[ID: 3 images. The first is a digital drawing of characters from the owl house. The drawing features (left to right) Amity, Luz, Willow, Hunter, and Gus, walking through the rain in the human realm after King's Tide. Amity is clinging onto Luz, staring at and leaning away from some muck on her shoe. Luz is stopped in her tracks with a startled face, staring at her surroundings. Willow is walking forward motioning for Luz to follow, looking up at the rain with worry. Hunter is holding willow's hand dragging her along. His expression is hard to read. He's ushering Gus, who has one hand near his chest and the other by his side. He is looking away from the group, distraught. Everyone is covered in scrapes and cuts, crying to some degree, and soaked with rain. The background shows the lashing rain over a dark blue background. The second is a close-up of the same drawing focused on Luz, Willow and Amity, the third is a close-up on Willow, Hunter and Gus. End ID]
I'm soooo normal abt the owl house finale. Like you guys I'm being soooo incredibly normal abt it rn-
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A gradient map is a set of colours set as an images' value scale - so instead of black, grey, white, it turns to whatever colours you set!
So then it'll turn this, into,
this!
Hope this helps :)
OH THATS COOL !!!! thank you for explaining :] teehee i was just curious i don't think they come in my art program but it'd be fun to experiment with
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i saw ur drawing and omg how do u draw hands? do you have any tips too?? the way you draw them is amazing T_T
tbh i stopped thinking of hands as hands and more like a blob that resemble a hand and i swear thinking like this made drawing them 89% easier for me. looking at my own hands and the way they fold and act depending on my actions also helped wonders.
here's a sketch i made just thinking ''here's where the hand should go'' and its final look
and these are little unpolished blobs that happen to resemble hands. sometimes i just dont feel like polishing them because they looks like a hand, we all know these are hands, so i just dont really bother on rendering.
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For the Artist Ask thing! (o•ᴗ•o)ノ♡
(5. What’s your favourite thing to draw?
(18. What are you currently trying to improve on?
(21. Do you like to challenge yourself?
YAAAY hi ily
5. Right now its Imra Ardeen from legion of superheroes. I love the way my design for her looks, and it is so, so much fun to draw. SO pink.
18. Currently I'm just trying to get good at digital art in general. I have never been very good at it and now i'm just trying to figure out how everything works. Its so different from the traditional art i am used to. More specifically though, I'm trying to improve on shading skin.
21. I love to challenge myself. It's honestly the only way I improve
x
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the specific flavor of roydick when they were queercoded, or at least--i mean theres *at least* a *strong* argument that they are, starting around... maybe devins arsenal mini through titans 99, but *definitely* outsiders all the way through roy leaving the team. but like, they're simultaneously queercoded and maintaining that very late 90s/early to mid aughts-specific heteronormativity yk. a swell couple in an erotic butch and sundance kind of way
(and i mean we do know devin in particular was writing with bi dickie in mind, shes gone on record on that, but like specifically roy and dick in relation to each other...)
and im just. thinking about this because in my beloved The Cheshire Contract in the *80s* they are not actually queercoded, the homoeroticism was just. two bros gettin naked in the same hotel room, being touchy feely bros hetero style... idk man theyre really affectionate with each other in it! but then by the time graduation day rolls around you can't even picture them that comfortable touching each other despite like. still being written as... i mean they're close, you know? *close.*
but they don't touch anymore.
and like thinking about. by contrast. my beloved outsiders #11 where. dkdkckflf. god. grace's famous you boys would make a swell couple in an erotic butch and sundance kind of way quote, roy cuts her off with a kiss, they have sex, and-- god im sorry please just read outsiders v3 because this issue is. insane. anyway then dick and roy have what *eye* would argue is a sexually charged sparring scene, particularly bc of the way it was juxtaposed with roy and grace. and it ends when dick pulls a fucking gun on roy *as an expression of care.* like explicitly that's why he's doing it. like oh my god! the rituals are so fucking intricate!
and like FIVE ISSUES LATER they have this massive blowout fight and-- fkflflfm.
the point is. the point is. my last reblog was about fictional male intimacy needing violence as a pretext. and i was thinking about the specific flavor of heteronormativity at the time and. weighing in my mind whether my beloved outsiders 11 or my beloved action comics 613-618 feels more intimate. thinking about the heteronormativity flavor of, these two guys can't be physically affectionate bc of it vs the flavor where they *can* be physically affectionate precisely *because* heteronormativity means it wouldn't be gay if they did. and i think its not quite a fair comparison bc i do believe the point of outsiders 11 *was* the intimacy, compared to the cheshire contract where it was an easy comfortable byproduct of their friendship. but, well! there most certainly is violence as a pretext, huh?
much to think about.
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