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#just wanting to fight herself
peachyutdr · 5 months
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i finished it, was kicked out of the game, and then spent the next 10 minutes drawing this. i will now go take a shower, most likely cry, and then go through the emotional turmoil of convincing myself to reset so i can do a geno run. i hate it here :D
#undertale yellow#uty#my art#<- ifg#spoilers under these tags beware. although it is mostly just me being very very sad#that entire thing was heart wrenching. anyways#CEROBAS FIGHT??? HELLO???#i had to exit out of it the first time (i got to the last phase) to get better items but i came back and won pretty quickly#but THE CUTSCENES?!?!?#JFC NO WONDER THIS WOMANS SO MESSED UP. HER HUSBAND PRACTICALLY DIED IN HER ARMS AND THE LAST THING HE LEFT HER WITH- HIS DYING WISH- COULD#ONLY BE FULFILLED BY PUTTING THEIR ONLY CHILD IN DEATHS WAY. AND THEN WHEN SHE TOOK THAT RISK THE WORST THING HAPPENED AND SHE NOW HAS TO#LIVE WITH THE GUILT OF BEING THE ONE TO. MOST LIKELY. KILL HER ONE AND ONLY DAUGHTER#ALL THE WHILE SHE WAS PUSHING AWAY HER CHILDHOOD BEST FRIEND AND CONVINCING HERSELF THAT SHE WAS IN THE RIGHT TO SACRIFICE CLOVER WHO HAD#BEEN ONLY KIND MERCIFUL AND JUST THIS WHOLE TIME. EVEN TO THOSE WHO WERE TRYING TO KILL THEM. FUCK.#AAND WHEN CLOVER HUGGED HER I DOUBLED OVER IRL BC *THATS EXACTLY WHAT I WANTED TO DO IN THAT MOMENT* I HATE IT (read: love it) HERE#n dont even get me STARTED on after that. when clover started moving on their own and the gd white screen came up and we got flashbacks of#everyone's words. thats when the tears rlly started coming bc it clicked for me. 'oh. this is it. isn't it?' and IT WAS#WHEN THEY GAVE THEIR FUCKIGN HAT AND GUN AWAY TO MARTLET AND STARLO WELL THATS WHEN I REALLY STARTED CRYING#AAND THE GROUP HUGG#I WAS SOBBING WHENEVER I HAD TO WATCH THEM CRAWL UP AGAINST THE WALL AND DIE AND HAVE FLOWEYS WORDS PLAY OVERHEAD#AND THE FUCKOGN#THE F U C K I N G#AFTEWRCREDITS SCENE WHERE WE GOT THE 'You heard someone calling for help. You answered.' I GOT CHILLS SO BAD#to think that all the other souls have stories just as expansive and emotional as clover n frisks. how fucked up is that. in a good way tho#and finally the last scene where we got all 4 of our main friends sending us off in waterfall and we see clovers items end up in the dump#just waiting to be found by bratty and catty. fucken hell man this was a masterpiece#anyways time to reset and obliterate everyone and never emotionally recover from that ever!! really is feeling like 2016-17 again w the way#this game has me sobbing my eyes out and feeling the guilt of knowing that i dont HAVE to kill them all but im too curious not to#oh well. at least i have the balls to do it this time around instead of letting a youtuber do it for me ig
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poorly-drawn-mdzs · 9 months
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Peeped the horrors
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otaku553 · 2 months
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More reluctant king sabo au! I realized recently that this au is an excellent excuse for drawing sabo in pretty outfits that he would be absolutely miserable in :)
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kadextra · 4 months
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me when the little baby empanada who already protected her slightly younger siblings on purgatory island gets to quesadilla island full of new dangers & gets very close to her older sister pomme, who is a living breathing example of the developing mindset that “you must be a soldier always prepared for danger in order to protect the happiness of you and your family” is necessary. they relate over anxiety, pomme gives her a protection helmet for her birthday and shares tips of survival. they are children.
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softinvasions · 4 months
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Hornet at Herrah's Altar • Dec. 2023
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kaseyskat · 5 months
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since ive already been pretty open about this and im not afraid to whack a hornets nest i'll go ahead and say it: if you were raising a kid in a pseudo-apocalyptic setting and then you found out that said kid was going to be the one to defeat the eldritch god that you have tried to defeat for half your lifetime and could never manage. that she was going to FACE that eldritch god it was prophesied. you would teach her how to defend herself and how to fight. like god i am not saying hero's trauma from it wasn't justified because i do think the twins took it too far but the initial process of training her makes so much more sense if you approach it at the angle of "this kid is going to do something we've been trying to do since we were twelve and couldn't manage and we might not even be there to help her so we have to make sure she doesn't die in the process" and not "we're going to make her fix our mistakes" it makes sense. goes along with lark's running theme of not being strong enough in the moments that matter and wanting to make sure nobody else ever feels as helpless as he did when walter was injured. goes along with sparrow desperately tempting fate with normal's name- not because normal was an accident, but because sparrow never wanted to lose even one kid to the doodler and it was a fervent, desperate wish to let normal get to be normal
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ineed-to-sleep · 8 months
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I'm watching Berserk and I may or may not have hyped myself up to turn my vampire ocs into dark fantasy characters. mmaybe
#sketch tag#so uh. pepper is kind of a guts basically jdjgkckkc#they're both in an army and they butt heads a lot bc pepper is big and stronk but very impulsive and reckless#but there's no griffith situation or anything like that it's just that vince worries abt her#and he's way more restrained as a fighter and a strategist. maybe a commander or second in command#and just like in vtm he's very paranoid and afraid of change. so he worries abt her and is also unhappy in the army but too scared to leave#so he broods a lot and mopes around and gets on her ass abt her recklessness#and just like in vtm pepper is impulsive and has a lot of pent up frustration and she uses the battlefield to release all of it#sometimes overexerting herself and nearly getting herself killed#she also wants to leave bc she's not sure she believes in what they're fighting for anymore. but then she loses her coping mechanism#things change when they have an argument where he reveals he cares abt her sjfjjfkf YES very cliche I am thriving#and she's dismissive at first but after being alone for a bit his words start sinking in#and when they're on a battlefield again there's a moment where they have to retreat and she's about to absolutely not listen to that#but then she has a change of heart bc she remembers what he said + she cares abt him too so she doesn't want him to be hurt by her actions#neither by him getting worried nor trying to come to her aid and putting his life at risk#so she retreats#and he's very happy abt that he thanks her later for what she did#and then she's like yeah sure I guess I didn't die but also guess what. I'm bored#everything she wanted to release back there she just didn't. so she's still frustrated and especially bc she had to admit defeat#and she's an extremely proud person. she's irritated#and he's like aight. I'm gonna fight you then#and she's like what. and he's like yeah#so he picks up a sword and throws another one to her and there's a *sexual tension play-fight* hell yeah babey#I'm having sm fun w this au can you tell jejfjckckkc#eventually they do desert the army they're in bc things get worse and pepper decides she no longer wants to be a part of it#and in a fight or flight moment she pushes vincent to make a decision and he leaves with her#and like the story is only getting started there bc then there'll be some big misteries in the story they're gonna uncover#which. I haven't figured out what they are yet#but either way akhhdskfha I'm having a lot of fun w this#sleep.txt
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demeterdefence · 1 month
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Can we talk about how last chapter Persephone had that moment with her past self saying she'd protect her, protect herself... and then this new chapter didn't have her do anything at all except stand there. She has ONE line protesting apollo's plan and then shuts down. Everyone else is arguing for her. And like, I don't have a problem with people protecting her but. As a story it's hard to take it seriously when she has this big moment saying she'll protect herself and then nothing comes of it. She also only has SIX lines this whole chapter, and 4 of those are after leaving the press conference with Hera.
god yeah i was already so disgruntled over the "i will always protect you" thing because we KNEW it was just more classic "therapy speak" tacked on for some kind of semblance of girl power, but the next part really does just seal it in doesn't it
like i'm sorry, but persephone telling her younger self she'll "always protect you" is a lie front to back because persephone has not and likely will not do anything to address what happened to her, she has done nothing to bring her rapist to justice, she won't even let other people deal with him so the whole scene is just this random facade of girl power that is anything but. and then we dive into the actual mess of it and like
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absolutely unrelated but i love how rachel cannot draw feet facing forward she has to draw them from the side so we have this anatomy twister anyways
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the warning ahead of the chapter said "manipulation that causes psychological distress" so couple that with the "i will always protect you" from last chapter, you have either persephone realizing how wholly out of her depth she is at doing that, or you have rachel thinking this is? somehow protective?
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like okay it's cool you're angry i guess so are you going to do anything about it? are you going to tell all the people watching live that apollo is a rapist? are you going to point to any of the many gods milling around who know what happened (hermes, for example) and say "hey, these guys can vouch for me that apollo is a predator, he has hurt me before and i have good reason to suspect he's trying to do so again."
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classic copy paste of panels to meet the panel count but also two former love interests of persephone get to be the one to point out the logical fallacy! interesting!
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i forgot about that stupid drill lol but yeah that sure looks like protecting nineteen year old persephone i guess
and i'm not trying to be coy or nitpicky because again, we are talking about facing a rapist who has caused unimaginable damage and it's very easy for people who haven't gone through that to say "just say something persephone!!!" so my frustration isn't necessarily with persephone herself, it's rachel insisting in the narrative that persephone is healed and getting better and stronger and then failing all across the board to show it. it's rachel having hera come in at the last second to save persephone, while the male admirers in persephone's life fight the male abuser. and it's downright insulting that all the times persephone has had a quote unquote "girlboss moment" it's when she's bullying lesser beings or those who simply cannot defend themselves against her. when she's up against a force that frightens her or is stronger than her, she lets other people do the work. it's just so absolutely disrespectful to abuse victims, to the concept of abuse, and to the idea that persephone is protecting anyone, least of all herself.
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bonefall · 8 months
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I see you've changed Shadowstar from being first to die. Sneaky, sneaky. You sly.. cat, you, Bones. Was that on purpose, out of spite for Shadowstar's Life?
B'aww, you got me <3 Yeah I hate that book.
Shadowstar: *breathes in public*
Erins:
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carefulfears · 8 months
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top 5 (or 10 if you have em) scully taking care of mulder moments <3
she said IF i have 10 😭😭😭
1/ sein und zeit
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i fear i have talked about this television scene more times than anyone has ever talked about a television scene....like. one, two, three, four, i was even foolishly invited onto a podcast to talk about it more...
my tags here:
she gets down on the Ground. there's something so primal about it. there's such a lack of pretense and sense of desperation about it. the way he hits the table. we so Rarely see him lash out like that. but it's just too much to Bear. like everything in him is just Breaking the only thing that he's even remotely been able to hold onto amidst all of the unbearable loss and trauma in his life has failed. he's fumbling around for anything that might make it better. that audries fic describing him in this moment as an 'addict out of a fix' with 'newborn anger.' “this is the world? this is it?” it's the way that he spends this whole ep cooking up some elaborate mythology about missing children and how they can be found and then the last shot of the episode is that wide shot of all of the children's graves. sometimes he's just wrong. the world is so much fucking darker and uglier sometimes than the way he sees it. and that's what is crashing down around him in this moment. and she's sitting in the wreckage holding him tight.
this is such brave, brave love. i keep thinking about CSM in the following episode, standing in scully's apartment, warning her. "allow him his ignorance, it's what gives him hope."
she doesn't know what will happen to him, to her, to them, when she breaks down the only method of coping that he has. his mother lost her bedrock too, and she didn't survive. from the moment scully enters, you can watch it break her. she does it anyway. she gets down on the ground, and she cries, and she holds him. god, it all just would've been so different, if there'd been just 1 person, 27 years ago.
(thinking about mulder reaching up to hold scully when missy died, and these tags asking: did anyone hold him, when it was his sister?)
i love the show's message on grief (and trauma), in that this is all that is necessary for "closure." there is no "Truth," (and there really isn't any closure, there's no "beyond" the sea). but it matters that someone knows. it matters that someone bears witness. it matters that someone tells you the truth, even when it fucking breaks their heart. sits in the destruction with you.
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the exhaustion in her voice the next morning, when she tells skinner, "it's been a hard night for him." she's still wearing her work clothes from the day before. she was up all night. she's tired, and she's scared, and she's sad. it's been a hard 7 years. it's been a hard 27 years.
it makes me tear up every time i see it, the way she blocks him in the doorway. she's not moving. this is just so scully. it's not even starbuck, it's just so scully. she would keep him in that apartment where she could cover him and control what touches him forever, if she could. (she can't, so you're not taking him anywhere without her. the way she looks her boss in the eye and tells him he better book her a flight too. brave love.)
2/ demons
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god, this one just makes me sad. this might be the one that makes me saddest. she's dying. she doesn't have it in her, anymore. i talked about this in my newsletter (and i wrote a fic about it once) but this is like...the only time where she never calls him out on what he's doing. she never yells. she never rolls her eyes. she never gets frustrated with him. she doesn't have it in her. she's dying. he will be alone. she won't be here the next time. what can she even do about it?
i always think about this post:
and you know she is thinking about how if she hadn’t been there he would’ve died. and how the next time he does something like this, she won’t have enough life left in her to keep them both alive. she might not even have enough left for herself. and she’ll give whatever she does have left to him, but it won’t be enough to save either of them. she’ll die cold and pale and he’ll burn himself out. and what can she do but hold him? who will he have when she’s gone? what will he do to himself? who will he call?
and these tags:
this is so cautious and tender and apologetic. sorry for all the pain he feels constantly. and sorry that nothing can ease it. and sorry that she is dying and leaving him like this.
she started writing to him as soon as she was diagnosed, begging. begging forgiveness, begging courage, begging grace. begging for him to not feel there was anything more he could've done, to not become the next cause he is lost in. for him to keep going, as she needs to know he's "out there."
but she's seen him hold a gun to himself too many times, and she knows he's coming down with her. and it's such a loss? this is a person she gave up everything, including her life, to follow, because she believed in him and what he wanted to do in the world that much. but things are different now. he won't survive this. he won't be "out there" saving the world.
what can she do? go to rhode island at 5am, wrap him up. stay quiet, stay still, but scream and thrash at anyone who's careless with him. sink down next to him, cover him, hold him. "maybe we need every answer in the world to survive a single question: how long do we have each other?" (x)
(also, her memento mori journal, in general. she sat in that hospital alone, for days, knowing she was going to die. and she wrote letter, after letter, after letter, to him. so that he would have something. so that he wouldn’t be left alone with nothing, again.)
3/ the end
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"as mulder appears. the look on his face is of a man who's seeing, smelling, and tasting the loss of everything he has worked for. it's the look of utter defeat. angle on scully at the door. she sees only mulder right now...she moves to him now. putting her arms around him, holding on to keep him from breaking. off this, we fade out. the end." (script)
i think so often about the script notes of this scene. the description of mulder, as absorbed in destruction. everything that he's worked for, literally reduced to (cigarette) ash. scully only focused on him.
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in the final angle of the season, you can really see how she's standing in front of him. her fingers clutching him. but when she first grabs him, it's so tentative. it almost feels like she's trying to see if he's still there, if he exists, if his work doesn't.
this is...the whole thing! there's a reason why this was "the end." the final image of this iteration of the series, before everything changes. this is what it is all about. it's mulder walking headfirst into the devastation of the world. drenched in loss. seeing it. smelling it. tasting it. surrounded by it. and it's scully knowing what he'll find even as he's still moving (this script note, from the hallway: "reverse on scully. returning the look. knowing what mulder is going to find. and what it will mean.")
following behind. eyes on him, while he takes in the ash. just holding on for dear life; trying to keep him close, whole.
(also, i love the moment before the fire, at his apartment, after diana was shot. the way scully tells skinner that he can reach her at mulder's if he needs her, because that's where she'll be. he doesn't even have a bed, or anywhere for her to stay!! she's not leaving him.)
4/ paper hearts
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oh, starbuck. we are really in it now.
paper hearts is an ahab and starbuck episode, yes. but mostly it's about grief. mostly it's about harsh awakenings. mostly it's about confrontation with fear, scully's included.
one of the most haunting moments of the series, to me, is when they speak to the father of the 14th victim, twenty-one years after his daughter went missing. and through tears, the father says, "i used to think...that missing was worse than dead, because...you never knew what happened. now that i know, i'm glad my wife's not here. she got luckier."
in that moment, as mulder looks over at the photos on the mantle, missing is not worse than dead. it is not worse than knowing. and later that day, in his first scene, roche calls it exactly as it is: "i understand you take this very personally, mulder."
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i've written about this scene in the hallway so many times, because it's truly the crux of this episode (my favorite episode).
from my newsletter:
There’s something so viscerally deep about this episode that’s hard to put into words, but to me, it is most palpable in the moment in the hallway when Mulder asks Scully if she believes that his sister was abducted by aliens. And you can see in his face that he knows the answer, and he’s challenging her to come out and say it. You can see in Scully’s that she would rather admit to anything else.
he's challenging her. he's taking their entire dynamic, and throwing it in her face. not to be cruel. not to disrupt. but just to say...so what now? isn't this what you believe?
i don't think that they've ever been so fragile, as in this hallway, honestly. they rarely threaten to break it all down. their entire lives are built on him walking up to tragedy and saying: it was aliens. it was XYZ. and her following behind saying: no. it was a killer, it was a man.
what does that mean? what is she really saying?
this episode is hard on scully. mulder has never been more haunted. there has never been a bigger reminder of what they are actually doing. they are not just chasing little green men, having adventures, studying sewer worms. they are trying to make sense of something that will never make sense. they are trying to find a "truth" that they do not want to know. they are living their lives in mourning, in bereavement, in remembrance, of a missing little girl, and scully is terrified that they'll find her. that it will be exactly like roche threatens. that missing is not worse than dead.
and there is no one else. there is no one else that even knows how haunted he is. how stuck he is, in that childhood bedroom, like he said all those years ago. how deeply sad it is.
it's all of the little things. it's the "you did good work, mulder" in the beginning. it's the way she asks if he's okay to go tell the 14th victim's family. it's way she exclaims "oh my god" when roche says that he just wants to see mulder's face, when he finds samantha's body. one of the few times that we ever see scully lose control, but she just stands up and screams, opens the door and wordlessly waits for mulder to get up and get out of there.
it's the way that she hears "help me, scully" and digs in the dirt, with her bare hands.
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(you can tell in his eyes here that he's been crying, and it really gets to me. there's so much that we don't see.)
in the end, they're back in the basement. nothing left but one scrap of tattered fabric, one more lost failure. it's over. she just comes down to check on him.
the progression of scully's face in this last scene is just unbelievably gut-wrenching to me. her smile, when she tells him to get some sleep, and he laughs. the way it disappears when he holds her, and can't see her anymore. with his mother, flashing that smile and hugging her was all that it took to convince her not to worry. when he repeats the same actions with scully, she looks like she could break.
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this post:
Episodes like this make me think how alone - not just lonely, but truly alone - Mulder was before her. Nobody lost sleep over him falling apart under the fist of decades old trauma. Nobody grappled with him, let him wrestle his grief against them, and still stayed. Nobody visited him in the hospital, flew to Alaska, lied for him, stayed by his bed for days straight without an extra change of clothes. Nobody else knew he was suffering or wanted to, knew it more than he knew. That end of Paper hearts where she tells him to get some sleep, he laughs at the ridiculousness of it, but also out of incredulity at having someone to wish for better on his behalf. The heartbroken look on her face as he’s laughing into her waist seems to be her coming to the same realisation; “Who looked after you before? How long did you feel like this on your own?”
she is heartbroken. there is so much grief, in being starbuck. there's grief in being needed. there's grief in following ghosts. there's grief in loving someone who is so encased in pain, in loss. he will not go home and get some sleep. a well-placed joke, that smile, a hug, does not convince her that he's okay. he hurts so much, for so long, and he has one person who knows it. and all they do is keep moving: closer and closer to that breaking point that she is so afraid of, and they can't stop.
5/ redux ii
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remember when dana scully lied on her death bed and looked up at mulder as he told her that he was not willing to jeopardize skinner to save himself, and she replied, "well, then, you have to lay it on me."
the way he smiles and shakes his head, chokes out "i can't...i can't do that." through tears...they are so kind to each other. all that she has left in the world is her reputation, and she says: take it. take it all. take everything.
she cries when he won't do it.
6/ herrenvolk
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okay, i wanna get into some slightly lighter ones, so y'all remember when she nearly fully knocked skinner into the wall, because mulder came in with a (checks notes) scratch on his face?
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this is just so scully.
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she is so panicked. she just wants to slow him down, to stand between him and the world for even one moment longer.
these tags:
she's almost begging him not to go in. the extent of her worry is heartbreaking. she loves him. it frightens her to know what awaits him.
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one of the biggest conflicts of scully's character is that she just cannot stop him, she cannot shield him, she cannot protect him. the way she leans up here, and pulls him to her shoulder. covers him with a blanket. this is what she can do.
there is so much grief in being starbuck!! in loving someone who walks blindly into a world that you do not trust. in following someone into the worst night of their life: over, over, over. years, years, years. in being first mate, holding the responsibility on your shoulders of having to steer in a safe direction, only having one to choose from.
(i also think it's really special, all of the little moments where she checks in. in the previous episode, in the hospital hallway, the way she says "are you okay?" so softly.
in paper clip, when she makes him stop, and says "no, wait, hold on a second...i don't think you've had time to process everything that you've been through."
remnants of the girl who told him she'll cover for him and he should just go get a beer, take some time for himself, after jersey. who suggested he talk to someone, when jerry lamana died. she's always wanted so much for him, but she understands more now. there's still room to pause, for a moment, before he carries on.)
7/ anasazi
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ladies, would you shoot your man with a gun, to keep him from endangering himself, while he was being laced with LSD, and then drag him across the country singlehandedly, while he was unconscious, despite him being twice your size? and this, too, is taking care.
the way she says, "i was certain they would have killed you, mulder." and the fear in her voice, his hand on her knee. (she is so young. she really doesn't know what to do, not as often as she seems like she does). the way he says, "thank you. thank you for taking care of me." they are so kind to each other. it'll break your fucking heart.
(i remember asking y'all a few weeks ago, if mulder and scully ever say "i'm sorry," if they ever apologize to each other. and we came up with a couple of times. i'll tell you what, though: not as often as they say "thank you.")
8/ fire
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girlbosses when they singlehandedly solve serial murders, to get their best friend's shitty ex away from them!!! okay, i put this one on here because we were talking about it yesterday, but scully really does handle the entire situation with phoebe so perfectly, and that's hard to do, when you're dealing with friends and abusers.
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trish, i loved this part of your post yesterday:
scully gives him the space to talk about it, never says too much but she says enough. her phrasing is SO important. she repeats what he just told her in a way that frames it as wrong.
she's a little rabid, lol. we can see it on her face when she's alone, or when mulder's not looking. but around him (around phoebe too) she's calm. she listens, she addresses what he tells her as bad, without pressing. when he tells her that she's off the case, that he doesn't want to expose her to what phoebe is doing, she asks one time: are you sure you don't want help?
he says yes, and she does it anyway. she catches that fucking murderer so that this woman can go home. just, like, an inspiration to us all.
trish's tweet:
really, truly, genuinely. scully solving the case in fire was the absolute best course of action she could have taken. get that woman out of here, an ocean away from mulder. (give him freedom, let him heal, teach him what real love feels like)
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(her eyes locked in on him here, phoebe behind her. the way that when phoebe leaves the room, scully says, "you alright?" instantly.)
meeting phoebe just a few months into their partnership made her so fucking crazy like...i make fun of her for being sick in the head in regards to everyone he meets (men and women alike) and never wanting anyone around him other than her but like, my god, can you blame her!!! he's such a gentle person and people are so cruel and it makes her eyes bug out of her head.
yeah, i really don't have much else to say here, you guys. she solved a murder herself, a case that she wasn't even supposed to be working, so that his old gf would go away and stop being mean to him. she doesn't play!!
(also! while we're on the subject of abusive exes, honorable mention to scully cornering diana into an empty room and telling her to "just think" about who mulder is, who he was when she met him, compared to where he is now. "and then try and stand there in front of me. look me in the eye. and tell me mulder wouldn't bust his ass trying to save you.")
9/ deadalive
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oh, you guys remember that time she raised him from the dead, right?
scully at 8 months pregnant, sitting in that hospital chair, holding his hand, for days. knowing he can’t feel it, knowing that there’s nothing that says he’ll ever wake up. that it’s impossible. that there is no science…yeah. she just sits there and holds his hand.
i love the moment when she finds out, and she comes barreling through that hallway. she hits skinner first, and starts yelling, “i want to see him. no, i need to see him,” slams her fists into his chest.
then she moves onto doggett. repeats, “i need to see him” through tears. and the way doggett says… “i know. but i wish you wouldn’t.”
she’s loved. they want to protect her, protect her image of mulder as she knew him. but they also both know she will fucking plow them down.
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i always think of this fic and feel so ill:
“I pulled you six feet out of the ground,” she whispers, dangerously low. “Because I couldn’t live without you. I gave birth to your child.”
she fed his fish while he was in a casket. she planned a funeral and decorated a nursery alone, at the same time. she ran herself ragged all over the country, trying to keep his work going. she raised him from the dead.
(i also feel that i can throw in here, as related, the time that she busted him out of prison and then abandoned everything in her entire life including her career, her family, and everything she owns, to go on the run from the law and live secretly in seedy motels for years to be with him.)
10/ fight the future
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there are too many contenders for my last spot, so i’m gonna keep it simple, and go with the most special movie moment. (of all movies).
from my newsletter:
“Mulder watches the spaceship as it flies overhead, his face glows with a heart-melting grin of childlike wonder and awe.”(x)
That’s exactly what it feels like to me, it’s an innocence and excitement that was so present in season one, that was all over him when he told Scully to come look in the second episode, but that’s rare to see in the later seasons. It’s rare to see at this point in their story, after all that’s happened. They are stranded in Antarctica, both of them injured, both of them freezing in the cold, and they are holding each other and gazing up at the sky. What a perfect thing in their big momentous feature, to bring it all back to what it started with.
there’s such a reverent sentimentality to it, in the simplicity. she had stopped breathing, a few minutes earlier. but when he passes out, she pulls herself up, and grabs onto him. keeps him alive, keeps them both alive, just by holding him close. that’s really the heart of it.
(also, i find it so moving that this film is the only time in the franchise that scully considers leaving, not working with him anymore, and it’s because she thinks she’s not good for him. that she’s holding him back. she never considers him as anything other than wanted, something worth believing in.)
some honorable mentions to: little green men, which i’ve written about here. (especially her secret-signaling him to their secret meet-up place, just to ask if he’s okay). the erlenmeyer flask, which i’ve talked about here. (she literally stops him in the street to tell him that she should have listened to him, and she’s sorry, because she should have trusted his instincts. that means so much, you guys). her telling colton she hopes he falls on his ass after he was making rude comments about mulder in squeeze, screaming at a serial killer that she’ll gas him into hell herself and no one will stop her, if mulder isn’t okay, in beyond the sea….she has threatened and shouted at and smacked around so many people for fucking with him, and this too is care!! (anger meaning you’re worth being angry over, etc etc)
how desperately she became frantic to find their son, after 17 years resigned to never ever looking for him, never ever endangering him that way…because she became convinced that it’s the only thing that would help mulder.
and how important samantha is to her. it matters. it matters, that sam is remembered. that someone else in the world knows. someone knows that they played baseball in the summers, that they fought over the television, that he’s looked for her in every room he’s ever been in. someone else cares about her; not as a white whale, not as a photo on a desk, as a little girl who broke her collarbone because she played on swings too hard. scully listened to her journal, and cried. listened to how much she suffered. how much she just wanted to see her big brother. (scully kept a journal like that, too, once. underwent those same tests. almost died at the hands of those same men. wrote her testimony to that same person.) it’s taking care of mulder, to love samantha. and she does.
#i got really really tired by the end but it is what it is#i want y'all to know#that i almost put 'trust no 1' on here#the way that she yells at doggett that she wants to see mulder 'SO BAD'#but in the end: writes to him that she just wants him to be okay even if she can't see him or hear from him#or even if he can't read what she sends him#and the way that she looks over at william in the stroller and puts her hand on his face#just like...that one semblance of mulder that she still has in her life and that she holds onto- in this baby#and he's growing up without his dad and she NEVER wanted that.#and mulder is writing to her that he just wants to come home to her and to will.#and how her voice shakes and she screams when she talks about how badly she just needs to see him. she feels so alone.#and there are only so many solar system onesies and star mobiles and lullabies from the florida woods that she can give#but ultimately she just wants him to be safe and alive and that's what she tells him and that's what she fights for with everyone else#but it's just so fucking unbearably sad and i couldnt do it after the first few i put on here ksjdfk#i would also say!! that her leaving him post-iwtb and their break-up was in a way taking care of him#getting the fuck out of that house. trying to save herself from that trap of grief.#then coming back when it was less haunted and he was healthier and it was able to be their home again#refusing to suffocate there just because he was. salvaging SOMETHING for him to come back to- and ALWAYS being available for that.#asks#sein und zeit#demons#the end#paper hearts#redux ii#herrenvolk#anasazi#fire#deadalive#ftf
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spacedlexi · 29 days
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so often i see people try to downplay violet and minervas relationship like it wasnt Real enough or was some Inferior Romance that her relationship with clementine could Never compare to, and i find it so annoying and boring
she LOVED minerva!! and its okay that she did!! she was her first love!! childhood best friends turned girlfriends!! seeing her being so heartbroken and miserable about what happened to minnie, how deeply and desperately she missed her, hugging that bed frame so pathetically. but clementine makes her CARE again. makes her LOVE again. slowly violet becomes comfortable with the idea of opening her heart up to people again, after trying so hard not to because the pain of losing people she cared about was too much to bear (especially when she blamed herself for them being gone)
then she learns minnie didnt die. shes falling in love with clem while grappling with the fact that minnie might still be out there??
then she meets minnie in the woods. but minnie has changed just like she has. theyre both different people now. and slowly violet is forced to come to terms with the fact that the person she loved so deeply isnt that person anymore??
violet at the beginning mourning minerva and blaming herself, to shooting her to save clems life. she LOVED minerva once, but she doesnt like the person she is now. and shes not gonna let her hurt anyone else she cares about. shes done mourning her by the time they get to the bridge, only crying out for tenn
like idk i just find their relationship evolution to be so interesting and sad as shit. the fact that they once loved each other so much and it has now come to this?? but violet makes her choice and she Chooses clementine, because she admires and loves clementine, probably similar to the way she used to admire and love minerva if the way she talked about her is any indication
i just think "i never thought i would ever feel this way again" is way more interesting than "wow minnie Never made me feel like This"
#violet makes minnie a stronger character literally Just by being there#the way vi and minnie and clem all bounce off each other is so fucking good#CLEM SLEEPING IN MINNIES BED IS NOT AN ACCIDENT#clem has essentially replaced her. and minnie is seething about it. because she wanted them all to follow her to the delta#but instead theyre following clementine. who she sees as a threat to their lives. when in reality the real threat is her and the delta#now its minnie who is sad and lost and doesnt know how to grapple with it#instead doing what she can to save herself. even if it means hurting the people she cares about#and violet HATES THAT!! and shes willing to fight to save the people she loves#even if it means hurting someone she used to care about more than anything#she places that shot so perfectly. she doesnt WANT to hurt minnie. but she wasnt gonna let her hurt clementine either#she may have loved minnie once. partially blames herself for what happened to her. but theyre both different now. and she loves clementine#LIKE IDK that evolution is just so good and makes the clemvi romance even more strong??? violet knows Exactly what and who she wants#so by downplaying the vinerva romance it inherently makes her choice to choose clem weaker??#the more she loved minnie the harder that choice was. and she chose clementine#anyway this is why the clem vi minnie boat fight makes me bark like a wild beast#either i see people try to downplay her love for minerva OR they overhype it and act like she never got over her#when her getting over minnie is the whole point!! taken vi trusted her bc she LIED to her about sophie!! and clem broke her trust#god shes so heartbroken and confused in that cell get her out of there!!!!! vi i'll save you every time!!!!!!#thinking about clemviminnie instead of working what else is new#twdg#violentine#vinerva
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druidonity2 · 9 months
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An AU in which Arthas won, but finds trouble when the Banshee Queen teams up with the Shadowreaper. Both are deeply troubled beings trying to come to terms with the lives they've lost, and both dream of clawing Arthas' face off at the very very least.
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recurring-polynya · 2 months
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I am never not thinking about Renji giving people rides on Hihiou Zabimaru, but somehow I forgot about the time Rukia used a Hakuren to launch Kon into the air during the kemari episode.
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Reader, she was not sorry.
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Unfortunately he started to go out of bounds, so Tessai felt it necessary to shoot him down with a Bakudou #99, p2.
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I cannot emphasize enough that this was for a game of kemari to resolve some vague beef Rurichiyo and Kenryuu were having, there were literally no stakes whatsoever to everyone else, who just showed up and chose violence.
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thefirstknife · 10 months
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Apparently there was a roundtable with a senior narrative head at bungie about destiny
where he stated "don't expect to be allies with the hive. or even Savathun"
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which to me seems like a weird choice to say right after deeps ending?
That's interesting. Honestly, valid comment to me. Here's the link to the article itself! The dev that made the comments is Robert Brookes. One extra quote that isn't in the tweet (goes in between the two in the tweet):
“It’s gonna be really hard to walk that back from anyone’s perspective. Even if that ever became a possibility, there’s a lot of ground to cover to make amends for that.”
We often forget about that, because obviously everyone deserves a second chance, especially in a situation where the Hive were literally manipulated into becoming what they did, but at the end of the day, their gruesome conquests that wiped out thousands of civilisations is not something that everyone can or has to forgive.
People are really eager to forgive Savathun, completely, which was always weird to me in a fandom that has gone ballistic over infinitely smaller crimes. And I get it, Savathun is an incredibly compelling character, fantastically written, absolute banger of VA work. She's such a crucial element in the whole setting of Destiny and is fascinating to read about her. 100% one of the best characters in the entire franchise, intriguing and complex beyond pretty much anyone else.
But the characters within the story itself can't view her in this way or it would be immersion breaking. To them, Savathun isn't a character that's well written, she's a monster who is responsible for some of the most horrific things across time and space. I can definitely see any alliance with her to be temporary, out of necessity and not exactly on good terms. I would love for us to eventually get together with the Hive and join forces against those that are responsible for their course in life, but I think it's definitely something that, within the universe in-character, is not something entirely realistic and would be difficult to justify.
Definitely an odd thing to say now though. Maybe it's telling us to temper our expectations next season? We need Savathun's knowledge, but I don't see us being besties with her in any capacity. I'm not sure what people expect from a season where we rez Savathun; there's probably a lot of people who expect a Caiatl situation.
Realistically, it might be an uneasy cooperation that will be very limited and possibly exploited by Savathun to get out at the end. Right now she's dead and she can't do anything and for as long as we keep her, we're safe. But now that we need her... We have no choice. We have to get her out and once she's out, she will not be bound by anything to obey us. It's a very risky move, one that we're looking at out of desperation, and the risks were nicely laid out by Saladin, Saint and Zavala in their conversation. That bit is definitely priming us to expect some heavy resistance to help from Savathun from various characters and this comment might be as well.
I can't wait for the next season's story though! Savathun talking to us again, in any capacity, is something I've been waiting for eagerly since the end of WQ. I don't doubt for a second that the conversations she'll have will be full of some heavy stuff and that she will not play nice with us and that she (and Immaru) will make most of the situation where we're desperate for her help. She will probably also genuinely want to get her revenge to the Witness, but not necessarily as our sidekick. I think that continuing with the animosity between her and us adds an extra layer of depth to the whole story with her and the Hive.
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coolauntlilith · 7 months
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ATFC s1e8 Jerry has me fucking sick to my stomach about Simon's, "Wha- No, no! Why would I??"
I kinda am wondering if his lack of reaching Chaos Betty is maybe bc she now doesn't want him to reach her. If she's still kinda Betty, anyway.
Edit: I just finished my second rewatch and I do wonder where Golbetty is portalling him. 👀
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oifaaa · 1 year
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you hate the Jason parents retcon? Me too; I've never seen anyone else like the circus parents more
I kinda feel bad now bc I meant the Jason's parents retcon of them going from victims of their circumstance to poor people bad sorry anon I'm sure there are people who prefer circus parents #2 I'm just not one of them (if you do sound off so anon knows they're not alone)
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