#keiju kobayashi

[fuckyeahmeikokaji]

Kunie Tanaka (田中邦衛), Meiko Kaji (梶芽衣子), Keiju Kobayashi (小林桂樹) and Jun Fubuki (風吹ジュン) in the TV movie Kekkon Sagishi Ga Tedama Ni Totta 5-Ri No Onna! (結婚詐欺師が手玉にとった5人の女!), 1984.

Scanned from the July 6, 1984 issue of Weekly TV Program (週刊テレビ番組).

#Meiko Kaji #梶芽衣子 #Kunie Tanaka #田中邦衛 #Keiju Kobayashi #小林桂樹 #Jun Fubuki #風吹ジュン #Kekkon Sagishi Ga Tedama Ni Totta 5-Ri No Onna! #結婚詐欺師が手玉にとった5人の女! #週刊テレビ番組 #Weekly TV Program #scanned by me #press photo

[cinemaronin]

Shinsengumi: Assassins of Honor (1969)

新選組 Shinsengumi: Assassins of Honor (1969)  directed by Tadashi Sawashima cinematography by Kazuo Yamada

#新選組 #shinsengumi: assassins of honor #tadashi sawashima #japanese cinema #japanese movie #stills #1960s #toshirō mifune #keiju kobayashi

[cinemaquiles]

Quando o Japão afundou e virou um sucesso de bilheterias: a submersão do Japão!

#japanese movie #Shiro Moritani #70's movie #roger corman #tidal wave #Japan Sinks #Sakyo Komatsu #Keiju Kobayashi #Hiroshi Fujioka #volcano #Ayumi Ishida #Nippon Chinbotsu #Youtube

[shinkleitus]

Shinsengumi: Assassins of Honor (1969), dir. Tadashi Sawashima.

Review originalmente postada: 14/Fev/2023 no Letterboxd.

Um filme sobre Shinsengumi estrelado pelo Mifune tinha um potencial para ser um clássico do jidaigeki. Infelizmente, não foi o caso, é um filme bem comum. Tem cortes abruptos, com o intuito de diluir os seis anos dos acontecimentos. Que vai do início do Shinsengumi até o seu final mortal. Não é um filme que se preocupa em explicar o contexto, parece feito para quem já está familiar com a História do Japão. 

Perpassa a ideia sobre os problemas que o autoritarismo causou no Japão. Alguns diálogos, pareceriam saber o que veria para p futuro japonês. Um erro quando se adapta um momento histórico. Um ponto positivo é lidar com erros e acertos dos dois lados, sem passar pano para atos horrendos dos mesmo. E ressaltar que muita vezes, é o lado vencedor que conta como foi “realmente” a História.

O Mifune, parecia estar no modo automático do samurai que segue fielmente o bushido, mas com diversos dilemas morais e éticos. Nada que ele já não tenha feito muitas vezes. Ele é um grande ator, então, entregou isso muito bem. Alias, todo o elenco é ótimo, sem ressalvas nesta parte.

#新選組 #shinsengumi: assassins of honor #tadashi sawashima #japanese cinema #japanese movie #stills #1960s #toshirō mifune #keiju kobayashi #movie #cinema #japan movies #movies #japan cinema

[byneddiedingo]

Toshiro Mifune, Takako Irie, and Reiko Dan in Sanjuro (Akira Kurosawa, 1962)

Cast: Toshiro Mifune, Tatsuya Nakadai, Keiju Kobayashi, Yuzo Kayama, Reiko Dan, Takashi Shimura, Kamatari Fujiwara, Takako Irie, Masao Shimizu, Yunosuke Ito. Screenplay: Ryuzo Kikushima, Hideo Oguni, Akira Kurosawa, based on a novel by Shugoro Yamamoto. Cinematography: Fukuzo Koizumi, Takao Saito. Production design: Yoshiro Muraki. Music: Masaru Soto.

Akira Kurosawa's tongue-in-cheek Sanjuro is not so much a sendup of samurai films as it is an effort to carry a genre to its logical and sometimes absurd extremes, the way the James Bond movies took spy films to an exciting but improbable and often comic point of no return. It reaches its peak in the final combat between Sanjuro (Toshiro Mifune) and Hanbei (Tatsuya Nakadai), with an explosion of gore (produced by a pressurized hose that nearly knocked Nakadai off his feet) that's surprising and shocking but also very funny once you put it in the context of the usual bloodless deaths of samurai films. But Kurosawa has made us aware of the just-a-movie unreality of Sanjuro's action throughout, with his careful arrangements of the nine samurai under the spell of the sloppy ronin who calls himself "Sanjuro Tsubaki," which means something like "30-year-old camellia," a name he makes up on the spot. The not-so-magnificent nine are always grouping themselves for the camera, either in little triple triads or in chains that fill the widescreen. Their arrangements come to annoy Sanjuro so much that once, when they're trying to sneak up on someone, he tells them not to move in single file behind him: "We look like a centipede!" In addition to Mifune's irresistible scene-stealing, there's a delightful comic performance by Takako Irie as Mutsuta's (Yunosuke Ito) wife, dithery and concerned with propriety, but also with a fund of commonsense that Sanjuro wisely heeds. Nakadai is wasted as the villain who's the only plausible challenger to the hero -- a kind of Basil Rathbone to Mifune's Errol Flynn -- a role that otherwise doesn't give him much to do but glare at the fools he's allied with.

#Sanjuro #Akira Kurosawa #Toshiro Mifune #Takako Irie #Reiko Dan

[autisticmisumi]

Hey, same person who thanked you for the Misumi 4th anniversary card, card. TY for replying. The rest of the A3! VAs that also voice TWST charas are A3!’s Akashi- VA Chiaki Kobayashi- TWST’s Deuce Spade (& SK8’s Langa); A3!’s Noboru- VA Aoi Ichikawa- TWST’s Ruggie Bucchi; A3!’s Tangerine- VA Takuma Nagatsuka- TWST’s Neige LeBlanche (& SK8’s Miya); & A3!’s Amadate Keiju- VA Mitsuru Miyamoto- TWST’s Dire Crowley.

Aaaww it's cute that Tangerine shares a va with Neige, sweet boys. Amadate and Crowley... I'm kind of surprised but also not lol. And it's fun to see voice actors play side characters in one series and main characters in another!

#❔ #thank you for telling me them!

[wuma1]

星が降る森の町　水窪から送る2日間 水窪アーシストインレジデンス2022 -地球への感謝祭- アーシスト＝世界中で活躍する地球に根ざす活動をしている表現者　たちが集い、滞在制作をしていく1週間。 12/20〜26で各地から集まったアーシストが地域に根差し、感じ、何が生まれていくのかをトライしていく。 地域の歴史や背景、未来への課題など、学び、感じ、過ごした時間で24.25日に水窪文化会館にて舞台を開催。 山の中で伐採の体験や、生活を共にし、何が生まれるのか、楽しみに！ 古き良きものを活かし、未来へとつなぐ一歩に！ 12/24 -Hadou no mori -ハドウノモリ音楽会 冬至の新月伐採を終え、森のお話し、大地の再生の映画上映、対談と調和していく世界と波動をテーマにした音楽会 森の未来はどう進むことが地球みんなにとって幸せな未来なのか！？ 私たちにできることを探っていきます。 水窪に伝わる民謡も初披露！！！ 12:30〜開場 13:30〜上映　「杜人」 15:00〜対談　森と大地、地球循環について 今私たちにできること　未来の地球を生きる私たちの子孫へのプレゼント 16:30〜各アーシストによるスペシャルライブ（遠州の民謡仲間の会会主　山本よしみさんと共に奏でる水窪地搗唄の時間など） 19:30〜会場全ての皆さんによるスペシャルセッションライブ 20:30 終了　 12/25 -Hadou no mori -ハドウノモリ感謝祭 ハドウノモリ＝いつもここがその森の中。 都会も地方も全ては地球のハドウノモリの中の出来事。 私たちにできることを、クリスマスのこの日にギフトし合えるならどんな時間になるだろう？ 祝福と、プレゼントの時間は未来へ続く波紋としてまた広がる。 12:30〜開場 13:30〜各アーシストによるスペシャルクリスマスライブ 16:30〜トークと転換 17:00〜18:30会場全ての皆さんによるスペシャルセッションライブ 18:30〜プレゼント！タイム！ 会場の皆様へ！アーシストサンタさんからスペシャルプレゼント！大会 19:30〜終了 💫出演💫 【身体と音の表現者】 JUN （DANCE） TATSUO（DANCE） LEE（DANCE） KARIN（DANCE） PERI（DANCE） WUMA（DANCE） peteco（アイヌの古式舞踊踊り手/着付け師） 宇佐美 聖子（踊り手、歌、演奏、PRODUCE） OTONOWA/なーや、出口はるひ（クリスタルボウル奏者、祝詞） Yuko Opal（唄ウタヒ） KNOB（ディジュリドゥ/石笛奏者） keiju（Sound アルケミスト） Takayuki Suzuki（ハンドパン奏者/真菰活動家） Pete（トンコリ製作、奏者） 山本よしみ（遠州民謡歌手） 宇佐美空佳 花井美那義 山本月 山本空 【時と場の表現者】 山下しんいち（建築家、大地の再生） 田中俊光（大地の再生） Siion（映像） 小林成彦（映像） Michie Ojima（花活け） 耳塚由加里（食） Taku Kobayashi（食、演奏） 久保敷孝（山師） 外山陽一（音響） 杉本君平（照明、宮大工） kanae（調香師、植物の人） 【デザインの表現者】 三上司 あのちさき 岡崎千佳子 宇佐美聖子 /BISOWA design team. 【製作】 宇佐美達也 後藤勇太 金田鈴音 and you... Supported by BISOWA 〈日時〉 2022年12月24日開場　開演 2022年12月25日開場　開演 〈料金〉 24日、25日1日通しチケット　各4000円 24日、25日2日通しチケット　7000円 〈場所〉 水窪文化会館 〒431-4101 静岡県浜松市天竜区水窪町奥領家3274-1 〈お問い合わせ〉 地球循環型インフォメーションセンター -星と水と森と- 水窪の星の駅　碧-AOI- 〒431-4101 静岡県浜松市天竜区水窪町奥領家3281-8 TEL：[phone] E-mail：[email protected] 文化庁「ARTS for the future!2」補助対象事業 @a.u.s.ist_in_residence @aus.tokyo @bisowasobi @salondeaus @salon_charmer #浜松　#アートプロジェクト #ダンス #地球循環型 #表現者 #アーシスト #Snaking #groundgroove #scorpion #忍ばない忍者 #GROUNDART #踊り #ninjutsu #ninja #dance #experimentaldance #contactimpro #isolationdance #contemporarydance #コンテンポラリーダンス #忍者 #connectdance #contactdance https://www.instagram.com/p/CmPUM8VSJOH/?igshid=NGJjMDIxMWI=

#浜松 #アートプロジェクト #ダンス #地球循環型 #表現者 #アーシスト #snaking #groundgroove #scorpion #忍ばない忍者 #groundart #踊り #ninjutsu #ninja #dance #experimentaldance #contactimpro #isolationdance #contemporarydance #コンテンポラリーダンス #忍者 #connectdance #contactdance

[brody75]

Samurai Assassin (1965)

#Samurai Assassin #Kihachi Okamoto #Toshirô Mifune #Keiju Kobayashi #Michiyo Aratama #japanese cinema #samurai #60s movies #60s

[posterporn]

The Return of Godzilla (1984) by Noriyoshi Ohrai

Directed by Koji Hashimoto

Starring Ken Tanaka, Yasuko Sawaguchi, Yosuke Natsuki, Keiju Kobayashi, & Kenpachiro Satsuma

#The Return of Godzilla #1984 #Noriyoshi Ohrai #Koji Hashimoto #Ken Tanaka #Yasuko Sawaguchi #Yosuke Natsuki #Keiju Kobayashi #Kenpachiro Satsuma #Movie Poster #Godzilla

[mrfahrenheit92]

#Mimi wo sumaseba #耳をすませば #Whisper of the Heart #Yoshifumi Kondô #Yoko Honna #Issey Takahashi #Takashi Tachibana #Shigeru Muroi #Shigeru Tsuyuguchi #Keiju Kobayashi #Yorie Yamashita #Maiko Kayama #Yoshimi Nakajima

[fuckyeahmeikokaji]

Keiju Kobayashi (小林桂樹), Meiko Kaji (梶芽衣子) and I think that's Nishioka Tokuma (西岡徳馬) in Muta Criminal Case Files Vol. 7: Dangerous Play Of Lake Okuhamana Woman (牟田刑事官事件ファイル 奥浜名湖 女たちの危険なプレイ), 1987.

Scanned from a loose clipping.

#Meiko Kaji #梶芽衣子 #Keiju Kobayashi #Nishioka Tokuma #小林桂樹 #西岡徳馬 #Muta Criminal Case Files Vol. 7: Dangerous Play Of Lake Okuhamana Woman #牟田刑事官事件ファイル 奥浜名湖 女たちの危険なプレイ #loose clipping #scanned by me #loose TV Guide

[abs0luteb4stard]

WATCHED

映画を見て

#Sanjuro #椿三十郎 #Akira Kurosawa #Hibi Heian #Shugoro Yamamoto #Toshiro Mifune #Tatsuya Nakadai #Keiju Kobayashi #Yūzō Kayama #Reiko Dan #Takashi Shimura #Kamatari Fujiwara #Takako Irie #Masao Shimizu #Yūnosuke Itō #watching #jidaigeki #samurai #ronin

[byneddiedingo]

Setsuko Hara and Ken Uehara in Repast (Mikio Naruse, 1951) Cast: Setsuko Hara, Ken Uehara, Yukiko Shimazaki, Yoko Sugi, Akiko Kazami, Haruko Sugimura, Ranko Hanai, Hiroshi Nihon'yanagi, Keiju Kobayashi. Screenplay: Toshiro Ide, Sumie Tanaka, Yasunari Kawabata, based on a novel by Fumiko Hayashi. Cinematography: Masao Tamai. Art direction: Satoru Chuko. Music: Fumio Hayasaka. Repast is one of those beautifully layered films by Mikio Naruse that defy simplistic judgments about the characters. Superficially, it's a story about a failing marriage that tempts you to take sides: Michiyo (Setsuko Hara) and Hatsunosuke (Ken Uehara) have been married long enough that the tenderness has rubbed off of the relationship, and they have no children to provide a distraction from the routine of living together. She suffers the tedium and toil of keeping house, and he comes home from his salaryman's job in an office tired and frustrated. They are scraping by financially, and live in a less than desirable neighborhood. Initially the focus seems to be on the woman's lot -- she's the one we see doing all the lonely work of managing the house, whereas he at least has the opportunity to get out and fraternize with his fellow office workers. And when his lively young niece, Satoko (Yukiko Shimazaki), comes to visit -- actually to escape from family pressure to settle down and get married -- Michiyo finds herself slaving for both her husband and his niece. Eventually, things come to a head and Michiyo goes to Tokyo, taking Satoko back to her parents and leaving Hatsunosuke to fend for himself, which he doesn't do a particularly good job of. But Naruse is careful to let us see his side of things as well, and when Michiyo returns to him -- after making a few steps toward finding a job and leaving him permanently -- it's possible to see this as not a defeat for her so much as an acknowledgement that some remnants of their original affection remain and that she has decided to try to build a more equitable relationship on them. The performances of Setsuko Hara and Ken Uehara, who starred in several other films for Naruse, have that lived-in quality necessary for such a muted and ambivalent conclusion.

#Repast #Mikio Naruse #Setsuko Hara #Ken Uehara

[vfterluna]

Whisper of the Heart (1995) directed by Yoshifumi Kondo

#whisper of the heart #yoshifumi kondo #aoi hiiragi #hayao miyazaki #yoko honna #issei takahashi #takashi tachibana #shigeru muroi #shigeru tsuyuguchi #keiju kobayashi #films #cinematography #atsushi okui #studio ghibli #x

[sournote2014]

This is appropriate for the end of Daylight Savings.

#samurai assassin #tsuruchiyo niiro #niiro tsuruchiyo #新納鶴千代 #三船 敏郎 #三船敏郎 #toshiro mifune #mifune toshiro #kihachi okamoto #okamoto kihachi #岡本 喜八 #岡本喜八 #小林桂樹 #keiju kobayashi #栗原栄之助 #einosuke kurihara #tamsin parker art

[twilightronin]

Sanjuro (1962)

#sanjuro #Akira Kurosawa #toshirô mifune #Tatsuya Nakadai #keiju kobayashi #yûzô kayama #reiko dan #takashi shimura #Kamatari Fujiwara #takako irie #masao shimizu #tsubaki sanjûrô