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batboyblog · 11 days

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Things Biden and the Democrats did, this week #13

April 5-12 2024

President Biden announced the cancellation of a student loan debt for a further 277,000 Americans. This brings the number of a Americans who had their debt canceled by the Biden administration through different means since the Supreme Court struck down Biden's first place in 2023 to 4.3 million and a total of $153 billion of debt canceled so far. Most of these borrowers were a part of the President's SAVE Plan, a debt repayment program with 8 million enrollees, over 4 million of whom don't have to make monthly repayments and are still on the path to debt forgiveness.

President Biden announced a plan that would cancel student loan debt for 4 million borrowers and bring debt relief to 30 million Americans The plan takes steps like making automatic debt forgiveness through the public service forgiveness so qualified borrowers who don't know to apply will have their debts forgiven. The plan will wipe out the interest on the debt of 23 million Americans. President Biden touted how the plan will help black and Latino borrowers the most who carry the heavily debt burdens. The plan is expected to go into effect this fall ahead of the election.

President Biden and Vice-President Harris announced the closing of the so-called gun show loophole. For years people selling guns outside of traditional stores, such as at gun shows and in the 21st century over the internet have not been required to preform a background check to see if buyers are legally allowed to own a fire arm. Now all sellers of guns, even over the internet, are required to be licensed and preform a background check. This is the largest single expansion of the background check system since its creation.

The EPA published the first ever regulations on PFAS, known as forever chemicals, in drinking water. The new rules would reduce PFAS exposure for 100 million people according to the EPA. The Biden Administration announced along side the EPA regulations it would make available $1 billion dollars for state and local water treatment to help test for and filter out PFAS in line with the new rule. This marks the first time since 1996 that the EPA has passed a drinking water rule for new contaminants.

The Department of Commerce announced a deal with microchip giant TSMC to bring billions in investment and manufacturing to Arizona. The US makes only about 10% of the world's microchips and none of the most advanced chips. Under the CHIPS and Science Act the Biden Administration hopes to expand America's high-tech manufacturing so that 20% of advanced chips are made in America. TSMC makes about 90% of the world's advanced chips. The deal which sees a $6.6 billion dollar grant from the US government in exchange for $65 billion worth of investment by TSMC in 3 high tech manufacturing facilities in Arizona, the first of which will open next year. This represents the single largest foreign investment in Arizona's history and will bring thousands of new jobs to the state and boost America's microchip manufacturing.

The EPA finalized rules strengthening clean air standards around chemical plants. The new rule will lower the risk of cancer in communities near chemical plants by 96% and eliminate 6,200 tons of toxic air pollution each year. The rules target two dangerous cancer causing chemicals, ethylene oxide and chloroprene, the rule will reduce emissions of these chemicals by 80%.

the Department of the Interior announced it had beaten the Biden Administration goals when it comes to new clean energy projects. The Department has now permitted more than 25 gigawatts of clean energy projects on public lands, surpass the Administrations goal for 2025 already. These solar, wind, and hydro projects will power 12 million American homes with totally green power. Currently 10 gigawatts of clean energy are currently being generated on public lands, powering more than 5 million homes across the West.

The Department of Transportation announced $830 million to support local communities in becoming more climate resilient. The money will go to 80 projects across 37 states, DC, and the US Virgin Islands The projects will help local Infrastructure better stand up to extreme weather causes by climate change.

The Senate confirmed Susan Bazis, Robert White, and Ann Marie McIff Allen to lifetime federal judgeships in Nebraska, Michigan, and Utah respectively. This brings the total number of judges appointed by President Biden to 193

#Thanks Biden #Joe Biden #student loans #student loan debt #debt forgiveness #gun control #forever chemicals #PFAS #climate change #green energy

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reasonsforhope · 7 months

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Holy crap, I didn't think Biden would be able to get the Climate Corps established without Congress. This is SUCH fantastic news.

"After being thwarted by Congress, President Joe Biden will use his executive authority to create a New Deal-style American Climate Corps that will serve as a major green jobs training program.

In an announcement Wednesday, the White House said the program will employ more than 20,000 young adults who will build trails, plant trees, help install solar panels and do other work to boost conservation and help prevent catastrophic wildfires.

The climate corps had been proposed in early versions of the sweeping climate law approved last year but was jettisoned amid strong opposition from Republicans and concerns about cost.

Democrats and environmental advocacy groups never gave up on the plan and pushed Biden in recent weeks to issue an executive order authorizing what the White House now calls the American Climate Corps.

“After years of demonstrating and fighting for a Climate Corps, we turned a generational rallying cry into a real jobs program that will put a new generation to work stopping the climate crisis,” said Varshini Prakash, executive director of the Sunrise Movement, an environmental group that has led the push for a climate corps.

With the new corps “and the historic climate investments won by our broader movement, the path towards a Green New Deal is beginning to become visible,” Prakash said...

...Environmental activists hailed the new jobs program, which is modeled after the Civilian Conservation Corps, created in the 1930s by President Franklin D. Roosevelt, a Democrat, as part of the New Deal...

Lawmakers Weigh In

More than 50 Democratic lawmakers, including Massachusetts Sen. Ed Markey and New York Rep. Alexandria Ocasio-Cortez, had also encouraged Biden to create a climate corps, saying in a letter on Monday that “the climate crisis demands a whole-of-government response at an unprecedented scale.”

The lawmakers cited deadly heat waves in the Southwest and across the nation, as well as dangerous floods in New England and devastating wildfires on the Hawaiian island of Maui, among recent examples of climate-related disasters.

Democrats called creation of the climate corps “historic” and the first step toward fulfilling the vision of the Green New Deal.

“Today President Biden listened to the (environmental) movement, and he delivered with an American Climate Corps,” a beaming Markey said at a celebratory news conference outside the Capitol.

“We are starting to turn the green dream into a green reality,” added Ocasio-Cortez, who co-sponsored the Green New Deal legislation with Markey four years ago.

“You all are changing the world,” she told young activists.

Program Details and Grant Deadlines

The initiative will provide job training and service opportunities to work on a wide range of projects, including restoring coastal wetlands to protect communities from storm surges and flooding; clean energy projects such as wind and solar power; managing forests to prevent catastrophic wildfires; and energy efficient solutions to cut energy bills for consumers, the White House said.

Creation of the climate corps comes as the Environmental Protection Agency launches a $4.6 billion grant competition for states, municipalities and tribes to cut climate pollution and advance environmental justice. The Climate Pollution Reduction Grants are funded by the 2022 climate law and are intended to drive community-driven solutions to slow climate change.

EPA Administrator Michael Regan said the grants will help “communities so they can chart their own paths toward the clean energy future.”

The deadline for states and municipalities to apply is April 1, with grants expected in late 2024. Tribes and territories must apply by May 1, with grants expected by early 2025."

-via Boston.com, September 21, 2023

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thiswomanshouldbewriting · 9 months

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There's something incredibly beautiful about the fact that it's love that leads ethereal and occult beings, over and over again, to question the great plan.

Crowley falls because he loved the creation too much to accept it would just be destroyed like that. Aziraphale defies Heaven to protect Adam and Eve, then for Job and his children. Aziraphale and Crowley stop the Armageddon because they love humanity and each other. The archangel fucking Gabriel and Beelzebub don't care about the great war anymore because they found each other. It's love. It's always been love.

#Good Omens #Good Omens 2 #Good Omens spoilers #Good Omens 2 spoilers #Ineffable husbands #Ineffable bureaucracy #Parole al vento

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befstronganof596293658 · 24 days

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Yenni Thuniga (transl. Count and dare) is a 2022 Indian Tamil-language action crime film written and directed by S.K.Vettri Selvan and Produced by Suresh Subramanian. The film was under Production House Rain Of Arrows. Entertainment.[1] The film was distributed by Krikes Cine Creations.[2] The film features Jai and Athulya Ravi in the lead roles while Vamsi Krishna was cast in as the main antagonist and Sunil Reddy also appears in a negative role as a politician. The film's music is composed by Sam CS with cinematography handled by J. B. Dinesh Kumar and editing done by V. J. Sabu Joseph. The film was released theatrically on 4 August 2022.[3]

Plot

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After a heist job by Madhan and gang to rob a precious cargo became a mess, he is under pressure to deliver the loot to the overlords. Things begin to get complicated when Kathir appears and disrupts Madhan’s plan and reveals what happened that day.

Cast

Jai as Kathir

Athulya Ravi as Narmada

Anjali Nair as a victim's wife

Vamsi Krishna as Madhan

Vidya Pradeep as Teja

Marimuthu as Kathir's father

Sunil Reddy as 'Needhi' Manikkam

Kuraishi as Saravanan

Munnar Ramesh

Abhishek Shankar as Doctor

Suresh Subramanian as Sam

Kimberly Ziler as Naomi

Maurice Johnson as Joe

Jayce Venditti as Gabe

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fleuraliasave · 2 months

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❤ Version 7.0 Fleuralia Save File ❤

Download link down below (please read entire post before installing)

This save file uses all EP’s, GP’s (not Journey to Batuu), SP’s and most of the kits (Country Kitchen, Blooming Rooms, Incheon Arrivals, Retro Fit, Industrial loft, Moonlight Chic, Little Campers, Pastel Pop, Everyday Clutter, Bathroom Clutter, Simtimates Collection, First Fits, Desert Luxe, Modern Luxe, Poolside Splash, Book Nook, Basement treasures, Greenhouse Haven, Pastel Pop and Bust the Dust).

What’s new in this update?:

Chestnut Ridge and Tomarang have been completely redone, added multiple new lots, updated other lots and provided make-overs for the households.

Added new households (when living in world; with jobs, friends, preferences etc).

Added rental lots in multiple other worlds outside of Tomarang (Brindleton Bay, Henford-on-Bagley, Britechester and more).

Spooky Fall Festival has been moved to Chestnut Ridge (bigger with haunted house ride). The old lot in Brindleton Bay has been changed into a cemetery.

Current Status of Worlds:

Finished worlds: Willow Creek, Oasis Springs, Newcrest, Magnolia Promenade, Windenburg, San Myshuno, Forgotten Hollow, Brindleton Bay, Del Sol Valley, StrangerVille, Glimmerbrook, Sulani, Britechester , Evergreen Harbor, Mt. Komorebi, Henford-on-Bagley, Tartosa, Moonwood Mill, Copperdale, San Sequoia, Chestnut Ridge (NEW!) and Tomarang (NEW!).

Finished vacation worlds: Granite Falls and Selvadorada.

Finihed other lots: Hospital, Science Lab and the Police Station.

To be updated: the Magic Realm, will either be included in a future update or on the gallery (OriginID: fleuralia)

What do you get with this save?:

For my save file all lots are either completely new builds (almost all) or renovations, ofcourse created by me. Exceptions: I have added the official builds for the releases of the Paranormal SP by Dr Ashley and the Dream Home Decorator GP by Deligracy to this save, since I thought they deserved a spot. These two are therefore not my own creations, credits are given in the description to Dr Ashley and Deligracy. Mt. Komorebi, Henford-on-Bagley, Tartosa, Moonwood Mill, Copperdale, San Sequoia and Chestnut Ridge lots are largely created by GameChangers. Most lots have gotten smaller updates, others are completely new builds by me.

All the townies had make-overs plus I added new families to spice it up a bit. Some of the townies are made by other creators, who are given credits in the description of the household. All the townies in the different worlds have a story, some include sentiments and adjusted relationships to the story.

Added plenty of community lots to give your Sims something to do (YAY!). Almost every world has one restaurant, but it also includes festivals that represent the four seasons (park lots) and a fully functional shopping street in Magnolia Promenade (toy store, bridal store and more).

I have added rental lots so you can go on vacation in more worlds. For example in Sulani, Willow Creek and Windenburg.

Other details:

As mentioned at the beginning, this save uses almost all packs (except Journey to Batuu and some kits). This means that if you download it without owning or installing most of the packs a lot of objects will disappear from the save, but if you are not bothered by this you can still download and play in it.

I disabled the autonomous fame gain and neigborhood action plan voting/environmental changes, you enable them again in the pack settings menu.

I would love to add some households in this save created by all of you! Add your household under the hashtag #fleuraliatownies in The Sims 4 Gallery, you can add a storyline and world in the description but thats not obligatory. If I respond on your creation it means that I have incorporated it in the save for the next update.

Sadly every game update comes with a lot of bugs. I suggest before reporting problems in the save to me, to check on forums if its related to a general bug/glitch or to mods (if you use them).

Questions and supportive feedback are always welcome, you can reach me here via a comment on this post, an ask or through a DM 😁

How to make it work in your game:

Download the save file from the link below.

Drag it in your saves folder under: PC/Documents/Electronic Arts/The Sims 4/saves.

Change the numbers if you already have a save with the same name.

It should now show up in your game as: Fleuralia Save Version 7.0.

DOWNLOAD (SFS) / Alternate (GD)

!!Don’t re-upload or claim as your own!!

Future updates will follow after each pack release (if it includes a world). The time the update will be uploaded after each release depends on how much I have to change and on my work schedule around that time.

Last but not least, enjoy and till next time! XX

Fleuralia

Feel free to support me ❤️: Ko-fi account

#fleuraliasave #save file #update #sims 4 save file #fleuraliatownies

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etherealkissed88 · 7 months

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★ the whole point of law of assumption is that you already have it ★

imagine that you manifested that desire a week or a month ago. whenever you think about that desire, you would go straight into the happy or calm state / assumption that it's yours already...because it is yours already.

lets say i want $500k right now. i would be planning which stores i want to go to and which clothes i want to buy. i would feel happy asf and i would feel that feeling of already having $500k. i dont care how or when it will manifest bc i already know its mine now. i would feel fulfilled with this already manifested desire which is now my reality.

"why is it that your reality already if it isnt in the 3d?"

reality = imagination. therefore if i imagine something and accept it as true, it is my reality no matter what the copy machine 3d shows me. whatever happens in imagination is what is really happening. imagination is my identity. i identify as the girl who has $500k. the 3d's job is only to copy and paste who i am in imagination (the real reality) so, imagination is the source/the reality. why would i care about it being in the 3d if i know by law that it will reflect? i would rather feel fulfilled as the source than wait for a copy machine to show me, god, what i desire. i would rather give it to myself.

if i already manifested that $500k a week ago, i would automatically be excited asf thinking about all the shit i already bought w that $$$ and thinking about what im going to buy. i would prob imagine going to the store and feeling that feeling of financial freedom. i would feel the happiness of looking at something in the store and immediately putting it in my cart with no issues bc I ALREADY MANIFESTED MY $500k

"feeling?"

feeling = knowing you have your desire

i would use whatever technique i want (visualization, affirming, scripting, etc). lets say i choose visualization: i would visualize walking to the store and feeling/knowing that i have all this money to spend. feeling doesnt mean emotions even though its fine that i naturally feel happy bc i know i have all this money. its also okay if i dont have any emotions or if i feel calm bc since i already have it, its normal to me to have $500k. do not force emotions. feeling does not equal emotions. i would then accept that visualization as true. i would decide/accept i have that $500k bc i just experienced the proof in the real reality, imagination. i would remind myself that whatever i assume/accept as true in imagination is reality, no matter whatever circumstances i see in the 3d.

"you got robbed of a huge sum of money. was that bad or good? well, let me ask you this: did it change the fact that your nature is being wealthy? no, it didnt. your identity, your I AM, is set in stone. its only your thoughts and your interpretation of your emotions and of the circumstances around you that distracts you from your Truth. whether you have millions in your bank account or literally 0 in savings, you ARE rich. you ARE wealthy. numbers do not define you. life does not define you."

i accepted that i have $500k already = i identify as the girl who has $500k. this is why the 3d never matters bc no matter what happens, i will always be the one who has it in imagination. "deny the senses" mean i shouldnt care about what the 3d shows me since imagination is the only reality. if my bank account shows me $0.50 instead of $500k, will i be sad and thinking that it didnt work? ofc not, i wouldnt give a fuck bc i still identify as the girl who already has $500k.

this is why knowing and fulfillment are important. i know i have $500k, i am fulfilled with that fact. whats important is the knowing: i know i have this desire because i just imagined it and imagination is the only true reality so imagining = experiencing.

"how do i know if im fulfilled?"

youve accepted the fact that its already yours. you dont care about the 3d and you dont get discouraged by it bc its already yours in imagination. you are not "trying" to get something that you already have. you naturally think thoughts/have beliefs that match with your state of having it.

to be fulfilled i simply decide i have it or visualize again for fun. since i already identified as the one who has $500k, any thoughts, doubts, circumstances that pass will not get any attention from me. i simply dont identify with them. i go back into imagination and remind myself of my real identity.

this is what law of assumption is: ASSUME YOU ALREADY HAVE IT! CREATION IS FINISHED. YOU ARE ALREADY IN BARBADOS. assume = accept something as final without [3d] proof. the only thing i should be accepting as final is having it in imagination.

if you already have it, how would you feel, what would you do, what would you think, what type of person would you identify as? visualize/affirm/script/etc. the point is that you already have it.

ASSUME IT AND ITS DONE. WHEN YOU THINK ABOUT THAT FULFILLED DESIRE, KNOW IT ALREADY HAPPENED. YOU ARE IMAGINING/AFFIRMING TO REMIND YOU THAT IT BEEN HAPPENED! THATS YOUR CURRENT REALITY! NOT THE 3D.

its not "going to happen". the moment u imagined it/decided it/accepted it as true, it ALREADY HAPPENED. thats part of understanding that imagination is the only true reality. imagination is so limitless: you do anything, anywhere, instantly.

there should not be any "when is it going to happen?" since you just experienced it...thinking like that means you arent fulfilled. simply fulfill yourself again bc returning to the state aka making it natural for you is how it shows up in the 3d, its not about how long youve stayed in the state.

make imagination your dream world by giving yourself exactly what you want. know thats the truth, identify as the one in imagiantion who has it (the real reality/the real you) and ignore/dont accept anything that tells you otherwise. stay true to imagination.

@etherealkissed88

#loassumption #manifesting #consciousness #loa blog #3d #4d #neville goddard #edward art #4d reality #desired life #void state #wish fulfillment #etherealkissed #law of assumption #imagination #master manifestor #manifesting it

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lady-raziel · 22 hours

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and alright, here's my last (let's hope) and boldest take yet. lots of people have been talking about the level of staff (around 25-ish people) at watcher, and whether downsizing that number could have been a potential avenue of reducing costs before just jumping to a subscription model. at first i was like yeah, i'm not sure that there needs to be 18 people involved in making a lets play. i was in the fucking trenches in the unus annus days and i'm still amazed how markiplier and ethan nestor managed to put out pretty well edited videos every day for a whole year with only a handful of editors and a couple people filming. what unus annus was trying to do and what watcher is trying to do are obviously pretty different, but the point is that you really don't need a whole crew of people to make lots of different types of content and do it well.

i still think there probably doesn't need to be a whole production crew involved with the creation of some of the simpler types of content watcher puts out. however, i don't think the size of the staff is the real problem. in fact, i think the staff of watcher probably should have been larger.

let me explain. if i begrudgingly go to one of my most detested websites (linkedin. *bleeegh*) and look up watcher, i can see that pretty much every person on staff is in a creative role of some sort by their own admission. at first glance, its like, oh, that makes sense. they're making creative products, it's natural that they should all be in creative roles. however, once you think about it for a little longer from a business perspective, that fact is really concerning.

after all, by watcher's own definition, this is a production studio. this is a company. So in this sea of creative roles, who's doing corporate planning? Who's managing finance? Who's doing payroll? Or brand outreach? Or human-freaking-resources??? you can hire outside groups for all this. i'm aware. but those services cost a lot of money to contract too. i'm just finding it concerning that there is pretty much no one on full time staff that is there to at least do some of this stuff. if watcher wants to be a big-boy company, that's fine, but that means you have to pay some people to be part of your company to do the not-fun business stuff like accounting. or resource management.

if they want to be a real company, they should actually have a lot more people on staff to deal with all the non-creative parts of running a company. even if they contract out most of it, you want at least a few people that are your people and don't actually work for someone else. that's how you don't get screwed over or end up in a contract you can't get out of.

which leads me to my last train of thought. like, as i go through the staff of watcher and look at what they do, it really seems like one of the ONLY people who's job it was to look at the business side of things WAS steven lim in his role as CEO. and thinking about that, i'm like god, can you imagine?? here's a guy who just wants to create cool stuff too but as one of the few people who has to think about the realities of Brand and the Business, HE has to be the one to burst the bubble. He as CEO has to say no to people and make decisions to make sure the company survives. In a group of creative people who just want to make things they're interested in, no expense spared, he was probably the guy who had to stay at least a little tethered to reality.

I'm not about to say that steven lim isn't to blame here. everyone involved in making the decisions that have led up to this point is part of this. but shit, it absolutely sucks to have to be the person at the end of the brainstorm session when everyone is coming up with their best ideas and to have to say "guys, i don't think any of these things are possible unless we make some big decisions."

is that what happened at watcher HQ? i don't know. at this point, with radio silence from everyone, speculation is all we've got. but if you follow the thread of a bunch of creatives striking out on their own to make their own business after being burned by their former employer, despite not knowing really how to run a business, and then only hiring fellow creative people and not other people who actually run business things... well, all of this starts to make slightly more sense in WHY none of watcher's actions make sense. everybody wants to stick it to the man and be their own boss with their own business, until it actually comes to the hard parts of doing that. at that point people start to realize, "oh, maybe some of the things that existed at my old job were there for a reason, actually."

all this is why lots of creatives striking out and starting their own businesses don't work in the end. they're thinking about in terms of creative products still, when they really need to be focusing more on the "business" part of the "creative business." it's sad. it sucks. it destroys a lot of good ideas and good people, because one person in every company like that has to be the one who thinks practically. could this have been avoided if watcher had been hiring people all along to manage this business and not just adding people to add to the creative output? maybe. even then it might not have been enough to curb other predictable impulses that led us down this path.

i feel bad for watcher, and i feel bad for the fandom. but i can't help but wonder if this was always the kind of situation we were going to end up in, and we just missed some of the warning signs because ALL of us were thinking, "well, that could never happen to us. we're different. not the Ghoul Boys."

#watcher #watcher tv #two stupidly long thinkpieces in one morning? wow! what a bargain!#just don't ask which of my responsibilities i'm ignoring by typing all this out

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snek-eyes · 9 months

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I keep thinking about what slotting the Job sequence in between the Flood and the Crucifixion does for Crowley’s arc, and his relationship to both Aziraphale and heaven.

@amuseoffyre did a great analysis of the importance to Aziraphale's arc here that sparked this thought, but it sent me down a rabbithole because A+C are both having very different experiences here.

Compare how Crowley bounces up to Aziraphale at the flood vs how standoffish he is when the angel shows up to the Job situation. Aziraphale is the one who's all friendly, "Oh it's you!" while Crowley... is pretty businesslike, at least until he gets the chance to start rubbing the reality of the situation in the angel's face.

The flood pissed Crowley off. Job is the first time we start to see the more bitter Crowley we'll get to know. In the Garden he was bemused about overreactions and almost having fun poking this angel with questions about God's plans. Beginning of the flood sequence he was pretty playful. This whole earth thing hasn't been so bad so far, and oh here's that weird angel again, that's fun.

But then he gets hit with God turning on their creation without warning, again. And the flood was at least in God's name ("That's more the type of thing you'd expect my lot to do," he said. Wasn't heaven supposed to be the good guys?). But now with Job? God turns their back and just... doesn't stop hell. Heaven's hands stay clean while hell dirties their evil little claws. Oh, so this is how things are, Crowley realizes. This is the part he's meant to play. Fine.

And seeing how he acts here... I can't help but feel like he'd mostly given up on Aziraphale after the flood. After Crowley went, "Wtf, this is clearly an atrocity," and Aziraphale stuck to "You can't judge the Almighty!" ...well. Giving away the flaming sword was probably a fluke. Just another tool of heaven, that one. Disappointing, but what should he have expected?

So all through their Job interaction he plays up his demonicness, trying to force Aziraphale to toe the party line and prove Crowley's new view on things right, once and for all. But there is a crack there, because not-so deep down Crowley would love for Aziraphale to surprise him again.

(After all... he is lonely. Try some wine with me, or have an ox rib, angel.)

(Fascinated by the difference in Crowley's gleeful "That's just how it started for me, see you in hell" vs. "I'm not taking you to hell, Angel. I don't think you'd like it." And only admitting to the loneliness once he isn't totally alone anymore; I think the original lie was more to himself than anything. He's angry, he's bitter, these righteous angels shouldn't think they're any better than him, not when they can doubt too. But when it comes down to it? No, I don't actually want to drag you all the way there. Something about guns and miraculous escapes, and his comment about Wee Morag, it's different when it's someone you know, isn't it. Hm. Anyways.)

By the end of the Job situation they have a moment where they confirm they are more similar than they thought. But it's not a happy thing. It won't be until Rome when they start enjoying each other's company just for the sake of it. So at the crucifixion Crowley comes up to Aziraphale still prodding at him. You happy about this, Angel? You smirking over how righteous it is? But now instead of, "You can't judge the Almighty," we get "I'm not consulted on policy decisions." Implying he disagrees without really saying it. And that's enough for now, Crowley will take it.

From the flood -> Job -> crucifixion -> Rome, we see Crowley get angry, then more and more resigned and bitter. Until Aziraphale reaches out and pulls him out of it.

#i like how the Job sequence both shakes things up and doesn't at the same time #it's not totally necessary to make the arc work but the context helps you understand so much more #good omens #good omens meta #good omens 2 #good omens spoilers #crowley #v watches good omens #job flashback

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a-dauntless-daffodil · 2 months

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can u guess which gif will be at the end of this. can you guess. i'll bet at least a few of you can guess XD

Charlie: "New plan- group bonding through shared, SAFE, suffering!"

Alastor: “Oh joy~”

Husk: "Not this fucking shit again."

Angel Dust: "Well hey as long as it's consensual sufferin'~"

Niffty: (lifts arms at vaggie) "YEEET ME!!!"

Vaggie: "Ughh... no."

Niffty: "Aww."

Vaggie: "I'm never living that one down am I?"

Charlie: "Vaggie, you don't need to live anything down EVER-"

Alastor: "Cough cough! Lied to her girlfriend for three years, cough cough!"

Angel Dust: "Dude you're not supposed t' SAY cough."

Husk: “That’s the part you’re fucking annoyed at?”

Charlie: "-and the POINT is, your whole idea about going through hell to trust the people who go through it with you? Not entirely on the wrong track!"

Vaggie: "Yaaay."

Husk: "You fucked up but for the right un-shitty reasons."

Vaggie: "Great. Thanks."

Charlie: "SO! We're all gonna share the worst work day of our lives with each other!"

Niffty: "Share?" (excited) "By INFLICTING them on each other!?"

Charlie: "Talking, Niffty. We're going to, talk about them."

Niffty: "Aww...."

Husk: "Is there a time limit."

Angel Dust: "Is there a rating limit?"

Alastor: (thoughtful) "Does it still count as a terrible work day if I was able to murder them at the end of it?"

Charlie: "Uhhhh-"

Vaggie: "How 'bout we stick to how it made us feel, rather than all the... X rated... gory details?"

Niffty: (sighs) (slumps over) "This is my worst most terrible work day ever.."

Charlie: "And how do you FEEL about it?"

Niffty: "Sad..."

Vaggie: "I'll let you use my spear for roach hunting after this."

Niffty: (bouncing up) "OH THE EMOTIONS! WHATEVER ONES YOU WANT FROM ME I DON'T CARE, I HAVE THEM!!!"

Husk: "What the fuck."

Angel Dust: "Yeesh."

Charlie: "Okay that's, that's enough sharing from you. Good, um, good job!"

Niffty: "Spear spear spear-"

Charlie: "Well MY worst work day was definitely the one where we were besieged by an army of murderous angels heaven-bent on the full scale slaughter of most of my family! And they actually did kill one! Yeah- that." (laughs) "That fucking sucked and I hated it!"

Angel Dust, Husk, Niffty: (GASP)

Charlie: "What? What??"

Angel Dust: "You said the "H" word, toots.."

Vaggie: "She said a lot more than that while writing an angry text to heaven afterwards."

Charlie: "Hey! You checked the text for me- you know I was polite!"

Vaggie: "Charlie, it was the most aggressively polite 'fuck off' anyone's ever written in the history of all creation. I’m so proud of you for it."

Charlie: "Heh."

Alastor: “Cough get a room please cough.”

Angel Dust: “’m TELLING YOU that’s NOT how it’s supposed ‘t WORK you're not supposed t' SAY IT-”

Charlie: "Ah-hem. Um. Husk? Worst work day-?"

Husk: "Still living it."

Hotel Crew: "....."

Husk: "...but you stupid fuckers are keeping me company through it, so, fucking thanks I guess."

Charlie: (tearful) "Oh Husk. That's so..."

Angel Dust: "Love you too, Mr. Whiskers~"

Husk: "Shut the fuck up."

Vaggie: "Hey."

Husk: "Him, not her. The day your “her” shuts the fuck up is the day we all know we're fucked."

Charlie: "Gosh I hope not." (wipes eyes) "Angel Dust? You wanna...?"

Angel Dust: "My worst shitty day was also my BEST day."

Charlie: (bracing herself) "O...kay...?"

Angel Dust: "A friend came to work an' almost killed the boss for me. Can ya believe that? An' the only reason she didn't open him up a few new 'fun' an' 'interestin' holes of his own was 'cause I had to stop her."

Vaggie: "HELL YEAH!"

Charlie: "You mean-"

Angel Dust: "Yeah. Thanks, apple cheeks. I spent good crack money commissionin' fanart of you wrecking his shit."

Charlie: "WHAT!?"

Vaggie: "You have GOT to let me see that."

Charlie: "VAGGIE!"

Vaggie: "Oh come on, it's better than him buying crack, right?"

Angel Dust: "It def looks waaay better on my wall."

Charlie: "I- that's not-"

Niffty: "Is there BLOOD?"

Charlie: "Oh please don't let there be any-"

Angel Dust: "SO much blood, baby."

Charlie: "Noooo...!"

Vaggie: "Now I really need to see it."

Charlie: "H-WHA?"

Husk: "I really need a fucking drink."

Charlie: "I'm- you know what? I'm pretending I didn't hear any of that. La la la! I have complete deniability!"

Alastor: "That's the spirit! You hardly knew him, certainly never fantasized about decorating him with his own entrails! Just keep reminding yourself of that while hiding the body~!"

Charlie: "NO! Just.... well maybe for him..."

Vaggie: "You're so pretty."

Charlie: (pouting) "We need to commission a piece of you standing over Lute with your spear at her throat. It's not FAIR otherwise."

Vaggie: "Anything for you, babe."

Alastor: "How saccharine. Young love hand in hand, spattered in blood."

Charlie: "A-anyway. Alastor. Your turn."

Alastor: "Hmm. Well, there was the time someone reorganized the reels, somehow without mentioning it to me before air time. And without asking me before hand. But..."

Husk: "Here it comes."

Alastor: "Reorganized their organs for them later that night, likewise unasked, was QUITE fun."

Charlie: "I THOUGHT WE SAID WE COULD JUST TALK ABOUT OUR FEELINGS!"

Alastor: "My feelings?"

Niffty: "PURE UNDILUTED JOY"

Alastor: "Mm no, they didn't scream enough for that..."

Charlie: "AAAAAH!" (covers ears)

Alastor: "Shall we say perhaps, accomplished?"

Vaggie: "Over one murder? Wow. You're sure easy to please."

Alastor: "I've always believed in quality not quantity when it comes to my passion projects. Swift, thoughtless killings are so passé."

Angel Dust: "Y'know, meeting you has really ruined the whole dashing dapper man w' a tinted glass monocle for me. It's that creepy grin. You're a total boner kill."

Alastor: "Oh I do try."

Vaggie: "What about the day you died? Didn't you get fucking shot like a deer, venison a la Alastor?"

Alastor: "Fan of my history, hmm?"

Vaggie: "The TV future about it is pretty funny, not gonna lie."

Alastor: "Ah ha ha! TV DID YOU SAY."

Vaggie: "Vox airs it. Every day."

Alastor: "AND YOU WATCHED IT. HMM?"

Vaggie: "Every. Day."

Angel Dust: "I bring the popcorn and pills."

Husk: "I mix the fucking drinks."

Niffty: "I wish it had more BLOOD!"

Alastor: "ET TU, NIFFTY?"

Charlie: "Okay okay, that's WAY more than enough from you, reel back in the shadow monsters please-"

Alastor: "AHAHAHAH...!" (fades into shadows)

Angel Dust: "Creep. He's prob'ly vaping off to go curse the TV again."

Husk: "For mother fuck. I've got that cooking show coming on tonight. Will smacking the aerial with the angel spear get it working again?"

Vaggie: "Probably...?"

Charlie: "Vaggie!" (desperate) (hopeful) "You have a normal worst day at work to finish this exercise off with, right!?"

Vaggie: "...."

Vaggie: "Uh, well sweetie...."

#hazbin hotel #charlie morningstar #chaggie #vaggie #angel dust hazbin hotel #husk hazbin hotel #niffty hazbin hotel #alastor the radio demon #incorrect quotes #made the gif first and was like wait #oh no #it's MORE hotel bonding time....!

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fuckyeahisawthat · 8 months

Text

“I don’t think that is what God wants. And I don’t think you want it either.”

This line of Aziraphale’s in the Job minisode keeps sticking out to me. Because this is the heart of the problem, right? This is how Aziraphale can see Crowley so completely and also not at all.

Because yes they suck at open communication and yes it’s because they had to hide their relationship for thousands of years and have so so so much trauma and fear to work through. But ALSO they actually do have a profound difference in how they see the world that keeps coming between them, and it’s not just theoretical but deeply personal to both of them.

Because Aziraphale still wants to believe that God is good. He can’t let go of that because his whole identity is wrapped up in being an angel of the Lord, and if God’s not good then what has he been doing for his entire existence?

And so when bad things are happening he falls back on This cannot be what God wants. The whole of season one, he refuses to believe that God could really want the world to end—even though we now know he knew this was a possibility before the world even started. He keeps going up the chain of command, trying to find someone to intervene. “That’s why I’m going to have a word with the Almighty and then the Almighty will fix it.” As if God doesn’t have all the information or hasn’t been paying attention.

And really, the events of season one reinforce this worldview for him. Because if the Archangel Fucking Gabriel isn’t sure what God wants, then maybe God did want them to stop Armageddon. Maybe it was Aziraphale and Crowley who were doing God’s work after all.

He’s gotten as far as realizing that Heaven’s orders are not the same thing as God’s will, but he still hasn’t detached the concepts of Good and Right from God in his worldview.

Crowley is a good person who does the right thing so he must still be an angel deep down. “I know the angel you were.” The only way Aziraphale can conceptualize Crowley saving Job’s children is, “Come on, you’re a little bit on our [God’s] side.” So Crowley’s fall was a mistake; Crowley belongs in Heaven, where he was so happy before the Fall. Why wouldn’t he want to be an angel again? And yeah maybe Heaven sucks now but God is still good, so there’s hope that the system can be reformed with a change of leadership, and Heaven can be made to actually do good, the way God always intended.

But that’s not how Crowley sees the world at all. He is operating with an entirely different understanding of reality. Because he figured out a long time ago (at least by the time of the Job job, but probably long before that) that you can’t base your sense of morality on what you think God wants. Not just because you don’t know for sure, but because sometimes God’s plans are fucking awful. God in Good Omens is not kind to Her creations. She doesn’t tolerate questions or doubts or disobedience. She’s capricious, turning on the creatures She made and killing a bunch of them when She’s in a bad mood. She punishes indiscriminately and disproportionately. She wagers human lives like gambling chips. The kids were supposed to be dead no matter who won the bet.

I think it’s interesting that Crowley is the one who introduces the idea in season one of “What if the Almighty planned it like this all along? From the very beginning.” That’s probably a comforting thought to Aziraphale, soothing his anxieties about going against Heaven right when he is feeling acute distress at the idea of no longer having a side. (And, in that particular moment, no longer even having a bookshop.)

But it’s not a comforting thought to Crowley. Have you seen what happens when God has a plan for you? It fucking sucks. Woe betide you if you’re the Barbie God decides to play with today. (At bare minimum, you’re coming back with some burn marks and a weird haircut.)

I’ve brought up the line “There are no right people. There’s just God, moving in mysterious ways and not talking to any of us” before, and I tend to focus on the “there are no right people” part. But also, there’s just God.

Aziraphale tends to draw a distinction between God’s will and Heaven’s orders when it suits him, and collapse that distinction when it doesn’t. Crowley almost never differentiates between God and Heaven. There’s just God, and She’s not going to explain why this is happening or listen to pleas for mercy (although Crowley still tries). You can’t trust Heaven or Hell, and you can’t count on God to show up and make everything all right. Sometimes God is in fact the reason that things are not all right. You’re on your own.

(And. Look. Crowley is right on this one. There are certainly aspects of their relationship where they’re both equally responsible for things being a shitshow, but the text is pretty unambiguous about Crowley, a demon, having the most accurate read on the nature of God in the world of Good Omens out of any of the metaphysical characters.)

Crowley rebuilt his entire sense of self, alone, after the Fall. He created himself anew and developed his own moral compass and sense of identity independent of both Heaven and Hell. “The angel you knew is not me.” When Crowley does the right thing, that’s not his angel-ness shining through; that’s just Crowley.

And from a like, trauma recovery point of view, it’s actually very healthy for him to have the realization that sometimes God’s just kind of a dick. He didn’t do anything to deserve getting kicked out of Heaven. None of them did. Just God messing them about because She didn’t like being questioned, or She wanted to see what would happen, or She needed two sides for Reasons and didn’t much care who was on one or the other, or She’s playing some fucked up little game for Her own amusement. (And if there was some Great Plan that required Crowley to fall…well, that is also fucked up. Because it doesn’t matter if there was a reason. It still hurt.)

And while Crowley in general is extremely patient with Aziraphale and his slow, halting journey away from Heaven…it’s gotta sting, every time Aziraphale doesn’t want to believe that God could be cruel, when Crowley is standing right fucking there. It’s gotta hurt when Aziraphale refuses to see something that Crowley knows to be true through his own lived experience. Because it should be enough. What happened to him should be enough to make someone who loves him walk away from Heaven and never look back. And it isn’t.

But of course Crowley is one hundred percent not going to talk about this, if he is even fully self-aware about having these thoughts, because it’s far too painful and vulnerable. (He talks to plants, goats, God, and no one in a bar at the end of the world, but never to Aziraphale.) And so he says “Tell me you said no” and “I think I understand a lot better than you do” because he can’t say Choose me. Just this once, choose me and he can’t say Believe me.

And Aziraphale is not going to think about all this and work it out for himself, because he has a massive lump of denial centered around exactly this thing, that sometimes God hurts people who didn’t do anything to deserve it. I’m sure he’s thought about the Fall in abstract terms, enough to be afraid of it, but not in terms of this is a thing that happened to a person I love. And he has certainly not allowed himself to draw any conclusions about the nature of God from it, because that is far too scary a prospect.

And so they’re stuck. Until they can figure out how to remove this massive landmine from the center of their relationship, they are going to keep having the same fight over and over again, and they’re going to keep hurting each other without fully understanding why.

#do you know HOW HARD it is to write genuine ideological conflict that also feels deeply personal?? and they did it SO WELL #i am in awe tbh #good omens #good omens s2 #ineffable husbands #crowley #aziraphale #heaven #hell #god #the god in good omens is not nice and you can’t convince me otherwise #is a tag i have from s1 and i’m sticking with it #fall thoughts

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onlyhuis · 2 months

Text

to-do list

member — coworker!joshua x f reader genre — smut (18+ mdni) word count — 1.7k synopsis — all you need to make a boring afternoon at work more fun is a hot coworker and an insane amount of sexual tension. warnings — descriptions of female anatomy, oral (joshua receiving), implied other sex positions, as usual joshua himself is a warning notes — i wrote this on my phone while (you guessed it!) bored at work, sitting next to my (unfortunately not very hot) coworker. @onlymingyus is to blame for the creation of this and for making me suffer

you're grateful to have the most boring job in the world.

the days when your supervisor has nothing for you to do are simultaneously the best and worst days of your job. on the one hand, you get to sit at your desk and get paid to scroll on your phone or read a book or listen to music or play solitaire on your computer. on the other hand... without anything to distract you, you're acutely aware of your hot coworker sitting at the desk right next to yours.

you can't help but steal glances at him, dark hair falling in his eyes as he stares down at the phone in his hand, furiously typing something. the barely audible sighs he lets out as he reclines in his chair, flexing his arms as he stretches out and giving you a split second view of his stomach when his shirt lifts up.

you can't help but wonder what he's doing on his phone to occupy his time, but you refuse to let your curiosity get the best of you. it'd be so easy to just turn your head and stare, but you're not going to let him have that satisfaction.

instead you take what you hope is a nonchalant sip of your drink, some fruity smoothie you grabbed from the cafe downstairs before your shift.

"you've got whipped cream on your nose," joshua says suddenly without looking up, his voice cutting through the silence of the office. the sound of the clock on the wall ticking away each uncomfortable second is the only thing keeping you going at this point, taunting you with the promise of a lunch break and some time to yourself to reset away from the thick tension hanging over the office.

your face flushes, quickly wiping your nose against your sleeve and mumbling a quiet "thanks" as he looks over at you. the room suddenly feels way too warm as his gaze follows your movements for a few seconds too long before he turns back to his own desk.

"you didn't bring a lunch today," he says without looking up from his phone again, all too casually considering the way he was eyeing you just moments ago. "planning on leaving early?"

"no. just left it at home," you rush to say, your voice coming out less confident than you'd like.

"you're welcome to join me," he grins, still looking down.

you squeeze your thighs together unconsciously, the idea of spending an hour alone with joshua sending your imagination into a frenzy. "sure," you manage, clearing your throat and trying to regain some semblance of control over yourself. "wanna take an early lunch? we've got nothing better to do."

he turns off his computer monitor with a skilled flick of his wrist, standing up to face you. "sure," he repeats, parroting your words back to you. you nearly start to melt at his full attention on you, but luckily he breaks the silence before you have a chance to embarrass yourself. "my car, or yours?"

"oh, i- i walk," you say, hurrying to turn off your computer and grab your bag, following him to the door. "i don't live too far."

he holds the office door open for you, ushering you out with a smile. "well, if you ever need a ride, you have my number. i'd be happy to be your chauffeur."

you're stunned into almost complete silence. yeah, you had his number from a work group chat, but you'd never tried to reach out. you were still surprised he even knew your name.

"your sweater is pretty, by the way," he comments as you cross the parking lot to his car, holding the passenger door open for you to slide in.

"thanks," you stumble over your words, still trying to convince yourself that you're not dreaming. your coworker that you maybe (definitely) have a crush on taking you to lunch, offering to give you rides, and he thinks your outfit is pretty?

"you seem nervous," he chuckles, pulling you out of your thoughts. "do i really fluster you that bad?"

"i'm not flustered," you argue, but the warmth in your cheeks betrays you. the february weather is still chilly, so you could easily blame it on the way joshua's car heater is turned up to the maximum, but you're pretty sure he knows better. "i'm just fine," you repeat, pursing your lips and staring out the front windshield.

silence fills the air again. he puts his hand on the back of your headrest, glancing over his shoulder as he turns around to back out of the parking lot. it's disgustingly hot and you can't help but stare, his arm so close to your face that you can see the veins bulging in his wrist.

"who are you texting when you're on your phone all the time?" you ask suddenly, a rush of boldness overtaking you. "girlfriend, maybe?" it's shamelessly, blatantly clear what you're asking, and joshua smirks knowingly.

"jeonghan," he says, glancing over at you and flashing his stupid dazzling smile at you as he pulls out of the driveway. "best friend. he keeps asking when i'm gonna take the pretty girl from work out on a date."

"and what did you tell him?" you say, trying to hide your eagerness to hear his answer.

"right now, if i'm lucky," he replies smoothly. he's so fucking good at this and somehow you don't hate it.

you fix your gaze outside the window, forcing yourself to look at anything but him. "well, you can tell him it worked," you reply, hoping he doesn't notice your embarrassment. you don't look over at him, but you already know he's wearing that smirk again.

the rest of the ride to the restaurant is quiet. but the uncomfortableness about the silence is gone, replaced with a tension so palpable you could cut through it with a knife.

but joshua doesn't need a knife; he slices through it easily with just a hand on your thigh. it sends shivers down your spine, and it takes every ounce of your restraint you have not to move. your skin is on fire as you cross your legs, hoping he doesn't notice how on edge you are. but of course he notices, the ever perceptive joshua knowing exactly the kind of heat that's running through your body.

you don't even know what restaurant he's taking you to— for all you know he could be taking you to his house to murder you, but frankly you don't give a shit as long as he keeps touching you. god, you haven't felt this needy in months, maybe even years, and he can probably tell, too.

but luckily for you it seems he's not a murderer, because soon he pulls into the parking lot of some restaurant you've heard the name of before but never cared to try. for midday on a tuesday the lot is surprisingly empty, but it seems to work out in your favor as joshua turns off the car and noticeably keeps his hand on your thigh, making no moves to unlock the door or get out.

you finally drag your gaze away from the window to meet his eyes, and the rest happens in a blur. you can barely keep your thoughts going in a straight line because oh his cock is so hard and he's trying to hide it but also not trying to hide it and why is it so big and please for the love of everything that is holy in this world let me get railed in this parking lot right now.

joshua says something that you won't remember later, something along the lines of "can we skip lunch and i'll eat you instead". or actually, maybe you're the one that said that because he starts unbuckling his belt with a grin, but he's going way too slow so you decide to help him by unzipping his pants for him. and holy shit yeah it's big, but you're so eager to take the entire thing down your throat that you barely even notice the tears filling your eyes and the way you gag on him.

what you definitely do notice are the strained groans he lets out as your tongue swirls around his cock and the way his hands clench and unclench in his lap before you grab his fingers and push them into your hair, urging him to adjust your head how he wants.

it's not long before his hands tug upwards on your hair instead, pulling you off his cock with a wet sound. you inhale a deep breath, pretty lips smeared with spit and precum and eyes wet with tears, and what you find when you finally look up at him is a shock but also the most satisfying feeling you've ever had in your life.

the only word you can think of to use to describe him is broken. his brows are knit tightly together, beads of sweat forming at his hairline as his chest heaves with shallow breaths. his normally perfect smile has vanished, nose scrunched and jawline slack.

it takes him a second to collect himself, blinking as you smile up at him proudly. "fuck-" he starts, his voice higher and shakier than you're used to hearing from him. "fuck, i'm so glad you said yes."

before you even have time to process his sentence he leans across the console and pulls you closer, crashing his lips against yours with a whine so desperate you can't tell which one of you made the sound. you can feel his tongue inside your mouth, eagerly tasting himself on your lips.

it doesn't take long for the both of you to fall into the backseat of his car, moans tangling together as he holds you against the window. with the speed and intensity he's fucking you with, if you were to venture a guess you'd say he's probably been waiting for this moment for months. but the pleasure is too overwhelming for you to dwell on it as he expertly draws orgasm after orgasm out of you, the restaurant you're currently outside of the farthest thing from you mind.

when you finally climb back over to the front seats, neither of you question it when you simultaneously pull out your phones to text your boss that you're taking the rest of the day off.

i hope you enjoyed this!! if you did, consider reblogging or leaving a comment or an ask :) it shows me this is something people want to see more of, and knowing people like this makes me want to write more of it! thanks for reading!!

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halemerry · 8 months

Text

On the Bookshop, the Concept of Home, and Going Too Fast

So, weirdly enough, I want to start with a scene that has very little to do with the actual Bookshop: 1967. We get Crowley planning a heist and being interrupted by an angel clutching a thermos full of holy water and promising that someday, maybe, they could let themselves have the life they want together. And we get that line. You know the one. You go too fast for me.

This one line of dialogue went a very long way to cementing the fanon perception of their roles in the relationship as we've largely been shown them - Crowley gently pushes and gives Aziraphale space to slowly feel comfortable setting his own boundaries or adjusting his worldview. And I’m not saying this is wrong - it’s definitely what we're primed to expect in their pattern - but I do think it ignores a fairly common variation of their pattern. See, sometimes, Aziraphale is actually the faster of the two of them - he's just not quite as flashy about it.

Crowley very rarely actually does any pushing without getting some kind of signal from Aziraphale first. Aziraphale, whether consciously or otherwise, quite frequently is the player making the first move on their metaphorical chess board. We see that he's the first to push for them to work together in the story of Job. We see that he's the first to invite Crowley to socialize together in Rome. We see as early as the Globe that Aziraphale has discovered and weaponized how to ask Crowley for things with a simple look and that Crowley has gotten very good at reading those asks. We actually see this dynamic in real time as Aziraphale drops signals to Crowley on how he should form his deception of the angels in the Book of Job. Even the Arrangement itself is something Crowley doesn't push for until he knows explicitly that Aziraphale isn't happy with the terms of his work. In other words, Aziraphale sets a cue, Crowley picks up on it and adapts.

So what does this have to do with the Bookshop?

Well. The Bookshop is a prime example of Aziraphale getting there faster. Because the bookshop, whether he knows it at the time or not, is absolutely a nest.

Nesting is behavior typically associated with birds, but is actually something lots of animals do. Even humans exhibit this behavior to some degree. It’s functionally gathering a bunch of stuff to create a safe, comfortable place, typically constructed for the purpose of raising children or attracting a mate. In other words: the creation of a home.

Because the Bookshop is their home. It is their safe space and sanctuary. It is a space for them to meet and just Exist without worrying about being seen. A home base where they can just Be themselves. It’s a constant in a world ever shifting around them. It’s a place for them to come back to. A place that will always be waiting for them both. And a place that they both have to be able to check in on each other. This is why the Bookshop burning hit as hard as it did. Their home was destroyed in fire and flame. And they both know it. Every expression and shift in tone when they talk about it speaks to the gravity of that loss - even if it was only temporary. And I think it was always intended to be just that on some level from the very start.

So timeline wise the closest scene we know about to Aziraphale starting his plans for the shop is the scene at the Globe. This takes place in 1601 and features the two of them being very conscious of being seen and the potential consequences thereof. They pick going to the Globe expecting it to be busy enough to blend into the crowd and Aziraphale's objection re the Arrangement has shifted onto the idea of Hell destroying Crowley.

It is less than a century later that Aziraphale buys the land that will eventually become the bookshop. In 1630 he purchases the land with his own money. That’s his money. Money that he made mostly the human way. Although this space would eventually become an embassy to Heaven it was made via earthly means. It’s his, not Heaven’s. Less than 30 years after we first see them express concern for how dangerous it would be to be seen Aziraphale starts making a space for them to retreat to.

And he does it slowly. He spends decades slowly buying up the land in the area. In fact, it’s nearly 200 years before the Bookshop will be ready to open. By the time we hit the Bastille, he’s clearly decided on a bookshop and has clearly told Crowley all about it. They’re comfortable with each other and already trust each other to a frankly absurd degree. Aziraphale risks discorporation on the sure thing that Crowley will know he’s in danger and come save him just because he wants to see him. In other words, by the time they’re at the point where they’re making elaborate excuses to see each other, Aziraphale is less than a decade away from naming the home he has been carefully making for himself A.Z. Fell and Co.

The and Co is important here for obvious reasons. We all know there’s only one person that it could be referring to. Even as Aziraphale is still denying that they are friends, he is plastering the idea that they are a unit all over the front door of his home long before even he realizes that what he is feeling for Crowley is love.

This is part of why the conversation about ‘our car, our bookshop’ comes much easier to Aziraphale. And it is an easier jump for him to make. He's the one that brings it up and he does it quite casually. He's testing the waters a bit, but is confident the conversation will go his way. Of course we have a car. Just as we have a bookshop.

The thing is I don't think Crowley ever really got that memo on a conscious level. We can see his relationship to the shop shift in the way he moves around the shop shifts over time. The earliest we see him in the shop itself is 1941. It's night time which gives the whole thing a bit of clandestine air, which is fitting for where they're at on the timeline. He stays mostly in one spot in his shots here, sort of hovering about the shop not getting too close to Aziraphale but not drifting out on his own either. He also stays as close to sitting normally as we tend to see Crowley ever sit and his glasses stay on. Which that's not to say he doesn't relax at all. He takes off his hat and make himself comfortable and, most telling, doesn't bother with fixing his glasses when they slip off his nose. He's comfortable and familiar here but it's in a strained sort of distant way. There's trust there, for sure, but he is clearly a visitor in this space.

The next we see of Crowley in the shop is the mid 2000s. It's still night time. His glasses stay on until he's drunk and the he takes them off of his own accord. He moves about the shop, touching various objects and leaning against various pillars and shelves and furniture. He's more comfortable here, but he still he needs a bit of alcohol in his system to get there.

We then see him briefly in the daytime after they realize they have lost the Anti-Christ. The glasses stay on here and alcohol is notably present. And then we do not see him in the shop again until it is burning. All and all most our shots of the bookshop from season one are Aziraphale alone moving about his space. We know Crowley's there enough that his smell lingers in the place, but we don't actually see that much of it beyond those first tom scenes.

Season 2 couldn't be more different in this regard.

Crowley moves in and out of the bookshop as it suits him. At one point he wanders off in the middle of Aziraphale zoning out in a memory without bothering to shake Aziraphale out of it. We even get him doing what is functionally a bird courtship dance right here in the middle of the shop. Aziraphale in turn takes active steps to get Crowley into the shop whether it's leaving him to watch it while he's gone or suggesting that Crowley likes waiting in the shop for him - a thing Crowley does not outright deny beyond objecting to Gabriel's presence there.

And we get a lot of Crowley in the shop this season- both with and without Aziraphale. And regardless of Aziraphale's presence, Crowley's behavior doesn't really shift too much. He's moving around the shop far more that we've ever seen him historically and he spends half that time sprawling on the furniture like it's his.

And, of course, nearly every time we see him enter the Bookshop to engage with Aziraphale, the glasses come off.

He lets his face stay exposed in the shop, even eventually in front of Gabriel. The only other place we've ever seen him take his sunglasses off by his own choice are in his own flat or when he's trying to make a point about his own nature. Even when he's engaging with Hell, so long as he's not grabbed unexpectedly, he has them on. Crowley wears them around people well before sunglasses had technically even been invented. But not here. Not anymore. Not in this story that is framing the bookshop as a literal safe haven.

Even the palette for the Bookshop this season speaks volumes. Now Season 1 in general is a little grayer than Season 2 (this is in part because of the general aesthetics of when they were made and in part because of the difference in tone between the two seasons) and it's very very noticeable in the shop itself. Here's some side by sides of similar areas of the shops between two seasons, I bet you could guess which was which based on the colors themselves.

The palette season 1 suits Aziraphale just fine. It's more neutral tones like he tends to favor on himself. It's still cozy but in a dusty sort of way. The palette of season 2 is warmer. Less white and more orange to the point where even the pillars holding up the bookshop are more vibrant. There's more natural light and we see it more often during the day. It's a warm, shared, space now. They both get plenty of use out of it.

And Crowley now looks like he fits there too. The shift in his palette makes him feel in conversation with the bookshop in a way his season 1 red can't quite mesh with the more washed out palette. I won't repost all these images I was going feral over last night but you can find a lot of shots of him in the shop windows here that really show the ways he works with the colors of the shop.

So why hasn't Crowley moved in officially if he's practically done so already?

Because this is their whole problem in a nutshell. It's a prime example of the way their pattern doesn't work anymore. It's not built for a world like this. Its built for a world where they have to hide and make excuses. And while being free of that is objectively good it also means they have none of that to hide behind anymore. Subtext doesn't have to be subtext anymore and that can be as scary as it can be exciting. Freedom from things like Heaven and Hell can be hard when that's all you've ever known. This is all new territory for them. The meaning of what home can be to them shifts a lot in a space where they can more or less do as they like.

Aziraphale doesn't need to be indirect about what he wants anymore but can't quite figure out how to be more direct in the asking. He's ready but can't quite parse how to say that out loud. Or why he would even need to when he's been saying it quietly for more than a century. He built a shop full of human knowledge into a safe haven for the demon that fell for asking questions. He invited Crowley into the shop on day one, just like everything else he loves. He's already left the door open for Crowley to come and go as he pleases and as far as he's concerned Crowley has already half moved in anyway. From his perspective he's already set a large blinking neon sign up that says 'this is your home too'.

Crowley, for his part, can't read this cue. Not without thinking about going to fast or starting a battle with his own sense of self worth. He's been in keep them alive mode for so long I'm not even sure he really knows how to let himself have needs outside of that on any conscious sort of level. There's nowhere to push if you don't have an endgame. And even if he did have one the last explicit boundary he had established by Aziraphale was telling him to slow down.

But I do think they both realize this. Crowley grumbles about what's the point from the start of his first scene and of course eventually does take a shot at expressing his wants. Aziraphale's fixation on the Ball comes into play here too. He says they allow humans to realize they have misunderstood each other and that they're actually in love. Which is just flat out their whole problem summarized for us nice and neatly.

They're not understanding each other. They haven't had the conversations they need to have. But they are trying. They still trying, even if they don't understand the ways each other is doing so. And at the end of this season even as they are separated again, the nest still stands. And, maybe the next time we get to see them, they'll decide it's in good hands right now and start building another nest together in in South Downs, but, no matter what, the shop is still home. And even if it is a place they have lost each other twice, there is no doubt in my mind that it is a place they will find each other again.

#good omens #gos2 spoilers #good omens spoilers #good omens season 2 #good omens meta #the Bookshop #az fell and co #aziraphale #crowley

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