#jun mayuzuki | Explore Tumblr Posts and Blogs

jessenigma · 4 months

Text

My Favorite Continuing Manga Reads of 2023

For the past few years on twitter, I've made threads of some of my favorite manga and light novel reads from the past year. This year, I decided I would move it over to two tumblr posts.

After the cut are some of my favorite titles that I started before 2023 and kept reading this year.

Basara, Yumi Tamura

The best thing Viz did for me this year was create a whole new cheap subscription service full of Shogakukan titles, which meant that I could plow through the last several volumes of Basara all at once. This series thrilled me, broke my heart, and made me so happy. Sarasa is such a good lead, finding the courage to fight for her people while still being a teenage girl who just wants to be happy and loved, and I would love to read more series with leads just like her.

Run Away with Me, Girl, Battan

When the first volume of this came out and Kodansha's marketing compared it to Princess Jellyfish, I thought it was going to be something at least a bit lighthearted - woman reunites with her high school girlfriend, they end up running away to live happily ever after, the end, right? - but as it turns out, it was more like the very good but very depressing series about domestic abuse, Sensei's Pious Lie. While it wasn't as heavy as all that in the end, I was fascinated by the relationship between the two leads and the struggle to deal with baggage left from their teenage years. (And Battan's art is awfully sexy, much appreciated.)

Tales of the Kingdom, Asumiko Nakamura

I am so sad that the English release of Tales of the Kingdom is nearly caught up with Japan, because that means that I have to wait a small eternity for more stories about this fantasy kingdom where all the men have complicated relationships with their brothers. Asumiko Nakamura really goes all out on the clothes for this one and it's just gorgeous. There's another volume set to come out early in 2024 and I will cherish every page.

Kowloon Generic Romance, Jun Mayuzuki

I have been in love with Kowloon Generic Romance ever since the end of the first volume completely recontextualized everything that went on before it, and each new volume fills me with even more delight and questions about what's going on with these characters in this very fictional version of Kowloon Walled City. Mayuzuki's art is also super gorgeous and sexy, and I am so ready for the next volume to set my head spinning even more.

10 Dance, Inouesatoh

Finally! A new volume! This series was on hiatus in Japan for a while, so it was understandable, but I rang in 2022 with the previous volume of my beautiful ballroom dancing Shinyas and wasn't entirely sure I'd get to see them at all in 2023. The events of the latest volume were more than a bit of a surprise (sex? in my very charged but not technically explicit ballroom dancing bl manga?), and now I'm even more eager to see what happens next.

The Case Files of Jeweler Richard (light novel), Nanako Tsujimura

I enjoy the Jeweler Richard novels a little more with each new book and this year brought the best part of the story so far to me. This series is such a thoughtful exploration of its characters, from the leads to the recurring side characters to the one-off clients and friends, and I appreciate how deliberately inclusive it is.

Witch Hat Atelier, Kamome Shirahama

It's basically illegal for me to leave Witch Hat Atelier off any yearly list of favorite titles as long as there's new volumes coming out for me to read. With each volume, it feels like we're moving farther and farther away from the bright and shiny new world of magic that Coco first joins, but there's still always this idea that people can and should help others. It isn't necessarily easy, and magic certainly isn't the cure-all, but there's still almost a kind of optimism. I like that, that it's possible to have horrible things happen in a story but there's still light out there.

Ooku, Fumi Yoshinaga

So I finally finished Ooku this year, only 6 years after I first picked it up at the library. Bless Fumi Yoshinaga for being the catalyst for me learning anything about the Tokugawa shogunate and for creating such a fascinating alternate take on history, complete with women leaders who were just as terrible as the original male versions. I can't believe they actually did an anime, however incomplete an adaptation, because I long had that pegged as something that would never ever ever happen with this series.

My Love Mix-Up!, Wataru Hinekure & Aruko

My most favorite cheery gay romcom title also came to an end this year, and going straight for the silliest soap opera trope in the last volume was both perfectly on brand and perfectly suited to the story. I just wish more stories would unabashedly embrace the ridiculous tropes and give me lots of humor alongside the romance.

Lost Lad London, Shima Shinya

Though the conclusion of this series seemed a bit rushed, I really loved how well Shima Shinya captured the feel of a British crime drama all the way through the story's three volumes. I want to see how much they grow with their storytelling in the future, because this was a strong first series.

MADK, Ryo Suzuri

How could my beloved eroguro demon manga end? Ryo Suzuri does such creative work with character design and it's such a shame that I won't get to meet any more cool-looking demons now. But that said, the story really stuck the landing with Makoto's obsession. I can't wait to reread all three volumes so I can fully appreciate just how much changed (and how much didn't change) for him.

#2023 manga reads #ryo suzuri #shima shinya #wataru hinekure #aruko #fumi yoshinaga #kamome shirahama #nanako tsujimura #inouesatoh #jun mayuzuki #asumiko nakamura #battan #yumi tamura

13 notes · View notes

dropintomanga · 9 months

Text

Kowloon Generic Romance - A Perspective from a Cantonese-Speaking Person

After reading Mangasplaining’s great interview with Jun Mayuzuki and hearing a lot about the series, I jumped into the 1st 3 volumes of Kowloon Generic Romance. As someone who’s been to Hong Kong and whose mother lived there for a short while, the series’ grand theme about the persistence of nostalgia does make me think about Hong Kong culture.

The series focuses on a potential romance between two real estate agents who work together in Kowloon Walled City, Hong Kong. Reiko Kujirai and Hajime Kudou both live their daily lives working, eating, and contemplating the status of the dystopian metropolis they live in. What starts off as an interesting romance drama suddenly becomes an ongoing mystery regarding identity and what it means to live as someone who feels strangely out of place, but deserves love as much as anyone.

I won’t go into too much detail about the plot, but I will talk about the area that the manga covers - Hong Kong. I’ve been to Hong Kong twice and I find it to be one of the most interesting places in the planet. I went to Mong Kok Shopping Center for anime goods, walked around Kowloon (the Walled City is not there anymore), saw the Avenue of Stars at Victoria Harbor, ate at Causeway Bay and much more. Before moving to the U.S., my mom lived in Hong Kong for a period of time all while getting help from a friend. Although Mayuzuki hasn’t been to Hong Kong, her recreation of it in Kowloon Generic Romance does make it feel like I’m there - or maybe an old part of Hong Kong that’s trying to fight constant change.

An East Asian island filled with so many people living in tight quarters, all balancing the need to move forward versus taking the time to stop and connect with family and friends. For those who are unaware, Hong Kong was ruled by Great Britain from 1841-1997. From around post-WWII until the 1980s’, Hong Kong found itself and become a thriving country. It has a very interesting mix of East and West aesthetics. While one can argue Japan mixes East and West very well today, Hong Kong was the king of showing the beauty of both sides of the world. The Society for East Asian Anthropology has a wonderful essay about “Old Hong Kong” and the nostalgia for it.

What’s funny is that there’s characters in Kowloon Generic Romance that mention how people in Kowloon have nostalgia for it a la Old Hong Kong vibes. Like it’s the same as love. A while back before reading the manga, I watched a video of a woman who left Hong Kong and she talked about how much it’s changed. One thing from the video that stood out to me was the mention of the Cantonese Chinese dialect (which is widely spoken in Hong Kong) possibly becoming an afterthought compared to Mandarin Chinese (the most popular Chinese dialect and one of the top languages in the world). She said she’s committed to keeping the Cantonese dialect alive in the U.S, where she currently lives, for the Chinese communities there.

There’s a scene in Volume 3 of the manga where an antagonist character laments on how the citizens of Kowloon seem stubborn in promoting their traditions in the face of urban development. They think nostalgia as an emotion that’s annoying. I figure that this character would find the woman I just talked about who’s trying to save Cantonese out of a sense of nostalgia to be annoying. It’s funny because some people might argue “Why study Cantonese? Mandarin is spoken everywhere where Chinese is spoken.” I speak Cantonese conversationally, but I find it to be fun. I have fond memories of interacting with fellow speakers of the dialect. Once upon a time, I made some friends due to learning Cantonese from anime. Speaking Cantonese helped me get closer with my parents as well. Lately, the dialect has helped me come to terms with being a person of Chinese descent.

I think about my fellow Cantonese speakers all over the world. I wonder how they would feel if no one spoke it anymore. Would they fight to keep the dialect alive? Would they just don’t care due to the demands of modernity?

I’ve also thought about what Hong Kong residents felt during the 1980s’ and early 1990s’. I was exposed to so much Hong Kong cinema as a child, which was really popular around that time. Although I didn’t understand the themes beneath the surface due to my age, I got to see how filmmakers expressed their thoughts and views on life in Hong Kong before the big handover to China and shortly after.

Kowloon Generic Romance has taken me back to those films and an appreciation of Hong Kong culture in some way. The manga does remind me of the 1994 Wong Kar-Wai film, Chungking Express. Both are love stories based in Hong Kong featuring individuals struggling with loneliness, finding themselves and learning to cultivate love in a fast-paced world.

I’m nostalgic about many things - especially things from the 1990s’. But when it comes to anime and manga nostalgia, I remembered that I got into anime due to Hong Kong culture. I watched Cantonese dubbed episodes of Dragon Ball Z. That’s how it all began for me. Chinatown was my source of video games in the late ‘90s as a teen and everyone selling them spoke Cantonese. It was also a source for Chinese-translated manga when English-translated manga was about to hit its boom. Reading Kowloon Generic Romance made me think about those days of discovering fandom in the Cantonese Chinese community.

It also makes me wonder about my place in the Chinese hierarchy in the future. I already struggle with thoughts about belonging and now with so many Chinese speaking Mandarin as their main dialect, I feel like I’m being phased out. Maybe I’m Reiko Kujirai herself.

I do know that a lot of propaganda use nostalgia for nefarious purposes due to its emotional nature. But I don’t think nostalgia has left me in despair. Some traditions definitely need to pass on to newer generations. Yet I never found myself trying to chase the past to a huge extent. Maybe that’s it. Let nostalgia come naturally. Be like the citizens of Kowloon/Hong Kong and don’t let an entire outside institution define nostalgia for you.

It’s important to have treasured memories that YOU own, good and bad, because they help to cultivate the person you want to be. I appreciate what I have now because of certain nostalgic memories that I personally chose to experience. They unlock our vulnerable selves and tell us that our experiences with our loved ones make life worth living.

That way, nostalgia can help you go forward, whether you want a generic yet satisfying life or a romantic one.

#Kowloon Generic Romance #manga #Jun Mayuzuki #nostalgia #Hong Kong #Hong Kong culture #psychology

28 notes · View notes

kuronekkosan · 11 months

Text

#クーロんジぇネりッくロまンす #jun mayuzuki #kowloon generic romance #seinen #drama #psychological #mystery #slice of life #slice of life manga #romance #manga screenshots #manga #manga screencap #manga aesthetic #manga art

36 notes · View notes

sakurako07 · 6 months

Text

#koi wa ameagari no you ni #after the rain #jun mayuzuki #manga #mangacap #manga cap #monochrome #cat #cats #bw

8 notes · View notes

codec-morse · 1 year

Text

Kowloon Generic Romance (2019) - Jun Mayuzuki

#kowloon generic romance #jun mayuzuki

42 notes · View notes

hatsumishinogu · 7 months

Text

Kowloon Generic Romance Vol.9

#kowloon generic romance #jun mayuzuki #manga

10 notes · View notes

profilepicparadise · 19 days

Text

I'm surprised that she's totally normal.

source: Kowloon Generic Romance (九龍ジェネリックロマンス, Kūron Jenerikku Romansu) - Jun Mayuzuki

3 notes · View notes

beneaththetangles · 1 month

Text

IWD 24: Celebrating the Women of the Anime, Manga, and Light Novel Industries

A warm welcome back, everyone! Here we are again, for the third year running, celebrating some of our favorite women creatives who work in anime, manga, and light novels. Now, anime is known for its cute girls and strong female protagonists, and some incredibly talented women seiyuu voice them. But on International Women’s Day, we like to highlight the women who are a little more behind the scenes, the ones you may not have heard of and whose names may not make it onto top ten lists in the aniblogosphere, even though they’ve been instrumental in bringing us our top ten anime, manga, and light novels, as writers, animators, mangaka, directors and composers. This year, we’re featuring quite a few up-and-comers so that you can get in on the ground floor of the fandom and enjoy following their careers in the years to come.

So without further ado, let’s dive into this year’s homage!

-----

Animators • Composers • Directors • Light Novelists • Mangaka

-----

Touko Amekawa • Aki Hamazi • Kanna “Kappe” Hirayama • Natsu Hyuuga • Youko Kanamori • Yoko Kuno • Jun Mayuzuki • Hiromi Uehara • Kanehito Yamada

(Read More)

2 notes · View notes

amogoiaba · 2 years

Photo

#after the rain #manga cap #koi wa ameagari no you ni #jun mayuzuki

33 notes · View notes

jessenigma · 4 months

Text

My Favorite New Manga Reads of 2023

For the past few years on twitter, I've made threads of some of my favorite manga and light novel reads from the past year. This year, I decided I would move it over to two tumblr posts.

After the cut are some of my favorite titles that I picked up for the first time in 2023.

Talk to My Back, Yamada Murasaki

I like to pick up something a little more unusual at least once a year and so at the beginning of this year, I picked up this 1980s alt-manga title about the life of a Tokyo housewife played out in short vignettes. It's a frustrating read because of how real it feels and how much it feels like things haven't changed as much in the last 40 years as I'd like, but it's all the more fascinating for it. The essay at the end discussing Yamada Murasaki's work and placing it in context was a nice bonus too.

When a Cat Faces West, Yuki Urushibara

I love Yuki Urushibara's Mushishi (slow though I have been to actually finish it), so when Kodansha announced a license for Urushibara's much shorter series, I was there for it. It has a cool concept - there are areas of "flow" that will pop up out of nowhere and shift people and places out of time and space and one guy has tasked himself with helping people fix issues caused by it - but mostly it feels like Mushishi but set in the present day. I love a series that's just vibes all the way down.

Skip and Loafer, Misaki Takamatsu

I was absolutely smitten with the Skip and Loafer anime, so when it ended with what felt like a pretty definitive "we are not making a second season of this" final episode, I started the manga. A high school slice of life series lives by its characters and Mitsumi is the more adorable dork ever. The other characters are equally delightful, even when I don't necessarily like them, and I'm so eager to dive deeper into their lives.

Associate Professor Akira Takatsuki's Conjecture (light novel), Mikage Sawamura

This series feels a bit like what you'd get if you crossed The Case Files of Jeweler Richard and The Night Beyond the Tricornered Window: a college student with a supernatural ability to hear lies that alienates him from everyone meets a folklore professor with a mysterious past fascinated by mysteries, and together they investigate possibly-supernatural events. It's a bit silly, but the relationship between the leads is interesting and there's a lot of fun urban legends in the mix. There's also a manga adaptation that I haven't yet picked up, but maybe one day...

March Comes in Like a Lion, Chica Umino

I was curious about this one from the second Denpa announced the license just because of how much I'd heard about the series for years now, and it did not disappoint. I love a good story about a depressed and lonely teenage boy sublimating his feelings into an obsession with a uniquely Japanese pastime, especially when there's so many people around him wanting to help him stop being alone. Now I just wish that the release wasn't quite as slow as it has been, even if I know the many reasons why...though at least I still have the anime to rewatch while I wait.

Don't Call It Mystery, Yumi Tamura

After reading Basara and Wild Com, I was eager to get my hands on a newer series by Yumi Tamura, and the fact that it's a modern-day non-fantasy series made it all the more interesting. Totonou's incessant observations about the things going on around him are delightful, especially when they lead him straight into all kinds of dangers or even just leave everyone around him wishing he'd stop talking for about five seconds. I just want to pat him on the head and ask him to make me some curry.

After the Rain, Jun Mayuzuki

I got a card for the Japan Foundation's ebook library not too long ago, which has been great for picking up a lot of books that aren't available in my local library's collection, including this series. I had heard about it but was a bit hesitant because it's about a teenage girl who gets a crush on her much older boss...but hey, why not give it a try from the library? I'm glad I did because there was such a sweet relationship between them that ultimately helped them both out of the ruts they were in with their personal lives and dreams.

River's Edge, Kyoko Okazaki

I still can't decide if I actually enjoy Kyoko Okazaki's work or not, but I got a little closer to it with River's Edge. It's a harsh story about disaffected teenagers who find a dead body, but somehow it feels less depressing than the other works of hers I've read because they're teenagers and there's still the possibility that they can escape the lives that are dragging them down. I will say this - Okazaki's stories are never boring, whether I enjoy them or not.

Her, Tomoko Yamashita

I got a little overambitious this year and ordered the Italian release of a Tomoko Yamashita title I've been wanting to read for years. Can I read Italian? No. Did I think maybe I could figure it out kinda okay because I've studied French and Spanish? Yes. Did I end up reading everything through a translation app? Also yes. But this collection of interconnected stories about women and relationships was excellent despite the language barrier. I was thrilled to finally see the context for the kiss between a younger woman and an elderly woman that I so admired in Yamashita's 15th anniversary artbook, and its story was a touching exploration of what "normal" means. I would love to see this in English, but unfortunately I can't see it getting picked up.

Glitch, Shima Shinya

I was thrilled that Yen Press decided to pick up another title from Shima Shinya after Lost Lad London, and Glitch has been well worth my time. While it is a fantasy story about a town full of glitches in reality that I'm excited to see play out fully, what really caught my eye is the sheer amount of diversity in the characters - one of the leads is nonbinary, there are mixed race characters, there's a lesbian couple, etc. It's all part of the story but not in a didactic way, which I appreciate immensely. Shinya's art also makes me so happy, and I hope Yen continues to get more of their work.

Lilies and Voices Born Upon the Wind, Renmei

Speaking of diversity in characters, I enjoyed this series not only because it was a nice yuri with a motorcycle lesbian (always a bonus in my book, the motorcycle) but because it had some really thoughtful discussion of asexuality in multiple forms. I wish I could've gotten one of the printed copies that were available for purchase at one con, but alas.

Witch Hat Atelier Kitchen, Hiromi Sato & Kamome Shirahama

Did we really need a cooking series spinoff of Witch Hat Atelier? Probably not. Am I glad we got it in English anyway? Absolutely. This is basically an Olruggio/Qifrey slowburn domestic au fanfic and I adore it. And I love that they keep up the conceit about magical ingredients in each chapter's recipe, even though they are legit recipes you can actually make with the real ingredients recommended as substitutions. What Did You Eat Yesterday? but with witches, clearly an ideal combination.

Scribbles, Kaoru Mori

I am not actually a diehard fan of Kaoru Mori's work - I drifted away from A Bride's Story when I ran out of volumes at the library - but I do unabashedly adore her art. Scribbles is just perfect for me with its pages from her sketchbooks and her commentary about things like the ideal skirt tightness. I bought this in hardcover and all and will continue to get the other volumes in hardcover even though I almost always get Yen Press titles digitally because it's so much cheaper that way, that's how much I like it.

Innocent, Shin'ichi Sakamoto

I've had my eye on Shin'ichi Sakamoto's work for a while because I saw a bunch of panels from Innocent on here and fell in love with the art. What I did not expect was that the violently erotic story about a French executioner would actually get an English license. It's gorgeous and violent and weird and I am so here for it. Now, if I could just be sure that Dark Horse actually plans on releasing the whole thing...

Barbarities, Tsuta Suzuki

Much like with Innocent, I saw panels from Barbarities on here ages ago and wished I could read it without much hope, given the lack of other licenses for Tsuta Suzuki's bl since SuBLime's relicense of A Strange & Mystifying Story ages ago. But thankfully I am getting to read this nebulously historical drama with all of its social machinations and pretty men getting flustered by other flirtatious pretty men. And such nice clothes!

A Home Far Away, Teki Yatsuda

Kuma really gets some stellar licenses and A Home Far Away was especially good. Set in 1990s America, it reminded me of nothing so much as My Own Private Idaho crossed with Banana Fish and made me weep absolute buckets in the end. I don't think it's for everyone, but if you were ever an aficionado of depressing 90s queer cinema like I once was, this might be one for you.

À vos cotés [Tonari ni], Basso

I was shocked when the announcement for the French release of this title crossed my twitter timeline earlier this year - France has even less by Natsume Ono than the US does, but one of their publishers managed to get one of her actual bl titles published under her bl penname? So naturally, I had to get it. It's super sweet, about a young man who likes to take photos of horses at a racetrack who meets a much older man, and I swear reading it was just like reading her non-bl work only this time the two characters actually got to say their feelings out loud. This would be a perfect addition to several mainstream US publishers' bl lineup, and I would be the first in line to buy it if they did license it in English.

Dear, My God, Nemui Asada

More by Nemui Asada in English! I love Asada's work for its unique storylines and this one didn't disappoint, with a story about a priest having sex with a cult member to help save him and another story about a guy who ends up with a talking plant. It's a bit disappointing that it's only available on futekiya - when will we get some of these titles in print already?

Ikigami & Donor, Hiko Yamanaka

Hiko Yamanaka is another one whose work is always a bit outside the mold, and Ikigami & Donor is an interesting sci-fi bl about powerful "living gods" who have tremendous abilities but can't heal from injuries without blood, bodily fluids, or tissues from one specific donor. It's a fascinating concept and the way the relationship between one ikigami and his donor played out made for an interesting story. I hope to see more from Yamanaka one day.

12 notes · View notes