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#junior marketing jobs sydney
aditisposts · 3 months
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Contrasting Architecture Programs: Canada vs Australia 
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Pursuing overseas architecture ambitions, how do accredited education and early career outlooks compare between Canada and Australia - two welcoming study destinations?
Both countries offer reputed architecture programs at leading public universities like University of Sydney, University of Melbourne, University of Toronto, University of British Columbia etc charging international tuition between $33,000-$39,000 yearly aligning accredited degree completion requirements.
Graduate immigration schemes providing 2-3 years local work permits aid gaining registration requirements before globally exportable qualifications open overseas career mobilization options later.
But significant Canadian building boom and infrastructure push recovering from pandemic slowdowns is expanding junior architect jobs demand nationwide currently above Australian scales facing rising construction costs and cooling housing markets.
Therefore, Canada's surging new economy priority sectors like sustainability, heritage restoration and social infrastructure development perfectly synchronize professional timing for today's architecture graduates securing early career experiences helping register before exploring global mobilities.
So assess specialization interests, budget factors and job market outlooks in preferred destinations before finalizing overseas architecture pursuits guaranteeing best returns on educational investments! 
--AR. Rashi Shah
Disclaimer: The perspectives shared in this blog are not intended to be prescriptive. They should act merely as viewpoints to aid overseas aspirants with helpful guidance. Readers are encouraged to conduct their own research before availing the services of a consultant.
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elyahnabgrad604 · 9 months
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Creatives from NZ
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Founder + creative director of DDMMYY
Has won 40 + creative industry awards
Based in Ponsonby
Has worked with some of NZs most memorial brands: Boring milk, 42below, serious popcorn, stolen rum ect.
Art director for metro magazine
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Formed McCarthy in 2008
Was on the board of the designers institute of New Zealand
2021 got a visual communication degree at Ara
2023 left McCarthy studio in the hands of Mattew Kitto
PDINZ member
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Editorial director for island magazine
Chief of New magazine
Founded art dept in 2021
Founded slamxhype in 2003
has worked in Auckland, Sydney, London and New York
Is based in Auckland, New Zealand
uses print and digital platforms
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Founder + creative partner of sea change
Has been on the judging panel for NZ Best design awards, D&AD, New York Young Guns.
From Auckland, New Zealand
Sea Change has won over 50 design awards
Worked in London before founding Seachange
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Graphic designer/ videographer/ photographer
From Tauranga
Founder of Champagne Sorbet
Founder of Launch day studio
New Zealand surfer
Studied design in Dunedin
22 years old
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Born in Auckland, NZ
Studied at AUT (2010-2012)
Graphic designer for The Spinoff
junior/ young graphic designer
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from Auckland, NZ
Studied bachelor of design at AUT
Intern at strategy design + advertising 2015
Is a currently a graphic designer at In-house studio
Has won best awards for student and academic graphics
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Photographer
fashion photographer
has photos featured on manual magazine + the skateboarders journal cover
is self-emplyed
has shot Road By Karangahape, stolen girlfriends club, dress rentals ect.
is based in long bay, Auckland NZ
had a pervious job as a marketing manager
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Founder of beach brains
surf inspired street wear label
love for photography
Based in grey lynn, Auckland
uses scanners, studio set-ups and point-and-shoots
works along side with sub-genre studio
is a surfer
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A CREATIVE STUDIO STRENGTHENING BRANDS THROUGH CUSTOM AND UNIQUE CAMPAIGNS, CREATIVE ASSETS AND STRATEGIES.
BESPOKE CONTENT: DOCUMENTARY, ORIGINAL SERIES, SHORT FILMS, GRAPHIC DESIGN, ANIMATION
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atlanticcanada · 1 year
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For sale? CBRM council weighing possibility of selling Centre 200
The Cape Breton Regional Municipality owns Centre 200 in Sydney, N.S., but feels it might be time to sell the home of The Eagles, the city's Quebec Major Junior Hockey team.
Construction of Cape Breton's largest entertainment centre began in 1985 to celebrate Sydney's bicentennial and opened two years later.
The building has always been in public hands.
“We're looking for a process to determine the pros and cons of selling or keeping Centre 200. In a cash strapped municipality, the building loses in excess of $1 million a year,” said James Edwards, CBRM councillor.
Privatizing the facility will be on the agenda when CBRM councillors meet Tuesday evening.
Edwards brought the idea forward because he feels the municipality can't continue on its current track.
“I did hear from several people who said it's a good idea and we can't afford to be pumping money into the facility all the time. Perhaps there's a better way of doing business,” he said.
The building is in Councillor Eldon MacDonald's district and has recently served as a warming centre for those affected by post-tropical storm Fiona.
It's been a public gathering place in both good times and bad.
MacDonald feels the facility is an asset for the municipality, rather than a financial liability.
“If it falls into private ownership then you still might have an opportunity to utilize it for those things, but it will come at a price to tax payers for the use of that facility,” he said.
It's unclear who, if anybody, would be interested in purchasing Centre 200.
MacDonald says there was a buyer interested about three years ago, but nothing ever developed.
“I think there is homework to be done on how to make this facility more viable, how to generate more activities, how to do a better job at marketing, even the staffing model for the facility. All of that should be open to question,” said Cape Breton University political science professor Tom Urbaniak.
The CBRM is scheduled to spend a half a million dollars for upgrades to the building over the next two years.
Capital funding from senior levels of government is currently on hold, while a decision on whether to keep or sell the building is made. 
from CTV News - Atlantic https://ift.tt/fHCwWlX
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alanusa · 2 years
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digital121 · 2 years
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How long does it take to have my home photographed?
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The time taken to shoot a home will always depend on the number of photographs being taken and how presentable the house is. An untidy, messy, cluttered home is always going to take longer to photograph. To give you a rough idea of the time, it would be fair to say that 5 photographs should take around 30 minutes. This can be achieved faster if everything is in its place and the rooms shape up well.
Can the photographer move my furniture?
Most properties being photographed will have to be analysed by a professional photographer when we visit your home. Not all rooms to be photographed are going to be balanced well with regards to furniture placement. Real estate photographers will often shift furniture allowing the scene to look much better.
Bright coloured furniture can be somewhat distracting therefore requiring it to be removed altogether. A real estate photographer may shift these items to space within the room that is less offensive to the eye. It is also not uncommon to move items within a kitchen and bathroom areas to help minimise clutter and to give the impression of open space.
How do you know a good property photographer?  
You know when someone offers good real estate photography when they take the time to check every detail before taking the photograph. They also adjust curtains, blinds and shutters to make sure nothing is out of place. The theory should always be that as long as the photographer’s eye can aerial photography sydney see more detail than the online viewer, the photograph should always be a saleable one.  A good photographer will always explain themselves to vendors and tenants. They should always ask before moving anything. And their photos will WOW, every time. 
Where do you find a real estate photographer?
Finding the right property photographer can be a challenge. Many larger companies employ untrained staff purely to save money on more skilled photographers. Looking at online advertisements and real estate websites will give you a fair idea of the quality of images used in Property Marketing.
You could simply call these real estate agents and ask to refer their photographer, do an online search and check ratings and reviews. Most photography companies are going to display their best photographs on their website so it's a bit of an unfair display.
The best thing to do is to ask the photographic company to send you images from the last 5 jobs. This at least will give you an up-to-date current view of their photographic style and quality.
Why is the photographer use a flash to photograph my home?
Flash photography within the real estate industry can help the editing process. Flash is generally a bluish light while incandescent lighting within your home can be yellow and orange. By flashing, the photographer allows the editor to see the true real colours of things like your carpet, your wall colour, furniture colour etc. The Flash also balances inside of the home with the same brightness as outside of the home making the editing process a little more precise just that better quality
Where do I locate the best photographer for my home?
The biggest and highest-selling real estate agents generally will use the best photographers. Cheap real estate agents will always end up with very low-quality photographs and low-quality printing making a very poor marketing campaign. By following successful real estate agents they will lead you to the best photographers and the best property marketing in Sydney
Can you trust real estate photographers to find the right angles?
The problem these days is that bigger companies tend towards profits and not the quality of work. They employ anyone willing and give them a couple of weeks of training and send them out to earn money. They usually butcher the marketing of an unknowing realtor. In my experience as a Sydney real estate photographer over the past 15 years, commercial and real estate photos can take some time to master. When I train a junior photographer I tell them the same information each time.
It takes 50 properties photographed before your eye is reasonably well trained but it will take 200 properties photographed before you begin to feel the right angles. Real estate photographers and architectural photography require a different approach depending on what is trying to be achieved. After years of property photography, they become very good at capturing the correct angles every time.
Can you trust real estate photographers to find the right angles?
Most tenants are fairly easygoing and allow a photographer into their home for marketing purposes, however, on occasion there can be an angry tenant. Angry tenants feel like someone is making them leave their home. They may have lived here for a number of years or even worse just a few months, therefore, having to leave and pack your belongings isn't necessarily very nice.
Although it is not the fault of the real estate agent or the property photographer, some tenants just want to take it out on someone, anyone. Being very polite and patient and trying to explain the situation can help most of the time. Ultimately the tenant knows that it isn't really your fault that the landlord has decided to sell.
What do you do if your real estate agent does not show up for a photoshoot?
We would take it upon ourselves to greet the owner of the property and represent the agent in the way we know they would like. We would assure the property owner that we have photographed many many homes in the past and we do understand some agents can get very busy.
We also advise them that we understand what the agent is trying to achieve in the marketing of their home. Sometimes real estate agents get caught up with other appointments and so find it difficult to make every scheduled meeting on time. Other photography companies that you may choose should not only know how to take great photos but also know how to handle homeowners tenants and all customers when faced with this situation. 
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thinkinem · 3 years
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seeing discussion of lgbtq+ representation in one chicago on the dash so I’m taking this as my opportunity to float my overindulgent head canon* that Matt Casey is one superbly repressed queer.
*this quickly got out of hand and is likely well into au territory, but if I have to think about-- it as incoherent as it is--then you do too!
The reason he botched his moment with Sylvie so hard was that when things slowed down and Sylvie asked her Gabby question, Matt got majorly overwhelmed by the reality that he was about to jump into another relationship with a woman that already has all these ideas about who he is as a man and as a boyfriend. 
Usually he can ignore the dull feeling of disconnect that always comes when he’s first intimate with a woman. But dammit, he really thought Sylvie could be The One. He really thought this time those feelings of affection and aesthetic appreciation that he could conjure when he pressed himself to meant something. He was so sure that he was going to feel that spark people write songs about with Sylvie. That it was going to redeem him for all the ways he couldn’t be enough for Gabby, for all the times he looked Hallie in the face and wasn’t truthful.
But that spark, swoop, tingle, whatever it’s supposed to be, it isn’t there. Sure, he’s got the motions down, a smooth execution of the classic moves, and he likes feeling strong and needed and scooping Sylvie up without hesitation does that for him. But it’s not the aha moment he was expecting. The moments they’d shared over the past two years, the little glimpses of a future with this woman in his arms turn stale just like they always do when he goes to seal the deal. 
When Sylvie pulls back, Matt’s heart stops. He’s sure this is it, that if anyone is going to finally see through him it’s going to be Sylvie Brett. And in a lot of ways he’s relieved. Sylvie is a safe space, a trusted confidante, he knows she won’t mock or laugh. But also the idea of putting words to the way he feels scares the life out of him, to say it out loud would make his Otherness too real. (Even when he and Kelly were in the middle of whatever it was they had, Matt could never fully admit to it out loud, not even just as a whisper in the dark to the man that had already seen all of him and stayed close anyway). 
But Sylvie doesn’t see through him. Or she thinks she does, but really she couldn’t be farther from the truth. So when she asks if he’d go with Gabby, it feels easiest to say he doesn’t know. 
But his “I don’t know” was less about going with Gabby as an individual, and more about the idea of committing himself to another/any woman again. The divorce gutted him. It forced up a lot of thoughts and feelings that he was relying on that relationship to keep a lid on. But also, it felt a lot like checking off a task from a to do list: he did his due diligence as a man to have a wife and attempt a classic version of a family just like he was always expected to do (and in a lot of ways it felt like a big fuck you to his father and every one of his sneering insults).
The thing is, Matt knows in his bones that he wants someone like Sylvie Brett by his side for the rest of his life; she’s amazing, loyal, funny, understanding, everything he’d want in a partner. But in that moment Matt decides he cannot go down this road again. Sylvie is all those wonderful things and more, and she deserves a guy who wants all of her, not just the idea of her. 
For a moment he thinks it’s going to work out. He gets out the cliched “it’s complicated” and is almost ready to do it, ready to own who he is right there. But the words get a little stuck and then Sylvie is filling in the blanks with all the wrong colors (and, Jesus, isn’t that familiar). Then the next thing he knows, he’s breaking Sylvie Brett’s heart exactly the way he vowed to never do. The moment is quick and messy and feels terrifyingly unsalvageable, but it’s happening, then it happened, and there’s nothing he can do about it. (He sleeps with Sydney because that’s what he does when a relationship ends: he sleeps with a stranger, always female, and does everything opposite what he did in the relationship, just to double test the theory that it really is something in him and not just around him. Sydney: sexy and funny and charming; The Theory: confirmed)
And suddenly Matt is exhausted. He’s got decades of built up secret and accumulated grief on his shoulders and he can’t move with it all weighing him down. So he just sort of stops fighting it. He puts up the token efforts with Sylvie, tells her he doesn’t regret it, that she’s still very important to him, then lets her walk away when she informs him that it can never happen again, that he is a man still in love with his ex wife. On net, she’s actually kinda half right, and he lets himself have a quiet, sardonic chuckle at that.
Matt’s got the job, his rank, his men, the city. They’re more than enough to live for, to love, to give his all. They’ve got expectations of him too, and they’re ones he can meet with an ease that doesn’t exist anywhere else in his life.
Five weeks after Matt decides he’s really only meant to be Captain Casey, he wakes up on Christie’s couch with the mother of all hangovers. He gets a solid five minutes of laying awake, nauseous and self-loathing before his older sister comes in with a steaming cup of coffee and smile more gentle than he’s ever seen her wear. She digs her hand into his shoulder and tells him about coming home from her freshman year of college for Thanksgiving. 
She tells him about letting herself be dragged back to the high school stadium by friends she hadn’t quite lost touch with yet for the annual cross-town rival Turkey Bowl football game. She tells him about not watching a single moment of the game, about missing the moment when Star Quarterback John Murphy’s collar bone snapped. She tells him about becoming the most committed high school football fan in the five minutes after the ATs got John Murphy off the field, and the coach decided that what the hell, they’d finish the game anyway, that scrawny freshman Matt Casey would finally get some playing time after a whole season of sitting the bench. She tells him about flying off her seat, about going hoarse the next day from telling everyone in the stadium “that was my brother, Matt Casey, the kid who made the final point, that’s my brother.”
Matt, sitting up now, gives Christie a soft smile and mumbles that it was fluke really, that he didn’t see a second of playing time again until his junior year, that he was always more of a hockey guy. Christie reaches across him again digging her nails into his shoulders, says with the mean kind of love only older sisters are capable of, “Matthew Michael, you are not a fluke.”
A week after Matt pulls himself off Christie’s couch Sylvie tells him she is done needing space, that she misses her friend. He’s grateful for that and does his best to not be annoyed when she starts looking surprised that he isn’t ‘fighting’ for her or doing whatever charming manly bullshit he would’ve done even just a few months ago. But Matt is done fighting for things he doesn’t really want, is done fighting himself at every turn and is ready to start fighting for himself. He isn’t a fluke and one of these days he’s going to prove it. 
In fact, he proves it when he goes to dinner at Stella and Kelly’s new place on a warm fall night just under a year since he was standing in the hallway of Sylvie’s apartment exhausted of himself. It’s him, Stella and Kelly of course, Sylvie but not her boyfriend, and Sam Kidd, Stella’s older brother who just moved to Chicago and is “desperate enough for friends that I’m hanging around my baby sister, I know it’s--ow, Steve, don’t hit me!”
Sam Kidd is funny and charming and tells terrific stories about a precocious preteen Stella. And after dinner when he and Matt end up alone in the kitchen having volunteered for clean up duty, Sam puts a firm hand on Matt’s shoulder and says he appreciates how Matt has looked out for his baby sister these past years, that he was skeptical of the stories Stella told him about her Captain right up until he shook Matt’s hand earlier that night. Sam readily agrees when Matt insists that Stella has never needed any looking after but his hand lingers in an appreciative squeeze on his shoulder anyway. 
They walk down the block toward their cars together after seeing Sylvie safely to her Uber. When they get to Sam’s sleek black sports car (he’s in marketing and apparently very good at it), Matt is less surprised than he thought he would be when Sam crowds him against the passenger side door and sweetly asks “would it be alright if I kissed you?” (Matt says yes, to the kiss and a date, as well as a second date and third one too).
They don’t make a big announcement or anything, but they also don’t hide it. When Stella and Kelly get married in the Spring, Sam pulls Matt out onto the dance floor and holds him close right in front of everyone. For the first time in his life, Matt doesn’t mind the attention a single bit because he’s finally where he fits.
When Matt is all danced out, and Sam is cutting in to dance with his sister, Matt finds himself in the little anteroom straightening out gift bags and taking a moment to feel quietly pleased with himself. Sylvie comes in then, eyes shining to compliment the new ring on her left hand. For a moment Matt worries she’s upset with him, but then her face breaks into a soft grin and he barely catches her “oh, Matt” before he’s catching her. When they pull away from each other Matt gives her a grin of his own, one that he hopes says I’m sorry I hurt you, I’m sorry it all got so messy but I can’t be sorry for who I am. Sylvie must understand him because she’s still grinning as she says, “you’re happy.” It’s not a question, but Matt nods anyway because finally, after years and years, it’s fully and all the way true. He’s happy.
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itsnorris12345-blog · 5 years
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Leading Job Consultancy & Recruitment Agency | McCall Norris
We have one mission – happy placements
We’re McCall Norris, the recruiters’ recruiter.  Combining the strengths of Norris & Partners, a leading recruitment to recruitment specialist in the local market place, with McCall, the largest recruitment to recruitment specialist in the UK and globally, we have offices in Australia, the UK (London and Regional) and Singapore and a history of placements worldwide covering Europe, Asia, America as well as the Middle East.
We manage many of the best job opportunities locally and overseas, working only with the world’s best recruitment companies.  Our unique network of clients, coupled with our renowned level of service and insight, sets us apart.
We’re proud to have placed many of the industry’s most successful recruiters around the globe, supporting their ongoing development and contribution to our industry.
Whether you are a junior consultant, or a senior Director, we welcome you into our network and value your trust in us as the recruiters’ recruiter.
McCall International
McCall UK and Asia, and McCall Norris Australia had a successful 2016 Summer Conference in London in August. Sitting with the McCall UK Directors and Country Manager Asia, allowed us to reflect on the year’s success both locally and from an international perspective. With the addition of McCall Australia, we are now a true global rec2rec with offices in the UK Midlands, London, Singapore and Sydney. The locations, the network, our ability to meet face to face annually and the exchange of ideas has led to our continued success including our Australian business being the number one rec2rec when it comes to UK to Australia placements, and the support associated with that. Our local and global clients truly benefit from our global presence.
https://www.mccallnorris.com/
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omegadigitalau · 6 years
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Are you interested in being interviewed to discuss business, marketing or perhaps you're a junior looking to start your first job and need some advice? . . Well we are creating opportunities to begin interviewing and creating content for all to learn and be inspired. . . #business #branding #marketing #marketers #businesses #junior #jobs #job #learn #leadership #interview (at Sydney, Australia)
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rougesrant · 3 years
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The Rogues Rant #257
Welcome to The Rogues Rant, an occasional look at all things Rugby
Covid 19 is still making a significant impact on all our lives going into 2021 and will continue to play a role in how the IDRU comp is conducted as well. It’s looking as though last year’s restrictions will be relaxed somewhat but clubs will still have to adhere to some protocols on game day. You will probably have to scan you way into all grounds just like at most other venues around town. Clubs should be able to operate Canteens, Bars and have their change rooms available again but still with some restrictions. The full details should be out within two weeks in time for everyone to prepare for the first round of matches on March 20th.
Speaking of Round 1, the draw is out for First and Second Grade with a couple of special arrangements for Rounds 1 & 2. In Round 1 University and Tech Waratahs will kick the season off on Friday 19th under lights at University Oval. Match times are still to be confirmed but will probably be something like 6.00PM for Seconds and 7.30 for the top grade. In the Second Round the Shoalhaven V Kiama match will not be played until 17th July, one of the spare rounds, as a special event at Shoalhaven Rugby Park. The Third Grade Draw is still to be finalized and is of real concern for Illawarra Rugby. It’s not that long ago that we had 13 teams competing in 3rd Grade. Vincentia, Wollondilly and the Southern Crushers have all withdrawn from Illawarra Rugby and in a disturbing development Shoalhaven, Kiama and Avondale have all advised that they will not be fielding a side in Third Grade in 2021. Several other traditional clubs are struggling for numbers which could see a very small number of sides nominating which puts the competition in question. The 8th March which is the date of the next Rugby Committee meeting has been set as the deadline for clubs to confirm their involvement in Third Grade.
The Waratahs had a good trial win over the Reds in Narrabri last Friday as we get closer to the start of Super Rugby on February 19. With many pundits having a question mark over the very inexperienced Waratahs Squad, the 45 to 33 Blues win should give the squad a boost ahead of their Round 1 match against the Reds at Suncorp Stadium on Friday week. The Reds lost their skipper Liam Wright to an ankle injury on Friday which will keep him out for up 10 weeks. Not the ideal start for the Reds. The Brumbies, Reds, Force and Rebels have all made improvements to their squads and I think we are in for a very interesting tournament. After losing so much skill and experience from their squad I think the Waratahs are in for a long season.
The new CEO of Rugby Australia is on the Job. The very experienced Andy Marinos joins RA after 6 years as CEO of SANZAAR based in Sydney. He brings with him strong relationships with all involved in our sport both locally and internationally. Prior to his role at SANZAAR he spent time as CEO of Newport Gwent Dragons in Wales and was a Board member of Welsh Rugby. He has also been acting MD and a Board member of South Africa Rugby, also serving as GM Commercial Marketing of SAR and as Manager of the Springboks. He has plenty to offer, let’s hope he can stay on top of the political shenanigans he is sure to experience.          
Very little change as far as Coaching is concerned around the local clubs for 2021. Joe Aiono is in charge again at Avondale after their strong season in 2020. Dave Gleeson is back at Camden and Sene Aelua returns also with the big improvers of last year Campbelltown. James Patrick at Kiama, Paul Ridgeway at Shamrocks, Paul Connor at Shoalhaven, Tim Olsen at Tech Waratahs and Phill Green at Vikings are all back in charge. Shaun McCreedy returns as Club Coach at Uni with Dion Miller in charge of First Grade. Steve Talbot is the Club Coach at Bowral heading up a very strong Coaching Staff. Greg Mumm and Gene Fairbanks are back together as the First Grade coaching team with former Brumby and Wallaby Stirling Mortlock joining the group in a Specialist Coaching role. Here’s hoping that we can get back to a full competition this year for everyone to enjoy.
Some dates to put into your diary for season 2021.
Kiama – 20th February – Shute Shield Premiers, Gordon Training Camp at Kiama Showground. Open to all from 10.00AM. The day will include a Junior Training session with the Premiers.                                 
Camden 10’s- 20th February.                                                                                      
Kiama 7’s–27th February.                                                                                              
IDRU Season Launch Luncheon – 12th March.
IDRU Round 1 – 19th / 20th March.
NSW Country Week – 12th-14th June.
IDRU Grand Final – 4th September.      
 All opinions offered in this column are the opinion of the author. They should not be considered to represent the views of the IDRU.
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