Rebels Rewatch: "Jedi Night"
Right, just going to go ahead and pass around the boxes of tissues.
Live reaction version.
And here we are at last. The entire latter half of the season had already began shifting at "Rebel Assault", but here the shift becomes permanent.
From the promos and synopsis put out before this episode, the genre-savvy among us could kind of already tell what was coming. But it was still devastating.
All right, enough stalling, let's get into it.
Aww man, this is the same spot Ezra sits in the finale isn't it?
Dammit we're barely ten seconds in and I'm already sad.
The Loth-wolf theme is heavy over this scene as Kanan is bombarded with an audio portent and foreshadowing of things to come in the WBW.
"You want a ride?" "The Jedi Temple is in danger." "Kanan, you haven't gotten me a present since we met." "You can learn what it truly means to be a Jedi." "You didn't prepare me for this, Kanan." "There's something I need to tell you." "I know I can always count on you."
Kanan hears mostly himself, and the two most important people in his life--Hera and Ezra. He hears Ezra's despair at losing him, and his resolve in entrusting his life and mission to Sabine. He knows the Jedi Temple is in danger. He's connected deeply with the wolves at this point, and either knows or at least suspects what he and Ezra will be asked to do.
This is probably where those extra episodes explaining Kanan's backstory and connection to Lothal would have come in handy. As it is we get the mysterious voiceover dump and have to piece things together after the fact.
What I think makes the most sense is that the Loth-wolves stopped Kanan from going to rescue Hera last episode precisely because--connected deeply as they are in the Force, associated with the WBW--they could see ahead to the potential futures of that course of action and knew that if he went after her, he would die. No matter what he did, no matter which way he moved, one way or another, it would happen. So they warned him. They showed him why lay ahead.
If you do this, we cannot save you, they told him.
And that's why he spends so much of this episode trying to mentally prepare the others, especially Ezra, for his absence.
Because the wolves still a Jedi to save the Temple from Palpatine's evil intentions.
Kanan is resolved in his purpose: He's going to save Hera. He's resigned to his fate: He will trade his life for the chance. And he's determined in his resilience: "Then I will make it count." He won't just make his death a meaningless sacrifice. He will ensure the completion of her mission, honor her by fulfilling the end goal of her failed attack. He will save Lothal by destroying the fuel pods and bringing the factories to a halt. He will give his life for Hera's dream.
Kanan proves in the end that he understands how to love without attachment. (Also why he makes Ezra formulate the plan, because he knows his feelings are compromised when it comes to Hera.) He will not cling selfishly to her. He will free her and then let her go and then let his own life pass away. He will take his place in Hades, and then teach Ezra how to grieve. Because Ezra won't be able to save him.
Because you can't go back down into Hades to retrieve the ones you lose.
“In mythology, if you go to Hades to get them back you’re not doing it for them, you’re doing it for yourself. You’re doing it because you don’t want to give them up. You’re afraid to be without them. The key to the dark side is fear. You must be clean of fear, and fear of loss is the greatest fear. If you’re set up for fear of loss, you will do anything to keep that loss from happening, and you’re going to end up in the dark side. That’s the basic premise of Star Wars and the Jedi, and how it works."
George Lucas, Mellody Hobson George Lucas - Virtual Speaker Interview, 2021
I love this shot, Ezra entering lightsaber-first, a visual emphasis on the fact that they are Jedi, and the Force requires much of them. Much sacrifice, much compassion, much selflessness. To whom much is given, much is required. With great power comes great responsibility.
All that jazz.
Kanan is preparing Ezra for the greatest responsibility he's going to have, to be asked to do what is right regardless of what it will personally cost him. And he's about to become a very painful object lesson.
He also talks like he's been given multiple visions of the future and is arranging things specifically so that they'll fall out in a specific way. It mirrors how Ezra speaks in the finale--If Thrawn shows up too soon, then this path, if he doesn't, then this one.
Some very painful paralleling that you don't realize the first time through.
Ezra's a bit uncertain at first, but honors Kanan's request, and gets started formulating a plan to get them into the Capital.
OH HEY WOULD YOU LIKE TO DESPISE PRYCE A BIT MORE?
Conducting the interrogation personally in her own office is quite the flex.
Once again paralleling to the Season One finale, another character comes in to start the questioning, and gets awfully personal with the digs, bringing up the interrogated party's painful past and history. In this case, Thrawn has brought Hera's kalikori down from its pedastel in his office on the Chimaera--that "place of honor" he promised her--in order to rub it in how he's deciphered the cultural meaning behind it.
Really leaning in hard on those icky cultural appropriation vibes aren't we, writers? Let's be clear, it's not that Thrawn was curious about Twi'lek culture and researched what meant what on a kalikori that's so gross, it's that he did so in order to learn more about Hera specifically so that he could hurt her more personally, namely by taunting her about her dead brother. It's the context, not the curiosity.
Thrawn is an Imperial warlord and only comes into contact with these cultural relics because he's a member of the tyrannical force currently oppressing those cultures. If he really respected or cared about them as items important to the people the Empire was conquering, he should leave them in their damn place. OR, if destruction of the relics at the hand of the Empire was inevitable, he should save them from that destruction and then be finding a way to give them back to the people they belong to or the closest equivalent. Instead he hoards them in his own art gallery to dissect and study to glean more insight into the cultures, so that the Empire might better defeat them.
Yeah no, the staging parallels to the Grand Inquisitor are super 100% on purpose and deliberate.
Also! Because I like ruining people's days, would you like some more Fridge Horror that you may or may not already have seen if you've been following me?
IT-O droids monitor prisoner vitals. Heartrate, blood pressure, adrenaline, other hormones and physiological markers. Hera's already pregnant at this point. Possibly far enough along that the IT-O was able to detect it.
Thrawn and Pryce might knowingly have tortured a pregnant woman.
~You're weeeeeeeeeelcooooooooome.~
Love Sabine whacking Zeb and shushing him to not interrupt Ezra as he's meditating and sensing out.
Also this look. <3
And also the soft conspiratorial smiles between Ezra and Sabine as they vibe on the same wavelength in regards to this plan.
The Kiners go all out on the music this next scene, as we montage building the gliders and Kanan preparing to shave and cut his hair, fully reclaiming his identity as Caleb Dume, The Last Padawan, again.
Kanan's theme plays, in bright flute, with bouncy string accompaniment. It's ritualistic how he moves. Like a samurai slicing off his topknot. Luke's Theme crossfades in through his to mark the heroism of the moment, as the preparations are finished.
And thus begins a long series of hidden goodbyes.
"This is one of those times I'm glad the Force is with you." Zeb says, about how crazy the plan is, and Kanan just silently puts a hand on his shoulder, the last time the two men would ever speak.
(The animators also go all hell out, making this episode one of the most gorgeous yet put to print.)
Cut to our favorite blue asshole. And he's been summoned to Coruscant for a meeting of heads of state to quibble about budgetary proportions lol. Of all things to yank Thrawn away from Lothal, it's politics and bureaucracy, par the course. Thrawn seems offended and claims Palpatine assured him he supports the Defenders.
And while I'm sure Palpatine has paid a bit of lip service to Thrawn's face... yeah no sorry honey, Palpatine was always going to go with the Death Star thing, it's been in the works since before the Clone War broke out. The only issue is that it's sucking all the funding and resources of everything else dry because of the constant delays and problems (Krennic is apparently mismanaging to hell) so now they are considering ganking money from other various projects to feed it.
And that's just... SO like the government lol.
So exit Thrawn, straight into the Thrawn: Treason novel. And I am still SORELY disappointed that Zahn did not take full advantage of the fact that Treason was basically a Rebels tie-in in order to have Thrawn sloooooooowly losing his mind and patience over things dissolving on Lothal while he's not there so that by the time we get him back in the finale, his irritation and annoyance is peak comedy and perfect characterization follow-through.
"I was gone for ONE HOUR and you blew up my project???!??"
The gliders are telegraphed to us with a very slight sound effect, and the rigid wings. So it's amazingly effective at fooling the Troopers lol. Rukh on the other hand has probably picked up a whiff of Zeb lingering on the others so he's alert.
Aaaaaand hidden goodbye number two, frick my heart this one hurts. There's so much Kanan can't tell Ezra, lest the fear of loss cripple him and make him unable to act, drive him towards the Dark Side. Kanan needs Ezra to be able to function for this mission, so he just praises Ezra for being a good listener--a veiled admonition for him to continue listening to the will of the Force, to his instincts, to the wisdom of others, to the wolves--and tells him and Sabine, "May the Force be with you."
He entrusts their safety to the Force, and tells them to trust in it in turn.
"Ezra and Sabine have each other, they'll find their way home."
Oh boy, on this edition of "Terrible Rebels takes that make zero sense except to the perpetually offended", there were actually multiple people who complained about Hera's confession coming about as a result of the truth serum, and they were mad that her loopy state because of the truth serum was played for laughs.
To which all I will say is, shut up, Hera drunk on truth serum is hilarious. Maybe quit having such a stick up your butt about bad things happening to female characters and let them get in on the jokes and slapstick occasionally.
Heroic Main Theme here as Kanan makes his entrance.
About 90% certain the thing Hera wanted to tell Kanan here was that she was pregnant. I refuse to accept that time on the fuel pod as the first time she told Kanan she loved him. Does not make sense, rejected.
Not gonna comment much on the Kanan/Hera scenes, they're adorable and sweet and heartwarming and heartbreaking in hindsight but I will say this soft romantic cue that accompanies them is very lovely.
Pryce sounds more than a bit pissy that Hera got rescued right from under her nose. This leads directly into her recklessness later with the fuel pods.
Love Ezra and Sabine casually commandeering a gunship. "I'm the backup pilot, so I'm in the back." And the Troopers just accept that logic lol.
And the "something" Kanan needs to tell Hera is either that he knows she's pregnant (but maybe doesn't know she knows?) OR about his upcoming expiration. Too bad Rukh interferes.
Oh hey, another sad parallel, neither Jedi have their lightsaber for their moment of ultimate sacrifice.
Hgngnh watching all the pieces move into place for what I already know is coming is awful.
Still cannot get over just how polluted the streets are, look at that rust colored smog.
Lol Ezra's little fist pump, completely forgetting where he is a moment. He's so cute I love him.
Their teamwork in taking out the other Imperials is great too.
*watches the kiss, sighs with sadness*
You did not have to dig so hard into the mood whiplash guys. You really didn't.
All right, let's just... pull off the bandaid.
The animation, the music full of mournful male chorus and high siren wail, the muted soundtrack, the emphasis on Hera and Ezra, that Kanan is so deeply utterly in tune with the Force that his blindness doesn't even matter (which is what his eyes clearing up was, clumsily, attempting to convey) he can see them...
And then he's gone.
And how awful it was for Ezra, who literally just felt his bond with Kanan snap inside his head, to have to be the competent leader and shout at Sabine to, "Go! Go!". For him to have to be the one thinking clearly, because Hera is completely numb and in shock.
Sabine wiping her eyes as she flies them out of there, somehow still able to see through her tears.
And then a stark white and gray titlecard as ashen dust flickers down around the text.
:((((((((
Frick man it still hits hard. Looking back though, it was inevitable. The death flags were all there, the pieces all set up and in place. This wasn't done on a whim, this was meticulously thought out, to devastating effect.
I was never quite as emotionally attached to Kanan as a lot of other people in the fandom, and I'm also a grown adult, so Kanan's death, while incredibly saddening, was not nearly as emotionally devastating to me as it was to quite a few younger viewers. For a lot of fandom this was their first time experiencing a fictitious loss like that, of having a character, a person they had as a staple in their lives, suddenly leaving it. Leaving behind an empty hole.
And that's one of the reasons I have to respect the writers for doing it. They had a story they needed to tell--about loss, about dealing with grief, about how to pick yourself back up and continue doing the right thing, as a Jedi specifically for Ezra, and as a person for everyone else--and they knew they needed to give it the weight and gravitas it merited.
You can't cling to things forever. It's one of the core staple lessons of Star Wars, the "point of the prequels" to borrow a common if oft-misused phrase.
Loss will happen. Death will happen. Do not give into fear about it. Do not let your fear of loss drive you into darkness.
Give yourself time to process the loss. Let yourself grieve.
And then let go.
So I appreciate that the next few episodes are spent almost as if in a funk, the cloud of grief hanging over us as we process through our loss with the characters and then pick ourselves back up and return to the mission. Because the war isn't won yet, and there are still things left to do.
It is darkest before the dawn.
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Rebels Rewatch: "Wolves And A Door"/"A World Between Worlds"
Things get Force Weird as we approach the final stretch.
Live reaction version.
Right so I'm probably going to be cannibalizing some of my "Ezra Bridger as a thematic Chosen One in Star Wars Rebels and the messianic imagery of “A World Between Worlds”" essay because even though I still want to make that its own separate post someday, there's going to be things about these two episodes that I have to bring up and observations that will crossover with that essay when and if that finally gets finished.
I'm going to try to be very sparing with the caps too, because I've got two whole episodes to cover and ghksajhfkjahkjh there's way too much pretty to show off, I honestly don't know how I'm gonna do it guys.
I love that after the somber musical fog they put us through last episode they start us off with bouncy plinky pizzicato strings and Loth-cat cuteness. They were like, "Hey, we know things have been heavy lately and they're gonna be again, but in the meantime have kitties sitting on top of doggos and feel for a moment reassured that there is still goodness in the world."
Zeb's skepticism re. the wolves is a little silly given that they've already shown that they're intelligent sentient creatures.
Ezra's already showing signs of the serenity and dignity he takes on as de facto leader of the Lothal rebels. Hera actually kind of cedes that role to him, and Ryder has certainly already taken several steps back out of cynicism.
So it falls to Ezra to lead them, to plan out their attack strategies, to be their head.
He's matured so much I'm so proud of him.
The wolves are deeply connected to the Force, and to Lothal. Ezra is too. In a way, he's of their kind. And after accepting his task from them last episode they consider him officially part of the pack it seems, because they readily come to his call.
Ezra's unique ability to connect, once again an invaluable asset.
Subtle animation appreciation moment: The tufts of grass that wobble as the wolves walk through them.
Ezra's favor with the wolves extends to the others, so they are all able to climb on board and hitch a Force-assisted ride back to the northern hemisphere where the Temple is.
Love this sequence. The pounding drums. The sound design. The slow phasing of the wolves into the ground and disappearing soundlessly into it, with just a whisper of wind in their wake.
I can't get over how the Loth-wolf visions keep going back to Kanan's "You want a ride?". Filoni has mentioned that Ezra's tuned into the "echoes" that are particularly relevant to him while inside the WBW and I guess the same must apply to the hyperspace wolves tunnels. It's fascinating, we've always taken hyperspace for granted but since it's part of the galaxy, it has to be part of the Force as well, so it makes perfect sense in a way that ancient Force guardians like the Loth-wolves, or creatures just intimately connected with the Force like the purrgil, can make their own hyperspace tunnels naturally, in order to pass through time and space.
"It surrounds us, it penetrates us, it binds the galaxy together."
Something I really love about the whole concept of the World Between Worlds is the idea that we're getting a rare glimpse at the inner structure of the Force itself, the tendons and strings connecting it together.
Anyway, sob with me about how the echoes end with Ezra's "There's just you and me." from "Siege of Lothal". It was just them, two flickering twin moons against the blackest night, holding back the darkness until sunrise.
And now it's just Ezra alone.
What I wouldn't give to know what they're talking about.
Frick his whole bearing is different. He's quieter, more somber. We blinked and he grew up, aged five years in a night.
We reach the Temple and it's as bad as we've feared, the Empire has set up all around it and the area bristles with lights and equipment. They've burrowed down to the foundations of the Temple, trying to pull up its secrets by the root, and they've wholecloth removed the familiar doors from it, leaving a gaping surface level hole.
The Temple itself has sealed itself tight, barring entry to the interlopers, and I LOVE the thematic fairy tale underpinnings of this.
There's a line in The Magician's Nephew, one of the Chronicles of Narnia and another strong influence on the show's writing and concepts, that goes like: "Come in by the gold gates or not at all, Take of my fruit for others or forbear, For those who steal or those who climb my wall, Shall find their heart’s desire and find despair."
This is another overarching myth archetype: Only The Worthy May Pass.
If your heart is true, and you ask permission, show the Threshold Guardian respect, walk humbly and seek the boon for others, it will be granted to you freely. But if you're selfish, if you lie and cheat and steal and trick your way in, brute force what you want and are arrogant, demanding the prize, you will receive your just reward. And you won't like it.
Think of the last Indiana Jones movie. Indiana Jones is the one that takes all the risk, makes the leap of faith to save his father, and is granted permission to use the Grail's healing powers. The Nazi-aligned academic rival who barged in with tanks and guns and wants to live forever using the Grail's powers, however?
Indiana Jones vibes are aaaaaaaallll over these whole two episodes by the way. The whole general feel of an archaeological adventure with an unexpected encounter with the divine, it's great.
I still think it's immensely clever that they used the recording of Thrawn to distract the Scout Troopers. Still hilariously convenient that one of them is female.
Even the music gets Indiana Jones-esque when Ezra and Sabine make it down into the hollow.
Hi Hydan!
I love him. He's such a good oneshot villain. Cordial and affably polite and yet my skin crawls whenever he threatens either Sabine or Ezra. He's another Thrawn archetype/parallel, he studies the mysteries of the Force in the hopes of understanding them, not for himself, but to grow the power of his Emperor. He plunders the wealth of the Lothal Temple not out of respect for it, but to dissect it for knowledge and power.
An absolutely seamless Mind Trick from Ezra here. So proud of him.
The matching "Oh crap!" expressions on their faces when they realize that's Emperor Freaking Palpatine on the other end of the line.
The Mortis arc is actually one of the few TCW arcs I watched in full. Sue me I love me some Force Weirdness. So it was quite a delight to see the Mortis gods returning as artistic archetypal representations of the aspects of the Force. The Light, the Dark, the Unifying/Cosmic Balance. (Even the Living Force is represented in the mural by the Loth-wolves.) Since we're exploring the very inner scaffolding of the Force itself these episodes, it made perfect sense to me to bring them back, and tie them into how the Lothal Temple operates.
Unsurprisingly the Emperor's leitmotif makes an appearance here. Palpatine already has extraordinary clairvoyent powers but they've become confused after Kanan's sacrifice. Kanan has altered the fate of Lothal somehow, and even Palpatine can't figure out why.
(Pssst, it's because the Force is actually working against you buddy, it's trying to restore proper balance.)
This moment was very mean and hurted in all the right ways.
"They'll be fine." "I used to always believe that." This hits right in the parental bone, ouch.
Harps and female vocals once again signifying the arcane mysteries of the Force.
And this is gorgeous.
Ezra and Sabine begin to puzzle out the meaning behind the mural, Ezra only able to identify the Loth-wolves and the green convor that liked to follow Ahsoka around. (We've still not been given an explanation for that one yet. The prevailing theory is that it's what left of the Daughter, acting as a spirit guide/guardian for Ahsoka.)
The golden pathways correspond to the paths and doorways inside the World Between Worlds and when they're aligned on the mural, the wolves awaken to form the portal that grants access. Only one who can channel the Light Side is able to unlock the mechanism to align the pathways, via connecting to the Daughter part of the mural.
This is one of the reasons why Palpatine needed to cheat to get inside. The other reason is that, per word of Filoni, the World Between Worlds is actually a bit choosy about who it lets inside.
Again, Only The Worthy May Pass. Ezra is connected to the Force and to Lothal, a native son of the planet, a Jedi, and he has the wolves' favor, so he is granted access.
Like Maul back on Malachor, Palpatine cannot open the door on his own.
Sabine does a pretty good job bluffing the Troopers that come to investigate her presence by the mural, buying Ezra enough time to connect to the Daughter and open the portal.
Ezra remembering Kanan's last words to him, the reminder to listen.
Rebels animation is gorgeous, I will hear no slander.
And this technique they developed to animate 2D images on top of a 3D CGI environmental surface was probably the same technology they used for mini Maui in Moana. Put to absolutely beautiful use, there's zero weird blending or edging at all, it just looks fully integrated and a natural part of the image.
Now, obviously the mural wolves need a clear space in order to form the portal but I also think they were drawing Ezra far enough away from the Stormtroopers that they wouldn't get to him in time. So that they couldn't stop him.
I'm actually reminded of a scene in Avatar: The Last Airbender (which Filoni also worked on), where Aang manages to slip in last minute through the giant door into the inner shrine that could only be opened by several Fire Sages working in tandem, and the way Roku--the previous Avatar before Aang, and a Firebender himself--seals the door behind Aang, so that even the Sages can't open the door anymore.
Ezra has a meeting with the Divine, and the Empire is not invited.
The score going full blast Indiana Jones mysticism, love it.
Like Thrawn, Hydan clocks Sabine as someone who doesn't belong there immediately, recognizing her from the incident before. The dig site is put on full alert and Troopers close in on Ezra, who's paralyzed for a moment, nervous to enter the portal.
Sabine yells for him to go.
And with determination and purpose, he does.
And the portal seals behind him.
Sabine's worry and fear. <3 Even though she told him to go, watching him literally disappear into a wall has to be frightening.
AND NOW FOR THE EXTRA FORCE WEIRD PART. :D
The World Between Worlds is a place where time and space have no meaning, because all time is present at once. Past, present, and future is all happening simultaneously inside the starvoid, which pulses with the whispers of those who have come before, and those who are yet to come. It's a liminal space, a space of transition, an "in-between" that is neither here nor there. @seleneisrising has an excellent series of posts comparing it to the Wood Between The Worlds, again from The Magician's Nephew, a seemingly endless wood with countless pools that represent different worlds one can enter and exit, if one has the proper travel implements (green and gold rings, in this case).
It is not time travel. Filoni and other writers make it very clear that you cannot, SHOULD NOT, actually use it for that purpose, because if you take something out of its proper time and space, things could go very very badly, and you could create a paradox that destroys time.
Ezra doesn't know this when he winds up pulling Ahsoka out of Malachor, but Ahsoka suspects--since she's been in this kind of Force Weird situation before--so that why she's immediately all, "Okay you have to put me exactly back where you found me." and declines to come with Ezra out his portal.
And that's also why Ezra can't save Kanan.
More on that later.
Our first series of echoes is about the Force, in general, and specific quotes apply to Ezra in particular, for the character journey he's going to complete inside this liminal space.
"Train yourself to let go of everything you fear to lose." "What you need you already have. Unfortunately, you seem to be letting it all go." "I won't let him lose his way. Not like I did."
The World Between Worlds is already warning him of the temptation that Palpatine will offer, first with Kanan, and then with his parents. Palpatine will dangle the idea of undoing his loss, reversing and cheating death, the same thing he offered Anakin, if he would only just lend Palpatine a little of his power, just a small favor, just open this door for me good lad, don't you want this?
It's a trap. A trick. A lie. There is no reversing death.
You cannot go back down into Hades.
The Force theme permeates this space, floating above our heads with the stars in the vast empty void. Obi-Wan pipes in, via voiceover, to explain what we're seeing, in essence, the very scaffolding and inner workings of the Force.
Meanwhile outside, the troopers are not gentle with Sabine. Hydan tries to make nice and she sasses him to hell and back, refusing to cooperate.
Sabine trying not to let her worry for Ezra show, when Hydan threatens that the Emperor will find him inside the World Between Worlds. <3
Vocal cameos from across the Star Wars canon as Ezra crosses the World Between Worlds. I know someone has identified all of them but I don't have the list at hand. Most of them aren't relevant to Ezra in any case.
Morai appears though, to help guide Ezra to the Malachor portal. I know it was suggested that Kanan helped orchestrate Ahsoka's rescue from beyond the grave, as some kind of "unfinished business" Kanan had yet to do before he fully pass on. Some people were confused why Kanan would want to do that, he was never particularly close to Ahsoka nor was he particularly as devastated by her apparent death. Not like Ezra.
I can accept that logic from the writers though, if it's Kanan trying to help Ezra finally assuage his guilt over Malachor, give him a chance to make things better. And give Ezra a Force Sensitive ally to help find him after everything is said and done.
Kanan knew he was going to die. Knew he couldn't be there for Ezra. So he arranged a way for there to be someone to look for and after Ezra after he was gone. He knew they would need Ahsoka's help.
My thoughts, anyway.
Ezra's quiet horror when the portal activates and shows him the tail end of the Malachor confrontation. :(
It is hilarious to think about how this must look to Vader and Ahsoka. On Vader's end he's swinging down and all of a sudden a hand comes out of a shimmering patch of air and just yoinks Ahsoka away into thin air and then the floor collapses under him and he just had to go back to Palpatine and explain all of that or else pretend that didn't happen, lol.
And then Ahsoka had to wake up in a weird place after fighting Vader and unpacking all of that My Master Is Evil trauma and then see an older Ezra in Stormtrooper armor, learn that Kanan was dead, help Ezra not break the universe, fight an apparition of the Emperor, and then run back to Malachor so she wouldn't break the universe either. Girl needs a damn nap after all that ha ha.
Sabine continuing to be super uncooperative with Hydan. He eventually loses patience and lets the Death Troopers smack her a bit. She's not badly hurt but the point comes across; she needs to play nice or else.
Ahsoka looks SO confused lol.
Vader echoes sound in the background, these ones attuned to Ahsoka, responding to the revelations she has just had about Vader's true identity. As well as an echo from the Daughter, when Ahsoka notices Morai.
(This resonates with what Filoni says about the World Between Worlds in a recent interview, that it attunes to whoever is currently inside, or the person inside only truly hears echoes that are relevant to them, the rest may as well be static and noise, incomprehensible.)
Ahsoka's the one who suggests Kanan's spirit is lingering, trying to guide and teach Ezra one last time from beyond the grave, through the manifestation of the Dume wolf, and yeah, it tracks. I kind of like the notion that Kanan clung to himself just long enough to make sure Ezra was okay before he let himself move on and dissipate into the ether.
Ezra latches onto the idea that Kanan meant for him to save Ahsoka, and then tracks that thought straight into "I can prevent Kanan's death too."
But it's not the same.
Ahsoka knows she has to go back through her portal and return to the time she left, sooner rather than later in order to prevent any kind of paradoxical damage to the timeline. But she can't leave the grieving Ezra in limbo and so she rushes after him to hold back his hand.
Once again, "You want a ride?" echoes, the moment Kanan first offered his hand and help to Ezra, which must be so intimately imprinted on him that it's what he always first hears.
"You can learn what it truly means to be a Jedi." And he's about to, Kanan, believe me.
Ezra's theme plays here. It doesn't complete, never making it to the second stanza. Ezra's not thinking straight. His words echo Anakin's, "I can stop people from dying!" He's too wrapped up in his grief. He's trying once again to reach for power that isn't his to grasp, in order to stop loss from happening to him.
He is attached.
Attachment in the Star Wars universe has a very specific connotation. It has never meant love, or relationships, friendships, other people, cherished places or things. It is all about one's own mindset when relating to those things. Jedi are supposed to love everyone, selflessly. But they are supposed to understand that nothing lasts forever. Things die, people move in and out of your life, the change happens and you can't stop it "Any more than you can stop the twin suns from setting." Shmi says. Children grow up and leave home. Being a Jedi, being balanced in the Force, means you accept the transitory nature of things and let go of your fear of loss.
Because fear leads to the Dark Side. Being afraid of loss, of being without the things important to you, makes you angry at what might try to take those things. Which makes you jealous, clingy. Greedy. Makes you grasp tighter. Makes you desperate. Makes you seek for the power to keep those things with you. And there the Dark Side is, calling to you, offering you that power. Promising to help you keep those things you want.
But it's a trap. The Dark Side will consume you. It will not help you save what you fear to lose, it will instead demand their sacrifice. The desire for power will overtake everything else, every other noble intention or motivation you had. What you intended to save you will no longer care about. The Dark Side will be all there is.
So you must let go of the things you fear to lose. Let go of that fear, and it will have no power over you. Accept the loss, and do not grasp for the power to break reality, to cheat the natural order, just to spare yourself the pain of not having that thing or person in your life.
Because you cannot go back down into Hades.
You cannot turn back time. You cannot undo death.
"You can't save your master," Ahsoka tells him, so so gently because she knows how hard this is. "And I can't save mine," she accepts.
And so Ezra looks at the portal, everything in him screaming in grief. And Ezra, who has abandonment issues and so much of his own worth and validation wrapped up in Kanan--"Kanan believes I can."--who thinks of Kanan as more a father than a teacher, who is still at heart a lost little boy who misses his parents... does one of the hardest and bravest things ever required of him.
He drops his hand, and turns his eyes, and lets go.
He faces the grief and loss head on, and accepts it. Doesn't let it master him.
And thwarts Palpatine one moment more.
Because the image of Kanan was not actually him. The Dark Side will never actually keep its promises. Or it will fulfill them in a way that makes it not matter. It all consuming, always hungry, never satisfied, and it will suck you dry.
The portal Ezra was tempted by leads straight to Palpatine. Who reveals himself like a cackling demon, shrouded and surrounded by blue flames.
Yikes.
Outside, Hera and Zeb are preparing to spring Sabine free of Hydan's "company", though not before she learns the way to seal the portal again.
The lovely dichotomy of "Sabine will know."/"He's on his way." is great BTW, they have so much faith and trust in each other.
Sabine's cheeky little, "Sorry about the mess." :)
I am fairly certain, though I can't find the post from Celebration that talked about it in overview, that Dave et all recycled several ideas from the planned Season 7 arcs for TCW into Rebels. This fight I'm sure was one of them, I remember something about fighting Palpatine in the basement of the Jedi Temple, where the nexus is.
Full male chorus for this moment, love it.
Palpatine won't give up so easily. He still needs to piggyback off Ezra's permission, because the Temple accepted Ezra and rejected him. If he cannot trick Ezra into being his anchor, he will simply attempt to latch onto him from the other side by force, through Sith sorcery.
YEAH NO THAT'S TERRIFYING.
Also fanficcers once again have let me down, I need way more Bad End AUs to this scene than just the one I wrote.
"When you get back, come and find me!" An obligation yet to be fulfilled. Hopefully the Ahsoka show will finish this out. *fingers crossed*
Ahsoka runs back off into the shot where her back was to the camera from "Twilight of the Apprentice" and Ezra escapes, to Palpatine's severe annoyance I'm sure. I would not want to be in the room when that happened, lemme just tell ya lol.
OH HEY HERE'S MY FAVORITE NO CONTEXT SIGNATURE SCENE. :D
There's so many things about this scene that I love. Sabine grabbing Ezra's arm to help him up. Zeb practically holding Ezra to him as they run, giving him cover from the blaster fire. Chopper's Big Damn Heroes moment as he drives a freaking drill (one he was eyeing earlier) into the crowd of Stormtroopers.
DEAN KINER'S EXCELLENT "THE TEMPLE COLLAPSES" MUSIC CUE WHICH IS OF COURSE MY FAVORITE OF THE WHOLE SOUNDTRACK.
Ezra looking immediately to Sabine to tell him which one to activate, because he trusts she's figured it out. Zeb helping lift him high enough to reach.
Ezra connecting to the Son, the score piping in with piano to signify the Force usage. Maybe Ezra is having to call upon the Dark Side, maybe he is just making a connection, but either way it's harder than it was with the Daughter. Takes more effort. He collapses immediately into Zeb's arms right after.
But look at Ezra’s expression:
The way his lips and eyes pinch, how his face tightens. The minute tremble in his lip. It’s not anger or fear or passion he’s channeling here.
It’s grief.
Ezra falls unconscious into a Pietà pose (more on that in the messianic imagery post) and looks incredibly small here in Zeb's arms. This is such a soft moment and it's so sweet, I love it.
The mural turns crimson red and the Temple begins to seal and collapse. Removing itself from the physical plane of existence entirely, to deny Palpatine access.
Our heroes flee, Hydan perishes, the most gorgeous animation of the show splashes across the screen as the wolves return to their place, the Daughter and Son descend, and the Father claps his hands and sinks the Temple.
Ezra is barely conscious the whole time, a lot having been taken out of him. It's similar to how he collapsed in "Gathering Forces" and "Vision of Hope" and "Holocrons of Fate", too much Force energy exhausts him. As he fades out, Kanan's voice calls out from the white light.
"The Force will be with you, always."
By implication, "I'll be with you Ezra. I'm alive inside of you now."
And then all that's left is to say one last goodbye to Kanan, across the glasslike surface of the plain where the Temple once stood, into the rising light of dawn and the fading footsteps of the white Loth-wolf.
Kanan's theme plays us out over the credits.
These two episodes contextualize, and re-contextualize SO much about the overall story. Finally we know what Ezra was meant to do, what made him so special that the Force chose him, not as the Chosen One, but as a Chosen One, with a specific destiny and purpose that he needed to fulfill.
A child of Lothal, tested and found worthy by the wolves, who was already blessed by the Jedi Temple before. Favored by the Force to enter into its innermost sanctum to protect it from those who would desecrate it, twist it to their own purposes.
Ezra's narrative importance to the overall Star Wars saga becomes immensely clear. His character development is complete, and he now has the strength to stand against Palpatine's temptations, and the bravery to make the ultimate sacrifice for his planet and people. One whose results he won't even be able to see.
Just like Kanan did. Kanan's last lesson--To love unselfishly and give of yourself, even if means losing what you hold dear, simply because it is right and you are needed--will be Ezra's final act as well. And it took being asked to let go and accept Kanan's death for him to understand.
These episodes are beautiful in theme and message. The World Between Worlds is a fascinating perfect addition to Star Wars lore. The character work is fantastic and I can even pardon the clear favoritism in managing to bring Ahsoka back. I love these episodes so so much, they're my absolute favorites of the whole show.
We're almost done my loves, let's watch Ezra's character development pay off next time. :)
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