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#its not necessarily like. The Song for his character it just happens to be stuck in my head
lulu2992 · 4 months
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After listening to this song on repeat and/or having it regularly stuck in my head these past few weeks, I’ve finally seen Wish!
I had read many reviews that said the movie was bland because it lacked originality, and while I understand this point of view, in a way... I think it was intentional.
The film was released for Walt Disney Animation Studios’ 100th Anniversary and is full of more or less obvious references to other Disney movies, whether it’s a well-known character name that’s mentioned, someone directly quoting another film, or even just a background, object, gesture, or scene composition that, for some reason, feels familiar. The fact that all those “Easter eggs”, which could have been very annoying but, in my opinion, manage to remain fun (not really in a self-mocking way as Enchanted did, though), exist, combined with the images that appear during the end credits and the scene that follows (yes, there is a post-credits scene), make me say the goal was to make the “Disneyest Disney movie”.
Wish is not lazy, it’s a celebration.
It’s still its own film with its own story, but it’s first and foremost a tribute to Walt Disney Animation Studios, all the movies they’ve released over the years, and the now iconic (some might say overused) concepts of “wishing upon a star” and hoping your “dreams come true”. At one point, there’s also a flip book (with a time chart!), and I see this as a nod to traditional animation, as well as an homage to the original “magic makers”: animators in general.
So yes, it’s unoriginal and maybe not the most memorable Disney film. As you would expect, it opens on a storybook, takes place in a fictional kingdom, features a heroine who has an animal sidekick and a dead parent, and she has to fight against a charismatic villain who uses green magic. I would describe Wish as a quintessential Disney movie, and while it may not be groundbreaking, it’s still cute, pretty, and entertaining. The characters are good and, even when they don’t have a lot of screen time, have distinct personalities. I’m thinking in particular of Asha’s friends who, as I’ve just realized writing this, must be a reference to the Seven Dwarves (even their initials match)... There also are many songs, of course, as they are yet another trademark of Disney movies. Special mention to “This Is The Thanks I Get?!” because I thought it was quite catchy and the most original!
Speaking of King Magnifico, he really is a great character and “classic” Disney villain, and it feels like we hadn’t seen that in a while. That said, [spoilers]…
...I was a bit disappointed they introduced his tragic backstory (without fully explaining what exactly happened, by the way) and then didn’t really do anything with it at the end. Sure, it humanizes him, gives him depth, and explains why he’s unhealthily obsessed with being in control, and I agree that not all villains need or deserve a full redemption arc, but… I don’t know, since they mention the fact his family died and that the fear of loss is what motivates him (at least at the beginning), I expected that to play a bigger role in the story, and especially in its conclusion. I’m not saying he should have been redeemed because I don’t know if it would have worked in that story anyway, but taking into account his past, the fact they mention it several times, and what they (Disney) have been doing with many of their villains lately, I simply thought it was likely to happen. Maybe King Magnifico didn’t necessarily “deserve better” as a person because he does become “evil”, to the point that even Queen Amaya, his wife, eventually turns her back on him despite their seemingly sincere connection, but as a character, I’m inclined to say he did…
Oh well, at least he has the coolest villain song!
Also, knowing my love for charismatic antagonists with a tragic backstory, maybe it’s best for me that they didn’t explore that further and just let him apparently irremediably lose himself. Had they decided to “save” him, even partially, or give the audience more reasons to feel sorry for him, I fear I could really have spiraled out of control :’)
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Hi! I really enjoyed the latest episode of AKOM. I was a little skeptical at the beginning about how Instant Karma relates to Paul but you made some excellent points that I hadn't considered before! One thing that stuck out to me though was when you said there wasn't anything "to John" on the McCartney album, and while I sort of agree, I also just read this very interesting post: www(.)tumblr(.)com/blog/view/thecoleopterawithana/689695334914473984 which quotes Paul's comments on the song "Junk" from his The Lyrics book, and goes into how he basically wrote it about one person asking their love why they have to leave them and go on to a new relationship. Thoughts? Have y'all discussed Junk in this context before? Seems to fit in well with this episode! Thanks
Hello listener! Yes, I have the LYRICS book and have read that (very interesting!) entry about Junk. Obviously, Junk was written in India; we even have an Esher demo (which, IMO, is superior to the LP version!). So John already knows Junk by the time Paul releases it on McCartney (so to my original point, I don't think he'd interpret its inclusion as a personal "message"). But I guess your question is more about the song Junk itself, i.e. what do I think of Paul's comments and/or do I think they are about John? :) The short answer is: Probably, but I don't think that necessarily gives us any details/info about what happened between John & Paul. While I honestly think Paul is saying "I wrote this mournful, wistful song about waste... and it turned into a love song" there's no doubt that the massive disruption in the relationship with John was a huge concern in Paul's life at the time. I genuinely think Paul writes songs with characters (in this case, the 2 lovers who are parting ways) and uses them cathartically to express his own emotions. So the mood of Junk (IMO) is empty and sad, which I think is how Paul felt at the time. However I don't think this necessarily means that Paul immediately feels "replaced by Yoko" b/c I think Paul at first was more confused, skeptical and distrustful of Yoko (or more specifically John's sudden, obtrusive obsession with her) than anything else. Sounds like one lover saying “bye, bye” and the other plaintively asking “why, why”, even as the junk in the yard demands an explanation for the urge to acquire something – or somebody – new. Paul is talking about a theoretical/fictional relationship breaking up, but he doesn't say he is the one being left. Even if Junk is about John/Paul (a theory I'm more than happy to entertain), I think the most we could take away is that Paul feels like something is ending. I kind of think of Junk as a companion piece to Look at Me (and maybe John thought "fuck it, if Paul can repurpose Junk for McCartney, I can repurpose Look at Me for POB!" hahaha). Look at Me, also written in India, is asking a loved one to deal with a situation rather than run from it. “Who are we? Nobody else can see, just you and me” certainly suggests an undefined relationship that is known only to the two lovers. John also pleads “what can I do for you?” which suggests he is trying to please the other person and get them to stay. So…. IDK! It’s complicated; as usual, I’m not sure that these songs tell us anything specific about what happened, but we can take away that John and Paul both feel desolate, scared and sad that something special is ending and they both feel powerless to stop it. -Phoebe
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kylekozmikdeluxo · 4 months
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"Good morning, young master, it's 1882..."
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The early years of Paul McCartney's post-Beatles group Wings have been on my mind for the past few weeks, even before the untimely passing of the one Wings member who stuck with Paul and the late Linda McCartney through thick and thin: Denny Laine.
15 years ago... Early 2008...
By March, I was scalp-deep in the solo output of McCartney. I had already went through a Beatle-obsessive phase, now I was onto Paul's stuff. His first two albums and such, the first couple of Wings album, just endlessly fascinated by a lot of it...
One day, I had come across a bootleg of a song called... '1882'...
It was in its home demo form, taped sometime in mid-to-late 1970. Presumably a little after the release of MCCARTNEY... The song, in any form, wouldn't see an official release until 2018...
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... and this one fascinated me the *most* out of the unreleased material.
1882 would later be turned into a dreary near 7-minute epic in the studio in 1972, and a similar take was played live throughout the Wings Over Europe tour that took place from July to August of that year. At several points, a live recording from Berlin was to be used on Wings' second album - and Paul's fourth overall - RED ROSE SPEEDWAY, which was released in April 1973 after being cut from a double-LP to a single-disc.
Anyways, where was I? Winter 2008... January-March, precisely... Life was rough. I don't want to get too into it, but my brain was in a very low place... It was small special interests like these that got me through such miserable days, and probably made worse by the bitter winter conditions. New England isn't particularly nice during this time of year, you get some truly bitter days mixed with some inexplicable near-summerish ones. Something something Mark Twain-
And when I heard 1882 for the first time... I felt like, for a moment, after so much going on... It's like I woke up in 1882... Like the opening lyrics of the song... I had such a vivid picture of waking up in a vintage old house in the woods.
At the time, I frequently saw my father on the weekends, when he was living in a city. His house, that he got from his parents, was largely not updated since around the early 1980s I want to say? It still had wood-paneled walls, green shag carpet, '70s wallpaper on a vintage stairwell, and the room I slept in... I might as well have stepped into a bedroom from the 1960s. Like how Thomasin McKenzie's lead character, when she stays in that apartment, in LAST NIGHT IN SOHO.
I honestly miss that house sometimes.
But that all just rammed home the vintage-ness of the song, especially in its home demo form. It sounds like Paul recorded it on his Scottish farm, a bucolic and remote setting far off from Liverpool and London. For sure. I feel that sleepy farm life, a post-Beatles wind-down and restart, is captured so beautifully on MCCARTNEY, RAM, and WILD LIFE, and there's some of it left on RED ROSE SPEEDWAY. (It also helps that two songs on that album are RAM leftovers.)
I also really enjoy the studio and live versions, too, but the home demo fits the time period nicely. It's almost a vivid picture into a mundane, if not grim life in the late 19th century. It really inspired me to write stories set in the late 19th century, British period pieces, stuff like that. Not necessarily Victorian ones, but ones set in the countryside, quaint and relatively uneventful, but very much full of feeling and vibe. Almost like an early Disney film or a Miyazaki film. To this day, I still incorporate those kinds of aesthetics and ideas into what it is I do... It's just endlessly fascinating to me, and I do wonder how a song like this would've been received had it come out when it was supposed to.
And even to this day, sometimes, when all feels like a flurry. An utter tornado, a rush of emotions, happenings, and anxieties... I create a mental black out in my head, and then imagine a character waking up... And it's 1882... Somewhere in the countryside...
(The oil painting is apparently titled A VIEW IN HEREFORDSHIRE, Thomas British, fitting name, made around the 1880s)
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planet4546b · 3 years
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hey the 212th whats the deal with your medics
[image id: a bust shot of a clone oc, blake, on a wavy red background. he has a shaved head and his head is in profile as he looks off into the distance. his armor has a large zigzag pattern on the right side of his chestplate and both his pauldrons are orange. his left pauldron has a medic symbol. end id.]
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incorrectstevebucky · 4 years
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Captain America the First Avenger but with Full Stucky Goggles
Okay but Steve and Bucky’s relationship mirrors a romantic relationship from the very first movie. 
In the First Avenger movie after Steve gets the serum and is made to tour instead of fight, he gives up on ever being able to fight or make a difference. Then he finds out Bucky has been captured and he goes from this:
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to this:
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and he runs to Phillip’s:
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and asks him for just “one name: Sergeant James Barnes of the 107th. B-A-”
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When Phillip’s tells him that name does sound familiar and was on the list of the presumed deceased. He then immediately runs to the show tent, grabs his props, and decides to go on a one man rescue mission. 
Peggy: Your friend is most likely dead
Steve: You don't know that
Peggy: Do you plan to walk to Austria?
Steve: If that’s what it takes.
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When he arrives and rescues the men, he says he’s looking for a Sergeant James Barnes and asks the Howlies if there’s anywhere else someone might be and they respond by telling him that some of them get taken away but no ones ever come back from there.
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He then tells the Howlies how to get out and what to do before leaving to go find Bucky. They even ask him if he’s sure and knows what he’s doing and he responds by joking that he’s punched Hitler over 200 times. 
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Again, despite other people’s concerns he prioritizes Bucky (despite all signs pointing to Bucky most likely being dead). 
He runs into Zola and starts to chase him before being distracted by hearing mumbling and going in to find Bucky strapped to a table.
This is Steve’s face when he starts to free Bucky and leans over him and says “It’s me. It’s Steve.”
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and this is Bucky’s face:
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which goes from confusion to the biggest smile when he realizes that Steve came for him. This also somewhat mirrors the winter soldier Hellicarrier scene since Bucky has clearly been drugged with the way hes slurring, his eyes are glassy, and all he can say is his name and serial number but the minute he sees Steve its like he starts coming back to life.
After Steve gets him off the table he EVEN SAYS “I thought you were dead” with so much relief in his voice
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Phillip’s told Steve Bucky was on the list of dead soldiers, Peggy told him Bucky was most likely dead, the Howling Commandoes told him that no one has ever come back from the labs alive, even STEVE HIMSELF had doubts about whether or not Bucky was alive and HE STILL HAD TO GO LOOKING FOR HIM.
And then Bucky, who had be tortured for days and is exhausted and in pain, asks Steve if getting the serum hurt him. Even half dead his main concern is Steve.
Then obviously they run into the Red Skull and Zola and the building starts to blow up. Bucky manages to get across to safety but the bar breaks, trapping Steve. 
This is Bucky’s face when he realizes the bar broke and Steve’s stuck.
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Bucky tells him there has to be a rope somewhere to which Steve tells him to get to safety
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and Bucky responds by saying that he’s not leaving without Steve
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The interesting here is that Steve was fully expecting and preparing to die but realizes that Bucky won’t leave unless Steve leaves too.
It doesn't show well in pictures, but Steve is clearly reluctant to jump and only does so because he knows that Bucky won’t leave without him (also just the fact that Bucky was fully prepared to die in a burning factory despite being able to leave just because he can’t leave Steve).
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Fast forward a little bit, and Bucky and Steve rejoin the other soldiers and make their way back to camp.
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Steve talks to Phillips and reunites with Peggy and just as Steve and Peggy start flirting Bucky yells out “Lets hear it for Captain America”.
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There’s been a lot of meta about this scene but the gist of it is that when Steve looks to Bucky, Bucky smiles at him but as soon as Steve turns away his smile starts to falter.
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The best explanation I’ve seen for Bucky’s feelings in this scene is that he used to be only one who saw all of Steve’s qualities and potential and everything that made him special but now the rest of the world sees it too and Steve isn't only his anymore (and also he yelled out right then because he was jealous of  Steve paying attention to Peggy more than him).
Then we move to the bar scene where Steve recruits the commandos. After the commandos agree to join him, Steve goes to ask Bucky if he’s ready to “follow Captain America into the jaws of death” (interesting to note, Bucky would be eligible to go home since he was drafted and because he was a POW, but Steve doesn’t even ask, there’s a general expectation between the two that wherever Steve goes Bucky follows). Bucky also tells Steve here that he’s not following Captain America but the friend he’s always followed. 
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He then jokingly asks Steve if he can keep the outfit. This part was interesting because before he complained about the outfit and about having everything he ever wanted but that he now has to wear tights.
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This next part was when Peggy comes in. Bucky’s reaction is interesting and something someone else analyzed really well before but the gist of it is that Bucky’s reaction is basically jealousy.
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His fists and jaw is clenched and what’s more interesting is that the song playing in this part is called “There is Tavern in the Town”. Here’s the good analysis by stevebucks.
Moving on, we have Steve getting the SHIELD and other Captain America stuff from Howard Stark and he then hands him his “ideas” for the suit. The suit design, that he hated before,  is the same as the one Bucky asked if he was keeping.
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We then see Steve, Bucky, and the commandos storming Hydra bases before finally coming to the train mission. Fun fact: After Steve says “Now why would I do that?”, the original script had Steve call him a punk and then Bucky respond with Jerk, calling back to the beginning of the movie.
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We then have them land on the train and they end up getting separated by doors and a robot man. They’re super in sync through the fight and we have the sad moment where Steve and Bucky again take turns rescuing each other. Steve first protects Bucky with the shield and then Bucky protects Steve with the shied. 
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Obviously, we know what happens next. After Bucky falls, Steve ends up at the same bar they were at a few months ago when he recruited the Howling Commandos. (As a side note, of all the depressing things that happen to him, Steve looks saddest at Bucky’s death)
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Peggy tries to console Steve by telling him that Bucky chose to follow him and that he should respect his choice and to honor his death (side note: this scene was supposed to be Steve and Phillips originally which may be why it seems a bit callous). 
Steve also comments here that he “won’t stop until all of Hydra is dead or captured”. This is very far from where he was before Bucky’s death when his thing wasn’t revenge but just to do the right thing. Bucky’s death makes his fight personal, it’s what makes him become and Avenger.
Bucky was the reason Steve wanted to specifically join the 107th, Bucky was the reason Steve went from a chorus girl to  Captain America, and Bucky was the reason Steve’s fight became personal and what made him into an Avenger. 
Bucky is the catalyst behind Steve’s biggest character developments in the movie and Bucky and Steve’s relationship is the main emotional and humanizing aspect in this and the rest of the Captain America movies. While its not necessarily or explicitly romantic, it can certainly be interpreted that way (and it makes sense why so many people have).
That’s all for this movie, I guess. I’m just going to leave this here, take from it what you will. 
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hellotvshowtrash · 3 years
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Major angst warnings!!! As well as canon typical violence and gore. Description of blood and requests of blood and death. 
Elijah x reader
Due to recent problems with witches the reader dies in his arms. As she bleeds out and her heart stops beating, Elijah sings THEIR SongTm Like I’m Gonna Lose You by Megan Trainor. And then klaus and Rebekah have to pry him off of them and practically drag him away kicking and screaming because it’s been hours (maybe days) and he’s just sitting there, soaked in her blood and cradling her slowly decomposing body.
Well... you asked for it!
Like I’m Gonna Lose You
TW: lots of blood, major character death, graphic depictions of death and postmortem decomp, hella sadness, ((sort of song based as in the ask above!)) using witches as a cop out just like plec did <3 this is by far the darkest fic I have ever written, please feel free to skip if any of this makes you uncomfortable!
Word count: 1.4K
My submission for the April2021promptchallenge! Prompt was “I wanted to be better than this.” “Maybe next time.”
I was going to make a moodboard but this gif is too fitting and good to not use
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The humid Louisiana air clung to them as they swayed, gripping each other tightly despite the sweat trickling down their skin. Elijah wrapped his arms around his love, taking in the scent of her hair around him, his eyes closing in bliss. She clutched him back, breathing heavily. Golden lights hung around the pair, the silver moon glinting in the sky. The perfect night for such a perfect pair.
Elijah opened his eyes from his dream to his reality, sitting, rather than dancing, cradling her in his arms. The sticky sweat and humid air was replaced with the hot scent of iron and the thick sheen of blood. Nothing had prepared him for this. Nothing had prepared him to lose another one of his lovers. His throat felt tight, no sound escaping him as his eyebrows furrowed at the sight of her. Confusion riddled his mind, how could this have happened? How is she here now, bloody and broken when she was just dancing with him the previous night? Her smile was so wide and radiant then as she admired the new ring on her finger.
Now, she was choking, losing her consciousness and looking at him desperately. She reached up weakly, cupping his cheek with a blood covered hand.
Blood poured from her, in no slow fashion, from multiple wounds across her body. He had tried to feed her his blood, it proved fruitless rather quickly. He had made it to the empty compound in time to cradle her gently, his whispered vows and her gurgled cries filling the soundless concrete walls. He clenched his jaw, his tears creating streaks down his face.
One thing hadn’t changed from his dream, and that was the silvery hue of the moon pouring in from the open roof above them. It illuminated her in a way that Elijah had once deemed divine, but now, now it was horrible and tragic but still somehow beautiful because it was her, and it was always her and it would never not be her. He caressed her face gently and she blinked at him, her own diamond of a tear cleaning a path down her cheek.
Elijah’s breath stuck in his throat, his voice coming in a croak when he tried to string together something coherent. “I never meant to take you for granted,” he whispered to her. His voice was deeper and more gravelly than normal, and it made her smile. Even wrought in pain, her smile still made his heart jump. “I wanted to be better than this,” he choked before sobbing, dropping his forehead to hers. She shifted underneath him and he realized she had chuckled.
“Maybe next time, yeah?” She coughed and a trickle of blood escaped the corner of her mouth. Elijah opened his eyes to look into hers, placing a soft kiss on her cracked lips. Like a puff of smoke, her breath escaped her lips for one last time and her hand went slack, falling from its place on Elijah’s cheek. His face twitched at the cool air making contact with the blood she left behind before he let a choked whine through his clenched teeth, his ears unable to find her comforting heartbeat. He squeezed her tightly against his body, her own limp and lifeless.
Elijah wasn’t sure how much time had passed, sitting against the concrete wall, holding onto her. He knew that the sun had come up and gone down at least twice. He knew that the body - her body- was slowly bruising and becoming cold, a smell had begun to accumulate and her cheeks had started to sink in. But still, he held her. He held her and talked to her, telling her all the things he should have said when she could still listen. And he sang to her, but he didn’t really sing because Elijah Mikaelson doesn’t sing, but he did say their song to her as if she could hum along like she used to.
“I’m gonna love you,” he whispered, pushing her hair away from her face. “Like I’m gonna lose you,” and his voice cracked as he sobbed. “I’m gonna hold you, like I’m saying goodbye.”
The footsteps came before he was ready.
“Goodbye, my love,” he whispered to her, kissing her forehead one last time.
“Dear god, brother, what happened?” Klaus was next to him in a beat, avoiding the now dry puddle of blood beneath Elijah and his love.
“I’m… not sure,” Elijah answered in a daze. “One moment we were dancing and the next..” he drifted off, his eyes staring past Klaus and now Rebekah and Freya who held each other in horror.
Freya reached out and grabbed Klaus’s shoulder, gesturing to a mark on the body’s hand. “Witches,” she whispered. Elijah hadn’t noticed the mark before, not through his grief. He stared down at it, feeling as though his gaze could burn the mark off her cold skin.
Klaus took a moment to take in Elijah’s appearance. Dried blood coated his white button up, a bloody, smudged handprint covered his right cheek. His hair was disheveled and tears stains covered his cheeks.
“Sister, get a sheet, please,” Klaus murmured. In a whisper of air Rebekah was gone and back again, white sheet in hand. “Elijah, you must let her go,” Klaus put his hand on his brother's shoulder.
“No.” Elijah responded immediately, his own voice loud in his ears.
“Broth-,”
“No, Niklaus. I cannot leave her. I can’t let her go. This wasn’t supposed to happen,” only then did Elijah lift his eyes to meet his brother’s, realizing that Klaus was dirty with mud and blood. He looked over at Rebekah and Freya, both were frayed and Freya was slightly wounded, but all in all, they were okay. “Where were you?” Elijah asked quietly, his eyes not leaving Freya’s.
Freya’s heart broke in her chest as her eyes welled with tears. “We were dealing with these same witches.” She gestured to the body cradled by Elijah. “We should have been here,” she said, leaving Rebekah’s side and moving closer to her brother, keeping her eyes locked on his. “I’m so sorry, Elijah.” As she talked to him, Rebekah and Klaus worked gently to remove the body from Elijah’s lap. Elijah didn’t necessarily let them, but he didn’t fight them either. He maintained eye contact with his sister and as soon as his lap was freed he collapsed into her arms, sobs tearing free from his lips. Klaus and Rebekah moved the body to the nearest table, wrapping her in the sheet supplied by Rebekah. Klaus swallowed roughly and turned back to his brother.
“Let’s get you cleaned up, brother.” Freya helped Elijah stand and Klaus moved to Elijah’s other side, helping him up the stairs of the abattoir. Elijah caught a glimpse of the body in the sheet laying on the table and broke once more, dropping to his knees on the stairs, his siblings trying to keep him afloat. He turned and rested his head against the railing, staring at it - at her.
In his long thousand years, a grief like this hadn’t ever consumed him. Not because he wasn’t aware of the risks being with him carried, because he was fully aware of them, but because he had worked tirelessly to keep her safe in the last two years of the relationship they shared, because he knew they should have been safe.
“Her ring,” he croaked, his hand extending through the railing in her direction. Rebekah, still standing next to the table, moved to uncover her left hand and pull off the ring that lay delicately on her finger. Once it was in her possession, Elijah’s hand fell and he closed his eyes, his cheek pressing up against the cool metal of the railing.
As hard as it was for Klaus to be, he was speechless. He had never seen such a visceral reaction from his usually level headed brother. Freya choked back her own sob, the pain in her brother radiated and she felt it too. Rebekah didn’t dare make eye contact with any of her siblings, her eyes couldn’t leave the body of the girl she almost got to call sister.
-
Elijah now stands in front of the freshly bricked tomb, his eyes unmoving from what he knows lay inside. A whirlwind of events led him here and he wonders what he could’ve done differently to save her. He lays his palm across the brick, his eyes filling with tears again.
“Maybe next time, darling.”
Taglist: @elijahs-wife @dumble-daddy @alwaysfangirlingish @akshi8278 @drachentraum @nikmikaelsonswife @njeancastro316 @mikaelson-emma @brown-eyed-babes
For Elijah, Klaus and Kol only: @malfoys-demigod
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cherrynojutsu · 3 years
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Title: Like Gold
Summary: Sasuke grapples with love and intimacy regarding his developing relationship with Sakura after returning to the village from his journey of redemption. Kind of a character study on Sasuke handling an intimate relationship after dealing with PTSD and survivor’s guilt in solitude for so long. Blank period, canon-compliant, Sasuke-centric, lots of fluff and pining, slowly becomes a smut fest with feelings.
Disclaimer: I did not write Naruto. This is a fan-made piece solely created for entertainment purposes.
Rating: M (eventual nsfw-ness)
AO3 Link - FF.net Link - includes beginning/ending author's notes
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Chapter 7/?: Catalysts
Sasuke doesn’t indulge in baser needs often, despite the frustrating paradox that is the male endocrine system’s apparent determination to make him do so. He finds it feels… empty, after. Like there’s supposed to be something more, but instead there’s just whatever is situated above his head to stare at while his breathing levels out, an interminable abyss of silence and stars, or tree foliage, or apartment ceiling. Impulses and feelings of a sexual nature are probably normal for anyone his age, but in the past, satiating desires like this has made him feel guilty, given the context.
When he's not plagued by nightmares rife with gore and blood and bodies, or the occasional aching memory, his subconscious takes the opportunity to bombard him with dreams of a suggestive nature, having deduced somehow that it’s the most effective method to get him to… tend to things.
This variety of dream customarily involves pale pink hair, multifaceted eyes, and soft fingertips, branded into the part of his brain that controls his most base instincts with a hot iron.
He notes begrudgingly as he gazes at plain plaster above him, brows furrowed, that ostensibly, it works well enough, if the intricate mess of thoughts and feelings in his head and on his abdomen are anything to go by.
Sasuke would never admit it to anyone, but Sakura has headlined exclusively in nearly every sexually-charged dream he's ever had, and resultingly the majority of his sentient thoughts while indulging outside of dreaming, too. When they were Genin, it was innocent enough; he had reasoned that, being the main girl his age he associated with, it made sense his inadvertent dreams, beyond the scope of his control, involved her. He'd shaken it off in those early days as the by-product of the developing hormonal cocktail that is the pubescent masculine mind, and ignored the part of himself that kind of had a crush on her even then. Or definitively more than a crush, after the Chunin Exams and the hospital and jealousy.
He had tried convincing himself of the same thing at fourteen, once he'd left the village and had attempted to sever all bonds. It didn’t work, though; by that point he knew better, knew what the feeling he was trying to squash actually was.
Which meant it didn’t work at fifteen, either.
Nor sixteen, and definitely not seventeen, eighteen, or nineteen.
All of that has been wholly indecent on its own in the past, causing him to feel shameful every time it happens, and even more ashamed if it’s a rare day where he’s weak enough to act on it, a day where he wakes up mere seconds from an edge rather than minutes.
But this morning, he woke up on the tail end of all of that with the addition of freckles , of all things to fixate on, and he just knows he's never going to forget about them now, that they’re branded into his grey matter in perpetuity. Freckles just above the interior of a shoulder, eight of them, a small scattering he had been pressing his lips to, listening to a softly whispered Sasuke-kun, reaching around her with his only arm, so he could make her say his name like that again.
It is far from the first time he’s touched himself to the thought of Sakura, but it is the first time he’s indulged since they’ve been… together.
Except this time felt… different.
Less like an unrealistic reverie he should try to abstain from and more like an eventuality. Less guilt, too, or rather, almost none, because he’s in a relationship with her now, and he’s pretty sure he’s supposed to have feelings like this regarding her. Not that he is anywhere near ready to do anything about them, because he absolutely is not; he’s not certain he even comprehends that level of vulnerability, to touch another person and allow yourself to be touched by them, though he badly wants to, someday.
No, Sasuke doesn’t indulge in baser needs often… but he did this morning, when he woke up teetering just on the precipice, fantasizing about tiny tan flecks seen and unseen, and he’s trying to work through how he feels about it, this guilt surrounding the fact of not feeling guilty like he ordinarily does, as well as the lingering curiosity he’s struggling to force down regarding how many other freckles Sakura has.
Even moreso, he yearns for soft words that he has often thought may be sentimental to the point of being utterly quixotic. It's why he doesn’t typically submit to this kind of inclination in the first place; it’s meaningless on one’s own, he secretly thinks, though he has nothing to compare it to. No sense of connection or true lasting fulfillment like he imagines there must be, for people to talk about it the way they do; just pleasure that's there for a blinding scattered second and gone the next, with nothing tenderhearted or meaningful in the moments following as his vision refocuses and he picks up the pieces.
He stares at his ceiling, an aporia of longing and complicated compulsions ricocheting in the hallways of his head, or perhaps from his skull to the roof and back again, an absurd push and pull that leaves him with more questions than answers.
Has she ever thought about him the way he thinks about her?
What would it sound like, Sasuke-kun, when she’s like that?
Is it okay to feel like this, now? To think about her in this regard?
Sasuke is accustomed to not sleeping well - it comes with the territory of his lived experience, an unfortunate fact of life he’s somewhat learned to deal with - but during the mission to Sand, he'd slept fairly restfully, though in short increments of five or six hours. That's apparently the tipping point of how long he gets to go without being sojourned by some variety of vision in the night.
He eventually makes his way to the shower, using torrid water and soap to double cleanse what’s left of his mess. That's a big contributor to his consternation, too; it's so embarrassingly messy that it’s impossible to imagine ever doing anything like it with her . He flips the dial to cold after he’s bathed for the better portion of five minutes, because serpens caput is still burned into his retinas, and he’s hoping against hope to freeze it out of himself like he has tried to do with shame in the past.
It doesn’t work; it just induces shivering, algidity overwhelming the senses but doing nothing to distract the mind.
He shoves his face into his book after, desperate for the distraction a proverbial fiction featuring an old fisherman can provide and thinking once again that he needs to acquire a lamp. Anything to get the thought of pressing his lips to her freckles out of his head, because he’s pretty sure if he keeps thinking about it, he’ll have to take care of things for the second time today, and then he really won’t know how to feel.
So when a banging erupts on his apartment door shortly following eight, followed by a shout of, “TEME! I'm here, let’s go!”, all he can think is finally, because he knows it will at least get his mind off of this strange lack of guilt and a curiosity he’s not ready to unpack yet. The book helped, but he thinks he needs the challenge a fight against Naruto can provide to truly leave behind this level of prurience. He doesn’t know how he’s going to look her in the eye when they meet at three as they planned, otherwise.
Sasuke shoves on his sandals and grabs his chokuto before opening the door. “So you finally showed. Thought you'd sleep all morning.”
Naruto’s eyes narrow, indignant and already launching into a retort. Good. Maybe he’ll get some iota of order knocked back into him, enough to put compelling constellations away for the time being.
XXX
Sasuke feels monumentally better by noon. It’s another draw, an absolute whirlwind of swinging limbs that made it impossible to focus on anything else. He didn’t take joy in it necessarily, and he suspects Naruto bruised his ulna bone to the extent it almost cracked, but it helps, the diversion of pain; the tinge he feels when he moves it is a welcome hindrance. They’d stuck mainly to taijutsu and clashing weaponry, so physically, he’s pretty exhausted.
They’re resting in the dirt, making a valiant attempt at rehydrating. It’s moderately hot for this time of year, barely on the cusp of mid April, but it’s seeming like the Konoha heat will be returning with the same vengeance it always does. A small trickle of sweat sinks its way down his back.
Sasuke feels nearly normal again. Or normal to the extent he generally feels, anyways. He gets the urge to do something good - to tip the scale, so to speak.
"...The cutting board works. Thank you." It’s not what he’s most thankful for right now, but it’s a nice thing to say as substitution.
His friend grins at him. "Welcome! It was all me, by the way. Hinata-chan didn't even help me pick it out!" Naruto scratches his head, downing more water. He’s moving rather slowly, as if he is sore, too; Sasuke thinks perhaps he came close to beating him this round.
They stare upwards for a while, soaking in the sun as clouds roll lazily by. Birds fly overhead, finches and song sparrows twittering their selections, collecting materials to build more nests for this new season. It’s another effective distraction, one that fills him with a sense of nostalgia, replacing his earlier sense of compunction regarding the mystifying concept of physical love and the whims that accompany it.
Naruto speaks up after a bit. "Ne, teme, wanna go to the market with me? Hinata-chan asked me to get some groceries and some stuff for the backyard."
Sasuke glances at his teammate and contemplates. It can't hurt. He did want to pick up potatoes to make actual curry with, and he could get some other things, too. He'll still have time to shower before he meets Sakura at the hospital.
"...Sure."
Naruto takes longer to rise than he does, shuffling carefully as if he is in pain, but once he’s standing, he seems fine enough, stupid grin slapped on his face at Sasuke’s agreement to go with. They set off in the general direction of his building so he can drop off his weapon first. He gets dirty looks sometimes, walking around, though it’s not nearly as bad as when he first returned and it doesn’t bother him on the same level that it used to. When he’s with Naruto or Sakura, he gets less of them, but he can't imagine a sword strapped to his back in the market will do much to help his reputation.
Naruto doesn't allow the easy silence to last. "Y'know, teme, it's really good to have you back in the village. It feels like everything's finally coming together. We'll have to do some fun stuff this summer. And also in the fall!” Gears are turning behind cerulean eyes, and he adds, ”...Hmm, and the winter, too!"
"...Yeah." He stares at the mountain, thinking about what cherry blossom trees look like in summer and fall and winter. It will be nice to see the one across the street change colors throughout the seasons. Or the one on the hill, where they're going later today. He has seen their like numbering in the thousands, scattered everywhere on his journey - he’s highly cognizant of them, for obvious reasons - but he hasn’t been granted the privilege of watching the same one through the whole of a year’s growth cycle in a long time.
"Sakura-chan seems really cheery lately, too. Can't imagine why." The second sentence is said flippantly, without any real conviction, as if Naruto knows exactly why.
Sasuke glances at his teammate, neck warming and heart skipping a little at the mention of her. He doesn’t think he’ll ever get tired of hearing that Sakura is happy from secondhand sources; it makes him feel like he’s doing something right for once. Maybe not all his impulses are complicated in nature enough to require dissection, as he was accustomed to doing when he was away; spending time with her is one, and he's been indulging it often.
He briefly entertains the idea of outright telling Naruto that they're together, then, but the dobe is moving on before he comes up with the words. "Well, anyways. Wanna spar Monday morning, if neither of us get a mission by then?”
That’s… specific. Maybe he doesn’t need to say anything to him, after all; he’s sure it’s no coincidence that Naruto is asking about the exact time period Sakura is busy training with Ino, probably as aware of her schedule as Kakashi is. Their old sensei might have told him, he supposes, or maybe Sakura said something; Sasuke wonders when he last saw her.
“...Sure. If you think you can handle it.”
The response he gets is a slug on the left shoulder, but it’s not overly hard. Sasuke narrows his eyes in response more out of habit than any real malice. He sees as Naruto’s hand retreats and slips out of a fist that words are written on his palm. He didn’t notice it throughout the morning due to their hands constantly being locked around weapons or thrown in punches, and he resists the urge to roll his eyes; it's likely a grocery list.
Naruto leans against the brick downstairs while Sasuke drops off his sword, and then they head to the main market area as the dobe chatters. It’s fairly busy, it being a Saturday, but it’s not intolerably so; most people are busy eating around now.
Sasuke is completely unsurprised when Naruto beelines straight for the noodles; naturally he would be out of them. He takes the opportunity to procure a blend of wild rice. Thus far he only has white and brown in his own pantry, and he’s been trying to eat it often. He's always liked rice, but it’s high in calories, too, an easy way to try putting on weight. Another variety to choose from would be beneficial.
He trails after his friend to the baking supplies next, where Naruto examines containers of flour and sugar. Sasuke concludes Hinata must bake, because he’s confident any cookie prepared by the dobe could not possibly be edible. While his teammate is occupied, Sasuke turns the corner and procures a half dozen eggs, a large bag of potatoes, and two different varieties of tomatoes. The extra five pounds of weight held in the crook of his arm doesn’t do wonders for his bruised bone situation, but it’s not wholly unbearable; he’s fairly used to dealing with pain.
“Hinata-chan said to go to the gardening stall on the north end,” Naruto says once they’ve paid and exited the building, so they begin a course in that general direction. “She said they have the best perennial bulbs; that means they come back every year!”
Sasuke twitches, surprised he can even pronounce the word perennial if he’s lived this long without knowing what one is.
“Anyways, she wants to plant some, uh…” His voice trails off, and he peeks at his hand, where Sasuke now sees the names of flowers written in feminine writing that has to be Hinata’s.
Of course. Like he could spell the words, let alone read his own sloppy handwriting.
“Iris, phlox, and uh… echo-na-na-chee-ah.”
“Echinachea,” Sasuke corrects dully, giving him a withering look.
“Sure! That! She wants to plant those in the backyard, kind of line the house with them, since the front is looking pretty nice now. She said to get bulbs; they root better. They might bloom this year, but if not, they’ll for sure come in next year!”
“...And she entrusted you with this?” Sasuke asks, raising an eyebrow.
Naruto just laughs, utterly unphased. “Duh, that’s what the list is for, teme. Hinata-chan is super smart like that. Putting it on my hand makes sure I don’t lose it!”
They meander to the northern edge of the market, past the congregation of other stalls selling seeds and garden starters. It's getting towards the end of planting season for Fire Country, but there is still plenty to choose from here, allegorical gates of green swinging open in salutation. They pass some tomato plant starters, already starting to climb their cages, but Sasuke decides against it; his hand is full presently, and the bone still kind of hurts, and none of them are red heirloom tomatoes anyways, being smaller variations like plum or cherry or grape. He likes all tomatoes, honestly, but if he was going to grow one, he’d just want the one of a favorite to worry about. Repotting a starter would also require a planter, which he doesn’t have; another thing to carry.
The stall Naruto leads them to is probably the nicest one there, judiciously laid out and everything labeled neatly with precise calligraphy. The few tables the vendor has are overflowing with perennial starters, but Naruto goes to the three vertical displays of seeds and bulbs, so tall they are at eye level with both of them. They’re filled to the brim with diminutive packages, printed with large pictures of the flowers they contain the beginnings of, along with genus names and common names in smaller text. The blond examines them, surveying his hand, then the display, then back to his hand again in scrutiny.
Sasuke watches, resisting the urge to sigh and waiting for the inevitable.
“Hmm… I guess this would be a lot easier if I knew what any of these looked like. Gonna have to read them all.”
Sasuke rolls his eyes and steps forward to point to the section of iris bulbs to start with. He gives him a minute to work out which colors to pick, observing the throng of people entering and exiting around them, young and old and in-between.
Phlox are next; he directs his teammate to the appropriate section, where there are quite a few options of hues. Naruto examines them as if he is making a grand decision transformative in nature, mumbling to himself.
“Hmm… She likes blue and purple. Maybe I should…”
His own gaze wanders as he tunes Naruto out, taking in pictures of begonias and caladium on plastic shiny in the sunlight, before his vision locks on the far display.
He wanders over to it as if his body is moving of its own accord.
There are several varieties of lilies, he learns as he scans the packaging, oriental, trumpet, and what is apparently called nerine. White nerine lilies had been the variety his mother grew, lining their yard with curved porcelain petals, clusters emanating from many single stems.
He sets his groceries at his feet to free up his hand, picking up one of the packages to read the instructions on the back. His arm aches as he does so, but he couldn’t care less.
Nerine lily bulbs require good drainage. If there are still puddles in the prospective planting area 5-6 hours after rain, locate another site, or amend the soil with organic material to raise levels 2-3 inches. Nerine lilies also require soil that is somewhat gritty, though it also must be organically rich. Adding compost may increase nutrient content.
In spring, choose a location in full sun. If you are in a hotter region, site them where they will receive morning sun and afternoon shade, and plant the bulbs with an inch of the slender top above the soil surface. The top of the bulb is the area that looks like the stem of an onion. Install bulbs 8 to 11 inches apart for a massed look.
Nerine bulbs develop foliage that gather sun rays and strengthen the plants during the spring and summer months. Flower stalks develop in the fall. Provide water when the plants are actively growing, and very little when they are dormant.
You may cut the final flower stems to display decoratively. This will not hurt the plants and the cuts last long periods of time indoors. After they finish blooming for the year, cut off any remaining flower stalks. Your plants will rest for the winter months before sending up new growth in the springtime. Over time, nerine lilies will form clumps. They like to be crowded, so don’t feel pressed to divide them unless flower production begins to decrease. Clumps can then be dug, split apart, and moved to other parts of the garden, or shared with friends.
When Sasuke looks up, deep in thought, he notices Naruto searching for what he assumes is echinacea, flitting stiffly at random between the first two displays and scratching his head. Wordlessly with the package of lily bulbs still in hand, Sasuke points to the bottom right corner of the first, where several color selections are.
“Thanks, teme!” Naruto plows back to the specified stand and stoops down comically slowly, though Sasuke barely sees, gaze drawn pensively back to the packet he was examining.
The memorial stone has decent drainage, aside from the occasional hard rain like last weekend; that will become less common as the weather warms, and one or two monsoons a summer never drowned his mother’s lilies. Shade in the afternoon could be an issue, though. There’s a large oak tree on the west side that might cast some protection over it, but he only ever visits under the cover of night, so he’s unsure. He would have to examine the trajectory in person to gauge.
He considers the market bag the groceries were handed to him in earlier, studying it closely.
Carefully, he puts the package back where he found it, though his eyes linger on it. He’s no gardener, not like Sakura is, and besides, his arm hurts.
XXX
He’s leaning up against one of the blue columns outside of the hospital when Sakura emerges at three, sprightly as ever. She’s holding the two journals and the medical text from their first trip to the library; she said yesterday that she needed to return them, but there shouldn’t be any new ones she needs to check out just yet. He hadn’t stayed terribly long after they’d finished the tenmusu because he needed to shower and write his mission report, but they’d made plans to swing by the library and journey back up the hillside to read together again. There was also mention of possibly picking up food afterwards, to take to her place. Hazel Wood must be in her tote, hooked around her shoulder.
“Sasuke-kun,” she greets cheerfully. “Whew. It’s getting warm out already.”
“...It is,” Sasuke comments before he extends his hand for her texts, his own already held there, a silent offer to carry them for her.
She blushes as she passes them to him, sliding them into his hand. His eyes drift to the freckle on her cheek, and he wipes his mind blank by sheer willpower alone as they head east. The books aren’t as heavy as the groceries had been earlier, so it doesn’t hurt as much, but he's wondering at this point if the bone might actually have a small crack. He thinks he should ask her to look at it; maybe later, at her apartment.
“My balcony days may be numbered by now, at least until the fall comes,” Sakura observes as they meander.
He contemplates. “...Do you sit out there often?” It is so utterly befitting of her that he thinks he can picture it, her reading out there, surrounded by plants. He wonders if she ever admires the night sky. Their team had stargazed sometimes, on missions that first year as Genin.
Green eyes settle on him from his right. “I like to, when it’s nice out. A lot of times in the summer it gets too hot, though there is an occasional night when it’s cool enough. Fall is really the best for it. You can see the changing leaves from above. Even if it's a chillier day, it’s pleasant with some tea and a blanket in the evening."
He debates for a long moment, but decides against bringing up stout squirrels or chestnut-flavored everything or Naruto slipping on a leaf.
“...It sounds nice,” he comments simply instead, wondering if he’ll be invited to sit with her on her balcony, once fall arrives. They would have to sit kind of close; the space doesn’t seem very big from below, and it's cluttered with greenery.
Sakura smiles up at him, a look that says she agrees with his assessment.
Then, she offers softly, "You can sit out there sometime with me, if you'd like."
His neck warms; all he can do is nod and avert his gaze elsewhere, an abundance of something tender and sweet flaring to life in his belly.
Returning the books barely takes two minutes; they’re wandering towards the outskirts of the mountain in short order. Sakura sprawls in the same spot she did last time, so he takes up the same position, too, leaning up against the trunk of the tree, stable and strong.
And then his eyes catch on another freckle she has, this one near her elbow, and all he can think about is the slightly textured consistency of his ceiling, and whether the impulse to press his lips to her skin without guilt was an okay thing to feel.
She reads and he more contemplates than reads for about an hour, sprawled beneath the scant amount of shade provided by this tree that has lost its petals, trading them in for florets of a greener variety. It’s pleasant, once he can drown his inner disarray of thoughts. He eventually gets through a sliver of his book, though turning the pages is a little cumbersome, tinged lightly with pain. Perhaps he shouldn’t wait until later to ask her to examine his arm.
Sakura finishes her own book, though she keeps the pressed petal between its pages; she must have gotten through more of it while he was on the way to and from Suna. She just reclines there, after, looking up at the sky with her arms at her sides, near exactly the relaxed pose she used to lie in when they were younger.
Sasuke finishes the passage he’s on, and marks his place with the petal she’d plucked from his hair last week, before pointedly setting the text aside and following her eyes to the azure. Fluffy clouds are floating by as the sun inches closer to the west horizon, pushed steadily by the breeze.
“How is Ichika’s recommendation?” She questions.
“...Interesting.” He genuinely is enjoying reading it, despite his aberration.
Her head angles towards him, lying against a gnarled root at a slightly different angle. Her expression is curious, like she’s encouraging him to elaborate.
“Simple, but heavy with metaphors.” He considers for a second, then adds, “You might like it. Poetic.”
Full lips twist upwards. “Maybe I’ll read it next. Her recommendations are usually pretty apt; she gets a good read on people.”
“...How was yours?”
“Hmm.” She pauses, as if thinking it over. “A girl and her mother who get caught up in some bad luck. They inherit an estate - that’s where the title comes from - and supernatural things start happening. It’s kind of a story within a story situation; the grandmother they inherited the house from was an author, so they start going back and reading her writing for clues.”
“...A mystery.” It seems like she’ll read any genre. Mysteries would probably entertain her; she’s always liked to solve things.
She laughs, music to his ears. “Yeah, I suppose it is. It was pretty good. Well written; better than the last one.”
There is a pause.
“...Maybe I’ll read it next,” he echoes, her same words from earlier.
Green sparkles at him, amused before she shifts back towards the firmament.
“...Sounds like a book club.”
It is the most Sakura joke. He huffs a ghost of a laugh as more gauzy clouds drift idly by. It is peaceful, sitting here underneath the same sky as her, observing in easy silence through branches with fresh emerald buds.
And then Sasuke flexes his forearm, shifting slightly, and it still hurts. He considers; she probably won’t mind.
"...I think Naruto cracked my arm bone," he finally confides.
She turns to him, expression fluctuating immediately into one of disquiet, pink brows knotting closer in concern. He blinks and she's standing already, walking over and sitting cross-legged in the nearest open space, an indent in gnarled roots that she navigated through and found a place in as if it were nothing.
Wordlessly, Sasuke holds it out for her to inspect once she’s seated, and she gently rests her fingertips on his forearm.
"It’s from this morning?” Sakura asks, looking concerned in a way that makes his heart thump a little. Or maybe it’s from her hands encircling his skin.
He nods; she must have deduced that they trained earlier. She prods gently before threading green chakra beneath his skin towards the bone, probing for a break.
She frowns. "Oblique fracture in the ulna, though it's very slight and non-displaced.” Her gaze flicks up to him, and all at once, it’s the exam room again, him hyper aware of how close she is to him even though this is clinician Sakura. “I’ll fix it; you really shouldn't have been carrying anything on it."
It takes him a moment to realize she’s referring to him carrying her books earlier, because he’s thinking about the groceries from the market, which were definitively heavier. Her proximity and the aroma of tart berry and the freckle on her cheekbone are all incredibly distracting. Especially the freckle. He peers at her fingers, glowing verdant, and notices one on the inner portion of her right wrist, too.
"...Sorry." He says finally, flicking his eyes back up to her nervously after a long minute is spent mending marrow back together. She inclines her head back down to his arm, apparently accepting his apology for not mentioning it sooner. It's an odd sensation; he can feel the crack fusing from the inside out, ataractic chakra seeping into the diaphysis to fortify.
He feels like he should clarify, so he adds as she works, eyes fixed on her face which has settled in concentration, “I thought it was just bruised at first.” She nods as if that makes sense, working on it for another minute or so without glancing up.
He hopes she's not mad at him. Sasuke shifts his gaze downwards, something in him sinking.
“Flex it, then bend, please,” she requests, not moving her digits; she must need to feel the arm move to determine if it’s healed. He does as she asks and it’s notedly improved, no lingering pain.
“It’s better. Thank you.” He looks upwards just as she does, hoping the jade will still be soft on charcoal.
It is, startlingly so, and she’s flushing all of a sudden, dropping her hands from his arm and rising to her feet a step away, as if she, too, just realized how close they were. It's different here, daylight and not part of their routine like her entryway is becoming.
“You’re welcome,” she says somewhat hastily, complexion darkening. He’s not sure he’s much better; his neck is warm, and he remembers very specifically where each of her fingers had just been on his skin, like the ten points of contact are singed into his epidermis, and likely his grey matter, too.
As he tries to force his pulse to even out, Sakura adds, softly, “You could have just come in with him.”
His brows furrow in confusion. “...What?”
Sakura blinks, countenance appearing as if she is sorting through a problem in her head. Pink dissolves back to her normal coloring.
“Naruto came in with a slipped back rib, earlier today. I assumed it was from sparring with you.” She rolls her eyes, then. “He went and got groceries before coming in; he had them with him. Luckily nothing chilled; he had to wait for a bit.”
"...He didn't say anything about his rib." Now the slow rising and crouching is making more sense.
She sighs, closing her eyes for a second as if something has become clear, but she only replies, "Ah. Of course."
"...Wouldn’t shut up?"
"...Yeah." She turns away slightly, cheeks stained anew for some reason; it makes him curious what their third teammate babbled to her about. "He said as I was kicking him out that he was going to plant flower bulbs with Hinata this afternoon. He showed me the ones he picked. It’s good timing; the perfect time of year to plant some. Pretty soon it'll be too warm."
He lets those words drizzle slowly into his being, a little gentler than a summer monsoon.
"...Our next Hokage can't pronounce echinacea," he eventually tells her.
She chuckles with mirth, a sweet sound he finds relieving; she must have gathered he was present for that endeavor, now, and she can't be too mad at him if he can still make her laugh. Sasuke inwardly hopes she doesn’t gather that he also got groceries; he doesn’t think she’d be very impressed. It was kind of stupid to do that with a questionable arm, in retrospect.
"No," Sakura acknowledges finally, appearing highly entertained. "And he didn’t know what a perennial was until this morning, yet he’s planting an army of them. Probably without reading the directions."
They look over the village together for a lengthy moment in which he considers text printed on the back of a white package.
Then she says his name, so quietly it’s almost a whisper. "Sasuke-kun.”
He angles to her, and sweet jade is on him again, ebbing seafoam cresting as the late afternoon sunlight hits her.
"Thank you for telling me about your arm. In the future, please come to the hospital, if I'm working. You can wait in my office, if you’d prefer. I don't mind; use the window.” Her expression changes to troubled, and suddenly she is no longer the clinician version of Sakura; everything is tinged with something more, something that burns him in its intensity. “You shouldn’t just… suffer in silence, if something hurts. Even if you think it’s nothing. Please tell me."
Oh. She’s not mad, just worried. Heat grazes his ears, and he swallows, staring down at his forearm.
He wants to be close to her. He really does.
"Okay,” he agrees, and means it, carefully meeting green.
They head down the hill together to seek dinner before the rush hits, deciding to go to the yakitori stand she mentioned when he first returned. She chatters about how Naruto wants to have a bonfire in his backyard, once summer’s here and everything is planted.
“...He’s excited about his yard,” Sasuke comments after they’ve ordered, leaning against the wall of the exterior waiting for their takeout. He requested his without the sauce, since Sakura said it’s on the sweeter side for yakitori.
Sakura grins, and she’s really pretty, shadows of a nearby tree dappling her skin, cheeks still red because he paid. It’s only fair; she’s been feeding him. “Yeah, he is. I’d like to see their flowers and garden in the back, eventually. I’m sure once they’ve got it how they want it, they’ll have all kinds of get-togethers back there. Last year we carved pumpkins at their place, instead of at Ino’s and Sai’s; there’s less mess to clean up if it’s outside. He said today that you should come this year.”
“...What?”
She blinks as if remembering something, then smiles sheepishly. “So I never mentioned this, because it happened after I…” She flushes, and she looks away for a second. “...After I sent a letter for the month already, but Sai learned about this artistic thing they do in the Land of Woods, a couple years ago.” Her gaze shifts back to his. “They hollow out pumpkins and carve designs into them, in late October. Warding off evil spirits as they go into the cooler season or something; they put them on their doorsteps with candles in them so the carvings light up the night. It’s odd, but I think it’s become a tradition now. It’s fun, once you get the hang of it. We roast the seeds with salt and Hinata bakes pumpkin bread.”
That sounds entirely odd and completely characteristic of Sai; he supposes there is the artistic angle to consider. Sasuke passed through the Land of Woods three separate times, but never in the fall. “What kind of designs?”
She smiles as if she’s trying not to laugh; his expression must be that of one who is exceedingly perplexed. He supposes it’s not an expression he wears often. “Well, they’re supposed to be scary, I think, but we don’t really do well at making them that way. They’re more funny or decorative. Sai makes pretty good ones, I guess, mean faces with sharp teeth.”
“...What do you carve?”
Her eyes twinkle. “I tried a leaf, the first year, and a crescent moon the second. Sai and I teamed up to carve one for Kakashi-sensei, too, last year; a scarecrow with a cat.”
A crescent moon is not at all what he would have guessed she’d gravitate towards; he thinks immediately of the Six Paths Yin Seal that once adorned a hand he no longer has. Then he comprehends the final part of that sentence.
“...A cat?”
“Oh. Yeah, he got a cat.”
“...His summons are dogs.”
She giggles. “Yeah, Naruto and I thought it was weird at first, too, but he does kind of seem like he’d be more of a cat person overall, the more we thought about it.” Sakura shrugs. “He’s in the village most of the time now, being Hokage, so I guess he thought he could be around enough to take care of one? They’re more low-maintenance than a dog would be. I usually get tasked with feeding it and changing its litter, when he travels to watch the Chunin and Jonin Exams.”
Momentarily, he wonders if Sakura knows what’s under Kakashi’s mask; their old sensei allowing her into his space in his absence may have given her opportunities for some form of low-key reconnaissance on the matter.
Then his brain seizes on another notion, one that’s far more amusing, because she said she teamed up with Sai, and that can only mean one thing.
“...What does Naruto carve?”
Sakura’s grin widens as if she perceives exactly what thought he’s just had. She probably does; she knows him well. “He’s terrible at it. His never look like anything; just orange mush. He loves it, though, and Hinata puts it on their front step anyway.”
He snorts. Figures.
A bell dings, so they peer back in, and sure enough, their food is ready. Sakura steps forward to collect it, thanking the worker, but as she turns, she pauses.
Sasuke follows her gaze, and sees none other than their third teammate in the street, walking their direction and waving emphatically. He’s wearing a different pair of pants, knees absolutely covered in dirt and grass stains.
“Oi, teme! Sakura-chan!”
Sakura glances up to him before swiveling towards the road, their food in hand; Sasuke trails close behind, pushing apart the hanging banners of the stand as he steps beyond the threshold of the restaurant.
“Naruto,” Sakura greets when they’re out in the open.
“...Dobe.”
“Looks like you’ve planted everything,” Sakura says more than asks, gesturing to his pants as evidence.
“Hehe, yep, all of ‘em! It was work, but it will be worth it, later in the year.” Naruto scratches his head, grinning. Sasuke lets those words sink in, too, drenching dead roots.
“And now you’re getting Hinata yakitori as a treat?” Sakura pushes, seeming incredibly amused.
“Well…” Naruto looks away bashfully, grinning ear to ear. “Yeah. Gotta repay her somehow. She has good ideas. I just follow her lead.” He looks back to them, then. “Did you tell teme about all our awesome plans?”
Sasuke’s focus falls to Sakura, who is flushed, biting her lip in a smile.
“I may have started to.”
“Well, good, because our yard is going to be totally the best, and if he thinks he’s getting out of it...” the dobe points at him accusingly, “Then I’ll kick his ass!”
Sasuke scoffs. “As if you could.”
Sakura shakes her head, pink locks fluttering with the motion. “Always with the physicalities... Anyways, I’m sure it will be lovely, when everything finally comes together.”
An uncommonly stretched pause passes where blue eyes zero in on the food container Sakura is holding, before they travel up to the two of them.
The grin shifts to something remarkably tender.
“...Yeah. I’m sure it will be.” He says it with the utmost confidence, like he is as certain about it as he is about the sun rising tomorrow, and Sasuke gets the sense that he is no longer referring to gardening.
The moment passes, and then Naruto is punching them each on the shoulder respectively and sidestepping away towards the yakitori stand. “Anyways, gotta go, so I’ll catch ya later! I’m guessing you have plans of your own.”
Sasuke blinks as their teammate disappears into the restaurant, ears burning a little. When his vision travels down to his right, Sakura is blushing a dark red. She meets his gaze, smiling sheepishly.
They turn to go to her building. The entire way there, Sasuke considers everything in the beginnings of a green that seems endless, nurtured by people from all walks of life. He has been noticing it this whole time, since his return, but now he's thinking about how dull it would be without it, whether it’s dirt roads or lifeless grey granite. This is not the wilds, where seeds sprout unabated. Here, one must put in the work to grow things, find suitable locations and till the soil.
When they reach Sakura’s apartment, his eye lingers on her plants as he follows her inside. She sets the takeout on the table by her window. A shadow of a leaf from the jasmine above them is cast hazily out of focus on her left cheek.
“Would you like any sauce with yours? I could make some teriyaki sauce quick, or I have lemons I’ll be cutting up anyway for mine.”
“...Lemon?” Citrus complements chicken, he knows, but he understands that to mean she’s planning on putting it on hers, over top of the yakitori sauce.
Her lips curve upwards. “I like it on other things, too. It’s good on yakitori.”
So Sakura slices a lemon and it sits on the center of the table between them as they eat. She drizzles her yakitori with three of them, and he takes the other three. The chicken is pretty good, tart with the citrus and seared alongside green onions. It’s still warm, as it wasn’t a long walk to her place at all, a convenient sort of sustenance.
“...What else do you like lemon on?”
She chews thoughtfully, swallowing before answering. “Hmm, a lot of things. Fish, even ones that are usually served with lime. Pork. I like it on vegetables, too. Salads, pasta, rice. Most desserts that include lemon I like, as well.” She pauses again, and adds, “Lemonade, if it’s homemade.”
No wonder they’re always in her fridge. “...And tea.”
His heart flips at the way she smiles at him.
“...And tea,” she agrees.
They watch the streets fill and empty from her window, finishing the meal in a companionable reticence, smelling faintly of citrus rind and shadowed by greenery from above.
He helps her prepare decaffeinated sencha after, trying not to stare at the freckle on her cheek. He’s pondering this morning further, the notions of impetus and yearning, and also the way she says his name, but this time uttered softly under a cherry blossom tree with an invitation into her office, if something hurts.
Sakura cares about him. A lot. Sasuke knows this, has known for years, but it’s the actions of her affection, the way she expresses it purely and simply as if it’s a true north cascading through her veins, that has inched its way into his bone marrow, engraved on the latibule he carved inwardly to avoid dry swallowing life’s more bitter medicines.
As she stirs sugar and honey into her own cup, she asks, “Care for a chess rematch?”
He doesn’t even have to think about it; he nods his assent. It’s time to test something.
They arrange the board together at her table. The first round, Sasuke cautiously plans every move, surveying alternating squares and attempting to predict what strategy Sakura will employ. In some instances, he mirrors her, moving a rook a turn after she does, shifting a pawn out of imminent danger, and so on. It’s a very involved way to play, requiring attentive calculation of each move.
It’s a prolonged match that he eventually loses with a final sweeping motion of her remaining bishop, but it’s fairly close.
“...Again?”
She grins and wordlessly starts setting up the pieces she has captured, so he begins to set up hers. It’s an interesting task, a message of opposites, her setting up his dark figures and him setting up her light ones.
The second round, he simply follows his instincts, negating planning ahead farther than a couple of turns. If he gets an impulse to shift a pawn one way, he does. If his gut tells him to move the knight into her territory or to retreat a rook, he goes with it.
It drags on for the better part of an hour, and ends in a stalemate.
The smile she gives him is breathtaking, a broad and warmhearted validation.
“You’re good,” she comments, jade eyes dancing with joy. He gets the impression that it is not often she gets forced into a draw. He wonders who else she plays with. It can't be Naruto, but maybe Sai or Ino also play.
“...So are you.” He is somewhat reassured now. His impulses used to be ruinous, stemming from anger and anxiety and loss, but perhaps his journey helped in that regard. He just needs to make sure they're rooted in the right things, whether it be logic or affection, and then the major task becomes to feel rather than to overthink.
When he kisses her good night in her entryway, another movie watched and plans for tomorrow later, he doesn’t reach for the freckle the first time, though his hand twitches with the longing to. It’s treasured, this tender pressing of lips that feels like dipping a toe into still water. It is imbued with both of her hands resting on his shoulders again, ten fingertips that have him in her grip more than she could possibly fathom.
He studies her eyes when he pulls away, staring down into soft depths of viridescence. He will drown in them someday, he thinks, slowly but surely working up the courage to wade into the deep end.
The second time he kisses her, he lets himself graze her cheek to truly appreciate the difference, allowing acknowledgment of the impulse, compelled forward rather than backward as if bound by some metaphorical form of northern star situated on the rise of her cheekbone.
Sakura leans into his touch once more as she did yesterday, but this time, she brings up her own hand and delicately lets her fingertips rest atop the outside of his, as if she encourages the caress, thumb brushing against his knuckle as his lips gently brush hers. Her other hand stays resting on his clavicle, a tender embrace, osculant in a way he has hoped for countless times, inclusive of this morning.
It is exactly what he needed, a catalyst of encouragement comprised of a heat that is gentle, coaxing, but still brands him all the same.
Maybe it's okay to want to skim her freckles and more, to allow the affinities he has to breathe. They’re together now; it stands to reason they'll one day venture into territory more uncharted, if he can concede to that kind of vulnerability. Not that he’s anywhere near ready for that - he’s not - but his instincts don’t appear to be all disastrously calamitous. Touching her cheek is something she clearly welcomes.
Sasuke gave in to darker tendencies once. Perhaps it's okay to give in to lighter ones; nothing grows in the absence of light, after all. He brushes a thumb across the high point of her cheekbone once more with her hand encompassing his before they part, embracing a new habit prior to whispering good night.
The way she smiles up at him, skin aflush and glimmering eyes, is everything.
XXX
He inspects the stone and the soil surrounding it for a long while, heavy-heartedly trying to ignore the encyclopedia of names in favor of envisioning what it would look like with lilies surrounding it. Less lugubrious, probably. The trajectory of the tree’s shadow would touch the stone in the evening, he sees, now that he’s here in person. He only ever haunts this place after nightfall when there's less chance of someone happening upon him. He wishes it was more secluded for that reason; maybe healing happens in the sunshine, and that’s why he still struggles with coming here after so many years, creature of the night that he is.
Evenings with Sakura feel like healing, though, and they linger after hours consistently. Maybe next time he’ll visit his dead kin at twilight, a brittle sort of compromise.
He'll see if the impulse still grips him tomorrow, and then decide. He knows his mother would like them. Itachi would, too, although it never feels like he's here, not the same way that it feels like the rest of them are, the air weighted with an accursed brand of perfume pouring outward in all directions.
White lilies may be able to touch the light in his stead for the time being. Even if they don’t grow, he at least will know he tried, and there is always next year. By then, he may have the capability of asking Sakura if she would help him; she’s clearly a capable gardener, and there should be less sediment, if he puts in the work.
By the time he leaves for his apartment, a thin layer has loosened.
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rachaelswrites · 3 years
Text
Nicknames
A/N: I didn’t include all actors/characters but if you want one just send it in and I’ll do it. I’ll start including these in my writing
~~~~~~
Here are some nicknames that each of the reader’s have been given
Sebastian Stan “prinţesă”
-Obviously, its Romanian
-There were a few he tried out with you when you were younger but this one stuck for multiple reasons:
-You were a major daddy’s girl (still are) and you pretty much got anything you wanted. You were almost on the verge of spoiled brat
-It also didn’t help that you had a very huge liking for Disney and it’s princesses
-Those dresses with the matching shoes? You had almost all of them
-He called you that until you grew out of your princess obsession, saving it for certain times
-The first time you ended a long term friendship was the first time he used it in years. He’d either call you by your name or something more generic like “Sweetheart”
-You came home visibly upset and ran right into your dad’s arms
-You’d never been this upset before so he said it, hoping in some way it would calm you down
“It’s alright Prinţesă, I’ve got you”
-When it worked that time, he did it again after your first break up.
-You were more angry than sad this time
-He had to hold you down on the couch so you couldn’t hurt anyone
“Prinţesă, calm down. He’s not worth a criminal record
-He used it on days when you were sick or were feeling down
-Maybe even if you were in trouble
-You and him both thought by the age of sixteen, you would hate the nickname but surprisingly, you liked it even more
Chris Evans “peanut”
-Another case of daddy’s girl
-This one comes from several trips to Red Sox’s games
-Chris wanted to get you into sports when you were young (just to watch, not necessarily to play)
-He took you and Scott to one of the first games of the season and he bought peanuts, in his true American way
-You were seated in between him and Scott
-Both of them were sharing the bag while you had ice cream
-Peanuts were a new food for you and you wanted to try them. You grabbed a handful of them and copied your dad’s movements to crack open the shells
-You ate like twenty in less than a minute
-You loved them so much and that’s how that name happened
-Unlike the others, Chris uses this name pretty regularly 
-You didn’t mind how often he used it until he started using it on front of your friends
“Hey peanut, do you guys need anything?”
“Dad! That’s embarrassing”
-Your face went bright red and for the rest of the day, your friends teased you (in a loving, joking way)
-Chris realized his small mistake and was a little more careful about when he used it
-Scott called you it once and you swear, you never saw your dad move so quickly
“She’s my peanut, not yours. Find your own nickname”
-Anytime he posts a picture of you on Twitter/Instagram, he used that name instead of your own
Matthew Gray Gubler “munchkin”
-Three words
-Wizard. Of. Oz.
-You had a very weird obsession with this movie. It’s almost embarrassing looking back at it now
-By the time you were three, you knew all the words (as best as you could) to all the songs
-Matthew was about to lose his mind because he had the songs in his head as well, twenty-four-seven.
-You would talk and talk about how much you wanted to go to Munchkin land and be a Munchkin
-It also didn’t help that at the time, you were probably close to the same height
-Sadly, as you got older, you and your dad learned you didn’t develop his height
-You were a whopping 5’2 at the age of fifteen
-And the name stuck
-He knew you weren’t super fond of the name but somehow, it always cheered you up
-If you had a tough day at school, he’d sit on the couch and let you vent
“Let it all out Munchkin”
-You secretly did like the name (even though the origins were embarrassing)
-Matthew never let you live down that obsession 
-When you were on set and he called you that, everyone asked why.
“Matthew, why do you call her Munchkin?”
“Dad, don’t do it”
“She was obsessed with The Wizard of Oz”
-He also very rarely referred to you as “Y/n” on social media, opting for Munchkin instead
-Trying to get back at him, you tried to come up with some ridiculous name for him
“I’m going to call you dancer. Cause that’s how you broke your knee”
-That one didn’t last long but Munchkin sure did
Tom Holland “bubs or darling”
-Tom gets two because I can’t pick
-Bubs is because you are the baby out of all of the brothers
-It was also because before you could say any brother’s name, you just called them bubs
-Sam, Harry, and Paddy also called you Bubs. They still call you that sometimes so Tom wanted to try something new
-When you were about five or six, he accidentally called you darling
-It wasn’t a typical brother/sister name but it suited you
-You were such a kind person and your favorite movie to watch with Tom was Peter Pan
-And the last name of Wendy was Darling, so he thought it fitted
-When he called you darling, it was mostly after he came home from filming
“I missed you so much Darling”
-You liked the meaning behind your nickname
-Tom used Bubs if you weren’t feeling like yourself
-Whether it was a bad day or if you were sick
“Take some medicine Bubs” or “Bubs, tell me what’s going on”
-He hated the others calling him Tommy but for you, he’d let you do it anytime you wanted
-Literally, you were the only person he let you call him Tommy
-But he was the only person who could call you Darling
Bucky Barnes “doll”
-Classic
-This one is pretty self explanatory
-It was common during your childhood but once you were in the 21st century, Bucky couldn’t part with it
-It reminded him of the past (in a good way) and he always wanted to relive those memories 
-You were eight when HYDRA took him and then you
-The name reminded him of when you were little, and it reminded you too
-While Bucky was in Wakanda, he’d send you letters once he woke up
“Hey Doll, I miss you so much. Hopefully we can see each other soon”
-You kept them all with you
-And when The Snap happened, you’d read those letters back to yourself everyday
“The sunset was really pretty today Doll, it reminded me of the ones from when you were little”
-After those five years, that was the first thing he said to you
“I’m glad you’re safe Doll”
-It only took one time for Sam to tease you about it before you threatened to hurt him
“You make fun of it one more time and I swear it’ll be the last”
-Sam didn’t really understand why that name meant so much to you
-Bucky had to explain it to him
-It was really one of the only things you had left of your childhood
-And it was the one thing you could hold onto for the rest of your life
Ransom Drysdale “princess”
-Again, I think this one is self explanatory and obvious
-You’re spoiled, no doubt about it
-The name actually came from Meg
-She was a few years older than you and she was so used to being the only girl in the family
-And now she had to deal with you
-The reason she called you that was pretty stupid in the first place but as an eight year old, it didn’t matter to her
-You had spilled your drink on her by accident and onto her new shoes
-She went red in the face and started screaming in your face. You burst into tears
-You were only four and Ransom had never raised his voice at you. It was a new experience for you
-All the adults came into the room and walked into the scene of Meg screaming and you crying
-Ransom scooped you up and told Meg off
-Of course Joni took her daughter’s side but no one else did, making her mad
“She never gets in trouble. She’s such a princess”
-After that incident, your dad only used that name just to piss everyone off
-Like there was no need for him to but he just did it
“Princess, come here”
-In general, Ransom liked to show you off and the nickname Princess was the best way to do that
-As you got older, he felt weird using it. Meg had finally gotten over herself and everyone accepted the fact that your dad was spoiling you rotten
-You didn’t need a name to show that
-But as you got older, the issues in the family and all the problems started to weigh down on you
-There was so much drama that happened at family dinners, you were completely drained and exhausted once you got home
-Ransom could tell something was up so he reached into his bag of good parenting skills (which he definitely had, which shocked everyone) and called you Princess for the first time in ten years
“Princess, please tell me what’s wrong”
-For some reason, that one name made everything better for you
-Ransom noticed the small improvement in your mood so he kept calling you that on the daily
“How was school today Princess?” 
-And in front of the family again
“Princess, it’s time to go”
-This name was literally just used to show the other Thrombey’s that you and your dad were better than them
-Of course though, you didn’t need a nickname to see that
Spencer Reid “squirt”
-Another name based on an obsession
-But this one can be blamed on Garcia
-While Spencer was on a case one time, she was in charge of watching you
-To keep you entertained while at the BAU, she put on Finding Nemo
-That was a mistake
-From that point on, you had a weird fascination with sea turtles, because of Squirt
-Once Spencer got back, you would not shut up about turtles
“Daddy, look what I just read”
-He was glad you found something you were interested in. He sort of hoped you would find something closer to a more “normal” topic but he would never stop you from learning
-Spencer wasn’t sure how the name fell onto you but once it did, he didn’t stop using it
-He generally used it in the apartment with just you and him
“Squirt, can you pick your toys up for me?” or as you were older “Squirt, can you grab those books for me?”
-He used it a lot when you felt stressed and you weren’t telling him
-So whenever he called you that, you knew you might as well tell him
“Tell me what’s going on Squirt”
-It was such a small gesture but it really did help you
-He tried to explain why it probably made you feel better but you weren’t too interested in the science behind it
-The only time he used it in front of the team is when he got back from a case
-You always met him at the BAU (he made sure you were there to greet him)
-You would stand in front of the elevator and wait for the doors to open
-And when they did, you ran into his arms and he wrapped them around your body
“I missed you Squirt”
-The team absolutely adored that nickname but knew to never call you that, unless they wanted an angry Reid on their hands
Emily Prentiss “love”
-To me, Emily just has European vibes and so does this nickname
-Probably because Emily grew up in Europe, she developed this habit of calling you Love
-The parents of her friends growing up used that name
-She sort of just picked up on it, starting when she first held you in the hospital
“Hi Love, I’m your momma”
-It’s such a simple but meaningful name to her
-You were truly the one person she loved the most (even her mom and even Sergio)
-Speaking of, once she brought Sergio home you started calling him that as well
-You were only four and didn’t understand the concept but Emily didn’t stop you
“Hi Wove”
-Emily never used this in front of people unless something was wrong
-As you got older, it was used more as a reassurance for you
-Her “death” was really hard on you and every case, she would check in 
-Lots of the time, the phone calls were short and around the other members of the team
“Hi Love, I miss you. The team says hi”
“I miss you too momma”
-Very rarely would she use it in normal, everyday conversation
-If you were visiting the office, sometimes it would slip out
“Hey Love, are you doing your homework?”
-In front of the team, she used names like “baby” or “honey”
-Love was strictly reserved for just you and her
Jennifer Jareau “bug”
-First thing to know
-If anyone besides JJ called you Bug, even Will, she would literally rip their heads off
-This name was super personal to her and she didn’t want the meaning to be ruined
-You had taken after her love and fascination with butterflies
-Except you hadn’t learned the word butterfly so you just called them bugs, hence the nickname
-JJ only called you two things “Y/n” and “Bug”
-Nothing else
-At one point, Will was convinced that she might’ve forgotten your first name because she called you Bug so much
“JJ, she has a first name you know”
“I know, I think Bug fits her better”
-She did attempt to get your name changed, but to be fair, she was drunk when that happened
-She didn’t care that as you got older, the name was a little embarrassing, especially around your friends
“I’ll pick you up at seven Bug”
“Mom! Really? In front of my friends?”
-Your brothers for awhile thought your name was Bug, because she really only called you that at home
“Do you need help with your homework Bug?” or “Bug, can you set the table?”
-You didn’t realize the meaning behind the nickname until she explained it to you
-And once you did, the name meant so much more to you
-Will helped you pick out a matching necklace set of two butterflies
-You gave it to her after a case and she cried, knowing exactly what it’s meaning was
“Thank you Bug, I love it”
-She never took that necklace off, ever
Taglist
@ssebstann @peachyprincessss @emmy-writes-sometimes @dudele @kerrswriting @laura-naruto-fan1998 @multifamdomfan12 @aquariuslavenderhoney @rafehogwarts
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dontbipanicjonsa · 3 years
Text
The Unkiss
TW: discussion of sexual assault
The purpose of this post is to explore how and why the Unkiss came to be, and speculate (poorly) on what purpose it may serve in the future. Read under the cut  (thanks @esther-dot )
So, I’m going to tell everyone right away that I’m not a very big fan of the pre-existing theories surrounding the Unkiss. Specifically, I tend to disagree with the “how”. This is partly because I think all the explanations offered are too Freudian (*shudder*) and partly because I’ve had a similar instance myself so I tend to project (sue me). 
THE HOW
First, let’s look at the pre-existing theories: 
The Unkiss is actually a sexual fantasy that Sansa has confused with the real events that happened (exactly what Freud would say. Creepy fuck.)
Sansa invented the Unkiss to romanticize an otherwise traumatic event so she could cope with it better. 
Is there any other theory I’m missing? These are the ones I know. 
I’m going to jump straight to the second theory. The issue (for me) in this theory is that it sort of assumes that Sansa herself would consider that kiss “romantic” or that it would somehow help her cope the BoB night.
He yanked her closer, and for a moment she thought he meant to kiss her. He was too strong to fight. She closed her eyes, wanting it to be over, but nothing happened. - Sansa VII ACOK
This is the moment. She is expecting a kiss, but wanting it to be over. It’s very clear that the kiss would have been non-con. More importantly, it looks like Sansa herself would consider the kiss non-con. 
Why on earth would Sansa invent a kiss she didn’t want in the first place to make coping with an already traumatic event easier? 
He kissed me and threatened to kill me, and made me sing him a song. - Sansa II ASOS
This is the first time we are introduced to the Unkiss, and it shows that Sansa’s memory of that night is perfectly intact. The Unkiss is an addition. It isn’t replacing any other, more traumatic memory (like the threat to her life). 
Now this is what I think happened:
Her emotions were running high that night, and her mind muddled up real events with the memory of that mounting (practically tangible) terror. 
Yeah, it’s that simple. You know how you get really angry in a fight and then later you can’t recall the exact the words? Memory is unreliable. There are plenty of studies to show the varied effects trauma has on memory. There are plenty of studies to show how easily memory can distort. There doesn’t need to be a great, complex reason for Sansa to misremember a traumatic event. Also remember that Sansa may not be entirely sober for this encounter, since Cersei did make her chug that wine before. 
Being stuck in a situation where you’re terrified and anticipating some sort of assault any second? Having a single moment where the emotions peak, where you’re sure the assault is going to happen right that moment? Misremembering if the assault did or didn’t happen later? Yup. Been there, done that. I still don’t remember what happened, and it’s been years. I sure as fuck wasn’t romanticizing shit, so it never occurred to me to think that Sansa might be. So when I heard the theories I went back to her chapters and honestly, I don’t think she is either. Not yet.  
Then this happened:
She could still remember how it felt, when his cruel mouth pressed down on her own. He had come to Sansa in the darkness as green fire filled the sky. He took a song and a kiss, and left me nothing but a bloody cloak. - Alayne II AFFC
Now this is Sansa romanticizing the Unkiss. She romanticizes the kiss she remembers. That does not mean she invented the kiss to romanticize the BoB, it only means she remembers a non-con kiss from a traumatic night and chose to romanticize it to cope. See the difference? 
The kiss isn’t a way for her to romanticize her trauma to cope, she romanticizes the kiss that was a result of her trauma- to cope. 
I won’t be so sure of this theory though, because (no offense) but GRRM does seem like the kind of guy who would read Freud and incorporate his ideas in his story. There’s already a shit load of incest and let’s admit it, Sansa canonically has daddy issues. How far or in-depth did GRRM think about the “how” of the Unkiss? We don’t know. 
THE WHY
Well, this one has been explained by GRRM himself:
You will see, in A STORM OF SWORDS and later volumes, that Sansa remembers the Hound kissing her the night he came to her bedroom... but if you look at the scene, he never does. That will eventually mean something, but just now it's a subtle touch, something most of the readers may not even pick up on. - GRRM 
He also said:
File this one under "unreliable narrator" and feel free to ponder its meaning...- GRRM 
So, it’s safe to say that the Unkiss is basically being used to establish that Sansa has an unreliable memory. Of course, other characters probably have unreliable memory too (for example: Arya misremembering the name of Joffrey’s sword) but this is still most likely about Sansa. 
Sansa has always been considered an unreliable narrator by the GA anyway, since so much of her narration in the first book was at odds with the narration of Ned and Arya, who were both fan favourites at the time. This should probably indicate to the readers that the other characters are unreliable narrators as well, but it doesn’t. People carry on reading simply assuming that only Sansa’s POV is unreliable, or at least the most unreliable. So using Sansa’s POV to lay the groundwork for memory issues in someone else’s POV is...not gonna work. 
This doesn’t necessarily prove that the pay-off of the Unkiss is going to come from Sansa’s POV only, but it makes it seem likely. So I’m going to restrict myself to looking at the possibilities of misremembering stuff from Sansa’s POV. 
One more thing we need to look at before we start looking at future possibilities:
"It's not the same," Sansa said. "The Hound is Joffrey's sworn shield. Your butcher's boy attacked the prince." - Sansa III AGOT
On the surface, this looks like another memory edit. The situation is remarkably similar; it was a traumatic event for Sansa, she was not entirely sober when it happened, and now she is misremembering what happened. We know that Mycah did not attack Joffrey, Joffrey attacked Mycah. However, it’s not quite the same. For one, we don’t actually know if Sansa believes that, or if she’s just trying to be contrary to Arya. 
Also- 
"Sansa, come here." Ned had heard her version of the story the night Arya had vanished. He knew the truth. "Tell us what happened." - Eddard III AGOT
Sansa had told Ned what happened. But then she said-
She blinked at her sister, then at the young prince. "I don't know," she said tearfully, looking as though she wanted to bolt. "I don't remember. Everything happened so fast, I didn't see …"- Eddard III AGOT 
So.......is she lying or did her memory actually get fuzzy afterwards? What exactly did she tell Ned? Considering that he’s the one who asks her to “testify”, I’d assume she told things as they really happened (as in Joffrey attacked Mycah). Did her memory of the events slowly fade...and then reverse (as in Mycah attacked Joffrey)? Or is she just taking the neutral stance here, and later the opposing stance (Joffrey’s side) in her fight with Arya? We don’t know. 
PURPOSE IT MAY SERVE GOING FORWARD
First, let’s assume that the Trident accident really does count as a memory edit. This would mean that Sansa has edited her memory twice now, which makes it very likely that a third memory edit is coming. There are two directions this can go-
The third memory edit has already happened pre-canon (so technically it would be the first edit)
The third memory edit is going to happen sometime in the next two books.
Warning: this is where I get back on my Jonsa bullshit. Turn back now if you don’t wanna watch me make everything about Jonsa.
Pre-canon Jonsa crush 
If the first option is true, and Sansa has already edited her memory once that we don’t yet know about, then a pre-canon crush/moment between her and Jon is...a pretty strong possibility. 
I’ll admit, I’m very very skeptical of the pre-canon crush, simply because I think there isn’t enough evidence or foreshadowing for it. On the other hand, the groundwork has already been laid, if GRRM were to go in this direction..it would be believable. Shocking, but believable. 
We have numerous mentions of kissing games in the godswoods. We have a pre-canon conversation between Sansa and Jon about How To Hit On Ladies. And much more. The possibility is there. 
Sansa having a crush on Jon and being so traumatized she replaced Jon with Waymar Royce?? Sansa getting tipsy on watered down wine and giving Jon a blue rose-
There are other possibilities though, for example, a fight between Sansa and her father and/or Arya that she’s not remembering correctly. It would explain her daddy issues (even more) and work to create conflict between her and Arya (why though). But I don’t THINK there’s any evidence for that..? I don’t know I’m just throwing out ideas.
Moving on to the second option- a third memory edit to come
These memory edits are not likely to be nearly as innocent. 
One possibility I’ve heard about is Sansa forgetting her identity and sinking into Alayne. No. Very Unlikely. Sansa’s Stark identity appears to be going strong even in the TWOW preview chapter.
Second possibility- Sansa memory edits Lysa’s death. 
She was mad and dangerous. She murdered her own lord husband, and would have murdered me if Petyr had not come along to save me.- Alayne I AFFC 
It’s...possible? But it looks like she does remember what Lysa said and how she died. She’s just suppressing/dismissing the parts that implicate Littlefinger, which is not the same as a memory edit, where the memory is changed somehow. 
More possibilities- Littlefinger will do something and that will lead to a memory edit. She’ll flee from the Vale and run into Ramsay (I dearly hope not) and bam trauma -> memory edit. The possibilities are pretty much endless. 
Now let’s assume that the incident on the Trident was not a memory edit. This means she’s only had one memory edit yet....in which case the pay-off is probably something kiss-related, or it is something she remembers, but which didn’t really happen. A pre-canon kiss, or some serious Freudian shit that I’ve been trying desperately to avoid, a Sansa-Sandor faceoff....yea I’m not actually good at speculation.
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To Love is the Greatest Gift
1. The Return
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pairing: obi wan kenobi x f!reader (past!din djarn x f!reader) characters: f!reader, anakin amidala-skywalker, padmé amidala-skywalker, mentiones of din djarin, obi wan kenobi, others word count: 2.6k+ warnings: angst, fluff, mentions of rent: the musical (death, second chances) uh... I think that’s it? summary: au!it’s never been the right timing for you and obi wan kenobi; maybe this time will be different. a/n: i started working on this story so long ago it’s ridiculous, but I suddenly had a surge of motivation to continue this story after some tragic family news. this was also very much inspired by @martlands and their amazing obi wan stories, made me want to write my own and here it is
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“You broke up?”
One would think that the immediate reaction to someone asking if you broke up with your significant other would be to cry or begin to ask them what could have possibly gone wrong. But that’s not the reaction you give. 
The reaction you give is just a shrug and a strong pop, as you spoon more gelato onto the little spoon his twins love collecting. “Yep.”
“After only three weeks of dating?” Anakin doesn’t know why he’s surprised, but he is. This is probably the shortest living relationship you’ve ever had. “Why?”
“Why not?” you answer easily, nonchalantly and you know it frustrates him. “It wasn’t working out, so we decided to call it quits.”
Not even a month ago, you had been genuinely excited about finally getting out there and meeting someone new, and even more excited when you were telling him all about this person you met while out with some old friends. You had said, word for word, “he might be the perfect contender!”
Where did all that excitement go?
You sigh, finally looking up at him and away from your white chocolate gelato that's just to die for. “Ani, it’s fine. It just didn’t work out. It happens.”
He grimaces. “What happened between you and Din—“
You bristle at the mention of your ex, narrowing your eyes and his widen in defense. You know what Anakin and Padmé think of him and it’s not entirely pleasant (particularly from Anakin’s part). It’s completely unfair. Din is lovely, sure a little socially awkward, but lovely nonetheless. “Has nothing to do with why Gar and I ended things.”
“But—“
“Nothing,” you reiterate with a bit more force and he sighs, lifting his hands in defeat while holding his own cup of gelato.
“Okay. Okay, I’m sorry.” And then, like a light switching, he turns playful. “Was it his name that turned you off—Gar?”
You resist the urge to groan and roll your eyes. “Oh maker, you are annoying!”
You huff as you make the trek back to the trolley that’ll take you both up to the observatory. The rest of your conversation is forgotten as he navigates it towards continuing to tease you and the latest exhibit you had helped set up.
The Coruscant Observatory is one of the most popular attractions in the city aside from the Exotic Animal Sanctuary (where most zoologist work to help rehabilitate wild animals before reintroducing them back into the wild, only housing the ones that have been assessed to not be able to function in the wild on their own—which are unfortunately many).
Your place of work is known for its large, ground telescope; its monthly constellation exhibits; the multiple planetarium theater rooms that house lectures, activities, star projections, etc.; and its Astronomer Q&A program where visitors can ask astronomers questions and even get a tour of the space station.
However, most of your days are spent in your office, planning for the next exhibit or actually executing them with your team; meanwhile, Anakin spends them in tech, sometimes maintaining the telescope, other times helping with IT issues, but mostly making sure the theater rooms worked perfectly for their 4D immersion.
(You like to joke that out of the two of you, he has it easiest; sometimes he’ll run by your office to get to another part of the building while you’re doing something and you’ll yell out, “slacker” and he’ll respond with, “you just work too much”.)
“Are Padmé and the twins stopping by today?”
“Not today, maybe tomorrow,” he says as you both step out of the trolley along with a few tourists. “I think today they decided to stay for some school thing.”
“Shouldn’t you know what that school thing is?” you chide him out of jest.
He scowls, there’s hardly any heat in it and it makes you grin. “It’s a music performance that the CN Theater is putting on.”
“Ah, and we all know how much musicals bores you.”
“I just don’t understand them,” he murmurs defensively as you climb the few steps leading to the entrance. The two of you smiling and greeting Rex at his security post and bypassing the ticket gate with your IDs.
“You mean you don’t have any taste,” you tease.
“It’s weird! I mean, most of them are all about tragedies and betrayals. What happened to the good ol’ romance and happy endings?”
“Not all of them are tragedies, Casanova.”
The main rotunda lobby is full of people milling about, looking at maps or the foucault pendulum in the middle of the room. Low chatter fills the room, shoes clicking and clacking against the marble flooring.
“Name one.”
Spotting the trash can and recycle bin, Anakin holds his hand out for your disposable cup and spoon and throws them away in their proper bin.
“Rent.” There are probably better examples, but you had been listening to the original cast album the night before and have all the songs still stuck in your head.
“Don’t two characters die?”
“Angel and Mimi.” You nod. “But Mimi is brought back to life by Angel, and is given a second chance at life.”
“She may have been brought back to life, but that doesn’t take away from the fact she died.”
“I’m not arguing with you on that, I’m just saying the ending was hopeful—not necessarily a happy ending, but it left you thinking—maybe things can get better.”
“And that’s not what I’m looking for. I’m looking for—“
“What you and Padmé have?” you ask him as you both reach the door of your office.
He pauses, mouth opening and closing before finally rubbing the back of his head sheepishly and saying, “Yeah.”
You smile, genuine and happy for your childhood friend. Who would’ve thought that years ago when you introduced them, they’d be here years later—married and with twins. You and Anakin sure as hell didn’t. For most of your childhood, you both believed you’d live out your life on Tatooine, hang with the same friends you’ve known since your pre-kinder days and eventually get married to each other—much to the dismay of your parents—because of benefits or whatever, until your parents decided they wanted to send you off to a private school in one of the major cities, derailing your and Anakin’s plan (for the better, if you’re being honest).
“You’re still coming over for dinner, right?”
“Yeah,” you answer, unlocking your office door with your key. “I have a meeting that might go over the expected time, but I should be able to make it on time.”
“Just let us know,” he says, rapping his knuckles against the door frame. “But you better be there! We have some planning to do!”
You roll your eyes and wave him away, promising he and his family will definitely see you at five. With a hearty chuckle he salutes you and leaves the door slightly ajar, just like you usually do. It’s your “you can come in to ask me questions, but knock first, please” visual telling.
With a soft exhale, you drop yourself into your creaking office chair, eyes landing on the first picture on your right—a younger you, only 18, fresh out of your uniform smiling wildly with a large bouquet of flowers that you can still distinctly remember the smell of.
“I am in love!” Padmé exclaimed, squealing in absolute delight at the flowers put in your hand.
Blue eyes crinkled with amusement, staring down at you. “Are you?” His voice was low, teasing and almost smug. He had obviously heard the gasp that escaped your lips when he presented you the colorful bouquet created with your favorite flowers that his father grew in their little garden.
“Irrevocably,” you answered, not able to hide your smile as you gently held it against your chest and smiled up at him. “They’re beautiful, Obi. Thank you.”
Obi Wan’s arm is wrapped around your shoulder, caught in the action of a booming laughter. He was always laughing in pictures. There isn’t a single picture you have of him that he isn't smiling.
Your finger gently trails over his smiling face. Maker, you miss him.
Is he still traveling? Or has he finally settled down again? Will he show up and spring some unexpected news on you again? Stars, you hope not. Shit didn’t go as planned last time and it probably wouldn’t again.
Your hand falls limply and you swivel in your seat, looking out the large glass window overlooking the majority of the city and sigh softly—an exhale of wary hope and sadness.
A bird soars by your window, it’s wings flapping effortlessly, diving before flying higher and away.
He’s not coming back. You know this. Coruscant just isn’t the same anymore. Not when he feels this city has taken everything from him.
One more year visiting Gui Gon without him.
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The meeting runs longer than it usually would, just like you had expected. Checking the time, you let out a curse and quickly throw your belongings into your car.
Without wasting time, as soon as you switch on your engine, you place your phone on the dock and say, “Hey C-3PO, call Padmé.”
“Calling Padmé,” your phone’s AI answers through the speakers of your car.
“Are you outside?” Is how she greets you. There are loud noises in the background, children squabbling about something or another, and Anakin’s weary voice trying to rally them. 
You snort, pulling out of the undergroundparking lot. “Not yet, barely got out of my meeting and am on my way.”
“Please hurry, the twins really want to see you and are dying from hunger,” she says, amusement in her voice and not at all trying to hurry you. “They might start eating Anakin soon.”
“Hey, don’t bite that!” He yells from a distance.
“Hurry, please!” you hear over the phone—Luke. “I miss you,” he says, closer now. Which you immediately reply saying you miss him too, almost cutting off the next voice.
“And I’m hungry!” Leia’s voice follows his, practically yelling into the phone.
You laugh fondly, just imagining the childish glee on their faces at your scandalized gasps and your exaggerated “me too” answers.
“Leia, no yelling,” Padmé scolds her, gentle and kind. “Softer, please.”
“Sorry,” she says. “I’m hungry,” she repeats, softer, almost a whisper.
“Give me twenty minutes and I’ll be there,” you promise. “If not, you have my permission to start eating your dad.”
Leia and Luke break into a fit of laughter, yelling something away from the phone to Anakin, who once again lets out a loud, “Hey!”
Padmé chuckles, moving away from the voices of the children tackling their father and their play fighting. “Take your time, we’re not in any hurry to start eating. The kids had a hearty lunch and a snack after school.”
“What about you and Anakin?”
“We’re fine, don’t worry. Just get here safely and we’ll see you soon.”
You end the call with one last reassurance from her and let out a loud sigh when your car comes to a stop behind a long line of glaring red lights—traffic. You hate traffic.
You might be surrounded by blinding lights and different models of vehicles, but it leaves you alone with your thoughts, the low hum of your engine and music from your stereo drowned out by the chattering in your head. 
It’s never just one thing that you think about. It can go from one thing to another, to all of them trying to climb over eachother and be the most present: your friends; your family; the dog next door; Din and Baby; cinnamon apple cookies; the beach house in Naboo; sneaking out of the prep dormitories at 2am with Padmé keeping an eye out and Obi Wan holding his arms out for you; rose gardens and peach tea; freckles on blushing skin; drunken singing in a small living room; 21st birthdays crying in a bathroom stall; that stupid movie quote about choosing life; death; but sometimes (most occurring) it’s Obi Wan that weaves into every thought.
He’s a constant plague in your mind, has been since the first time he left Coruscant in search of himself. 
Sometimes they’re pleasant thoughts, memories kept in a nostalgic trunk that you occasionally like to sift through. Other times, they’re not so pleasant; those are the ones you constantly struggle with, try to push into the recesses of your mind and keep them under lock and key. But for some stupid, strange reason, your mind only ever remembers the bad, even when there are better things to dwell on.
“I just—I just don’t understand why you have to leave—Obi. Obi!” you practically yelled, watching him move around his room, grabbing and throwing things he pulled out into his duffel bag. “Listen to me!” 
He didn’t stop, not until you reached for his duffel bag and plucked it out from his hands. He stared at you, his duffel bag carelessly thrown to the floor with his clothes spilling out. 
Your breathing was labored, a sick feeling swimming in your stomach, words stuck in your throat now that he wasn’t hiding his beautiful blue eyes from you—his devastatingly heartbroken eyes. “I have to,” he finally said, breaking the silence. “I need to leave. This house—this city, it's suffocating me. I can’t—I can’t stay here anymore.”
“Obi… Obi, please.” You can’t leave me. You can’t! Please! Please, Obi.
“I need to do this for me, darling. I’m sorry.”
You should’ve fought harder that night, should’ve convinced him to stay, but instead you helped him pack again with tears obstructing your view and sobs escaping your lips. Maybe if you had, you wouldn’t have lost him.
No, your breath stutters as you lean back into your car seat, there was nothing you could’ve done. Either times. He had made up his mind long before that night.
A car honks their horn to your left and you jump, eyes focusing once more on the red lights of the car in front of you. You wipe at your face harshly and straighten your spine. 
That was years ago, little one. Shake it off. 
Sighing softly, you look up at the street name and make a turn onto the Skywalker residence street, your shoulders relaxing when their two story home comes into view.  
Shake it off.
Parking isn't easy to find in their neighborhood, not when it’s so close to the observatory and some of the most visited parks in the area, but you manage to find one just two cars away from their house. 
Gathering your things, you lock the door behind you and quickly make your way down the sidewalk, phone in your hand and typing out a message that you’re here.
It’s while you’re hitting send that you don’t notice the body in front of you, staring up at the house with an almost wary expression on his face, or how his eyes widen when they see you. It’s not until you collide into his body, soft with a fleece cardigan, that you notice him. Embarrassment begins to boil in your blood as you quickly apologize to him, berating yourself for not being more aware of your surroundings.
“Kriff, I’m so sorry—“ you start, but the apology catches in your throat when you look up.
“Hello, there.” Blue eyes, so soft and kind, like the ones you once used to dream of stare back at you—so unlike the pair of eyes you saw years ago. “It’s been a long time, darling.”
You can’t shake him off.
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My Roommate is an Apparition: An Apparition A-Pink-ciation of Culture
Based on characters created by @reddpenn
From the diary of Lily:
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When I was little, I used to talk to my stuffed animals all the time.  They were my soft, cuddly friends who were always there for me, and even though they never spoke a word, I always imagined I could hear what they wanted to say.  Even as an adult, I still treat inanimate objects like they’re people too.  In fact, everyone does at some point or another in their adult life.  Anyone who has ever argued with their car that refused to start knows what I mean.
But recently, I realized that sometimes people can do... well the opposite. That sometimes we don’t treat people (who are actual, real people) like they’re people.  It’s not something we consciously think about, but it’s more like we forget that, well, people are people.  I know this sounds really dumb, but I felt like I needed to write about this after a... well after an “argument” I had with my roommate.
I’ve lived with my roommate for a few months now, and I thought I had gotten to know them pretty well.   They like to watch cartoons (like, seriously LOVES them) and we had worked out a TV viewing schedule to make sure that we got along together.  But the other day, I realized that I wasn’t necessarily treating them like they were their own person.  I didn’t mean to do that, but it just kind of happened, and...
...well it gets really complicated because, technically, they aren’t a person.
I mean, they aren’t human; they’re an apparition.
It made me think about all those stories about monsters and ghosts.  Like a ghost used to be human, but then they died, and their spirit became a ghost.  Do we still treat the ghost like the person they were when they were alive?  Outside of a few exceptions, the answer’s a definite yes.
But what about an apparition? It’s kind of like a ghost, but it’s not. I mean, it’s not the soul of someone who died or anything. They just sort of exist. (Would Slimer from Ghostbusters be an apparition or a ghost?).
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So anyway, reason I’m bringing this all up is because of what happened last weekend. I was channel surfing through the Cable Guide and as I’m flipping through, I pass by Boomerang (you know, the cable channel that spun-off Cartoon Network to hold all the older cartoons?) and all of a sudden, my roommate appears out of nowhere (literally) and practically grabs the remote out from my hands.
“Hey! What gives!?” I say to them.
They immediately change over to Boomerang and my TV screen is suddenly filled up with the color pink. At the same time, my roommate starts “doot-ing” along with the song and goes, “Doo-Doot! Doo-Doot! Do-Doot-Do-Doot-Do-Doot Do-Doot-De-Dooooooooo-Doo-Doo-Doo-Doo-Doooot”. I have no idea what they’re doing, but then the cartoon starts up and it’s the Pink Panther.
Rhetorically, I go, “What’s this?”
“Pink... Panther...” my roomie says.
And then I make my first mistake by saying, “Huh. Never seen it before.”
Now if I had been paying attention to them, I probably would have seen the face of shock they were making. “You... NEVER... saw it!?” They gasped.
“Nope. Must have been before my time,” which was totally true. I mean, I later found out my Dad used to watch it when he was a kid. It wasn’t on TV when I was growing up. (Why am I defending myself for not watching a specific cartoon?)
Anyway, roomie asks, “Watch... with me?”
And then I, being a total dumbass, say, “Nah. Think I’ll get some dishes in,” before getting up and walking away.
If I had stayed put for just a few seconds longer, I would have heard them asking, “...please?” (In case you’re wondering, they told me about that later.)
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Yes, I hurt its feelings.  Yes, it was insensitive.  Yes, I am sorry.  But like I said, the thought didn’t even cross my mind back then.  As far as I knew, as long as my roommate had their cartoons, they were happy.  It didn’t occur to me that they cared about anything other than the cartoons themselves.
For the next week, my roommate made sure I knew, now and forever, that this was not true.
My first clue that they were mad at me was later that evening when I went to the living room to watch my usual shows.   It was my turn on the TV, and usually I have to pry my roommate away so I can watch what I want to watch. But that night, the instant I walked into the room, they changed the channel to what I wanted, put the remote down on the couch, and left the room without saying a word.  I thanked them, plopped myself down, and went straight into couch potato mode.
This should have thrown so many red flags in my head, but for some reason, it didn’t.  Maybe I was being too self-absorbed at the time? Maybe I was just tired and thinking, “Aww man, I gotta work tomorrow!”?  No matter the excuse, mistakes were made, and I started paying for them the very next morning.
My “haunting” kicked off with waking up to find most of my rock collection missing.  I have a particular affinity for pretty rocks and gems (I’m kind of a rock nerd) and have my favorites out on display.  But that morning, the only rocks that I could see were the pink ones.  Someone had pilfered almost every pebble from every pedestal to perturb me.   (I saw a chance for alliteration and took it! So sue me!)  I was still waking up and too tired to care about it at the time (me making excuses again) and had work, so I got ready to go and left.
Now I’m not sure how they did it, but my roommate did something to my car radio.   I turn it on and all I get are tunes by Henry Mancini.  Fifty percent of the time, it was the Pink Panther theme, twenty-five percent was the theme from A Shot In The Dark (I had to use Soundhound to figure out that one), and the rest was a mix of some of his other work.   It didn’t matter what station I tried changing it to!  Although I did learn that Mancini composed Baby Elephant Walk, so that’s something.
By now, I’d already figured out what was going on (roommate did it), but couldn’t really do anything about it because I still had work to go to.   As if the daily grind working at an art supply store wasn’t hard enough, I had to work while having the dang Pink Panther theme stuck in my head all day.  Not even the music that played over the store radio could get rid of it.  (Given the quote un-quote “music” they play over the speaker system, I eventually considered it a good thing.)
Then I came home, and that’s when things REALLY escalated.  First words out of my mouth after I walked in was, “Hey, I’m hoooOOOOOLY~!”  Every single wall in the apartment, from the living room, to the kitchen, to the bedroom, and even the bathroom...
PINK!
All of them were painted PINK!
Like strawberry frosted doughnut pink!
As I’m gawking at the interior design sugar rush nightmare, out walks my roommate from around the corner.  Immediately, the first thing I noticed was that they had feet. (Normally, they don’t have feet; they just kind of “hover” or “emerge from the ground” or something.) They had their eyes closed, head held up, and made a point of showing off these noodle legs they had constructed by skipping every other three steps.
They were doing the Pink Panther shuffle.
They walk out of my line of sight and I run over to have a word with them, but by then they disappeared.  I look around and all I see is more and more pink.  From behind me, I hear a mix of snickering slash wheezing.  Like you ever hear of this cartoon dog named Muttley?  They were laughing like him.  And of course, I turn around, and the only thing I see is more pink!
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I knew that my roommate could be ornery at times, like that time I tried to get an idea of their daily routine by setting up a webcam, but this...
I mean, where did she even get the paint?  (Upon reading back here, I realized I referred to them as a ‘she’ even though I’m not sure if they are a ‘she’ or not.  Yeah, I can edit it to a more neutral pronoun, but something tells me I ought to point this out instead of editing it, for some reason.)
I was half tempted to get back at them by painting the walls back to their original color (they do sell paint by the gallon where I work, and I get the employee discount), but realized they’d just paint(?) the walls pink again.  Like I’d turn around after thinking I finished only to find the work I did completely undone.  I could just picture my roommate doing that and finding it hysterical.
Anyway, tacky as the pink walls were, I didn’t get too angry about them.  For starters, my lease agreement said that I couldn’t paint the walls without landlord approval.  But my lease agreement also acknowledges that my apartment may be haunted.  If the landlord ever brought it up, I’d just tell them the “ghost” did it.  Second, these pranks my roommate was pulling were kind of amusing and didn’t really bother me that much.  (I mean sure, I wanted my rock collection back but I doubted my roommate would have thrown them away.  They know how much they mean to me.)
The one thing I was putting my foot down on was that I wasn’t going to ask my roommate what was wrong.  I got the hint, sure, but I wanted them to know that if something is bothering them, they need to, y’know, actually say something instead of leaving spooky pink clues.  They were being a butt, and my hope was that when they saw how much the pink wasn’t bothering me, then they’d finally open up.  This went on for about a week with me going about my daily routine only to be surprised by the occasional pink interruption.
Like on Wednesday, I go to the fridge to get something to drink, and all I find in there is Pink Lemonade.  It actually wasn’t that bad, but I have no idea how my roommate actually got it given that they never leave the apartment.  Thursday, I get a notification saying a package arrived, and find my roommate used my debit card to order the entire Pink Panther cartoon series on DVD.  And earlier on Tuesday, I got a call from my landlord asking if I knew why someone had called in an order, in their name, to have Owens Corning insulation installed.  In case you weren’t aware, that’s the pink insulation who has “you can guess who” as their mascot.
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So, Friday rolls around, and by now, the entire apartment is pink.  Like EVERYTHING.  The furniture, the electronics, the toilet, the sink, the appliances, the TV, and everything in between has been made pink somehow.  I’m not sure who out there still makes pink toilet paper, but apparently my roommate has either some special powers I don’t know about yet, or they got connections.
At this point, since my roommate had yet to approach me about “The Pink-ening”, I began playing the reverse-psychology card.  I came home and got to making dinner.  While some of this was a bit more expensive than what I usually spend on food, I figured it was worth it if it meant getting my roommate to talk to me.  My menu included delicious smoked pink salmon, some crab linguine with a nice amount of pink to it for a side dish, and some mashed red potatoes that turn out nice and pink if you got the right recipe.  To wash it down, I picked up a glass of pink lemonade from the fridge, and in the freezer, some strawberry sorbet.
I get down to eating at my pink table, with a pink wooden chair, pink napkins, pink silverware, pink glass of pink lemonade.  It took a little more effort to put this together, but I made an exaggerated point of showing off how good this pink meal was and how much I was just enjoying all this pink.
About halfway into my meal, I get a feeling that someone’s standing behind me.  It’s hard to put into words how you know someone’s there especially since my roommate doesn’t really eat or breath.  It’s like the hairs on the back of your neck become sensitive like cat whiskers and can just... feel that someone’s there.  Usually sends a chill down my spine when that happens, but this time, I was ready and waiting for it.
“Care to join me for dinner?” I say without turning around.  If I had, they probably would have vanished on me again like they had been doing all week.
“Looks... good...” they say in their ever so familiar by now raspy voice.
“Got something you want to talk about?” I ask between bites.  There’s a brief pause as my roommate thinks to themselves.
“...yes,” they finally answer.
“Okay.  Pull up a chair!  It’s been a while since we just, y’know, talked and stuff,” which was true.  
The instant I said that, I realized that even before the “week of pink” began, we hadn’t spent a whole lot of time together outside of our usual TV time.  I had long since figured out that my roommate wanted me to watch Pink Panther with them, but I just thought they wanted to show it to me to show off how (subjectively) good the cartoon was.  Only then did it hit me that they wanted me to watch it with them because they wanted to watch it together with me.  It was like they were hoping for some roommate bonding time or something like that.
Now, it wasn’t like we weren’t talking to each other before this.  I greeted them whenever I saw them, and let them know whenever I came home or was leaving. but we hadn’t actually talked, like... “talk-talk” in a few weeks.  Instead, the conversations over the last few weeks were like the kind of conversations a person would have with their pet cat or pet dog.  Like you’d talk to them, but not really expect an answer from them.
I had been treating her like a pet more than a person.  (Did it again!  I’m thinking I’ll ask them later what kind of pronouns they’d like me to use, or if they’ve even given any thought towards gender or anything).
My guess is that my roommate picked up on this themselves, and just like a disobedient pet who is bored, lonely, or other, they made a mess of the place.  Maybe they were thinking that if I was going to treat them like a pet, they would act like one too?
Of course, I didn’t mean to treat them like that.  I don’t think anyone really does mean it when they do.  It just kind of happens without thinking about it.  The whole reason I’m writing this down here in you, diary, is so that I can make a mental note slash reminder to be careful of doing that kind of thing.  It’s especially important to remember when interacting with other people, like my co-workers or the store customers.  (Unlike my roommate, they can’t get on my case by making my entire apartment pink.)
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Now where was I?  Oh yeah, our talk.  I think I remember the most important bits of it.  It went something like:
“So, whaddya wanna talk about?” I ask between bites of food.
“Pink...” they say to me.  I wait a moment, expecting them to say “panther” after that, but it when it doesn’t arrive, I step in.
“Yeah!  Pretty amazing what you did with the place!  I didn’t know things could even get this pink!” which was one-hundred percent true.
“...Thank...you...” they say with a smile.  I can tell that was not the answer they were expecting as I could have swore they turned and blushed.  Although I couldn’t tell because of how pink everything else was.
“Although,” I add, “I don’t think the landlord is going to like the apartment being this pink.  If it stays like this, they might kick me out.  And we wouldn’t want that, right?”
Now my roommate, the apparition, actually looks shocked for a moment.  The thought hadn’t entered their head, and for a moment, they looked a little scared.  “N-n-n-no...” they stuttered.
“Well, I’m sure together, we can get this place back to the way it was before the next time they have an apartment inspection.  Whenever that is,” I reassure them.
“Yeah...” my roommate nods.
“Say I got some time off this upcoming weekend.  Want to watch some Pink Panther with me?”  (Oh my God, you should have seen the smile on my roommate’s face when I asked this.)  “I see I have the DVD collection now, apparently,” I say with a wink, “and we can even watch the movies together too.”
“...movies?” they ask.
“Yeah, the Pink Panther was a movie first before it became a cartoon.  It was a live-action movie, but... well some of it’s like a cartoon here and there.  Lots of slapstick comedy that I think you might like.”  They were practically beaming and agreed immediately.  
After Friday’s dinner, we watched some of the cartoons (which are actually pretty funny) and for the upcoming weekend, we’re doing a Pink Panther movie marathon with cartoons mixed in to spice it up.  I also found out that my roommate doesn’t just watch the cartoons, but actually knows a thing or two about them.  Like how Friz Freleng, one of the directors and creative minds behind the original Looney Tunes cartoons, was involved in the Pink Panther’s creation along with a new studio after he left Warner Brothers.  I don’t know how my roommate came to know so much, but it’s pretty cool.
Anyway, I got me some sweet, pink treats to snack on during the movie marathon.  The apartment is still pink as can be, but my roommate said they’ll take care of it once the marathon’s over.  Exactly HOW they plan to take care of it, I have no idea.  Oh well.  No use pinking too hard about it.
(HA!)
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rhinotheamazing · 3 years
Text
One side, Two lives
Chapter ten
Is he ok?
First Previous Next
Warnings: slight gore, panicked attack, and mention of eating disorder
Where the heck am I?  Virgil thought as he took in his surroundings. He couldn’t see anything except himself, as I he was standing in a pit of nothingness. He tried to to walk around but the blackness seemed to go on forever so he started to panic. Where a I? How do I get out of here? Where are the others?! Are they here two? I have to find them!
           Suddenly the anxious side heard a scream from behind him in the darkness. That sounds like Roman! He thought. He turned around and there stood Roman, on his knees and grasping at his stomach which confused the other side. Why is he grabbing at his stomach? Never mind I need to get his attention.
“Roman!” Virgil shouted to the other, but the prince didn’t acknowledge him, he didn’t even seem to hear him. This in no way helped Virgils anxiety.
“Roman! Princy can you hear me!” He shouted again, but just like before the creative side didn’t seem to even know he was there. Out of no where Virgil heard a dark chuckle.
He turned his gaze away from the prince and towards the noise. The shape of a person had materialized from the darkness, glimmering in a golden light and having what seemed to be a cape dragging behind him. The whatever it was approached Roman’s fallen from, laughing the whole time.
“You see? Your nothing but a weakling, and theres no place for anything like that here.” Virgil watched in terror as the person drew a sword and used it to tilt Roman’s head up to look at him. The side had tears running down his face and blood leaking from his mouth. Why is he crying? Why is he bleeding!? Virgil thought.
He looked back down to the prince’s hand and saw that the normally pure white outfit was now stained in blood, the red liquid was still spreading rapidly. Virgils eyes grew wide with horror. The golden being ‘tsk’ at the downed side and kicked him in the stomach making him cough up blood. No! Stop! You’re going to kill him! That’s what Virgil wanted to say, but as soon as he tried to scream black tendrils wrapped around his mouth and kept him quite.
Never the less the anxious side tried to run forward to stop everything but he couldn’t. He looked down and his feet where somehow stuck to the ground. He tried to pull himself free but it became clear that it was no use. He looked back at the scene in front of him and saw the figure start to raise his sword.
“You really are worthless. You’re just a pathetic excuse for a side, a useless nothing, and you’re especially no hero.” As the thing said that, it swung it sword down.
“ROMAN!”
           Virgil jolted up from his bed, his hand outstretched like he was trying to reach for something. His forehead was covered in sweat and he was sure that if he looked in a mirror his face would be whiter than a ghost’s. He brought his hand to his chest and he found his heart was beating faster than he thought it ever had. Virgil took a deep sigh and tried to calm down, it didn’t work very well. He looked over at his clock and saw that it was around 3 in the morning.
           What the heck was that? Virgil wondered to himself. He couldn’t remember much of his nightmare but he remembered that he was more scared than he had ever been in his life. Just trying to remember what happened made the side start hyperventilating. Ok. I need to calm down or else I might give Thomas a panic attack. Virgil started taking deep breaths and began to calm down as he repeated his 4 ,7, 8 breathing exercise.
           Once he was calmed downed he realized that he probably wasn’t going to be able to go to sleep for a while and flopped back onto his bed in frustration. The one night I actually tried to get more sleep. Just great. The side pulled out his phone from under his pillow and grabbed his headphones from his bed side table. This wasn’t the first time he was woken up by nightmares, but this time had definitely been the worst.
           He put on his headphones and picked up his phone. He went though a few different playlist before he finally settle on just clicking shuffle on My Chemical Romance. He ended up on Mama and smiled. This song was slightly calmer than most of the groups songs. He went to tumbler and started scrolling though it, humming the lyrics as he looked at post. After about an hour of looking at memes and funny videos Virgil found himself starting to dose off, the residents of the nightmare going to the back of his mind.
           When Virgil woke up it was too Patton calling him down for breakfast. He groaned as he got out of bed and change into his usual style. He pulled on his signature jacket as he went out the door even though he knew that it was crazy to wear a jacket on almost any day in Florida. Virgil walked down the long hallway eyeing every corner suspiciously in case Remus decided to just pop up or something. Because of this he wasn’t looking where he was going and ran straight into someone’s back and fell down.
           “Virgil? Are you ok” a familiar voice said. The anxious side looked up and saw that it was non other than Roman who he just happened to run into. The memories of his dream flashed in his mind and he looked at Romans stomach glad to see that there was no kind off blood staining on the t-shirt he was wearing. He shook his head a bit to clear the image of the fallen prince in his mind.
“Yah, I’m fine Princy.” Virgil said. Roman extended his hand to Virgil and pulled him up.
“You need to watch where your going, wouldn’t want you falling down the stairs or something.” Roman said with a chuckle.  The smaller side smiled softly at the sound but pretended to cough into his sleeve when Roman looked back at him.
           “Kiddos! Come get your breakfast before it gets old!” That had snapped Virgil out of his embarrassed fake coughing fit and the two started heading towards the kitchen. When they entered they found Logan at the table reading a comic book? Roman turned to Virgil and raised an eyebrow in question. The anxious side shrugged and went to go sit down at the table. He took a closer look at the cover and saw that it was a horror comic and that only confused him more.
“What are you reading Lo? I don’t think I’ve ever even seen you pick up a comic book before” Virgil asked. Logan finally looked up from his book and he seemed kinda embarrassed.
“Well um, technically it’s a graphic novel and uh Remus asked me to read it over for him.” Logan said while he adjusted his glasses, and if Virgil wasn’t mistaken, he was ever so slightly blushing. As the gears in his head spun the smaller side started to smirk. It definitely seems like this guy has a crush Remus. Although it may not look it, Virgil didn’t actually hate the duke. They in no way got along, and Virgil didn’t trust the creative side as far as he could though him, but he didn’t necessarily hate the gremlin of a man.
           So, with this in mind, the mischievous raccoon in a jacket decided that as long as he was here, he might as well mess with people.
“I didn’t know you and Remus where such good friends.” Roman, who had sat down after getting a plate of food for himself from the kitchen, tried his absolute hardest not to burst out laughing as Logan stuttered and rambled to try and explain himself.
“He simply assisted me in conducting some research the other day and I wanted to return the kind favor.” Once more the prince and emo character shared a look. Virgil decided that was enough teasing for now. You have to spread out the torture to make it effective after all. So instead of continuing to make fun of his friend he decided he should finally grab some breakfast.
“Whatever you say Lo.” The former dark side walked into the kitchen to see Patton serving up a plate that he assumed was for Logan.
Today Patton had made some scrambled eggs, a few links of sausages, and some toast he was currently adding crafters jam to. Patton turned around to face his dark strange son and smiled widely.
“Hey kiddo! I made a plate for you if that’s alright. If theres anything you want to change about it go right ahead!” The fatherly side said in his usual cheerful tone. Unfortunate this kinda made the smaller of the two freak out a bit.
What if I don’t like whats on the plate? I can’t just mess with it Patton already put in the work to make the food and if I put any of it back it will look like I don’t like his cooking which of course into true but what if he thinks that? Luckily his worries were put to rest when he saw his plate had equal proportions of everything just how he liked it. He breathed a sigh of relief and went to go sit back down with the others.
When he got back to table Roman and Logan were arguing about some sort of play but the conversation was now going too fast for Virgil to actually pay attention to it.
“Don’t you dare say Hamilton wasn’t a good musical in my presence!”
“I’m just saying its historically inaccurate! For one thing the Skylar sisters did have an older brother so the part in the musical where Angelica sings about having to bring the family glory is false. Also she was already wed to a man before she met Alexander so she couldn’t marry him if even if she wanted to.” Logan reasoned in his calm yet frustrated ‘everyone-is-being-an-idiot-except-for-me’ tone of voice.
“Of course it isn’t entirely accurate to the real character. In theater you have to add a bit of drama to express the characters feeling in the scene better!” The royal side tried to explain while he waved his arm around in the air, surprisingly not hitting anything or anyone. Luckily before the two could continue Patton walked into the room carrying both his and Logan’s plate.
“Ok kiddos I think thats enough arguing for now, go ahead and eat instead of bickering please.” Patton said in a hopeful voice.  The two sides grumbled a bit to themselves but did start eating . Virgil looked over at Romans plate and saw that he once again had a lot less food on his plate than the rest of them. He had about two mouthfuls of eggs on his plate, one small sausage and half of a jam covered toast.
Doesn’t he need to eat more than the rest off us? I mean he goes adventuring all the time so he probably burns all the calories he gets from the meals Patton makes. Virgil pondered all this while he ate. If he was being honest he didn’t think he had ever seen Roman get seconds unless people insisted on it. Thats kinda concerning, what if he isn’t eating right because off stress? But why would Princy be stressed he’s the living personification of having a dreamy good life. Could something be wrong and we just haven’t noticed it yet?is he ok? Luckily he was broken from his thoughts as someone called his name.
“Virgil? Are you ok? You’ve been so pacing out for a while now, everything alright?” Roman said as he put a comforting hand on the anxious sides shoulder. Virgil gave the royal a small smile and took a deep breath. I’m just overthinking things. Roman’s fine, he would have come to us if he had a problem.
“Yah I’m fine Princy, just got lost in thought that’s all.” The creative side smiled at that and went back to eating his small plate of food.
           After everyone was done with breakfast they all went back to their own rooms, Logan still reading the graphic novel as he walked. Once Virgil got to his room he threw himself onto his extremely messy bed and was about to pull up something to watch on YouTube when he heard a knock on his door.
           What the, I was just with everyone, if they needed to ask me something wouldn’t they have asked me then? The purple side sighed and got up to open the door, only to find the hallway completely empty?
“Um, ok, anyone there?” Virgil said while he stuck his head out the doorway.
“Yup! I’m right here!” A choice shouted from behind him.
“Ahhh!” The smaller side screeched and accidentally slammed the door shut. There now sitting on his bed kicking his feet, was Remus. He wasn’t wearing his usual outfit for videos but instead a ripped up tank to and some black sweatpants.
“What the hell are you doing here?!” The anxious side said in an accusing tone.
“I was bored and decided that I might as well annoy you for a while.” The taller of the two said with a shrug.
Virgil groaned and destroyed any hope of having a peaceful day from his mind.
“Why in the world did you knock? You haven’t had any real manners since we were kids.” The purple clad side said as he sat down on a beanbag that he had in the corner. The duke shrugged.
“It was part of my grand plan to distract you so that I could scare you even better.” The insane side said with a sharp tooth smile. Before Virgil could make a retort the door burst opened. There stood Princy in a t-shirt and shorts, his hair looking slightly disheveled and with a sword in hand. He for some reason also looked a bit bigger than normal but Virgil discarded the thought as the lighting being weird.
           “Virgil! What’s wrong! What do I need to fight!” The red side exclaimed.
“Hey Ro! I just scared emo over here and he screamed like I had ripped out his guts or something.” The duke said as he threw his arm around his brother. Virgil was kinda surprised. Last time he had seen the twins interact Roman was out cold in seconds but now they were talking like they were best friends. Well I guess they are siblings after all. The smallest in the room said.
“Oh, ok then. Virgil do you need any assistance?” Roman asked. The former dark side thought for a minute and figured that he could handle Remus by himself, he had enough experience dealing with his craziness growing up.
“Yah Romano I’ll be fine.” Virgil said with a wave. Roman nodded but not without a sigh at the nick name and walked out.
“Oh but before I go,” the prince turned around and glared and the both of them, “if you two kill each other I will find a way to somehow resurrect you and get you both scolded by Patton.” And with that Roman left with a royal wave. The two remaining sides gave each other a look, Virgil’s one of distrust and Remus’s one of mischief.
“Sooooo,” Remus said as he jumped back onto the bed, “you like my brother huh?”  Virgil’s face turned bright red.
“I-I don’t know what your talking about!” The now highly nervous side shouted.  This only made the duke chortle.
“Chill out, I’m not gonna tell him, it will be a lot more fun that way.” Remus said with a grin. The hoodie wearing side breathed a sigh of relief.
“However you now owe me a favor.” The dark side said. Virgil grumbled to himself but agreed and asked what the favor was. The royal smiled widely.
“You have to help me beat Deceit’s high score in Mario cart.” The anxious side was surprised at first but then smirked.
“Sure, I’m not going to pass up the chance to piss off the snake.” The smaller jumped onto the bed as Remus summoned his switch that was nearly covered in stickers except for the screen.
           After a few rounds of Mario cart Virgil still hadn’t won once and he was getting annoyed, especially since Remus wouldn’t stop saying how he was the ultimate champion of this game. In this round they where nearing the finish line and Virgil was in second place while Remus was in first. He had dodged all of the shells Virgil had thrown at him but he still had one more.
There’s no way I’m letting this rat man beat me again. Suddenly Virgil had an idea and a dark smile formed on his face.
“So Remus,” the purple side said as he lined up the shot, “how did your date with Logan go?”
“What?!” Remus was so surprised that Virgil somehow knew about his sorta kinda date with Logan that he fell off the bed. Meanwhile Virgil threw a green shell at him and finished in first.
“Yes!” The smaller side exclaimed.
           “How in this wide terribly gruesome world did you find out about that?” Remus said from the floor. Virgil shrugged.
“Logan said that you helped him with some research or something while blushing so I figured you actually took him on a date.” The emo said while he leaned back on his pillow. He looked over at Remus who was now sitting on the bean bag looking slightly startled.
“Well I didn’t technically ask him on a date, I just offered to take him and give him a tour of the imagination.” The duke said while he messed with his white streak of hair. “I haven’t actually told him that I like him.” Virgil was surprised that Remus looked actually embarrassed saying this.
“I never thought I would see the day that you were nervous.” Virgil said honestly. “Don’t worry, I won’t tell Logan if you aren’t ready to tell him.” Remus gave him an incredulous look and started laughing like a mad man which slightly scared the smaller side. He suddenly stoped and got up.
           “Thanks emo, I got to go or else De is going to get mad at me.” While the dark side walked to the door he messed up the purple wearing side’s hair until it defied gravity. “Wanna help me beat the record tomorrow since that slippery snake has such a freaking high score that we couldn’t beat it today?” The crazy side asked.
“Sure.” Virgil said, surprising even himself.
“Cool! Se yah tomorrow emo.” Remus said as he slammed the door loudly. The anxious side relaxed on his bed with a sigh. Even when just hanging out with the others being social was exhausting for him. He remembered that Thomas had some sort of event for tomorrow but Virgil doubted that he would need him for anything. As he was starting to drift off to sleep for a nap he had one last thought. Isn’t the wedding tomorrow?
Well I hope everyone if ready for some angst to come. Hope you guys have a good next 24 hours, bye!
Tag list:
@lovelivingmydreams
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monabela · 3 years
Text
hey uhh..... advent denest!! this is just the first chapter, every day from now until christmas there will be a new one featuring a christmassy/wintery prompt for that day, but I won’t bother you with that here--check out the ao3 link! :D (maybe I’ll get some other chapters on here too, just to remind everyone, but I’ll think about that)
--
Snowfall Music
pairings/characters: Denmark (Søren)/Estonia (Eduard), mentioned Finland (Tuomi)/Sweden (Torbjörn), Sealand (Peter), Ladonia (Lars), Vietnam (Vinh), Czechia (Kveta) word count: 4782 summary: Eduard has enough to occupy him this December without having to look after his young cousins, or trying to organize events on his radio show, or having to field strange phone calls day after day, but it seems the end of the year has it out for him.
And somehow, Søren manages to brighten every dark day. Hopefully, he'll stick around for a while.
also on AO3 - further chapters posted there!
--
“Today on Radio 8, I have some pretty special guests on the show. Now, this was a surprise for me as well—” Eduard opens the audio channels of two of the other microphones in the studio— “but I’m excited they’re here, so welcome to my cousins, Pete—”
“Once removed,” Lars interrupts, raising his eyebrows and wrinkling his freckled nose as if he thinks Eduard is a bit dim. He probably does, come to think of it. The boy is just at that age.
“Alright,” he amends anyway, “my first cousins once removed, Peter and Lars. They’re my first cousin Tuomi’s sons. Is that better?”
“Yes,” Lars replies imperiously. Peter is rolling his eyes, and Eduard has to stifle a laugh while he turns on some background music.
“Their parents are on a trip out of town for the week, so Peter and Lars have been entrusted to Uncle Eduard for the time being—first cousin once removed Eduard, I know, Lars, but I’ll start saying that when you start calling me that.”
“I will.”
“I don’t doubt it. Why don’t you two introduce yourselves, and then you can think of a song you’d like to hear.” He prays Tuomi hasn’t managed to instill too much of his taste in music in his sons just yet, because although they’re ostensibly a rock station, he doesn’t think his listeners are quite ready for metal that heavy.
“I’m Peter,” Peter all but shouts into his microphone, so Eduard lowers his volume slightly. “I’m twelve, and I, ah, I play hockey, I guess?”
That sounds about right.
“And Lars?”
“Well, I’m Lars, I’m also twelve, and I have a podcast.”
“A podcast, really? What’s it about?”
“School and things,” he replies, and nothing else.
“That’s great,” Eduard enthuses anyway, because he does think it is. “You must be excited to visit the studio, then. Would you like to work in radio someday?”
Peter is shaking his head quite frantically and making slashing motions with both hands, but the damage is done, as Lars huffs, wrinkling his nose again and leaning in close to the microphone.
“Radio is very different from podcasts. You just talk around the music.”
Eduard blinks. “I’m going to take that as a compliment.”
“It wasn’t.”
Eduard looks helplessly over at his production assistant, who seems uncharacteristically amused by the whole exchange, her eyebrows twitching ever so slightly.
“Where did you get that sass from?” He knows it must be Tuomi, unless his husband, Torbjörn, has very deeply hidden depths. And, before Lars can actually reply, “Peter, what should we listen to? What music do you like?”
Lars is opening his mouth, but Peter forestalls him, yelling, “Imagine Dragons!”
So Eduard starts a jingle as he lines up an Imagine Dragons song from the station’s playlist and an older rock song to play after that, pushing the slides for the microphone channels down. When he looks at Lars, the boy is just glancing away, attempting to seem disinterested in everything going on by crossing his arms and pressing his lips together. Eduard shakes his head fondly as he scrolls through some of the messages people have sent the show, including some asking if his cousins will help him judge his weekly dumbest pun contest, which he doesn’t imagine will benefit the already low bar for that one, so that’s perfect.
When he asks the boys about it, Lars starts to say something undoubtedly disparaging about how his podcast never has puns, but Peter quickly interrupts again. Eduard is around them enough that he knows this has been their usual behavior for the past few years, and more often than not, the brothers remind him strongly of himself and Tuomi at their age. They always were more like siblings than cousins, and when their older cousin Erzsébet was asked to babysit, she never seemed inclined to stop them.
Granted, he wasn’t doing podcasts when he was twelve, but he does remember using the house phone to call the local radio station multiple times until his parents started threatening to take the phone bill out of his allowance, and then how was he going to buy CDs? The radio show hosts actually wondered what happened to him after a couple of days without word and his parents had to call in to explain. It’s a fond if embarrassing memory.
The show continues in a slightly messier fashion than usual, mostly due to Peter’s attempts to interrupt every single sentence his brother starts to say and Lars stubbornly talking over him, but it’s fun. Eduard reminds himself to make a compilation or something to give Tuomi and Torbjörn when they get back home.
He lets Lars pick a song as well, as his afternoon show nears the end of its first hour. While the mildly surprising requested obscure progressive rock plays, he becomes aware of movement out of the corner of his eye.
Turning, Eduard huffs a laugh when he spots the sheepish-looking freckled face peering through the studio’s windowed door.
“Boys,” he says, ignoring that Lars just glares at him for daring to interrupt his very intent listening, “looks like your uncle finally showed up.”
Peter’s face lights up when he sees the man on the other side of the door, waving enthusiastically. Søren waves back, face splitting in a grin. Although he is Torbjörn’s brother and not a cousin, he doesn’t bear much more resemblance to his brother than Eduard does to Tuomi. He’s tall, but not as tall as Torbjörn is—or Eduard, for that matter—and his eyes are a darker blue pronounced by nearly-black eyebrows that don’t match his coppery hair at all. Eduard has always thought of him as not handsome necessarily, but definitely interesting, and he’d be lying if he said he minded having to look after his cousins with the man.
They’re not close, but he and Søren have spent some time together, albeit mostly when Tuomi and Torbjörn needed someone to look after their sons for a while.
Now, Peter is moving his hands in a flurry of signals Eduard can’t make much of, except that he points at him at the end, and Søren is quickly signing back, his eyebrows jumping wildly.
“He can come in, you know,” Eduard tells Peter, slightly bewildered. He ignores the annoyed look his production assistant is giving her soundboard. At least, he thinks it’s annoyed. It can be hard to tell, with Vinh.
Peter dashes to the door to let in his uncle, who ruffles the boy’s unruly blond hair, waves at Lars—who ignores him—and grins at Eduard with a sheepish edge to it.
“Hey,” he says, “thanks so much for looking after ‘em! Sorry I couldn’t get there in time. Hope they didn’t cause too much trouble for you.”
“Lars is having loads of fun,” Peter declares, then proceeds to duck out of the way when Lars throws a wad of paper at his head. Eduard shrugs at Søren.
As Lars’s song ends, a commercial break begins, and Vinh wanders away to grab some tea and probably gossip about him with the other hosts, so Eduard puts his headphones down and turns his attention fully to Søren. The man is dressed in the same leather jacket he always seems to be wearing and a T-shirt, but doesn’t appear to be cold in the slightest. He has stuck both hands into the pockets of his jacket, but he still moves them wildly when he speaks. A backpack is slung over one shoulder.
“Thanks again. I really couldn’t get out of work, so I’m glad you could take the boys to yours.”
“Of course, no problem.” Eduard pushes his glasses up. “We did have fun, right, boys?”
Predictably, the response is lackluster, since Peter and Lars are too busy swatting at each other with Eduard’s papers.
“I promise we did,” he tells Søren a little forlornly, receiving a full laugh in response, blue eyes glittering in the studio’s bright lights and crinkling up at the corners.
“One day, they’ll learn to appreciate us, Eduard.”
The dubious expression he pulls in return must be funnier than he imagined, because Søren laughs again, extracting a hand from his jacket to clasp his shoulder. He smells pleasantly like the winter air outside, and like hair gel.
“I aspire to help ‘em keep as many secrets from their parents as possible, so they’ll be forever in my debt.”
“You have to wonder if that’s worth incurring Tuomi’s wrath.” Eduard turns back to his soundboard and patches the newsreader in from another location.
“I can take Tuomi.”
“I think that’s your brother’s job.”
Søren makes a strangled sound that might be a laugh and that makes Eduard grin, shaking his head.
“Are you staying for a while? The boys have a pun contest to judge, and I’m sure my listeners would like to hear from you.”
“Sure, sounds great,” he says, his grin softening surprisingly. “I just gotta ask you to keep the background music to a minimum, if you can.” He gestures vaguely at his ear, and Eduard remembers something.
“Right, you don’t hear so well, do you?”
“Practically deaf without my hearing aids, kind of a bummer when you’re on a radio show, I imagine.” He smiles, his eyes crinkling up.
“That’s why pa taught us sign language,” Peter pipes up. “Dad is so bad at it. Uncle Søren, I’d like it if you stayed.”
“Sign language,” Eduard repeats, because of course that’s what that was, but also, how has he never realized that before now? He’s more-or-less known Søren for over fifteen years by now. “Well, I’ll watch the music. Let me know if it still bothers you.”
Vinh returns just as the short second commercial break is ending, inclines her head towards Søren, who waves and does not seem the least perturbed by her lack of outward response, and they set off on the second hour of the show. Eduard lowers the volume of the background music to nearly zero, gesturing at Vinh to leave it.
“While we were away, my first cousins’ once removed actual uncle finally showed up, after he promised he’d pick his nephews up from school—”
“Hey,” Søren interrupts, “you’re painting me in a bad light here, and I don’t appreciate it.”
“It’s the light of truth.”
Astonishingly, Lars snickers at that. He apparently doesn’t care who gets made fun of as long as it’s not him.
“Well, he’s here now, so hello, Søren. He works for the same company my cousin does, so… Is it your fault that we’re saddled with these kids now?”
“Well, I did introduce their parents to each other, so I suppose…” Søren winks at Peter, who sticks his tongue out. “Hey, Eduard, I hear these two got to pick a song to listen to. Do I get a go at that?”
Eduard laughs. “No, no. You need to do a better job of picking them up from school for that. Maybe next time. Actually, I think we’re overdue for some Christmas music. It’s December, after all!”
Peter crows triumphantly. Søren just grins, shaking his head at Eduard, who shrugs in turn, amused.
The hour goes by fairly quickly. Søren animatedly asks the boys questions about their school day during songs that even Lars answers sometimes, and Vinh doesn’t seem to mind him, which is high honor.
By the time the host of the early evening show has arrived and is setting up her stuff while the last song of Eduard’s show plays, he has received quite some messages asking if his cousins or their uncle, who, according to one of his frequent listeners, ‘sounds like a rad dude’, will return. He gestures Søren over from where he’s now already making merry conversation with his colleague, who looks more bewildered than anything.
“What’s up?”
“Well, it seems my listeners like you more than they like me.” Eduard gestures at his computer screen, and Søren grins as he leans over next to him to read the messages. He’s taken his leather jacket off. There are freckles on his bare arms too, and he is making Eduard cold just by looking at them.
“Y’know, the only way to make ‘em rethink that is if I do come back, ain’t it? I can just be an all-round terrible co-host.”
“I like that idea,” Eduard replies, before turning his microphone on as the song ends. “Bruce Springsteen and Born to Run, and it’s the end of another afternoon. Kveta just got here—” he turns his attention to the next host, who nods— “Kveta, anything we can look forward to today?”
“No family members, I think, unless anyone wants me to prank call my stepbrother again.” She laughs. “I’ve got some great new tracks, and there might be some live music going on.”
“Very nice.”
“Of course. So, Eduard, are your family members coming back?”
Søren, who is still next to Eduard, pokes him in the side, then leans further forward to speak into his microphone.
“I’ve always dreamed of being a radio star.”
“I think he’s coming back to usurp me.” Eduard turns to Søren, almost poking his nose into the man’s spiky hair. “He’s already using my mic. And who knows what Peter and Lars will do, they’re twelve.”
“I guess that’s true,” Kveta replies. “Wow, Eduard, he’s really up in your face. I feel like someone should be shielding your cousins’ eyes.”
Peter laughs from where he’s now standing next to Vinh, peering at her screen. Vinh raises her eyebrows at Kveta, who smiles, bites her lip, and looks away. Eduard has to smother a laugh.
“Again, they’re twelve. And I think it’s time we all start heading home, so I’ll leave you to it, Kveta. Please don’t bother your stepbrother too much.” He tilts his head towards Vinh, quirking his mouth, and Kveta glares but sounds upbeat as ever when she replies.
“Can’t promise anything. Now, next hour, we’re starting off with some new music, so stay tuned. Eduard will be back tomorrow afternoon at four.”
The commercial break starts, and Eduard sets about packing up his things, gesturing Peter away from Vinh so Kveta can talk to her a bit before her own production team takes over. Most days, he’d stay at the studio for a while, but he decides to go home right away—Lars and Peter left some of their school supplies at his house that they’ll probably need tomorrow. So, after saying goodbye to Vinh and Kveta, he herds his cousins and Søren out of the studio and towards the elevator, which they ride down to the parking garage. Søren swings his backpack around and pulls out a knit red scarf.
When they reach the garage, the man grasps Eduard’s shoulder as they exit the elevator, stopping him in his tracks. The boys are already racing towards the car, which Eduard also wouldn’t have taken on most other days, preferring to use the bus, but he figured it’d be smarter to take his cousins that way.
“Hey,” Søren is saying, “I biked here, so—”
“In this cold? Do you want a lift?”
He blinks. Scratches his temple.
“There’s a bike carrier on my car,” Eduard adds. “It’s pretty new, I—”
“Uncle Eduard!” Peter calls, waiting by the back door of the car. Eduard holds up a hand—while Lars reminds his brother it’s first cousin once removed Eduard—and pulls the key fob out of his bag to unlock the door for him, then turns back to Søren.
“It’d be no problem; I could take you all over to your place after we stop by my house.”
“We should do dinner,” Søren says, à propos of nothing, his face bright in the gloom of the garage. “Yeah? I owe you one. What kinda food d’you like?”
“I… No, it’s fine, they’re my cousins, it was no trouble at all! I don’t need anything, Søren.” Eduard laughs awkwardly, fiddling with his glasses and looking towards his car. Peter is peering over the backseat.
“We could take the boys out somewhere—this weekend, maybe, before Tuomi and Torbjörn get back. Doesn’t have to be anything fancy.” His hand, still on Eduard’s shoulder, squeezes gently with every other word as if Søren is trying to get his usual gestures across that way. Or, now that he thinks about it, those are probably actual signs. He smiles.
“Well, maybe. I don’t have a show on the weekends.”
“Yeah?” When he pulls his hand back, Søren’s fingers glance off Eduard’s neck. They’re warm. “I’m sure we can find something even Lars will approve of.”
That sounds dubious, but Eduard will hold out hope. Søren agrees to a lift, though, and they figure out how to put his bike on the carrier without difficulties before piling in and driving over to Eduard’s house.
Søren traipses inside after Lars and Peter, peering around curiously.
“Nice place,” he tells Eduard, who waits in the hall while his cousins collect their things. And, “Hey, you should stay for dinner at mine.”
“Søren…”
“Just sayin’, why eat here all by your lonesome when there’s plenty of food at mine? You gotta go there anyways.” At this, he pokes Eduard’s arm gently. “I mean, if you need some alone time after dealing with those two, I ain’t judging.”
Huffing a laugh, Eduard shakes his head. “I don’t know how Tuomi and Torbjörn do it.”
“Together, and with practice, I guess. Wanna come?”
Eduard contemplates it for a moment, looking into the living room and thinking about the leftover spaghetti he has in the fridge.
“Alright. Thank you, Søren.”
Søren smiles, softer than seems to be the norm for him, his cheeks dimpling gently. It’s like a little ray of sunshine on a December day.
“Boys!” he yells, clasping Eduard’s shoulder again when he winces. “Sorry. I’m no good at regulating my own volume.”
Lars is glaring at his uncle, having already been standing in the doorway to the living room with his school bag in hand and having heard him loud and clear.
“Sorry,” Søren repeats, this time signing it as well, putting his hands together as if in prayer.
“What?” Peter yells back from somewhere else. Seconds later, he skids into the hall, his sneakers leaving black marks on the wood floor. “What.”
“Eduard’s coming over for dinner. Got everything?”
They both nod, and Peter claps Eduard on the back as they all head back out. Søren laughs. He takes his scarf off when he gets into the car this time.
“Hey, are you allergic to anything? Or vegetarian?”
“I’m not, don’t worry.” He checks over his shoulder that his cousins have their seatbelts on, then starts his car. “I mean, I don’t eat a lot of meat these days, but I won’t say no.”
“Hm, yeah, that’s good. I oughta be better at that.”
With Søren’s instructions—gestures included—Eduard finds his building on the outskirts of one of the older suburbs easily. Søren tosses Lars the keys to his apartment and the boys run off while Eduard helps him get his bike down from the car, then waits while he parks it somewhere in the shared storage space.
“Alright! C’mon, Eduard, I don’t really want ‘em to break my kitchen down.”
After taking the stairs, they reach Søren’s apartment on the second floor. The door has been left open, and little lights twinkle around the frame.
“Hey!” Søren says, surprised, as Eduard curiously looks around the narrow hall. It’s much neater than he somehow expected, probably just because of Søren’s slightly chaotic mannerisms. Since he sees that his cousins have lined their shoes up by the door, he takes his own off as well, putting them next to Peter’s.
Entering the living room, he understands Søren’s surprise. Peter and Lars are rushing to set the table, apparently trying to outdo each other in speed. There is a tiny Christmas tree on a dresser that suddenly seems quite precarious.
“Be careful,” Eduard says, a little feebly, and Peter grins at him, his hands stacked with far too many plates for four people. It seems to be going alright for now, so Eduard leaves them be to seek out Søren.
“Uh, Søren?” He walks into the kitchen. It’s a surprisingly large space, and Søren already has some pans out and is reaching up for a cutting board. He doesn’t appear to have heard Eduard over the clattering happening in the living room.
“Are you sure about… That?” Eduard asks, when the man has a hold of his cutting board and spots him.
“What, the boys? They’ll be fine.” Something crashes loudly, and Søren pulls a rueful face at the door. “I jinxed it.”
“We’ve got it, Uncle Søren!” Peter yells.
“I’m gonna just… Hey, Eduard, can you get some water boiling while I go check on that?”
“Of course,” he replies, holding a thumb up. Søren pauses on his way out of the kitchen and smiles.
“Of course,” he repeats, moving his hand forward while he first holds just his pinkie up and then opens his whole hand. He does it again, slightly slower, and Eduard tries to replicate the sign. “Hey, great!”
Before he rushes off to assess the damage, he makes an okay sign with one hand.
Eduard fills a pan with water, assuming it’s for the rice Søren’s put on the counter, and turns the stove on to heat it. Søren returns quickly, carrying almost all of the plates Peter was hauling around.
“I think Tuomi and Torbjörn are raising ‘em too well,” he says, putting the plates away. “I don’t think I ever voluntarily set the table until I moved out. Can you slice these peppers?”
Eduard can, while Søren pulls some chicken out the fridge to fry it.
“They’re just hungry. Besides, didn’t they just break a plate?”
“Just the one, it’s fine. I definitely wouldn’t have done a chore if I was hungry. Gotta wonder how Torbjörn turned out so decent.”
“Keeping you in check?”
Søren laughs heartily at that, leaning his hands on the counter so that his shoulders shake visibly. He’s just in his T-shirt again, and Eduard can see now that it is merch of a band he plays sometimes and likes well enough, although he wouldn’t call himself a fan. He slices the bell peppers and some cauliflower, and smiles as a delicious spicy scent fills the kitchen a while later.
Peter sidles into the kitchen as Søren covers the pan to let it simmer for a while. He looks like he’s about to lift the lid again.
“Hey, hey, watch out,” Søren says, pulling his hand away. “That’s hot.”
“I just wanna see.”
He’s always done that, as far as Eduard knows. He can clearly recall a load of pictures of toddler Peter pressed up against the glass of ovens and washing machines and microwaves. He wonders when he’ll grow out of it, or if he’ll be like Tuomi, who still watches whatever he’s cooking for at least ten minutes, but then Tuomi is bad at cooking and might just be making sure it’s not going to explode.
Peter stubbornly crosses his arms and stares at the pan.
“Are you planning on staying there?” Søren asks.
“Probably,” he replies brightly, turning his head to address his uncle. Søren throws a fond smile at him and ruffles his hair before he can duck away.
“Eduard, by the way, I still think we should get dinner this weekend,” he says, pointing a finger at Eduard, who accepts that with a helpless gesture, mostly aimed in an amused Peter’s direction.
“Is that where you get that stubborn streak from?” Eduard asks him, and both Peter and Søren burst out laughing at that.
“It’s like you’ve never even met his parents!”
“Pa says no one is allowed to play Monopoly anymore.” Peter shrugs. “Not that I wanted to, Monopoly’s boring, but Lars got real upset about it.”
“Dad stole all my hotels!” Lars yells from the living room, sounding extremely indignant. Tuomi really is that sort of person, Eduard thinks, glancing at Søren in amusement, but Søren is narrowing his eyes and looking at Peter questioningly.
“Dad stole Lars’s hotels,” the boy relays, and Søren nods, now returning Eduard’s look.
“No Monopoly, got it. I’m sure I got some other games, though, we’ll check it out later.”
Peter grins, nodding. Eduard fears that both his cousins have inherited Tuomi’s competitiveness.
Dinner is good. Eduard is used to eating by himself, or sometimes with Vinh or another coworker, often the early afternoon duo—he tends to spend that time looking at his phone, or, in the latter case, trying to mediate yet another argument between them. It’s nice to have someone to talk to instead of just listening to music or reading news articles.
Søren still gestures wildly while he’s eating, cutlery and all, sometimes even half-forming signs, but he somehow manages to avoid flinging any food as he does so. He says it’s an acquired skill, then launches into a story about throwing soup into Torbjörn’s hair when they were teenagers that has Peter laughing so hard he nearly chokes and Lars, in turn, yelling at him not to throw up or he’ll kill him.
“I’m not,” Peter replies, glaring fiercely even as he breaks out in a hacking cough again, and then quickly signs something at his brother that makes Lars glare back. They definitely inherited that from Torbjörn. Eduard gently claps Peter’s back, and even though he doesn’t think it’s helping much, Peter eventually quiets. His breathing settles back into a normal rhythm, and he takes a large gulp of his water.
“Peter, don’t confuse your cousin,” Søren says, making a downward slashing motion with both hands.
“Sorry, Uncle Eduard,” Peter tells him. He picks his fork back up.
“It’s fine,” Eduard replies, after realizing Søren is talking about Peter using sign language, which he doesn’t understand. Lars, on the other side of the table, rolls his eyes and touches his hand to his shoulder, which makes Søren sigh and shake his head at him.
“It is difficult, Lars.”
Eduard gestures for him to leave it be—wondering as he does so what his gesture might actually imply—and Søren doesn’t say anything else about it, but he does grumble, later, while they load the dishes into the dishwasher, that he knows his brother made it a point that they shouldn’t use sign language to exclude anyone on purpose.
“Probably ‘cause our parents had the same rule,” he explains, leaning back against the counter and crossing his arms. His T-shirt stretches across his shoulders, quite nicely, Eduard thinks. “Although that was mostly ‘cause we were better at it than them. Still are, and my mom would still put me in timeout too, 39 years old or not.”
“That sounds fair. I really didn’t mind, though.”
“It’s the principle of the thing, y’know?”
There is a ruckus from the living room. Søren raises his dark eyebrows questioningly.
“They’re, ah… They’re arguing over which game they want to play.”
“Yeah, that seems about right. Are you staying longer or are you heading home?”
“I should probably be going, I like to do some preparations before I go to sleep.” He adjusts his glasses. “Thank you for dinner. You’re always welcome at mine, too.”
“Might take you up on that, Eduard.” Søren runs a hand over his hair and pushes away from the counter. “I’ll probably see you around before the end of the week, I need your help with those kids.”
“Like I said, their parents do it together too.”
That gets him a lopsided grin and a wink that he doesn’t know what to think about but quite likes anyway. Eduard goes to collect his coat and shoes, bids his cousins a good night before they both try to convince him their choice of board game is the right one, and heads out. Søren walks him down to the parking lot.
“I’ll see you, then,” he tells the man, biting his lip when he gets another lopsided smile.
“See you ‘round, Eduard.” He waves shortly when Eduard pulls up in his car, illuminated for a moment by the headlights as he turns off the parking lot. Still just in his T-shirt.
Back home, Eduard leans over to get his papers out of the glovebox, and his hand brushes against something soft. Blinking, he picks it up from the passenger seat and lets the soft wool run across his hands. Søren’s scarf, he realizes, and takes it inside with him.
He’s sure he’ll have the opportunity to return it soon enough.
21 notes · View notes
royalnugget42 · 4 years
Text
SPN is ending
And here’s my take on how it will go down, based on the limited knowledge we have. Please be aware that these are not foolproof predictions. Title analysis can only get you so far, and some of the titles are vague enough that they could mean just about anything. Still I’d like to try my best to predict the narrative based on how I would go about it and based on the vague references.
I’ll go episode by episode, include as many details as I can reasonably add, and try to keep my Destiel shipping goggles off as much as possible. Buckle up.
14
First one is pretty easy. Episode 14, “Last Holiday” promises to be kind of literal, with a mysterious figure appearing and giving Jack, Sam, and Dean the holidays they missed out on. However, I was curious, since Supernatural has a habit of including obscure or not so obscure references in their titles, if there was any other thing we could correlate this to.
There is actually a movie called “Last Holiday” starting Queen Latifah, whose character is diagnosed with a terminal illness, which results in her making the decision to abandon her boring life and live like a millionaire in Europe.
The idea of the fight with Chuck being a “terminal illness” on the horizon could be why now is the best time for these guys to live it up.
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This possible reference coupled with the ‘last’ seems to say that this episode will be a sort of final moment of levity before the endgame. Past this episode there be monsters, lads. I’d also like to point out that since it will be just Jack and the brothers if the promo photos are anything to go by, this will be a good time to get in some forgiveness and family bonding for our characters before things go downhill again.
Looking at promo photos for this episode again, I’m not sure where, but the episode may also carry some development for the plot. I’m not sure whether the photos of Cas, Amara, and Charlie were for this episode or another one (since they are not listed as cast members for the episode on IMDb), but we’ll be seeing all of them again soon it looks like, and I can’t wait for Cas and Jack to go on a hunt together again.
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15
This episode will be the beginning of the descent. We’re standing on the edge and staring into the void, and we’re about to take the plunge. How do I know this?
“Gimme Shelter”, the title for this new episode, seems to have a literal meaning of the characters continuing to try to hide from God. However, as usual, the title is also a reference, this time to a song by The Rolling Stones. The lyrics to said song are nice and foreboding.
Oh, a storm is threat'ning
My very life today
If I don't get some shelter
Oh yeah, I'm gonna fade away
War, children, it's just a shot away
It's just a shot away
War, children, it's just a shot away
It's just a shot away
Ooh, see the fire is sweepin'
Our very street today
Burns like a red coal carpet
Mad bull lost its way
War, children, it's just a shot away
It's just a shot away
War, children, it's just a shot away
It's just a shot away
Rape, murder!
It's just a shot away
It's just a shot away (3X)
The floods is threat'ning
My very life today
Gimme, gimme shelter
Or I'm gonna fade away
War, children, it's just a shot away
It's just a shot away (4X)
I tell you love, sister, it's just a kiss away
It's just a kiss away (5X)
Kiss away, kiss away
Cue nervous anticipation
This is definitely where things are going to really pick up plot wise. Most likely, more will be revealed about Billie’s Plan to Kill God TM. Although, the idea of Death herself leading the Winchesters to victory feels sketchy to me still. She is deliberately withholding all the details, and she’s doing it for a reason.
Something down the line is going to make the Winchesters angry with her, and she’s not going to tell them about it unless it’s absolutely necessary. I have a feeling what it is will get revealed in the next episode.
16
“Drag Me Away (From You)” has some very clear negative connotations, and on top of everything has a weird format. It could be based on the lyric from Africa by Toto, ‘it’s gonna take a lot to drag me away from you’, or a reference to the song “Drag Me Away” by Melissa Etheridge, whose lyrics mention angels, and are about resistance and perseverance, two defining characteristics of the Winchesters. However, I’d like to point out another correlation.
Like I said before, the title has a weird format. The only other episode of Supernatural with a similar title to this one is season 12 episode 12 “Stuck in the Middle (With You)”. That episode was about what seemed like a normal hunt, but was actually a mission for Mary by the British Men of Letters to get the Colt. In that episode, Cas came ridiculously close to dying a painful and slow death, which does not bode well for this episode if it’s correlated in any way.
If what I’m predicting for Billie’s plan is true, this episode will be where the viewers are clued in on the thing she won’t tell the Winchesters about. The brothers might not necessarily get clued in (like how they still hadn’t realized Mary’s involvement with the BMOL at the end of 12x12), but whatever Billie is withholding will have serious consequences.
For this episode, I predict that Cas will come absurdly close to death again, because I believe Billie’s plan involves him dying. Billie doesn’t consider Cas a member of TFW. Multiple times in the most recent episodes, she talks about how important Jack is, how important the Winchesters are, but never Cas, and it feels like a weird oversight.
“Ever since I got this new job, I stand witness to a much larger picture. You know what I see? You. And your brother. You’re important.” 13x05 “Advanced Thanatology”
“I told you Dean, you and your brother have work to do.” 15x12 “Galaxy Brain”
Surely Cas has a part to play, since he’s one of the main characters right? But Billie doesn’t trust Cas, as well she shouldn’t. Cas is a wildcard, an angel who doesn’t do as he’s told. He straight up stabbed her in the back, something that she was completely caught off guard by.
I could make an entire post about how Cas hasn’t played by the rules of the universe since season 4 episode 18 “The Monster at the End of This Book”, but I digress. The point is that this episode is probably going to shed some light on the true threat the team is facing. Which leads us into...
17-18
Here’s where things start to get muddy. The titles from this point on get vague, and without any solid information about the previous episodes, these could be headed anywhere.
“Unity” is the next episode, number 17, and that could mean a lot of things. In my proposed timeline it is after a supposed revelation about Billie’s plan, so maybe they feel more unified after learning it.
In Supernatural‘s usual story structure, though, it feels like this episode will probably be the buildup to what seems like the end of the villain, but will actually be the darkest hour.
The episode following right after this is titled “Despair” and I think that’s telling. Supernatural writers do this often, where the boys make a plan, and inevitably when they follow it something goes wrong. “Unity” is the plan being made and carried out, and “Despair” is either the episode where everything goes wrong, or the aftermath.
[EDIT: The title of episode 18 is actually “The Truth”, which I believe may still narratively serve the same purpose, but now I’m more convinced that this is where the Winchesters learn about Castiel’s deal and/or something that Billie has been keeping from them about the plan to kill God. Thank you to @kingofthecrossroads for the updated information.]
Before I go into detail about this two-episode arc, an obligatory
Warning: Shipping Ahead
To my eyes, “Unity” seems like the perfect place for Castiel’s arc to reach a breaking point. If I’m right, and this is the episode where everything seems to succeed, then what better time for The Empty to snatch Cas away from his happiness.
If I was a writer, and I was in fact planning on making Destiel canon, this is where I’d do it. It makes the most sense to have Dean and Cas finally realizing their love for each other be the catalyst for Cas “finally giving himself permission to be happy” especially if this episode also contains a false climax regarding the Chuck storyline. Cas has said multiple times that he’s “far from happy”, so there has to be something huge happen for Cas to get there. Not to mention, Cas would be a sort of vessel for the audience, simultaneously happier than we’ve ever been because we were finally right, and sadder than ever because Cas is gone.
“Despair” won’t just be despair that the plan failed. It could also be Dean’s despair at losing Cas, our despair at seeing our hopes for them dashed.
[EDIT: Again, the title will NOT be “Despair” it will be “The Truth”, but I still think it’s telling that Despair was a working title for long enough that it’s on the IMDb page, and if “The Truth” contains the truth about how Dean and Cas feel about each other, then this will still be a dark episode.]
Shipping over, let’s continue.
19
Now we come to another referential episode, “Inherit the Earth”. There’s really not enough information to have anything solid regarding the nitty gritty details, but we can take a look at what this title is most likely referencing. “Inherit the Earth” is just a tiny part of a common phrase. It’s used in media all the time, but we’re interested in the original source.
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I’m not sure if the episode will contain references to all the pieces of this passage from the Bible, but “Blessed are the meek, for they will inherit the earth” seems to build off of the last episode, “Despair”. Another translation for the word meek in this instance may have been “powerless”, and after the negative moments in the previous episode TFW would probably feel pretty powerless. Maybe, in the previous episodes, Jack failed and lost his powers again, and that’s what caused Despair, but now he will inherit the powers that God had, or inherit control of earth.
If the rest of the passage is to be taken into account here, there’s also the “poor in spirit” who will ascend to the “kingdom of heaven”, possibly a reference to Cas being depressed and fighting for Heaven to be maintained. “Those who mourn will be comforted”, and that may actually bode well for Sam and Dean, who constantly mourn for the friends they’ve lost. Maybe in this episode they’ll get some closure on that front, maybe with their friends trapped in Hell going to Heaven (Kevin). The next line after “inherit the earth” refers to “those who hunger and thirst for righteousness”, and if that isn’t Michael/Adam to a T...maybe this will be the episode we see him team up to fight God. I’m not sure who the last line might refer to other than Sam, if you have any ideas feel free to tell me.
And after all this, we have the big one.
20
“Carry On” is referring to “Carry On My Wayward Son” by Kansas, and I don’t have a clue what it will entail. If the previous episode goes well, then this will be a sort of epilogue, with a (hopefully) happy ending for TFW, maybe we see Eileen and Sam get together, some kind of family dinner with Jody and the girls to resolve that plot line, or potentially, if the writers plan on doing it, a scene confirming Destiel.
It’d be interesting if they showed the brothers going on a normal, run-of-the-mill hunting trip, like a simple salt-and-burn, or even a (different) woman in white. It would be a nice way to bookend the story, to end on a hunt, but instead of the brothers on their own, it’s the brothers with the help of everyone they’ve come to know and care about in their journey, all the lives they’ve touched.
If, however, the conflict is not resolved by the end of the previous episode, this could be the resolution and epilogue all rolled into one, though if it were me I would want as much time as possible to resolve any lingering character questions because, at the end of the day, Supernatural has survived because of the characters. They are what people stay for, what they watch for.
Reminder that all of this is speculation. I do not know what will happen, this is just how I think the story could progress based on what we know so far.
For better or for worse, at this point Supernatural will be over. Will they do a perfect job? Probably not. This is Supernatural, it’s not the most perfect show. However, I’m excited to see where the writers will go with it. They have their work cut out for them.
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mountphoenixrp · 3 years
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We have a new citizen in Mount Phoenix:
                       Han Sumin, who is known by no other name,                                   a 25 year old daughter of Skuld.                                She is a stock clerk at Siren’s Song.
FC NAME/GROUP: Park Chaeyoung - Rosé/Blackpink CHARACTER NAME: Han Sumin AGE/DATE OF BIRTH: 09/03/1995 PLACE OF BIRTH: Outskirts of Incheon OCCUPATION: Stock clerk at Siren’s Song HEIGHT: 1.68 cm WEIGHT: 46 kg DEFINING FEATURES: beauty mark near the lower lip
PERSONALITY: She is a messy book, filled with half read sentences, marked up paragraphs, folded corners and empty pages. She doesn’t let people in, only a few have trickled deep within the small gaps between the pages, and somehow the book opens up a little and she gives them a chapter. She feels with a terrible intensity. Too many vowels in her mouth, too many crumpled up pages in her pockets. Her mouth twisted into rivers, pouring into too many oceans at once. At times, she says quite a lot and nothing at all. She always takes too little and gives too much. Reaches for anything, finding joy in the most rare of places. Comes and goes, disappears like mist rising in the sky. Maybe she is a liminal space. An in-between. A gas station on a longer journey. Blurry, dreamlike. A threshold. An exhilarating parenthesis. She is simply someone searching for — a phrase, a light, a fire. The signs along the way
HISTORY:
i.
Han Sumin comes to the world quietly. Her chest does not heave. How long can one live without oxygen? She is declared a stillborn the moment she gets pulled from the womb. It is better that way. Don’t get your hopes up.
Her father used to pray before supper when he was a child.  He hasn’t in years, he is a grown man see, he does not truly believe in any deity, but one does not necessarily need to believe to beg the universe for favors.
Miracles don’t just happen.
Miracles, by definition, should not exist at all. and yet, they do.
ii.
Before  she can understand the concept of fear, they move to a country house. They have all the necessities of suburban living; picket fence, marble counters, two stories and the whole jazz. During the winter, her father  stack the fireplace with finely chopped wood, and light it on fire. He  doesn’t allow her to sit near.
When she is four, she finds a white  kitty tangled in the rose bushes and brings it inside. her father  disapproves, but helps her wash it anyway. In some awful way, it reminds him of Sumin. They decide to keep it. When she is five, the summer before school starts, she does what any child her age would; misbehaves. The cat has grown thicker and bigger, and it no longer wishes to play with her in the same manner as before, but that doesn’t mean she won’t try. She chases it around the yard with a spray bottle full of water, merrily  unaware that her actions have consequences. It jumps over the fence in one go. Cats are curious like that.
Memories are like fabric. With time, their color washes away. With even more time, they tear in tiny sections, with holes you can never possibly stitch. She doesn’t remember how she got there. She remembers  engine grease and heavy smoke, a big man holding her accountable with an even bigger tone. “You could have died!” Her kitty is hiding in the underbrush. It is not white anymore. When she reaches out to curl her fingers in its soft fur, they come back sticky with red and goo.
Crying  she tells her father she saw it coming, mentions the way the image came to her over and over again every time she touched the cat weeks before it happened. Her father does not know what to make of it. They bury the cat on their backyard.
Turns out, cats do not have nine lives. They only have one.
iii.
Her life is a series of newspaper clippings stuck in the tragedy section.
Teenager crashes car, saving her own father from getting run over. Teen gets robbed during late night bus ride. Family miraculously survives devastating fire.
She never tells anyone of the things she sees when her fingers come in contact with skin. Images flash by at breakneck speed always illogical and always true.
“It’s coincidence,” she lies to herself each time a premonition comes true, “Just pure fucking coincidence.”
She sees old lady Park’s death weeks before it even happens. Watches her fall into the lake, calling out for help as the life leaves her body. She knows the boy who helps her father will get arrested for burglary far before he commits his crime. She sees entirely too much and never breathes a word of any of it to anyone anymore, never willing to intervene for when she does it leaves a hole, her colors fade. She’s learned that their fate is their own. Her fate is her own.
Sumin takes odd jobs to help her father, handing out fliers, being the mascot for a local restaurant, birthday and festival gigs, a wealthy man’s lap when she’s desperate. It’s all a means to an end.
She doesn’t say much from behind the window as she watches droplets of rain hit the glass with a ‘tap’ and by now she knows better than to light all the dark rooms in her house. No one ever had to tell her anything, she always managed to catch snippets of what was going to happen, yet the sight of her father crying as he was given his diagnosis was something unfamiliar to her, something she would never forget.
This time, there wasn’t much she could do.
How often do we wear smiles that hurt, smiles that tell us we have endured too long? Sumin feels heavy and the worst thing is, she knows the weather of departure; the humid air, the rain pouring announcing that winter is near.
iv.
Between gigs, she takes a trip to the tarot shop for a reading. It costs her a coffee but she feels vindicated when the first card she touches is death upright.
New beginnings and change, the woman at the helm assures her, and maybe she should be more embarrassed that it takes a woman in a dusty robe and tacky jewelry to make her realize that she is special, that within her lies a gift and a curse. She tells her of a place, where lost souls with unusual gifts, like hers, can live freely.
And so she roams the island, unsure of what she’s looking for, but sure enough that she will find it.
PANTHEON: Norse CHILD OF: Skuld POWERS: Can see fragments of people’s future upon physical contact. If she dare change someone’s fate, she loses parts of her memory if she succeeds in doing so. STRENGTHS: Charming, creative, dedicated, hard-working, open-minded, laid-back. WEAKNESSES: Blunt, uncaring, stubborn, unpredictable, secretive.
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geekgirles · 4 years
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Goodbye & Broppy
After the song was released, I felt the need of doing something I haven't done in a while for the Trolls fandom: an in-depth analysis.
The lyrics of the song were a real tearjerker; the separation, the longing, the sadness, the impression of giving up as the only option... And, considering it said Justin Timberlake was supposed to sing it, and the mentions of "My queen", "My love"; it totally sounds like a Broppy song.
Now, I know @georgebeard mentioned they'd talked to an animator who confirmed the scene was indeed deleted from the film. However, as a loyal and experienced member of the Miraculous fandom, I know better than to cross out the possibility of being misled in order to avoid spoilers (I'm looking at you guys, Chloé redemption, Félix , and Chat Blanc). So, there's that.
And even if the song did not make it in the end, we must not forget the first movie and its extra content.
If you purchased a DVD copy (like myself), or were obsessed enough to search for every possible Trolls-related video on YouTube (like myself), you must have surely found the deleted scenes from the film.
Poppy's dresses.
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Poppy's storytelling.
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"Bringing Back Happy."
And that's what I wanna talk about!
Bringing Back Happy was a, rather early (considering its storyboard stage), villain song that Chef was supposed to sing. So, even if Goodbye doesn't make it into Trolls World Tour, the chances of it appearing as extra content are pretty high, considering it was even mentioned before the release of the movie.
If that weren't enough for ya, there's more. Don't worry.
As I mentioned earlier, if you're familiar with the deleted scenes, you'll know 2/3 were in a very advanced stage of animation before being scrapped. Not to mention, the one major change we got no info about: turning Poppy's coronation party to the 20 year anniversary since they escaped the bergens. Again, a scene so advanced in its animation stage that even made it to the trailer!
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Moreover, there's this detail in the very first trailer of Trolls World Tour that stuck with me: Branch's quote "This is a terrible idea that will blow up in your face!"
Which, if we compare it to his supportive attitude in the latest trailer ("I'm coming with you"), is completely different and even unexpected.
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And that leads me to this: there are many reasons why a scene would be deleted; it gives a character a quality they didn't want, Chef didn't get to sing because it made her too funny, while Poppy didn't wear her dresses because it made her look spoiled; it becomes longer than they expected, another reason for the dresses and, I think, for the storytelling; or it changes the vibe of the movie greatly (if you guys knew the original script for How to train your dragon 2...).
On a side note, I remember a post from long ago that explained that one of the reasons its OP liked trolls so much was because, unlike the vast majority of films, Poppy and Branch never really had a fall out. They were always together.
What do I mean with this?
What if their fall out happens in this movie? What if Branch says that line out of frustration and Poppy and him, both devastated, are forced to go their separate ways?
That would be the perfect cue for a song as romantic and heartbreaking as Goodbye.
Not to mention, it would also explain how on Earth Poppy could be captured by Barb, alone. Because there's no way Branch wouldn't go down with her otherwise, and you know it.
Now that the song analysis and theorizing is out of the way, let's move on to the deeper part of the analysis: Broppy itself.
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As someone who's been a hardcore Broppy shipper even before watching the movie, you can believe me when I say that it'll devastate me if they killed Broppy.
Even so, I also consider myself as someone both highly emotional and analytical, hence, why I create such analysis on the things I love. Trolls being no exception.
Something I want to talk about to make you all understand my point of view is the way Dreamworks works (as I see it). And for that, I'd like to compare Trolls, HTTYD, their tv shows, and their main ships, Broppy and Hiccstrid; respectively.
If there's something I've noticed about Dreamworks and Disney, that's that Disney movies have a much greater stand-alone value than Dreamworks'. That's why 95% of its films end with an extra-official couple or why their sequels are either shitty compared to the original (Lion King, The Little Mermaid, Mulan...) or a fucking masterpiece. I mean, take Frozen, for instance. The film made a major point on criticising Disney's "I get together with someone I barely know and we live happily ever after" trope. And yet, even if it was much subtler and less intense than usual, that's exactly what happened with Anna and Kristoff. Maybe they weren't married, but they got officially together. And as for Frozen II... I haven't seen it, but I've been told it's very, very different than the first one, and very, very good.
So, yeah. Stand-alone value.
But Dreamworks... Dreamworks manages to reach beautiful conclusions that, at the same time, let the plot perfectly open for more stories to be told.
Seriously, just watch How to Train your Dragon!
Every film had its ending, but it also made you wonder what was gonna happen next. It made you understand that the saga wasn't over, just a part of it. And I think that's what they're trying to achieve with Trolls.
I mean, sure. The plot of the sequel wasn't what we expected at all and made many of us think about the astounding amount of fanfics that delved in the possible existence of different kinds of trolls... But it left us all with one question in our minds, "what now?" And, at the same time, the film had reached a beautiful conclusion.
See what I mean?
I wholeheartedly believe this is something Dreamworks aim to achieve with its pairings. They don't want them to be rushed, they want to develop them. Sure, they want us to see there are ships, but they strive to form deep, strong relationships with much more meaning behind than just sharing an adventure together.
And that, that is something I can clearly see with Hiccstrid and Broppy.
If we take HTTYD, the hints on the romantic relationship between Hiccup and Astrid were even greater than Poppy and Branch's. Heck, they even kissed. And you know what was their official description for Riders of Berk to half of Race to the Edge? Not-so-platonic best friends.
But that's because they took the time to naturally develop and strengthen their bond!
Which is what I think is supposed to happen to Poppy and Branch.
Sure, they are close. Sure, they were on a life-changing adventure together. Sure, they are countless hints on their romantic feelings.
But they still spent 20 years being practically strangers.
They still need to learn how to be a team together. They still need to learn how the other works. They still need some basic ground.
If we keep on comparing the two films, we must not forget that HTTYD 2, despite having Hiccup and Astrid as betrothed, wasn't as heavy on their romance as the first and third movie were.
Because the focus of the film was Hiccup becoming a leader. Not becoming Astrid's husband.
And, considering the plot of Trolls World Tour, it's still very possible that it won't be as heavy on Broppy as it was the prequel. After all, TWT is more about diversity and harmony than happiness, which is what made the contrast between the optimistic princess and the cynical survivalist so important for Trolls.
But, please, fear not. This does not necessarily mean that Broppy is dead. It just means we might have to be careful about letting our hopes up and, more importantly, in case nothing is conclusive about these two in Trolls World Tour, that we just have to be a little more patient.
After all, a good written ship never disappoints.
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