix of both in a way that i like — it's possible to read him as nd & left handed (both heavily stigmatized in his day and society) yet both are possible to hide. in the demon realm he yet again had a trait that made him a possible outcast, as he was a lowly human, yet he transformed himself into a magic user through painful mutilation of his skin all so that he could conform to that society, even when it was one he couldn't stand. his conformity in the demon realm supports the idea of him having to conform in the human realm. but because he was enabled for being a white man in the human realm and could reasonably hide anything that made him a nail to be hammered down, he clung to that power and dominion over others that it gave him for the rest of his life like a security blanket, represented literally with him lording his magical prowess over other witches and demons. it's a lot of layers that i think are very fun and i'm 90% sure are unintentional when put together into this cohesive of a picture for reasons i will state later.
compare that against almost every other character in toh (w maybe the exception of darius??) — every good guy has flaws that can reasonably be blamed on other people as a freudian excuse or that are downplayed by the narrative (eg. amity going from an active bully in her debut to a passive enabler of bullying in understanding willow). there's a dire lack of messiness in them all, from their appearance (all the witch kids could easily be mistaken for humans, fairly good looking ones at that, if it weren't for the ears), to how they deal with pain, etc. it gave me the impression that they really wanted only the villain to be allowed to be messy and ugly because those are traits for villains, when i think it's a lot nicer to see stigmatized traits (ugliness, childishness, hallucinations, mental illness, etc) in everyone. i really wanted the heroes to get in on that kind of action too.
another thing that drew me away from connecting with and trying to deeply understand most of the characters in toh is the lack of meaningful bigotry on the isles. i'm not criticizing the race-, queer-, and gender-blindness of the demon realm on an objective level bc the writers wanted to accomplish a v specific thing w that bit of world building and that's ok and it's a wonderful aspiration for usamerica. it's ok if it's not for Me and the world can't have a million yasuda sayos (i say with difficulty through tears). but because there is a lack of bigotry in what's supposed to be an oppressive society and there's no highlighted underclass in its place (covenless witches should theoretically be the underclass, but the show tends to undermine this aspect of its society, eg. letting wild witches like eda and luz roam perfectly free and having the government-funded school allow witches to study multiple covens without pushback from said government funding them), it becomes just another part of the show that makes it so much more squeaky clean and made me disinterested in a lot of the characters — i connect so much better with characters when i feel their pain and struggle against a world that can't find it in itself to care about them, witnessing all the ways they try to fight for their right to be happy frantically and imperfectly, and that is what makes their happiness so meaningful to me and makes me care abt them deeply.
contrast that w belos: i really love that he came from a society infamous for its conservatism and religious extremism grounded in the real world, and it's so thought provoking for me to think abt the layers of that society and how he interacted with it. which parts he rejected, conformed to, wanted to conform to, etc. that's a challenging character to understand (and then, after having fully understood them, condemn with so much more feeling) and i adore the idea of that being intentional if it wasn't for the fact that almost every other character in toh is boringly easy to understand because they lack enough material in the layers that can make them feel like real, messy people to challenge the viewer in a meaningful way. (side note: a lot of the layers created simply by belos being from colonial connecticut also disappear if you're solely looking at his background based on the text in the show, bc you're expected to fill in the gaps with, like, wikipedia basically lol. similar thing w luz where they show very little of her being bullied/outcasted bc of her adhd and you're mostly supposed to fill that in w your own experience & irl knowledge of adhd.) it results in the show being weirdly liberal about the bigotry/lack of bigotry certain characters have and only being able to halfheartedly say "idk some people are just evil i guess", instead of examining the material conditions that shape people to act the way they do. Bigot Phil vs Weirdgirl Luz could've been "these characters are shaped by their circumstances and have been encouraged to respectively become their worst/best selves through ideals instilled in them" but instead it's "some people are bad and we won't attempt to look at what made them 'bad' in the first place" and then pretending this is a groundbreaking message and not the laziest takeaway they could've possibly written.
basically i like my characters messy with hearts that you have to go out of your way to understand and sympathize with who come from understandable circumstances and i think all girls should be allowed to kill freely. i hope you can understand my position.
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swanqueensalad · 4 months
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day 1 of convincing you to watch demons and daughters by sharing the most gay, heart wrenching, agonising sapphic love confession scene u will ever witness
you do not need any prior knowledge of dnd to enjoy this show, only a desire to see pining teenage regency era lesbians be gay and yearning and feral on a madcap journey to find their missing fathers, fight demons and break free of their patriarchal roles. the show is free on youtube!!
(ps if you watch to the end of the video you will giggle)
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arsenicflame · 5 months
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ive had to step away from all the analysis of the finale because thinking about it for too long it fills me with such a [rage? bitterness? frustration? all of the above?] the likes of which ive genuinely never felt for a show before
ive cared about media before. ive been disappointed by media before, but i think the difference is i haven't put my faith in media like i did ofmd- and the more time passes the more i feel fucking stupid for putting that faith in the show in the first place, when so many of the things coming to light now were already there
i cant think about it too long else it makes me so fucking sad, and im tired of analysing it to bits because its not going to change anything, theres no way to fix any of this, no way to find a spark of light in it, no way to come back, to resurrect the show i fucking loved.
im sure everything everyone is saying is well thought out and nuanced things but for the sake of my own enjoyment of this fucking show i have to just not engage with it anymore.
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hellfyre · 2 months
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everytime i look in the lilith tag I see so much hate and antagonism for her, like my god. we barely know much about her but some people are just desperate to hate on her while woobifying male characters and I can think of one word why.
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crowlore · 6 months
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i remember it used to be a bit of a fandom pet peeve of mine that some people would forget that the gung ho guns and eye of michael were two separate groups with some membership overlap but then stampede came along and made the eom into a project of conrad’s backed by knives. another example of how the reboot feels like bad fanfiction.
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xannerz · 2 months
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its always surreal to me to see people praise s2 of centaurworld. s2 was so spectacularly bombastic and aimless and it ended in this awkward forgettable fizzle.
i feel like a dick saying it b/c i really do love the show lmao. or, at least half of it lmao (/stares at tnwk). gf and i've been thinking about rewatching it just to write out our thoughts on why s2 was such a poor follow-up to s1 - from the tone to the setup to all the worldbuilding the narrative had to offer in between the (far more) memorable songs of s1. idk. it's sad because cw really had the bones of a cult classic, but idek if you can call it that.
ive seen a few posts commenting on its lack of popularity, and i feel like it certainly deserves more, b/c i do feel like it's a novel idea made w/ love, but the shift btwn s1 and s2 wasnt just in the plot. there was a full-on *fracture* in the quality and direction and i'm still scratching my head over it. more than i should be, probably. but, it's just a bummer.
#centaurworld#centaurworld critical#<- a tag i never thought i'd use lol#ok EDIT: fuck it im tagging this maybe there are others who'll also see their own viewing experiences in this post too#dont mind me rambling#but i got an ask on my thoughts abt cw a long time ago (hi!! i still have it 😭) and ive been wanting to write a detailed response since.#debating tagging this since the fandom's already p small and i dont wanna bump the tag with negativity#even if it is (what i feel is) p fair criticism. but idk people are sensitive and conflate it w hate idk idk#ive seen thinly-veiled hate posts in the t*ngled the series tags and it's always bothered me.#bc you can tell op just like hates xyz character or the show entirely and its like can you just come out and say it LMFAOO#but i genuinely like cw. i so so very much do. so i get bummed out! gf and some other friends and i were so excited for s2 and#when it rolled out ep by ep we were like 'it'll get better right? right?'#also tempted to just draw more cw fanart in general bc the t t s fandom is slow and if half the people dont have each other blocked#theres simply 0 overlap in fave chars or interpretations so lmao#im going back to work i just feel sour LMAO#also adding that i think a lot of people conflate a story eliciting an emotional reaction from you = its good#but ill revisit that and all these thoughts again eventually in another post. we'll see.#and i STILL want a nwk tattoo lmao. or at least an elkie. gf and i love elk bc of this guy! the impact that he has!#xangoeswah
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doodlboy · 1 year
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Demon El doodle dump!🩷✨️
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i feel like ppl (izzy fans especially) rlly get hung up on the toe scene and seeing it like "what if this happened in real life??" or even just "what if this happened in a realistic show that placed moral judgement on characters for enacting physical violence??" and like YEAH in real life i think having your toe cut off and fed to you would be Pretty Fucking Traumatizing and you'd probably be the victim of the situation, not the guy feeding you your own toe. and in MOST shows, if someone's feeding ppl their own toes, that's probably a bad guy
but one of my favorite things abt ofmd is how it DOESNT make moral statements about physical violence. like, ever. this show never takes a stance on when it's okay to kill people, or how much violence you can do while still being a good person. because all the important characters are fucking pirates! if this show tried to take a realistic approach to the morality of physical violence it would get really hypocritical really, really fast!
what matters in ofmd isn't whether the characters are physically violent or not, it's how the characters feel about being the ones to enact violence.
buttons and roach both enjoy violence in a slapstick goofy way that's meant as comedic relief. jim clearly has no regrets about murdering the man who killed their family, but they're not that enthusiastic about going on a whole revenge killing spree and hunting down six (or five, now) other guys. stede at the beginning is somewhat afraid of violence, and is insecure about how afraid he is, but i do think his feelings about violence are changing and will continue to change in the next season(s).
izzy considers violence a requirement to be a real pirate (aka a Real Man) and is loyal to ed so long as he thinks ed is willing to use violence to maintain power and control
and ed. ed actually doesn't like physically hurting people! he's deeply traumatized by murdering his own father, so much so that he's made up weird rules about when someone's death is his fault as a way to distance himself from the violence that is necessitated by his profession! when those rules are called into question, and his responsibility in people's death scrutinized, he gets uncomfortable! all ed wants is to leave behind his violent lifestyle and go enjoy a hedonistic lifestyle for the rest of his life!!
but it's not that ofmd doesn't have a moral compass. in the fictional world of ofmd, "morality" (aka When Characters Are Rewarded/Punished By The Narrative) has two axes: colonialism and emotional vulnerability
the first one is pretty straight forward and has been talked abt a lot already so quick summary: in ofmd, when characters are explicitly and maliciously racist (british navy in e1, rich french people in e5) or side with european colonizers (izzy in e9), they face physical harm. british soldiers in e1 get beat up, the french ppl in e5 get their ship burnt down, and izzy nearly gets thrown overboard in e9, and in e10... yknow. toes.
as for Emotional Vulnerability, that's the whole fucking core of the show. people being their authentic selves, openly expressing their emotions and clearly stating their emotional needs, that's the end goal for every character who's gonna get a happy ending. characters denying parts of themselves, suppressing their desires and contorting themselves to fit into a certain box they feel obligated to get into—that's what our protagonists are trying to unlearn.
in e10, izzy is trying to force ed back into the blackbeard box. he demands ed return to the role that makes him unhappy, a role that requires physical violence to maintain. and ed goes, and we know, we are told, like, multiple fucking times before and after that this is not what ed wants to be doing. ed has stated, over and over again, that he's tired of being blackbeard, that he wants to pack it all in, that he wants to do the things that make ed happy. we learn in e6 that he's actually been traumatized by his OWN PHYSICAL VIOLENCE!!! and he even talks about feeding ppl their own toes as a fucking example of shit he Does Not Want To Do!!!! and the last fucking shot of him we have is him literally sobbing his eyes out!!!!!!!
yes, in real fucking life, and in almost any other story, izzy would be the victim of the toe scene
in the fictional world of ofmd, in the narrative of a slapstick pirate romcom that we're being told, ED IS THE PRIMARY VICTIM IN THE TOE SCENE. ED IS THE ONE WHO IS SUFFERS MORE IN THAT SCENE
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scientologyblows · 9 months
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okay but lets be very serious here right now, when they release a statement what exactly is that gonna change? don admitted to him and lex having intercourse (which shows that he coerced her) and matt and ryans texts show that the situation was handled VERY poorly. an apology isnt enough for the trauma they both have caused
#cuz you know its bad when even the subreddit is on their ass they’re usually dickriding m and r anytime someone makes valid criticism#theyve been let off the hook too many times a line needs to be drawn and this needs to be it#im sorry but sa is not something you can simply look past especially when they have a history of brushing serious shit off#what is there to even hold onto for them its not like theyre dropping bangers like they used to#theyre in drama every other month i know thats the appeal to some of yall but when things get this serious it shouldnt be hard to drop them#especially when they have piles of evidence lined up against them showing that they only really care about their channel and their image lol#yes im still talking shit because im very disappointed#also saying quote unquote check up on the big fan accs theyre going through it is very weird lol. we should be checking up on the victims#anyways the bad publicity will probably make them lose sponsorships and yall know the podcast was one of the only things holding them-#together financially LOL#worst part is matt and ryan have people relying on them to get paid.. their company is about to go to shit all bc they have no backbone#jacksons comeback post is gonna be a pic of matt watson flipping burgers at chickfila in a year or 2#yeah yeah this is my last post about it for now until one of them says something i just needed to get these thoughts out there#rest in piss supermega your actions actually do have consequences and its clear theyre not used to being put on the spot like this#theyre used to people letting everything slide i know theyre all screaming and crying right now 😂
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instinctsxbad · 7 months
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*scratching at the walls thinking about how no one has adapted Peter’s college arcs in a consistent and satisfying way.*
#coffee bean gang#spider-man#I was almost asleep but now I’m thinking about how there isn’t one piece of media out there that checks all the boxes#of adapting Peter in college + the coffee bean gang + doesn’t downsize the group or combine characters#+ does everyone in a decent way even if it’s not strictly comic accurate#raimi trilogy is one of the only ones that heads pretty quickly into the college era and also involves more than just gwen or mj#and as much as I like the films it does not handle the three of them in a way that scratches the itch for me#I mean for one it’s only Peter Harry and MJ. I like those three arguably the most but man the dynamic isn’t the same#especially bc Tobey’s Peter is much more serious and quiet/awkward with negative charisma (affectionately but still.)#MJ is mixed w Gwen’s personality which was disappointing to me bc I like MJ’s weird and super vibrant personality#and Harry loses some of the ‘kind of a sweet guy but very VERY fucked up’ and relies too heavily on Harry becoming the goblin for revenge#I sound super critical of the Raimi versions qhwjrjwkr I DO like them I do but it feels like completely alternate interps of the characters#most focus on spider-man’s origin which I totally get but also. Peter’s most interesting arcs happen in college#that’s why everyone has to adapt them into the high school years#(which they can do bc Peter was largely friendless during that time and was still fighting some truly d-tier guys#in between the forming of the famous spidey rogue gallery)#I mean I wouldn’t even complain if they chose to do the high school years and actually DID those instead of pasting the college arcs on it#I haven’t watch the 90s show but I want to— does Harry exist in that one bc I know they took out Gwen#at the risk of sounding like That kind of tssm fan. the closest we got to that dream was that show#bc they WERE gonna follow it into Peter’s college years and you could see them setting the gang up#it still fell into the ‘everyone is a childhood friend’ thing so the characters could all be there but it’s one of the most bearable ones
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thorarms · 1 year
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The loki series is fascinating to me in that it says so much more about the writers than it ever could about loki himself
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waywardsalt · 8 months
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how much does sonia matter to the story of totk
sonia... is certainly a character in totk, but right now i want to take a look at her appearances within the story and see just how much of an effect she actually has on the narrative of this game. i will only be looking at memories and actual story beats, things such as those floating tablets (idk what they're called i never bothered with them) will be omitted because they are entirely optional content and have nothing to do with the actual story, i'm only considering the memories and present events that most players intending to experience the full base story will see. (i'm not even sure if the floating tablets have anything story-relevant in them, anyways, from what ive seen its just world-building and little character moments.)
it's worth noting that i do like sonia, and i don't particularly think she's a bad character; i enjoyed her, but it's questionable just how relevant as a character she is to the story. i also have a generally negative opinion of totk and its story, so that might alter the way i think about this game and it's story. feel free to take what i say here with a grain or two of salt.
spoilers for a fair bit of totk ig
(post is extremely long yknow how it is 2,581 words under the cut)
sonia is definitely present for the story in the past; she is a comforting presence for zelda and a supporter of rauru. she has power over time (recall, i suppose), and is the queen of the hyrule that rauru has founded, and was formerly a priestess before meeting rauru.
before really starting, i want to bring up that the first time the public got to see sonia was in the 3rd trailer; specifically it is where memory 6 is edited, specifically making it appear that sonia, with her hand outstretched and glowing, is the one therefore shooting the beam of light in the very next cut. in reality, in the actual scene, rauru is the one shooting that beam, but i want to keep this specific edit made in the final trailer in mind, since i want to talk a little bit more about sonia's presence in the story in general at the end, because, again, i personally like her, and am admittedly frustrated with how the game and its story ends up using her.
i consider a character to matter to a story when they do something that impacts or helps move it along. for example, despite being very non-characters, i would consider the old sages to be important as they provide exposition directly to link and the new sage as well as bestow upon them their blessing and their secret stone. they have some kind of effect on the story and other characters and carry out a specific role. if you erased the old sages, you would be missing characters that provide more information to the new sages and properly mark them as their successors in the present. even though they aren't really fleshed out in any sort of way, the old sages play an important role in the central plot of the story. the story needed them to play their specific role in order for the game to progress and for the narrative to continue as intended. they do something to shape the path that the narrative takes, they have an effect.
sonia is a character who technically only ever appears in the memories. i'm completely ignoring her appearing after the final boss simply because she has no dialogue at all and its really nebulous what she and rauru even do. worth noting that she is not alone in that scene; rauru is present with her.
sonia is introduced in memory 3 and then is killed in memory 9, i'm also ignoring her, uh, cadaver in memory 10 for obvious reasons. sonia is therefore active in the world of the past for 7 memories out of the total 15 that take place in the past. sonia is alive for less than half of the memories. furthermore, of those 7, sonia only actually appears in 6 of them, memories 3, 4, 6, 7, 8, and 9, and has dialogue in memories 3, 4, 8, and 9, barely over a fourth of those memories.
noting when she appears and when she speaks is important, since because of the fragmented nature of the past memories, character dialogue is very important in knowing what they do and what information they impart. sonia has a purpose in the memories where she doesn't speak, but i'll get to those after looking at the ones where she does speak.
what sonia does in memory 3: she is the first to approach zelda and her touch is what wakes zelda up. sonia is much gentler with zelda, giving her her name and reassuring her that she is safe.
what sonia does in memory 4: she's mentioned by rauru to have a secret stone and likely used as the example of a secret stone holder due to her own time powers. sonia is the one who says that zelda has both light and time powers, and also says that she can also somehow tell that she and zelda and blood related. sonia nudges rauru for (i think) being a bit cold, and is once again the one to comfort zelda and provides her with a place in the past. she is gentle and patient with zelda.
what sonia does in memory 6: she has no dialogue, but is present to... i'm not sure what she and zelda do here, but i'll say that sonia is supporting rauru's magic with her own. she prompts zelda to join her, and reacts to zelda's magic, telling us that zelda is unusually powerful by comparison.
what sonia does in memory 7: she does absolutely nothing other than be specifically noted by ganondorf for having a secret stone as well as being a hylian woman that rauru took as his wife, and smiles comfortingly at zelda.
what sonia does in memory 8: she recalls a cup that zelda knocks over (the only the we see her use time powers), inquires about zelda's well-being, gives an explanation on how zelda could learn to use her time powers (as well as this being somewhat of an explanation of how recall generally works?), shes comforting again and brings up zelda's light powers, and is the one to bring up link.
what sonia does in memory 9: before the memory, she agrees to meet with the fake zelda (knowing that it is truly not zelda) and clearly planned with the real zelda to confront it. she is the one to point out that the fake zelda is... fake, and controlled by ganondorf, and then is killed after fake zelda disappears.
sonia, from then on, is not present in any future memories, and only ever makes an appearance in the present at the very end with rauru.
so. how much does sonia matter to the story?
she definitely matters as a supporter of zelda and as the one to truly help her feel comfortable in the past and gives guidance about her powers. she's the queen of this ancient hyrule and rauru's wife and a holder of a secret stone. these have relevancy to the narrative, but they don't mean anything in the long run unless they actually effect the plot. she supports zelda, but it doesn't really change anything major, just helps her feel comfortable until things come crashing down again. she helps zelda harness her time powers, which we really only see zelda use against ganondorf and presumably to collect the master sword (and considering that her time powers never show up again, i guess zelda transfers them to link), but zelda is already shown to have great power from the start, and we never actually see zelda training or even struggling to use those powers, she just talks about not quite understanding them, and the first time she uses them she clearly has great control.
sonia conveys the information that zelda has time and light powers, and that zelda is related to sonia and rauru, both of which are fairly important, but sonia saying zelda has these powers merely spells it out for us, it doesn't affect anything about those powers, and zelda being related to sonia and rauru does nothing except explain the origins of her powers. she brings up link in front of rauru, but rauru could've easily learned about link any other way, most notably from zelda herself, so sonia bringing this up just changes when rauru learns about link.
through memory 6 we learn that zelda is, in fact, especially powerful specifically because she is being compared to sonia, who expresses surprise, though, again, this changes nothing, it merely brings attention to something already present.
sonia is suggested to have caught on to the fake zelda's ploy and we can assume that she had a hand in setting up the 'trap' that she and zelda spring on it. she implies that she, while knowing, agreed to meet with it and set this trap with zelda. after fake zelda disappears, she is then killed and removed from the story, though her death motivates zelda and rauru and marks the shift from a tense peace to outright war with ganondorf, and her death is what allows ganondorf to get his hands on a secret stone.
in a sense, sonia does matter to the story. she conveys information for the player and for other characters' benefits, she is an important person in the world of the past, and her death is a major turning point. but... at the same time, sonia does not really matter to the story.
she conveys information that doesn't really change the course of the story. her biggest decided-upon action was done off screen and with supposed help from zelda (and perhaps even rauru) and the biggest impact she makes, the one thing concerning her that actually causes things to move along or change in the course of the story, is her death. a character's death doesnt necessarily mean that from then on they are no longer important to the story, but with sonia, she is completely out of the picture. she motivates zelda and rauru, yes, but that's not exactly the same as mattering to the story. either way, if ganondorf declares war after stealing a secret stone, zelda and rauru are going to fight back with the sages.
sonia's death matters to the story. sonia herself does not matter to the story.
sonia doesn't do anything. she talks, conveys information, comforts zelda and gives her little pointers, but not once do we see her do anything that matters in the greater narrative. nothing she does in the past has any relevancy to the gameplay the players experience, or the side of the story that concerns link. she doesn't play a role that further aids our protagonists asides from maybe helping zelda learn to use her time powers. any information she conveys could have been learned through other means, or otherwise wasn't actually important to the events of the plot.
the most we really see her do is lure out fake zelda, but even then, zelda is the one to actually act in retaliation of the attack, and the most sonia does in that one scene, aside from convey more information, is die. and it's the only thing she does that actually causes a development in the plot or matters in general.
in addition to this, sonia does not do anything alone. she is always related to another character: she comforts zelda, she's rauru's wife and queen, ganondorf kills her, she and zelda corner fake zelda, she supports zelda and rauru. nothing she does she does on her own, there is always another character involved, she plays an extremely supportive role and does absolutely nothing outside of that. she exists to give the players information, she exists to support and motivate zelda and rauru, she exists as a character for ganondorf to kill to prove his evil and steal a secret stone. she is not an independent character within totk's story. she doesn't matter to the story as a character because she is barely even considered an independent character within that story.
when we see her at the end, the one time she is relevant to the present, she appears with rauru.
you could remove sonia from the story and swap her out with just having her secret stone hanging around the castle somewhere and the major events of the story would not change. sonia being the queen and rauru's wife only matters because then her death can motivate rauru, and by extension, the kingdom. sonia being so tender with zelda only matters because then her death motivates zelda. sonia having time powers and being related to zelda only matters to explain why zelda has time powers at all. these qualities do not matter outside of these characters that she is always shown with. the only thing about sonia that matters to the narrative is her death.
and. i don't dislike sonia! i like her! i think she's a good character, she has a personality and manages to be likeable even though she is always attached to a separate character! but she has no effect on the present and doesn't do anything that is relevant to any plot points. and it's so frustrating to see!
she's a major character in the past, and yet is hardly important, has four scenes total where she speaks, and dying is the most important thing we ever see her do. the only effect she has on the present is that the secret stone that ganondorf has was stolen directly from her.
it's just... frustrating to see yet another female character exist mostly just to die and motivate other characters, to see a major female character's only defining traits be that she is kind and nurturing and motherly and you never see anything beyond that.
and i come back to the game's third trailer.
just with the fact that sonia is shoved in a corner and is yet another female character that does not exist independent of others in this story, that we see her use her unique power exactly once to rewind a teacup, that's enough to frustrate me. sonia could've been a much more important and impactful character, but the most important thing concerning her is her death, and not even in a 'haunts the narrative' kind of way- she dies, motivates others, and is never brought up again.
and yet, in the third trailer of the game, memory 6 is cut up and presented in such a way that implies this at-the-time mystery female character had shot that beam of light, and that she would therefore be a powerful character. nothing is done without a reason in fiction, and this applies to game trailers.
i just don't understand why sonia was framed in such a deceitful way in that trailer. i can understand misdirection for the sake of avoiding spoilers, but... when it comes to characters like sonia, who in reality have very little impact on the narrative in this way, it just feels... almost a little devious, and it's so frustrating to watch that part of the trailer that teased a powerful female character (not a new concept for the zelda series, either!!!) and then, when the game rolls around, all of a sudden not only is she not the one with that power, but she is merely supporting the male character with that power.
there's absolutely a whole thing that can be said about female versus male characters in media and video games just with contrasting that part of the third trailer versus the actual in-game scene.
and i just can't help but feel bad for sonia after all of this, a character who could've been an important figure in totk's narrative, who just ended up being a character defined by the moment they stop being relevant.
so... yeah. sonia doesn't really matter to the story of totk, and it's in a really frustrating way. though i have a generally negative and almost spiteful attitude towards totk, none of that spite or anger is directed at sonia- i really wish she had a better role in the story, and i think she honestly deserves it and i don't think anyone is at fault for being fooling into thinking she would be this important and powerful figure. there's serious potential just with the pieces the story does give us! it's just all squandered to make her exist for the sake of other characters.
this might've gotten a bit off-track from that i wanted to say at the start, but... unfortunately, sonia as a character doesn't really matter to the story of totk, and i really wish that she did.
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hexados-on-a-string · 6 months
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spectragus dont get enough credit for being a sun and moon ship but like. destructive sun and moon ship. sun and moon ship but they're the forces of nature the sun and moon actually are. the sun is harsh and relentless and unpredictable in its evil but also it's kindness, the moon is sharp and cold and cruel, a harsh light that doesn't allow you peace, but can also guide you, a light in the darkness. even on nights with a new moon, with no light in the sky, the moon is always reflecting the sun, and it'll be that way until they come to their end.
#spectragus give me a dopamine high that any sort of drug couldn't even come close to giving me#its the loyalty. its the seeing each other at their worst and still staying.#its the being the only person still around who knows and understands what youve been through#its the being so important to each other's characters that u cant mention one without recognising the impact the other has on them#i dont rlly do shipping unless its funny but also im a huge gus fan so like. yea. plus my view on romance is a bit all over the place anyway#something something my skrunkles deserve complicated relationships that are more than romantic but something else#its the trust thats the most important thing to me. trust and loyalty and devotion and#im sorry but i would have exploded if i like. didn't write down these thoughts#anyways fucked up gay people who are a package deal and that is a threat thats them#ik the majority of my posts are hee hee funnie and i usually dont take things too seriously#but these two have taken up part of my brain permanently since i was 8. like. they just live there. rent free.#i am like rabid rn. i am feral and i am insane and i am crazy and there are so many things wrong with me#i cant even write down all my fuckin thoughts there's so many my brain is going to Explode pray for me#idk if u understand how important it is to me the times they show kindness even while at their worst#they're not good people but they have people they care about and they care abt each other and that matters SO much#i take 0 criticism on my posts i only take cash. however there is no possible criticism to be made bc i am RIGHT#also this all kinda sparked from me getting obsessed with a certain kh character who has a connection to the moon#who is also one of my favourite characters ever#and if u know who it is and u also like him ur very cool#im not tagging this w character tags. im like. very shy. but#i love gus i love spectra i love spectragus#anyways see u next time where i should hopefully have art maybe potentially#i found the brushes i used to use back when i did lineless art so i am rlly happy
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shopcat · 1 year
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i do honestly think that like. the reason steve's torture scene is so undercut is because it is a torture scene. like they didn't WANT it to be hit heavily they didn't want to have to cut between relatively normal for the show scenarios back to steve and robin locked in an unreachable facility getting beaten and drugged and about to get their fingernails ripped off with the knowledge that in the end unless they're saved they're going to die. Because that is deeply tragic. so they have to make the jokes and make it lighter than it seems not only because the plot needs it but like the AUDIENCE needs it and the CHARACTERS need it... like yes the show does not take so many character's real life suffering seriously because for some reason lasting effects and trauma only exist to be taken advantage of by the plot or if you're the billed star or something but steve also in canon is the one who didn't let himself BE A Guy Who Was Just Tortured. he was a guy who was just beat up a little. and like they're scared but they're not too scared because they have to have hope because they are two people who have never had to rely on hope before in order to survive...
but also!! tbh i can't. help but think how much of a critical hit gut wrench it would've been if they had decided to commit to the darker theme of it and how it juxtaposes against the whole Bright Neon Light Palm Fronds And 80s Pop and how 30 minutes later they're standing among a group of children and no one even realises anything is out of the ordinary i think it would've accessed an actual emotional impact and depth the duffers seem to stumble upon by accident and never of their own volition </3 to cut from the concurrently running scenes to an 18 year old boy we know is completely innocent and completely telling the truth that he was just in the wrong place and didn't realise how serious it all was who was getting tortured and it be something serious. and his 17 year old coworker who just had to listen to it all to the point where she thought they dragged his dead body in to lay next to her. and in a way it's somehow MORE tragic which was not their intention at all that it was so lightly handled even though we the audience know it's somethings deeply upsetting it all just gets washed away in the face of Life goes on even on tv... sigh.
#🍦#anyway#also unrelated i saw a post abt like someone commenting on the entire insane patriotism and the red scare stuff and maybeppl just commented#at the time THEY DID trust me.... it is one of the biggest criticisms of the show itself and a lot of people actually hated s3 bc of it 😭#well like. me too. not that i'd seen it at the time i just remember eveurhing being like . said#anyway the way this show handles trauma actually gives me a headache lol#bc it's purely on case by case and yeah i know they can't just handle everyone's particular traumas but ugh. well you know what im saying#i think if they acknowledged the things that happened to steve they would also have to acknowledge it was never intended to have gravity#it can't be abandonment if there was never intention it can't be something they missed bc they don't see the something#he will get beaten every single season (barring the first) with no repercussion bc his like#humanity is not a right he is just some guy. it would also lose all the comedy to it that was established for 4 seasons#like oh it's not funny anymore and he's not the fun guy anymore because it's sad and that's not FAIR i don't think#bc trauma doesn't change everything about you and shouldn't change people's perception of you that's . fucked#and i think it's wild a show that attempts multiple times to go OVER these traumas will only ever land it sloppily bc i don't believe#they're doing it well intentionedly LOL it's for plot which is well fine it's a narrative but it means when it#lacks it's upsetting instead of the writing just being bad too#anyway... tangent . that also applies to like nancy and jonathan and stuff too . lucas and erica in s5 i imagine as well#though i shouldn't predict failure bc that's not very nice. to the characters .I just hate those men so much tbh tbh#sts
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boyfhee · 1 year
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fans will use the lamest excuse to defend wonyoung
#not hating on her but like . yall need to stop and hold her accountablr for her actions#btw this is not ab her being cringe or pick me idk ab that y'all can decide#this is ab her not bowing to anyone not even seniors#she either ignores or turns her head down like by 10 degrees idk#which is disrespectful bc bowing is like . ur showing respect to seniors / elders / or whoever idk#i saw a vid saying she doesn't bow bc she has to learn her script like pls be fr#i believe they get scripts beforehand#and bowing isn't gna ruin her makeup / hair and even if it does it's not smn that takes too long to fix#and not just mubank. she doesn't even bow on award shows#also ive noticed how she speeds up to the centre postion during air port shoots#maybe that isnt so serious but idt the postions for shoot are specified#but she needs to let other members get the spotlight#idk if she's insecure or what but she's one of the most popular idols she's gna get attention even when she's not a centre#idc if y'all find this offensive tbh but it's stupid if u defend her on thus#this***#you know she is wrong and u call ppl who point this out jealous yada yada#but my friend we're just right & and u dont wanna accept that ur fav is at fault#there's a diff btwn straight up hating and pointing out the mistakes#yall be acting like someone's putting u in jail of u don't defend with ur life :/#constructive criticism doesn't make someone look bad !! let that sink in !!#u don't tell ur mom that she's jealous when she points out smn that you're doing wrong#it's literally the same logic#let alone mom u don't even tell this to anyone irl#which just means yall take too much advantage of being behind a screen and saying whatever the fuck u want to#yeah long story short: learn to hold your favs accountable#it won't make u look bad and certainly won't affect them either unless you're going off w death threats#which is sick btw if u condone sending death threats#ramyeon with spam !
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I really do deserve a fucking apology for all the times my friends and family valued strangers on the internet and their opinions more than me
How am I supposed to be just fine with being ignored for years and years or bullied for openly liking what I like, only for those same fucking people to then turn around YEARS LATER, AFTER THE DAMAGE WAS ALREADY DONE, and be like "actually this is cool, so glad I found it" while still ignoring me. Why am I not allowed to be fucking pissed about it? Why is it considered ""gatekeepy"" when I get upset someone who deliberately ignored me for years and insulted the shit I enjoy when I asked them to get into it cuz I thought they'd like it suddenly finds interest in it because it got popular online, not because I'd been begging them to give it a chance and to listen to me for years???? Why is that not allowed????? THAT'S SUCH AN ASSHOLE MOVE, WHY IS IT 'NOT OKAY' TO BE MAD? WHY DON'T THEY GROW A SPINE AND APOLOGIZE FOR DISMISSING ME FIRST? HOW ABOUT THAT?????
#I fucking hate this it keeps fucking happening#I have a fucking LIST of all the times it's happened this is not a one time thing it's fucking reoccurring#Nothing I say will ever fucking matter to anyone not even the people who are 'supposed' to care about me#Grumble grumble#Literally showed my dad a song and he was like 'well I preferred the one that came on autoplay after'#And I was like 'oh that song? Oh you mean THAT song? OH YOU MEAN THE SONG I SHOWED YOU MONTHS AGO THAT YOU DISMISSED AND CRITICIZED?'#THAT ONE? YEAH? YEAH???#Gee I wonder why you like it NOW and not when *I* showed it to you!#UGHHHHH#Begged my friend to get into OP and he would go 'no it's too long and the art style is kinda ugly'#GUESS WHO'S NOW ASKING ME TO GUIDE HIM THRU THE ANIME CUZ OP WAS TRENDING ON TWITTER OVER THE SUMMER#UGHHHHHHHHH#Begged friends to watch Trig/un for years it was always the first anime I'd recommend anyone when they asked and was always ignored#Guess what everyone did once stampede started *trending on Tumblr*?#They certainly didn't care when I asked or when I was hyping up the trailer for stampede or literally any point before then#Nobody would ever reply to me when I talked about it#But now that it's trending on Tumblr NOW they're interested. GJSGDHDJDJDK#Happened with Pe/rso/na and Ro/tm/nt too.#Begged my middle and high school friends to get into the per/sona series. Nooo never it's sooo lame#Get made fun of for being hyped for 5's release in Calc class#Man you'd never believe who I see on Twitter as the biggest fans nowadays!!#Same with ro/tm/nt begged my friends to watch it but was dismissed and the episode I showed them heavily criticized bc it wasn't 2012#Then learn the same friend who criticized it so heavily bc he *hated it* WAS WATCHING VIDEO ESSAYS EXPLAINING WHY THE FINALE WAS SO GOOD#And there's NEVER any acknowledgement like 'hey sorry I made fun of/hated on this thing I see why you like it now'#Am I actually mental?! Would that not be the polite thing to do???#I would do that if a friend begged me to watch something and I openly dismissed them or criticized it as my reason why#And then later on I saw something online and was like 'actually...'#I would GO TO THAT FRIEND AND BE LIKE 'hey sorry I dismissed you earlier man I get why you like it now' AND THEN WE COULD TALK ABOUT IT#This isn't even about like distant acquaintences some of these people are my best friends and my roommates and my own fucking parents#People I talk to daily or near-daily. You're just not going to acknowledge what happened before??? Just expecting me to be fine with it????
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