Love love LOVE the focus on Joel’s boots during his rampage in the hospital. Because it’s not in a fit of rage, or desperation. Joel’s face is blank. He’s not thinking about consequences of his actions. He’s thinking “you took away my daughter and now I’m getting her back.” It’s a skill he picked up from Tess. He knows what’s coming. There’s no need to get emotional about it. It’s the simplest thing in the world to him: “You don’t get to take her away from me. Not again.” Hell, he doesn’t even look at the doctor when he shoots him! He’s looking right at Ellie, his entire focus and purpose laying in front of him! Mans is straight up on autopilot!
Joel is a unstoppable force in his grief. And Ellie is the immovable object that keeps him from walking straight over the ledge.
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it was always kind of a weird, fun fact that Kim was like the only miraculous holder that was never chosen by Ladybug (Fu chose him, not her). and... now.... well........... yeah............
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My name is [BRUTUS] and my name means [HEAVY]
so with a [HEAVY] heart I'll guide this dagger
Into the heart of my enemy
Something about having absolutely no choice in who you marry. About being literally forced by the law to spill blood - to accept this stranger as your husband over a man you truly care for or accept the fact that the man you love might die because you put him in danger. Something about risking becoming the wife of a man you've never even seen before a few minutes prior because you know anything would be better than putting your beloved in harm's way. Something about the trust inherent in that decision and in the way she speaks of it after.
Truthfully, T'Pring doesn't know the captain and she doesn't know Spock. Either one of them could have taken her as their wife but she does know Stonn. She knows that Stonn will remain by her side no matter what. They made a plan together. They have an agreement which T'Pring believes will be upheld even though the plan changed with the arrival of Kirk. Stonn will always be there, always, and Stonn will be hers.
Something about the language used around T'Pring: Ownership, subservience, non-personhood. T'Pring is an object that Spock can win. She cannot reject him, she has no say in the matter other than having Stonn 'claim' her instead. Even when Spock leaves after being very clearly rejected by T'Pring he says "Stonn, she is yours." as if despite her clear rejection he still owns her and is must formally 'give' her to Stonn. But the language T'Pring uses around Stonn is a break from that: "There was Stonn who wanted very much to be my consort, and I wanted him."
Stonn who wanted very much to be HER consort and she WANTED him. The language here is very particular - It's not, for example: "Stonn wanted me to be his wife" - he is HERS. And she WANTS him. There's a mutual affection there and a strong trust - a trust which seems to be well founded since Stonn (though silent) stands by her side at the end of the episode. <- That might seem small but if Spock would reject her for 'daring to challenge' (again, the language is not 'because I don't want you' but more of an implied disgust at her having the AUDACITY to reject him) then it's not a stretch to assume that it'd be considered an insult in the TOS Vulcan society to NOT choose Stonn as her champion after a prior agreement.
Anyway T'Pring was a woman in an impossible situation within a society which saw her as more of an object than a person and she wanted Stonn and Stonn wanted to be hers and she trusted that he would understand if she had to publicly pick someone else to ensure his life would be spared and he did understand.
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dany was so broken in agot, physically and mentally. she was ready to kill herself to escape drogo. her childhood had been a long unfortunate series of running away from the alleged monsters that killed her family and left her exiled and desperately trying to appease her abusive brother/guardian.
but then, after she's resolved herself to suicide, she has a dream. and then, she starts to notice the beauty in the new world around her. how the dothraki grass sea swallowed her up, the new sights and sounds and smells all around. she found solace in the people, she ate with them, learned their language in a matter of months, enjoyed their food. felt freer in dothraki riding clothes than in the fine silks ilyrio had dressed her up in.
I'm still deeply touched everytime I read about dany giggling, joking around, moving forward, hugging her friends, leading, and fighting after enduring so much. it's not about her being right in everything she does or everything ending well for her. she went through hell, was already going through it before the series even started, and she kept going. she grows and fights and fucks and laughs and cries and rages. she falls and she gets right back up again.
dany is ready to end her own life. the next day, she notices how pretty the sky is. she learns a few more dothraki words everyday and starts to connect more with those around her. she tries some new foods and starts to feel more comfortable on her horse.
the dragon dream certainly did Something to dany - a scarlet and black dragon (drogon, balerion come again) baptizing her in flame. scouring her, tempering her, making her clean. after this, dany makes the quiet choice to live. there is no grand revelation, no "i want to live!" monologue. she simply starts to notice the beauty in the world she's traveling through, the loyalty and easy comradery in her companions, the tasty food and comfortable clothes. dothraki smells, horse smells. riding leather, painted vests, the gently singing bells braided through hair. dany chooses life everytime she giggles, everytime she tries a new food or convinces her friends to try one, everytime she stops to stare at a pretty sight.
she was ready to choose death and she chose life. when her entire world had narrowed to the scope of her pain, to the strength of her abusers, to the golden collar drogo had put around her neck - she still chose life. and just like that, her world expanded and she could see all that was worth living for.
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