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#lavenza (mentioned)
dross-the-fish · 5 months
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Why don't you like creech/elizabeth?
I think partly because I've never seen a mainstream adaptation have them interact in a way that wasn't uncomfortable.
the 1994 version has her become the bride and it's really weird and even a little gross, somehow the film manages to objectify her even more than the book. The creature's overt sexual interest in her is such a needless thing to add, especially given that at no point in the 1994 film do I ever feel like she's a person who exists for reasons outside of being something for Victor to love and lose and for the creature to covet.
Tbh I really just hate when an adaptation has Victor and Creature fighting over the same girl because it's so incredibly stupid and it adds nothing to either of them as characters or to the story.
The National Theatre play has the creature SAing Elizabeth which is just revolting. Why would you do that to a character that's already been through so much personal grief and is going to die horribly? It's just needlessly cruel and it makes it impossible for me to view the creature sympathetically.
Young Frankenstein (idk if I even wanna count this one as it's a parody of the 1931 film and has nothing to do with the book)- SA played for laughs.
The musical probably handles having them interact prior to the killing in a way I find the least offensive. We see Elizabeth trying to approach the creature with compassion but he's too far gone and he's bitter that Victor has love and companionship that he never will. It doesn't spend a lot of time on weird/horny Elizabeth/Creature shenanigans and focuses more on the Creature's increasing hopelessness and despair and the actual tragedy of Elizabeth's death.
My ability to tolerate this ship is directly related to how much agency the writer gives Elizabeth and how they handle the fact that Creature murdered her entire family.
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blackhakumen · 4 months
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Mini Fanfic #1160: Arrival of Team Dark (And Knuckles) Pt. 2 (Sonic X SSBU)
Meanwhile at The Sidewalks of New Donk City......
Shadow: (Sighs While Walking and Scrolling Through the Christmas Parade Pictures with Omega) I swear. The one time I missed out on a parade this year and it's my float that gets featured.
Omega: It is well-crafted parade float in retrospect.
Shadow: (Simply Nodded in Agreement) It is. Amd it doesn't look like it was tampered with thankfully.
Omega: (Turns to Shadow) If another version of your parade float is given another opportunity to be shown in the public, would you allow me to be it's personal bodyguard?
Shadow: I doubt the general would be generous enough to give my float another go anytime soon, but if I'm wrong, then I say go for it. Just try not to go overboard, especially if you know who somehow gets involve.
Omega: Fear not. I will try to restrain myself from eliminating Eggman for Sage's sake. (Squints his Eyes a Bit) Keyword being "Try".
Shadow: (Chuckles Lightly) Look at you having a soft side.
Omega: (Angrily Points at Shadow) Do NOT twist my words and motives, Shadow the Hedgehog! I am only doing this to refrain Sage from ever being emotionally distress.
Shadow: (Smirks a Bit) Cause you care about her?
Omega: (Stares at Shadow For a Few Seconds Before Sighing in Defeat).....To some extent. (Glares at Shadow) Mark my words, if any word on this comes out in any form of transportation, I WILL eliminate you.
Shadow: (Snickers a Bit) We both know Rouge would never let you go through with that in the long run. But I'll pretend this conversation never even happened. (Place his Hand on his Chest) You have my word.
Omega: (Pulls Out his Pinky) Seal of Kept Promises?
Shadow: It's called a Pinky Promise, Omega. And sure. (Wrap Around his Pinky Around Omega's For a Brief Second Before Letting Go) So speaking of Sage, do you have any ideas on what we should get her for Christmas this year? I was thinking about getting some books, but I don't think I have the slightest clue on what she reads to begin with.
Omega: Futuba-Chan has informed me of these VR headsets everyone of all ages playthrough in their daily schedules. Maybe we could give her that instead.
Shadow: (Starts Nodding to the Idea) Yeah, I think that might be something she'll enjoy too. Let's just hope they aren't too expensive to buy.
Omega: From what I've heard, the prices range from $60-$200 depending on which brand you want to purchase.
Shadow: (Grabs his Chin While Thinking) Is that so? Then how about we try and get the one with the lower price? It'll save us more money and we have a plenty of other people to get gifts for in the meantime.
Omega: Does the select few involves Eggman as well?
Shadow: ('Sigh') Unfortunately. Believe me, I'm not a fan of doing this as much as you are right now, but given that Sage sees us as part of her family as well, it's only fair that we give him something for the occasion.
Omega: I say we order a box filled with stone cold coal and have it delivered directly towards his doorstep. It's what the fatman in a messy mustache truly deserves.
Shadow: (Turns to Omega witha Raised Eyebrow) People sell COAL on the internet?
Omega: The world of the cyberspace is truly an unusual specimen to behold.
Shadow: (Rolls his Eyes) Unusual is putting it lightly........
Omega: (Suddenly Stops Walking Before Tapping Shadow on the Shoulder) Shadow. (Points Shadow to What is Above the Two of Them) It appears we have reach our potential stopping stopping point.
Shadow: (Looks Up at the Large Sign that Reads "New Donk Glorious Hotel & Suite" Before Looking Down at the Plave in Front of Him) Hm. We finally found ourselves a hotel around here. (Grabs his Chin While Thinking and Making his Way to the Door) But is this the same one everyone else has been staying at?
Shadow was about to open the entrance door for himself until......
'DOOR OPENS'
Younger Smash Crew: (Suddenly Rushes Out of the Door) SHADOW!~ (....And Hug Tackles the Ultimate Lifeform into the Ground)
'THUD'
Omega: (Looks Down at Shadow) Does that answer your question?
Shadow: (Groans a Bit in Pain) One way or other....(Glares at the Giggling Huggers) Who's idea was it to hug tackle me?
Hat Kid: (Happily Pops Herself Up Close to Shadow) Guilty!~
Shadow: (Chuckles Lightly the Moment He Sees his Little Sister's Face) The Little Gremlin herself. Should've known.
Hat Kid: (Gives Shadow a Big Kiss on the Cheek Before Hugging Him)
Sonic: (Looks Down at Shadow with a Welcoming Smirk on his Face While Putting his Hand Out For Him) Took you long enough to get here, Faker.
Shadow: You thank G.U.N. for that. (Grabs onto Sonic's Hand as It Help Him Get Back Up On his Feet While Carrying Hat Kid with One Arm) It's a miracle we were able to finish those paperworks in time.
Sonic: Again with that? Don't you guys have accountants to do that sort of stuff or something?
Shadow: We used to, but the last accountant we had quit a while ago, so position has been open ever since. (Forms a Bit of a PlayfulSmirk on his Face) 'Less you want to take the job yourself.
Sonic: (Chuckles Lightly) And waste my time and energy cooped up in the office all day? No thanks.
The sound of soft grunts catches Omega's hearing sensors behind him as he turns around to see Futuba Sakura stretching both her arms out in her tippy toes before her eyes starts to widen as she quickly hides one behind her back, awkwardly giggling and waving hello to her robot friend.
Lavenza: (Smiles Sheepishly at Omega) Please do not mind our simple minded Oracle there, Omega-kun.
Morgana: (Already Has a Deadpinned Look on his Face) She thought it would be a swell idea to try and play the "Guess Who" game with a bulky robot.
Futuba: (Comically Glares at the Young Couple Behind Her) Well, excuse me for being a tad bit playful here, you little twerps!
Yusuke: (Grabs his Chin) You do know there are other ways to properly greet him, yes?
Futuba: Oh don't join in on this crap too, Inari! Get off my back already!! (Suddenly Hears a Mechanical Like Sound) Hm? (Turns to See Omega Bending his Knees Down) Whatcha doing there, big guy?
Omega: i am lowering my stance in order to give you the opportunity of covering my visual functions.
Futuba: (Stares at Omega For a Brief Second Before Giggling Softly and Hugging Him) You big goof!~ You don't have to do that for me. I really appreciate the thought though~
Lavenza: Is Ms. Rouge here as well?
Omega: She is currently shopping at a well known mall center, dragging Knuckles along with her.
Sonic: (Eyes Widened in Genuine Surprise) No way. You guys actually got Knucklehead to leave Angel Island for once?
Shadow: No, he actually asked to come along with us. Says he wanted to get out and explore the world more without any worries at the moment.
Sonic: Exactly what he told me a year ago back the desert. (Forms a Genuine Grin on his Face) Good for him.
Shadow: Yeah. Omega and I are planning on doing the same tomorrow after we get everything settled here.
Omega: In the meantime,, we are also planning on ordering a present box filled with solid sets of coal and have delivered to Eggman for Christmas this year.
Morgana: Wait, people are selling literal COAL on the internet nowadays!?
Shadow: (Shrugs) I'm just as surprised about it as you are.
Sonic: (Chuckles Lightly) Shoot, if that's the case, you mind adding my name on the Receivers List too?
Futuba: (Happily Raising her Hand Up) Ooh! Add me there too! That way I won't have to feel bad about not getting him anything!~
Yusuke: I would also like to be included in this exchange.
Hat kid: Me too!~
The Gang: (Raises Their Habds As Well) Us three!~
Lavenza: (Raise her Hand Up as Well) Me forth!~
Morgana: (Turns to His Girlfriend Next to Him) You too, Lavenza?
Lavenza: (Smiles Brightly at her Boyfriend) I don't see why not. It'd be quite funny even.
Morgana: Pretty sure he would try and destroy everything if he sees a box of coal laying around on his doorstep.
Futuba: I wouldn't worry too much about that. Sage could easily make him not go through with it if we convince her beforehand.
Lavenza: Being Daddy's Little Girl does have it's benefits after all, especially in a younger age.
Omega: If that doesn't work, I could always annihilate him.
Shadow: Omega.
Omega: (Quickly Turns to Shadow) ONLY if the first option proves unsuccessful in the end!......Hopefully.
Shadow: What was thar?
Omega: Nothing.
Morgana: ('Sigh') Well, if you two are certain, then count me in too I guess.
Shadow: Then it's settled. Here's hoping this doesn't cost too much.
@cyber-wildcat
@albion-93
@caleb13frede
@bestpony666
@princekirijo
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diamondverse-swapann · 3 months
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for the founding members of the phantom thieves (ann, futaba, morgana and akira), how did you create the team and why? was there any specific reason? and who are your specific personas?
Ann: Me and Kiki got caught wandering into Kamoshida's Palace on my first day in Tokyo. Thank god for Adler... you saved my life, you know.
Adler, from within Ann's heart: I was simply standing up for myself, milé dítě.
Akira: After we got out of our hole, we found Gerbil Girl in one of that scumbag's jailcells.
Futaba: Would you stop calling me that? I'm not a gerbil!
Akira: Sorry, sorry... we do owe you for guiding us through the Metaverse and how it works and all.
Futaba: And don't you forget it!
Futaba, puffing her chest out proudly: Anyways, me and Upland helped them get out. The day after, of course, these two dumbasses came back...
Morgana: At least Kiki awakened to Antiochus!
Ann, giggling: You were pretty badass, Kiki.
Ann's smile falls.
Ann: Then, Kamoshida raped Scimia Lavenza, Morgana's older sister-by-choice. He didn't like how Morgana wasn't doing as he told him to...
Akira, scowling: Or that Morgana wouldn't let him do the same to him. Bastard had her attempting suicide.
Morgana, slightly teary-eyed: She and I are orphans, so we have no legal protections. Wasn't that enough trouble?
Morgana: In any case, when I heard that Big Bro, Ann and even Oda-senpai stood up to Kamoshida, I demanded they let me help avenge Lavenza. One thing led to another, and me and El Çid filled out the founding Phantom Thieves of Hearts.
Ann: And now we're always looking for people in need of help, so we can give them hope.
She pulls her friends into a group hug.
Ann: Hehe... moving to Tokyo is one of the best things that ever happened to me!
Even if it was only because of the worst thing to ever happen to me...
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sammydem0n64 · 1 year
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Ok actually I lied I do have two songs I kind of associate with Lavenza but for vastly different reasons
One is the theme in Scooby Doo Mystery incorporated that plays whenever they open that mystery locket bc it’s such a soft and beautiful tune that I think Lavenza would listen to instrumentals such as that
And the other is “I threw glass at my friend’s eyes and now I’m on probation” by Destroy Boys and that’s solely because the song. Is about being groomed
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nekumiho · 3 months
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persona 3 reload came out yesterday so Naturally i was obligated to finally do a finished piece with my silly velvet room attendants submas au. alt versions, lore info, and misc doodles under the cut o__o (attendant related p5 spoilers mentioned). also sorry for the eyestrain.
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protags they attend to are Fellow Twins hilda and hilbert who always just get referred to as 'passenger(s)'. velvet room manifestation is the inside of a subway car, no i havent worked out what that symbolizes to hilda and hilbert, dont worry about it. but i think whether its visibly in motion or not wld depend on the protags' mental state, one side of the windows for hilda and one for hilbert. mostly dark empty with no visual movement outside the windows w/ maybe a flickering station light somewhere or a visibly blocked tunnel for when theyre feeling stuck in life, default would be like a well lit platform outside of the window with faceless shadow people walking around, how crowded it is depends on their progress with social links. high speed through the tunnels with their half of the car rocking violently when there's high stress super dire stuff going on, steady movement when theyre making progress with something, etc etc
their brassards HOPEFULLY translate to 'down' (χάμω) and 'up' (πάνω) in greek??? i wanted smth like caroline and justine's hats but also not The Same and uhhh yknow. persona 3 and greek mythology are pretty :handshake:.
i dont wanna steal margaret's eldest sibling clout so i think physically ingo and emmet would be younger than her but only barely. margaret is literally the only attendant i can see being physically over like 35 and i need sbms to be mid thirties at like the bare minimum. theyre highkey disturbed whenever lavenza willingly splits herself back into caroline and justine. weirded out by the other 'twins' in general bc they're not even Real twins. they gatekeep being twins. if anyone asks "so are you guys also just two halves of one person" it will be the most offensive thing you could ever say to them. elizabeth and emmet bully theodore together. ingo doesnt dislike theodore but just kind of forgets he exists because the twins are always being like "my brother, [name] (pauses and remembers theodore), i mean, ONE of my brothers,"
emmet is very :handshake: with elizabeth while ingo is very :handshake: with margaret. they both have their own fave sisters whoops. (sorry lavenza). in any sort of 'dancing game' scenario theyre both awkward as hell. very theodore core in general with emmet having some of the elizabeth vibes of just 'i am just never going to stop making random jerky body movements' ingo is a BIT more stiff. but like in general i think theo's way of life and elizabeth's aria of the soul have pretty good ingo and emmet vibes respectively. if i ever learn model editing beyond texture replacement its so over for my mmds.
i love igor dearly but i think since there are Two of them they can kinda handle stuff on their own while igor helps with Other persona protags in their respective rooms? emmet says shit like "YEAH FUCK IGOR THIS IS OUR LINE!!!!!!!!!!!!" and ingos like "emmet be nice thats still our boss and the only reason he let us be in charge is because hes busy".
ingo handles all persona fusion stuff and emmet does storage/organization/other misc stuff and gives you p3 elizabeth styled quests. they can both be social linked because i say so. emmet is justice arcana and ingo is judgement. emmets quests are the only way or at least the main way to increase your social link with him and if you dont finish one of his Special Request ones you lose your link with him. one of the special requests is to take him and ingo to see a real subway station 100% because theyve never seen one.
of all the other velvet rooms, they like the p4 one the most because the inside of the limo is the closest to the subway car they're familiar with but i think theyd like the p3 one too for the possible rocking motion of the elevator eternally going up
thats all i can think of right now i THINK thats everything??? so heres an original concept sketch,
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and also a funny emmet quest moments doodle
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oh yeah emmet really fucking loves jack frost because they have similar vibes. ingo, on the other hand, is a big pyro jack fan.
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lemonavocado · 3 months
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i have many many thoughts about the portrayal of elizabeth (and henry) in adaptations of frankenstein and they need to be broadcasted immediately. feverish incoherent raving about this subject under the cut. tw for very brief mention of SA
so. elizabeth lavenza. by the time of the wedding, elizabeth is rather obviously portrayed to be just as morose and brooding as victor is, she just isn't as susceptible to episodes of mania and psychosis so it doesn't seem nearly as dramatic compared to victor's trauma. she's been through the gutter herself, being an orphan for starters, then being adopted into a family and having to assume the role of caregiver in the frankenstein family because of the coercion of her dead mother to not only take her place as the maternal figure in the family but also marry her surrogate brother (or literal cousin, depending on which version you read). then her surrogate younger brother william dies, and the within weeks she has to watch her closest heterosexual life partner justine be unjustly hung by a corrupt justice system. and she vocalizes, actively, her pessimism and hopelessness in light of these many tragedies. tldr she's fucked up and rightfully so, and while she's a little less crippled by depression than victor, she still has the distinct appearance of being rather ill, listless, and tired, especially towards the end of the novel. anyways my point is in the novel, the most important thing about elizabeth is not that she's a woman and victor's bride. yes, that's obviously the purpose she was created for, but shelley went out of her way to give elizabeth an extremely definite and unique character. she's gentle and maternal like most woman in early 19th century literature, but she's also introspective, intelligent, and perceptive. she displays agency and self-awareness repeatedly (her guilt over the locket, going to the execution of justine even when alphonse tells her not to, waxing poetic on the failures of the justice system, asking repeatedly and rather pointedly if victor actually wants to go through with the marriage, obvious anxiety and solemnity concerning the wedding) we also have to take into account that elizabeth's personality is being relayed to us BY VICTOR, and he wants to see elizabeth as docile and femininely passive, even if a lot of her actions themselves in the novel actually seem to contradict that. also, i am peppering in that many people can (and have) made a genuine and convincing argument that victor and elizabeth are not in love and were groomed to accept their union by their weirdo parents - that they care for each other, but the text includes important nuances that make it evident that victor doesn't feel anything for elizabeth like that. it is a legitimate interpretation of the book - dare i say it's the correct interpretation of the relationship between victor and elizabeth. but that's another essay for another day and it's not SUPER integral to my rant here today. it just highlights the complexity of elizabeth as a character.
so. for some fucking reason, writers do not understand this when they are adapting the novel, and do not want to apply more than eight seconds of critical thinking and the absolute shallowest 3rd grader levels of reading comprehension to this character, so they simplify her from what she was in the original novel, freshly complex, opinionated, and introspective to boring useless incest lady. victor is never portrayed with the same amount of nuance he deserves in any adaptation (also another essay for another day), because adaptations also have a very surface level reading of him as "guy who was ambitious and played god which immediately cements him as an irredeemable self-aggrandizing asshole and/or a raging insufferable narcissist who's a dick to everyone around him EXCEPT for elizabeth" but at least SOME adaptations are able to kiiinnnddaaaa capture the sympathy meant to be felt for the character in the novel. not so for elizabeth. her character in basically every adaptation can be boiled down to this: "omg victor my brother let me hammer in that you are my brother. im just going to stand here and look clueless and annoyingly naive for the entire time im on screen/stage. im just a little girl and idk what's going on victor but im gonna stay blindly devoted to you and ask numerous but completely useless questions 🥺 let me stare at you with tender worry in my eyes and treat you like a child even though we have absolutely no romantic chemistry and you're an objectifying dick towards me and we have nothing in common and the audience is actively dry heaving as we sensually make out for no other reason than to have characters in this movie sensually make out. im basically a carbon copy of original-novel-henry expect super boring and super useless because im a woman which means the doylist explanation for why im here HAS TO BE ONLY for the main character to fuck me and to hold the attention of the male viewership. now time for me to get SA'd by the creechur for basically no reason" we can observe something approximating this in basically every frankenstein adaptation i've ever seen: kenneth branagh's (my enemy) 1994 film, the 2004 hallmark miniseries, the musical, and the ballet. also in the 1931 film, but that one isn't really trying to be book-accurate so it doesn't really count for this rant.
with this understanding of elizabeth, writers then attempt to artificially generate more romance between these characters, mostly by, yes, replacing a lot of henry's role in the novel with elizabeth, hence why we see so many adaptations (1994, 2004, ballet) make elizabeth nurse victor back to health in ingolstadt instead of henry, which generates... so many problems. one problem with this is that it just sorta ruins henry's original role in the novel in one go. writers recognize that henry is supposed to be victor's character foil, but now they don't have much for him to do so he can demonstrate that role in the story since they gave all of the romantic tension moments to elizabeth. meaning that in adaptations you can tell the writers didn't really know what to do with henry because he's reduced to a comic relief bumbling idiot (1994, ballet, 2004 to an extent) with his only personality traits being "random xd" and "morals good playing god wrong!!!! 😠" (2004, musical, several independent stage adaptations). they keep him as a character foil, but just replace all of his compassion, tenderness, and devotion with elizabeth, while effectively draining henry of all of his original appeal and charm and stamping those traits onto their already stripped-of-all-nuance elizabeth. so now both henry and elizabeth are not only extremely different from their original roles in the novel but extremely, woefully less charming and complex. this especially pisses me off because it's explicitly stated in the book that henry was victor's only friend precisely because he was victor's intellectual equal, so seeing henry reduced to a smiley idiot and/or stupid generic male side character with Morals fills me with a visceral rage. writers will also sometimes make victor and henry meet in college (ballet, 1994) and try to strengthen the bond between victor and elizabeth by making it appear as though she was victor's ONLY childhood friend and companion. other times, victor and henry will be friends pre-ingolstadt (2004, musical) but most of the relationship development will be between elizabeth and victor. those two have all of the tender bonding moments while henry is just kinda inexplicably there sometimes. but i digress. this post is supposed to be about elizabeth. but IF YOU NEED A CHARACTER TO BE A SUNSHINE SOFT OPTIMISTIC LOVER FOR VICTOR IN A FRANKENSTEIN ADAPTATION, HENRY IS ABLE AND WILLING ARE YOU STEPPING ON MY BALLS
clervalstein is true. anyway
elizabeth is somehow more complex and powerful as a female character than the literal adaptations produced almost 200 years later. in adaptations, the most important thing about her is somebody else. the development of all of her character traits (which usually never go beyond standing around and looking helpless) are solely dependant on victor. she feels more like an appendage of the protagonist than an individual with thoughts and experiences separate from victor, and her character is loosely defined and flimsy so the writers can have her conform to her actions in the book whenever it's convenient and then change things up entirely that completely contradict her characterization in the book whenever it's convenient. i have no idea why the fuck this keeps happening with frankenstein adaptations (it's misogyny) and because it isn't looking like guillermo del toro's film (from what ive heard) is going to be super book accurate, i dont foresee too much of a shift in frankenstein adaptations.
look i get it. it's a movie/play/ballet which lasts like 2 hours and you have a lot to do and not a lot of time to do it. i understand you have to make sacrifices for brevity and these characters are, frankly, a lot less interesting and exciting than victor and creechur. people didn't come to see john hughes levels of charm and complexity in the side characters, they came to watch the creechur do scary shit and for victor to say IT'S ALIVE 😱 and be an evil mad scientist you love to hate. they came for their values of "it's wrong to play god!!!" and "too much ambition bad!!!" to be re-cemented even though that's not even the original point of the novel. which is why imo if you're going to adapt frankenstein in a manner that does justice to the beautiful and sublime subtlety of the original novel, it needs to be either a miniseries or a REALLY LONG film. it's a short book, but it's very eventful, and imo for an adaptation to work you have to let the audience sit with it. which is why you all need to donate to my gofundme so i can produce an honest to god frankenstein adaptation. in fact, im running for president in this year's primaries :3
just a disclaimer: im not an academic or a scholar or anything. i just like the book. i probably have no idea what the fuck im talking about. but im a very very passionate little guy and this has been my rant
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starryo · 1 year
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i am on my hands and knees begging to hear more about your white mask au please tell me more i am intrigued
hi anon!!!! have you seen this post yet? i shared some of my ideas there and am currently working on fleshing out the rest. here are some quick fun facts though! (because honestly most of the interesting bits happen on akira’s end of the game and late in the story that im plotting!! and i havent managed to figure it all out yet 😭)
akira has a cat named merlin. she’s a really pretty ragdoll kitty that he adopted because he misses morgana a lot
early in p5r when sojiro is stuck in traffic after visiting shujin academy, he brings up a really bad car accident that happened two weeks ago. in the au, he still brings it up, but he mentions too that luckily both girls weren’t injured thanks to a kid he knows.
wakaba and futaba both live with sojiro and frequently hang out at the cafe. it seems too that the entire leblanc family is very well acquainted with the detective prince that often visits too.
the velvet room is unaffected by the time reset! meaning that lavenza is currently the sole attendent rather than the twin wardens. however, the real igor seems to still be absent (not that goro knows the difference).
you can safely assume that at least 50% of the times the phantom thieves are in a palace, akira is tailing them from behind. and if it’s important days like stealing the treasure, he is definitely just around the corner.
goro visits shido’s palace very early in the game and meets white mask when he is there.
new code names! goro is now ace, leader of the phantom thieves. sumire is still violet but she gets an outfit change. kasumi’s code name is swan.
aside from joker palace, there will be at least one other new palace.
some of the confidants are now different due to timeline changes! i’m still figuring out the details of who and how though.
goro eventually gets a job at the jazz jin as a bartender because he is permanently banned from the leblanc kitchen by sojiro
i hope some of these details tickle your fancy!!! if you have specific questions, im happy to try and answer 💖
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raccoonfallsharder · 2 months
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꧁・:☁︎⋆. cicatrix .⋆☁︎:・꧂ [new 2/29] ✩
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18+ only | rocket x f!oc | 1/25 | wip | word count: pending.
wyndham’s bride lands on counterearth in time to prepare for her wedding. an unexpected guest arrives. see below for warnings & notes.
She takes a moment to make sure everything is where it’s meant to be: no unsightly creases in her coat, no furrow between her brow. No quivers in the corners of her mouth. Her spine is straight and when she stands, she discreetly rolls her shoulders — and when they drop, everything else falls with them: every tiny scrape of humanity or softness in her eyes, not a single tightened muscle in her face. Nothing can touch me, she thinks. Vim and Theel step out onto the slanted bridge, unrolling a small portable canopy above them, and she glides out between them. They make their way down the ramp and take two small, precise strides into the courtyard, and then she feels it: a prickle of heated awareness. She hasn’t felt anything like that in so long that it almost makes her stumble. She halts abruptly — freezing seems like an accurate term, in more than one sense — and Theel takes an extra half-step before realizing he’s ahead of her. He shifts back in a subtle moment of self-correction. “M’dame Lavenza?” Vim inquires. It feels like — being watched. Of course, she’s always watched — so much that she barely notices anymore — but this is different. She casts her eyes around the grim marble courtyard sprawling in front of the Arête, looking for the source. “Is Herbert here?” Usually, when she’s watched, it’s somehow both hawkish and glazed — like she’s a chess piece who remains unnoticed as long as she’s where she’s in her proper place. If she follows the map that Herbert has made for her, then everything proceeds smoothly. But this gaze feels inherently changeful.
read chapter one. nemotia. on ao3 :・꧂
warnings: discussion of non-sexual child abuse and grooming. brief mentions of suicidal ideations. animal/pet death. canon-typical violence. please read the warnings for each & every chapter.
honestly babes this chapter is a very grim background/exposition-dump. i apologize in advance. i'm going to try to post the next two chapters a little more quickly than usual to get us all through this, and then we'll probably go to an every-other-week schedule.
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꧁・:☁︎ masterlist coming soon .⋆☁︎ :・꧂
if you’d like to join my fanfiction taglist, please comment or send me a message or ask! ♡
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some explicit statements or references ✩ abbreviated explicit sequences ❤︎ detailed/prolonged explicit sequences ❤︎❤︎
taglist ♡ @evolvingchaoswitch ♡ @glow-autumz ♡ @wren-phoenix ♡ @suicidalshitstick ♡ @pretty-chips
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ali-dot-txt · 7 months
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yo i played persona 5 for the first time (III)
Alright, so this post (previous one here and first post in the chain here) is going to be about my general final notes and about Hina as a character.
Despite all my gripes, I did end up enjoying the game. I wouldn't have poured 230 hours into it if I'd hated it.
But most of the enjoyment I wrung from it was a result of the mod and the personal headcanon I spent the whole game developing. I really don't think this game would've been for me without that, which is why I don't intend on playing Persona 4 (well, at least until that game's female protagonist mod gets off the ground). I might play Persona 3 Portable as that game's female protagonist after a little break, though.
The final tally of Hina's Confidants:
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Sorry to all the Yusuke fans.
Everyone's final stats:
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In 2017, this would be about 88,000 dollars? Which is an absurd amount of money for her to just have on hand.
Favorite characters? I guess I'll list the characters:
Hina (cop-out, i know, but I like her a lot)
Futaba
Haru
Lavenza/the twins
Sojiro
Sumire
Ann
Ryuji
Akechi (he really jumped up in the last arc)
Hifumi
Sae
Morgana (he really jumped very late in the game as well)
Yusuke (sorry, Yusuke fans)
Iwai (I feel like I'd like him more if I'd got further in his Confidant)
Chihaya (same as Iwai)
Makoto (a sudden and incredible fall)
Maruki (he's the worst therapist ever, but he's pretty interesting when he's not talking way too much and his final scenes are really good)
Skilled Gamer (gonna be real, I don't remember his name)
Ohya
Takemi
Mishima (would have preferred if he was removed entirely)
Hina never met Kawakami outside of class and never spoke to that politician.
Anyway, as for Hina...
She's maybe my favorite player character in any video game ever. The slight jankiness of her implementation lent her so much charm, and characterizing her was a ton of fun, especially with how close my trans headcanon seemed to the game's reality. Does that affection transfer to Akira/Ren, or other people's genderswapped Jokers? Well, no, not really. I can't say I'm an expert on the way people view Joker as a character, but from a cursory glance, I feel like Hina's distinct enough from the popular interpretation that she's basically an entirely different person slotted into the role of protagonist. Maybe that's conceited of me.
Hina has the most common family name in Japan, and I thought Hina was the most popular given name in Japan in 1999, the year she was probably born. Turns out that wasn't the case, Hina is actually much more popular recently. The actual most popular name for 1999? Miku. So if I'd had accurate data, she may well have been called Miku Satou. Probably not though.
Hina didn't have friends in her hometown, partially because she was really quiet as a kid and partially because everyone started avoiding her after she started coming to school in a girls' uniform.
Hina's parents have been supportive from the beginning. In fact, her name is from them (she requested it). Also, they sent her to Tokyo with a maid outfit in her box of stuff, which is extremely funny. She calls them once a week, early on Sundays. She doesn't tell them about her phantom thief activities.
Hina's legal name is changed, but not her legal gender (people only ever call her Hina, even in situations where they'd have only read her name off legal forms, so her name must legally be Hina).
Hina largely doesn't react when people misgender her because she's used to it.
When Maruki mentioned that Hina might make a good counselor herself someday, the headcanon wheels started turning in my head and I realized that that's really fucking good. Hina wants to go to university to become a youth counselor, because she saw what happens when someone has the worst counselor ever. Not to mention Hina wanting to help kids like her who might not react well to an authority figure telling them how to live is really sweet.
Hina's trying to create a real version of her Phantom Thief outfit she can wear casually. She has red gloves in her winter school outfit! Why else would she have those? She's going to get white glasses frames next.
Hina isn't good at talking to people, but she comes off as confident because she also has a hard time speaking in any particular tone, so she almost always seems to be talking without reservations.
Hina is an only child. (Fairly sure this is an element of most people's imagined Jokers. No way does this person have siblings.)
I don't think most of the harsh things I put in quotes to indicate that Hina said them are things she actually would say. I think she's probably thinking them.
Hina has a gaming PC in her hometown. Her buying that laptop was because she was going stir-crazy from not having access to a desktop computer.
Hina likes Morgana much more than I do. She doesn't think of him as a big brother (lmao), but she does love him like a brother.
In contrast, I think Hina has exactly as much disdain for Mishima as I have.
Hina isn't really invested in Akechi. She thinks he's a terrible weirdo who she wishes would stop talking to her. When she learns about his actual motivations, that switches to thinking of him as kind of pathetic. She wishes he would have talked to her about his issues at all, because she probably could have helped him deal with them like she helps literally everyone else, but she's not so broken up about him not being in her life anymore. (In contrast, I actually quite like Akechi now that I get what they were going for with him.)
Hina is good at schoolwork, but she's lacking in common sense.
Takemi actually never misgendered Hina, and Maruki only did so once. It's pretty funny how the medical professionals are consistently the least transphobic people in the game. I wonder why that is? 🤔
Hina got really good at making coffee and curry in the year she spent at Leblanc.
Hina being shorter than regular Joker is especially funny because her animation speed has to be adjusted, so she walks really fast in cutscenes where she moves places. She has to move that fast to keep up with people.
Hina's relationship with Haru is going to cause an absolutely awful scandal if it ever becomes public. I have no idea how they're going to deal with that, but hopefully they'll figure it out.
Hina doesn't really find any new friends when she moves back home, but she's alright with keeping to herself and focusing on her studies while having friends she can talk to online and a cat who can talk.
Hina might be rejected from a lot of universities for her criminal record or her transness. She might've had her record expunged, but she still spent time in juvie, not to mention the heavily political implications of her actions might risk scandal for any university that she enrolls in. She might end up having to apply to universities abroad, where the Phantom Thieves and the events surrounding them weren't so much in the public consciousness.
Anyway, that's Hina Satou. I might write fic for her someday? But she requires a lot of context to really understand her. I care about her a lot, and people understanding her is important to me for some reason.
And finally: some of my favorite screenshots of Hina.
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the-real-dev · 2 months
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i was told you wanted questions about gothic lit 👀 i want to know more about the Guys i keep seeing on my dash. like all i know about frankenstein is that victor makes some guy and fucking hates his guts (my brother in christ you made the guy) and i’m vv curious as to who all these other characters are
YAYY TYSM FOR ASKING ^_^
okay so i will try to do a frankenstein summary, or at least introduce the characters. if you want the full proper experience you should read the book!! alternatively osp has a pretty good video (but u should. seriously read the book)
so, lets start. meet the characters :3
-> victor frankenstein. the guy himself. our miserable protag. best friends with henry clerval, engaged to elizabeth lavenza, made the creature slash adam (<- this is a fanon name! He never gets named in canon which is sad)
-> adam frankenstein slash the creature, the Guy that victor created then subsequently abandoned. he makes me so sad dude his story is so. AUGJHGH
-> elizabeth lavenza! she was adopted by the Frankenstein family out of poverty and is victors. er. cousin. slash sister. slash future wife. yeah it sucks. shes pretty chill though, i like her
-> henry clerval! victors best friend (totally not boyfriend /j) and perpetual ray of sunshine. hes so silly i love him so much
-> justine moritz, william's nanny, also kinda got adopted by the frankensteins. best friends with elizabeth
-> william frankenstein, victors youngest sibling & ernest frankenstein, the middle child. ernest gets mentioned once and is never brought up again for some reason
-> alphonse frankenstein, victors dad & caroline beaufort, victors (dead) mom
-> captain robert walton, the guy who finds victor in the artic. hes technically the one writing the story since hes writing down victors narrative to. send to his sister. like the whole book. he is also down bad for victor which is really funny tbh
-> the de lacy family (+ safie) , they're important to adam's story but otherwise irrelevant
i think that's it for the characters!! might do a quick summary sometime later
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playingwithstarsabove · 3 months
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I just realized that there's a chance that the Velvet Room might mention Sho and Philemon in Reload. They can either confirm Philemon's existence by mentioning him or outright deny him by no words at all. Also, internet mentions a TV show that tells you of Persona 1 and 2 characters in the game, but I have yet to see even a clip of that so I hope that comes up in Reload too. There's also a chance we might see Theodore, Margaret, Lavenza, and maybe even Merope in the game too and have extra hard boss fights with them too.
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blackhakumen · 6 months
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Mini Fanfic #1145: Skull and Noir's Metal Filled Halloween Night (Persona 5 x SSBU)
7:45 p.m. at the Okamura's Residence's Living Room.........
TV Screen: RAAAAAAAAAAAAAAAHHHH! (Heavy Metal Playing in the Background)
Haru: (Happily Raises her Fist Up in the Air While Next to Ryuji on the Sofa Together) WOOOOOOOOOOOOO!~ ROCK THE PIIIIITZ!!
Ryuji: (Chuckles Lightly) Damn, Haru! I knew there's a lot to more to ya than meets the eye, but I didn't know you had a thing for Heavy Metal music.
Haru: (Turns to Ryuji With a Bright Smile on her Face) Why, of course!~ I've been a fan of the genre for a long while now. It helped me out through so much in life that I doubt I would be the same nowadays without it.
Ryuji: Niiiice. I'm more of a Hip-Hop kind of guy myself- (Suddenly Let's Out a Loud Yawn While Stretching his Arm Up) But I'm always down to listen any rock related music sometimes....
Haru: (Giggles Softly) Aww~ Don't tell me you're getting sleepy on me already, Ryuji-Kun~
Ryuji: Nah, just feelin' yawny if anything. College been kickin' my ass with assignments lately. Haven't got that much sleep as I used to even.....
Haru: How come you never come to me fpr assistance? I'd be happy to help out.
Ryuji: (Sighs While Rubbing the Back of his Head Back and Forth) Yeah, but I figured you were already busy with your own thing that I didn't want to be all that much of a bother in the scheme of things.
Haru: (Frowns a Bit) Oh Ryuji, you could never be a bother to me. ('Sigh') But I do get what you're saying though. Things have been a lot more challenging since we've both enrolled to our respective curriculums.
Ryuji: Yeah, but we can worry about that some other time. Right now, I wanna sit back and watch more of this sick Metalocalypse show you've been telling me all about.
Haru: (Rapidly Clapping her Hands in Glee) Ohh I'm so glad you're lliking it so far!~ There's so many more spectacular scenes and moments later down the line that I cannot WAIT to show you!~
'Doorbell Ring'
Haru: Ooh!~ That might be the Trick-or-Treaters outsides!~ (Got Up and Make her Way to the Dpor)
Ryuji: (Follows Behind Haru) You know, you might be the only person I know who's excited to give out candy.
Haru: It always makes me happy seeing everyone enjoying Halloween, nostalgic even.
Ryuji: Yeah, I missed the good ol' days when you dressed in costumes, getting all the treats and candies you've dreamed of having, and egging and tee-peeing on the houses that don't give you any at all.
Haru: (Smirks at Ryuji While Picking Up a Bpwl of Candy From a Nearby Counter) A troublemaker I see~ Ever got caught doing those pranks?~
Ryuji: ('Scoffs') As if. You're talking to the fastest guy on the block here. I never got caught by anyone growing up!....Except for my mom.....and one of the neighbors' dogs......and Ann......and Shiho.......and Ren that one I pranked him- I am not impressing you one bit, aren't I?
Haru: (Giggles Softly) Oh no, I'm impressed alright~ By how cute you are, of course!~
Ryuji: (Glares at Haru) Hey, watch it, sista' Your son fits in the "cute" category, not me.
Haru: (Pouts at Ryuji) Oh hush! There's nothing wrong with having two of my boys as cuties~ (Playfully Pinches Ryuji's Cheek)
Ryuji: (Chuckles Ticklishly by Haru's Antics) C-Cut it out, will ya!?~ You're just as bad as my ma!
Haru giggles some more as she opens the door to see Futuba and the kids standing in front of her doorstep.
Kids: Trick-or-Treat!~ Trick-or-Treat!~ Give us something good to eat!~
Ness: (Bows His Upper Body Down at the Duo) Please and thank you.
Haru: (Gasps Loudly as She Place Both her Hands onto her Cheeks) Oh my gossssssh!~ You all look and sounded so adorable!~
Lavenza: (Happily Bows Down While Lifting the Lower Part of her Princess Dress Slightly Up) Why, thank you!~ We do our best to look our best for the spooky occasion as they say.
Morgana: (Points at Futuba Besides Him While Wearing his Musketeer Costume) Plus, Ms. Nerdy Featherwoman here kept making us sing that sing at almost EVERY place we've visited so far.
Futuba: (Glares at Morgana) Okay, first of all, I'm the Green Neo Featherwoman, thank you. Amd second, would you quit having little faith in me already? Our singing method's working like a charm so far. Mostly.
Ness: (Sighs While Dressed as a Dracula) Here's hoping we can keep it that way without getting into any trouble. (Slowly Turns his Jead at the Potential Culprit) And by "we", I mean you. JUNIOR!
Jr: (Was About to Sneak in Front of the House While Holding a Roll of Toilet Paper Before Stopping at his Tracks Once his Name was Heard) What happen?
Futuba: (Sighs While Pinching the Bridge of her Nose) Dangit, Junior. I thought I told you no tee-peeing anyone's house tonight!?
Jr: Oh come on, I only got one roll with to use! And besides, didn't you say to trick 'em at some point?
Futuba: Yeah, when they DON'T give you candy, which Haru-san was about to do right now by the way!
Ryuji: Yeah, and you're not even doing it right. You have to step a few inches back from the house, get into your perfect throwing position, and-
Haru: Ryuji! (Turns to the Youngest Koopa) Now, Junior, don't you think it's a bit mean to try and throw paper at someone who's giving out treats?
Jr: ('Sighs in Defeat') It is....Sorry for almost doing so, Ms. Haru.....
Haru: (Smiles Softly) It's quite alright, dear, no harm done. (Place a Few Candy Down on Jr's Bag) I love your costume.
Jr: (Smiles Brightly) Thanks! Sage told me it's suppose to be this Freddy guy from that Elm St. Movie or whatever.
Haru: (Continues Giving Out Candy to Everyone Else) Sage?
Ryuji: Who's that?
Ness: A new friend we met not too long ago.
Morgana: We're about to meet her and the others at Smash Tpwn to try out that new Haunted Mansion place everyone beem talking about. Wanna come with?
Futuba: (Puts on a Grin) I got plenty of spare Feathermen suits for you guys to wear~
Ryuji: Cool, but no can do, you guys. Haru and I already booked to watch a night marathon here.
Futuba: Really? Since when did you guys started hanging out with each other?
Ryuji: (Casually Shrugs) For a while now. Gotta start the dat- I-I mean, the....Friendship Train going! (Chuckles a Bit Awkwardly There) Am I....right?
Futuba: (Squints her Eyes at Ryuji a bit Suspiciously) Hmmmmmmmm- Hrm? (Suddenly Felt her Phone Viberating From her Costume's Pocket as She Takes her Phone Out and Check the Message Sent to Her)
Morgana: Anyways, Ryuji.....(Takes a Regular Size Chocolate Bar From Put of his Bag and Tosses it Towards Ryuji) Catch.
Ryuji: (Catches the Bar Mona Gave him With a Surprised Look on his Face) Ah dude, you're actually giving me your chocolate bar right now?
Morgana: (Happily Nodded) Yep! I already got a few more in the bag and I figured you would want one right about you, you know?
Ryuji: (Forms a Cheeky Grin on his Face) Well, ain't this a surprise!? Thanks, bud!
Haru: (Smiles Proudly at her Son) That is so sweet of you, honey!~
Jr: (Gives Haru the Roll of Toilet he Was Holding) You can have the toilet paper too. You'll probably have more use for it than I ever will.
Haru: (Smiles Softly at Jr) Thank you, sweetie.
Futuba: Holy macaroni! The attraction's about to start in a few minutes! We gotta get a move on, people!
Kids: (Cheers in Rejoice)
Haru: (Giggles Softly) Well, don't let us keep you waiting then.
Ryuji: Yeah, uh....Mona?
Morgana: (Turns Back to Ryuji) Yeah?
Ryuji: Uhh......Listen to what Futuba says and.....Have a good time out there, yeah?
Morgana: Oh uh....(Smiles a Little) Yeah, sure thing. You guys have a good time too. We'll miss you.
Haru: We'll miss you too, baby~
Ryuji: Yeah, and don't worry about your ma, kiddo. (Points at Himself with a Cocky Grin on his Face) She's in good hands by yours truly after all!
Morgana: (Chuckles Lightly) Yeah, I'll hold you to it, Mr. Bodyguard.
Futuba: (Happily Waves Goodbye to the Duo as She and the Others Take Their Leave) Later guys! Have a Spooooooooky Halloween Night!~
Kids: Byeee!~\ See ya!\ Have a good night!
Haru: (Happily Waves Back at Everyone) Have a spooky Halloween Night yourselves, everyone!~ Enjoy your candy!~ (Watches Futuba and the Kids Leave as She Behins to Let Out a Sigh) I miss them already. (Turns to Ryuji) You okay, Ryuji-san?
Ryuji: ('Sigh') Yeah, a little....(Turns Back to Haru) Sorry for chickening out there, Haru. I don't know what came over me at that moment.....
Haru: That was your nerves showing and it's okay, truly. If anything, I would've done the same in your position.
Ryuji: Yeah, but....I don't wanna make it seem like I'm ashamed of dating you or anything, cuz I'm not.
Haru: (Gently Grabs Ryuji's Hand While Giving him a Sincere, Reassuring Look in her Eyes) I know you aren't, dear. I can tell by the look in your eyes alone that you love, just as much as I love you too. (Kiss the Top of Ryuji's Hand)
Ryuji: (Starta Blushing by Haru's Simple, Yet Effective Display of Affection) ......Damn, Haru. Since when did you became more romantic than I am?~
Haru: (Giggles Softly) When you get arranged to forced marriages as much as I have, you tend to get more romantic knowledge and experiences out of it, for better or for worse.
Ryuji: (Gently Grabs Haru's Hand) I'll make sure to I do everything I can make you happy.
Haru: (Smiles Brightly) Silly~ You've already made me plenty happy just by being here and loving me~ (Gives Ryuji a Kiss on the Cheek) Now, come. I believe we still got ourselves Metal show to watch and our very own cuddle session to proceed going forward~
Ryuji: (Smiles Brightly) Lead the way, ma'am!~
HAPPY HALLOWEEN!~
@cyber-wildcat
@princekirijo
@albion-93
@ma-lemons
@theweebmaster31
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twilightknight17 · 5 months
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Last night on P5T, the sky is a clockwork hell, but it’s okay, because we’re doing the traditional P5 information cutscene! And as usual… we still don’t manage to clear up everything!
(Seriously. I will never stop making fun of the fact that the post-Plan cutscene is a 2 hour infodump and STILL doesn’t answer everything. XD)
Anyway, it’s nice to have everyone together in the Velvet Room.
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Lavenza fits in great with the rest of the Thieves. Now if only we could convince her to come fight with us, we’d have no problems getting through anything else in our way. ;)
But she can at least shed some light on what Salmael is, because as usual, it’s a manifestation of a human instinct gone berserk.
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Congrats, kids, on reaching a point where we can discuss Yaldabaoth by name! Scramble's timeline never managed that. XD
According to Lavenza, unlike the God of Control, which came from people’s desires to be idle and leave all the decisions up to someone else, Salmael is the personification of humanity’s self-preservation instinct.
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Which makes sense, in terms of Persona final bosses. It makes as much sense as the personification of the desire for bonds, or the personification of the desire for solitude, so we’re all good so far. But, hm. They keep talking about what makes it different from the God of Control, but…
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…...who does THAT sound like, Atlus? Hm? Is this a god damn sequel or not? It has to be Royal’s universe. Joker’s got his grappling hook, Morgana and the others know Lavenza already, but you are just determined not to mention Maruki at all even though this is definitely his MO. This thing isn’t like Yaldabaoth, but it is like Maruki! So why are you willing to mention one god by name, but avoid the other entirely? You’re exhausting, Atlus. Honestly. X’’’D
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GEE, MORGANA, I WONDER WHAT PERSONAL EXPERIENCES WOULD INFORM THAT OPINION?
Anyway, Lavenza explains that the Kingdoms are a structure that, the way she describes it, sounds like a halfway point between a Dungeon/Palace and something like Tartarus. A place constructed by a cognitive god, but from the cognition of a single person. Under normal circumstances, Salmael would have been able to infiltrate Toshiro’s mind and take over. But because his latent potential was already stirring, it couldn’t overpower him that easily, so it used his cognition to create and populate this distortion in an effort to break his will.
And Toshiro’s spark of rebellion was inspired by the broadcast hijack. <3
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So Salmael built the Kingdoms, and created the Rulers as fragments of itself, dressed up in the image of Toshiro’s memories to mentally wear him down.
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I… think this implies that Shadow Toshiro was another one of Salmael’s creations? Which reads as true to me. I don’t think Toshiro ever blamed Eri for what happened. I think he blamed himself. So his shadow wouldn’t want to kill Eri. But a god focused on stamping out any hint of rebellion would.
It also, according to Lavenza, took shadows from the Sea of Souls and turned them into its Legionnaires, which is why when we destroy them, they drop gears with the essences of the original demons/personas that we can then use for fusion. Which makes sense!
And, after realizing that it wasn’t managing to wear Toshiro down just by waging war in his mind, it pulled his real self into the metaverse to break him directly.
Now, Erina.
Lavenza says that she is the cognitive embodiment of Toshiro’s feelings of hope and resistance, taking on the form of the person who inspired him. And he subconsciously entrusted his unawakened powers of persona to her to help her fight back against Salmael, which is why she can do magic like the Thieves.
Lavenza says that in this state, she was essentially a cognitive being with an inner persona. She was protecting Toshiro’s subconscious and will of rebellion where he couldn’t.
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All of that is… fine. It’s fine. It’s a little fast and loose, but it’s the sort of thing that’s okay if you gloss over some of the details. After all, we know a shadow that gained enough of an ego to develop a persona, and we know cognitions that grew so powerful that they overwhelmed a Palace in the ruler’s place, and we know cognitive gods that lived as humans, amnesiac or not. So a cognition trusted with the power of its creator’s persona is something I can grasp.
The fact that she, herself, is considered his persona and how they implement it afterwards is what bothers me.
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You can still send both of them into battle. Erina operates completely independently from Toshiro, still has her own magic and uses her own skills, and just… disappears briefly when Toshiro needs her to be Ernesto. That’s really not how I would have done it.
One option would be to say that he’s taken his power back from her now that he’s strong enough to stand on his own. He can fight with Ernesto, and she can fight with just her guns and melee (or say that some of the power still lingers with her so she can still do magic, idk). OR, if they’re gonna insist that she is Ernesto and not just a cognition wielding Ernesto’s power, then you can’t have both out there at the same time. It makes so much less sense to have her running around as normal and just being a persona when convenient. If you want her still running around as a person during cutscenes, fine, I can accept that, but if she’s gonna be his persona then she needs to be his persona during battle.
I don’t know, it all just feels so much messier than it needs to be. It feels like it’s literally just that they wanted to keep Erina around as her own character after the reveal, and they did it in the most convoluted way possible.
But, anyway, Lavenza has crashed the train into the final area and I’m just now realizing how very close they’re skirting to another entry on the stolen things list. Not quite, though, thankfully, or I’d be getting even more unhinged. What’s the next step up in unhinged-ness from “lorekeeper”?
Loving Erina’s enthusiasm despite the clockwork hellscape, though. XDDDD
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Salmael is summoning metal versions of bosses past to stop us (hm. metal versions. Hmmmm), and so far I’ve beaten Marie. The kids have come to the realization that Salmael is targeting Toshiro specifically because he’s the most likely to be the next prime minister, and therefore would have the most influence on the people. So like Yaldabaoth using Shido, really.
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Toshiro blames himself for the real-world Marie being as bad as she was because he didn’t stand up to her, and we get a lovely reminder that Akira can be a horrible little goblin if you let him. :3
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And Lavenza offers us a set of challenges to unlock everyone’s final skills, because she can’t fight us herself, as much as she wants to.
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Which I can’t really complain about, because as much as I love my darling attendant here, she is a little cheater. Gimmick boss fight without explaining what the gimmick is, or that it even exists in the first place? Mean, Lavenza. There’s a reason I never beat her bonus boss fight in Royal. It’s the only one I never beat.
Anyway, final notes. I love Erina and Yusuke’s little drawings to “help” illustrate what’s being talked about. Absolutely delightful.
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Overall, a pretty solid explanation of what’s been going on, but getting it all at once is still a little much, and as usual, there’s still things it didn’t answer. How did it pull Toshiro into the metaverse? How did it pull the Thieves into the metaverse? Toshiro had already been imprisoned by Cognitive Marie for a while when they got there, so what separate thing dragged in the Thieves (and Lavenza)? It would be weird for Salmael to bring them in and risk them freeing Toshiro. Just take care of them after you break him. You’re a god; why do you need to rush?
And I love the idea of Toshiro subconsciously fighting back against Salmael’s attempts to get in his head. Honestly, if it had been a cognitive space that Toshiro constructed, instead of one made by Salmael to break him, I’d say it lines up very well with my version of a cognitive Stronghold. Which, I’m not even gonna put that on the stolen stuff list, because I like being validated in my overall worldbuilding choices. XDDDD
Metal Yoshiki is probably next, but I think I’m gonna see what Lavenza’s challenges are, first. She better not be cheating again. :’’’D
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fem-blade-adept · 3 months
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Most Fun Ways to Play Persona 5 Royal
Ever since my much needed and surprisingly worth it departure from Destiny 2, I’ve had more time for other games I enjoy and P5R has been the main game that I’ve shifted over to, but a lot of people claim the game to be fairly easy (Twins fight, Lavenza, and Hard difficulty endgame not withstanding) and I wanted to offer a few of the ways that I keep this game fun.
Restrict your Persona loadouts to a single persona for the entire run. What kind of trivializes this game is the amount of adaptation you have access to and how nasty a lot of the builds you can create are. Obviously, you kinda have to give on the fights I mentioned a little to make sure you have some kind of a chance against Lavenza because she doesn’t pull punches, but the rest of the game can be completed with a well built and leveled Arsène.
Solo or duo runs. Teammates can take a lot of pressure off of your shoulders and save you from a lot of damage. Combat this by doing a solo run. Or if you like having a teammate, pick one to keep throughout the run and have a replacement teammate when you don’t have access to that specific teammate yet.
Theme your Personas. There are SO many personas in this game and so many cool persona designs. I have my personal favorites that I run regularly and I’ll definitely do a Top 20 list shortly, but not enough of them get the attention they deserve. So I theme my loadouts, particularly around mythology of origin or gender identity or the set they are a part of (like the Four Horsemen or the Fates or the Heavenly Kings).
Restrict your access to counters or items. The combat system can really straddle the line between making it very easy to succeed or making it difficult as long as you work it. Disallowing the use of weaknesses, technicals, or the Baton Pass system (Doing all at the same time is rough, but you do you) is a way of ramping the difficulty, so you actually have to think around your opponents can really make the balance a little more fair. Items also get really overpowered late game because of the almost infinite access as long as you’re watching your money.
Affinity Runs. As cool as your teammates are, they do get outclassed late game by a LOT of your options as the wild card, so force yourself into a lane. Pick a magic type (not Almighty damage) and restrict yourself to only use personas that have that base magic or attack type.
Be the Mom friend that Joker truly is. Let your friends truly shine and go full support. No attack or damage moves allowed. Only supporting your friends. The only exception fight in this run is Shido due to the final portion being a 1v1, so make sure you plan for not attacking until then.
Restrict yourself from the Big Boys. As fun as P5R is, there are quite a few Personas that give WAY too many benefits and make the game borderline unplayable. The ones that specifically come to mind are Satanael, Yoshitsune, Izanagi-no-Okami, Abbadon, and possibly Lucifer. The lack of weaknesses can make it very hard to die and Tyrant’s Mind, Country Maker, Myriad Truths, Victory Cry, Hassou Tobi, Null/Drain/Repel Physical, and really any unique Almighty attack makes death practically a joke.
The fun of P5R is the truth that the difficulty is what you make it to be. There aren’t only 5 difficulty settings. It depends on how gutsy you are willing to be with restricting yourself. Obviously, there are some challenges that just aren’t possible due to boss enemy resistances or game design or just outright impossible if you include Lavenza in your quest for glory, but the sky is the limit.
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kyanitedragon · 11 months
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All the characters in Frankenstein are just so aromantic.
Victor? Everyone keeps asking him if he’s got a secret lover when in actuality he was just incredibly focused on his work for 5 years (and then too distracted by The Horrors as a result of his work). When asked if he really wants to marry Elizabeth, his reaction is "yeah sure I guess", then he delays it for 2 additional years because he's still too busy with The Horrors.
Elizabeth Lavenza? Her and Victor constantly call each other “friend” and “cousin” despite being arranged to be married. Even literally right before being married they still do this.
Henry Clerval? He’s the stereotypical more-charismatic friend to Victor, and yet there's never any mention of any love pursuits of his throughout the entire book. Instead we get huge focus on his friendship and devotion to Victor. The guy literally spent 4 years convincing his dad to let him go to college, then when he finally got there willingly delayed his schooling to nurse Victor back to health all on his own. When Victor's family dies, he joins Victor's trip to cheer him up and keep him company.
The Creature? Don't let pop culture fool you, the only reason he wanted a "mate" was because he wanted a single being that would accept him and be his companion. He just wants connection with another creature. Never is romance or sex ever even implied to be what he wants from her.
Robert Walton? He leaves his home and human society to achieve his dreams. His only regret, isn't leaving behind his family or never getting married or even possibly dying on his quest, but being sad that he doesn't have a friend with him. And then he never shuts up about wanting a friend. He practically waxes poetry about it. He finds a guy half-dead floating in the middle of the arctic sea and instantly tries to adopt him as his best friend.
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frauleinandry · 10 months
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okay, so, as i mentioned before, i have a million plus arcana swap au ideas, and since i’m never going to actually write this one, why not post it into the void? (also, people will probably enjoy it since it’s shuake lmao)
so! this particular plot nugget is set in a new game plus arcana swap au... except the reset point isn’t yaldabaoth like most NG+ fics, but the maruki bad end (with some elements of the maruki failed deadline end tossed into it for maximum pain).
in the original timeline, akira cannot choose whether to stay in maruki’s reality or go. maruki’s choice makes him have a complete and utter mental breakdown, and, well, if you’ve seen the failed deadline ending for maruki’s palace, you know how this goes. maruki puts him into an enchanted sleep, erasing his presence from the world and dooming humanity in the process.
this sends akira’s spirit to the velvet room, and lavenza. is. pissed. if he’d chosen to stay in maruki’s reality, that’d be one thing, but by not choosing to act at all, he’s spit on his role as a wildcard (namely, that he should be taking responsibility for his actions and that the choices he makes should be his own). so, at great personal risk, she uses her powers to reset the timeline, in the hope that whoever’s chosen to be the new wildcard will find the strength that he lacked.
cut to the reset timeline. akira is walking home from school when he overhears shido assaulting that woman. he goes to investigate, but the second he does - blam. his memories from the original timeline return, slapping him in the face. once his shock has worn off, much to his horror, he realises shido and his victim have already driven away. no assault charge for you, akira.
by now, he’s absolutely freaking out, and after doing some frantic googling once he gets home, he realises things are very, very different. the detective prince doesn’t exist. people who were once dead are now alive, or vice versa.. also, for some fucking reason his name is now amamiya ren. 
in a full-blown panic, akira runs away from home and goes straight to tokyo. none of his friends or confidants recognises him, and to make things worse, some clearly aren’t the people he once knew anyone. to make matter worse, others are just... gone. when he goes to yogen-jaya and realises there’s no leblanc, akira has a full-blown panic attack. 
suddenly, his phone pings - it’s the metanav. perks of being a former wildcard, and all that.  when akira visits mementos though, his spirit of rebellion doesn’t manifest, and the velvet room is just... gone (he’s not the wildcard anymore, after all). it’s then that he realises that losing all his bonds isn’t the only thing that’s happened - yaldabaoth is now back. akira is extremely, extremely, cognizant of how close he came to losing that battle. now, there’s a very, very real chance that the world is going to end, all because he couldn’t make a decision.
(fun fact: akira’s new arcana in this role swap is the hermit. this boy is having a very, very bad time.)
let’s move to akechi. in this new world, he’s not the justice. his mother survived her suicide attempt or never had one in the first place. money is tight, and he still gets a lot of shit due to his family situation, but his home is loving. sure, he’s not a saint by any means - akechi is still somewhat prickly and has elaborate and violent fantasies about getting revenge on shido, but ultimately he’s a normal teen. he’s the top of his class, a member of the student council, and is already getting scouted by universities. he might even have a stepfather he begrudgingly tolerates and little siblings he loves. 
that all changes however when one night, he remembers the original timeline. normal teenager akechi -  who’s never genuinely considered murdering someone in his life - suddenly has the memories of his past life as a traumatised assassin forcibly injected into his brain. 
suffice to say, akechi absolutely freaks the fuck out. when he looks at his mother, he now sees her corpse. when he spends time with his family, he can’t help but think of the families he’s destroyed with his very own hands. whenever his underclassmen ask him for advice, he hesitates - given how monstrously he’s fucked up, what right does he have to guide anyone? 
(whenever he smells the ocean breeze, he feels sick.)
still, despite having an extremely unique type of mental breakdown, akechi is a person of action. like akira, he has the metanav on his phone, and akechi wants answers. unlike akira, he’s still got enough defiance to manifest a persona, even if robin hood has only a fraction of the power it did before. during a trip to mementos, he encounters akira. he finds out his former rival has run away from home (it’s not like his parents would miss him, after all), and is currently funding himself via a ludicrous amount of part-time jobs.
reunited, they start planning. still, while there are remnants of their old rivalry, their dynamic has fundamentally changed. akira still possesses his inherent kindness and big heart, but he’s far more jaded than the old joker ever was, and the fire that once animated him had been snuffed out. meanwhile, this timeline’s akechi is the opposite - his basic personality is still intact, but he lacks the sharp edges the original akechi did. this akechi knows what it’s like to be loved, after all (not that he feels like he deserves to, given all the blood that he’s never technically spilt that’s staining his hands). these boys are a very different shade of fucked up, and it shows. anger has been replaced with despondency and rivalry with understanding. in every world, they’re two different sides of the same coin, after all - doomed to be the ones who understand each other the best. 
back to the plot, while akira still has no persona, akechi can still fight, which means they can at least attempt to rig things in the phantom thieves’ favour. the second they try to go to the metaverse to interfere with shido/any PT target, however, the app glitches, stopping them from entering. their worst suspicions are confirmed when akechi first meets the new PTs and tries to warn them about yaldabaoth, but he finds that he suddenly can’t speak. they’re just pawns in this new game between gods, after all, and neither of them can break the rules. this is the inciting incident to the formation of akira’s palace, who believes he’s doomed to watch as his loved ones die.
akechi probably fills the high priestess role - he tries shoehorning his way into the phantom thieves and gets them all into trouble, or alternatively, gets caught up in some bad shit while attempting to investigate shido, and the PTs bail him out. who knows! this is sort of where the plot bunny ends - there’s a reason i’m never going to write it in full lmao. still, if you’ve gotten this far, i hope you enjoyed it!
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