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#landscape phototography
biostatprof · 1 year
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Tidepools after sunset
(Actually, I'm not sure this is a tidepool. While it gets splashed by the ocean, it doesn't get covered even at high tide. Instead, there is a steady stream of fresh water squeezing out of the cliff behind us and dribbling down into this flat shelf sitting a meter or so above the water line. You can see the cliffs yourself in some of my recent posts, though I don't show the water draining directly.)
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collegencourses · 1 year
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About Certification and Diploma program in interior styling and phototography.
Candidates who want to become designers take design courses at the undergraduate, graduate, and PhD levels. Students with a creative flare frequently choose design as a vocation. The fact that there are many opportunities available to students with various talents, skills, and educational backgrounds makes design professions even better. Candidates are not required to have studied a particular subject in their qualifying exam in order to enrol in a design course.
Certificate in Interior Decoration styling
The main tenets of the Styling for Interiors course are enhancing interiors with powerful images and personality. It offers a thorough understanding of the soft furnishings and visual communication industries.
Certificate in Interior Decoration styling course emphasises intensive practical and applied training to utilise decorative techniques and strategies to create distinctive settings. It embarks on a design journey that includes ideation, inspiration, pattern and texture knowledge, creating a layout, understanding ornamentation, understanding furnishings, and mastering the art of designing home and commercial settings. Students learn how to coordinate with contractors, comprehend furnishings, fittings, and equipment, and plan and maximise their budgets.
Certification in Photography
With millennials, photography is becoming an increasingly passionate hobby. Certification in Photography makes it possible to capture wildlife in its most delicate state, take stunning postures of models, and post mesmerising images on Instagram. It takes a lot of technical and practical training and thought, which you may learn through courses and certificates. It is not just an artistic thing. Today, the demand for photographers has grown quickly, and they are needed in many kinds of industries and areas to document events, feelings, and moments. And this is why you must enrol in the top photography programmes and earn your photographer's licence in India.
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The Advanced Diploma in Photography course is an excellent location to build your photography abilities. The course will begin with comprehensive introductions to various kinds of cams and lenses. Then the extremely helpful modules will inform you on direct exposure, guideline of thirds, aperture, shutter speed and ISO. You will find out the strategies to record lovely landscapes and picture photos. The course will also provide you with the ability to take pictures in low light. Through this course, you will learn about different kinds of modifying tools and software application to boost the pictures.
A photographer needs sharp eyes and outstanding skills to capture a special moment perfectly. The Advanced Diploma in Photography course is created to arm you with the skills and knowledge to identify and catch the best shot. Within no time at all, this course will equip you with top quality photography abilities and offer you the self-confidence to pursue a career in this industry.
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onekindredspirit · 4 years
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Silver Print
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jimroche · 5 years
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All wrapped up at the end of the season.
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inigoamescua · 2 years
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BONE WALL
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tiredtrash-blog · 3 years
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Just nature and I 🤍 Please take care of my Dear Mother Earth 🌍
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jaydenphotographer · 7 years
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Days gone
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lydiasonlinelog · 5 years
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Assignment three- the (in)decisive moment
‘The decisive moment is not a dramatic climax, but a visual one: the result is not a story but a picture.’ Swarkowski, 2007, p. 5 (1a)
‘You know it’s funny. You come to someplace new, and everything looks just the same.’ Eddie in Stranger Than Paradise, dir. Jim Jarmusch, 1984 (1b)
Contact Sheets:
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My final edits:
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ISO-100, f/6.3, 1/250 sec
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ISO-100, f/22, 1/15 sec
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ISO-100, f/7.1, 1/125 sec
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ISO-100, f/20, 1/25 sec
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ISO-250, f/3.5, 1/30 sec
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ISO-100, f/18, 1/50 sec
Assignment Notes
For this project I decided to invert the concept and create a series under the theme of the indecisive moment. Instead of freezing time and capturing a specific moment I decided to look at an extended period of time spanning from the past to the present.
I saw my preparation for this shoot as the research and study I did on the decisive moment as a concept where I looked at artists and their work and explained my own opinions on this. Following this, my initial idea was inspired by Don McCullin (1). I wanted to bring the disasters of the world into a safe and stable place. I was going to use some influential pictures from some of the world’s biggest natural and physical disasters and place them in modern, relevant settings. I then did some research into copyright laws and decided that it would not be appropriate to use other people’s photographs in my work and so I changed my concept.
One of my ideas from the original concept was to have a photograph of some impoverished children and place it on a swing set. I intended to do this on a rainy day when the sky would be dull, and the metal would be wet to capture the sombre mood. Based off this idea, I thought more about capturing childhood. This is when I came up with my final concept which was to use past pictures of my friends and family.
I got my friends and family to share with me a picture from when they were young and then I scanned them all in and printed them the same size. I captured them holding their photograph in front of their face in an orchestrated setting, relevant to childhood. The thought behind this was to show the past in the present, the indecisive moment being the full length of time held onto between all the years it takes us to age. We as humans are impacted in our development when we are a child more than any other time and so this experience of childhood is a crucial part of our lives that stays with us.
An important part of this project was setting. Just like Francesca Woodman knew she needed to be in an empty room for Space² (2) to be effective and Wong Kar-Wai needed the bustling streets of Hong Kong to capture the manic atmosphere in his film Chungking Express (3),I knew that my shoot would not make sense without appropriate surroundings. Therefore, I took most of my photographs in the playground of a local primary school, which I was kindly given access to one Sunday afternoon. I spent the afternoon staging my figures against playground equipment and floor markings which all nicely divided up my frames with lines and contextualized the photographs. I took two of the pictures at home. This was because one of them involved a large number of toys which I was unable to take with me to the school and the other one was of me and my parents, so it made sense for this to be shot in the family home.
I loved the way that Jacques-Henri Lartigue captured childhood in such a simple way in the photo of his which I researched (Gerard Willemetz and Dani, 1926 (4)) and how the black and white photograph did not complicate their innocence. Don McCullin’s photograph of Hessel Street, Jewish district, East End, London, 1962 (5) also shows childhood in black and white in a very beautiful way. He manages to convey innocence and fragility in a striking way with his use of setting and his eye for capturing intimate moments successfully. As well as putting my photographs in black and white, I cropped them in, so I had control of my frame and applied adjustments on Photoshop such as brightness/contrast, levels, hue/saturation and colour balance. I edited my photos in this way to remove any distracting colours in the background and because I like the way it looks for its striking qualities and ability to make the images appear somewhat timeless. You can see the differences from the originals by observing my contact sheets.
In conclusion, I hope here that I have been able to show a development in my work of technique and thought process. I have tried to be creative with my idea as I am so bored of seeing the regular decisive moment in the urban landscape as I have previously discussed in my research point. I felt like inverting the concept and exploring what might be considered as the indecisive moment was a better way for me to express myself and paint a far more creative picture of time.
Reflection
Demonstration of tecnhical and visual skills - In this part of the course I have shown use of a fast and slow shutter speed to capture the decisive moment.
Quality of outcome - I thought long and hard about how I wanted my images to look in my edits in post production.
Demonstration of creativity - I have inverted the concept to show the indecisive moment to make a more interseting project.
Context - I have done ample research into the decisive moment and referenced this in my assignment notes.
Hand written notes and print-outs
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Bibliography
1a. Szarkowski, J. (2007) The Photographer’s Eye. New York: MoMa Thompson, K. &
1b. Jarmusch, J. (Director). (1984). Stranger Than Paradise [Motion Picture].
1. Don McCullin. (2019). Retrieved from Tate: https://www.tate.org.uk/whats-on/tate-britain/exhibition/don-mccullin
2. Ateer, S. M. (2013, November). Francesca Woodman Space², Providence, Rhode Island 1976. Retrieved from Tate: https://www.tate.org.uk/art/artworks/woodman-space-providence-rhode-island-ar00350
3. Kar-Wai, W. (Director). (1994). Chungking Express [Motion Picture].
4. Jeffery, I. (2000). The Phototography Book. Phaidon Press.
5. McCullin, D. (1962). Hessel Street, Jewish district, East End, London. Tate, London.
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kmvlive-blog · 7 years
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Фото: @nebelunga777 - В июле я видал роскошный отблеск рая: Сжигал себя закат безумием цветным И, радугой сплошной полнеба обнимая, Сливался в алый луч над лесом голубым. В.В.Набоков #закат #июль2017 #небо #стихи #nature #essentukskaya26 #sammer2017 #sanset #landscape #sun #phototography #predgorie26 #kmvlive #kmv #neonatural #nebelunga777 #nikon #краскизаката #цветнеба ___________ Реклама под каждой новой фотографией в этом аккаунте! Доступно, недорого и эффективно! Аудитория более 20.000 подписчиков. Подробности в директе! ___________ Ставь хештег #kmvlive, чтобы попасть в ленту! 👇реклама и сотрудничество http://bit.ly/kmvlive ___________ Ставь лайк и не забывай комментировать если понравилось фото! ___________ (at Stavropol Krai)
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