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#jonathan guerreiro
russianfigureskatinghell · 9 months
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I'm so sad! They were the only ice dancers I cared about 😭
Also, those people are bullshitting about Tiffany and Jonathan's talents and career, and even they know it. Like bffr, you're lying out of your ass if you don't think they were one of the best (if not the best) ice dancers in Russia (and Europe as a whole)
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figureskatingcostumes · 6 months
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Tiffani Zagorski and Jonathan Guerreiro skating to music by 2WEI for their free dance at the 2022 Russian Championships.
(Photos by Mikhail Sharov)
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Favorite 2023/2024 Programs Pairs SP
Pairs event at Worlds was so fucking good even without the Russians. (You'll only see me saying this for pairs. This is the only discipline where Russians were legitimately above the rest). But this season did prove that the field can actually manage without them.
Have to say tho that most the programs aren't really good and we're desperately in need of some good Choreo which is too rare at this point (Cheng Peng save me!).
So here's list if my favourite programs from this season. Rankings are to be taken with a grain of salt.
Honorable mentions go to
Ghilardi/Ambrosini (The Ecstasy of Gold). Choreo did not left an imprint but I love the music choice the costumes and the general vibe. G/A had some great packaging this season.
Ariano Kent/Laliberté Laurent (500 miles). You just can't keep the Canadians away from Sadboi music and this baby pairs came out with the weepy ballad variant of 500 miles. It's an experience for sure.
7th - Yuna Nagaoka/Sumitada Moriguchi - Can’t Take My Eyes of You, by John Lloyd Young, choreo by Cathy Reed
Fun. Charming. Nice to watch. Nothing special but this is one of those feel good programs. The fact that YunaSumi for their first season together have better packaging than RikuRyu is nothing short of tragic.
6th - Anastasia Golubeva/Hektor Giotopoulos-Moore - Architect of the Mind, by Kerry Muzzey, choreo by Jonathan Guerreiro
Recycled from last year. I love the baby Australians so much and this routine show why. Ability to follow the relentless pace of the music. A sense of drama. Good unisson and well matched lines. I especially love the step sequence where their bodies unfurl to the swirls of the music a bit like an accordion. It scratches an itch. Love Nastya's lines and love Hektor's commitment to the performance.
5th - Minerva Fabienne Hase/Nikita Volodin - Stay, by Rihanna, choreo by Paul Bolle and Mark Pillay
Not the most original thing and Virtue/Moir did it better. But Hase/Volodin are not Tessa and Scott, nor do they need to be. It could be a bit bland and tbh if the team were only slightly less talented it would be.
But instead we have a nice, light, romantic program. It goes perfectly well with Minerva's softness. Volodin is very solid but non existent as a performer and that's ok ! They only have to move prettily to the music and it works for them.
4th - Ellie Kam/Danny O’Shea - East of Eden, choreo by Drew Meekins
What good skating skills does to a motherfucker !!!
Even with the tech shortcomings (that throw jump is not even close to ready), when I saw them live in Angers this seasons they blew everyone put of the water with this SP. Skating skills are so rare among pairs skaters and it's so good to see them being rewarded by the judges for it. The sheer ice coverage the breath the ease of their skating is wonderful to see live. And East of Eden, overused as it is, is a perfect match for their brand. The music is suitably intense. Definitely one of the highlights of the season.
3rd - Cheng Peng/Lei Wang - The Storm Driven Sea, by Christopher Tin, choreo by Lori Nichols
Definitely the best choreo of the bunch, gets bumped from first place because Peng/Wang are a new pair and it shows. We sadly did not get the performance that short program deserved. The drama the position, the intensity... Unmatched.
Deanna Stellato-Dudek/Maxime Deschamps - Oxygen, by Cirque du Soleil choreo by Julie Marcotte
I HATED the music at the start of the season. The loud breathing triggered my misophonia and the vocals were grating.
I love it ! It's unlike anything else in the current pairs' field. Cirque du Soleil doesn't get more Québécois than that. The step sequence is fun. The lift rocks.
1st - Annika Hocke/Robert Kunkel - I Love Rock and Roll, by Joan Jett, choreo by Luca Lanotte
Speaking of rock... Best short of the season hands down. Gorgeous lifts with hard and creative dismount? Check! Massive throw jump? Check! Big twist? Check! Great step sequence with loads of attitude? Check! Music that will make the audience loose it? You bet! Performance levels? Unmatched!
Of fucking course they judges hated it and they were robbed blind at worlds.
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sulan1809 · 2 years
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Dio Brando - O vilão mais cruel de Jojo’s Bizarre Adventure
Quem assistiu Jojo’s Bizarre Adventure, certamente vai se lembrar de um sujeito muito malicioso e perverso chamado Dio Brando. Para simplificar, Dio Ă© extremamente manipulador e psicopĂĄtico, demonstrando pouco ou nenhum remorso pelas açÔes dele. Mas como Ă© que Dio descendeu para o mal, a ponto de cometer tamanhas crueldades?! Por que ele deu a volta de 180 graus?
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Em Jojo’s Bizarre Adventure: Phantom Blood, Dio Brando, ainda muito jovem, sofria muito nas mĂŁos do pai dele, Dario Brando, que era muito alcĂłolatra e abusivo, alĂ©m de ter tendĂȘncias cleptĂŽmanas. Dario Brando era um homem extremamente pobre, vivendo na Ă©poca da Inglaterra Vitoriana(1868), que testemunhou o acidente com a carruagem aonde se encontrava George Joestar, pai do jovem Jonathan Joestar, entĂŁo começou a saquear os destroços na suposição de que nĂŁo havia sobreviventes. No entanto, ele rapidamente notou com o cĂșmplice dele que havia um jovem recĂ©m-nascido que ainda estava vivo, e entĂŁo, George Joestar erroneamente assumiu que o ladroeiro estava salvando a vida dele, entĂŁo se sentiu em dĂ©bito com ele. No entanto, mesmo quando George mais tarde descobriu a verdade quando o inspetor-chefe o alertou de que Dario estava preso por tentar penhorar o anel de casamento de Mary Joestar, George nĂŁo apresentou queixa e pediu a Dario que se tornasse um bom homem para a famĂ­lia dele. Mas mesmo depois de receber dinheiro de George para abrir um hotel, devido a falta de habilidades comerciais e desonestidade, Dario rapidamente retornou Ă  pobreza e levou a esposa dele Ă  morte prematura. Pelos prĂłximos doze anos, Dario descontava todas as frustraçÔes dele no prĂłprio filho, Dio, com quem ele gritava e espancava pelos motivos mais fĂșteis. Como resultado, Dio descendeu para o mal, com grandes desejos de dominação e tendĂȘncias psicopĂĄticas. Depois da morte de Dario, Dio passou a morar com os Joestars, mas se vocĂȘ pensa que ele teria boas relaçÔes com Jonathan Joestar, Ă© aĂ­ que vocĂȘ se engana... 
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Dio transformava a vida do jovem Jonathan Joestar em um verdadeiro inferno, ao ponto de dar o primeiro beijo em Erina, matar Danny, o cachorro do pobre rapaz(RECLAME PRA SOCIEDADE PROTETORA DOS ANIMAIS, CADEIA NELE!!) e a pior parte Ă© que ele atormentava Jonathan, sem demonstrar culpa ou arrependimento...
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No entanto, Jonathan nĂŁo iria ser humilhado pra sempre e logo revidaria. Dio cometeu uma transgressĂŁo ainda maior: Descobriu o poder de uma mĂĄscara de pedra que concedia poderes vampirescos, entĂŁo Dio Matou o pai do herdeiro Joestar. Jonathan sabia que nĂŁo tinha a menor chance de derrotar Dio, entĂŁo pediu ajuda a Will A. Zeppelli, um lendĂĄrio mestre de uma arte marcial denominada Hamon, que pode destruir demĂŽnios vampirescos. Em uma batalha final, Jonathan e Dio morrem dentro de um navio que explodia.
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Em Jojo’s Bizarre Adventure, Stardust Crusaders, os poderes eram agora definidos por um certo aspecto: Stands, entidades psĂ­quicas geradas pelo prĂłprio usuĂĄrio; Stands geralmente se apresentam como figuras pairando perto ou sobre seu usuĂĄrio, possuindo habilidades alĂ©m das de um humano comum, que, dependendo do Stand User, podem ser usadas para o bem ou para o mal. O Stand de um certo jovem revoltado, Jotaro Kujo, por exemplo, Ă© um guerreiro muito forte, Star Platinum. Durante o conflito com Dio, Infelizmente, Noriaki Kakyoin, um dos personagens mais amados, foi abatido facilmente por Dio, mas antes de morrer, ele mostrou para o velho Joseph Joestar o segredo de Za Warudo, o Stand do vilĂŁo: Ele podia parar o tempo!! Joseph tentou avisar Jotaro enquanto podia, mas tambĂ©m foi abatido. Dio estava se divertindo muito com as provocaçÔes que ele fazia contra Jotaro, e em um certo momento, Jean Pierre Polnareff interveio em favor de Jotaro, enquanto ele se recuperava dos ferimentos que recebeu na luta que teve contra Dio. 
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No entanto, o maior erro de Dio foi subestimar a capacidade intelectual de Jotaro, que mesmo sobre muita pressĂŁo fĂ­sica e psicolĂłgica, foi capaz de copiar a tĂ©cnica de paralisar o tempo do vilĂŁo. Logo a habilidade de deter o tempo de Dio provou ser inĂștil contra Jotaro, que tinha um espĂ­rito de combate muito rĂ­gido, entĂŁo, Dio foi destruĂ­do pela prĂłpria tĂ©cnica dele, mas houve outra razĂŁo pela qual ele perdeu: Ele fez Jotaro ficar muito irritado. No fim, Jotaro conseguiu reavivar o velho Joseph Joestar, atravĂ©s da transfusĂŁo com o sangue pĂștrido da metade do cadĂĄver do inimigo deles, Dio, cujo corpo Ă© o que ele roubou do velho inimigo dele, Jonathan Joestar, hĂĄ centenas de anos atrĂĄs. No fim, o cadĂĄver de Dio foi jogado ao Sol pra virar poeira solar, depois de uma intensa batalha, Jotaro, Jean Pierre Polnareff(Silver Chariot) e Joseph Joestar haviam vingado as mortes dos companheiros deles, Noriaki Kakyoin(Hierophant Green), Muhammad Avdol(Magician’s Red), e o pequeno Boston Terrier, Iggy(The Fool), o Ășnico membro canino do grupo. Para simplificar, cada um deles seguiu o prĂłprio caminho.
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anewbeginningagain · 2 years
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So basically if you look at the Russian top 10 dance teams:
Sinitsina/Katsalapov - likely retiring 
Stepnova/Bukin - aiming for 2026
nepotism #2 - aiming for 2026
Khuda/Bazin - aiming for 2026 (though I personally doubt it)
Annabelle Morozov / Andrei Bagin - split
Elizaveta Shanaeva / Devid Naryzhnyy - split
Anastasia Skoptsova / Kirill Aleshin - retired
Arina Ushakova / Maxim Nekrasov - retired 
Tiffany Zahorski / Jonathan Guerreiro - likely retiring 
Shevchenko/Eremenko - retired
Even if Morozov/Naryzhnyy teaming up the field pretty much cleared, some of it is because of the (justified) Russian ban, but I’m certain the corrupt rise of nepotism #2 played a huge part in the decision for at least 5 of these teams which just might be the dumbest thing RusFed has done in a long time.
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Remembering some of those who didn't survive this Olympic cycle ❀❀
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(They're not dead, they just deserved better 😭😭)
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mustafinaandhergirls · 2 years
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Alisa has a new best friend. Jonathan Guerreiro, Olympic Ice Dancer and Russian Athlete Rep alongside her Mama, spent New Years together.
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resssistance · 2 years
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Tiffany Zagorski and Jonathan Guerreiro / FD at Russian Nationals 2021 (x) (x)
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somuchloveforalina · 3 years
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From Tiffani's insta post (21.09.26)
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ohtheseskaters · 2 years
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havaforever · 2 years
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LES LECONS PERSANES - Une fable trĂšs Ă©mouvante sur la force du langage et de la mĂ©moire, et sur tout l’univers imaginaire et sensoriel qui fonde chaque signifiant. Un terrible moment aussi sur l’horreur des camps de concentration, avec des images Ă  la fois sobres et crues, justes et bouleversantes, comme on en voit rarement au cinĂ©ma sur cette question dĂ©licate et douloureuse.
À la guerre, qui a ici tous les aspects rĂ©alistes : le camp de transit, le temps de passage des prisonniers, les dĂ©cisions des allemands face aux avancĂ©es amĂ©ricaines, s’oppose l’histoire de Gilles. Son rĂ©cit est complĂštement irrĂ©aliste, mais il reste emblĂ©matique de la façon dont chaque prisonnier a du se rĂ©inventer pour survivre. 
Incroyable performance d’acteur de Nahuel Perez Biscayart qui s’est surtout fait connaitre en France par le film 120 battements par minute pour lequel il a obtenu le cĂ©sar du meilleur espoir masculin. Encore une fois et comme dans Au Revoir la Haut, toute l’intensitĂ© du film pĂšse sur ses petites Ă©paules et sur son regard qui tremble, tiraillĂ© entre pulsion de vie, et l’épuisement total liĂ© Ă  la peur incessante qui l’envahit. En plus de cette prĂ©sence tout en subtilitĂ© et fragilitĂ©, Nahuel s’impose du fait qu’il parle couramment allemand, italien, espagnol et français. 
Le personnage de Reza, ce juif qui s’invente une identitĂ© de persan, est pointu, trĂšs singulier, et sa performance est Ă  la hauteur des enjeux. Ce qui fait la diffĂ©rence d’un scĂ©nario original, c’est Ă©galement la construction faite autour du commandant nazi. Au dĂ©but, ils s’opposent de façon frontale et radicale. Cependant, le personnage odieux Ă©volue pour gagner en nuances. Et c’est une trĂšs belle prestation en ce sens de Lars Eldinger, qui dose parfaitement l’amertume de ce mĂ©lange sinistre et touchant. 
Certes, Herr Kapitain garde son cĂŽtĂ© violent, complĂštement dĂ©sincarnĂ© face au massacre environnant dont il est aussi complĂštement responsable, mais on saisit peu Ă  peu ce qui l’a conduit Ă  ce poste. Son histoire est dĂ©voilĂ©e dans une scĂšne touchante et ambiguĂ«. Il ne passera pas pour une victime, loin s’en faut; mais on aperçoit en lui quelque chose de toute une gĂ©nĂ©ration manipulĂ©e par le nazisme.
Les intrigues de cour du personnel SS semblent Ă  la fois dĂ©placĂ©es et hors propos du film lui-mĂȘme. Et pourtant, du fait mĂȘme de leur petitesse et de l’absurde que leur narration injecte dans ce rĂ©cit, elles donnent le contrepoint de ce qui traversait l’esprit du soldat nazi de base. Les monstres agissaient complĂštement coupĂ©s de la rĂ©alitĂ© alors que les corps gazĂ©s se consumaient sous leur nez. La truite qui est au menu de la garde en uniforme bien repassĂ©, nous fait le mĂȘme effet sous la camĂ©ra qui s’est dĂ©jĂ  posĂ©e sur les corps entassĂ©s dans une brouette de fortune, traversant le camp. 
Il y a dans ce contraste entre le dĂ©tail qui tue et l’horreur massive qui indiffĂšre les mĂȘme personnages, une des clĂ©s de possibilitĂ© de la solution finale. Le scĂ©nario de survie, macabre Ă  l’extrĂȘme, dans lequel la garde nazie pataugeait comme des porcs dans leurs propres excrĂ©ments, en est une image fulgurante.
NOTE 16/20 - Un récit troublant, atypique et finement équilibré.
Le rĂ©alisme du film tient Ă  sa rĂ©alisation classique baignĂ©e dans la lumiĂšre fantomatique des camps de la mort; cette ambiance tranche avec une fable aussi belle que peu crĂ©dible. Elle jette pourtant rĂ©trospectivement un peu de lumiĂšre et de sensibilitĂ© sur ce monde de monstres que les nazis ont tentĂ© d’ériger en norme. 
On en frissonne d’horreur, comme s’il s’agissait d’une menace fictive sur le futur, extrĂȘmement exagĂ©rĂ©e pour faire sensation. Et pourtant, l’ineffable tel que ces quelques images nous le prĂ©sente (et encore de façon Ă©dulcorĂ©e) a dĂ©jĂ  eu lieu
 
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Tiffany Zahorsky & Jonathan Guerreiro on their way to pick one of their 15 other nationalities now that Russian athletes won't be allowed at competitions
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papciz-gram · 3 years
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digit_al_ice: As our S'Kate Info Glace team should have been covering Internationaux de France in Grenoble this week-end... Here's a little throwback to the 2019 French Grand Prix ✹
We hope to be back in ice rinks soon ❄
All pictures by me, cropped for Instagram pruposes, available at skate-info-glace.com
#gpfigure#grandprix#grenoble#isufigureskating#figureskating#iceskating#shomauno#papadakiscizeron#kevinaymoz#chockbates#zagorskiguerreiro#nathanchen#risportskates#edeaskates#johnwilsonblades#figureskaters#icerink#patinajesobrehielo#patinaggioartistico⛾#patinageartistique
(14.11.2020)
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Raking the GPF programs - junior pairs SP edition
6 - Sophia Baram/Daniel Tioumentsev - Bla bla bla cha cha cha, choreo by Cindy Stuart
Cute but I despise the song. Solid technically but imho not my thing.
5 - Chloe Panetta/Kieran Thrasher - If I Ain’t Got You, choreo by Julie Marcotte
The technical elements are a struggle which is a shame because in that field, Chloe and Kieran are definitely the most classy, for lack of a better word. 
There’s a maturity to their skating, and certain abandon when they’re not struggling with the jumps, and throws, and the twist... Pretty much everything. Chloe was injured at the beginning of the season. And they’ve been skating what ? two seasons together, but ngl I’m not optimistic about their prospects.
4 - Haruna Murakami/Sumitada Moriguchi - Le Corsaire, choreo by Cathy Reed
Classical but nice. The jump requirement for the SP doesn’t allow them to showcase their ace which are stunninng SBS jumps, and puts their other pairs elements in the spotlight. It’s still a work-in-progress but they’re a very new pair.
Also best SBS spins of the field. So fast it’s a wonder.
3 -  Cayla Smith/Andy Deng - Summer of 42, choreo by Alena Lunin
Cayla and Andy have split just after the JGPF as Andy wanted to go to university. 
While the tech content of that pair wasn’t the highest, they had some really nice skating skills and a decent musicality. Summer of 42 is starting to get overplayed imho, but it suited them well.
2 - Anastasia Golubeva/Hector Giotopoulos-Moore - Architects of the Mind, choreo by Galina Pachin and Jonathan Guerreiro
Music is whatever but I like the choreo, it’s all about coiling and snapping, enfurling like a snake, or like an accordeon. And kudos to them because the music is extremely fast paced and they are able to maintain that drive throughout the program. A really solid team and I cannot wait to see them next years among seniors.
1 - Violetta Sierova/Ivan Khobta - Vesna, choreo by Pylyp Zalevskyi
Hands down the best choreo for a short program of the season among the pairs, juniors AND seniors.
There’s just so much to love there, starting with the costumes, with Ivan in traditional Ukrainian vyshyvanka, and while the embroidered flowers on Violetta’s dress are in the colour of the national flag.
The music choice also is outstanding. We need more ethno rock/folk, and less Western pop music in figure skating. And that song genuinely slaps. Please if you can have a look at the lyrics, they are beautiful, and in the context of the war, became even more haunting.
And finally the choreo is chock full of little details, lovely transitions, all taken from traditionnal dances, the hops, and turns and the moves.
Violetta and Ivan do need more speed, attack and projection to make that short really sing, so I hope they’re going to keep it for the next season and refine it.
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aleksandra-ivan · 3 years
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figureskatingcostumes · 4 years
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Tiffany Zagorski and Jonathan Guerreiro skating to music from The Greatest Showman for their rhythm dance at the 2019 Skate America and 2019 Internationaux de France.
(Sources: Melanie Heaney, David W. Carmichael and Aude Mugnier)
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