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#its been FIVE whole episodes
xviruserrorx · 6 months
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One of my favorite fifth doctor scenes is when he has to sword battle with the master/that knight but he's in his little sweater vest and plaid pants
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Fellow Psych enjoyer!! Im watchin psych at this very moment lol, i know its a tough question bc i dont even have a definitive answer but like, what's your favorite episode?
hmmm well i did very much enjoy the episode where Lassiter & Henry bond over fishing... i also like the episode where Shawn gets kidnapped & ends up on top of a moving car <3
#ive seen some episodes out of order#since my friend used choice ones to get me interested lol (it very much worked!)#but i only started watching it all the way through yesterday#so im only on season 2 :/#i also loved the one i just watched - the counterfeiting episode! twas funny#but really since im binging the show they're all kinda blending together lmao#And its mostly on as background so there are some where i have no idea what happened or what it was about#rambles from the bog#tbh a lot of the time watching it#i find myself sitting here and going: man. if it was made pretty much the exact same way just with today's climate#it wouldve been even fucking funnier#bc obviously the humor in the show is kinda Dated! there's a lot of times where im sitting here going 'oh that was bad taste'#or 'oh that would Not fly today'#but it is a really good show#easier to enjoy when you understand the era it was made in & accept that there's gonna be unsavory bits#honestly its interesting! im on s.2 which was released in 2007 i think#and i believe i was like... around five years old? i dont really remember Living the time period!#so its interesting to see! its a whole different range of slang and american culture & tech!#all i really remember is the phones... i remember the awe when someone at school turned up with a touchscreen#they were pretty fuckin new so they were expensive & my parents could afford one#so my first phone was your average flip phone. it served its purpose! i loved listening to the ringtones! that was my spotify <3#anyway wait fuck what were we talking about#OH RIGHT PSYCH. um. yes🤝#i dont like shawn's dad! lassiter is probably my favorite! i may have a crush on juliet! shawn is the most bishrekxual man i have ever seen#gus deserves better & more screen time! the whole show is just really good#*old man voice* they just dont make em like they used to....#said both positively and negatively. some aspects are good they're gone. other aspects... sigh
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Sorry I just
What was the fucking PLAN here, now that they've split the Circle and sent two people off alone into two different places
In the event that, say, one of those two people found the fucking monster, what was the plan. What were they going to do about that.
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picklepie888 · 2 years
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Today marks 20 years since the release of Disney's Lilo and Stitch in 2002. I can tell y'all now without a hint of exaggeration that I was OBBSESSED with this film when it came out. It was the only film I wanted to watch for over a year. I had memorized every line, every scene, and I would drive my family nuts begging for Stitch merchandise from the Disney store. This movie was my first hyperfixation, and its what sparked my interest in animation at the impressionable young age of three. I adore this film with my whole heart from its superb 2D animation, its story, its characters, and its message about a broken family healing from trauma and finding each other. Lilo and Stitch helped shape me into the person I am now, and it will forever hold a very special place in my heart. Happy 20th anniversary Lilo and Stitch!
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I wanted to talk about the scene in which this song plays because hearing it made me realize how the atmosphere was absolutely haunting and disturbing thanks to Hesham Nazih.
It's kind of a subtle, dissonant mess, quiet enough for you to miss. It even sounds to me like it's not real, like a floating sensation. Perhaps it's denial, perhaps it's even the remainder of dissociation from this awful revelation Steven is detaching himself from. But despite the quiet and the subtle, the soul of this song permeates the entire scene, with Steven's desperate denial, then his pleas for Harrow to not call her, then his quiet panic, the crumbling of his face, the lone tear.
It's frankly crazy how death is part of our universe. This piece makes it sound as horrid and nightmarish as it's supposed to be. You want to wake up. You want to scream that it's not true. You want it all to be a lie. But upon knowing that Wendy supposedly answered Harrow so quickly, it looks like Steven knew what Harrow was doing all along. That broken, distrustful stare before he takes the phone, only to stare at the ringing thing. An occupied line, that promised to never answer again.
However, when Steven finally begins to accept this nightmare as truth, he willingly walks into the horror Marc went through outside of the shiva. And the cellos show that to you. Low, minor chords, slowly building up in repetition, the violins joining in the tragic hymn, slamming the truth of death and grief, louder, louder, louder, as Marc collapses, sobs, heaves, slams his kippah on the floor, apologizes through heavy tears. Whispers he was just a little boy.
Oscar's performance for both characters really is complemented by this piece. The music makes his roles and their pain complete and whole for the audience. It's not just a painful, sorrowful scene/score. It really helps you understand, if you haven't experienced this kind of grief, unresolved along with decades of trauma. It cements the agony in a way I've never heard in a film soundtrack before. And all it does it echo those two motifs. Four notes. Steven's ascends and descends: begun with fear, ended with truth. Could it be? Yes, it can. It is. And Marc's motif rises until its final note lands in almost a question at the universe: this is it? this is what it'll always be? I'll be trapped in this forever? With her gone and resting while I have to stay? Over. And over. And over. This motif of overwhelming reality.
He can barely cope with staying. With being present. He's been stuck in survival mode for so long (barely at that if you consider how self-destructive he tends to be). Which explains why the song is interrupted by a crescendo in percussion, anticipating the dreaded switch that would confirm this traumatic loss would scatter the system's makeshift security and order.
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enbyeddiediaz · 2 years
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listen I might get some flack for this but there is no scene that is more queer than the scene in Hawaii 5-O where Steve is describing his high school talent show. it's just,,,,it's so,,,,,the quitting guitar and never picking it up again bc he didn't want to reveal that part of himself??? because "McGarrett men are a different breed" and "showing emotion is showing weakness"????? and the way Steve was speaking, his voice all soft and timid???? the low lighting??? "it wasnt stage fright it was bigger than that" I'm literally???? "I wasn't raised in a supportive house where everyone encouraged me to share my feelings"???? even besides the Danny of it all it's just so?????
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thelastharbinger · 2 years
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What a strange feeling to have. Your ship finally comes together but just not in the way you wanted. Or rather, the timing you wanted--even though you've been waiting 3 years.
#everything about that finale was forced because there was just no time!#what even was the point of ricky's confession getting caught on camera??#the this is me solo felt forced given how little time we spent with that character#ej's storyline didn't really get a resolution and also fuck his dad#big red coming out as bi was a pleasant surprise but his scene with ashlyn was a lot and also too little#nini leaving without personally explaining to her best friend that she'd be moving was a choice#the whole trailer reaction scene was befuddling bc all of a sudden ppl were getting upset abt drama they knew was edited in#and yeah...i wish rina got to have their slowburn into season 4 and for ricky to be the one to initiate that conversation#also what in that 1 month time skip made gina realize that she was still willing to bank on ricky?#when a month ago she was head over heels for ej#the whole rina ending was so forced in there i kept thinking maybe it was a dream scenario fake out#also gina is finally lead in a show and we saw her perform nothing!#we barely saw any of the show!#i just wish everything was given more time#like if rina had to happen this season it needed five more episodes#two of them being post camp still during summer break#like as someone who has been patiently waiting for rina the writing has minimized all impact for me#but im still excited to see them be all cute and coupley next season#its just that we followed ricky this season pining over gina so not having him getting to air out his feelings is a missed opportunity#but whatever its fine ig#portwells have it way worse rn so imma shut up#cause this ending made portwell seem like a distraction in the way of rina. it waa giving it was you all along#which it wasn't and that's fine! but at least wrap things up neatly#damn#but ig we won so hey!#hsmtmts#rina#portwell#rina endgame#ricky x gina
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docholligay · 2 years
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@skylineofspace​ FUCKING LOVE THIS. What an expansive, out of the box thought, I didn’t even GO there. That would also make sense with the weird feeling I’ve been having about Ange being a French name* and her being English not like, English people can’t Read Books and Name Their Children Something Other Than Aloysius but it’s so striking against names like Charlotte, Beatrice, Dorothy, which are all chosen to FEEL very English in a way Ange does not.  Anyway yeah I love that idea.
@verbforverb​ We know Scotland (Highlands) is its own thing here, and I don’t know if like...Sheeplandia is going to show up here for Wales or anything, but for Cornwall, it sounds like it belongs to the COmmonwealth, or else he wouldn’t need to defect there? Because he’s already living in “The West” which I assume is the standin for America/Canada, so if Cornwall were its own thing, he should be able to just go there? I would think? Unless Cornwall is allied with the Commonwealth in such a way that travel there is banned for a citizen of the Kingdom?
I DON’T KNOW I JUST THINK THINKING ABOUT IT IS NEAT
*Which literally means Angel, I should have mentioned this in my talking about Charlotte and all that shit. Angels can only tell the truth, etc, Ange is built on lies, narrative theme, etc.
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vulpixhoney · 5 days
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people keep comparing the WatcherTV move to Dropout (for obvious reasons) but I cannot emphasize enough how vastly different the circumstances between the companies is. like astronomically different
• Watcher does not have the years of experience that Dropout/CollegeHumor did. CH as a company formed in 1999. They've been doing sketch comedy since the early 2000s. they were a company, like an actual company with offices and departments and everything. Watcher hasn't even existed for 5 years
• Because CH has been established for that long, not only do they have an established connection to the industry, but they have an established fan base already. People that knew about and were fans of CH for over a decade, before Dropout was even a thought in someone's head.
• When Dropout was in its infancy, CH was still under their parent company IAC, they weren't roughing it completely on their own the way that Watcher is. They were later dropped by IAC, but having that connection and funding in the vulnerable start was important
• CH was still posting sketches and skits on YouTube for free while filling out Dropout's catalog. They didn't hard shift into exclusively subscription based, they continued doing both for the first couple years in order to help get Dropout established. Even now, they still occasionally post full episodes for free on YouTube, including whole seasons of Dimension 20
• They have a large rotating cast that they move between multiple shows. They have a variety of content and a variety of entertainers to be guests on shows. Watcher has 3 guys which the occasional guest
• A big part of this transition is because Watcher's episodes have a high production cost. That's what they claim. That it costs hundreds of thousands of dollars to film one episode of Ghost Files. but why?? why does it cost that much?? I get cost of travel for talent and crew but hundreds of thousands of dollars per episode?
• When IAC dropped CH and they went bankrupt in 2020, they only had 7 employees. When Sam Reich bought the company, they only had 7 employees. not twenty five. I'm not advocating for laying off people, but maybe they shouldn't be payrolling more people than they can afford
• also. Sam Reich is very vocal about how Dropout surviving and succeeding was nothing short of a miracle. They didn't get that success because the business model works, they got that success from years of networking, hard work, and pure luck
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dilfsfordinner · 5 months
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honeymoon- nanami kento x wife!reader
a/n- in preparation for this week’s episode, this is my ode to my husband
warnings- fem!reader, unprotected sex, praise, missionary pos, mating press, belly bulge, nanami has a big d, implied breeding kink, fluffff
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Nanami Kento had been dreaming of a vacation. Somewhere with sand and palm trees, warm weather, the ocean, you. Now it would take a lot for him to admit this because he’s not a dreamer, per se, especially with his strict work ethic, but the amount of times he had to catch himself during a shift from drifting off in a fantasy about sleeping in or relaxing on the beach, you could say he had started to reflect his child-like self.
Except every single one of those dreams could not rival the feeling of experiencing his honeymoon with you. He’d gotten what he wanted. A private villa, surrounded by greenery with a whole rainbow of colors blessing the space. Red, orange, pink, and especially white flowers would pop out from the dense leaves of the tropical garden that was essentially your front yard, their sweet perfume just light enough to not be too overbearing. The villa was perched in a cluster of palms, the white-sand beaches of the Caribbean literally at your disposal by a pathway from your bedroom, its wood-lined trail leading down to a private oceanside cove of sand and the most vivid aquamarine water you’d ever seen.
It had been five days since the two of you had arrived at your little oasis, 120 hours of complete and utter relaxation accompanied by sheer happiness. You could barely contain your excitement for the trip when he’d announced the surprise destination a month before your wedding, and that giddiness you were once feeling was multiplied tenfold. Kento Nanami was finally your husband. The man you had fallen for was now tied to you legally and emotionally, the two of you matching with the golden bands placed upon your fingers, yours just a tad bit more extravagant with the stone you had dreamt of forged perfectly into the smooth metal.
Your favorite gift you had received though was once again from your husband. It had been given on the day of your wedding, a little white, bow-tied box placed in your hands before the reception. Upon opening it, you were met with a pretty bracelet, a twisted chain of pure platinum so uniformly perfect, you knew your husband had picked it. Your favorite part however, was the tiny charm hanging from the chain, a cursive “k” inscribed into the precious material, a clear sign of your newly wed’s hand in the purchase. “I’m yours now,” he had whispered into your hair, kissing away a stray tear from your cheek before helping you clasp the delicate chain around your wrist.
For days you had thanked him any way you could for his kindness, the two new additions he’d gifted so beautifully thoughtful, gifts that certainly garnered a lot of attention, especially when it came to some.. exerting activities.
It was like the atmosphere had turned you two into animals, your bodies sore from the endless (sorry for lack of a better word), fucking, the tension so thick you could feel it heavy in your chest, the warm, salty breeze flowing through the mesh, white curtains of your bedroom doing nothing to help calm your lustful state.
It was nearly dusk and your current session had started about an hour ago, any and every position you could think of already tried, your body turned and flipped a multitude of times before you were placed on your back again, thighs pushed up against your chest, your legs falling over your husband’s broad shoulders.
Your throat was dry from the fountain of moans constantly spilling from your mouth, Nanami’s name starting to sound like an imaginary word from the amount of times you’d choked out the syllables. Don’t be too embarrassed though because he was just as knocked as you, his skin flush from exertion, sweat dampening his blonde locks, and his usually cool tone of voice had turned desperate, your own name a slurred grumble or groan every time he felt you clench around him.
Your silky, white nightgown had been discarded long ago, the little scrap of fabric on the floor reminding you of what had started this escapade in the first place. The memory of Nanami’s eyes darkening when you’d emerged for bedtime had your stomach tightening and eyes squeezing shut. You’d known him for who knows how long and he still managed to make you feel like a horny teenager with just one look.
“My perfect wife,” he panted into your neck, heavy cock nudging your deepest parts, you could feel him in your belly, could even see him in your belly, the area below your navel molding just slightly into the shape of his cock every time he would push into you.
Your skin was glowing from the last remnants of sunlight reaching through the gauzey curtains, the ocean waves gentle as they crashed along the shore, wrapping you in a cocoon of pure passion, the current moment so perfect and loving, one of Nanami’s hands snaking into your palm to ground you, the other resting beside your head as he kissed the tender curve of your neck.
He was a warm lover. Caring, romantic, a listener. Someone who focuses on giving instead of stealing pleasure. That’s why it was so easy to give him your trust, to open yourself up to him emotionally, and physically. Someone who easily outshined anyone when it came to choosing who to share your remaining years with.
Your ring fingers clinked together when he pushed into you with a particularly needy thrust, the golden bands once again twining as his fingers curled over your own in a firm lock. “Only yours,” you whimpered out, voice almost breaking from your very vulnerable position, your chest compromised as your legs were propped up, the backs of your thighs fitting against his chest, folding over his shoulders at the knees.
Not only did your words drive him crazy, but the little jingle he would hear every time his hips connected with your own had his eyebrows knitting with some primal need to actually make you his. The bracelet he’d gifted you had ended up clasped around your delicate ankle, the silver charm glinting his initial in the low lights, every little reflection catching his peripheral, spurring him on. You had done it on purpose. You had known he would have you folded sooner or later and you knew how much he loved to mark you, that piece of jewelry a literal signing of his name on you.
Your mouths latched onto each other, hurried kisses ending in heavy breaths against each other’s face or neck, eventually your foreheads being the place of rest as he continued to fuck you with every ounce of energy in his body.
“-love you, s’much,” you murmured, voice lilting with the rising pleasure in your core, his thick length prodding every ridge you had to offer, that spongey spot of nerves catching his head with every pass, eliciting a gasp from your lips, Nanami’s jaw clenching as he held himself back from completely plowing into you, your approaching climax drawing a rush of liquid from your twitching cunt, trickling onto his thighs.
“I love you,” he kissed you this time, his strong hand fisting the sheets beside your head, the other still clutching onto your hand as he knocked the breath from your lungs, his cock feeling like a full-blown spear impaling you, the only thing keeping you sane being his mouth on you, and the sweet-nothings groaned from his lips.
***
It was dark by the time you two had truly finished with each other, your body curled up in Nanami’s lap as he lounged with you on the large chairs placed outside the curtains of your bedroom, the moonlight bouncing off the waves as they continued their trek across the shore.
His nimble fingers traced gentle shapes on your back, your upper body covered by his blue shirt, dwarfing your form in a pool of fabric, Nanami modeling your “half-nakedness” with only a pair of boxers, his strong legs visible to your very sleepy, but eager eyes.
Some type of tropical, cricket creature hummed a pretty song, coaxing your eyelids to flutter, your body sinking further into your husband’s hold, your cheek nestled gently against the soft curves of his collarbone, his heartbeat steady in your ear.
Taking note of your drifting consciousness, Nanami smiled down at your curled up form, fingers slowly letting up on their brief massage session to brace his hold. “Let’s get you to bed,” he murmured, kissing the top of your hair with such tenderness you almost agreed to get up and listen, but he was just so warm and cozy.
Pretending to not hear him, you put on your best sleeping face, mouth opening slightly to really pull it off, the tiniest of snores leaving you in a very convincing manner. Silence followed your antics before a rumble vibrated from the chest of the man you lied on, a soft laugh leaving him as he took in your ‘sleeping state’, a laugh that had your lips twitching, a smile almost breaking out on your face.
“What a shame.. the Mrs. has fallen asleep on me,” he sighed, voice filled with faux sorrow, and when he relaxed back into the chair, you thought the victory was yours, nuzzling back against his chest to comfortably relax again. That was.. before your world was turned upside down, a yelp echoing from your throat as Nanami hoisted you over his shoulder, your bottom cradled by his large hand as he smiled that stupid smile of his and trekked back into the bedroom, all fatigue gone from the two of you, replaced with the teasing air of aching want.
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electric-skillet · 1 year
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I love how advertising science is always focusing on little touches and sounds that will get you to think of the product and guess what! There was a commercial on Hulu for a while that included the sound of a can opening for a carbonated beverage, and now weeks later I STILL get irrationally ANGRY whenever I hear a can opening bc it makes me think of that advertisement. And the best part is, I cannot even remember what the product was. 
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jesterwaves · 2 years
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just watched the new owl house! it was SO GOOD, but im heartbroken over how badly disney fucked over this cartoon T_T
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drvscarlett · 29 days
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Let Him Cook Pt 3
Charles Leclerc x MasterChef contestant!reader
Series Part: 1, 2, 3
Taglist: @bookstore-of-dreams @barcelonaloverf1life @ririyulife @minkyungseokie @mehrmonga @sltwins @charlesgirl16 @six-call @spideybv28 @casperlikej
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"I honestly can't believe that this is actually happening"you told Charles as you sit down on your couch with your laptop.
The past few days have been a lot of preparation for the three most important dish of your life. You have been replicating and timing yourself to make sure that you are a perfectly well-oiled machine during the competition proper.
Charles is currently in Abu Dhabi for the final race which is a complete bummer. He wanted to be there but work is work. So that's why he spends most of his available time doing a facetime with you. It was pretty helpful since his conversations with you helps soothe your nerve and helps avoid overthinking the whole process.
"You got this mon amour. You know I always believed in you since day 1" Charles grinned.
"I really hope that everything goes well tomorrow"
"It will and I will be watching all the way from Yas Marina to hear that my girlfriend is a MasterChef winner"Charles proudly states "I'm really getting so excited, is this how you feel when you watch me race?"
You laughed "Oh mon ami, you are much more stressful to watch with your high speed corners and those wet race misshaps"
"But doesn't this technically make me your WAG if you win? Don't they have WAG gossip accounts that I could be part in?"
It was moments like this that Charles made everything lighter by focusing on trivial things. It helps a lot with the building pressure that everyone has been placing on your shoulder.
Y/NCooks posted a photo.
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Y/NCooks the boyfriend is so supportive. I'm pretty excited for today!
Gordongram goodluck Y/N! Boyfriend reveal when you win?
User1 Gordon is so real for that Y/NCooks thanks Chef! Lets see???
User2 win or lose, you already made it Y/N!
User3 its just so wholesome to see how Y/N keeps the relationship private but never secret. I ship them so much
User4 i don't know if i want to be Y/N or I want to be her boyfriend
User5 goodluck Y/N! Get that trophy!
Final episode.
Former contestants lined up at the balcony with some of your friends and close relatives. It was a very surreal moment because you used to watch this sitting in the comforts of your own home and now you are actually the one being watched.
The moment that the clock starts ticking, you started to work. There was no room for any delays today as you were creating dishes after dishes. You have to use your time wisely so that you can finish the dishes you have in mind.
"Charles, were going out to drink, are you coming?"
"You guys go ahead, I'm going to watch something" The minute that the cars were back in the garage and the ceremony was over, Charles couldn't wait to go back to his hotel room. He was to turn on his TV to watch the live broadcast of the MasterChef Australia.
He was just on time with the last five minutes of the appetizer round, technically he haven't miss much. You were focused in tasting everything and ensuring that all the flavors are there. You plated really well and it shows how much you have grown. Charles is extremely proud of you.
"Aren't you a little worried to be working on the octopus so early on?" the judges wondered. The judges were currently tasting the soup that you have given them.
"I know that its a lot of risk but I have to push for it to show my talent"
The judges find the soup beautifully seasoned but their only slight flaw with the dish is that the octopus is a little bit tough due to the water not boiling hot enough. Its that flaw that sets a 2 point difference with your fellow contestant.
Charles could feel his eyes getting heavier from all the events earlier that day but he really wants to stay awake. He believes that Y/N could do it. The main course was a stronger dish for Y/N which is how she tied the score with her fellow contestant.
The dessert is the make and break for Y/N. Charles knew that its also her greatest opponent as you prefer savory over sweet. However, seeing the way that you are cooking right now that you have massively improved your skills in the sweets department.
It was tense as you run back and forth to the freezer to make sure that the pana cotta is chilled enough while you went back to your work station to mix the pot. Charles almost had a headache after seeing you trip over in the last 20 minutes of the session.
But all in all you pulled it off. The dessert was stunning and exquisite as the judges noticed. It was an elevated traditional pana cotta
"I believe we have made a decision and the scores are very very close with each other" one of the judges concluded.
The guests from the balcony went down to join the homecooks and Charles wishes that he could have been there for you. Instead, he records the moment through his phone. The announcement will be here in any seconds now.
"And the MasterChef Australia winner is....."
MasterChefAU just posted a photo.
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Liked by Gordongram, Charles_Leclerc, and 670,000 others
MasterChefAU congratulations to Y/NCooks you are the MasterChef Australia winner!
User1 That was worth the wait, Y/NCooks is now a masterchef winner!
User2 she was so brilliant! what a performance!!!
User3 tell me why is Charles Leclerc is in the likes, isn't it like 4am there in Abu Dhabi?? Didn't you just race sir???
User4 Seems like Charles is a fan of MC Australia User5 Answer the crowd Charles_Leclerc User6 Didn't Arthur and Lorenzo guest in MC Australia, they say they are good friends of Y/N User7 That is some interesting information User6
Y/NCooks posted a photo.
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liked by MasterChefAU, Charles_Leclerc, and 308,000 others
Y/NCooks I have a new plate!!!!
It was such a wonderful experience to be a part of this kitchen and to win this prestigious award. Thank you so much for all your support and love. This is such a dream come true!!
User1 im so proud of her
User2 Can't wait what's next for you!
Gordongram Well-deserve! You did amazing!
Y/NCooks this means a lot Chef! Thank you for watching
MasterChefAU Our winner!!!!
Charles_Leclerc 🏆❤️
User3 what even is that? you are putting sebastian vettel to shame with your rizz User4 Charles, she has a boyfriend!!!!!!! User5 Bro really thinks he can bag Y/N when he can't even cook Y/NCooks Thank you :')) Charles_Leclerc liked this comment. User6 SHUT UP, CHARLES IS COOKING SOMETHING User7 Silence for Y/N's bf, Charles is coming after your seat!
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txttletale · 4 months
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how would you recommend watching doctor who? there are so many different guys idk how it works.
so the thing about doctor who is that there's two shows -- classic who (1963-1989, doctors 1-7) and new who (2005-2023, doctors 9-14). due to a renumber of the seasons and a change in production company, i think it's fair to call the upcoming version of who (2023-??, doctors 15-??) its own, third show. the reason it's been able to run for so long is that when the show's lead actor, (william hartnell as the titular doctor) had to step down in 1966 due to failing health, they made up some sci-fi bullshit: the doctor's species can 'regenerate' instead of dying, instantly healing but changing their appearance and some of their personality. this means that every time a lead actor has walked away (or, in one unfortuante case, been fired) the show's just recast the doctor and moved on, often with notable changes in tone and format.
the easiest option if you don't want to backwatch anything is to start with this year's christmas special, the church on ruby road (2023). it's an obvious jumping on point to the series, introduces you to all the basic stuff (the doctor, the TARDIS, the fact that it's a silly sci-fi show about fighting weird rubber prop critters), and presumably sets up the upcoming season 1 of the disney-bad wolf version of the show that's gonna come out in may 2024.
if you do want to backwatch, you have to decide if you want to start with new who or classic who. i personally would recommend starting with new who, because there's less of it, it's got higher production values, and (imo this is the biggest obstacle to getting into classic who) it's paced in a way that makes much more sense to a modern TV viewer (self-contained 45-minute episodes). also once you're invested in the show, its main character, and some of its classic elements, you get to soyjak at the screen whenever you're watching classic who and you get to see the oirign of a monster you already recognize. you can also skip classic who entirely and never watch it, they don't bring up anything from it in the new series without giving it a new explanation, but if you do this you hate fun.
anyway, starting points for nuwho: the most obvious one is rose (2005). it's the pilot episode for the new show and imo it holds up brilliantly -- it introduces all the most basic concepts of the show, but ultimately it's really all about billie piper and cristopher eccleston's performances and they deliver. the special effects are gonna be pretty terrible for a while because it's early 2000s cg. there's no jumping on point like it for the whole of RTD's run of the show (imo, the best run of nuwho) so if you want to watch seasons 1-4 you've gotta start on rose.
another episode that's written as a jumping on-point is (heavy sigh) the eleventh hour (2011). as well as introducing matt smith's doctor and his companion amy, this also does the whole rigamarole of introducing the show's core elements, giving a nutshell recap of its history in the form of the doctor's rooftop speech, and also signal what the oncoming moffat era is going to be like (whimsical, full of complex time travel plots, way more misogynist). i'm biased -- i'm a hater, one of this episode's central plot conceits sucks real bad and i also hate the eleventh doctor's whole run. but it is meant to be a jumping on point.
there won't be another one of those in nuwho until the pilot (2017). this begins moffat's final season with which he made the odd but extremely welcome decision to jettison all his convoluted continuity shit from the last five seasons and refocus the show with the doctor being a professor at bristol university with a mysterious secret. i think season 10 is a hidden gem and if you find starting from rose daunting this is the next best place to pick up. capaldi's doctor is a delightful abrasive eccentric with a heart of gold at this point in his run & the stories are wall-to-wall bangers with only a couple misses.
finally, you could start on the woman who fell to earth (2018), the first episode to feature jodie whittaker's 13th doctor and head writer chris chibnall. i'd recommend this even less than the eleventh hour, because while i actually like it more, i think it's a much worse preview of what the upcoming era is going to be like than that one. if you watch the woman who fell to earth and keep watching from the start of whittaker's run on the show off the back of it, you're going to be severely disappointed as most of the more promising aspects of the episode get instantly abandoned.
so, summary, if you're starting with nuwho, there's five jumping on points, which i'd rank:
rose > the pilot > the church on ruby road > the eleventh hour > the woman who fell to earth
but i want to start with classic who because i'm a contrarian
alright. classic who also has a few jumping off points -- before i mentioned them, let me just talk about that format thing i mentioned earlier. classic who doesn't have self-contained episodes for the most part, but rather for most of its run told each of its episodic narratives across between two and seven 20-minute episodes. this leads to a lot of weird pacing, forced cliffhangers, and infamously a lot of filler shots of the doctor running up and down identical corridors. so obvsies i'm recommending entire stories here nad not individual episodes. that said, let's look at where you could jump on:
an unearthly child (1963). this is, like, the start of the show. that said i don't recommend it as a place to start (funnily enough), for a couple reasons. firstly, because of dreadful fucking archiving by the BBC, a lot of episodes from the show's first six seasons are straight up missing. some of them have been animated by the BBC from surviving audio recordings, but some of them are just straight up lost -- due to the format, this means there's very few full complete stories, which makes this whole era really hard to navigate. if you don't mind that and really want to start in the black and white era, i'd still recommend the tomb of the cybermen (1967) instead -- hartnell's portrayal of the doctor as a haughty, slightly impish old professor is great, but troughton basically defined the character's core traits for the next sixty years.
spearhead from space (1970) is a pretty big format upheaval for the show and so serves as a pretty great classic jumping-on point. it's the first episode to be in colour, and sets up a new status quo for the doctor as being trapped on earth and working for an elite paramlitary organization called UNIT that operates out of a ratty office. it's an interesting premise that the show gets some great stories out of. the special effects are bad in the best way. pertwee has instant charm in the role and it's all around a banger by classic standards.
if you want to jump right to the one all the boomers are nostalgic for, you can also start with robot (1974). i wouldn't recommend it, though--tom baker is electric in the role from the start, but the episode itself kind of assumes a lot of the context of the third doctor's setup and supporting cast which you're not gonna have.
i wouldn't recommend anyone start at any point during the fifth or sixth doctors runs because i want them to actually like the show, so i guess the last jumping on point i could really recommend after robot would be, like, dragonfire (1987), which heralds the show's short-lived renaissance with the seventh doctor and his best companion, ace. but although you'd be watching some of the absolute best the classic show ever gets, it feels like it would be a weird and disorienting place to start.
finally, you could watch tales of the tardis (2023), a limited series produced to celebrate the show's 60th anniversary. each episode follows the same format: through a vaguely handwaved Palace of Memories plot, two much-aged characters from the classic series meet up and fondly remember one of the adventures they shared. the bookends with the original actors are mostly shameless fanservice, but the episodes they're reminiscing about are superbly edited down into a much more watchable format -- it works as a good 'sample platter' for most eras of the show (although, weirdly, there wasn't anything from tom baker's run!) and i think it honestly wouldn't be a bad shout to just start from tales of the tardis and then keep watching from whichever of the stories featured in it you liked most. that all said, if you want to start with classic who, i'd rank these jumping on points as follows:
spearhead from space > tales of the tardis > tomb of the cybermen > dragonfire > robot > an unearthly child
all that shit said it's fundamentally a very episodic show with very few exceptions like trial of a time lord and whatever moffat was doing seasons 6-7 so in the end you can basically just start with any episode and more or less get some of the idea. have fun and make sure to do the most important job of a doctor who fan, update the tardis wiki page for penis whenever one is mentioned
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mo-mode · 3 months
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Back on my Screenwriter soap box while watching PJO: They should have bought a bunch of oil diffusers.
(Edit: This post was made before someone pointed out to me that I missed a key line of dialogue, but my points and theories still stand for the same reasons backing up my original post so I’m not changing anything. The dialogue I missed lets us know that Hermes told Percy the lotus was being pumped into the air off-screen. It’s also implies (? I’m still on the fence about this one?) that Hermes told him what day it is, but I missed these during my first three watches because of how quick and vague it was. Which actually kind of supports my point on why visual indicators are so important. Without these, it’s easy to miss key information. And remember, it’s a kid’s show. ANYWAY my conclusions haven’t changed, and I still believe these edits would work better than the quick line of dialogue so just keep this in mind. Thanks.)
(I’m not being nit-picky. I swear. Just hear me out.) So the weirdest thing to me in episode six was how Percy just…learned everything so quickly without any visual indicators? Like they know time passed because it’s dark outside, but how did he know it was Thursday? They know they were affected by the lotus flowers, but how does he know it was pumped into the air? This irked me because even if he’s smart enough to figure some of this out himself (which he is) we as the audience should still be able to follow his thought process instead of learning after the fact.
What if there were oil diffusers?
So imagine the trio walks into the Lotus, figures out this is like the Odyssey, and decides not to eat anything. They waltz in super confident that they cracked the code, but they were wrong. How do we know? Because the moment they enter the crowd, we get an establishing shot of a lotus-branded oil diffuser letting out steam.
Immediately, we as the audience realize their mistake, making it just that more tantalizing to watch. As the episode continues, we realize they’re everywhere. There’s a diffuser in the plants, on the counter, between the game tables, always right out of the corner of our eyes. They just keep churning out lotus-scented oil into the air, which we can infer because we’re smart. (Remember that.)
Now when Percy realizes what’s going on, we know HOW they’re doing it and HOW Percy knows without being told!! Because they were there the whole time.
Onto Thursday.
Consider: A watch.
What if Hermes has the only watch in the casino until the trio walks in with their own?
Let’s give Annabeth one of those cheap, funky watches that gives the time, day, month, year, etc. Something you get from a kids toy catalogue. It’s waterproof, glows in the dark, has an alarm or whatever. I feel like Annabeth would have one of those. (And honestly, she might already. I forgot.) The most important feature for us, though, is the day. It clearly tells us the day of the week.
It’s pretty easy to establish that Annabeth has the watch. Just do it the same way they establish the date: Percabeth arguing over it in the truck. Annabeth shows him the watch. Establishing shot of the watch’s face. That’s it. No bells or whistles necessary. Then when they get to the casino, Annabeth checks it one more time (without an establishing shot, she just does it casually) and they walk in.
(It’s so easy. I promise.)
While Grover is walking around alone, he tries to check the time and realizes there’s no clocks. (Which ngl is super common in casinos already, but it’s creepy nonetheless.) Yada yada, he gets sucked in by Augustus and that’s how he gets got.
Meanwhile, Percy and Annabeth keep meaning to check the time, but every time they do, someone tries to hand them an appetizer or a drink, which makes them forget OR Annabeth’s hubris keeps her from checking. (Percy: Time check? Annabeth: Its only been five minutes. We’re fine. We need to focus.)
And that brings us to Hermes. After their chat, yada yada, Annabeth “leaves” and Hermes gets all cryptic, then he makes a BIG show of checking his watch, and THAT’S when Percy realizes something’s wrong because oh no they haven’t checked the time. So he finds Annabeth, they see it’s dark outside, they check her watch, and it’s Thursday.
“But we didn’t eat anything!” Annabeth says. Percy looks at the diffusers by the entrance. It dawns on him. “They’re pumping it into the air.”
That’s how you VISUALLY SHOW US THINGS instead of Percy just figuring everything out off-camera and telling us!!!!
Now, you may be thinking “Oh but do they have the budget for that??” Do you know how cheap these props are? Just bulk buy like six oil diffusers, slap a homemade sticker of a lotus flower on them, and keep moving them into every shot. And they’re quiet!! They wouldn’t interfere with the sound, the steam is visible enough to be caught on camera without messing with the lighting, they actually look really cool in some lighting, and they fit the atmosphere of a hotel/casino!! Then the watch is like $15, fits with Annabeth’s character, and totally matches her outfit.
It’s CHEAP! It’s EASY! It DOESN’T CUT INTO THE RUN TIME! It’s AESTHETICALLY PLEASING! ANNABETH GETS A SICK WATCH!! NO DOWNSIDES!!!!
The biggest problem with this show isn’t how accurate it is to the book or how much money they have or that they’re “Disney-fying” it. The problem is they are TELLING US things instead of SHOWING us. And not to beat a dead horse because everyone’s heard of “Show Don’t Tell” but like??? This is exactly why everyone is taught this over and over again in school?? Because people still do it anyway all the time???
There’s also something else I learned (or really just picked up) when I got my B.A. in Creative Writing: Good shows are predictable.
Whether it’s a case of the audience learning what’s going to happen before it happens or them watching the show again and realizing how obvious the answer was the whole time, audiences always want to feel smart. They want to interact with the material. If you don’t give them the opportunity to pick apart the mystery themselves by setting down clues, they’ll give up on interacting with the show and lose interest. That’s why you SHOW them things. There are several moments where this show is completely unpredictable, not because it’s complex but because it doesn’t let you predict it. That doesn’t make it bad—the comedy and character development is doing a great job of carrying the show’s weight so far. But it definitely doesn’t make the show good.
It’s like Rube Goldberg machines. Or dominoes! We don’t watch those crazy 1000+ domino videos so we can watch the last one fall. We watch it to see HOW they fall. Take one domino out, and it’s unsatisfactory. It doesn’t work anymore.
But some oil diffusers and a watch??? Little clues that make the realization that more visually appealing??? THAT’S SATISFYING
Anyway, these are just two things that could have been done, but weren’t. Most of the show is stellar. I think it just needs a little bit of editing here and there. I studied this for like years, and I needed to get this off my chest. That’s it.
Rick Riordan, if you ever see this, I am available for hire :) I would love to be a script doctor please please please please
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ecoterrorist-katara · 2 months
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Why I feel like Ka/taang is one-sided, despite textual evidence 
ATLA does try to convince us that Katara has romantic feelings for Aang. For example: she seems thoughtful when she realizes that Aang is a powerful bender; she’s offended that he didn’t want to kiss her in the Cave of Two Lovers; she gets jealous when Sokka says On Ji and Aang look good together.
So…what’s wrong with anti-Kataangers? Do we just lack media comprehension? 
To be clear, on their own, these gestures can indicate romantic interest. But at the same time, we have stuff like “Aang is a sweet little guy, like Momo.” We have her ambivalent facial expression after he kisses her before the eclipse, and her hedging during Ember Island Players, and her anger when he kisses her anyway. In the context of these conflicting cues, Katara’s possibly romantic reactions can absolutely be interpreted in a different way, because: 
Acknowledging a friend as a potential romantic interest is not the same as actually being romantically interested in them. (Imo this is something young women struggle with, due to a combination of romance-centrism and heteronormativity that make women feel like they should be in romantic relationships, and that boys and girls who share intimate and deep feelings for one another must be romantically into each other) 
Wanting someone to find you desirable is not the same as desiring that person. (Which is something a lot of women, especially young women, struggle with. Remember all the discourse around Cat Person back in 2017?) 
Being jealous when someone flirts with your friend is not the same as wanting to be with your friend. (Especially when you see your friends as family, or if you’re accustomed to a specific type of devotion from that friend. It is jealousy, and it is possessiveness, but it doesn’t always arise from romantic feelings) 
Growing up in a patriarchal society means that your desires are always filtered through what men want from you, sometimes in an abstract male gaze-y way, and sometimes in a very visceral and interpersonal way when a boy wants you specifically. And Katara’s reactions are just that — reactions. Reactions to what other people — including Aunt Wu, Sokka, Aang himself — have insinuated about her and Aang. She’s not really proactive in her interest in Aang: we don’t really see Aang, romantically, from Katara’s POV. Under the framework of “Katara is reacting to a romantic prospect she’s kind of uncertain about,” it is completely plausible — and indeed likely — that she would sometimes act in ways that indicate romantic interest, in addition to moments where she indicates the opposite. 
Ka/taang shippers often bring up other evidence, like Katara’s despair when Azula hits Aang with lightning, or how protective she is of him when Zuko joins the Gaang. The thing is, these pieces of evidence aren’t necessarily indicative of romantic love. The fact that Katara genuinely loves Aang makes the whole thing more complicated, not less, because — especially at that age, especially when Aang is twelve years old and grew up in a sex-segregated society of monks — it is really difficult to tell the difference between platonic love and romantic love. Their mutual devotion is layered and complex yet straightforward in its sincerity. What was not straightforward, until the last five minutes of the show, is whether this devotion on Katara’s end is romantic. The romantic arc for Katara and Aang is not really an arc, as Sneezy discusses in this classic ZK video. Katara actually becomes more conflicted over time and we never see an event that clarifies her feelings. She seems more interested in him in The Headband than on the Day of the Black Sun, and she has never been more hostile to his romantic overtures than in the penultimate episode. 
And in light of this, it’s pretty easy for fans to fill in the blanks with a different interpretation: maybe Katara’s weird expression after their kiss at the invasion means she didn’t enjoy it; maybe the kiss made her realize that she doesn’t actually feel that way about Aang; maybe against her will and her better judgement, she’s developing feelings for another person, a person who hurt her and whom she fervently tried to hate until he pulled off what is in my opinion the greatest grovel of all time in the form of a life-changing field trip. Maybe. Am I saying that Zutara has more romantic interactions than Ka/taang? Of course not. But ironically, the lack of romantic interactions means that it’s not inherently one-sided, the way Ka/taang became in the latter half of season 3.
I’m not arguing that Katara’s unequivocally not into Aang. Obviously the text declares that she is, because they get married and have kids. But I am saying that there’s a very good reason that so many people, especially women, see Katara’s interest in Aang as ambiguous. It’s not because we can’t pick up “subtle” hints of growing affection. It’s because we know not all affection is romantic, and it’s really easy for someone else’s insistent romantic intentions to muddle what you want.
P.S. I first started thinking about these topics (platonic vs romantic love, desiring someone vs wanting to be desired, etc) in the context of compulsory heterosexuality, a term describing how queer women contort themselves into relationships with men even if they’re not really into men. I saw a post a few days ago joking about why so many queer women seem to be into Zutara. I wonder if part of the reason is because as queer women, we are very sensitive to the ways in which we can talk ourselves into wanting things we don’t actually want, and Katara’s romantic interest in Aang can be easily seen that way. 
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