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oosteven-universe · 5 years

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The Rejected Dead Girl! One-Shot

The Rejected: Dead Girl! #1 Source Point Press 2019 Written by David C. Hayes & Josh Sobek Illustrated by Corey Anderson Lettered by Justin Birch Mr. Teeth and The Rejected return in this new one-shot from Source Point Press! While engaged in their usual wicked deeds, The Rejected are confronted by Miranda, a young disabled girl. Unlike the rest of the world, she can see The Rejected and she wants to stop them from hurting the children in her neighbourhood. Mr. Teeth finds out that Miranda is special. She is The Dead Girl and he may have met his match. I do love what I find at Source Point Press. The books I seem to take an interest in while varied in nature are extremely interesting and well put together. This is no exception and I found myself getting drawn further and further in without even realising it was happening. I started this with a bit of trepidation but it wasn't long before the intrigue factor of what we were seeing hit me. That moment when Miranda sees into Timmy's room and we see what she does that was the moment for me. Sometimes I think there's a little too much reality in comics these days if I am to be honest and just meeting the characters in this story shows why. There are times when I think comics should only be for the escape element but then again once you read this and you see the characterisation and behaviour of these folks it's easy to understand why the story is the way it is. It has strong messages and it's pretty powerfully written which is always appreciated, specially when it's done this well. The story & plot development that we see here and how the release of information and the flow of character introductions is extremely nice to see. The character development is amazing in how we get to see and know these people even with only the tiniest of interactions. Also I really do like the way that we see the whole narration and the setup for this as it really creates the right mood, tone and feel for what the story is all about. With the pacing added to the mix we see some interesting twists, turns and revelations which create a really enjoyable ebb & flow. Not to knock Corey but at first I thought okay this is some really indie looking artwork. Body proportions seem a little wonky to me. The more I read the more I saw the work and the more it grew on me. I thought Mr. Teeth and The Rejected were brought to life extremely well and then there were little things like the wallpaper that caught my eye. That wallpaper by the way is really outstanding work it does look extremely well placed and lined up, the benefits of using a computer. It's these things that let me forgive the fact that Miranda at times looks like a little person, see dwarf. The utilisation of the page layouts and how we see the angles and perspective in the panels show a solid eye for storytelling. As an added bonus we see al these kind of eater eggs throughout and it's fantastic. Source Point Press continues to impress me, I always find something new that I wouldn't have known I would like I am in the middle of reading it. Another intriguing and solid offering that will take you by surprise and leave you wanting more.

#comic books #comics reviews #source point press #david c hayes #josh sobek #corey anderson

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spiderdetentionaire · 4 years

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Joshua Graham.

Mostly of the art was done by @hrodvitnon, one request from @dyradoodles and one was done by me.

Joshua "Josh" Gojira Mosura Graham is the son of Dr. Vivienne Graham and the king and queen of the monsters Godzilla and Mothra.

I talked about him here

A 16-year-old human-titan hybrid adolescent boy who has knowledge of the more than 38 monsters called Titans around the world. He was raised predominantly by humans standing his mother, Dr. Vivienne Graham, and Dr. Ishiro Serizawa considered to be the boy's grandfather. However, his father, the king of the monsters, Godzilla, has been an active presence in Josh's life and, as best he could, has been with him always.

As the King of the Monsters' son, Josh inherited all his abilities and powers (and developed others like the head at the end at the end of the tail), but being also the son of Mothra, Queen of the Monsters, Josh inherited a pair of wings that resemble the wings of his uncle Battra, whom he never knew.

And when Josh transforms into Titan, his physical appearance changes and he reaches a height almost as high as the height of the Hulk in Endgame.

I also want to take the opportunity to talk about his girlfriend, Fontaine Nekton (yep! Fontaine Nekton from the animated series called The Deep, just that she has a different background story) she gained powers her paternal grandparents gave her, who had the powers to become the Titans Sobek and Dakuwaqa, that's why she can transform into a shark-crocodile hybrid. She and Josh have shared a beautiful friendship since they were five years old, but over time that friendship grew into something more powerful. Love.

She comes from a family of underwater explorers who firmly believe in the legend of the lost city of Lemuria, but the rest of the Nekton family discover that Josh's father sank the city to avoid a great curse that would end the world, and although the girl's parents and cousin understood it, her younger brother who is the chosen one and the called guardians didn't take it well.

There are more details about this Monsterverse that I want to talk about but it will be later. Thanks to the great artists who made these great drawings for me.

See you soon!

#godzilla #monsterverse #godzilla king of the monsters #dr. vivienne graham #dr. ishiro serizawa #mothra #joshua graham #the deep #fontaine nekton #alternative universe #spiderdetentionaire blog #my art #spiderdetentionaire art #hrodvitnon #dyradoodles

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heroicadventurists · 4 years

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2020 Eisner Award Nominees

Best Short Story

“Hot Comb,” by Ebony Flowers, in Hot Comb (Drawn & Quarterly)

“How to Draw a Horse,” by Emma Hunsinger, The New Yorker, https://www.newyorker.com/humor/daily-shouts/how-to-draw-a-horse

“The Menopause,” by Mira Jacob, The Believer, https://believermag.com/the-menopause/

“You’re Not Going to Believe What I’m About to Tell You,” by Matthew Inman, The Oatmeal, https://theoatmeal.com/comics/believe

“Who Gets Called an ‘Unfit’ Mother?” by Miriam Libicki, The Nib, https://thenib.com/who-gets-called-an-unfit-mother/

Best Single Issue/One-Shot

Coin-Op No. 8: Infatuation, by Peter and Maria Hoey (Coin-Op Books)

The Freak, by Matt Lesniewski (AdHouse)

Minotäar, by Lissa Treiman (Shortbox)

Our Favorite Thing Is My Favorite Thing Is Monsters, by Emil Ferris (Fantagraphics)

Sobek, by James Stokoe (Shortbox)

Best Continuing Series

Bitter Root, by David Walker, Chuck Brown, and Sanford Greene (Image)

Criminal, by Ed Brubaker and Sean Phillips (Image)

Crowded, by Christopher Sebela, Ro Stein, and Ted Brandt (Image)

Daredevil, by Chip Zdarsky and Marco Checchetto (Marvel)

The Dreaming, by Simon Spurrier, Bilquis Evely et al. (DC)

Immortal Hulk, by Al Ewing, Joe Bennett, and Ruy José et al. (Marvel)

Best Limited Series

Ascender, by Jeff Lemire and Dustin Nguyen (Image)

Ghost Tree, by Bobby Curnow and Simon Gane (IDW)

Little Bird by Darcy Van Poelgeest and Ian Bertram (Image)

Naomi by Brian Michael Bendis, David Walker, and Jamal Campbell (DC)

Sentient, by Jeff Lemire and Gabriel Walta (TKO)

Best New Series

Doctor Doom, by Christopher Cantwell and Salvador Larocca (Marvel)

Invisible Kingdom, by G. Willow Wilson and Christian Ward (Berger Books/Dark Horse)

Once & Future, by Kieron Gillen and Dan Mora (BOOM! Studios)

Something Is Killing the Children, by James Tynion IV and Werther Dell’Edera (BOOM! Studios)

Undiscovered Country, by Scott Snyder, Charles Soule, Giuseppe Camuncoli, and Daniele Orlandini (Image)

Best Publication for Kids

Akissi: More Tales of Mischief, by Marguerite Abouet and Mathieu Sapin (Flying Eye/Nobrow)

Dog Man: For Whom the Ball Rolls, by Dav Pilkey (Scholastic Graphix)

Guts, by Raina Telgemeier (Scholastic Graphix)

New Kid, by Jerry Craft (Quill Tree/HarperCollins)

This Was Our Pact, by Ryan Andrews (First Second/Macmillan)

The Wolf in Underpants, by Wilfrid Lupano, Mayana Itoïz, and Paul Cauuet (Graphic Universe/Lerner Publishing Group)

Best Publication for Teens

Harley Quinn: Breaking Glass, by Mariko Tamaki and Steve Pugh (DC)

Hot Comb, by Ebony Flowers (Drawn & Quarterly)

Kiss Number 8, by Colleen AF Venable and Ellen T. Crenshaw (First Second/Macmillan)

Laura Dean Keeps Breaking Up with Me, by Mariko Tamaki and Rosemary Valero-O'Connell (First Second/Macmillan)

Penny Nichols, by MK Reed, Greg Means, and Matt Wiegle (Top Shelf)

Best Humor Publication

Anatomy of Authors, by Dave Kellett (SheldonComics.com)

Death Wins a Goldfish, by Brian Rea (Chronicle Books)

Minotäar, by Lissa Treiman (Shortbox)

Sobek, by James Stokoe (Shortbox)

The Way of the Househusband, vol. 1, by Kousuke Oono, translation by Sheldon Drzka (VIZ Media)

Wondermark: Friends You Can Ride On, by David Malki (Wondermark)

Best Anthology

ABC of Typography, by David Rault, translation by Edward Gauvin (SelfMade Hero)

Baltic Comics Anthology š! #34-37, edited by David Schilter, Sanita Muižniece et al. (kuš!)

Drawing Power: Women’s Stories of Sexual Violence, Harassment, and Survival, edited by Diane Noomin (Abrams)

Kramer’s Ergot #10, edited by Sammy Harkham (Fantagraphics)

The Nib #2–4, edited by Matt Bors (Nib)

Best Reality-Based Work

Good Talk: A Memoir in Conversations, by Mira Jacob (One World/Random House)

Grass, by Keum Suk Gendry-Kim, translation by Janet Hong (Drawn & Quarterly)

Kid Gloves: Nine Months of Careful Chaos, by Lucy Knisley (First Second/Macmillan)

Moonbound: Apollo 11 and the Dream of Spaceflight, by Jonathan Fetter-Vorm (Hill & Wang)

My Solo Exchange Diary, vol. 2 (sequel to My Lesbian Experience with Loneliness), by Nagata Kabi, translation by Jocelyne Allen (Seven Seas)

They Called Us Enemy, by George Takei, Justin Eisinger, Steven Scott, and Harmony Becker (Top Shelf)

Best Graphic Album—New

Are You Listening? by Tillie Walden (First Second/Macmillan)

Bezimena, by Nina Bunjevac (Fantagraphics)

BTTM FDRS, by Ezra Claytan Daniels and Ben Passmore (Fantagraphics)

Life on the Moon, by Robert Grossman (Yoe Books/IDW)

New World, by David Jesus Vignolli (Archaia/BOOM!)

Reincarnation Stories, by Kim Deitch (Fantagraphics)

Best Graphic Album—Reprint

Bad Weekend by Ed Brubaker and Sean Phillips (Image)

Clyde Fans, by Seth (Drawn & Quarterly)

Cover, vol. 1, by Brian Michael Bendis and David Mack (DC/Jinxworld)

Glenn Ganges: The River at Night, by Kevin Huizenga (Drawn & Quarterly)

LaGuardia, by Nnedi Okorafor and Tana Ford (Berger Books/Dark Horse)

Rusty Brown, by Chris Ware (Pantheon)

Best Adaptation from Another Medium

Giraffes on Horseback Salad: Salvador Dali, the Marx Brothers, and the Strangest Movie Never Made, by Josh Frank, Tim Hedecker, and Manuela Pertega (Quirk Books)

The Giver, by Lois Lowry, adapted by P. Craig Russell, (HMH Books for Young Readers)

The Handmaid’s Tale: The Graphic Novel, by Margaret Atwood, adapted by Renee Nault (Nan A. Talese)

HP Lovecraft’s At the Mountains of Madness, vols. 1–2, adapted by Gou Tanabe, translation by Zack Davisson (Dark Horse Manga)

The Seventh Voyage, by Stanislaw Lem, adapted by Jon J Muth, translation by Michael Kandel (Scholastic Graphix)

Snow, Glass, Apples, by Neil Gaiman and Colleen Doran (Dark Horse Books)

Best U.S. Edition of International Material

Diabolical Summer, by Thierry Smolderen and Alexandre Clerisse, translation by Edward Gauvin (IDW)

Gramercy Park, by Timothée de Fombelle and Christian Cailleaux, translation by Edward Gauvin (EuroComics/IDW)

The House, by Paco Roca, translation by Andrea Rosenberg (Fantagraphics)

Maggy Garrisson, by Lewis Trondheim and Stéphane Oiry, translation by Emma Wilson (SelfMadeHero)

Stay, by Lewis Trondheim and Hubert Chevillard, translation by Mike Kennedy (Magnetic Press)

Wrath of Fantômas, by Olivier Bocquet and Julie Rocheleau, translation by Edward Gauvin (Titan)

Best U.S. Edition of International Material—Asia

BEASTARS, by Paru Itagaki, translation by Tomo Kimura (VIZ Media)

Cats of the Louvre, by Taiyo Matsumoto, translation by Michael Arias (VIZ Media)

Grass, by Keum Suk Gendry-Kim, translation by Janet Hong (Drawn & Quarterly)

Magic Knight Rayearth 25th Anniversary Edition, by CLAMP, translation by Melissa Tanaka (Kodansha)

The Poe Clan, by Moto Hagio, translation by Rachel Thorn (Fantagraphics)

Witch Hat Atelier, by Kamome Shirahama, translation by Stephen Kohler (Kodansha)

Best Archival Collection/Project—Strips

Cham: The Best Comic Strips and Graphic Novelettes, 1839–1862, by David Kunzle (University Press of Mississippi)

Ed Leffingwell’s Little Joe, by Harold Gray, edited by Peter Maresca and Sammy Harkham (Sunday Press Books)

The George Herriman Library: Krazy & Ignatz 1916–1918, edited by R.J. Casey (Fantagraphics)

Krazy Kat: The Complete Color Sundays, by George Herriman, edited by Alexander Braun (TASCHEN)

Madness in Crowds: The Teeming Mind of Harrison Cady, by Violet and Denis Kitchen (Beehive Books)

Pogo, Vol. 6: Clean as a Weasel, by Walt Kelly, edited by Mark Evanier and Eric Reynolds (Fantagraphics)

Best Archival Collection/Project—Comic Books

Alay-Oop, by William Gropper (New York Review Comics)

The Complete Crepax, vol. 5: American Stories, edited by Kristy Valenti (Fantagraphics)

Jack Kirby’s Dingbat Love, edited by John Morrow (TwoMorrows)

Moonshadow: The Definitive Edition, by J. M. DeMatteis, Jon J Muth, George Pratt, Kent Williams, and others (Dark Horse Books)

Stan Sakai’s Usagi Yojimbo: The Complete Grasscutter Artist Select, by Stan Sakai, edited by Scott Dunbier (IDW)

That Miyoko Asagaya Feeling, by Shinichi Abe, translation by Ryan Holmberg, edited by Mitsuhiro Asakawa (Black Hook Press)

Best Writer

Bobby Curnow, Ghost Tree (IDW)

MK Reed and Greg Means, Penny Nichols (Top Shelf)

Mariko Tamaki, Harley Quinn: Breaking Glass (DC); Laura Dean Keeps Breaking Up with Me (First Second/Macmillan); Archie (Archie)

Lewis Trondheim, Stay (Magnetic Press); Maggy Garrisson (SelfMadeHero)

G. Willow Wilson, Invisible Kingdom (Berger Books/Dark Horse); Ms. Marvel (Marvel)

Chip Zdarsky, White Trees (Image); Daredevil, Spider-Man: Life Story (Marvel); Afterlift (comiXology Originals)

Best Writer/Artist

Nina Bunjevac, Bezimena (Fantagraphics)

Mira Jacob, Good Talk (Random House); “The Menopause” in The Believer (June 1, 2019)

Keum Suk Gendry-Kim, Grass (Drawn & Quarterly)

James Stokoe, Sobek (Shortbox)

Raina Telgemeier, Guts (Scholastic Graphix)

Tillie Walden, Are You Listening? (First Second/Macmillan)

Best Penciller/Inker or Penciller/Inker Team

Ian Bertram, Little Bird (Image)

Colleen Doran, Snow, Glass, Apples (Dark Horse)

Bilquis Evely, The Dreaming (DC)

Simon Gane, Ghost Tree (IDW)

Steve Pugh, Harley Quinn: Breaking Glass (DC)

Rosemary Valero-O'Connell, Laura Dean Keeps Breaking Up with Me (First Second/Macmillan)

Best Painter/Digital Artist

Didier Cassegrain, Black Water Lilies (Europe Comics)

Alexandre Clarisse, Diabolical Summer (IDW)

David Mack, Cover (DC)

Léa Mazé, Elma, A Bear’s Life, vol. 1: The Great Journey (Europe Comics)

Julie Rocheleau, Wrath of Fantômas (Titan)

Christian Ward, Invisible Kingdom (Berger Books/Dark Horse)

Best Cover Artist

Jen Bartel, Blackbird (Image Comics)

Francesco Francavilla, Archie, Archie 1955, Archie Vs. Predator II, Cosmo (Archie)

David Mack, American Gods, Fight Club 3 (Dark Horse); Cover (DC)

Emma Rios, Pretty Deadly (Image)

Julian Totino Tedesco, Daredevil (Marvel)

Christian Ward, Machine Gun Wizards (Dark Horse), Invisible Kingdom (Berger Books/Dark Horse)

Best Coloring

Lorena Alvarez, Hicotea (Nobrow)

Jean-Francois Beaulieu, Middlewest, Outpost Zero (Image)

Matt Hollingsworth, Batman: Curse of the White Knight, Batman White Knight Presents Von Freeze (DC); Little Bird, November (Image)

Molly Mendoza, Skip (Nobrow)

Dave Stewart, Black Hammer, B.P.R.D.: The Devil You Know, Hellboy and the BPRD (Dark Horse); Gideon Falls (Image); Silver Surfer Black, Spider-Man (Marvel)

Best Lettering

Deron Bennett, Batgirl, Green Arrow, Justice League, Martian Manhunter (DC); Canto (IDW); Assassin Nation, Excellence (Skybound/Image); To Drink and To Eat, vol. 1 (Lion Forge); Resonant (Vault)

Jim Campbell, Black Badge, Coda (BOOM Studios); Giant Days, Lumberjanes: The Shape of Friendship (BOOM Box!); Rocko’s Modern Afterlife (KaBOOM!); At the End of Your Tether (Lion Forge); Blade Runner 2019 (Titan); Mall, The Plot, Wasted Space (Vault)

Clayton Cowles, Aquaman, Batman, Batman and the Outsiders, Heroes in Crisis, Superman: Up in the Sky, Superman’s Pal Jimmy Olsen (DC); Bitter Root, Pretty Deadly, Moonstruck, Redlands, The Wicked + The Divine (Image); Reaver (Skybound/Image); Daredevil, Ghost-Spider, Silver Surfer Black, Superior Spider-Man, Venom (Marvel)

Emilie Plateau, Colored: The Unsung Life of Claudette Colvin (Europe Comics)

Stan Sakai, Usagi Yojimbo (IDW)

Tillie Walden, Are You Listening? (First Second/Macmillan)

Best Comics-Related Periodical/Journalism

Comic Riffs blog, by Michael Cavna with David Betancourt, www.washingtonpost.com/entertainment/comics/

The Comics Journal, edited by Gary Groth, RJ Casey, and Kristy Valenti (Fantagraphics)

Hogan’s Alley, edited by Tom Heintjes (Hogan’s Alley)

Inks: The Journal of the Comics Studies Society, edited by Qiana Whitted (Ohio State University Press)

LAAB Magazine, vol. 4: This Was Your Life, edited by Ronald Wimberly and Josh O’Neill (Beehive Books)

Women Write About Comics, edited by Nola Pfau and Wendy Browne, www.WomenWriteAboutComics.com

Best Comics-Related Book

The Art of Nothing: 25 Years of Mutts and the Art of Patrick McDonnell (Abrams)

The Book of Weirdo, by Jon B. Cooke (Last Gasp)

Grunt: The Art and Unpublished Comics of James Stokoe (Dark Horse)

Logo a Gogo: Branding Pop Culture, by Rian Hughes (Korero Press)

Making Comics, by Lynda Barry (Drawn & Quarterly)

Screwball! The Cartoonists Who Made the Funnies Funny, by Paul Tumey (Library of American Comics/IDW)

Best Academic/Scholarly Work

The Art of Pere Joan: Space, Landscape, and Comics Form, by Benjamin Fraser (University of Texas Press)

The Comics of Rutu Modan: War, Love, and Secrets, by Kevin Haworth (University Press of Mississippi)

EC Comics: Race, Shock, and Social Protest, by Qiana Whitted (Rutgers University Press)

The Peanuts Papers: Writers and Cartoonists on Charlie Brown, Snoopy & the Gang, and the Meaning of Life, edited by Andrew Blauner (Library of America)

Producing Mass Entertainment: The Serial Life of the Yellow Kid, by Christina Meyer (Ohio State University Press)

Women’s Manga in Asia and Beyond: Uniting Different Cultures and Identities, edited by Fusami Ogi et al. (Palgrave Macmillan)

Best Publication Design

Grunt: The Art and Unpublished Comics of James Stokoe, designed by Ethan Kimberling (Dark Horse)

Krazy Kat: The Complete Color Sundays, by George Herriman, designed by Anna-Tina Kessler (TASCHEN)

Logo a Gogo, designed by Rian Hughes (Korero Press)

Madness in Crowds: The Teeming Mind of Harrison Cady, designed by Paul Kopple and Alex Bruce (Beehive Books)

Making Comics, designed by Lynda Barry (Drawn & Quarterly)

Rusty Brown, designed by Chris Ware (Pantheon)

Best Digital Comic

Afterlift, by Chip Zdarsky and Jason Loo (comiXology Originals)

Black Water Lilies, by Michel Bussi, adapted by Frédéric Duval and Didier Cassegrain, translated by Edward Gauvin (Europe Comics)

Colored: The Unsung Life of Claudette Colvin, by Tania de Montaigne, adapted by Emilie Plateau, translated by Montana Kane (Europe Comics)

Elma, A Bear’s Life, vol. 1: The Great Journey, by Ingrid Chabbert and Léa Mazé, translated by Jenny Aufiery (Europe Comics)

Mare Internum, by Der-shing Helmer (comiXology; gumroad.com/l/MIPDF)

Tales from Behind the Window, by Edanur Kuntman, translated by Cem Ulgen (Europe Comics)

Best Webcomic

Cabramatta, by Matt Huynh, http://believermag.com/cabramatta/

Chuckwagon at the End of the World, by Erik Lundy, https://hollowlegcomics.tumblr.com/chuckwagon

The Eyes, by Javi de Castro, https://www.javidecastro.com/theeyes

Fried Rice Comic, by Erica Eng, https://friedricecomic.tumblr.com

reMIND, by Jason Brubaker, https://is.gd/T7rafM

Third Shift Society, by Meredith Moriarty, https://www.webtoons.com/en/supernatural/third-shift-society/list?title_no=1703

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catfang12 · 4 years

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Sorry it’s been a while I’ve been really busy and then I was sick and they went away and now I’m finally back in and I’m my time away I’ve gotten quite a few new friends! The Green squishmellow cat is peppermint, The Spinosaurus is Sobek, The Shark is named Barrie ,The koala bear is named Josh and The fennec fox is Juniper 💜😊💙 Peppermint was a Christmas present, Barrie I got 2 weeks ago, Sobek came 4 days ago and Josh & Juniper I got today from my mom she went to the Zoo and brought them back for me😁I love them all so much! #plush #plushies #plushcollector #plushcollection https://www.instagram.com/p/B7aNxALpc6D/?igshid=1p3eixkgqcr7y

#plush #plushies #plushcollector #plushcollection

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itkmoonknight · 4 years

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Episode 135- LUNAR-PICK Classic Run Review: Frenchie Kisses

Become a Patron!

EPISODE 135:

High Priest of Khonshu Rey navigates you through a chock-filled episode including not only a comic book review of an old classic...but also another episode of their monthly audio drama, THE HUNT FOR KHONSHU'S GOLDEN SCEPTRE!

All this plus some big news for Moon Knight in the comics and on screen...what more can you ask for?!

PHASE OF THE MOON: WAXING CRESCENT

LUNAR-PICK - CLASSIC RUN REVIEW (Waning Crescent)

MOON KNIGHT VOL.1, ISSUE #11

'TO CATCH A KILLER'

Released September 1981

Writer - Doug Moench

Penciler - Bill Sienkiewicz

Inker - Bill Sienkiewicz

Colourist - Christie Scheele

Letterer - Janice Chiang, Rick Parker

Editor - Denny O'Neil

BARE BONES (COURTESY OF WIKI):

Following an increase in cocaine traffic, Moon Knight breaks up a drug deal beneath a Manhattan bridge. He tells the two men he's only interested in "the big boy." One of them, named Creed, attacks Moon Knight with surprising strength and then flees. Moon Knight knocks the other into the river and calls Frenchie to pick him up, dismissing the two crooks as "strictly small fry."

Back at Grant's mansion, Moon Knight changes to Steven Grant. A woman arrives, looking for Marc Spector. Grant (who is also Spector) learns her name is Isabelle Kristel and summons Frenchie—she is Frenchie's true love. She leaves a package with him for safekeeping. In ten days she will return for it and for him.

After she leaves, Frenchie tells Marlene what happened. Long ago he and Kristel had an affair in France, but the strength of their passion frightened Kristel. She left him to find herself and to forget. Frenchie also tried to forget by becoming a mercenary. They met once more, in Africa, where she was working for "an agency of the French government" and aiding a rebellion.

Six days later they learn that Kristel has been murdered. Frenchie opens the package, which contains $250,000 in cash. The box is from Ritter's in New Orleans.

Jake Lockley (who is also Grant) investigates. According to Crawley, "Cajun" Creed killed her for failing to deliver a shipment of cocaine. Lockley deduces that she traced the cocaine pipeline from France to New Orleans, went undercover in Creed's outfit, and delivered a shipment to New York. She took the payoff to Frenchie, intending to wrap up the case, quit her job, and keep the money as a nest egg. Frenchie swears revenge. Mardi Gras, in two weeks, will make excellent cover.

Once in New Orleans, they disguise themselves: Frenchie as a pirate, and Moon Knight as Moon Knight. Eventually Frenchie finds Creed in a bar in the French Quarter—on a bet he is holding a bench over his head, with four women sitting on the bench. Frenchie steps up behind him and says, "Creed—Isabelle sends her love." Creed drops the bench.

Out on the street, Moon Knight sees Frenchie and Creed burst out of the bar. He throws a crescent dart to disarm Creed. Creed throws Moon Knight into a crowd and flees. A clown keeps Moon Knight from pursuing, but after some persuasion says that Creed's lair is a warehouse at Ursulines and Rampart. Frenchie has overhead the info, because he is gone when Moon Knight turns around.

Moon Knight finds the warehouse and, inside, crates full of cocaine. Frenchie confronts Creed but is surprised by a confederate, who shoots him. Moon Knight drops the confederate with his truncheon and goes after Creed. Now prepared for Creed's strength, Moon Knight dodges a few blows, but Creed catches him in a bear hug from behind and squeezes. Unable to break the hold, Moon Knight uses a double-barrelled over-the-shoulder punch.

The fight goes out of Creed. He confesses that things happened exactly as Lockley figured. He caught Kristel on her way to the French Embassy and tortured her for five days. All she would say was that was planning to retire with Frenchie. Moon Knight is about to punch him when Frenchie puts a hand on his arm and says, "No, Marc—let me!" SWAKT!

Two days later, in a cemetery outside Paris, Frenchie puts a rose on Kristel's grave. "I am ready now," he tells Spector. "I have made ... the break."

MOON RATING (out of phases of the Moon):

Connorshu: 🌖 /10 -

Rey: 🌖 /10 -

THE HUNT FOR KHONSHU'S GOLDEN SCEPTRE - ITK SERIAL ADVENTURE

DIXIEME PARTIE : MAN OF THE STARS

These short episodes have been featured on our main show, but they are here now available for you to listen to at your leisure!

Join the ITK High Priests of Khonshu, and various Loonies from the ITK community as they battle the evil forces to regain the Golden Sceptre of Khonshu!

CAST (in order of appearance):

'High Priest' Rebecca Hart as Herself

'High Priest' Rey as Himself/Sobek

Knol 'Loony Toonz' Tate as Himself

'High Priest' Connor Stephens as Themselves

Adam 'Sterling' Eastment as Sobek

'The Power of' Chad Jernigan as Himself

??? - Secret introduction to new character (you'll have to listen to find out!)

Molly 'Door Knocker' Southgate as Lolly

Written by

High Priest of Khonshu Rey

SHOW NOTES:

Moon Knight Vol. 1, Issue #11

Jason Aaron's Moon Knight v Avengers

What's On Disney+ says MK to be filmed in Nov, in Atlanta

WHERE TO HEAR US:

Podcast Page

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CREDITS:

ITK Logo Graphic Design by

The High Priests of Khonshu

ITK Graphic Design produced and assisted by

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ITK Opening Sequence for video by

Chris Kelly

Music Written, Performed and generously provided by

Deleter

Co-Producers

Wayne Hunt

Josh Johnson

James Young

Anthony Sytko

Justin Osgood

Joey Agliata

Executive Producers

Dustin Kurtz

Produced by

Reynaldo Gesmundo

Proud Member of The Collective

The music for this episode contains excerpts from various songs and music copyrighted by Deleter and Brian Warshaw. The music agreed for use on Into the Knight - A Moon Knight Podcast is licensed under an Attribution License;

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