The Avengers: Season 4 - episode 21 - A Touch of Brimstone - James Hill
UK (1965–1966)
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If James Hill was a spoiler, ready to plant artful seeds of doubt that grew to choke the zest and energy of the indie, Lancaster was ready to be spoiled.
Lancaster's rages, promiscuity, and mood swings suggest some kind of conflict or confusion about sexual identity, at least.
"You get off my husband's back," [Norma Lancaster] said one night to Hill at dinner in a Paris restaurant, "and I mean that literally." Then she threw a glass of beer in his face. There was a new “remoteness” [Tony] Curtis and others observed between the couple.
James Hill and Burt Lancaster
— photo and caption from Against Type by Gary Fishgall, quotes from An American Life by Kate Buford
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Evelyn Berckman - The Strange Bedfellow aka Jewel of Death (Dell, 1958). Cover art by James Hill.
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So Dead My Lovely by Day Keene. (1959) Artwork by Robert Maguire.
The Wayward Wife by Alberto Moravia. (1961) Artwork by James Hill.
Too Hot To Hold by Day Keene. (1959) Artwork by Robert McGinnis.
The Loser by Peter Ustinov. (1962) Artwork by Baryé Phillips.
The Money Men by William Richards. (1969) Artwork by Mitchell Hooks.
The Farmers Hotel by John O’Hara. (1966) Artwork by James Avati.
Spin the Glass Web by Max Ehrlich. (1957)
She Who Strays by Arthur Adlon. (1963) Artwork by Ernest Chiriacka.
Girls Without Men by George Simon. (1964)
The Golden Rendezvous by Alistair MacLean. (1962) Artwork by Stanley Zuckerberg.
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Elke Sommer-Robert Stack "Los corrompidos" (Die hölle von Macao) 1967, de James Hill, Frank Winterstein.
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Marvel Universe Map by Map by James Hill and Nick Jones
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JAMES HILL
Fabulous Magazine (2017)
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The Avengers: Season 4 - episode 21 - A Touch of Brimstone - James Hill
UK (1965–1966)
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how many bisexuals does it take to run a production company
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