Jason: the Batfam member I see most as my brother is Tim
Dick: What!!! That's no fair, I should be your brotherly-ist brother!
Dick: No offense Timmy.
Dick, turning back to Jason: But I am the one who has been your brother longest, I helped you kill that druglord, I even gave you some of my cookie dough last week!
Bruce: uhhh, back to the druglord thing-
Steph: You shared your cookie dough with him!
Jason: Sorry Dick, but there is one thing that makes you brothers more than anything else, not blood, or time, but...
Jason and Tim at the same time: Contempt
Jason: I have contempt for Tim, like all siblings should. Really the only thing I love more than hating Tim is shit talking other people with Tim. That form of contempt is how siblings bond and I will just say, surprisingly I love bonding with Tim even more than I love terrorizing Tim
Tim: aww, I didn't know we were that close
Jason, panicking cause he doesn't wanna ruin their dynamic: *punches Tim in the gut and runs out*
Tim, shouting after him: You can't take it back now, you ass
Jason: *turns around while running to give Tim the middle finger*
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support group for all my besties who talk too loudly without realizing and constantly get told to keep their voices down but can't because they're just so excited to be alive and experiencing human connection. i'd say shout out to us but that's just a normal conversation isn't it.
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All the jokes about Ken and horses are good but I just wanna say it's such a good parallel to how actual young men get swept into misogyny and the patriarchy.
Like they're told to believe it means men get to be cool and manly and have this power but with that comes extremely rigid commands of what they can be as a man and a cycle of self hatred for never matching those gender roles perfectly. Patriarchy tells men that if they just do exactly what is expected of them, then they get all the "cool stuff" that comes with. That doesn't work though when there's only a small group that actually gets that power, but men will keep trying to fit into those roles in hopes that they can.
In the end there are no horses or the myth men are told, it's just endless cycles of self hatred and ingroup fighting.
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One of the many things I find funny and irritating is the slant of a lot of interpretations of Alecto's name (that it's about feminine rage)--on this here wlw internet in the year of our lord 2024, it's easily made to figure as rage against God, or rage against patriarchy, or religious oppression, and therefore an allusion to the idea that she's going to get her vengeance on John for betraying and oppressing her somehow, but like
John is the one who named her Alecto. He's the one who named her that. So, naming her "Alecto" is alluding to the embodiment of John's rage--their rage, since they are joined inseparably (John even explicitly says that when he first perceives her: "You wouldn't stop screaming. You were so scared. You were so goddamn mad").
He says of Alecto to Harrow, "In a very real way, you are [Alecto's] children". At a very surface level, Alecto is (depending on the text or tradition), one of the Furies--famously, in several surviving Greek tragedies, who punish Orestes for the crime of killing his mother. In fact, in Aeschylus' Oresteia, they declare that they are specifically bound to avenge matricide.
So the name "Alecto" alludes to the nature of John's mission and how he sees it.
It also implies that his divine rage, the rage that gives him power, the power that makes him divine, that he either represents or wants to represent, is feminine rage. He was chosen by Earth (which, Furies are sometimes the daughters of Gaia); he is her champion, however he's managed to fuck that up. Once the truth of that comes out, it becomes clear that all of his power comes from her.
And that's why you get statements from Tamsyn Muir like:
“[T]he God of the Locked Tomb IS a man; he IS the Father and the Teacher; it’s an inherently masc role played by someone who has an uneasy relationship himself to playing a Biblical patriarch. John falls back on hierarchies and roles because they’re familiar even when he’s struggling not to. Even he identifies himself as the God who became man and the man who became God. But the divine in the Locked Tomb is essentially feminine on multiple axes – I think Nona will illuminate that a little bit more."
So yes, he plays the role of Emperor and God and Teacher, with all of the things that implies. And I don't think it should be discounted. But he also is (and partly sees himself as) the chosen champion of a goddess, or what is for all intents & purposes for a human like him a goddess. He is her avenger, and while she sleeps, her avatar.
And I don't think we're meant to read him purely as a parasite who's taking advantage of her to gain power for himself, either. Or an oppressive, Kronos-like figure. Especially if you consider Palamedes' theory of the Grand Lysis, even if he was purely motivated by desire for power before (which I really doubt), there are parts of each in the other, now. What was clear and separate before is uncertain and interpenetrated. Is his rage his own, or hers? Is his mission of revenge his, or hers? If he wants power, is that his own selfishness, or her desire to survive?
And does it matter?
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Was forced to watch a truly incredible (derogatory) thing recently.
A young person on twitter, adamant that transandrophobia doesn't exist on the grounds that 'no one is killing/raping/assaulting trans men'.
Several people responded, including some linking articles about murders and assaults on trans men and a couple op-ed style pieces of trans men talking about their own experiences.
Said young person responded with "I'm not reading those its triggering and I'm a minor"
So let me see if I've got this correct, you are knowingly refuse to acknowledge reality because it's upsetting to you and then you're going to turn around and deny that very reality because you refuse to acknowledge it because it's upsetting?
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