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#keeping it p vague so i dont give too much away
sad-leon · 8 months
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Hello! I hope you're having a good day!
So many people in my life seem to be going through something right now, and I just wanted to give you an opportunity to share anything you might be going through. Good or bad, as specific or as vague as you're comfortable with. Or feel free to ignore if you'd rather not. No pressure at all!
I hope things are going well for you! But if not, I'll be sending prayers your way if you're comfortable with that!
I am... not.
and i haven't for a long time
I'll preface this entire post with a warning: THIS IS A VENT POST the only tags will be trigger warnings
I thinks i've said it once or twice, but I started school this year. This is my first year in college after taking a gap year and also telling everyon i wasnt gonna go. I know jack shit about what im doing and its fucking exhausting. Theres so many things that i feel like I should know but dont because all the college information given out in my highschool was geared toward the college in that town specifically, which is not the college im going to.
I've also moved. im entirely on my own, physically and financially. I just met with my job and am starting very soon which is not good because my sleep schedule is all wrong. I may be switching jobs soon, but i can't just quit becuase, like i said, im on my own.
and those are only the big two. lets speedrun this. my anxiety, my autism, i need new glasses, my feet hurt more than i think they should, im a system, my eating disorder, my aversions that make it hard to drink the water up here, the burnout, the exhaustion, executive dysfunction, i also likely have adhd which mean rsd. im touch starved and touch adverse
those are just what i can think of off the top of my head
but all of this had been leading to what might be a pretty nasty breakdown and soon.
im so fucking tired all the time and that makes it hard to draw, but thats one of my only ways to relax. i like playing mc, but i get bored easily and also i cant sit at my desk for long becuase it feels like my head is too heavy for my neck. it hurts. everything hurts and my job doesnt help me at fucking all.
i was able to draw tsob while dealing with most of my issues becuase all i had to worry about was work. looking at my current schedule, i can find the free time. the issue is using that freetime to draw and not just sleep or dissociate. finding home is very dear to me, but drawing it the way i am can be exhausting and i dont want to start hating it, so i just.. dont draw it most days
i stress constantly about how i appear on my blog becuase i want so badly to do this right. i want to be good at something, like, as a person, not just as an artist. but i hate myself too much to believe in any progress i make.
i know its the rsd mostly but i see groups and i feel gross. its not as bed now (any of you beans that have made it this far, ily /p) becuase i found a community i can actually interact with, but it still comes up, especially because i've moved away from all my irl friends and its so fucking hard for me to make them in the first place. like.. actual friends, not just people i can work with at school
if i keep going i'll probably talk myself in circles, so ill stop it here. theres a lot more but im not going to ramble about my suicidal, intrusive, or sh thoughts on this blog. this is a post to inform you guys of the state of mind im in. im lonely and sad and its all building up to a massive breakdown.
im not going to be leaving tumblr or giving up on my comic, but i probalby wont update as often as i did tsob. i just dont have the energy.
i also will probably post some of my traditional art cuz i gotta fill up a sketchbook for my animation class, so that also takes away from the time i use to draw digitally.
im so tired
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scover-va · 2 years
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Mmm fuck it!! The Hex oc info dump!!! Bc my gf and I have made quite a few!!! One is not related to our rp, I just made her for fun
Lock
The wife Rust basically made up in his head thanks to having false memories. Though I'm gonna talk abt her as if she were real bc hrgrhrg pretty womf
Has short brown hair and an undercut. Had her hair dyed purple once, but it's faded and just at the tips now
Has a necklace with a lock on it. It was her idea, she thought it was funny. She also gave Rust a key necklace (which, as mentioned in my Rust hcs, he. Doesnt actually have. He thinks he does, tho)
The most memorable 'date' was to a broken down bowling alley in the wastes
Witty and humorous. Probably more likely to make a dad joke than Rust
"Don't worry, I got this all under control" She does not
Basically has a grappling hook made out of a gun to launch herself around
Prefers to use knives, other silent weapons, or just straight up kicking whoever she's fighting
She and Rust were bi4bi
Met Rust by grappling around and basically just launched herself into him and kicked him in the back so fuckin hard he fell in love (simp)
Quickly realized he was friendly tho and apologized. He was too busy staring at her with an awestruck look to even hear the apology
Died in childbirth. Too badass to be taken down by a radrat or a raider
Sterling
Irving's younger brother
Specializes in using magic, as opposed to Irving preferring physical fights
Whereas Irving works in assigning jobs + defence, Sterling works in containment + mission control
Local spacemarines hate him!!! (Lazarus, Jay, and Junior)
He is NOT much better than Irving. Literally uses the Moglees as slaves. Dude get help
Gives the space crew 'points' that they can spend after a mission on stuff like decor for their rooms, upgrades, blah blah blah
Oh and also feeds dead Mogless to the Moglee slaves. Um sir please dont
The unknown killer case (Chandrelle, mentioned in my post abt my design hcs for her) has pissed him off to no end
Sterling: Fucking hell how does this stupid killer keep getting away
Irving, knowing damn well it's Vallamir possessing Chandrelle thanks to him: Luck ig idk man
Twink. Who needs to punch things when you can use fire? Very effective
Is always either dressed in dark academia clothes or like a whore, no in between. Work attire? Whos she?
Eleanor
Irving and Sterling's older sister
Has been fucking busy since shortly before the "Lionel wants this" incident, so she like. Vaguely knows who Reggie is. That's abt it tho
Works in diagnostics/logistics and bug fixes, so she doesn't often go around the actual game characters
Was her brother's impulse control until she fuckin left for work for 20+ years and they went mad with fucking power
Unlabelled sexuality, doesn't have much time to care or think abt romance. If she likes someone she likes someone, big whoop
If her brothers caused any trouble she'd put them on time out in the corner and put a cone of shame on their head/heads
Could easily take Sterling in a fist fight. Her and Irving are probably 50/50 odds
Sick and tired of her boss (Lou)
Hasn't slept in 20+ years someone fucking help her p l e a s e
She has survived purely on coffee
She's uh. She's had a few auditory and visual hallucinations thanks to being sleep deprived
Rade
Another lil fucked up 'Lionel forgot to save his fuckin progress and Gameworks went ham' scenario
Basically, humanized Radrat
He came up with the name himself. Soooo creative /s
He likes oranges!
Very fucking feral, will scratch on sight
Rocky found him and immediately decided Rade was friend shaped
Local apocalypse dads hate him!!! Yes Ive used the same joke twice shut up!!!
Rade can and will bite anyone except Rocky bc he has also decided Rocky is friend shaped and that Rocky is the sole being he can trust in this hellscape
Though he could probably also be tamed with a couple weighted blankets. Not because he can't move, though that definitely helps, he's just instantly calmed down
Probably why he finds Rocky to be friend shaped bc Rocky's weight could def equal at least a couple weighted blankets. Ive never used a weighted blanket so idk how heavy they are
Audie McLachlan
The only non-rp character in this list
Comes from a murder mystery game called ‘Eagle Eye’, a game similar to your typical 'look around and find clues' murder mystery game. Takes place in London, England
Time period of her game is kinda wonky. Has some victorian stuff, modern stuff, basically Lionel did No research for her game
Was created in Lionel’s high school years for a computer science project. Was never released to the public
Never got more than one case to solve, and is patiently waiting for another
Was found by Jeremiah shortly after Combat Arena X was released (before Secrets of Legendaria was being made). Jeremiah twisted the truth on the abandonment to make Lionel sound like a bad person (well, to make it seem like the abandonment was Lionel being an asshole, and not just a teen being done with an assignment)
After FPP/??? was found and favoured for Jeremiah and Reggie’s narrative, Audie was instead sent to join Gameworks and spy on Irving’s work
Doesn’t reside at the inn, and is not present for Lionel’s death. She can instead be found in Jay’s section of Vicious Galaxy 2 as an easter egg (similar to Wizarro in WW + VG, or Rebecha’s cameo appearances in each game). Finding and talking to her unlocks a flashback scene that can be accessed post-finale in the chapter select menu
One of 4 main characters from Eagle Eye (Others include the suspect, the murder victim, and Audie's side kick)
Trans mtf and lesbian. She's trans bc I wanted an excuse to have Lionel make a lead female character despite the whole 'Carla told me to make girls even tho Steambot Willy's genderless' thing. Audie figured it out on her own and just kinda went 'oh!'
Aaaand I think thats it! I'll update this later with ref pics, that or I'll just make a new post with said ref pics
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vampkomori · 3 years
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anyone else think neo’s reports are weird about composers i think theyre weird about composers. lets make sense of joshuas status as composer and hazuki as comparison
this is gonna be a bit long. so anyway the og reports are p straightforward about what Composers (specifically, joshua) can and cannot do:
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- Joshua can only pick up Hanekoma’s vibe, because Angel vibes are too high frequency for him to pick up
- Inter-planar contact (so, communication between the UG and the Higher Plane in this case) is difficult, which is brought up because
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- The Composer, Joshua, only resides in the UG.
- But the Producer, who is an Angel, mainly resides in the Higher Plane, and only occasionally lingers in the UG.
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The whole matter of jumping between worlds highlights the difference between their abilities even more:
- As Composer, Joshua is one of the beings who can jump between worlds, but isn’t meant to do so often. His vibe dipped too low, so Hanekoma had to come retrieve him, because as an Angel this sort of travel is simple for him.
the OG reports make it pretty clear Joshua isnt an Angel
*But. unfortunately its not that easy. because by clearing the final time trial joshua gives you an item called Angel Feather (天使のハネ in JP), of which the description says “Our buyer used divine means to acquire this mysterious feather that was once in the possession of Shibuya's Composer.“ (which some have interpreted as, “in the possession of” meaning “it was given to him” potentially by hanekoma, who actually IS an Angel)
and if things are vague, we turn to the JP to clear us up! but its. still vague there bc it says “バイヤーが特別な力で入手した渋谷エリアのコンポーザーが持っていた謎の羽根“ (The mysterious feather that was held/carried by the Composer of the Shibuya area that the buyer obtained with a special power)
so. we are none the wiser about whose feather this is. i imagine its up to interpretation whether its joshuas feather or hanekomas, who then gave it to joshua. but given how clearly the reports differentiate between the Composer and Angels in regards to their abilities, suffice to say theres two interpretations that are most likely
- Composers arent Angels, their power disparity is just too much
- Composers are Angels, but theyre so much weaker compared to the Angels who reside in the Higher Plane that they’re never referred to as Angels, just as Composers
which takes us to neo, and hazukis little lightshow
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i think its notable that the reports dont comment on kubos so-called “exorcism”, and only on haz erasing his noise.
haz himself refers to his little stunt as “exorcising” kubo, while in JP he actually says haiki 廃棄, get rid of, revoke, invalidate.
i think its important that he clarified “i didnt erase him, i exorcised him”. because with kubo, the executor, being an Angel from the Higher Plane, a Composer shouldnt be able to erase someone of higher ranking than them. i think as the person who called upon kubo in the first place, haz could specifically revoke his services and send him back to the Higher Plane.
which means kubo wasnt erased, he was just sent back. hes still kickin
we could leave things right here as they are. Canonically, Composers are so far beneath Angels to a point where even if they were Angels themselves, they are so much weaker than them that they could hardly be referred to as such
this is where the facts end. but im gonna keep going and have fun speculating about things and include some i dont have physical proof of (yet)
its notable that in JP, hazuki says that kubo tried to purify shibuya probably because he wanted to be praised by Hazuki. which is weird if kubos supposed to be higher ranking than haz. (in EN, haz just says hes always been an overachiever) but lets put a pin in that for later 📌
which takes us to the matter of Shinjuku’s Producer. or their lack thereof
throughout all of neo’s reports, there is not a single mention of Shinjuku having a Producer. before neo, we kind of assumed every UG’s setup follows largely the same structure. a Composer, a Conductor, a Producer, and then some Reapers. but Shinjuku does not seem to have a Producer. and i think its because it doesnt need one.
its important to remember Who is writing these reports and Who theyre for. the reports are written by shibuyas Producer, and theyre written for the Higher Plane. and shibuyas Composer cant pick up the vibes of any Angel except hanekoma, so he cant be the one writing the reports for beings he cant even pick up the vibes from, especially since he only resides in the UG.
and yet, hanekoma comments that Hazuki should have filed a report, and that haz is disinterested in the lower planes.
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in English its a little vague about who hes talking about, but the JP specifies Shinjukus Composer as the subject of this sentence.
throughout both reports, the UG and RG are considered part of the lower planes. its strange for a Composer to have no interest in the very planes they govern, plus for a Composer to file a report to the Higher Plane when its been established that Joshua, as a Composer, cant even perceive anyone from there.
so i think Hazuki may actually be a proper Angel from the Higher Plane, who was potentially demoted to become Shinjukus Composer.
though you can very much interpret haz “exorcising” kubo as simply “sending him back whence he came”, its of course pretty anticlimactic to see this massive laser beam essentially disintegrate kubo on a molecular level, only for it to have been a quick ride back to the higher plane with kubo being perfectly in tact after. if haz were actually much more powerful than an ordinary Composer, itd make sense why he would have been able to erase an Angel like kubo so. thoroughly.
this would also explain why kubo may have wanted to be praised by hazuki in the JP dialogue. with hazuki potentially being an outlier for Composers and being far Higher ranking than kubo, our executor may have wanted to sucker up a bit. maybe get promoted and away from his “basically a janitor” job if haz puts in a good word for him upstairs
theres also hazukis entire demeanor, and how Bad he is at acting like a normal person
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we know of four paths that Players can take
they can choose erasure
they can choose resurrection to return to the RG
they can become Reapers
they can become Angels
and Reapers can eventually become Angels, though its yet unclear if the only way for that to happen is
for them to become Composer (potentially the Lowest Angel-rank there is) and thats it.
or if Composers can ascend and become Actual Angels and eventually reside in the Higher Plane, though how a successor for the seat of Composer is chosen in that scenario is yet entirely unknown since Usually the seat only becomes vacant when the previous Composer is defeated
or if they, as a Reaper, need to Ask the Composer who then asks the Producer to send a guy for evaluation or something
or if the Higher Plane has like, a talent scout guy somewhere.
potentially more than one may apply but at least the last point is the most likely, because
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Conductors are invited to the Higher Plane (probably to become Angels) upon purification
(interesting to note that Composers are not mentioned as being invited, which would point to “theyre Angels, but like, weak-ass Angels”)
anyway, the point is that so far weve been told that Angels were Players or Reapers at one point. we know Joshua was a Player for sure, given the morsels of backstory we get from him and Hanekoma. but we dont know if All Angels came from the RG at one point, or if Angels that have always been Angels exist.
either way, the point is that for Hazuki to act so non-human like and to be disinterested in the UG and RG, he either must have been an Angel for a very long time, or he was never human to begin with.
this is relevant to how he interacts with joshua in the Secret Ending, though its a lot less obvious in English, in JP their dynamic is clear: Joshua is his senior, and as his junior, Hazuki looks to him as an example.
for one, thats hilarious. secondly, that recontextualizes like everything
‘course, you could keep the interpretation that theyre just Both weak-ass angels and hazuki just made kubo use a flashy dramatic elevator to the HP and nothing groundbreakingly powerful happened, but thats kinda anticlimactic
so. staying w the idea that hazuki may be a demoted Angel from the Higher Plane, then itd make sense for Joshua to have been Composer for longer than him, and for haz to act Like...That, since he couldve been not-human for a Very long time, or Never was one in the first place, but is still a younger Composer bc he got demoted like. 4 years back or something.
it also explains why Shinjuku may not need a Producer, and why Hazuki is the one writing his reports. its because hes still an Angel from the Higher Plane, so he does not need an intermediary to contact other Angels.
so to summarize what im tryna say here
Hazuki may have initially been a regular Angel from the Higher Plane, before he eventually got demoted to become Shinjukus Composer, despite how disinterested he is in the UG and RG. (he is considered to be “infamously unsympathetic”, a trait which is reinforced in the JP version to be something he is known for amongst the Higher Plane, which could potentially be the reason for his demotion)
Since hes Joshuas junior, that means he hasnt been Composer for as long as Joshua has, so Hazuki looks to him to know what youre even supposed to do/how to act/etcetera as Composer. With his Special circumstances, he does not need a Producer as an intermediary to interact with the Higher Plane, because hes already an Angel so he can do it himself.
whatever Angel Hierarchy there may be, Hazuki is at the very least a higher rank than an Executor, considering how kubo wanted to impress him, and how haz effortlessly got rid of him. with kubo being from the Higher Plane, joshua is decidedly lower ranking than kubo, and cant even pick up his vibe. which clearly positions haz into a unique circumstance as a Composer bc of this discrepancy in ranking and power. amen
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theres other things that back this up but i unfortunately do not have a source for them, so This section, take with a grain of salt.
Supposedly, in neo’s data files:
Joshua is referred to as an Advanced Angel
Kubo as a Junior Angel, and
Hazuki as a Senior Angel
i only heard this secondhand and have no way of corroborating this myself, but if this is true then that lines up with the super long super sexy little essay i just wrote up there
this “ranking” solidifes Kubos position as Hazukis underling. which, if he were an ordinary Composer, wouldnt even be possible.
Joshua is notably a different rank from Haz, though its difficult to figure out if “Advanced” is supposed to be Lower than junior, or Higher than senior. thats up to interpretation until its possibly ever acknowledged,
but my interpretation is that an Advanced Angel is lower than a Junior Angel. i think “advanced” in this case is meant to refer to the traditional evolution of players to reapers to the composer, advancing from one status to the next.
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**Little post-edit, @/inkerii gave me the actual designation in the files! (so this ones backed-up!)
so in the files, theyre designated ranks are as follows
Joshua: 男、天使上級 ※前作  (Male, Senior/Advanced Grade Angel ※from the Previous work)
Hazuki: 男、天使上級 (Male, Senior/Advanced Grade Angel)
Kubo:   男、天使下級 (Male, Junior/Lower Grade Angel)
so haz and joshua are the same rank bc theyre both Composers! since thats an internal data text kinda thing it might not have any bearing on like, potential Technical exceptions since they Are both the same “job”, but mightve gotten it under different circumstances.
as for kubo potentially being lower ranking than even a Composer, i think unless we find out what a Producers ranking is, we cant say much abt whether an Executors lower or higher. i kinda mean it in the sense of,  Producers are a Composers subordinate bc they follow their orders and have to create the things theyre tasked to make by the Composer (pins, etc), but may still be “higher” in ranking because they reside in the Higher Plane/jump between parallel worlds, while a Composer cannot. an Executor may be in a similar position where theyre a Composers underling, tasked by Composers to purify things, but may actually be “higher” in ranking because they reside in the higher plane, etc!
i think regardless of whether kubo turns out to be lower ranking than joshua or not, hazuki could still be Even More Higher in a way where he actually has like, sway over whether he could get a promotion! if that was his intent. he could also just be a huge suck up. a real kiss ass. teachers pet for angels
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theres also the ntwewy Official Guidebook, which has a small comment beneath hazuki that says
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and i additionally remember an interview, though i dont have a source for this claim and i could very much be misremembering, but i recall seeing the reason for hazuki not being the final boss is because they did not think players could suspend their disbelief far enough to accept that the twisters would be able to defeat a being from the Higher Plane.
which is perfectly reasonable, but
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Composers are meant to be able to be defeated by Players or Reapers. if hazuki really was so powerful that itd be impossible for them to defeat him, then hed be far too strong to be an ordinary Composer, since thats. how you take over in the first place. thats kinda the whole plot of og twewy.
anyway that concludes my case
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goosedawn · 3 years
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i've never listened to Friends At The Table (though it's on my list now, dnd campaigns podcast wooo!) what would the storyline of the crossover entail? with the HermitCraft characters i'm guessing it's chaotic and interesting 😊
:0!!!! :DDD!!!!!!! if u end up giving it a shot i hope u enjoy it! they dont actually play dnd, they play a bunch of other tabletop games which are all really neat also! (also if u need a suggestion for where to start if/when u get to it, feel free to drop me an ask)
the story follows the typical structure of "group is sent off to do tasks for money, and eventually realise something bigger is going on" so i am largely following the plot in that way, where groups of adventurers are sent out to investigate a series of towers that appear to have some connection to the gods of the world. ajhsjjejhfhjef most of my thoughts about the au are more character based,, so instead of a proper plot summary i can give details and thoughts on where some of the hermits fit into everything so far (while. trying to avoid the big twists revealed in the podcast ig,,?) i also ended up including some sleepybees (sbi + beeduo) in the au but im still not 100% sure on where they fit in (as in i have too many ideas djhdkndnj)
ANYWAY uhhhh some spoilers for the universe im basing this off of, under the cut cos it got long :'D
context/setting:
the specific arc/universe that this au is set in is the one from Seasons in Hieron (SiH) which is their fantasy season! (its. its long,, this arc spans i think. 3 seasons? plus a short interlude season)
the setting was previously a traditional fantasy world that had some sort of great catastrophe (the Erasure) happen, and the current world is after people have rebuilt a new society! its described as "post-fantasy, post-post-apocalyptic" its very fun and subversive and afhdjfbj the worldbuilding is just. real good :>
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characters:
im still figuring out where different hermits fit into the au but i am basically taking aspects of various characters from the podcast and splitting roles and traits to hermits, so its all mixed up! also,, there are just. so many hermits,, i have not found places for all of them (not even most of them i dont think) but here is what i have so far:
impulse and zedaph work in the New Archives (a series of huge warehouse-like archives run by the orcs of this world!) impulse is an orc, zed is not! impulse works to retrieve artifacts for the archive, and zed,, hes just kinda there. learning and experimenting with pattern magic (a type of magic done by arranging and rearranging things in specific configurations, often they are obscure and weird things like "27 brown birds in a tree, 5 table legs, 500 buttons, 16 steps to the east" etc.) when the story finds them they are studying a fallen tower in the center of the Mark of the Erasure (a location still showing the effect of the great cataclysm that befell the world)
tango vaguely takes the role of Ephraim, prince of something or rather,,, idk man hes cool and has fire powers, very anime. his powers were a gift from the gods, and he goes on to hv close relations w them! he meets up with impulse and zed later on and become fast friends obviously
joe is an expert in pattern magic, and is on the run from the archives after having stolen a pretty nondescript notebook. its a nice notebook! hes just a human guy. he writes and recites poetry in order to do pattern magic using the notebook!
cleo hails from the city of *Nacre*, where people get multiple chances at life. people from there can get killed but will exist on as zombies, then if they are killed again, they exist as ghosts, and then they pass away fully. she is an undead pirate captain that joe somehow manages to sway over to their side ahjbhfbjf,, she is hunting down the lost prince/king of Nacre.
wels is a pala-din (pal-ah-deen, rather than paladin), a sort of living marble statue that serves one of the gods in the pantheon.
scar is ofc, a wizard! it. it should be noted that wizards dont really exist in this world, people who perform and study magic are mages, not wizards,, "wizard" is kind of a weird term to use sjbdbjhfjjhb scar takes place of The Great Fantasmo in the podcast, and similarly has an invisible assistant! he doesnt seem to remember much of his past...
cubfan works in Velas, a fishing town where the story "begins" he does not enjoy talking to scar, and seems to be sad whenever hes around. perhaps scar reminds him of someone, or perhaps of better times...
tfc hes a priest aagsuijdjhkdgjdkihwhjvd i swear theres a reason for this later,, the role of the npc alyosha is somewhat split between tfc and cub!
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others i have thoughts on but im not settled on yet:
im debating having xisuma as part of the pantheon, but if not, he would be a druid so he can shapeshift into animals sjbakjnsnfjb he would take the general role of Fero in the story, but would also be kind of split with evil x, who captures... a certain stubbornness and deepset frustration Fero has in later times.
etho could take the place of Samol, the first god to exist. he is the embodiment of this world, and is kind of isolated and strange wbhshjhbdbhjdjbdkjn,, strange /pos. hes also. kind of dissapearing though... i wonder why :)
while theoratically i could have xisuma as samol cos. yknow. admin. i think the vibes and role just fit etho better
and... if i had etho as samol i think it could be fun to have doc and bdubs as other members of the pantheon, if u go with their dynamic from the start of s7 they even fit the divorced couple vibe two of the gods have /lh /hj (nho pantheon pog..? maybe. theres a total of 5 deities in the pantheon tho...)
im leaning toward either false + stress or maybe gem + pearl pairs for two of the goddesses in the pantheon, but thatd probably depend on if i can find a better place for them ;P
techno and phil take the role of red jack, and techno is a Huge Oni Dude >:] in canon red jack has a cool horse!!! it fits!! hes also. heavily implied to be kinda immortal?? anyway. im torn on this because techno and phil ALSO fit the roles of some of the player characters, with relation to the missing prince/king of Nacre but im still working things out,,
no matter whats up with them, ranboo takes the role of bluejay, redjacks son, meeting up with tubbo and tommy who take the place of benjamin, the son of one of the player characters. tubbo and tommy kind of. get sent to another dimension to keep them safe,,? and live in a lie for many years before they are brought back.
when i first thought about this au, i also thought about the whole. sending child off into fake dimension to live life, and of course. i thought about. grumbot ofc and originally planned to have mumbo or grian take the place of that player character abhdfvnbrvbn but it also implies one or both of them would be paladins (not pala-din! just the normal religious knight) AND have connections to tubbo and tommy which is. funny but ehhhh idk.
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and that. maybe probably somewhat incoherent train of thought is what i have for the au so far! its. still very much a work in progress so thank you if you stuck through all that!! ive still got a lot to think abt in the au,,,, lots to figure out ;P hopefully i can iron it out a bit more in the future, but its fun to think about for the time being
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imagineurfavs · 4 years
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The Boyz Q: A-Z
“Hii, can I request A-Z for Kevin and Q from the boyz, thank you so much!!!!”
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A - Aftercare He’s pretty good with the basics; a towel, and maybe a glass of water. He’ll happily oblige to anything beyond that, but you’ll have to specifically ask for it lmao
B - Body Part (their favourite body part of theirs and also their partner) On himself, he loves his hands, specifically his fingers, they’re nice and long and can always get you in all the right places. On his partner he loves their legs 
C - Cum Likes to cum on you, literally anywhere, the messier the better. He’ll just kinda  let it go anywhere. He’ll always just kinda sit back and admire his masterpiece for a minute before getting you a towel lol
D - Dirty Secret (a dirty secret of theirs) Now, it’s not really a secret to you, but he loves to film or photograph the two of you whenever you're going at it, the more explicit the better. He’ll keep them for his spank bank that he uses whenever he’s away from you for too long lol. It’s the reason why he’s so protective over his phone.
E - Experience Eeeeh probably a little bit. I feel like he’s fooled around quite a lot, but probably only had full on sex a couple of times
F - Favourite Position Definitely doggy. He can be free to set the pace as rough as he wants and he gets to watch your ass jiggle as he pounds into you lmao. If not that then he’s always a fan of having you up against the wall.
G - Goofy (are they more serious in the moment, or are they humorous etc) He’s really not all that goofy in the moment, all his focus is on getting you both off, he’ll kinda just zone out for a little bit, like, all the blood is in his dick not his brain lol. It’s afterwards that he gets all giggly and mushy 
H - Hair (how well groomed are they) Super well groomed and tidy, not a single hair out of place.
I - Intimacy (how are they during the moment, romantic aspect) Mans is a Scorpio, so he’s gonna be super intimate, even when he’s being pretty rough lmao. Whilst he can be intimate, it’s almost a dark kinda intimacy, like, the atmosphere is very heavy lol he takes this shit seriously. Sex is the best way for him to express his emotions.
J - Jack Off (Masturbation) I lowkey feel like he’s the type of person to do it every day. Even if he’s not particularly in The Mood, it’s pretty much just become a point of his daily routine at this point. Usually he’ll just do it in bed so that he can fall asleep fully relaxed
K - Kinks (one of more of their kinks) Likes inflicting pain. Not a huge amount, just enough to sting and leave a mark lmao, he’s for sure a spanker and will leaves hickeys all over you. Which ig means he’s into marking as well lmao. He loves being scratched too, he feels so proud whenever he catches a sight of the red lines down his back in the following days
L - Location (Favourite places to do the do) Just bc of how...intense, he likes to get, he much prefers to keep in in the bedroom. That way you’re both free to do whatever you want and be as loud as your heart desires.
M - Motivation (What turns them on) I feel like he’s suuuper easy to rile up lmao. Literally anything even vaguely sexual just makes his imagination go wild. He’s one of those people where something so simple as watching you eat anything even vaguely phallic will set him off. You really wouldn't have to try very hard to get him in the mood lol
N - NO (something they won't do, turn offs) Tbh, I dont picture Changmin as being someone with any hard limits, he’s super open to trying anything and will give anything a go once. I feel like maybe he’d be a little insecure about bringing other people into the bedroom, but that’s about it.
O - Oral (preference in giving or receiving, skill, etc) He’s for sure not opposed to giving oral, he’s just not the best at it. He’s a lot better with his fingers that he is with his mouth. Given the option he’d much prefer to receive, but he’s not afraid to try and get better so maybe let him practice on you lmao ;))))
P - Pace (are they fast and rough? slow and sensual? etc) He’ll start off a bit slow, but he’ll get much faster as he finds his rhythm. Maybe a little bit on the rougher side, not so much that you wont be able to walk or anything, but you’ll for sure still be feeling it afterwards. 
Q - Quickies (Their opinions on quickies rather than proper sex, how often, etc) He wasn’t always a fan, purely bc they don’t give him the time he needs to be able to go all out. But sometimes they're the only option. Over time he’s really come to enjoy them, he really finds the kinda frantic needy energy so fun
R - Risk (are they down to experiment, do they take risks?) He’s TOTALLY down, the riskier the better. As long as there’s no danger of like, lasting injury or anything...illegal, he’s always down to do anything and everything.
S - Stamina (how many rounds can they go, how long do they last? etc) You’ll for sure be getting more than one round out of Changmin lmao, just bc i feel like he doesn’t really last all that long. It also doesn't take too long for him to bounce back and be ready to go again lol
T - Toy (do they own toys do they use them on a partner or on themselves?) He loves them, especially if they're something that can be used on him as well as you. He’s certainly not against having toys used on him. Probably owns some cuffs, super pretty ropes and maybe some kinda paddle lol. Bought a remote control vibrator that he’s just itching to use on you in public lmao
U - Unfair (how much they like to tease) HE. IS. SUCH. A. TEASE. He lives for making you squirm. He’ll whisper the most sinful things to you, or have his and a little too high on your leg in public and watch your face go bright red, just to innocently ask “you okay y/n? you look a little flustered” He’s evil.
V - Volume (how loud are they, what type of sounds they make) He’s really not all that loud. Maybe gets a little bit whiny as he gets close to finishing but aside from some drawn out sighs here and there, he’s pretty quiet.
W - Wild Card (a random headcannon) Whilst he can be super rough and a lil bit on the dominant side, I feel like Changmin has a SUPER hidden submissive side that he keeps firmly locked away. It’s when he’s super tired and worn out that this side of him comes out. He won’t ever be super submissive however, but he’ll get whiny and almost a little bit bratty. He just wants to be taken care of and treated like a prince lmao
X - X-ray (what's going on inside those pants) Average length, maybe on the slimmer side but kinda pretty and veiny 
Y - Yearning (How high is their sex drive) Pretty high, he’s always ready to do something; whether thats full on sex or just fooling around, anything. You just have to say the word and he’ll have his trousers down in 0.2 seconds flat.
Z - Zzz... (How quickly they fall asleep afterwards) Tbh, I feel like he wont be sleeping for quite a while afterwards. He just gets all chatty and giggly, he’ll just wanna stay up and talk about everything.
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iknowicanbutwhy · 3 years
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To anyone who thinks texting is a billion times worse than talking on the phone and that texting is a miscommunication disaster ready to happen: I get you. You're probably 100% exactly like my friend who I hate texting despite how i rather appreciate talking with them on call or in-person.
Hear me out, though. Please.
You know what's weird? I love talking with my other friend on text more than i talk with them in real life. No, it's not because they're untalkative irl. No, it's not because they have a different personality in text. No, it's not because they have any trouble whatsoever communicating in-person (more than the usual trouble everyone sometimes deals with).
It's because I'm the one with the auditory communication issues. I stammer and stutter, I can't forward my opinion in that microscopic pause between people talking, i can't think quickly when i or someone else is speaking, i can't think quickly, and i can't double check my grammar when ive already said something - among other problems.
And that friend i like to text? Just so happens to be skilled at texting.
Yes, texting well is a skill. Something that you can learn and cultivate and look up on Google. So if you hate texting and find it irredeemable, you probably don't have the skill for it. But you can still learn just by using your normal speaking skills while remembering and sticking with only a few bitty - yet crucial - rules of texting.
You may not want to learn to text. You may want to speak and text only when necessary. You may defend your point by stating that texting lacks key human communication, such as body language, tone of voice, rhythm of voice, and other context that adds to the meaning of words in a way texting could never have. Aaaand you'd be right, actually. Italics and bold and emojis/emoticons and writing style can only do so much while the imagination fills in the gaps - and unlike with books, if the imagination sees/hears something terrible in a text, it's offensive instead of interesting.
So, what about the people who don't have the skill to make coherent, intelligent sentences with their mouth in the first place? The context doesn't help too much, then. Of course, why should you have to learn how to text when clearly these people who are afflicted by their inability to speak should be learning how to talk, because it's more effective and healthier for them that way?
You're right, they should be learning. And they are! There's no avoiding speaking in real life unless you're mute, selectively mute (let's be understanding), deaf (sometimes they learn to speak and that's awesome), or something else I can't think of. Those with speech impediments - when they don't know sign or there's no one who knows sign nearby - are generally forced to try to speak, and are constantly training to communicate well. People with social anxiety don't want to be afraid of talking, and especially if you befriend someone with social anxiety in real life and talk with them in-person, they'll try their best to open up in-person too. And me? Who can't think fast enough to speak for some reason? I'm trying to change that, too. I hate being unable to speak as well as I text, because speaking is more efficient.
But it would still be really, really nice to have a deliciously complex conversation sometimes, and for those of us with trouble speaking, we developed the skill of texting to better fulfill that human need to communicate and share. We're trying to speak. But.. it would be really nice of you to text.
To text more than just "okay"
To elaborate on "I can't"
To exclaim more than only "ah"
To give something that isn't difficult to find a specific response to.
And it can be easy to; we text-savvy people swear our hearts on it!! Google provides lots of good links when you search "how to text well," but I'll sum up a few common tips to texting with meaning.
Text proportionally. This is probably the only rule you need to remember, because all-in-all, the best way to text someone (if they're not sending one or two words a text) is to follow in their example. If they ask your opinion? Tell them yours and ask theirs. If they send texts of two or three sentences each? It's polite to try responding with the same magnitude (keyword: try. You can't always do it). They send you a paragraph? You don't have to send one back (even though that'd be real cool) but if they seem to be expecting a thorough response, don't be afraid to tell them you can't think of much. Just make sure you follow tip #2. Just imagine what it's like talking to a cat that only meows vaguely at you in response. Maybe you think the cat is smart enough to somewhat understand, and you're getting the chance to let your thoughts out at it, but getting basically nothing back is kind of boring.
Dont send curt, few-worded answers. This includes saying just "k" or "ah" or part of a sentence that you're never gonna finish. It sends the message that you're not interested in thinking about whatever the person texting you just said. Sometimes you can send a tiny response as a joke, but do it over and over again, and the other person will think you're never interested in talking. If you're not interested in talking (not just in text, i mean audibly too), it'd be less rude to simply say your not up for talking, with a short, polite apology.
Respond as soon as possible to a genuine question. If you need to think, say so. If you can't respond just yet, say so. This is a personal thing for me. I'm in the middle of a conversation that has been active for a while, i ask an important (sometimes timed) question, and nobody responds for an hour. I lose confidence and take the silence as "no, don't be ridiculous," and take back what i said. Then, very suddenly, i get a response finally informing me that someone needed to ask their mom and the conversation took a while, or they were researching the question, or chores suddenly came up, or etc etc. People get busy all the time, and especially on text, it's easy to suddenly drop out because something irl shows up. But it's hard to tell the difference between being ignored, missed, or being considered. Your excuses are valid, but even a vague "brb" and then later a quick explanation would be more informative than straight silence.
If you need to leave in the middle of a conversation that's been very active, say so. Building off of the last one, it's just polite to be informative. Now, you don't have to say you're doing this at some specific location for a particular amount of hours and you'll be hanging out with whats-their-name and then you'll go into the bathroom and pick your nose in the mirror - no, you don't have to be specific. Just make it clear that you'll be gone for a bit and you'll get back to the conversation another vague time. It's polite, that's all, and alleviates the worries of all us anxious individuals who think "oh no did i say something wrong its been like 20 minutes and they left suddenly-"
Try to leave an avenue of conversation open for the other person to pick up on. This one is easy because generally, all you need to do is think of an open-ended question that isnt yes-or-no. Say something, then ask a question that relates to what you said that the other person can add to. Like.. the other person said they like a certain band, and you like that band, too. You could tell them your favorite song from them and gush about why, then ask what their favorite song is and why? Then it's up to them to give a good response.
If a conversation turns exhausting because you feel like you're pulling all the weight, then drop it and politely say goodbye. There's all these tips about good texting but sometimes, when you can't bring the other person out of their shell or they are genuinely uninterested, it's because they are the ones not doing their part in the conversation. You've tried your best, and if they wont thank you, then I will. And someone in your future who knows how to text and is interested in what you have to say will thank you in their heart. Just, not the person who you're walking away from right now.
Observe the texting "body language" of others. This sounds weird, but examples of this would be using bold to outline the absolute importance of things, italics to slightly emphasize something, s p a c i n g to signify your mind being blown, emojis to express light emotion (unless someone uses way too many, which, that's just a bad habit and sometimes an art form), "ha" for sarcastic laughter, fjsjskajfjie for real laughter, ALL CAPS for high energy, etc. Im sure you can Google it, too, otherwise you can just learn from experience. It's all generally very universal unless you meet a Homestuck, and pretty soon, picking out and giving out emotions in everyday text will be a little easier.
That's all I got right now. Thank you for reading this far and indulging me with this topic. It's okay if you want to keep your avenues of conversation far away from texting, because it's all your own choice, but just know that if you ever do find someone interesting who speaks better in text, it's not impossible for you to communicate with them as well in that format. Just takes practice :) (<- that's a genuine, gentle smile, otherwise I would use c: or :3. Someone else may use it differently, however. Think of it like my personal accent.)
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godzilla-kong-ellen · 3 years
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Godzilla Kong ellen teljes film (𝟐𝟎𝟐𝟏-𝐇𝐔) magyarul ☑️
👓 Godzilla Kong ellen 2021 Teljes Film Magyarul 👓
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Mind tudtuk, hogy egyszer megtörténik. Világunk szörnyei nem kerülhetik el egymást. A legnagyobbaknak előbb-utóbb szembe kell találkozniuk, hogy összemérjék az erejüket. De ahol King Kong és Godzilla csatázik, ott senki más nincs biztonságban.
felszabadított: 2021-03-24 Runtime: 0 percek Műfaj: Akció, Sci-Fi Csillag: Alexander Skarsgård, Millie Bobby Brown, Kyle Chandler, Rebecca Hall, Brian Tyree Henry Rendező: Terry Rossio, Eric McLeod, Ronald R. Reiss, Sarah Halley Finn, Owen Paterson
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its somewhat ironic that a movie about time travel can’t be reviewed properly until your future self rewatches the movie. It’s bold of Nolan to make such a thoroughly dense blockbuster. He assumes people will actually want to see ~Tenet more than once so they can understand it properly, which some may not. This movie makes the chronology of Inception look as simplistic as tic-tac-toe. Ergo, it’s hard for me to give an accurate rating, without having seen it twice, as I’m still trying to figure out whether everything does indeed make sense. If it does, this movie is easily a 9 or 10. If it doesn’t, it’s a 6. It’s further not helped by the fact that the dialogue in the first 15 minutes of the movie is painfully hard to understand / hear. Either they were behind masks; they were practically mumbling; the sound effects were too loud; or all of the above. The exposition scenes are also waayyy too brief for something this complex — a problem also shared with Interstellar actually. (Interstellar had this minimalist exposition problem explaining Blight, where if you weren’t careful, you’d miss this one sentence / scene in the entire movie explaining that Blight was a viral bacteria: “Earth’s atmosphere is 80% nitrogen, we don’t even breathe nitrogen. Blight does, and as it thrives, our air gets less and less oxygen”). I guess it’s a Nolan quirk. Hopefully, a revision of the film audio sorts the sound mixing out. I do like the soundtrack, but it’s too loud initially. I liked all the actors. You think John Washington can’t act at first, but he can, and he grows on you as the film progresses. And Pattinson is his usual charming self. Elizabeth is a surprise treat. And so on. Its worth a watch either way. See it with subtitles if you can. And definitely don’t expect to fully understand whats going on the first time around. Its one hell of a complicated film. It will be very hard for an average viewer to gather all the information provided by this movie at the first watch. But the more you watch it, more hidden elements will come to light. And when you are able to put these hidden elements together. You will realize that this movie is just a “masterpiece” which takes the legacy of Christopher Nolan Forward If I talk about acting, Then I have to say that Robert Pattinson has really proved himself as a very good actor in these recent years. And I am sure his acting skills will increase with time. His performance is charming and very smooth. Whenever he is on the camera, he steals the focus John David Washington is also fantastic in this movie. His performance is electrifying, I hope to see more from him in the future. Other characters such as Kenneth Branagh, Elizabeth, Himesh Patel, Dimple Kapadia, Clémence Poésy have also done quite well. And I dont think there is a need to talk about Michael Caine Talking about Music, its awesome. I dont think you will miss Hans Zimmer’s score. Ludwig has done a sufficient job. There is no lack of good score in the movie Gotta love the editing and post production which has been put into this movie. I think its fair to say this Nolan film has focused more in its post production. The main problem in the movie is the sound mixing. Plot is already complex and some dialogues are very soft due to the high music score. It makes it harder to realize what is going on in the movie. Other Nolan movies had loud BGM too. But Audio and dialogues weren’t a problem My humble request to everyone is to please let the movie sink in your thoughts. Let your mind grasp all the elements of this movie. I am sure more people will find it better. Even those who think they got the plot. I can bet they are wrong. ~Tenet is the long awaited new movie from Christopher Nolan. The movie that’s set to reboot the multiplexes post-Covid. It’s a manic, extremely loud, extremely baffling sci-fi cum spy rollercoaster that will please a lot of Nolan fan-boys but which left me with very mixed views. John David Washington (Denzel’s lad) plays “The Protagonist” — a crack-CIA field operative who is an unstoppable one-man army in the style of Hobbs or Shaw. Recruited into an even more shadowy organisation, he’s on the trail of an international arms dealer, Andrei Sator (Kenneth Branagh in full villain mode). Sator is bullying his estranged wife Kat (Elizabeth Debicki) over custody of their son (and the film unusually has a BBFC warning about “Domestic Abuse”). Our hero jets the world to try to prevent a very particular kind of Armageddon while also keeping the vulnerable and attractive Kat alive. This is cinema at its biggest and boldest. Nolan has taken a cinema ‘splurge’ gun, filled it with money, set it on rapid fire, removed the safety and let rip at the screen. Given that Nolan is famous for doing all of his ‘effects’ for real and ‘in camera’, some of what you see performed is almost unbelievable. You thought crashing a train through rush-hour traffic in “Inception” was crazy? You ain’t seen nothing yet with the airport scene! And for lovers of Chinooks (I must admit I am one and rush out of the house to see one if I hear it coming!) there is positively Chinook-p*rn on offer in the film’s ridiculously huge finale. The ‘inversion’ aspects of the story also lends itself to some fight scenes — one in particular in an airport ‘freeport’ — which are both bizarre to watch and, I imagine, technically extremely challenging to pull off. In this regard John David Washington is an acrobatic and talented stunt performer in his own right, and must have trained for months for this role. Nolan’s crew also certainly racked up their air miles pre-lockdown, since the locations range far and wide across the world. The locations encompassed Denmark, Estonia, India, Italy, Norway, the United Kingdom, and United States. Hoyte Van Hoytema’s cinematography is lush in introducing these, especially the beautiful Italian coast scenes. Although I did miss the David Arnold strings that would typically introduce these in a Bond movie: it felt like that was missing. The ‘timey-wimey’ aspects of the plot are also intriguing and very cleverly done. There are numerous points at which you think “Oh, that’s a sloppy continuity error” or “Shame the production design team missed that cracked wing mirror”. Then later in the movie, you get at least a dozen “Aha!” moments. Some of them (no spoilers) are jaw-droppingly spectacular. Perhaps the best twist is hidden in the final line of the movie. I only processed it on the way home. And so to the first of my significant gripes with ~Tenet. The sound mix in the movie is all over the place. I’d go stronger than that… it’s truly awful (expletive deleted)! Nolan often implements Shakespeare’s trick of having characters in the play provide exposition of the plot to aid comprehension. But unfortunately, all of this exposition dialogue was largely incomprehensible. This was due to: the ear-splitting volume of the sound: 2020 movie audiences are going to be suffering from ‘~Tenetis’! (LOL); the dialogue is poorly mixed with the thumping music by Ludwig Göransson (Wot? No Hans Zimmer?); a large proportion of the dialogue was through masks of varying description (#covid-appropriate). Aaron Taylor-Johnson was particularly unintelligible to my ears. Overall, watching this with subtitles at a special showing might be advisable! OK, so I only have a PhD in Physics… but at times I was completely lost as to the intricacies of the plot. It made “Inception” look like “The Tiger Who Came to Tea”. There was an obvious ‘McGuffin’ in “Inception” — — (“These ‘dream levels’… how exactly are they architected??”…. “Don’t worry… they’ll never notice”. And we didn’t!) In “~Tenet” there are McGuffins nested in McGuffins. So much of this is casually waved away as “future stuff… you’re not qualified” that it feels vaguely condescending to the audience. At one point Sator says to Kat “You don’t know what’s going on, do you?” and she shakes her head blankly. We’re right with you there luv! There are also gaps in the storyline that jar. The word “~Tenet”? What does it mean. Is it just a password? I’m none the wiser. The manic pace of ~Tenet and the constant din means that the movie gallops along like a series of disconnected (albeit brilliant) action set pieces. For me, it has none of the emotional heart of the Cobb’s marriage problems from “Inception” or the father/daughter separation of “Interstellar”. In fact, you barely care for anyone in the movie, perhaps with the exception of Kat. It’s a talented cast. As mentioned above, John David Washington is muscular and athletic in the role. It’s a big load for the actor to carry in such a tent-pole movie, given his only significant starring role before was in the excellent BlacKkKlansman. But he carries it off well. A worthy successor to Gerard Butler and Jason Statham for action roles in the next 10 years. This is also a great performance by Robert Pattinson, in his most high-profile film in a long time, playing the vaguely alcoholic and Carré-esque support guy. Pattinson’s Potter co-star Clemence Poésy also pops up — rather more un-glam that usual — as the scientist plot-expositor early in the movie. Nolan’s regular Michael Caine also pops up. although the 87-year old legend is starting to show his age: His speech was obviously affected at the time of filming (though nice try Mr Nolan in trying to disguise that with a mouth full of food!). But in my book, any amount of Caine in a movie is a plus. He also gets to deliver the best killer line in the film about snobbery! However, it’s Kenneth Branagh and Elizabeth Debicki that really stand out. They were both fabulous, especially when they were bouncing off each other in their marital battle royale. So, given this was my most anticipated movie of the year, it’s a bit of a curate’s egg for me. A mixture of being awe-struck at times and slightly disappointed at others. It’s a movie which needs a second watch, so I’m heading back today to give my ear drums another bashing! And this is one where I reserve the right to revisit my rating after that second watch… it’s not likely to go down… but it might go up. (For the full graphical review, check out One Mann’s Movies on t’interweb and Facebook. Thanks.) As this will be non-spoiler, I can’t say too much about the story. However, what I can is this: ~Tenet’s story is quite dynamic in the sense that you won’t understand it till it wants you to. So, for the first half, your brain is fighting for hints and pieces to puzzle together the story. It isn’t until halfway through the movie that ~Tenet invites you to the fantastic storytelling by Christopher Nolan. Acting is beyond phenomenal, and I’d be genuinely surprised if neither Robert Pattinson nor John David Washington doesn’t receive an Oscar nomination for best actor. It’s also hard not to mention how good Elizabeth Debicki and Aaron Johnson both are. All around, great acting, and the dialogue amps up the quality of the movie. The idea of this movie is damn fascinating, and while there are films that explore time-travelling, there’s never been anything quite like this. It has such a beautiful charm and for the most part, explains everything thoroughly. It feels so much more complex than any form of time-travelling we’ve seen, and no less could’ve been expected from Nolan. Oh my lord, the score for this film fits so perfectly. Every scene that’s meant to feel intense was amped by a hundred because of how good the score was. Let me just say though, none of them will be found iconic, but they fit the story and scenes so well. In the end, I walked out, feeling very satisfied. Nevertheless, I do have issues with the film that I cannot really express without spoiling bits of the story. There are definitely little inconsistencies that I found myself uncovering as the story progressed. However, I only had one issue that I found impacted my enjoyment. That issue was understanding some of the dialogue. No, not in the sense that the movie is too complicated, but more that it was hard to make out was being said at times. It felt like the movie required subtitles, but that probably was because, at a time in the film, there was far too much exposition. Nevertheless, I loved this film, I’ll be watching it at least two more times, and I think most of you in this group will enjoy it. I definitely suggest watching it in theatres if possible, just so you can get that excitement. (4/5) & (8.5/10) for those that care about number scores. At first, I want to ask Christopher Nolan one question, HOW THE HELL YOU DID THIS? Seriously I want to have an answer, How did he write such as this masterpiece! How did he get this complicated, fabulous and creative idea? What is going on in his mind? The story is written and directed perfectly, the narration style was absolutely unique. I have no idea how can anyone direct such as this story, that was a huge challenge, and as usual Nolan gave us a masterpiece that we’ll put beside (Memento), (Inception) and (Interstellar) The movie is so fast-paced in a good way, there was no boring moment. The chemistry between John David Washington and Robert Pattinson was great and funny and both of their performance was really good. Elizabeth Debicki performance was the best in the movie because she had the chance to show her acting abilities and she cached up that chance and showed us an A level acting. The music wasn’t unique and distinct as the music of Interstellar for example and I think this movie needed the touch of Hans Zimmer, I’m not saying that Ludwig Göransson failed but Hans Zimmer in another level. If there was something I’d say that I didn’t like it in the movie would it be that Nolan discarded any set up or characters backgrounds except Elizabeth Debicki dramatic story but it wasn’t that bad for me, I didn’t care about that, the exciting story didn’t give me the chance to focus on it. But the actual problem was the third act, it was really complicated and I got lost and I convinced myself to discard the questions that were in my head and enjoy the well-made action sequences and Elizabeth Debicki performance. I think this kind of movie that gets better with a second and third watch. I honestly don’t quite know where to begin with ~Tenet. I love Christopher Nolan’s work but I have never seen a more complicated film (and I understood Memento). ~After nearly three hours, I came away from ~Tenet not knowing myself, my mind reduced to nothing more than piles of ash. Was there time travel involved? Hmm, there was definitely something about time inversion. I mean, does Nolan even understand what he wrote? Look, I give credit to the director because he’s one of the few directors left who knows how to create a compelling and intelligent blockbuster. ~Tenet is full of Nolan trademarks — the gratuitous Michael Caine cameo, a loud, really loud score, complete with stunning cinematography and slickly
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Runtime: 0 percek Műfaj: Thriller, Bűnügyi Csillag: Denzel Washington, Rami Malek, Jared Leto, Sofia Vassilieva, Natalie Morales Rendező: Thomas Newman, John Schwartzman, Mark Johnson, Michael Corenblith, Daniel Orlandi Deke, a burnt-out Kern County, CA deputy sheriff teams with Baxter, a crack LASD detective, to nab a serial killer. Deke’s nose for the “little things” proves eerily accurate, but his willingness to circumvent the rules embroils Baxter in a soul-shattering dilemma. Meanwhile, Deke must wrestle with a dark secret from his past.
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Its somewhat ironic that a movie about time travel can’t be reviewed properly until your future self rewatches the movie. It’s bold of Nolan to make such a thoroughly dense blockbuster. He assumes people will actually want to see ~Ördög a részletekben more than once so they can understand it properly, which some may not. This movie makes the chronology of Inception look as simplistic as tic-tac-toe. Ergo, it’s hard for me to give an accurate rating, without having seen it twice, as I’m still trying to figure out whether everything does indeed make sense. If it does, this movie is easily a 9 or 10. If it doesn’t, it’s a 6. It’s further not helped by the fact that the dialogue in the first 15 minutes of the movie is painfully hard to understand / hear. Either they were behind masks; they were practically mumbling; the sound effects were too loud; or all of the above. The exposition scenes are also waayyy too brief for something this complex — a problem also shared with Interstellar actually. (Interstellar had this minimalist exposition problem explaining Blight, where if you weren’t careful, you’d miss this one sentence / scene in the entire movie explaining that Blight was a viral bacteria: “Earth’s atmosphere is 80% nitrogen, we don’t even breathe nitrogen. Blight does, and as it thrives, our air gets less and less oxygen”). I guess it’s a Nolan quirk. Hopefully, a revision of the film audio sorts the sound mixing out. I do like the soundtrack, but it’s too loud initially. I liked all the actors. You think John Washington can’t act at first, but he can, and he grows on you as the film progresses. And Pattinson is his usual charming self. Elizabeth is a surprise treat. And so on. Its worth a watch either way. See it with subtitles if you can. And definitely don’t expect to fully understand whats going on the first time around. Its one hell of a complicated film. It will be very hard for an average viewer to gather all the information provided by this movie at the first watch. But the more you watch it, more hidden elements will come to light. And when you are able to put these hidden elements together. You will realize that this movie is just a “masterpiece” which takes the legacy of Christopher Nolan Forward If I talk about acting, Then I have to say that Robert Pattinson has really proved himself as a very good actor in these recent years. And I am sure his acting skills will increase with time. His performance is charming and very smooth. Whenever he is on the camera, he steals the focus John David Washington is also fantastic in this movie. His performance is electrifying, I hope to see more from him in the future. Other characters such as Kenneth Branagh, Elizabeth, Himesh Patel, Dimple Kapadia, Clémence Poésy have also done quite well. And I dont think there is a need to talk about Michael Caine Talking about Music, its awesome. I dont think you will miss Hans Zimmer’s score. Ludwig has done a sufficient job. There is no lack of good score in the movie Gotta love the editing and post production which has been put into this movie. I think its fair to say this Nolan film has focused more in its post production. The main problem in the movie is the sound mixing. Plot is already complex and some dialogues are very soft due to the high music score. It makes it harder to realize what is going on in the movie. Other Nolan movies had loud BGM too. But Audio and dialogues weren’t a problem My humble request to everyone is to please let the movie sink in your thoughts. Let your mind grasp all the elements of this movie. I am sure more people will find it better. Even those who think they got the plot. I can bet they are wrong. ~Ördög a részletekben is the long awaited new movie from Christopher Nolan. The movie that’s set to reboot the multiplexes post-Covid. It’s a manic, extremely loud, extremely baffling sci-fi cum spy rollercoaster that will please a lot of Nolan fan-boys but which left me with very mixed views. John David Washington (Denzel’s lad) plays “The Protagonist” — a crack-CIA field operative who is an unstoppable one-man army in the style of Hobbs or Shaw. Recruited into an even more shadowy organisation, he’s on the trail of an international arms dealer, Andrei Sator (Kenneth Branagh in full villain mode). Sator is bullying his estranged wife Kat (Elizabeth Debicki) over custody of their son (and the film unusually has a BBFC warning about “Domestic Abuse”). Our hero jets the world to try to prevent a very particular kind of Armageddon while also keeping the vulnerable and attractive Kat alive. This is cinema at its biggest and boldest. Nolan has taken a cinema ‘splurge’ gun, filled it with money, set it on rapid fire, removed the safety and let rip at the screen. Given that Nolan is famous for doing all of his ‘effects’ for real and ‘in camera’, some of what you see performed is almost unbelievable. You thought crashing a train through rush-hour traffic in “Inception” was crazy? You ain’t seen nothing yet with the airport scene! And for lovers of Chinooks (I must admit I am one and rush out of the house to see one if I hear it coming!) there is positively Chinook-p*rn on offer in the film’s ridiculously huge finale. The ‘inversion’ aspects of the story also lends itself to some fight scenes — one in particular in an airport ‘freeport’ — which are both bizarre to watch and, I imagine, technically extremely challenging to pull off. In this regard John David Washington is an acrobatic and talented stunt performer in his own right, and must have trained for months for this role. Nolan’s crew also certainly racked up their air miles pre-lockdown, since the locations range far and wide across the world. The locations encompassed Denmark, Estonia, India, Italy, Norway, the United Kingdom, and United States. Hoyte Van Hoytema’s cinematography is lush in introducing these, especially the beautiful Italian coast scenes. Although I did miss the David Arnold strings that would typically introduce these in a Bond movie: it felt like that was missing. The ‘timey-wimey’ aspects of the plot are also intriguing and very cleverly done. There are numerous points at which you think “Oh, that’s a sloppy continuity error” or “Shame the production design team missed that cracked wing mirror”. Then later in the movie, you get at least a dozen “Aha!” moments. Some of them (no spoilers) are jaw-droppingly spectacular. Perhaps the best twist is hidden in the final line of the movie. I only processed it on the way home. And so to the first of my significant gripes with ~Ördög a részletekben. The sound mix in the movie is all over the place. I’d go stronger than that… it’s truly awful (expletive deleted)! Nolan often implements Shakespeare’s trick of having characters in the play provide exposition of the plot to aid comprehension. But unfortunately, all of this exposition dialogue was largely incomprehensible. This was due to: the ear-splitting volume of the sound: 2020 movie audiences are going to be suffering from ‘~Ördög a részletekbenis’! (LOL); the dialogue is poorly mixed with the thumping music by Ludwig Göransson (Wot? No Hans Zimmer?); a large proportion of the dialogue was through masks of varying description (#covid-appropriate). Aaron Taylor-Johnson was particularly unintelligible to my ears. Overall, watching this with subtitles at a special showing might be advisable! OK, so I only have a PhD in Physics… but at times I was completely lost as to the intricacies of the plot. It made “Inception” look like “The Tiger Who Came to Tea”. There was an obvious ‘McGuffin’ in “Inception” — — (“These ‘dream levels’… how exactly are they architected??”…. “Don’t worry… they’ll never notice”. And we didn’t!) In “~Ördög a részletekben” there are McGuffins nested in McGuffins. So much of this is casually waved away as “future stuff… you’re not qualified” that it feels vaguely condescending to the audience. At one point Sator says to Kat “You don’t know what’s going on, do you?” and she shakes her head blankly. We’re right with you there luv! There are also gaps in the storyline that jar. The word “~Ördög a részletekben”? What does it mean. Is it just a password? I’m none the wiser. The manic pace of ~Ördög a részletekben and the constant din means that the movie gallops along like a series of disconnected (albeit brilliant) action set pieces. For me, it has none of the emotional heart of the Cobb’s marriage problems from “Inception” or the father/daughter separation of “Interstellar”. In fact, you barely care for anyone in the movie, perhaps with the exception of Kat. It’s a talented cast. As mentioned above, John David Washington is muscular and athletic in the role. It’s a big load for the actor to carry in such a tent-pole movie, given his only significant starring role before was in the excellent BlacKkKlansman. But he carries it off well. A worthy successor to Gerard Butler and Jason Statham for action roles in the next 10 years. This is also a great performance by Robert Pattinson, in his most high-profile film in a long time, playing the vaguely alcoholic and Carré-esque support guy. Pattinson’s Potter co-star Clemence Poésy also pops up — rather more un-glam that usual — as the scientist plot-expositor early in the movie. Nolan’s regular Michael Caine also pops up. although the 87-year old legend is starting to show his age: His speech was obviously affected at the time of filming (though nice try Mr Nolan in trying to disguise that with a mouth full of food!). But in my book, any amount of Caine in a movie is a plus. He also gets to deliver the best killer line in the film about snobbery! However, it’s Kenneth Branagh and Elizabeth Debicki that really stand out. They were both fabulous, especially when they were bouncing off each other in their marital battle royale. So, given this was my most anticipated movie of the year, it’s a bit of a curate’s egg for me. A mixture of being awe-struck at times and slightly disappointed at others. It’s a movie which needs a second watch, so I’m heading back today to give my ear drums another bashing! And this is one where I reserve the right to revisit my rating after that second watch… it’s not likely to go down… but it might go up. (For the full graphical review, check out One Mann’s Movies on t’interweb and Facebook. Thanks.) As this will be non-spoiler, I can’t say too much about the story. However, what I can is this: ~Ördög a részletekben’s story is quite dynamic in the sense that you won’t understand it till it wants you to. So, for the first half, your brain is fighting for hints and pieces to puzzle together the story. It isn’t until halfway through the movie that ~Ördög a részletekben invites you to the fantastic storytelling by Christopher Nolan. Acting is beyond phenomenal, and I’d be genuinely surprised if neither Robert Pattinson nor John David Washington doesn’t receive an Oscar nomination for best actor. It’s also hard not to mention how good Elizabeth Debicki and Aaron Johnson both are. All around, great acting, and the dialogue amps up the quality of the movie. The idea of this movie is damn fascinating, and while there are films that explore time-travelling, there’s never been anything quite like this. It has such a beautiful charm and for the most part, explains everything thoroughly. It feels so much more complex than any form of time-travelling we’ve seen, and no less could’ve been expected from Nolan. Oh my lord, the score for this film fits so perfectly. Every scene that’s meant to feel intense was amped by a hundred because of how good the score was. Let me just say though, none of them will be found iconic, but they fit the story and scenes so well. In the end, I walked out, feeling very satisfied. Nevertheless, I do have issues with the film that I cannot really express without spoiling bits of the story. There are definitely little inconsistencies that I found myself uncovering as the story progressed. However, I only had one issue that I found impacted my enjoyment. That issue was understanding some of the dialogue. No, not in the sense that the movie is too complicated, but more that it was hard to make out was being said at times. It felt like the movie required subtitles, but that probably was because, at a time in the film, there was far too much exposition. Nevertheless, I loved this film, I’ll be watching it at least two more times, and I think most of you in this group will enjoy it. I definitely suggest watching it in theatres if possible, just so you can get that excitement. (4/5) & (8.5/10) for those that care about number scores. At first, I want to ask Christopher Nolan one question, HOW THE HELL YOU DID THIS? Seriously I want to have an answer, How did he write such as this masterpiece! How did he get this complicated, fabulous and creative idea? What is going on in his mind? The story is written and directed perfectly, the narration style was absolutely unique. I have no idea how can anyone direct such as this story, that was a huge challenge, and as usual Nolan gave us a masterpiece that we’ll put beside (Memento), (Inception) and (Interstellar) The movie is so fast-paced in a good way, there was no boring moment. The chemistry between John David Washington and Robert Pattinson was great and funny and both of their performance was really good. Elizabeth Debicki performance was the best in the movie because she had the chance to show her acting abilities and she cached up that chance and showed us an A level acting. The music wasn’t unique and distinct as the music of Interstellar for example and I think this movie needed the touch of Hans Zimmer, I’m not saying that Ludwig Göransson failed but Hans Zimmer in another level. If there was something I’d say that I didn’t like it in the movie would it be that Nolan discarded any set up or characters backgrounds except Elizabeth Debicki dramatic story but it wasn’t that bad for me, I didn’t care about that, the exciting story didn’t give me the chance to focus on it. But the actual problem was the third act, it was really complicated and I got lost and I convinced myself to discard the questions that were in my head and enjoy the well-made action sequences and Elizabeth Debicki performance. I think this kind of movie that gets better with a second and third watch. I honestly don’t quite know where to begin with ~Ördög a részletekben. I love Christopher Nolan’s work but I have never seen a more complicated film (and I understood Memento). ~After nearly three hours, I came away from ~Ördög a részletekben not knowing myself, my mind reduced to nothing more than piles of ash. Was there time travel involved? Hmm, there was definitely something about time inversion. I mean, does Nolan even understand what he wrote? Look, I give credit to the director because he’s one of the few directors left who knows how to create a compelling and intelligent blockbuster. ~Ördög a részletekben is full of Nolan trademarks — the gratuitous Michael Caine cameo, a loud, really loud score, complete with stunning cinematography and slickly inventive action set-pieces. This time around however, Nolan has finally managed to ‘out-Nolan’ himself: the palindromic plot, whilst creatively ambitious, is simply far too complicated for its own good. ~Ördög a részletekben is overlong, overstuffed, pretentious and too exhausting to comprehend in its entirety — it makes Inception and Interstellar look like Peppa Pig by comparison. I’m aware of the technical wizardry and creative mastery in this film and lord knows I’ll have to watch this again. For those who want a puzzle, ~Ördög a részletekben at least provides a unique cinematic experience. But to actually enjoy solving it Nolan wants you to work very very hard
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du-hjarta-skulblaka · 3 years
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So about Sunny: Age,Interests,family,profession, weapon of choice, love interest. clothes? Give me everything!
Hi i love you so much for this
Age: I dont have it exactly pinned down, but somewhere around the 80-90 mark. They're a half elf so I imagine them having maybe three, four times the lifespan of a human. For comparison they look to be mid 30s.
Interests: Being drunk as much as possible actually, they've gotten a lot better about that. They still drink more than they should but are a bit less reckless about it. But, yeah, still have a thing for whiskey and cigars lol. They're kind of into mechanics, not in a big way but enough to tinker with their bike and make some modifications to their gun. OH, heres a secret one; yknow those trashy romance novels? Im talking Chuck Tingle shit. They collect them. They're not like, into themyou understand, they just find poorly written erotica to be absolutly hysterical. If they're reading a book its probably a bad romance novel that they'reaughing at.
Family: They only have a couple of living blood family; their dad, Garlin, who is the classic absent father trope and they don't actually know, and (in wow at least) a recently rediscovered great grandmother, Rhyneia. Rhyn is a night elf demon hunter who's been alive since the war of the ancients. Old, thousands of years old badass hunter who has grown extremely jaded and cynical, and is basically just sort of drifting through life desperate for excitement. Welp. Sunny sure is interesting, at least
Found family is a big thing for them though! They have several people who consider them family (including another entire extended elf family and a fae) and it surprises them every time. There's this ancient orc warrior who's almost as old as them and kind of thinks of them as a sibling, they have a weirdly tight friendship that no one else understands bc Sunny just turns into a grumly old person around him, there's another p young orc who theyve known most of his life and basicly adopted as a little brother. AND once the Shadowlands scourge invasion kicks off, they're going to adopt a half orc/troll orphan named Rishi! Tbh the end goal for them is a few decades down the line they end up running a kind of foster home for lost kids and end up with a gang of children
Proffession: I mean, the answer they give varies. Generally they'll keep ot vague and just call themself a trader or businessperson. The truth is more like smugler/mercenary. The sort of person who can get a hold of items they really shouldn't by questionable means. They've worked as an assassin in the past too, but they're trying to move away from that.
Weapon of choice: guns and knives. They always have half a dozen or so knives on them as well as a couple of pistols, in in game their main weapon mog is like. Axe blades mounted on gun stocks? So I picture them being like a short range shotgun blast. They also have a sniper rifle that they treat like their firstborn child.
They used to be able to do all kinds of knife tricks, juggling etc but they haven't tried in a few years due to the condition of their hands worsening.
Love interest: They actually have a couple lol. They're poly and historically are not great at relationships because of anxiety, trust and commitment issues, etc. They currently have two partners though, a dranei void preist named Szae who they? Kind of see on and off, its fairly casual but they also just get each other on a really deep level so there's a lot of trust there. AND, a half elf death knight named Relm, who they only really started dating recently and are still kinda. Nervous about.
They do this thing where they'll hit on everything feminine that gives them a positive response and act like a really smooth operator but the second they actually develop feelings for someone it freaks them the fuck out and they turn into the most nervous sappy romantic imaginable and thats kinda where they are with Relm rn. Its adorable.
Clothes: they have fairly practical casual clothes for the most part, baggy shirts and trousers full of pockets. But they also have this big sleeveless duster that they think looks badass, and a fucking cowboy hat. There is no deep emotional significance to the hat. They just think it looks cool.
If theyre bein fancy they'll go with big flowy buttons shirts with like a waistcoat on top. That sorta, dashing rogue style look.
Ty so much ;-; I have. So much in my head about them. They have a ton of trauma and depression and bad coping mechanisms but theyre TRYING damnit and theyre getting better and their partners are helping them. Makes me happy, man
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