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#john walker hate acc
kentaroranda · 3 years
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bucky really said "battlestar?? that is deadass the worst name ever I refuse to be seen in a car with u" and I love him for it!!!!
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demxters · 3 years
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i just wanna put chili on his lip whenever he opens his mouth maybe then hell know not to open it
HAHA PLEASE 😭😂
i 10/10 support this bc i definitely just want him to shut up 🙄
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sortasirius · 3 years
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As much as I hate johns character I'm really glad he's not just some cartoonish villain that wants power just because yknow? I like seeing him be pathetic and lose his sanity and abuse his power (from a storytelling perspective not that I acc like it fkskfkdk) but also sometimes be almost normal like when he's nervous or insecure or just talking to his wife/Lemar. Like im just obsessed over how well this show is handling the nuance of its themes and its characters dndkfkdk
No I totally agree!
I think it’s interesting the way they put him in such similar situations as Steve specifically just to show that a good soldier and someone who was once a good man doesn’t make him a good Captain America.
Like the whole final scene of this last episode, the way he killed the Flagsmasher...eerily similar to the final fight in Civil War, down to the way Steve went for Tony’s arc reactor when he thought he was going to go for his face.  Steve would never have done that, even though Tony was trying to kill Bucky, he never would have killed Tony for that, and the way they juxtaposed those two scenes, with one Captain America choosing not to go too far with no audience, and the other going too far knowing he was being watched?  It’s fascinating.
Plus like...the way they compare Walker to Sam too.  Sam is kind to everyone no matter if he has an audience or not, he treats people with respect, he’s a good man, he proves every day that he would be a good bearer of the shield not because he would be perfect, Steve wasn’t perfect, but because he would try his hardest to do what’s right.
The ultimate downfall of John Walker is that he thinks he’s the best because he has the shield.  He can brute force his way out of anything because he’s “Captain America.”  He’s the embodiment of white male privilege.  The way he speaks to Sam, the way he speaks to the Dora Milaje, it all comes down to the fact that he thinks he’s better.  Even that line he has to Bucky about “letting” Sam do something, it sat wrong with me when I first watched it and it’s made even worse throughout the episode.  The show is handling the quiet, passive, microaggressive racism that POC are forced to face every day in such a nuanced way, really impressive storytelling on Marvel’s part imo.
Zemo’s right, wanting the serum now means wanting some version of supremacy.  For Steve it didn’t mean that and Bucky, obviously, had no choice, but Walker wants supremacy, and the violence he uses to get what he wants proves that.
Sorry this is SO rambly lol I could talk about this forever.
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villainelle · 3 years
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☕ + mcu fandom post endgame?
update: uhh not me realising u said fandom after writing a whole ass essay: this fandom has been so divisive since civil war tbh. i wish people would hold the writers a little bit more accountable for their writing than hating on fans who’s characters have done something they don’t like. it’s like, a lot of the uh things that happen in the mcu that people have a problem with is just a case of really bad writing. (see below hhuuhwhuwe)
prev answer: ahhhhhhhh. okay i have a couple of thoughts. so obvs, post endgame marvel is largely tv shows atm. i think....it’s a transparent business decision and a good one, mind you, for marvel lmao. i think there’s several reasons. for it. first and foremost, obvs the avengers have disbanded so there isn’t a new group to carry future movies. secondly, splitting into several tv shows not only allows marvel to launch its own exclusive streaming platform, but ensures more viewers have to watch the shows for the future movies to make sense, y’know? 
in terms of my opinions about the shows, atm i’m most surprised by wandavision which i didn’t expect to enjoy. i was worried they wouldn’t pull off the humour and sitcoms but they did a great job acc. i think both shows however suffer from pacing issues, particularly in the last episode where they try to tie everything up and it kinda falls apart bc there are too many antagonists — tfatws particularly struggles with it, i mean what the hell was the 180 turn on john walker in the last ep i’m still so ???? about that whole mess. a bit worried for loki but it’s the only tv show that probably doesn’t impact the upcoming movies as in it’s own alternate timeline.
black widow is still such an insult imo. firstly i dont think its the right place to put in the mcu - ideally you’d want the black widow after catws bc that’s when nat leaked all the shield files and her own past, so it makes more sense for her story to be situated into the timeline at that moment. the whole movie feels redundant given the character’s death has already happened, it’s like...it doesn’t really matter what happens bc u know how she dies anyway, and the emotional impact of it is lessened bc of that. the thing is i get why the russos killed natasha — bc mcu!clint has been so destroyed by....everything idek....there would be so little emotional impact with his death. that does not however mean i don’t still hate it lmao. it truly makes me furious that female characters are so outweighed by male characters in the mcu that the russos managed to kill both the only female guardian, and the only female avenger. 
endgame!steve’s arc.....i pretend i do not see it. i really do. i lowkey talked about it on my blog a lot when endgame came out, bc it was sooo regressive in my mind and since the russos set up the rules of time travel to mean things could not be changed without creating an alternate timeline (mind u they broke that anyways.), then what that means for steve is that he had to go back in the past and do nothing for the timeline to continue as it did. (meaning, ignoring his own frozen self, ignoring bucky’s capture by hydra and the soviets, etc, etc). a lot of people hate on aou, and rightfully so in many ways, but that doesn’t change the fact that there were some pretty significant arcs in that movie that people wanna ignore - one of which is that steve has made his peace with being in the present. the avengers are his family, bucky is there as well, peggy has married and has told him to move on, and even his flashback is a kind of horror sequence of pretending “it’s over, we can go home” while people die around him.
for me, i think i miss the early movies so much. the og iron man movie, and catfa and catws, as well as the avengers are my top favourites. i really appreciate those storylines the most bc they exist on their own. once we got into phase 4, and the tv shows, it felt like every movie was an advertisement for the next with the way they threw cameos in. the most obvious being civil war with the spiderman reboot. in fact civil war in general was so redundant when you realise infinity war and endgame are literally gonna be like, “yeah all of that that we just talked about? it no longer stands”, and i mean this both re: the accords, and re: bucky, bc at no point somehow in the following movies do we even get a MENTION of bucky from tony. you’d think with endgame you’d at least have one line. it could have been as simple as tony saying: “we’ll get them back cap, all of them. barnes included.” 
send me a ☕️ and a topic and i’ll talk about how i feel about it
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lipwak · 5 years
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VHS #368
Martin Scorsese – The Blues Finish up #4 and then 5-7. *** the rest of episode #4, Warming by the Devil's Fire by Charles Burnett1:08 See the whole thing here: http://www.magazzininesistenti.it/warming-by-the-devils-fire-charles-burnett-documentary-film-2003/ WC Handy - Beale Street Blues, Joe Turner’s Blues, Rev Gary Davis - Death Don’t Have No Mercy, MS John Hurt - Candyman, Muddy Waters, T-Bone Walker, MS John Hurt - Spike Driver Blues, Bessie Smith - Muddy Water, Billie Holiday - I’m A Fool To Want You, Lightnin' Hopkins - Lonesome Road, Frank Jordan - I’m Going To Leland, South Carolina Chain Gang - Jumpin’ Judy, WC Handy - St Louis Blues, Bessie Smith, Elizabeth Cotton - Freight Train, worked for a dollar a month, Willie Dixon - Nervous, Victoria Spivey - T.B. Blues, Sonny Terry and Brownie McGhee - Key To The Highway, John Lee Hooker - Boom Boom, John Lee Hooker - Never Get Out of These Blues Alive. Big Bill Broonzy Elizabeth Cotten Reverend Gary Davis Ida Cox Willie Dixon Jesse Fuller John Lee Hooker Lightnin' Hopkins Son House Mississippi John Hurt Vasti Jackson Bessie Smith Mamie Smith Victoria Spivey Sister Rosetta Tharpe Dinah Washington Muddy Waters Sonny Boy Williamson (not in order) 1. Jelly Roll Morton Turtle Twist Jelly Roll Morton (piano); Barney Bigard (clarinet); Zutty Singleton (drums) Recorded New York City, New York; December 17, 1929 2. Ma Rainey See See Rider Ma Rainey (vocal) acc. by Her Georgia Jazz Band: Louis Armstrong (trumpet); Fletcher Henderson (piano) Recorded New York City, New York; October 16, 1924 3. Son House Death Letter Recorded New York City, New York; April 12-14, 1965 4. Billie Holiday I'm A Fool To Want You Billie Holiday (vocal) Recorded New York City, New York; February 19, 1958 5. Mississippi John Hurt Big Leg Blues Recorded New York City, New York; December 21, 1928 6. Memphis Jug Band K.C. Moan Recorded Memphis, Tennessee; October 4, 1929 7. Robert Johnson Sweet Home Chicago Recorded San Antonio, Texas; November 23, 1936 8. Tommy McClennan Deep Blue Sea Blues Recorded Chicago, Illinois; September 15, 1941 9. Bessie Smith Muddy Waters Bessie Smith (vocal); Coleman Hawkins (clarinet); Fletcher Henderson (piano) Recorded New York City, New York; March 2, 1927 10. Sonny Boy Williamson Cross My Heart Sonny Boy Williamson (vocal-harmonica); Robert Jr. Lockwood (guitar);, Otis Spann (piano); Willie Dixon (bass) Recorded Chicago, Illinois; September, 1957 11. Elmore James Dust My Broom Sonny Boy Williamson (harmonica) Recorded Jackson, Mississippi; August 5, 1951 12. Willie Dixon Nervous Blues Archival Footage 13. Muddy Waters You Can't Lose What You Ain't Never Had Muddy Waters (vocal-guitar); Otis Spann (piano) Recorded Chicago, Illinois; April 1964 14. W.C. Handy Beale Street Blues 15. Charley Patton Hang It On The Wall Recorded New York City, New York; February 1, 1934 16. Sister Rosetta Tharpe Up Above My Head I Hear Music In The Air Recorded New York City, New York; November 24, 1947 17. Carmen Twillie Give Me Freedom 18. Mildred Jones Mr. Thrill Recorded Houston, Texas; 1954 19. Lightnin' Hopkins Lonesome Road From Archival Footage 20. John Lee Hooker I'll Never Get Out Of These Blues Alive John Lee Hooker (vocal-guitar); Muddy Waters (guitar); Otis Spann (piano) Recorded New York City, New York; August 30, 1966 , Live At The Café au Go Go *** excerpt from Honeyboy and the History of the BluesSee the whole thing here: https://vimeo.com/12249843 Catfish Blues - David “Honeyboy” Edwards, Bruce Iglauer, BB King, indirect song - baby, I’m gonna leave you = leave the boss, Big Joe Williams - Baby Please Don’t Go, drunk off that dago wine, Muddy Waters - I’mYour Hoochie Coochie Man, Honeyboy Edwards - Who May Your Regular Be. *** black *** Godfathers and SonsDirected by Marc LevinThursday ? in a club in Chicago, Marshall Chess, Koko Taylor! - Wang Dang Doodle, Chuck D, Muddy Waters - I’m A Man, Little Walter - Key To The Highway, pics of Leonard Chess, Muddy Waters - Rollin' Stone, Electric Mud - people hated it, Muddy Waters - I’mYour Hoochie Coochie Man, Public Enemy, She’s Alright, Marshall talking about a hip hop version of Electric Mud, Otis Rush live at the Chicago Blues Festival - I Wonder Why (Will My Man Be Home Tonight), Waling The Back Streets And Crying, Jimmy Rogers - Chicago Bound (neat night steam train footage), Phil Chess, Maxwell St, Magic Slim, Lonnie Brooks - Feel Good Doin’ Bad, Chess Studios, Bo Diddley, Howlin' Wolf - Evil (Is Going On), didn’t know it would be a great name, Sonny Boy Williamson II, Marshall’s bar mitzvah, Bo Diddley - We’re Gonna Get Married, Brownie McGhee, Willie Dixon, Howlin’ Wolf - Spoonful, Koko, I Got What It Takes, Mrs Willie Dixon, Magic Slim, Muddy Waters- I’m Ready, Ike Turner & Pinetop Perkins, Common, Rolling Stones - I Just Wanna Make Love To You, recorded 2nd album in the summer of ’64, Sam Lay, Butterfield Blues Bad, Mike Bloomfield, Newport, Dylan at Newport, musicians defend Electric Mud, session, Rocket 88, Muddy Waters - Mannish Boy played in studio for the new band, still not afraid to make the worst blues album ever made, Etta James - I’d Rather Be Blind on Chess, Marshall ran the Rolling Stones record company for 7 years, Cocksucker Blues, got into sex, drugs, quit, got married, father never complemented him, Chuck Berry - Johnny B Goode, Electric Lady Studios, Jimi Hendrix, Koko - Wang Dang Doodle. Lonnie Brooks Paul Butterfield * Common Chuck D and Public Enemy * Bo Diddley * Sam Lay Ike Turner Pinetop Perkins Otis Rush Magic Slim Smokey Smothers Koko Taylor Sonny Terry * & Brownie McGhee * "Electric Mud Band": Pete Cosey, Phil Upchurch, Louis Satterfield, Morris Jennings Kyle Rahzel and Ahmir (a.k.a. ?uestlove) of The Roots Muddy Waters * Sonny Boy Williamson * Howlin' Wolf * Willie Dixon * Blind Arvella Gray * Carrie Robinson * *indicates archival performance Interviews in Godfathers and Sons Marshall Chess Chuck D Jamar Chess Phil Chess Koko Taylor Magic Slim Common Sam Lay Interviews: Marshall Chess, Chuck D, Jamar Chess, Phil Chess, Koko Taylor, Magic Slim, Common, Sam Lay, Morris Jennings, Phil Upchurch, Louis Satterfield, Gene Barge, Pete Cosey, Kyle, Juice, Bob Koester Featured Performers: Ike Turner, Pinetop Perkins, Otis Rush, Koko Taylor, Chuck D, Common, Sam Lay, Lonnie Brooks, Smokey Smothers, Magic Slim, "Electric Mud Band": Pete Cosey, Phil Upchurch, Louis Satterfield and Morris Jennings, Kyle, Rahzel and Ahmir (a.k.a. ?uestlove) of The Roots Archival Performances: Paul Butterfield, Bo Diddley, Sonny Terry & Brownie McGhee, Muddy Waters, Sonny Boy Williamson, Howlin' Wolf (not in order) 1. Jimmy Rogers Chicago Bound — 2:40 (James A. Lane) Jimmy Rogers (vocal, guitar); Muddy Waters (guitar); Little Walter (harmonica); Henry Gray (piano); Willie Dixon (bass); Elga Edmonds (drums) Recorded Chicago, Illinois, January 7, 1954 Originally Chess 1574 Courtesy of Vee-Jay Limited Partnership By Arrangement With Warner Strategic Marketing 2. Muddy Waters Mannish Boy — 2:54 (Melvin London-Ellas McDaniel-McKinley Morganfield) Muddy Waters (vocal); Little Walter (harmonica); Jimmy Rogers (guitar); Otis Spann (piano); Willie Dixon (bass); Francis Clay (drums) Recorded Chicago, Illinois, May 24, 1955 Originally Chess 1602 Courtesy of MCA Records 3. Howlin' Wolf Spoonful — 2:43 (Willie Dixon) Howlin' Wolf (vocal, harmonica); Hubert Sumlin, possibly Freddy King (guitars); Willie Dixon (bass); Fred Below (drums) Recorded Chicago, Illinois, June 1960 Originally Chess 1762 Courtesy of MCA Records 4. Buddy Guy I Cry And Sing The Blues — 3:02 (Willie Dixon) Buddy Guy (vocal, guitar); remainder of personnel unknown Recorded Chicago, Illinois, July 1967 Originally on MCA-Chess CHD2-9337, The Complete Chess Studio Recordings Courtesy of MCA Records 5. Jimmy Reed Bright Lights, Big City — 2:41 (Jimmy & Mary Reed) Jimmy Reed (vocal, harmonica) Recorded Chicago, Illinois, 1961 Originally Vee-Jay 398 Courtesy of Vee-Jay Limited Partnership By Arrangement With Warner Strategic Marketing 6. Howlin' Wolf Evil (Is Going On) — 2:53 (Willie Dixon) Howlin' Wolf (vocal, harmonica); Otis Spann (piano); Jody Williams, Hubert Sumlin (guitars); Willie Dixon (bass); Earl Phillips (drums) Recorded Chicago, Illinois, May 25, 1954 Originally Chess 1575 Courtesy of MCA Records 7. Little Walter Key To The Highway — 2:46 (Bill Broonzy) Little Walter (vocal, harmonica); Otis Spann (piano); Muddy Waters (slide guitar); Luther Tucker (guitar); Willie Dixon (bass); George Hunter (drums) Recorded Chicago, Illinois, circa August 1958 Originally Checker 904 Courtesy of MCA Records 8. Koko Taylor Wang Dang Doodle — 3:00 (Willie Dixon) Koko Taylor (vocal); Buddy Guy, Willie Dixon (background vocal) Produced by Willie Dixon Recorded Chicago, Illinois, December 7, 1965 Originally Checker 1135 Courtesy of MCA Records 9. Howlin' Wolf The Red Rooster — 2:27 (Willie Dixon) Howlin' Wolf (vocal-guitar); Johnny Jones (piano); Hubert Sumlin (guitar); Willie Dixon (bass); Sam Lay (drums) Recorded Chicago, Illinois, June 1961 Originally Chess 1804 Courtesy of MCA Records 10. Koko Taylor I Got What It Takes — 3:05 (Willie Dixon) Koko Taylor (vocal); Buddy Guy. Produced by Willie Dixon Recorded Chicago, Illinois, June 30, 1964 Courtesy of MCA Records 11. Otis Rush Walking The Backstreets And Crying (live) — 5:59 (Sandy Jones, Jr.) Otis Rush (vocal, guitar) Recording Engineer - Richard Pooler Recorded at Chicago Blues Fest, Chicago, Illinois, June 9, 2001 First Issue P 2003 Vulcan Productions, Inc. and Roadmovies Filmproduktion GmbH 12. Muddy Waters (I'm Your) Hoochie Coochie Man — 2:50 (Willie Dixon) Muddy Waters (vocal, guitar); Little Walter (harmonica); Jimmy Rogers (guitar); Otis Spann (piano); Willie Dixon (bass); Fred Below (drums) Recorded Chicago, Illinois, January 7, 1954 Originally Chess 1560 Courtesy of MCA Records 13. Lonnie Brooks Feel Good Doin' Bad (live) — 5:37 (Lee Baker) Lonnie Brooks (vocal, guitar) Recorded at Koko Taylor's Celebrity, Chicago, Illinois, August 23, 2001 14. Bo Diddley Diddley Daddy — 2:28 (Ellas McDaniel) Bo Diddley (vocal, guitar); Little Walter (harmonica); Willie Dixon (bass); The Moonglows (backing vocals) Recorded Chicago, Illinois, May 15, 1955 15. Magic Slim & The Teardrops Talk To Me Baby (I Can't Hold Out) (live) — 6:55 (Elmore James) Magic Slim (vocal, guitar) Recorded at Chicago Blues Fest, Chicago, Illinois, June 8, 2001 16. The Paul Butterfield Blues Band Born In Chicago — 3:06 (Nick Gravenites) Paul Butterfield (vocal, harmonica); Mike Bloomfield, Elvin Bishop (guitars); Mark Naftalin (organ); Recorded 1965 17. The Paul Butterfield Blues Band Shake Your Money Maker — 2:27 (Elmore James, adapted by Paul Butterfield) Paul Butterfield (vocal-harmonica); Mike Bloomfield, Elvin Bishop (guitars); Mark Naftalin (organ) Recorded 1965 18. Bob Dylan Maggie's Farm — 3:56 (Bob Dylan) Cumulative Session Credits: Bob Dylan (vocals, guitar, harmonica); Kenneth Rankin (guitars); Will Lee Recorded New York, New York, January 15, 1965 19. Public Enemy Show 'Em Whatcha Got — 1:57 Chuck D (vocals); Flava Flav (vocals) Produced by Hank Shocklee & Carl Ryder Recorded New York, New York; Roslyn, New York; and Hempstead, New York Originally on Def Jam 44303, It Takes A Nation Of Millions To Hold Us Back 20. Common Dooinit — 3:38 (Lonnie Lynn-James Yancey) Common (vocals); Jay Dee (scratches) Recorded Dearborn Heights, Michigan & New York, New York 21. The ElectriK Mud Kats A.K.A. (The Electric Mud Band) with vocals by Chuck D, Common & Kyle Jason Mannish Boy — 5:19 Chuck D (vocals); Common (vocals) Recorded Chicago, Illinois, New York, New York, and Shokan, New York, 2002/2003 22. Etta James I'd Rather Go Blind — 2:34 Etta James (vocals) Recorded Muscle Shoals, Alabama, August 23, 1967 *** Hendrix and the Blues 1/2 hr See the whole thing here: https://dai.ly/x23o3ji Muddy Waters, Jimi Hendrix, Eric Burden, Dick Cavett, Tom Finnegan, Hear My Train A Comin' (Live at Berkeley), Vernon Reid, played backup to the Isley Brothers, Eddie Kramer, Noel Redding, Chuck D, Howlin Wolf - Killing Floor, Hubert Sumlin, Jimi playing Killing Floor at Monterey, Red House (Isle of Wight), Star Spangled Banner, Buddy Guy, Voodoo Chile (Woodstock then Berkeley 2nd show). *** Red, White & BluesDirected by Mike FiggisFriday Mick Fleetwood, Muddy Waters, Eric Clapton, Jeff Beck, Tom Jones, Jeff Beck at Abbey Road, Van Morrison, Jon Cleary, Van singing something, English jazz band players, Lonnie Donnegan tells of his the first jazz band he saw, Big Bill Broonzy, John Mayall, Albert Lee, Bert Jansch, Sonny Terry & Brownie McGhee, Sister Rosetta Tharpe, Lonnie sings Sloop John B, Steve Winwood, Leadbelly, Van, Ramblin Jack Elliot - Skiffle aint’ worth shit, Georgie Flame, Tom Jones, Jeff Beck, Joe Meek engineered Bad Penny Blues, Lady Madonna same feel, Jon Cleary - Big Chief, Eddie Cochran, Ray Charles - What’d I Say, Muddy Waters - You Can’t Lose What You Never Had, Mick Fleetwood, Tom Jones & Jeff Beck - Love Letters, Otis Redding, Eric Burden, Booker T & The MGs - Green Onions, Chris Farlowe and Albert Lee - Stormy Monday Blues, Jeff Beck? - Rollin and Tumblin, Jeff Beck - Cry Me A River, BB King, Alexis Korner - Hootchie Coochie Man, John Mayall - Have You Heard, Clapton, Spencer Davis Group with Steve Winwood - Georgia On My Mind, John Lennon & Plastic Ono Band - Yer Blues, Rolling Stones - I Just Want To Make Love To You, Cream - Crossroads, Tom Jones - Hard Times, The Band - The Load, Van sings something else, Lulu - Drown In My Own Tears. Performances in Red, White & Blues Jeff Beck Big Bill Broonzy * Cream * Lonnie Donnegan Georgie Fame Chris Farlowe Tom Jones B.B. King Peter King Alexis Korner * Albert Lee Lulu Humphrey Lyttelton Sonny Terry * & Brownie McGhee * Van Morrison Rolling Stones * Sister Rosetta Tharpe * Muddy Waters * Lead Belly * Jon Cleary *indicates archival performance Interviews in Red, White & Blues Tom Jones Jeff Beck Van Morrison John Porter Humphrey Lyttelton George Melly Lonnie Donnegan Chris Barber Eric Clapton John Mayall B.B. King Albert Lee Chris Farlowe Bert Jansch Eric Burdon Stevie Winwood Davey Graham Georgie Fame Mick Fleetwood Peter Green (not in order) 1. Tom Jones & Jeff Beck Goin' Down Slow — 5:02 Tom Jones (vocals); Jeff Beck (guitar); Peter King (saxophone); Jon Cleary (piano); Ian Jennings (bass); Marc Mondesir (drums) Recorded live at Abbey Road Studios, London, England, March 12, 2002 2. Louis Armstrong & His All Stars Back O' Town Blues (live) — 4:13 Louis Armstrong (vocals, trumpet); Bobby Hackett (cornet); Jack Teagarden (trombone); Peanuts Hucko (clarinet) Recorded live at Town Hall, New York, New York, May 17, 1947 3. Dixie Four St. Louis Man — 2:30 Jimmy Blythe (piano, director); W.E. "Buddy" Burton (piano, vocal interjections); Bill Johnson (string bass); Clifford "Snags" Jones (percussion) Recorded Chicago, Illinois, June 11, 1928 4. Big Bill Broonzy Black, Brown, And White Blues — 2:41 Big Bill Broonzy (vocals, guitar) Recorded Chicago, Illinois. November 14, 1956 5. Sister Rosetta Tharpe with Marie Knight Up Above My Head I Hear Music In The Air — 2:28 Sister Rosetta Tharpe (vocals, guitar); Marie Knight (vocals); with The Sammy Price Trio Recorded New York, New York, November 24, 1947 6. Lonnie Donegan Rock Island Line — 3:20 Lonnie Donegan (vocals, guitar) Recorded London, England, 1954 7. Lulu with Jeff Beck Cry Me A River — 5:29 Lulu (vocals); Jeff Beck (guitar); Peter King (saxophone); Jon Cleary (piano) Recorded live at Abbey Road Studios, London, England, March 13, 2002 8. Miles Davis Generique — 2:46 Miles Davis (trumpet) Recorded Paris, France, December 4/5, 1957 9. Tom Jones with Jeff Beck Love Letters — 3:18 Tom Jones (vocals); Jeff Beck (guitar); Peter King (saxophone); Jon Cleary (piano) Mixed by John Porter 10. Humphrey Lyttelton Bad Penny Blues Humphrey Lyttelton (trumpet, leader) Recorded London, England, April 20, 1956 11. Little Joe Cook (a/k/a Chris Farlowe) Stormy Monday Blues, Parts 1 & 2 Chris Farlowe (vocals); Albert Lee (guitar) Recorded London, England, 1965 12. Tom Jones & Jeff Beck Hard Times — 3:53 Tom Jones (vocals); Jeff Beck (guitar); Peter King (saxophone); Jon Cleary (piano) Recorded live at Abbey Road Studios, London, England, March 12, 2002 13. Ray Charles Tell The Truth (live) — 3:14 Ray Charles (vocals, electric piano); David "Fathead" Newman (alto sax, tenor sax solo); Bennie "Hank" Crawford (baritone sax); The Raelets (backing vocals) Recorded live at Herdon Stadium, Atlanta, Georgia, May 19, 1959 14. Spencer Davis Group Hey Darling — 4:45 Probably: Stevie Winwood (vocals, keyboards); Spencer Davis (guitar) Produced by Chris Blackwell Recorded 1965 15. Fleetwood Mac Shake Your Money Maker Peter Green (vocals, guitar); Jeremy Spencer (vocals, guitar); John McVie (bass); Mick Fleetwood (drums) Recorded London, England, December 11, 1967 16. John Mayall's Bluesbreakers with Eric Clapton Have You Heard — 5:53 John Mayall (vocals, keyboards); Eric Clapton (guitar); John Almond (baritone sax); John McVie (bass) Recorded London, England, April, 1966 17. Cream Crossroads — 4:13 Eric Clapton (vocals, guitar); Jack Bruce (bass); Ginger Baker (drums) Recorded live at Winterland, San Francisco, California, March 10, 1968 18. Jeff Beck Rollin' & Tumblin' (live in studio) — 2:17 Jeff Beck (guitar) Recorded live at Abbey Road Studios, London, England, March 12, 2002 19. Tom Jones Lawdy Miss Clawdy (live in studio) — 2:20 Tom Jones (vocals); Jon Cleary (piano) Recorded live at Abbey Road Studios, London, England, March 12, 2002 20. Lulu with Jeff Beck Drown In My Own Tears — 4:54 Lulu (vocals); Jeff Beck (guitar); Peter King (saxophone); Jon Cleary (piano) Recorded live at Abbey Road Studios, London, England, March 12, 2002 *** A Conversation With Mike FIggisThe Abbey Road Sessions: Mike Figgis, Tom Jones, Jeff Beck, Pete King, Van Morrison - liked the band, recorded acoustically so they’d listen to each other, film close to the musicians, close shots of Jon Cleary, his start, listening, summing it up. *** Piano BluesDirected by Clint Eastwood~1 hrSaturday See (pretty much) the whole thing here: https://youtu.be/q763H0MBOrA The invention of the piano, Paderewski, Ray Charles, how Ray got started in music, Ray has a cough, What’d I Say, Meade Lux Lewis, Martha Davis, Duke Ellington, Big Joe Turner & Jay McShann, Charles Brown, Dave Brubeck, Art Tatum, Oscar Peterson, Nat King Cole, Dr John, Professor Longhair, Marcia Ball, Fats Domino, Fats on Austin City Limits, Pinetop Perkins, Muddy Waters & Willie Dixon, Otis Spann, Henry Gray, Pete Jolly, tape runs out. Performances by:Marcia Ball Dave Brubeck Ray Charles Jay McShann Pinetop Perkins (not in order) 1. Jimmy Yancey How Long Blues - 3:01 Jimmy Yancey (piano solo) Recorded May 4, 1939 2. The Boogie Woogie Boys Boogie Woogie Prayer, Pt. 1 - 2:22 Albert Ammons, Pete Johnson, Meade Lux Lewis (piano) Recorded December 30, 1938 3. Count Basie And His Orchestra How Long Blues - 3:00 Count Basie (piano, leader); Buck Clayton, Lester Young (tenor saxophone); Freddie Green (guitar); Jo Jones (drums); Jimmy Rushing (vocals) Recorded June 24, 1939 4. Johnny Moore's Three Blazers Driftin' Blues - 3:12 Charles Brown (piano, vocals); Johnny Moore (guitar); Eddie Williams (bass); Johnny Otis (drums) Recorded September 11, 1945 5. Fats Domino The Fat Man - 2:38 Fats Domino (piano, vocals); Dave Bartholomew (trumpet);); Earl Palmer (drums) Recorded December 10, 1949 6. Art Tatum Tatum Pole Boogie - 2:23 Art Tatum (piano) Recorded 1949 7. Professor Longhair Tipitina - 2:40 Professor Longhair (piano, vocals); Lee Allen (tenor saxophone); Red Tyler (baritone saxophone); Edgar Blanchard, Irving Charles (guitar); Frank Fields (bass); Earl Palmer (drums) Produced by Ahmet Ertegun & Jerry Wexler Recorded November, 1953 8. Ray Charles What'd I Say, Parts 1 & 2 - 5:07 Ray Charles (electric piano, vocals); David Newman (alto, tenor saxophone); Hank Crawford (baritone saxophone); The Raeletts (background vocals) Recorded February 18, 1959 9. Otis Spann Good Morning Mr. Blues - 3:19 Otis Spann (piano, vocals) Recorded Copenhagen, 1961-1962 10. Duke Ellington, Charles Mingus & Max Roach Backward Country Boy Blues - 6:33 Duke Ellington (piano); Charles Mingus (bass); Max Roach (drums) Recorded September 17, 1962 11. Thelonious Monk Blue Monk - 6:14 Thelonious Monk (piano) Recorded November 19, 1968 12. Big Joe Turner & Jay McShann Piney Brown Blues - 5:00 Jay McShann (piano); Big Joe Turner (vocals) Recorded 1974 13. Jay McShann & Dave Brubeck Mission Ranch Blues Dave Brubeck, Jay McShann (piano) Recorded Carmel, California, September 21, 2002 14. Joe Turner The Ladder - 2:30 Big Joe Turner (piano) Recorded February 25, 1975 15. Dr. John Honey Dripper - 3:38 Dr. John (piano) Recorded 1981 16. Henry Townsend World Full Of People - 3:59 Henry Townsend (piano, vocals); Ron Edwards (slide guitar); Sho Komiya (bass) Recorded October 12-13, 1999 17. Dr. John Big Chief Dr. John (piano, vocals) Recorded Burbank, July 1, 2003 18. Joe Willie "Pinetop" Perkins & Marcia Ball Carmel Blues Marcia Ball, Joe Willie "Pinetop" Perkins (piano) Recorded Carmel, California, September 21, 2002 19. Dave Brubeck Travelling Blues Dave Brubeck (piano) Recorded Carmel, California, September 21, 2002 20. Dr. John, Pete Jolly, Henry Gray How Long Blues Dr. John (piano, vocals); Pete Jolly, Henry Gray (piano) Recorded Burbank, July 1, 2003
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