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#it's just the most compelling relationship by far
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Okay I have a rant .
I'm really tired of reading about dumb fmcs , like feyre makes the dumbest decisions ever ( in retrospect she has been manipulated and brainwashed ) .
I really don't understand why people think she would make a good leader , the title of the High Lady is just that , a title , its just perfromative feminism on both sjm and rhysands part .
Hot take: Feyre should not have become a ruler. I know that authors think that their mains have to become the rulers or whatever, but it simply does not make sense for Feyre. She has no formal training, she is the most removed from her family's educated background, and she can barely even read for fuck's sake. The Tamlin-Feyre relationship makes sense because they're both artists forced to be warriors and the main providers...but that's not where their strength lies. That's not even what they want to do. And in this case, there's no "girlboss" moment of "embracing power," because they are already in the role of leader. It would've been more compelling for them to give up the rule and accept that there are others far more worthy of ruling. This is not a dig at Tamlin or Feyre; both did the best they could given the situation they were in, but it's simply not where they were meant to be. Not everyone is capable of ruling a kingdom; that doesn't mean they're lesser than others. Not everyone can be a warrior or an artist, either. Feyre and Tamlin could've been living their best cottage-core life at this point if SJM actually understood how to write character arcs. Sad. Tamlin and Feyre deserve a break. Nesta and Elain on the other hand? Born to rule. Not only were they raised for it, but they've got all the characteristics of good rulers. Nesta-Eris and Elain-Lucien are two amazing ruling pairs with two very different ruling styles depending on what court they're in and what kind of leadership is needed. Nesta and Eris would rule with a heavy hand where drastic change is needed and they have to deal with the Autumn Court assholes. Elain and Lucien would rule with their charisma and love. Ultimately, Elain and Lucien are the best suited to rule, Nesta and Eris second, and Feyre and Tamlin last. I am not counting the bat boys in this as they don't belong anywhere near a ruling position.
Every FMC could stand to learn a thing or two from Jude Duarte. That's all.
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crimeronan · 2 years
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actually midway thru first kill i can safely say i think it's elevated itself above comparable teen dramas
by giving all the parents neuroses, complexities, & bizarre relationships that.....
.....make me want to bust out homestuck shipping grids,
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pinkfey · 1 year
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i think one reason why i'm enjoying charity sm is because she's the closest thing i have to a mary sue oc 😔
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cape-wearing-enigma · 10 days
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worst thing ever is being a fan of something where the entire vibe of the fandom is so deeply uninhabitable to me personally. not necessarily in the “toxic fandom discourse” way (although that also sucks), but in the “the way you talk about this piece of media and the things you focus on and the things you like about it and the general opinions you hold about it from both an in universe and out of universe standpoint are, while not necessarily inaccurate or bad, very deeply unaligned with the reasons i enjoy this thing and what i find compelling about it or are just always phrased in the most obnoxious way possible” way
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emmafrostyyy · 6 months
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y'all sleeping on Astarion/Lae'zel bc this moment is so...the way the flippant demeanor drops and he doesn't hesitate to call her out for sticking with her version of Cazador like their relationship is so underrated fr...
sitting down writing this bullshit like let me peel it like an onion a bit and elaborate why this pairing is fascinating to me
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It's really interesting how during the most cathartic, life-altering moment in Astarion's questline, the reactions of the other companions are more about the moral wrongness/guilt of sacrificing innocent lives. Lae'zel doesn't do that and instead relates to his hurt.
She knows what's he's feeling, the lack of control, the unfairness of being powerless for too long. This is a woman who just found out her entire life purpose was built on lies, discarded and hunted by her own people after outliving her usefulness, and groomed to basically die for an insane power-hungry lich queen. She knows all too well that power isn't always real freedom. Her first instinct is to empathize with Astarion to steer him away from his hate and resentment.
Astarion/Lae'zel is so interesting to me because they're such a classic "can we make each other worse or make a better person out of the other?".
They both have genuine appreciation for violence and respect each other's ruthlessness. Astarion was used as a weapon of seduction while Lae'zel was of warfare. Sex with people is meaningless and not real intimacy for them, and while both have little understanding/experience of interpersonal relationships beyond the physical, they still feel and love very deeply. They have no frame of reference for things like friendship and warmth, but they badly want all of that and more, even if they don't know it yet.
In-game they can sleep with each other, which is basically the foundation of the normal Tav/Astarion romance. Lae'zel saw him during combat and got horny, who knows. Astarion who's used to luring people with his charms, takes up Lae'zel's blunt offer because she's a strong hardened warrior that can provide protection and be a worthy ally, and he doesn't know how to say no. Navigating the complications between one who wants to be seen beyond as a sex object, and one who comes from a totally alien culture with no concept of love/family/connections and only sex is honestly really compelling to me. It's a transactional, mutually beneficial thing with no emotional expectations. Once you get past the skeevy rockiness of their early relationship, I really like the idea of them slowly seeing something past the exterior and realizing they may have harshly misjudged the other, an unspoken friendship blooms, and in comes the realization that they are essentially loners longing for kindness and a comforting touch in the most desperate of situations.
Lae'zel is prideful, direct, has no sense of courtship talk, and doesn't hold back her thoughts the slightest--she's not sweet/agreeable and what you see is really what you get, which I imagine would be disarming for Astarion who's used to vacuous flattery and has difficulty trusting others. But she's also insanely protective, passionate, loyal, and an initiator-- every romance scene is triggered by her first and she's always showing effort towards her relationships, which would mesh well with Astarion who does need someone to nudge him.
She doesn't purposely suppress her feelings, she's just simply at loss at how to express them sometimes due to her wildly different upbringing. She stops the sparring match you agree to and an easy vulnerability slips instantly out of her: "I don't want to hurt you. I want to protect you, and for you to protect me." and "Thus far I've taunted you, devoured you, battled you. Now I want more than anything to soothe you." are romantic as fuck and Astarion of all people really needs to hear that tbh.
Astarion is also someone who struggles with reinforcing his boundaries, and a key theme in Lae'zel's romance is that she encourages and wants you to challenge her and learn to stand your ground. It's not gentlest method, but hey, relationships are about having to make an effort to learn each other's language.
I think he also would take pleasure "educating her on the matters of Fay-run" (I believe there's a whole banter with him teasing her and teaching her pet names) and would get a kick out of coaxing Lae'zel out of her shell with her shyness at showing public affection, and making her blush. Also it simply would be fucking funny to see Astarion who's used to easy seduction, trying to pass a persuasion check just to get a smooch and generally having to work to earn regular kisses from Lae'zel lmfaooo
Lae'zel also initially struggles to see her chains as chains. When she learns about Vlaakith's betrayal, she copes instantly through denial and shuts it down. Astarion is NOT having it and calls her out, he knows her well enough to recognize that she would value blunt honesty above all.
I imagine he also despises her lack of self-preservation, the way her entire identity is tied to duty and being in service of others, and doesn't understand her desire to still help/liberate the people that want her dead and are hunting her down. He wants to make this duty-bound soldier realize that looking out for herself, and putting herself first may not be the worst thing in the world.
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They're so similar to each other but are also polar opposites in some ways that make a more equal, balanced romance I think. It's not a simple, one-sided, feel-good "she/he can fix her/him" fantasy because both of them have to earn each other's love, actually cut through the other's flaws, and actively motivate each other to be better versions of themselves.
They're not at all the other's ideal guiding hand. It's rough, jagged, and imperfect, but that's how healing goes. It's so far from being the healthiest relationship -- but even if their belief systems differ, their moral compass does often align. I imagine it's a slight relief for them to have a partner where there would be less shame and judgment when they expectedly, occasionally slip up and fall into their bad habits.
Also, man, the "You showed me the betweens and beyonds. Beyond war and peace, beyond passion and obsession, most importantly, you showed me freedom.", "First you were my wound, now you were my cure.", "But you saw something else in me - someone else I could be. Someone who could break the cycle of power and terror that started centuries ago.." lines really hit hard when applied to them.
Of course, they can also make each other worse, feed into the other's negative traits that will bring out the worst part of themselves. It's this duality of their pairing that is very interesting to explore, the way it can steer in either direction because it's an intense, fraught relationship at its core.
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jidem · 2 months
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Listen, ok listen. Apollo is fundamentally a very normal guy. Sure he has magic powers, and sure his backstory is insane, but he himself is just. A guy. An all considered well adjusted guy. He's hinged. By far the most regular attorney in the serie.
That's what makes his relationship with Klavier so compelling, because Klavier, for all he is a campy rockstar, is also a fundamentally normal guy, so the two of them create an united front. They have this thematic synergy : common sense and basic cooperation triumohing over the batshit insane mess of the legal system.
But, Apollo being just a regular guy, is crucially what makes his relationship with BLACKQUILL the funniest shit in the entire serie by far.
Normal guy vs Hell murderer samurai with a sword
Regular attorney vs Insane emo band leader
Guy who can see really good vs Guy who can shatter metal with his bare hands
Aa5 is HILARIOUS and amazingly fun to play just because of that
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prettyboykatsuki · 5 days
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I can just imagine fujo neet reader practicing different sex position with rin to make sure she gets the proportions right.
✮ tags ; fem!reader, sexual tension, rin's pov, RIN IS KIND OF MEAN TO HER BUT HE WANTS HER SO BAD FDKJJS, reader is a fujoshi and bl mangaka, pre-relationship, they work together, part of a ficverse i haven't written yet Sorry, ONE JOKE ABOUT RIN WANTING TO OFF HIMSELF, SUPER SUGGESTIVE LOL 18+
✮ wc ; 3.5k (WHAT THE FUCK!!!!!!!)
✮ a/n ; i had to do this for my sanity. i promise i will write them a proper fic with them i promise.
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You never text Rin.
Not really. Not first at least. It's a new... friendship. Kind of. Sort of. Most of your communication thus far has been through meetings and random in-person chance encounters. Outside of that, Rin will call you since it's faster. If you do "text", it's mostly through twitter DM's.
There's a discord server your fans run, and you pop in there often enough. He's had the invitation extended but declined unilaterally, since he'd rather not see himself fucking Isagi anymore than he already has in his short, miserable career.
It surprised him this morning, seeing your message flash across the top of his screen. Asking, specifically, for him to come over and help you with something related to the new manga you were writing. He had it in his right mind to decline, but after learning it wasn't a doujin for him, he semi-reluctantly agreed.
Rin doesn't know when exactly your relationship to him grew this...comfortable. Inviting him over to your house, begging him for favors, not wincing every time he talks to you. Rin isn't an extrovert but compared to you he's a social butterfly. And your aversion to people in general, Rin thought, would prevent you from doing anything more than squeak at him forever just like you did when he met you.
(Though nothing in his life has been normal since your arrival in it. He's not sure why you would remain unchanged when he certainly hasn't.)
He doesn't know what to feel when you ask him for a favor, and he doesn't know what force of nature compels him to go. If it's morbid curiosity or annoyance or something else even worse.
It was compelling enough to take the train all the way out to Machida - an hour long trip from his own place. His manager hounded him to take you something, so he has a bag of ginseng energy drinks and snacks with him as a gift. He took the bus with his mask on, and then walked all the way to your building.
Your apartment is tucked somewhere classically suburban - attached at the far end of a residential street and behind concrete support beams for a highway just overhead. Cherry blossom trees and other shades of white flowers grow around it in thick patches, making the entrance hard to find. Rin would've had trouble if you didn’t give him details on exactly where to go.
It's an older building, stone walls worn and grass-stained from age. At the gate are groups of old people talking amongst each other as they sort through recycling and trash. All visor hats and sunspots, they fawn over Rin for a long while before he goes in and interrogates him with questions. None of them know him, which is relieving. It quickly graduates to them asking who he's there to visit, if he has a girlfriend or not.
All of them ooh and aah when he mentions your name, say something about being relieved she's found a man so handsome and that Rin should marry you because even though you're a little strange you're a good girl. Rin does not have the time nor energy to correct them - only nods and bows his head and leaves.
On the elevator ride up to your floor, he can't help but think repeatedly that this isn't the kind of place he'd expect you to live. He thought it'd be out in the middle of nowhere, maybe in a damp and broken building.
But this is a nice place with nice people, vibrant and colorful. Totally opposite from what he considers your personality.
Suitable or not, Rin manages to make it to your floor without a hitch.
He finds you, then, as he'd expect. Down a long hall, behind an unassuming white door. When you open it, you're a mess. Your hair completely unkempt, face greasy, a wild look in your eyes and complete surprise in your expression as if you didn't invite him over. You do, however, manage to invite him in without stuttering or stumbling over your words foolishly like you did the first time you spoke to him.
Another surprise is how... clean your living room is. It's lived in but he was expecting more mess in there. Your bedroom is in a similar state, undoubtedly messy but not terrible. Your NEET tendencies finally end up showing when you drag Rin into your office where you draw your manga.
It's not dirty but it's cluttered. There's a pull out sofa on one wall, with a blanket and pillow littered about and pages upon pages of paper sheets with scrapped panels about the floor. One wall has a bunch of post-its with several notes in both English and Japanese, and another has tacked up pieces of art. Both yours and other peoples. He chooses to ignore the ones of him and Isagi, The walls themselves are cream colored and uninteresting and the wood floors are slippery. At the far end of the room is a spread of desks, a PC set-up and a professional looking tablet among various art supplies in stacked boxes.
It's this room you bring Rin into without explaining yourself at all, mumbling and muttering as you give him a place to sit and go back to your work for fifteen silent minutes.
When you're finally finished doing whatever the fuck you were doing, you turn yourself back towards Rin. Bluelight glasses fall down the bridge of your nose as you swivel around in your chair - your sweatpants half pulled up your leg with the other pulled down. You're wearing fuzzy socks with Naruto characters on them.
You stare at him, pulling your glasses off and rubbing your eyes - dark circles under them.
"Uhm," Your voice is clipped and thick with exhaustion. "You came."
Rin deadpans. "You asked me to come."
"I thought you'd say no."
He did too. He doesn't respond back. You chew your lips, already anxious and Rin resists the urge to say something about it.
"Okay. Uhm. Please don't get mad," You start with and then explain, looking away. Your hands pull your sleeves over your palms. "So. Like. For my new series, I'm finally getting to the sex scene but I've never drawn characters with an intense height difference like this. And I need... new reference photos.... and uhm," You rub your feet together on your chair where you sit "Well our height differences and size is the exact one my characters have. So."
Rin stares at you. "So?"
"SoIwaswonderingifyou'dtakereferenceimagesforsexpositionswithme,"
Rin feels his jaw lock. "Slower."
You frown and look away, tucking your chin with embarrassment. "I was uhm, like, wondering if you'd take... take the uhm, sex position reference photos with me, please."
"What?"
You clasp your hands together, immediately prostrating yourself by throwing yourself down the ground. He flinches back, wondering if you're gonna hold onto his leg next.
"Please, please help me. You're the exact height of my seme and you uhm have similar builds and he's doing the most of the legwork. The poses are a little bit hard but I want them to look good or Minami-san will eat me and I'm scared of her, please help me."
"Who is Minami-san?"
You sniffle, on the verge of tears just thinking about it. "My editor. She used to be my fan. She's scary. Please, Rin-kun, please."
"What the hell did you do before?"
You frown at him, big wet puppy-dog eyes.
"It was hard. Sometimes I'd pose with my big stuffed animals and make up the proportions. Oh and usually watched porn and stuff. Sometimes I'd get lucky with stockphotos. But I don’t get the angle exactly right unless I have good references."
Rin wonders if anything you have ever said has processed in your mind before saying it. He doubts it for some reason.
"So," Rin pinches the bridge of his nose and shakes the image of you humping your stuffed animals out of his head. "You're asking me to.. pose with you?"
You nod and chew your lip. "Please, I promise I'd never ask you for this if I wasn't s-scared of Minami-san! Please?"
"I should make you pay me for this," He sneers. You flinch back and close your eyes.
"I'm sorry." You whine wetly, but then open your eyes again anyway. "Please help me."
Rin doesn't know why he helps you. Maybe you're just too pathetic for him to ignore. Maybe he's a masochist. Maybe inhaling the same air as Bachira last week turned him stupid.
He pinches the bridge of his nose.
"Fine."
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If Rin didn't believe you before when you told him you make your own references, he'd definitely believe you after you take him to your bedroom.
Your bed is in the center of your room, instead of being pushed against a wall. Large stuffed animals laid in one corner. On both sides of the room, are makeshift digital camera stands and remote-controlled lighting among another remote for said cameras. There's about 4-6 angles from what you explained to Rin, and a few adjustable lights. It's an elaborate set-up and takes the kind of dedication Rin can only imagine a hardcore fujoshi freak like yourself thinking up.
All of this to mostly draw porn of him and his rival. He tries not to think about it too hard because he thinks it's going to give him an aneurysm. Rin sits at the edge of your bed as you adjust each of the cameras individually.
"What do you do if it's not on a bed?"
You flinch like you aren't expecting him to talk. "Uhm. I either simulate as best I can o-or move my things and bed around. It's why I moved my desk to my office."
Rin stares at you. "You take it seriously."
You nod meekly. "Producing high-quality doujin is what made me money, so I have to work hard. Being poor is tough."
If Rin didn't find you so unbearable he might find that awe-inspiring in his own fucked up way.
"Okay. Everything is set-up. Now for the poses," You say, suddenly sparking back to life. Rin sits and watches. "They're having sex on a public beach so the bed and the way the seme sort of sinks into the sand will be good... I think the bridge one is the one we'll do first."
"The bridge?"
You nod, talking in short sentences. But Rin can tell this is where you're comfortable, doing things for this... hobby. Your usual constant embarrassment and shame seem to disappear when it comes to it. It's fascinating like a car crash. "Uhm. You have to stand on your knees and then, I'll lay on my back and arch my back up to meet your... y'know. It'll emphasize the height difference."
Rin stares at you agape. You take the remote control for your cameras in your hands and look at him expectantly.
Rin doesn't know whats wrong with him. Why the hell did he agree to this?
"Do you want me to take my jacket off?"
You nod, surprised. He shrugs the thing off of his shoulders and tosses it onto the floor.
Rin, per your instruction, gets into the position in the middle of the bed. He stands on his knees waiting for you. You join him a minute after, squinting at your phone screen beforehand. He isn't sure what he's expecting as a result of your ask, but he sure is shocked when he finds you placing your feet flat on the bed next to his knees and pushing yourself up for your crotch to meet his.
He knows that’s what you said but your shamelessness proves to be… shocking.
He tries not to let it show. His jaw ticks. His face feels warm but his expression remains neutral all the same. You shift and adjust and don't seem concerned at all - like it doesn't occur to you that this is in any way socially unacceptable. Or it's unfathomable Rin would take advantage of this. That this is weird, or could be interpreted in less than innocent ways. Rin knows you're so out of touch that it probably isn't. That this is, to you, just considered a favor which is partially why he even agrees.
But you're mid-brushing up against his bulge. The angle of your back forms a triangle, your arms laid flat at your sides as you squirm and push. And your expression shifts, deep in thought.
"Uhm, like, would you mind p-putting your hands on my hips? Kind of squeezing tight like it's," You flush this time, but Rin harbors doubt it's about him. "Like it feels good I guess? Like hard, and stuff so you can see the indent."
He's so astonished, he does it on autopilot. Neutral and even. He lets his hands grab your hips and holds tight just as you ask. Your long, loose sweatshirt falls down revealing the soft skin of your tummy. He can see the tops of your underwear, the thin cotton kind that come in 6-packs with a single bow in the middle in a grey color.
You don't seem to care about it. Rin shouldn't either, but his body does seem to care. His brain does. Something is happening in his gut. Anger maybe. Some cheap, frustrated desire to make fun of you.
Instead the words he's been wanting to ask since you proposed this tumble out of his mouth. He stares at you.
"Is this the first time someone's done this with you?"
You jump with a start, but remain in position. You take the pictures first, six clicks in a row before answering.
"H-huh? Why-why are you asking that?"
He doesn't know. Really. And he knows how it sounds. Rin doesn't say anything and you fold under the immense pressure of his gaze.
"S-stop staring," You say, and take a few more pictures, lowering your back just a little but still staying up right. "And no. No one tall enough or with the right physique."
There is another gnawing question, another burning curiosity. He makes his voice as even and unaffected and apathetic as he can. As mean as possible.
"Have you ever even had sex?"
Your eyes blow wide, but you seem to fall for the persona of apathy, curious boredom and cruelty. Worse, you seem a little used to it. You squirm this time and Rin holds you firmly in place. Your voice is small.
"Uhm, like, once I guess. I-it was with a guy, I didn't really date him but he seemed interested in me and I didn't think I'd ever have the opportunity again s-so I did it and I didn't uhm, it wasn't very good or anything." You reply, and he can feel your toes curl in your socks next to him and his brain feels like it'll melt from out of his ears. "Sorry, I don't-don't think you care about that, just uhm, felt like I should explain."
"Yeah," Rin feels dizzy. "Do you need another pose?"
You blink and then nod. "Yeah! Another one kind of like this, but with the legs like uhm, on your chest and my feet closer to your head. With you leaned back a little. Does that make sense? The butterfly position, I think."
Rin swallows something at the back of throat.
He nods, pulling you into position so easily he can heard you gasp. Your legs straighten against his clothed chest, and your sweatshirt falls far enough to let him see your bra. A fabric sports kind, a little worn - just the logo visible. He doesn't say anything about it, your feet resting near his neck. You make a little soft noise.
"This feels a little difficult to be in. Poor uke. Sorry if this one is kind of weird, but can you put your hands, I dunno, on my ass, I guess? I know that's probably too much but I think it'll be a good detail, so please? I'll pay you"
Rin stares at you, teeth gritting so hard he feels the back of his skull throb. "Fine."
Rin, per your request, puts his hands on your ass. It's easy enough, and he doesn't hold too tight. But it's too intimate, too stupidly fucking intimate, and he can feel you. You're hardly paying attention, caught up in your own head with whatever else. Rin is paying too much attention. Like how your sweatpants aren't thick enough to cover the outline of your frumpy cotton panties and how your soft all over. He's going to kill someone. Maybe himself.
Six more clicks and a little noise of satisfaction.
"Okay!!! I think these will turn out so great, and I can use them later too. Just one more. I have a lot of refs for this position, but uhm - I want to see if I can get the proportions correct, so if you'd please lay down," You tell him with such genuine excitement he can't find it in himself to say anything horribly cruel. "I'll be doing most of the work this time. I just-just need to see how uke will compare..."
You mutter something to yourself as Rin lets you down and lays himself down on your bed. You sit next to him for a long while, squinting at your phone. Rin stares at you as you. Wonders if he's gone completely insane, and tries to ignore the doom of the impending hard-on cozying itself in his pants.
Unceremoniously, you find yourself perching over Rin's lap. Not bothering to give him any pretense, it's the one thing about today that's really getting him.
"Oh, I need my hands for this," You give him the remote and stare down at him wide-eyed, over his lap. This has to be hell. "Could you take the photos this time?"
He closes his eyes and counts to ten and wonders if a concussion has made him insane. "Hm."
You brighten and Rin feels his chest go tight. "Thanks!"
Rin just nods, his mouth drying as you start to move and pose. A picture with your hands next to his head, and anothe r where you're sat up - your hands at your sides. Rin obediently takes pictures when you ask, his entire body tensing every single time you move.
"Okay, last one," You say. This time, you put your hands on his chest. Just the one. You must have something specific in your head that you're wanting to recreate. You bend down close, looking down at him as you do - your other hand clenched.
Rin looks up at you. He should not be thinking about you in any way. He's looking at the way your lips curve and plump and at your bare skin and your dark circles and your stupid licensed anime hoodie. He just gapes at you in confusion and mystique. He's around so many weirdos. It's not like there's anything special about you. You’re just another freak who makes porn of him. Plenty of people do that.
A loser and an idiot with no sense of self-preservation. There's nothing special about this, but Rin hasn’t been able to convince himself of that.
You stare down at him.
"Take a picture?"
Rin looks at you. Studies your expression. You seem like you're thinking. It's the only oppurtunity he has to pry.
"Did you want to ask something?" He says first. “You’re not hard to read.”
You startle, then nod. Your hand is on his chest. It's warm, and smaller than his.
"Oh, I-I guess I was wondering about what you asked me earlier. And uhm, like, I don't know. If you ever did anything. Your relationships aren't in the media and fans speculate but," You fall flat on your words. "I guess I was just curious."
Rin hates this question. It's why he never answers it. Why he hates being called a hearthrob, always too shallow and too personal for his taste.
"Nothing long term or serious. It was most for physical relief." Rin says, almost on autopilot. “Not that’d you know what that’s like.”
Your eyes widen. Rin feels his hands twitch, watching your expression finally grown conscious of him. Lust spreads through you like honey and Rin can see it in how you look. You squirm in his lap. He's not usually so aggressive, not usually one to care about sex in any important way. Not one to brag about something so unbelievably inane and trivial.
But it's bothering him, just how much he's fighting the urge to pin you down and fuck you. You of all people. It's not like him. Rough sex is whatever, but it's bothering him how little any of it seems to register in your head anymore like it once did. You could barely breathe the first time you met.
He doesn't know why he cares that you don’t anymore. He doesn’t give a shit about anything related to you
But the thought nothing seems to bother you anymore bothers him.
"Oh... I see. That's uhm, interesting. I b-bet you have a lot more experience than me. Maybe it'd be a good thing to keep you around for that kind of refernce too," You joke.
Rin lets his hand slip up to your hips without asking, not bothering to hide it anymore. His head feels with nothing but stupid useless thoughts. Thoughts of fucking you in your old, worn clothes and stained shirts and comfortable cotton underwear. Thoughts of your hands clutching at his shoulder all weepy with desire and need and stupidity - your big wide eyes bleary and sensitive. It's cruel how relentlessly he thinks about taking advantage of all your differences. Of how unathletic and awkward and unused to everything you are.
It's horrible just how much he's staving off his own arousal about it. Maybe you're strange habits are infecting him, making him strange too strange. All Rin can think about uselessly is how easily he could put you in your place. Fix you in some strange way. You’d be his to fix and you’d cry and weep and want to run away. Rin wouldn’t let you, keep you pinned and caged like an animal.
His throat feels tight. What is fucking wrong with him today?
Is he that pent up? He stares at you, and gets some passing feeling that there is more to it than that. He closes his eyes.
"Whatever," He says, letting go. You don't seem to notice it again, how thick his voice is getting "Are you almost done?"
You nod and smile. "Yes. Thank you."
Rin feels his heart tug and seethes. “You're welcome."
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nikibogwater · 2 years
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I cannot stress enough how much I love love love the way Loid and Yor’s relationship is written. By removing actual romantic attraction from the equation, the story ironically gives one of the most accurate and honest depictions of what it takes to be a married couple. Way too many people assume romantic relationships are primarily centered around...well, romance. So they commit to a long-term relationship on the basis of emotions--fleeting things that you can’t control. And then one day, the honeymoon phase high wears off and maybe you don’t feel like making out today, maybe the other is in a bad mood and not fun to talk to right now. Maybe things just aren’t as sexy as they used to be and you’re starting to get bored. 
That’s where the importance of an actual foundation comes in. From what I’ve observed of my own parents and grandparents, love is maybe 10% emotion and 90% willpower. Love is working as a team, embracing each other’s strengths and weaknesses, always seeking the other’s happiness and wellbeing. It’s acknowledging your faults and working to be better for them. Linking arms and digging in your heels whenever times get tough because you two are in this together to the very end, and it doesn’t matter if things are less sexy or exciting than they were at the start, because you’re bound by something deeper and far more mysterious than that. 
SPY x FAMILY starts building Loid and Yor’s relationship not from a place of romance, but from a place of mutual teamwork. The most compelling developments in their relationship are things like Loid taking Yor’s advice on raising Anya, Yor wanting to contribute to the family in practical ways, the two of them valuing and being genuinely grateful for the other’s strengths. They work as a couple long before they’re actually....y’know, a couple because they are building a strong and stable foundation for a real relationship. Romance will be the reward, but it’s not the end goal. Their real goal is to support and empower each other and their daughter. And that more than anything is what’s going to make their romance feel so good to watch.
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lakesbian · 2 months
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i have had like 10 friends rec worm to me but nobody’s given me a good like, gist of its vibe and what its abt because ‘its best blind’, could u please give a like brief summary and vibe check of it 😭 it’s so long i dont wanna try and invest that much time without knowing much abt it
so, worm is a 1.7 million word long webserial written in 2010. 1.7 million words seems like a lot, but it was also written over a relatively short period of time, which means the writing style is very easy to parse--the ideas aren't without complexity, but the language itself isn't intimidatingly dense. you can get through it at a very decent pace. i agree with your friends that there are vast portions of worm that hit best when you're unspoiled, but the thing is that worm is long enough that giving you the basic plot pitch is in no way spoilers for any of the things that i wouldn't want to see spoiled for someone. i'm actually kind of baffled they're not telling you Any Thing, because it is in my estimation one of the best books i've ever read, but it also Needs a briefing before you get into it for like five different reasons. which i will now provide. i swear to god this is brief by my standards it's just that i am very thorough
worm is a story about superheroes and supervillains, set in a world where superpowers are traumagenic--rather than appearing randomly or innately, some people gain powers after a traumatizing event happens to them. the protagonist is taylor hebert, a 15yo girl who has the power to control insects and desperately wants to be a superhero. and then accidentally finds herself scouted by a team of teenage villains instead. who's to say how she's going to react to all that!
one of the most compelling things about worm is that the superpowers in it serve as visceral, hyper-literal metaphors for the trauma and traumatized coping mechanisms of the characters with those powers. each power is incredibly specific and thematically relevant to the person who has it, and it's incredibly interesting and evocative. it feels so natural and well-done that it comes off like how superpowers are just meant to be written.
the fact that superpowers stem from trauma also means that worm is fundamentally a narrative about trauma. specifically, about traumatized teenagers and the relationships they form as they cling together while struggling through growing up traumatized & mutually coping with an increasingly intriguing, intense, and far-reaching escalating plot. worm's depictions of trauma + mental illness--including unpalatable trauma responses, including traumatized characters who are allowed to be complicated and nuanced and messy while still receiving narrative respect--are deeply real-feeling and impactful, and they're placed in the context of a well-spun + engaging story.
i really do have to stress how excellent the character writing is. worm is fully deserving of being as long as it is. over the course of 1.7 million words of character development, the average reader's reaction to the main characters goes from "sorta interesting" to "okay, i want to see where this goes" to "augh...really likable" to "i am now on hands and knees crying and these characters are going to stick around in my brain forever." wildbow has incredible talent for efficiently conveying complicated, real-feeling, and viscerally evocative characterization. many of the interlude chapters (chapters written from the perspective of different characters other than taylor) are so interesting, fleshed-out, and emotionally affecting that they make you wish you could read an entire novel about just the side character being featured. with that level of characterization for just the side cast, it's not surprising that taylor (& co) are genuinely just downright iconic. and i do not say that lightly--taylor is truly one of the best-written protagonists i've seen in anything. ever.
the other main pitch-point for worm is that it's a fascinating deconstruction/reconstruction/examination of the conceits of the superhero genre. it answers the question of--what would the world have to be like, for people with superpowers to act the way they do in classic cape media? and it does this well enough that it's interesting even if you have only a passing familiarity with cape media. i am not a big superhero media fan, but worm addresses virtually every aspect of cape media that was under the sun around 2010 in a way that's so interesting i still find it incredibly engaging. the approach it takes makes the narrative very accessible even to people who aren't usually cape media fans.
and speaking of the narrative: the end of the story is coherent and satisfying and deeply thematically resonant*. the way worm follows through on all of its main mysteries & plot threads is excellent. you don't have to worry about getting thru 1.7 million words and being dissatisfied by the author shitting the bed at the end, or anything like that. he does an amazing job of weaving together plot events in a way that makes each successive one feel rationally, thematically, and emotionally connected to what came before. there's really only one part where i feel the story stumbles a bit, but i think it was the best option he had for the narrative, and it's by no means a dealbreaker. it's in fact really impressive how cohesive and satisfying worm is for such a long webserial released over such a brief period of time.
*this is subjective ive seen some people who didnt love it but ive never seen anyone who downright Hated it who didnt also demonstrate egregious misunderstanding of literally everything worm is about. so thats a good sign
as for the downsides of worm/things that might put you off:
there is a very long list of trigger warnings for it. if you have any trigger warnings you want you should ask your friends to let you know about the relevant parts, because the fact that it's About Trauma (& about typical cape media circumstances presented very seriously) means that traumatic and violent things & their realistic aftermath are constantly happening and/or being discussed. i would not classify worm as needlessly dark or spiteful to the audience by any means, but it is intense and covers a lot of heavy topics. i do assume if your friends are all recommending it to you, they think none of the material would be too much for you, though!
worm was written in 2010 by a white cishet guy from canada. it's typical levels of 2010-era bigoted, it has a deeply lesbophobic stereotype character, it has some atrociously racist stereotype characters, the author really hates addicts, It's Got Blind Spots. i think worm is generally fully worth reading despite these, but very fair warning that it can get bad. i think what exacerbates this is that worm is generally extremely nuanced & sympathetic regarding ideas such as "crime is a result of systematic circumstance vs people just being inherently evil" and "mentally ill people who are traumatized in unpalatable ways are still deserving of fundamental respect as human beings" and so on and so forth, so it's extra noticeable and insufferable when you get to a topic the author has unexamined biases on and all that nuance drops out. the worst part is that a lot of this is most concentrated in the early arcs, so you have to get through them without being super attached to any of the characters yet. it is worth it though.
worm like. Does have a central straight relationship in it. and it's a very well written straight relationship for the most part and i like it quite a lot. but worm also passes the bechdel test with such flying colors that it enters 'unintentionally homoerotic' territory. which means a lot of people were shipping the main character ms taylor hebert with her female friends while the story was being released. which caused the author to get so mad he 1. posted a word of god to a forum loudly insisting that all of the girls are straight and 2. inserted a few deeply awkward and obvious and out of character scenes where he finds an excuse for the girls to more or less turn to the camera and go "i'm not gay, btw. this is platonic." This is fucking insufferable, and will piss you off immensely, but then you will get to any of the number of deeply emotionally affecting scenes between them, and at that point you will be too busy sniffling piteously and perhaps crytyping an analysis post on tumblr to be mad about all that other shit. also they're only a couple tiny portions out of an entire overall fantastic novel
overall: if those points don't sound like dealbreakers (i hope they aren't they're really massively outstripped by the amount of devastatingly good moments in worm, worm still has a thriving fandom over a decade later for a reason), you should absolutely give it a shot and see what you think. my final note is that you have to read up until the end of arc 8 to really see where what makes worm Worm kicks in, so aim for at least there to see how you feel about it if you're just thinking about dipping your toes in vs fully committing. i hope that was helpful and not too long :)
oh and don't go in the comments section on wordpress if you don't want spoilers. or anywhere else in the fandom at all. you will be spoiled. quite possibly for things you could not even have imagined were topics to be spoiled on.
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writing-with-sophia · 4 months
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Writing a novel: Step by step
Most writers aspire to publish at least one book in their lifetime, but writing a novel is not easy. From new writers to experienced writers who have published hundreds of books, everyone must follow a step-by-step process to create their work. These steps are based on the wisdom of famous writers, so while they may not be entirely definitive, they will certainly be helpful to you.
Step 1: Generate ideas
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Start by generating ideas for your novel. This can involve brainstorming, keeping a journal of potential story concepts, or drawing inspiration from real-life experiences, books, movies, or current events.
Once you get an idea, hone it.
Step 2: Create characters
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A novel cannot be successful without unique and charming characters. Create compelling and well-rounded characters for your novel. Develop their backgrounds, motivations, personalities, and relationships. Consider their strengths, flaws, and how they will evolve throughout the story.
Remember, the more realistic the characters, the better the novel will be.
Step 3: Build setting
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Establish the setting or world in which your novel takes place. Whether it's a real location or a fictional world, provide enough descriptive details to immerse readers and make the setting feel vivid and believable.
Step 4: Define plot and make an outline
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What is your story about? How will it unfold? How does it begin, develop, and conclude? What and how many scenes will be included? Make an depth and very depth outline, even going so far as to outline every chapter.
Step 5: Write
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Begin writing your first draft. Don't worry about perfection; the goal is to get the story down on paper. Embrace the creative process and let the ideas flow. Please remember, don't go back and make changes. Just write!
Step 6: Revise and edit
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Once the first draft is complete, take a break (for 3 days) before revising and editing. (This will keep you from overediting or not editing enough.) Then, read through your manuscript with a critical eye, focusing on plot holes, inconsistencies, pacing, character development, and overall storytelling. Revise and rewrite sections as needed.
Step 7: Get beta readers
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(You must) seek feedback from trusted individuals, such as beta readers, writing critique groups or your friends. Their input can provide valuable perspectives on areas that may need improvement. Consider their suggestions while maintaining your unique voice and vision for the story.
Step 8: Polish and refine
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Polish and refine your novel based on the feedback received. Pay attention to sentence structure, grammar, punctuation, and overall prose. Ensure clarity and coherence in your writing.
Step 9: Publish
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You can research different publishing options, such as traditional publishing or self-publishing. Remember to evaluate the pros and cons of each approach and decide which is the best fit for your goals and circumstances.
That's all. I hope you success in publishing your novel!!
If you want to read more posts about writing, please click here and give me a follow!
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writella · 8 months
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Trinkets; The Gifts of Gold He Gave You
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Synopsis: A detailed record of all the special objects Daryl has found for you while hunting, riding, supply gathering, and living in the various places he has in the new world. These objects often lead to sweet moments of kindness, joy, and understanding between the two of you, deepening your connection. Although they are things others might not think much of— they were simply small gestures or trinkets after all— you believed these memories and mementos to be gifts of gold; they would shine in your mind forever onward.
Details: Daryl Dixon x fem!reader, mutual pining, kisses, lots of love and ♡ sweetness ♡ (true self indulgence at its finest), but there are also descriptions of trauma, abuse, and self-hate. Though other than that, it’s nothing else except Daryl being an endearing friend and future loverboy to you. This travels across the plot and setting of season 6-8, but it might not be a perfect fit. Lastly, even though these can be read anthologically, I did write them in a storyline as if there was an order in which Daryl gives or does these things with the reader as their relationship grows, so some past trinkets might be mentioned in the next story, but it truly isn’t too big of a deal; this is one you can have fun with! ♡
Author’s Note: My dearest reader, this one took much longer than I intended, but I think it’s because I put so much of my silly heart-filled imagination into it— truly one of my favorites to write thus far. I’m just so happy to give it to you. Feel free to read these all at once, one at a time, or pick the ones that best fit who you are. with love, writella . ♡ ⋆ ☽
Trinkets moodboard & visualizer here!
Trinket No. 1: The Ribbon ⋆ ˚。⋆౨ৎ˚ ⟡.•
A Bow from a Bowman
Daryl was out on a hunt one morning when he found it. It’s like he was compelled to pick it up, he did it without even thinking. It was nothing, honestly: kind of silly really, and flimsy, slightly covered by grass blades— it was dirty and discarded. But there was something about it, something tender… it reminded him of you, even though in some ways still, he hardly knew you at all.
It had been over a month since Daryl came back home to Alexandria; just a month since you entered what was supposed to be your new home. But also a week or so long journey it had been to unexpectedly find you and bring you back.
He remembered it well: you were covered in dirt, tired and hungry, running for your life from the past group you were with. He was going to let you go and mind his business— you looked scared of him anyway when you crashed into him. But most importantly, he had just lost his crossbow, his bike, and maybe even a little bit of his dignity to Dwight who stole them. He didn’t feel like getting tricked again, especially since it takes a lot to trick him; he wasn’t letting that happen again. Especially not the day after. And most especially not for a seemingly young and innocent-looking girl like Dwight’s wife, Sherry or that kid they were with, Tina.
But then, he heard the yelling, the hollering, the men– they wanted you, and none of it was for the right reasons. Very wrong and scary reasons they were indeed, ones he would soon come to understand were things you’d never want to live out or discuss again. He understood that feeling, so he stayed. He hid behind a tree. He decided to help again. Who knows of your innocence, but what was definitely true was that you were a lost and lonely girl in the woods. He knew a thing or two about those unfortunately, those stories ended badly.
Sad enough, the hiding and helping— or attempting to— led him to become a prisoner with you and your ‘group.’ He barely got scraps of food, and every night was just another day of seeing your tears, your face in a permanent state of desolation and misery; staying ever silent even when you were yelled at— even when you were forced to do things you didn’t want to do. You looked scared and small.
It was only when you all reached a hospital, one you burned to the ground just to get away from them, that Daryl saw the fight in you. You didn’t even ask for his help and he tried to save you, but in the end, you saved him. A silent soldier, you were. He returned the favor with the least he could do: he took you home.
And now there you both were. You sat by Rick’s fireplace. No one was home yet, and you had just put Judith down for the night. Daryl found you there on the floor with a book. He quietly sat near you. All you two said was hello.
And this was normal, actually– the being around each other, showing up unannounced, sitting beside each other– talking or not– or you, trying to help him with whatever work he was up to. He tried to fight it at first, but it became a regular thing. It’s what helped Daryl get to know you, and you to him.
You were equally as fierce as the fire you created not long ago, but just as gentle. Just as desiring to smile and create friendships. He knew that now. And he— he was just as rock solid and straightforward as the crossbow he once carried, but just delicate. Just as easily hurt and as quick to hide, yet so deeply desiring of loyalty and acceptance. You know that now too.
It’s still so soon, but you admired him, so deeply. You wanted to learn from him. You thought he was strong, and you wanted to be strong. All that anguish and pain and he came out a fighter, a leader.
Little did you know that is exactly what he thought of you. He went from seeing you cry yourself to sleep every night to becoming the kind and generous friend you were to almost everyone you met. Always offering to care for Judith, or allowing Carl to come to you to talk, or learning about guns and shooting with Rosita. And of course finding a way to go on supply runs, or learn to hunt, or fight walkers with Daryl as much as you could. As always, he pretended not to care that much, but he did. He couldn’t help it. He values his independence, but it was nice that there was someone who wanted to be around him so much. And he admired you for his own reasons as well: You’re someone who fills others up with lightness when such dark things have happened. He felt like that every time you two we’re together. He wanted to learn from you too.
As he sat there, thinking, he wondered if maybe that’s why he thought of you when he saw it. Maybe it was the brightness and softness of it, despite finding it on the ground, despite it being dirty. He cleaned it up, and it still shined, that’s like you but… he was still unsure. Maybe it truly was nothing, maybe it was stupid.
He looked to his side, watching your figure for a moment as he decided what to do. You were on your stomach, laying on the small rug that sat in front of the fire. You were continuing the chapter you were on, paying little attention to him. He only said ‘hey,’ after all. And you did wave back, you asked him how his day was, but all he gave you was a typical response, ‘fine,’ he had said. You thought maybe this visit wasn’t about talking so you left it. And all of this was typical anyway, for Daryl to come by Rick’s, or for you two to sit in peaceful silence, but then you started to see him fidget in his spot in your periphery, like he couldn’t decide how he wanted to sit, hands adjusting his jeans, moving things in his pocket.
“Do you wanna go to the porch?” You thought maybe he was reaching for a smoke. “I can put on the baby monitor…” He just shook his head at the suggestion.
You decide to move to the spot next to him, leaning your back against the wall. “Did something happen today?” Your voice was soft as you tilt your head, trying to reach his eyes.
“No,” he shook his head again, he was facing forward. “It’s just…”
“What?” You asked calmly.
He found it hard to speak, “Just- just brought something.” He reached into his pocket one last time, his hand in a fist as it made its way closer between the two of you until he started to release his fingers from his palm slowly.
It was a ribbon. A pearly light pink one. Just scattered in his hand. “It’s stupid,” he grumbled quietly, trying to shove it back down his pocket, but you stop him.
“Wait,” your hands gently cupping the other side of his and then you pick it up, letting him go. You wrap the ribbon around your finger and you tie it into a bow, examining it in your palm now. “This is for me?” Soft disbelief enchanted your voice. You made sure not to sound too excited or too surprised. You didn’t want to scare him, especially since he replied with:
“It's nothin’.” He was feeling slightly embarrassed.
“It's so nice,” your voice continued in its understated tone despite your smile becoming uncontainable. You couldn’t help the way your lips were curling upward, it was even hurting your cheekbones to try to make your teeth shine through a little less— Daryl Dixon just gave you a gift. And it was a little pink thing at that. Perhaps miracles are real. “It's perfect,” you say, “I can wear it in my hair.”
“It's stupid.” He repeated, brushing you off, but you saw right through him. Daryl doesn’t do anything for no reason at all.
“It's not.” Your words are so kind as your interject, “You know, sometimes it's the smallest things that mean everything. They become our favorite things even.” Your lips pressed together, forming another smile as he meets your gaze, “Like your vest that needs to be patched up.”
“It's fine,” he almost sounded defensive. It made you laugh.
As messed up as it is, it truly was fine. It was his and he loved it; that made it so. And he didn’t only have the vest, he also had his cut-up button-downs, and those ties he laced on the bottom of his jeans— you knew those were probably because the pants available didn’t always fit all the time, but nonetheless— these were all things that made him and his clothing unique from the others. Even in the apocalypse, Daryl was one of the few that maintained a personal style. You couldn’t help but love it. He could, and often always was, the guy covered all in dirt and grim and blood but he still had something about his look that was simply just him.
You missed that. Having those personal touches, and now here Daryl was with this. The simplest thing, but he brought it for you. It was your special piece, your special something. It truly was perfect.
“C’mere,” Daryl gestured, taking the ribbon from your hand and moving your shoulders so your back faced him. He undid the bow and cuffed your hair, he actually almost yanked your head with the way he gathered the ponytail, honestly– he forgets his strength, but you said nothing. Only giggling slightly, but you were mostly quiet. You tried to keep it down, afraid he might stop if he thought you were making fun of him. You wanted to reel at the closeness for as long as you could. You couldn’t believe the fact that he was doing something so domestic— you almost couldn’t breathe. He tried to detangle some pieces with his fingers and then he tilted his head to the side to leave some shorter pieces out at the front. He didn’t know what he was doing and he probably was doing it badly, but he tried his best to be delicate. He’s never touched you like this before. Every time his fingers accidentally brushed against your ear or your neck he relearned just how soft you are. And every feeling of his skin almost made you shiver; like when someone whispers in your ear, it always feels so sensitive, traveling down until you feel it everywhere. His touches felt like that. You always end up feeling his everywhere. He’s entrancing, filling you with hearts and stars.
Finally, he ties the ribbon into a bow right at the top of the ponytail he created. He’s done. He lets go. They shapes and colors fade. Everything is cold again.
But to him, everything looked warm and vibrant. Looking at you was a sight so sweet and so gentle among all this dark wreckage of the world— it was precisely how he saw you: the way the ribbon now laced around your hair looked like an angelic embrace.
You turn to him, “Thank you, Daryl.” Your smile is so sincere, so lovely, there might as well be a halo and hearts invisibly drawn all around you.
A moment passes as you continue to look at each other and your heart jumps. He’s still looking directly at you. There are moments that he looks away and you can’t help it, the bashfulness creeps up on you two, but he’s giving you all his attention; it feels great. You decide to take the chance, you can't help yourself, you hug him, you have to. It has been so long since someone gave you something. So long since someone thought of you so specifically and intimately.
He’s caught off guard, his hands don’t wrap around you until a few seconds later, but when they do, they are sure, and tight, more sure of it than you surprisingly.
You breathe him in, giggling again, “I’m surprised you smell this good.”
“Fuck you.” It makes you laugh just a bit louder, it’s the nicest ‘fuck you,’ you’ve ever heard. Its tone has a hint of sincerity in tandem with humor in just the same way you delivered your line. He shakes his head, “You’re silly.”
He lets you go and you turn away, but it’s only just a little. He watches how the ribbon lays right where he put it again, seeing the side of your face light up with your rosy smile as you sway your head. You’re trying to not make it obvious that you want to feel the wag of the bow and your hair back there so you do it slowly, it just feels so cool and so pretty. You liked it so much. You didn’t even know what it looked like yet, but it already made you feel more like yourself. Like a part of you that had left before this world began— it fit well like a missing piece finally snapping into place. It was your unique touch and he found it for you. He did it for you. Just for you.
For me, you repeated it in your mind, he found it just for me.
Trinket No. 2: The Lesson ō͡≡o˞̶ ⋆ ⋆ ⋆
Turnpikes, Gunshots, and Dreams
You had asked and asked for weeks with no let up. It made you start getting creative with your pleas: “You know, Daryl, we really should be teaching each other our skills,” you had insisted, sarcasm lining your voice. No one else in the group knew how to ride yet they were doing just fine, but you were incessant, “You never know what kind of situation we’ll be in where we might need it… I could die,” your hands raise as your voice does, “and your bike could be my only escape but I wouldn’t even know how to ride it!”
He would always just stare at you blankly, ignoring you, especially when you got dramatic like this right before you two were leaving. “Get on or stay,” he would say, “go help Rosita or somethin’.”
You’d grit your teeth and get on regardless.
But then one day, one lucky, lucky day for you— it was your earnest approach, and your silly smile, and sun-filled eyes that got the best of him as they looked up to meet his darker ones. “Please,” you said, stretching out the word, it was just as cheesy as your smile. He looked back at you from his front seat as you continued, “I just want to feel capable and- free… I don’t know,” but you did, you meant it and felt it from deep inside you. “To know I have the option I wanted to… I… I didn’t really have those before.”
He was still for a moment and then he nodded, restarting the ignition. You guessed that was another no until you started to ride past the walkers that lined the outer gate. “An hour,” he said, his eyes forward as the trees became a blur to both of you, “then we gotta get work done.” You wrapped your arms around him tightly, you only used to cup his waist or hold his shoulders, but you felt fearless today, head leaning against his back and neck, arms hugging around his torso. He finally said yes.
As time went by, you had gotten comfortable with completing your drills. You learned the controls, how to shift gears, how to waddle and power walk with the bike, operate the clutch, throttle, and lift your feet up, riding on a straight path all by yourself. Turns were still hard though, and the fact that Daryl always insisted you think about the worst-case scenario wasn’t the greatest either. He’d look you dead in the eye, his voice clear and unrestrained from his usual grovels as he said, “If a herd is comin’, or people are shooting, or if there’s something tryin’ to crash into you, you need to think about how you’re going down. Decide on what won’t fuck you up completely, then do it. ” He always got way too close to your face without realizing it in those moments, his finger almost crashing into your nose as he vigorously pointed to get the idea across.
“If something goes down, I’m not arguing,” you say. “You'll be in front.” You meant it, your voice was quiet, you understood.
But really, you didn’t: “If something go down, either of us should be able to do it.” He paused to make sure you got it this time, “That's the point.”
As if you didn’t already sense it, this was the first time you absolutely understood that Daryl was serious when he decided to do anything. Full commitment. Start to finish. You said you wanted to learn, that you wanted to be capable, then that’s exactly what he was going to teach you. You would take it seriously too.
Soon enough, Daryl allowed you to ride out of the gates of Alexandria first instead of switching off after you got a few miles out. You were getting better. So much so that today would be a different day, he explained. Daryl wanted you to ride to the Hilltop. This would be the longest distance you’ve ever rode. A whole 23 miles. But before you guys got there he would steer you in the direction of a turnpike: he wanted to practice speed, and most crucially for you, right and left turning.
His weapons and guns were strapped to his lower body, some on his thigh holster, and a machine gun over his back, all just in case, and his hold on your waist was fixed as you rode. It made you feel like a child and such a little teenager all in one with how excited you would get. Not only were you becoming skilled at riding a whole fucking motorcycle, but you were the one he was holding onto this time and it was the longest amount of time he was holding you at that.
As you reached the turnpike, he guided you around the semi-circular road. Continuing on, you saw a few walkers in the distance. He told you to speed up, there was enough space on the road and there were only four of them, they were far away anyway.
You looked back at your surroundings, other than those four, the road was pretty clear other than some broken down, discarded cars. This accidentally became a lesson on tight turns and swerving too.
Some of your turns were abrupt as you tried to go around the cars, it made you nervous. You knew it was okay not to be perfect, but it was still a little stressful to make mistakes when a master was watching behind you.
“Relax,” he’d tell you, sometimes putting his hands over yours on the handles and helping you out. “You got it.”
You went on and as the walkers approached closer, an idea arose. It was probably irresponsible, but you joked anyway, “Daryl,” you whisper-shouted with fake suspense, getting his attention. “We’re on a mission. Got to take those guys out before they get to Rick!”
He chuckled a bit, shaking his head. He leaned in closer as you leaned forward, gaining speed. One arm wrapped around your hips in totality, hand placed firmly there as the other reached for his gun, extending his arm out as you two got closer to the walkers. You two turned to face them as Daryl pulled the trigger: one shot each, straight in the head, “Got ‘em.”
You gasp, your laughter sounding so wild and fun and unrestrained in a way it hasn’t been heard by either of you before. “Is it bad if I say I hope we find another one?!”
“No, that was fun,” he agrees understatedly, trying not to fully give in. You couldn’t even see his face, yet he was trying to hide a smile.
And you were too. It was all too much honestly. You were balancing riding and having Daryl right behind you, holding onto you, trusting you to do something he’s never let anyone else do before; and you just proved you both could probably kill it in a high stakes situation. Well, maybe not, this was very, very low stakes, but still, it made you believe. You decided to ride the high, quite literally as you kept going, shouting back: “Imagine us in battle?”
Oh, wait— your grin fades slightly, you immediately regretted it after you said it. The point of this life was to try to find a way to live, not always fighting to survive. Maybe that wasn’t the best thing to say.
The silence makes you feel like an idiot until Daryl speaks up, both hands now on your hips, thumbs pressing into your back, “If we were in battle,” he almost whispers into your ear, “we’d be their worst fuckin’ nightmare.”
You feel your smile practically reaching your ears. “We’re a team,” you say, the humor coming back to your face now, the shine in your teeth reflecting the sun as it always does. “A dream team.”
A dream… Maybe. You definitely were at least, but that is a thought he doesn’t let come to the forefront. He let it go. But it was true… something about you felt unreal to him. The way you wanted to be around him this much, so interested in the things he does; he still didn’t get it, it almost felt unbelievable. He wondered when it was going to stop. When he would wake up. He didn’t want to wake up. The thought grows, he can’t avoid it now: you are a dream. One he didn’t even know he wanted.
Trinket No. 3: Lucky Charms **•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚*
Flying Away With You
You gasp excitedly, “The Eiffel Tower!” You hold the bottom up to the light as he still holds the top. “Nice,” you say with bright eyes, “I found the Statue of Liberty in the mom’s jewelry box and a few others that weren’t on her charm bracelet.” You showed him the mother’s sterling silver and he showed you the daughter’s that he found. “I guess they were traveling family… or wanted to be.” You feel a heaviness behind your eyes after you say it.
You loved collecting these charms, but sometimes there was a sadness to it. Like you were collecting other people's tokens, little pieces of their personalities and their stories, keeping it as your own. It almost felt invasive. But it was something that you and Daryl did together. You liked that. Another thing that made you feel close to him… Maybe this was like keeping their memory alive? You may not have known them or know what happened to them, but you were giving something that they loved new life. The charms did make you happy, after all. Especially because it was Daryl that got you into it. But it was also you who got Daryl into it too.
You both can recall the first day it all started: He found it incredulous that you cared more about a little piece of jewelry you saw in the dirt rather than the bigger thing that was right by it: the deer Daryl just shot, the one that you two had been tracking for what felt like hours.
His face twisted up to you as he collected his bolt from the body, “We just caught a deer, and you’re lookin’ at that?”
“We just caught a deer for the first time in months and this was right by them… it’s literally good luck!” You held the gold sun charm to the actual light source it was designed after, “Look at us… Lucky charm, dream team, remember?” Your smile was just so wide after you said it, he let his slight irritation go. It was easy actually, he was always taken aback by that smile. It still wasn’t that long ago when he thought you weren’t the type to do so, like him most of the time. He had only seen you sad, but now, I’m Alexandria, you just glowed. Eyes and an essence as bright as the sun, and that smile, all teeth and just as pearly as the moon… The charm was perfect for you and it needed its match. Maybe a star too. He would find it.
He still remembers where he found those. He came across a silver crescent moon necklace discarded on the floor of a girl’s bedroom. It was simplistic, like one or those expensive necklaces that shouldn’t even be that expensive because of how small it was, but it was a perfect charm size, and it shined, there were no scratches. In the other girl’s room in the house, probably the younger sister, there was a charm bracelet on the desk. It was kind of childish and clunky, like one you could get in those supermarket toy vending machines. He took the first charm he touched and removed the clasp from it for your moon. It was hard to do it with his fingers on something so small and dainty but after a few tries, he managed.
As for the star, he found it on a walker in the woods. It was a little girl, it almost made him feel bad to do it because he knew you’d feel bad about it, but her and what looked like her mom and dad went straight for the two rabbits he just caught, ripping their skin, eating them. He shot them all in the head. The thud of their bodies to the ground only seconds apart. Oh well, were his thoughts, their fault for messing with his catch. After that is when he noticed the gold charm bracelet on the kid’s wrist. It was different from the one he saw last time in that other girl’s room, it wasn’t a fake toy, it was more refined. Maybe they were a well-off family.
There was a star was at the center. It’s all he wanted, but he thought you might want to see the others she had too— they were all nature themed, he kind of liked it— so he tried to take the bracelet off but it wasn’t working. The thing fit her wrist perfectly and the bracelet clasp was stuck so, in typical Daryl fashion… he just chopped the girl's hand off.
Kind of gross, and he would definitely have to keep the red off of everything now, but the star charm was gold, it would match the sun charm and the moon would stand out at the center, he assumed. He thought it could look nice… and beggars can’t be choosers in the apocalypse anyway. After he took the bracelet he discarded of the hand, tossing it to the ground like it was nothing. (He’d leave that part out if you asked for the story later). Now that he had the bracelet, you would also have a gold owl, a bunny, a bird, and if it couldn’t get any better, there was a deer charm too. That’s what was most important about the account anyway.
That night, Daryl crawled into your bedroom from the window while you were asleep. He placed the star and moon on top of your journal that was on your desk, and after that, he left. That was it. He just wanted to surprise you. He’d give you the rest later. You only realized he did it and how he did it when you closed your window that was slightly left open the next day. There were scuff marks on the window sill. They were from his shoes.
After that it became a game; a little side quest. Like how people would count red versus blue cars or shout ‘punch buggy,’ when they are out with their family. An activity that took you out of your boredom, or really, for you in the apocalypse, it was an activity that made you feel oddly sane again, since you always dealt with the insane everyday anyway.
That was what today was about. At least on the down low; at least after you found anything of value for the community; at least to you two. You guys had found what seemed to be a wealthy neighborhood a while ago, when you passed that turnpike. The houses there were so big there, but all you had was his bike at the time, nowhere to put supplies and you were expected at the Hilltop, you couldn’t stay and look around.
It had been a little while after that and you had a plan now, a few Alexandrians backing you up with cars. You two finished your portion of houses to sweep and now you were waiting on the others, sitting in one of the house porches. That’s why you both were showing each other your finds from this place and the others.
You continued to hold the Eiffel Tower charm in your hand, “Maybe we should go to Paris…” Your voice was wistfully, then a quietness lingered in the air, it made you laugh awkwardly, releasing the tension. Your suggestion was one of those silly things you say where you mean it, but you pretend it’s just a joke, knowing it won’t have any outcome. “All of us, I mean,” you do mean it, but at the same time you we’re just talking about him right now. “That would be nice.”
“What would I do in Paris?” He asks it while he fixes his weapons, you’re sitting back, looking at the trees. He thought it was a ridiculous idea. He’s never been anywhere. He hadn’t even been to Virginia or D.C. before this and there’s no way he could go anywhere else now.
“Well I guess we’re never going to know unless we find out… you can eat!” You laugh, “You do like eating.”
He snorts, “Who knows if there’s food left there.”
Pessimist. “Again— we’re never going to know unless we find out.”
“Have fun tryin’ to become a pilot,” his drawl comes out strong on that last word. “Or a plane.”
“I guess that’s the next charm we need to find, an airplane or a captain’s hat. I am a pilot… or I can pretend to be.” There’s that smile again, “I can do anything.”
“Bet you could.” He meant it.
You nod, your next words making you laugh at yourself, “I’m Barbie.”
“Better,�� he mutters. You can barely hear it. You don’t know if it was real so you say nothing until—
“We’re going to travel the world some day, Daryl.” You say it so surely, breaking the moment of silence, “We’ll find a way.” As long as we’re together. As long as you want me.
That’s all you wanted, truly. Even if this world really couldn’t take you to Paris, or New York, or anywhere out of Virginia. All you wanted was him. All you wished and hoped for is that he wanted you… but did he? You still weren’t sure.
Trinket No. 4: The Flower and the Photograph 𓇢𓆸
Back Pocket Memory
You two were almost near Alexandria, only a few miles left to drive. “Do you think we can just sit down over there before heading back?”
Daryl continued driving, “Dangerous to leave a good van with supplies just put.”
You pointed to the clearing you were referring to ahead. The trees were sparse in that area, it might have been a meadow, but you didn’t know the difference. There was a little pond near the center. “Can we just drive the car a little bit closer? Just for a few minutes?” You look up at him, your eyes doing that little sunshine thing as it always does, “I just want to sit in the grass,” you say, putting your hand out the window, feeling the wind through your fingers, “the sky feels so nice today.”
He huffs, but does as you ask. “Get out,” he says, gesturing to you to walk over to the area you pointed at. “Pick your spot.” You run over and he follows. You have this wonder about you, it was almost childlike, but not childish, more— sweet, innocent perhaps.
You jump down to the ground and cross your legs on the grass, looking out at the pond. Daryl parks the car a little behind you and comes out to sit on the hood. His legs spread, knees almost to his chest, his elbows lay on there, arms extended.
You look at him, “You’re really not going to sit down?”
“If someone comes up behind us and steals our shit then that’s gonna be your fault.”
Fair. You gesture at him to move over and you sit to his side on top of the car.
As you settle, you close your eyes and you raise your face to the sky. Feeling the warmth of the sun on your closed eyelids. There was a majestic kind of wind that blew in the air today. It made everything look effortless, especially Daryl.
His ever-so disheveled hair had pieces flying on both sides, brushing some parts out of his face, and pushing others in. As always, it was just enough that they didn’t completely cover his eyes. How does that always happen? Thinking about it makes you giggle lightly as you look at him.
“What?” He asks, becoming a little self conscious.
You shake your head, your eyes looking at him kindly, hoping to ease his nerves. “You just look nice.” Your voice was silvery and sweet as you said it.
You get up and skip toward the pond, picking a flower and coming back to him. You sit down and try to put the tiniest white flower behind his ear.
“What’re you doin’?” He tries to swat it away, playfully hitting your other hand that tries to hold him in place and he takes the flower from your other hand. He successfully places it behind your ear instead. “Better,” he says.
As he looks at you, he notices light pieces of your hair frizzing up at the top from the wind, other pieces at the bottom still moving around slightly. It didn’t look bad, to him, your hair looks more like that invisible halo he sees when you’re around, and with that flower in your hair, you look like a true angel or maybe even a fairy with all the greenery surrounding you. You’re just lovely.
You give him a closed smile, your head falling to your knees. “Pretty day,” you sigh contentedly.
Pretty girl.
Handsome man.
Then a thought comes. Your smile turning to a grin.
“What?” He asks sharply. He knows the look you get when you’re up to something at this point.
You grab your backpack from your side, slowly bringing out the polaroid camera you found earlier today.
“No,” he pushes the side of your face, already detesting the idea.
“Daryl,” you whine.
He says it straight this time, “No.”
“But…” your eyes trail his face for a moment before continuing, “you just look… I don’t know. It’s like I said, you just look so- nice.” There’s other words you could use, but you don’t, not yet. “I just think it would be nice to have a nice picture. All we take pictures of is the houses and work. It’s boring and a waste.” You pause, “Daryl… Please?”
He rolls his eyes, grumbling, “You first.”
He’s glad no one was around when these moments happened. Someone might think you had him completely whipped. His brother definitely would think so if he was still around. Daryl was almost embarrassed of himself because of it. But you don’t ask for much. Other than the bike thing, you really didn’t. You trusted him and you were patient. You went along with his plans and you could sit for long car rides and periods of time in quietness if that’s what he wanted. You never pushed him to tell you his story. He only knew a part of yours circumstantially and he didn’t push you for more details after he brought you home, so you did the same. He could feel you wanted to ask more questions, but he also saw you stop yourself, move on, you were creative with your conversation topics: you asked him about what the best thing he hunted was, or what his favorite things were about your friends. You were so gentle with him. Maybe you could get him to do almost anything you wanted without you even knowing, but it was worth it for someone like you.
You look down shyly, “I’m not good at pictures,” you admit.
“You’ll look fine.” He wanted to say something else, but he didn’t. You’re so alike, more than you know.
He tilted your jaw with his thumb. It was too quick for you to melt into it but the feeling lingered, it made you buzz with excitement and it was easy to smile after that. He looked through the viewfinder, seeing you do that pretty sunny smile, matching the yellow bud of the white flower. He clicked the button. Beautiful.
You snatch the camera instantly, “Your turn!” You were too eager but you didn’t care.
You take the flower from your hair and bring it toward him. He sucks his teeth, saying your name as he does so, “No!”
“Yes, Daryl!” You push it over his ear, but not before he pushes you knee, just to do it. He didn’t even know why he was fighting, he knew he was letting you have your way right now. “Look,” you sound like a school teacher, “very nice.”
You even out some of the frizzy parts at the top of his head, the light wind was still blowing through it, it was futile so you left it, he looked great anyway. A perfectly imperfect mess.
He crossed his arms over his knees and looked into your eyes. You held the camera to your face and snapped the shot. “Beautiful.”
You stare at him for a moment longer. If anyone else was here that could see those all to familiar hearts and stars around you and in your eyes, it was so hard to hide. “I’m keeping this,” you said, placing the polaroid delicately in your back pocket. He said nothing, he wasn’t going yo let you know he cared about a dumb picture. “Okay, thank you for indulging me,” you start, taking the flower from his ear, “let’s go home.”
Later that night, past one am, he came through your window again. But this time you saw. Your head was almost covered by the blankets, your eyes slightly open. He didn’t even look in your direction. Maybe he wanted to be quick.
You saw him go into your bookbag. It was hanging on your desk chair. He took the picture out. He wanted it. He wanted your picture. The one that matched yours of him. Maybe this was something. Maybe he did want you.
You closed your eyes quickly when he started to turn around, then watched as quietly as you could as he neared the window, starting to climb out but not before he placed the polaroid in his back pocket, just like you did. Now you both had a piece of each other, forever.
Trinket No. 5: The Music Player and the Wish on an Eyelash ⇄ ◃◃ ⅠⅠ ▹▹ ↻ ♬♪
Never Fade Away
It’s official, in all the ways it possibly could be: Alexandria was truly your home. More time has passed: you live in a house, you have a job, you have family— it’s your friends. In some ways things are better than they have ever been… yet you still think about the night and the dark just as much as you used to. You tried to hide it, you wanted to be grateful and you were. But the things that used to happen to you, and the people that hurt you… they still lingered like ghosts when night came.
In the closed and guarded walls of your community, you hoped night could be a time and place that was peaceful. But thoughts of an attack, thoughts of losing your first real home, it left you apprehensive and paranoid of what could happen in your vulnerable state. And when you close your eyes, sometimes the past visits your dreams. It all felt inescapable.
It makes you so fearful that despite keeping your window’s curtain open, a battery-powered lantern resides practically glued to your nightstand— always on when the sun goes down. You knew it was a waste of a resource, but at least you kept it on low, at least when you woke up in the middle of the night, closer to morning really, you remembered to turn it off— the sun making its way back around soothed your nerves; it was always that initial getting-to-sleep part that made you need it anyway.
And of course, you’ve tried to calm yourself down at night using different methods to see what stuck: You do read— your neighbors were always kind enough to lend whatever books were in their houses— and you did daydream— letting your mind wander to happier, more wondrous places when you wanted to escape— and it did help sometimes, but on other nights, it wasn’t enough.
You miss watching tv in bed. There was something about the buzz of the box, and the voices of humor and romance and relatability that miraculously took you away, and helped you stop thinking, even allowed you to drift to sleep… it was a luxury you didn’t have anymore, and not only did you not have that luxury, you also had an overabundance of dead or deadly issues to worry about. It all haunted you.
You sat with your back against the headboard of the bed. You’ve yet to put on any night clothes. You had already read the next chapter of your book, and you would have read another, and possibly another after that, but tonight you knew it would have just kept you awake as something to do instead of worrying about sleep. You were tired though. That’s why you stopped, but you also weren’t ready for trying to catch sleep that wouldn’t come.
Part of you hoped Daryl would stop by, but he doesn’t always, and he probably won’t tonight. Some nights he’s out until the next day or the next week, who knows how far he went this time, you didn’t go with him and he left too quickly to ask. It had been a few days since you saw him last.
When he was here though, he did start to make it a habit of stopping by to see you, especially when it was time for Alexandrians to settle into their homes for the night. He stopped being so quiet through the window and only dropping things off. He would start coming through the door. It was just a light chat for a couple of minutes at first, then there were the times when he stayed an hour or two. He always sat on your floor, by the window, or by the door. You never understood why until you insisted he sit in your chair by the closet. It was only until a few more visits later you realized the chair's light color becoming just a bit visibly darker. It was soot and hard work and the air, he worked outside all day and usually visited before he called it a night. You made sure not to mention it, you just cleaned it yourself. No need for him to feel embarrassed.
Besides, you didn't mind, anytime he walked through your door or jumped in from your window, that was his chair, at least that’s what you called it in your head. You liked that. You liked that after he brought you home he didn’t move on and let you be. In his defense, you didn’t let him be either, but he could have always distanced himself if he wanted to, told you no, but he didn’t.
You two have gotten so close quite quickly. You both felt it and you didn’t know why, but at the same time, you did. It was something left unspoken, even in your mind, always on the side toward the back of your brain. That part knew you could fall in love with him, but why admit it to yourself if the other person might not feel the same? You were still feeling that way. Despite all the moments you’ve shared thus far. His silent nature was endearing at times, but it could also be a very confusing gripe of yours. There were moments when you knew exactly where his mind was, but there were other times when you simply did not. Especially when it came to you. Daryl always gave you just enough, and maybe tonight, it would be nothing at all.
At least that’s where your thoughts resided until you heard the creak of your door slowly pushing inward.
Daryl’s hand holds the doorknob, meeting your eyes as he steps in further. Your window casting just enough light on his face.
“Hi,” you meant to be clever, ask him if he knew how to knock, but only wistful, subdued surprise is all that came out in your one-word greeting.
“Hey,” he replied, it almost seemed like he was surprised too, you couldn’t tell it from his voice but from the way he cut the word short. “Didn’t know if you were awake.”
You laugh somberly, “You didn’t?”
“Didn’t see you in the window.”
His voice is low, your house is quiet, and people are asleep in the other rooms. You match his tone with your own quietness, “Right,” you say. The window did hit the bed end, not the top. But he knew you were a late sleeper. He even came and sat with you for longer the night before he left because you had told him about it— he knew, he had to, but you didn’t question it.
“Um,” he’s looking down, “Was just gonna leave somethin’.”
He starts to walk to your nightstand but you stop him, your hand reaching out, not touching him, but it’s just enough to pull him to your gaze. “You’re gonna leave without showing me?”
Daryl positions himself toward you and you sit up. Gingerly, he takes something small out of his front pocket, it was covered in one of his bandanas. He looks at it for a moment, almost unsure before placing it on the bed, right in front of your lap.
It was an MP3 player. One of those slim rectangular ones with a digital rectangular screen to match and a big circular button with the controls covering the bottom half. There were some small scratches in the screen corners and some dent marks in the back. The arrow buttons were starting to fade too, but he handed you some headphones out of his back pocket as you continued to examine it, it must have worked.
You look up at him, eyes wide, shining just a bit in the dark just like the little silver miracle that was in your hands. You remembered having one of these, the thought made your lips curl, a light open-mouthed smile forming as the nostalgia set in.
You move closer to the edge of the bed, the sky illuminating you more in your semi-darkened room. You place your hand on the other end of your bed, “Come,” you say as your tap the spot. He’s hesitant before he finally accepts the invitation, sitting down. You would have insisted anyway if he didn’t.
You flip the switch on the side then and the music starts instantly in your right ear where you set one of the earbuds in. You tried to put the left on him, but he shook his hand, “You listen.” You let him be for now, you were too excited to see what the previous owner was into.
The songs are scattered from different decades, but what you notice the most of as you skip through were various 90s and 2000s rock, pop-punk, pop, and the like. There was Nirvana, but also Fiona Apple to Blondie, and even Elvis. It was a little all over the place, really. This definitely had to be a teen’s in the early or late aughts. You thought maybe Carl would like this. There was even some stuff that you were sure had to have come out in 2010, right before the apocalypse began… Another kid who wouldn’t get to spend the rest of their teens, or young adulthood, or adult life like they were supposed to, like you were supposed to.
Having these thoughts while Aerosmith’s Fly Away From Here played was not helping, especially since it made you think of your lost family, and those from your found family that were gone now too, so you decided to skip, but the button seemed to fidget. You tried again, then again, even touching the screen. You accidentally made the shuffle icon come onto the bottom corner.
“Don’t like Aerosmith?” Daryl read it on the screen, but he also recalled the melody, even from just the soft buzz produced by the headphones, the volume was accidentally turned all the way up, you set it down.
You give him a light smile, “Aerosmith’s fine. Just have to be a little more careful with this, I guess.”
You continue to press forward to see what else is there until you shriek, color coming back to your face as you shake your head at the memory emerging as you listen. “Oh my god, my sibling used to love this song when we were younger.” It was Avril Lavigne’s Girlfriend that was playing. “We used to put on the radio or look up the music videos on the tv and dance. They loved doing that…” Your voice was soft, both sweet yet desolate, “I knew all the popular songs and all their favorite songs whether I liked it or not.” You giggle, “I can lie this one is fun.”
You knew Daryl would probably scoff, but you lightly place the left earbud near his ear for a few seconds so he can hear what you’re talking about.
“Definitely a chick’s.”
“‘Chick’?” It was funny, and you did laugh, but you still decide to protest, “It’s just one song and…I don’t know, I think it’s a pretty eclectic mix of artists…” You continue to press forward as you ask, “Were there kids? Or- did there used to be?”
“Based on the rooms.” He nods, “Boy and a girl.”
“Hm,” you say curiously, flipping through the songs: the next one that played was by Linkin Park, then Alanis Morisette… you wondered if the kids shared it or shared interests. Suddenly, the player starts Lit’s My Own Worst Enemy. Your eyes are starlit as you gasp, “Oh, this one is so you.”
This time you fully push the headphone into his left ear, turning the volume all the way up as the first verse plays, his face is fixed, “This ain’t me.” There is silence as the music continues and he scorns, “You think I used to just get drunk all the time?”
“Daryl,” your laugh is light, “no.” It was a ridiculous thought and he should know it, but nonetheless, you console him, “Of course not.” Your hand reaches forward onto the bed, nearing where his own resided, but not touching. It saddened you to see Daryl always react like this to small things. He was never judgmental, but he was always so quick to believe others would judge him. “Maybe not that part,” you smile, slightly mischievous, “but- okay, this-” you sing-speak along lightly, remembering to stay quiet, “it’s no surprise to me I am my own worst enemy, cause every now and then I kick the living shit out of me- that's you! That's literally you.”
He shakes his head, ‘Whatever,’ the gesture says with his grunt.
“No, you’re actually a little bit self-deprecating, I think. At least internally.” You continue, “Oh, and this part— I didn't mean to call you that- you see?” You say, humor still in your smile, “That part is you.”
Daryl gives you another small grunt indicating ‘no’ as he shakes his head again. “If I say something to someone, then I mean it. Wouldn’t say it if I don’t.”
“Well, you also mean a lot of what you don’t say,” your eyes trail to the side. You knew that didn’t make sense, but it did to you. There was a part of you that was still in denial of your feelings or if there was a possibility he had any for you either. You’d never see him talk or treat anyone in a more than friendly way– or whatever Daryl’s version of friendly was. You wanted to protect yourself by not admitting you adored him, even to yourself, but really, you knew. And there was the way he kept giving you these things, these little moments: the ribbon, the picture, the charms… It made that smaller part of you that believed something was there, glow and warm inside your heart.
You look at him, there was a sorrow placed on both of your faces, but he just looks at his hand that is placed on the bed through his hair, the one that's so close to yours. “You really don’t think there is anything you don’t regret saying?” Another song passes, you didn’t recall it, but then the playlist shifts to something slower, it’s the Beatles. “I just think you keep a lot inside… It’s okay though. But it is just something I notice.”
Normally, a comment like this or something similar to it would sound trite and judgmental, there are a lot of things people don’t talk about now, but you say it with understanding, a little sad because you can’t help it, but your voice is kind, like gentle fingers through his hair, evening it out; a voice that shows you care, you see him and respect him even if you do want more. “It’s okay,” you whisper as Paul McCartney’s voice sings softly, “I’m not half the man I used to be, there’s a shadow hanging over me.” It felt like he was speaking right to Daryl as he continued to look away from you.
It’s moments like this where he wants to say it all. The sad stories from his childhood that he has never been able to tell anyone before. Stories about his brother… the bad, yes, but even some of the good ones. He knows he could talk to Rick if he wanted, or Carol. His group was loyal to him as much as he was to them– he knew that, but they probably wouldn’t care to hear about Merle, it would probably make them angry to be reminded of all the bad things he’s done to them. He wouldn’t blame them. In many ways, and for more reasons then all of them, he will always be angry at his brother too. This is why he didn’t even like to let himself think about the past, but in other ways, it still sucked. It makes him feel alone, like talking about himself or his brother or the past was just a gateway to hurting himself and scaring others, scaring you.
You wipe him away from those thoughts even though you didn’t even hear them, your voice pulling him out of his trance, “Things are harder now, Daryl, but I think you’ve only gotten better.” There is still so much you don’t know, but nonetheless, it’s like you can read his mind.
“This is the only me you know.”
“And even then I don’t think you’re the man I met when you found me… We’re definitely not the same people.” Your hand is just inches from his fingertips now. “We all have things to improve on, even if we think we’ve already grown up. I think that’s a part of growing up actually… just realizing that you never do, or at least not entirely. You’re always going to continue to grow.” Your words linger in the air as the next song starts, it’s Paramore, it’s The Only Exception— something still laced with melancholia but it has a sweet gentleness to it. It's just like you. This is how you were trying to be with your words. “It’s better if you allow it though, or work toward it instead of against it, I think.” You laugh at yourself then, “But I'm far from perfect so I should really stop talking.” Blush creeps onto your cheeks, you’re hopeful the night’s light doesn’t show it too much.
He wishes he could tell you he thinks you’re perfect, or at least something close to it. At least for him. You truly were like an angel. Maybe Radiohead is on this too.
The chorus continues to play, leading to the song’s ending and his jaw tightens. It’s annoying that you were right, your words from before echo to him. They weren’t nonsensical, he did get it: he does mean the things he never says as much as the things he does, but no one will ever get to know. Not that everyone has to, but maybe for you, maybe just a little, maybe you can be the exception. And he can tell that you’re trying to me: who carries around a silly little ribbon anyway? Or who keeps their window open almost every night, even on cold nights? He felt like he was failing you. Maybe these gifts and these small moments weren't enough. Maybe they were just trinkets; meaningless, giving you false hope for a love he couldn’t provide.
You both hear the outro, “Oh, and I’m on my way to believing,” and his heart pangs at that. Maybe he doesn’t have to fail, maybe he can try, at least right now, “It’s just…” he speaks up, his voice clears, “It made me think of you when I saw it.” He was talking about the mp3, “That’s why I brought it back… You’re always humming under your breath. Now you can stop annoying me with the same old thing.”
Your eyes roll, but you aren’t mad, in fact, you can't help that it makes you smile. “Oh, okay, Daryl,” you say through quiet bits of laughter.
“Also thought it could help you sleep… I dunno.”
You nod intently at his words, “Thank you,” and that wistfulness in your voice returns. “That's really kind.”
He nods back. He’s so gruff and straight-faced all the time, but was it bad to say that there were moments when you can't help but see him as adorable? He was always trying not to meet your gaze through his hair, and it was always messy like a kid’s, just like when you took that photograph.
Muse’s Starlight starts playing as you brush some of the hair out of his face. It's an awkward transition, but it's what you get from accidentally pressing shuffle so many times. In the end, though, the words make it seem perfect for the moment. The singer spoke of desire and escape, about missing loved ones and wanting to keep someone special, someone that's like starlight, close by. You understood that. He did too.
You giggle lightly, “Daryl, you- you have something…” You point at your face in reflection of his.
“What?” He wipes his nose.
“No, it's- it’s here,” you say, taking your finger to lightly catch the eyelash that threatened to slip away from his face and onto the bed. “Make a wish,” you whisper. Your face is nothing short of innocence and wonder.
His snorts, “I’m not doin’ that.”
“Daryl,” you eyes widened with apparent prodding and pleading annoyance, but your words still have a sense of amusement to them, “I think we need all the luck we can get.” Your head tilts as you say through your smiling teeth, “I’ll do it with you…?”
“Fine.” He can’t help that your squeal makes his lips curl but he’s trying to hide it.
“You have to really do it.” You turn the music down, it's in the background now. Your usual sun-filled eyes are currently wide like the moon as you look into his, coming closer to his face.
He nods, “Okay.”
“Promise?” You sing.
“Promise.” He meant it, he even closed his eyes before you to prove it.
You closed your eyes too, “Okay, I’m trusting you.” Squeezing them tightly, you whisper, “Think about what you want, and then I'm going to count to three and we blow.”
Instantly, your heart foolishly thinks of Daryl. You know you could be thinking about the safety of your group, the stability of Alexandria, or hoping that the threat everyone feels coming subsides into nothingness, but all your thoughts are just of him. It makes you feel like a silly little girl, waiting for that big romantic confession of love that you dream about, the one that will probably never come.
I wish for you, you think. You can’t help it, you can’t say anything else, this is the only thing that’s true, I just wish to stay by your side, forever.
The song echoes your hopes too, I’ll never let you go if you promise not to fade away.
You agree, never fade away, please.
“Okay,” you say softly aloud, “1… 2… 3…” And then your wish flies into the air. You two stare at each other afterwards, eyes starry like the sky from your window.
You wished for each other.
Trinket No. 6: Scars, Marks, Tattoos, and Internal Wounds ⋆˖⁺‧₊☽◯☾₊‧⁺˖⋆
The Things I Only Trust You to Know
It’s another night. Another visit. It wasn’t intentional this time, but your curtains were drawn. They’re almost never drawn, at least not completely. The window was still open though, the night’s breeze ruffled them backwards. Daryl became concerned, so he climbed up, opening the window wider and pushing the curtains to the side to get through.
He saw you crying.
Hearing the thud of his boots stomp lightly to the ground triggered you to turn, body facing the closet as you were curled in your bed. You didn’t want him to see you. “I’m tired tonight, Daryl.” Your voice was low, you tried to keep in neutral. For the most part you were doing well, but it was still obvious you weren’t fine— he saw your face before you covered it.
He sat down on the edge of your bed, his legs hitting by your feet. He didn’t feel like asking if you were okay if you were going to lie and say no. “You can tell me to go if you want,” was all he said, rubbing your arm as he did and then let go. You starting sniffling involuntarily because of the touch. You realized you were holding in a breath, the shaky exhale came out louder than you wished it did. “I’m sorry,” your voice blubbering. You were embarrassed. You hadn’t done this in front of him since before he brought you home.
“Don’t gotta be.”
“I feel stupid,” you say under your breath. You’re still trying to hide your face.
“Stop.” He puts his hand over your body now, on the bed, and he faces you. “What’s wrong?”
You shake your head slowly, looking at him, “I don’t know how to say. I can’t-”
“Just say it,” he said calmly.
You felt heat rising from your throat, it was like the words were trying to come out, but it felt scary to do so, it made your teeth grind against each other. Your head shakes harder, “I don’t think I can.”
He brings a hand to your face and wipes some of your tears with his thumb, “What would you tell me?”
You would tell him to speak, that it’s okay, you both knew it. The thought makes you sit up in your bed, tears still running down your cheeks, but you were going to try.
“You’re just going to get annoyed,” you wipe some of your tears with your wrist, “think I’m dumb, like a little girl.”
“You’re not dumb,” he spoke over you before you finished.
You pause, you shake your head again. The words are on your tongue but you just feel so bad and so embarrassed to admit it. “Sometimes I just…” your voice hitches and your hands goes to your head, more tears fall, “it’s just one of those days, I guess.”
One of Daryl’s hands goes to your shoulder and your upper back, he pats you until it quickly becomes a soft, swaying motion.
Your voice doesn’t go above the lightest whisper as you try to start again, “Sometimes- I just look at myself and I-” a sob erupts from your throat and tears roll much quicker, “I know you’re going to think I’m stupid, but sometimes I just wonder if anyone could love me.” It doesn’t even feel good to finally admit it, but you continue, “I feel like there’s something wrong with me. Like maybe I’m not enough. Or I’ll never be.”
Daryl’s face heats up. How could you ever feel that way about yourself? How do you not see yourself as anything less than everything he’s seen in you since the day he met you? You’re not stupid. Never. He feels stupid for not seeing this in you. He feels stupid for it being so hard for him to tell you everything wonderful about yourself in the way you deserve.
He thinks for a moment, he wishes he was more poetic, but he wasn’t and there are still certain things he’s not ready to say. So he decides on something else as he calls your name, “You’re telling me you can’t see you’re a tough son of a bitch?” The phrase makes you laugh involuntarily through your tears, he always says it like it’s one word. “One that found a way to burn down a hospital and kill a bunch of dickheads in one go just to stay alive?” He huffs, “Prettiest arsonist I’ve seen.”
You gasped but it made you smile lightly, it was funny. “I’m not an arsonist! And it was only part of the building.”
“Coulda fool me.” He tilts his head, “But you’re also probably one of the best scavengers we got. And you’re a good friend.” His hand travels to your knee, “You’re really good at talkin’ to people… and to me.”
You try to let his words fill you up but there is still doubt. “I don’t feel like pretty and really good are the right words.”
“Then you’re wrong.”
You shake your head.
He doesn’t get it, “Well, what do you see that I’m not?”
Your heart beats ferociously, you don’t move, you’re hesitant, you don’t know if this is right, but there is a part of your that wants to. “Can I show you something?” You asked.
He nods.
It’s scary, but you decide to trust him, showing him the part of yourself you felt most ashamed of. The part of you that you thought was unloveable.
But he sees nothing shameful, nothing bad, he just holds onto it or another part of you, caressing you gently. “You’re perfect,” he says, shrugging as if his words aren’t a big deal, but he knows they are. This is the first time he doesn’t keep a thought like this in his head anymore. “There’s nothing wrong with you.”
He turns his back on you now, and he takes a breath, sighing deeply. You’re confused until he sighs and starts to speak; “When you were with those guys— and I know it ain’t the same, but— I know what it’s like. For people to use you.” He swallows hard, “I don’t like myself all the time neither.”
Your eyes widen. He was taking off his shirt. The first thing you see are tattoos, until your eyes travel to the other side, you see what he meant; the scars. “My dad. He was a drunk and a loser and an asshole.” Daryl's voice hitched, you couldn’t tell if he was crying or not, but you had never heard him like this before. “He did it to my brother too, Merle. But then he just left when he was old enough. Didn’t even give a shit that our dad was gonna do it to me,” there was anger in his voice. “He said he didn’t know,” and then he chokes on his words, “but how can I believe that? Thought it’d just skip a generation? He never changed. Neither of ‘em.” You wanted to hold him, but you didn’t know if it was too soon. He was still speaking, “Then when I got old enough, I left too. Some time later I started drifting ‘round with Merle, like that was gonna be any better… Two fucked up kids doing nothin’ with their fucked up lives.” His face turned to the side, you saw his profile, his eyes were red, “That’s what I did before Rick… You all were going to do good things with your life and I was gonna be nothing.”
“Daryl…” you were crestfallen, “I’m so sorry.” You held his arm, stroking it softly. “But you weren’t going to be nothing.”
“Yes, I was.”
“There is no thinking about what could have been. This is how life is. Maybe this was always going to happen,” your voice falters as you say it. “You’re not nothing. You’ve become everything to so many people.”
He turns his face back around and you look at his back again. It was difficult to look at, you won’t lie. Your heart sunk low, like it was being squeezed and brought down to the pit of your stomach to know that someone put him through this. Someone who was supposed to love him. Another tear escaped your eye at of the thought.
“Daryl,” you stutter meekly, “Is it okay if I hold you?”
His nod is so faint you barely see it, but he doesn’t say anything else so you believe it is a yes.
Your fingers ghost over his back until you let the tips of them finally lay on his skin.
His eyes wince and squeeze as he shutters despite your fingers trailing so tenderly. Your palm is now flat on his back as you move downwards and back up again. You kiss near his shoulder, right on the tip of his highest tattoo and then you wrap your arms around him, under his arms over his waist, and he holds your hands there.
You stay there for a long while, you don’t have a recollection of time. The moment feels like forever, although it is sad and you wished you weren’t discussing the things you were to get here, you don’t want it to end. “You’re the bravest person I’ve ever met,” you tell him.
It’s quiet until he says, “No,” disagreeingly, “You’re not brave just because you go through some shit.”
“But you still are,” you insist. “This happened to you and you chose to be the person you are now despite it. You became someone invincible.” You pressed him against you tighter, “I’m proud of you. Every day.”
Finally he turns around and takes you in his arms, your head now resting over his shoulder as your chests touch, closing the gap. You lay down on the bed and he stays on top of you. One hand plays with your hair and you continue to caress his back.
“I really like your tattoos,” you whisper, almost a giggle in your voice. “They look really good on you.”
He smiles a little. He never takes off his shirt so people barely see all the ones he has. He liked that you liked them. “Thank you,” he says.
“Do you want more? If you could?” You also want to ask why he got the ones he did, but the crying has made you sleepy and him being on top of you is making your mind hazy. “I wish I could,” is all you add.
He looks at you, “Maybe that’s the next thing we find.” He was talking about a tattoo gun, “That’s the kind of junk people don’t need now, we’ll look.”
He plays with your hair again, both your smiles are so innocent and lazy, you two would knock out soon, but it was nice to talk about something that used to be mundane for a moment.
“What if we do it and it turns out bad?”
“We’re not gonna find it tomorrow.”
“Right,” you say, moving on. “You know… I remember I used to be so scared of that stuff— needles and blood. I can imagine wincing just thinking about a needle touching me at the doctor’s… But now, I think that’s a pain I’d actually prefer… Rather than the other things we’ve gone through… If there ever was a choice like that.”
He agrees, “If there was a choice, I’d be covered by now.”
You two laugh at that, letting go of each other. Your bodies are on your sides, parallel to one another as you lay down. You’re on the side that faces the window and Daryl’s back is to it. He sees the moonlight illuminate your face because of it, the glow makes you look enchanting.
He wonders if you would get one— a tattoo, or another one, of this: of the moon; of the night where you showed each other parts of your bodies you wanted to hide, thinking they were flaws; of the night where you accepted each other fully despite it. Where he laughed and felt happy even after he shared something so dark. He almost never laughs or feels happiness in its totality, but with you, he does. It happened right now as he’s looking at you.
You see his face glistening in tandem with the white light that shines on you, it’s darker, but it’s still there. You were wondering the same exact thing.
Your eyes feel heavy now. They slowly flutter shut, but you try to keep them open. You don’t want him to leave. But he sees that your face dozing off, you’re tired, your eyes keep trying to close and close fully. He quietly gets up to go, but you stop him. Holding onto his forearm, sliding down to his hand. “Just stay,” you murmur, “please,” it’s light and dream-like. So he does. He doesn’t want to let go of your hand. He doesn’t want to let go of you.
You both stay at your sides, your intertwined hands at the center. He continues to look at you and you smile softly as your body finally allows your eyes to close shut. You drift swiftly to sleep. And he stays awake for a while longer, fixed on you and your slowing breath until sleep finds him too.
Daryl being right there, and you being right next to him, made everything infinitely better.
Despite it being vague on details, feel free to skip around areas of this one if you are not comfortable with reading about the reader being imprisoned at the Sanctuary.
Trinkets No. 7 & 8: The Second Ribbon and the First Kiss ˗ˋ ୨୧ ˊ˗ જ⁀➴ -`♥︎´-
Confessions From a Broken Bowman and a Battered Beaut
It had taken a long while for you and Daryl to talk again after you escaped the Sanctuary.
The last time he saw you was through your tears as Negan’s men threw him in a van, your eyes bloodshot, wanting to scream and plead. He felt it was his fault that he didn’t fight harder; he felt that it was his fault that you were in there for so long; felt it was his fault that you were taken there in the first place. He couldn’t save Glenn— a burden he still carried so deeply, even after talking to Maggie— and that led to not being able to save you. He felt like he left you, not knowing you would have been in the same place he was if he didn’t escape before you got there. But what choice did he have? He didn’t know. And he doesn’t even know if it’s a good or bad thing to admit that in a heart beat, he would take another day of torture, of abuse and pain, if it meant he was with you, and you could make it out together. One more day for him would have been worth your days only adding up to one hand if it could. It would have been better than just waiting for you on the other side. Having to hide just so Negan wouldn’t find him and kill him and more of his friends because of it.
And even worse, what if he threatened Daryl with you instead? Especially since you were still there, with him. That’s part of the reason why Daryl wanted to blow up the Sanctuary. It would have just been one side. Just enough to cause the chaos you needed to run away from your captures and back home. You were fast enough, he knows you are, and you must have known all the exits by now. He tried to convince himself of it. Rick told him it was a bad idea, dangerous to do that to the workers, and most importantly to you— it too many what ifs if it didn’t work out— but what else was he supposed to do? He needed you out, and the Saviors to be gone. It felt like the only choice.
But then, Daryl saw your face. You got out, you didn’t need another fire. It must have been their first attack against the Sanctuary that helped.
Your breathing was so heavy when you finally stopped, you were running so fast, there were patches of dirt all over you, sweat dripping from your neck. It must have been fate that he, Tara, Micchone, and Rosita were right there on the other side, ironically trying to go back to the place you just escaped from.
All their guns were pointed in your direction. They heard the gunshots, they heard someone running. They instantly dropped everything when they saw that it was you.
It felt like the world turned in its full rotation in seconds, coming into a halt all in this moment. The woods, the running, the chance encounter— him; it’s like you were brought right back to the start.
He was speechless, stunned in a way he didn’t expect, mouth agape and yours the same. You didn’t know what to say and he didn’t know how to apologize in the way he felt he should, so you both just stood there. Tears started to well in your eyes. All he did in the end was look down.
This exchange of stares happened only in a mere matter of seconds until Rosita brought you in for a hug, cursing leaving even though she knew you didn’t have a choice, being so happy you were back, but for you it felt agonizingly long.
And for Daryl, it all felt endlessly hopeless. The reality that his plan probably could, or most definitely would have killed you sunk in. He was stupid for thinking that it could work. And seeing you in that wife's dress? A black bow tied to the back of your head? It was unbearable. He hates that he found it hard to even look at you.
The two other women welcomed you back, Michonne even looked teary eyed. The sight made some of your own tears fall because of it. She took you by the shoulder and Rosita took your waist, guiding you to the trunk. Tara went back near Daryl, she wanted to ask if their new plan at the Sanctuary was still a go but waited when she noticed Rosita sent a glare Daryl’s way. It honestly did more to Tara than Daryl. He didn’t even bother meeting her face, he was already punching himself for his silence, for his inaction. He just got in the driver’s seat and took off.
After that, you watched him, waiting to see when his eyes would finally meet yours, but he tried to avoid them as much as he could. The only time he spoke to you was to ask if you were okay when Alexandria fell and you were all in the sewers, and when he entrusted you to take care of Judith as he guided everyone to the Hilltop afterwards.
This treatment was excruciating, but you said nothing. You didn’t feel like yelling at him, you just wanted him. And there was no time between when you came back to right now when you could speak alone anyway if you did want to yell. If you asked why he probably would just shoved you off and you’d get more sad and upset than you already were, or maybe you’d pester, demanding some kind of answer and he'd be the one that might yell… no reason to fight in front of people, especially since there are so many other things to worry about.
But you remember when you finally got to the Hilltop, and how you saw the way he embraced Carol almost right after he saw her. You weren’t upset about that specifically. You admired Carol, even if you didn’t get to know her that well yet. You knew they loved each other, you thought they had a beautiful relationship… It wasn’t that. It was the fact that you fought all the way to get back to your family, to him, and it felt like it was all just so he could act like a stranger again. He didn’t even say hello when he saw you, or ask how you got out, or that he missed you. Maybe he didn’t. That was the real reason you said nothing. The thought broke your heart.
You could at least say that Negan talked to you, and didn’t keep all his feelings inside– whether they were real or not, you were only half sure somtimes– but your time at the Sanctuary, becoming a soon-to-be-wife, it was a hardship only you endured. No one would understand the humor of that sick joke, and it especially wasn’t the time nor would it ever be when everyone hated him and wanted to kill him so desperately.
The next day came by, you all prepared for the Saviors to attack at Hilltop. You were on a break, sitting in the cellar. It was dark, but it helped relieve you from the incessant heat that beamed outside.
Daryl was looking for you. This happened to be the third place he went around. He had just spoke to Rick, apologized for their fight. He felt awful that it took until after Carl passed for them to talk about it, and that his passing made Rick start to believe all the killing might be the only option like Daryl believed before. He still wasn’t sure what he felt now. All he knew is he couldn’t let you two go on like this any longer. It was time to talk to you.
As he opened the cellar door he kept it slightly open, letting the light emanate through.
He sits down next to you, bringing his knees up as he usually does. You don’t bother looking at him. Maybe he would just ask you to do him a favor like last time.
There is silence for a moment. He doesn’t know where to begin. All he decides to say is, “You got Judith here safe, I made sure Rick knew. Thank you.”
“You’re the one who led us here.” Your voice says quietly.
“You helped chop a lot of those walkers down in the swap.”
You sigh, not answering him right away. “This isn’t a competition.”
“I know,” he mutters.
Silence is all that hangs in the air again. With each second that passes it makes your throat swell, bubbling up to your tongue and brain as it usually does until you’re trying to hold back tears.
Daryl was feeling similarly. All his words were caught in his throat too, wanting to be said out loud but he can’t, it’s like someone is squeezing and choking him right there. And he can see your teary eyes, it could almost make his eyes match.
He says your name low and slow, “Do you hate me?”
You’re stunned at the thought. Your words are hushed but vehement, “How could you ever think I’d hate you?”
“I left you-”
“You didn’t know.”
“I could’ve fought harder when they put me in that van, you grabbed onto me and I still let them take me—”
You speak in between his words, “Why are you acting like you had a choice?!”
“—I could’ve went back right after they told me that’s where you were. Not leave you! I coulda done that.”
You shake your head, your voice a sharp whisper, “If you tried either of those things you would have been dead. Everything would be worse and this probably still would have happened.”
“I could’ve done something,” is all he repeats. Quietness fills the space again. You’re never going to agree on this. He’s stuck on what happened and you’re upset about what’s happening.
You breathe in shakily. He’s still finding it hard to look and it hurts, it makes you sad and angry.
Your voice becomes stifled, almost weepingly as you ask, “Daryl… Why can’t you even look at me? Why have you barely talked to me since I came back?”
His voice raises strainingly, “Cause I left you.”
Your voice cries as your head shakes again slowly, “You didn’t leave me, they took me. You left me now.” That makes him turn. You see his eyes, they’re puffed and the whites of his eyes are a faint red, and yours are still watery. “It’s not your fault.”
The backs of your fingertips brush against his cheek, feeling the bristles of his beard and you go down further, continuing to shake your head sadly, moving back to your face to wipe your own tears.
“Did they put you in that cell? Take your stuff?”
“Only the first time I came there. And then the two other times I tried to escape. After that I was sent to sleep with the other girls.” Your voice is quiet, “I don’t think it was the same for me like it was for you.”
“Did he,” he almost can't say it, “Did he hurt you?”
You knew what he meant. All you could do was shake your head slowly, it was a gesture of no.
He nods, his mouth fixed. Some relief is finally released from that, but this doesn’t change anything. They still took you away, they probably put you in a cell, they don’t deserve mercy. He wants to tell you that you all are still going to kill Negan and how he still plans on killing Dwight, but he holds his tongue. This wasn’t what being with you was about right now. His mind races with plans, just thinking of how to get close to them, how to commit the final act, until you speak, reading is mind again.
“I-” you stutter ashamedly, “I think- I know that my time in there has changed me and maybe I see things differently or know more than I used to but… it doesn’t change that I’m with you. I never let that go.” You whimper, “It just hurt when you didn’t say anything to me. Like you were disgusted by me.” You can’t help the string of sobs that come out.
“No,” Daryl holds your face close to his. The bottom of his palm reaching your neck, his fingertips extending over your cheeks, his thumb caressing over the area under and behind your ears. “I fucked up. I was going to try to blow up a part of the Sanctuary… even before I knew you got out… If you got hurt that would have been my fault. That would have been on me. I’d never see you again- Would’ve hated myself.” His voice hitches, it’s rasp so coarse and grating.
You hug him instantly. Your hands go under his arms and one of his goes in your hair, holding your head so tightly as it presses into his shoulder. He cries, “I’m sorry.”
“Stop” You breathe him in, “It’s okay.”
“It aint.”
“It doesn’t matter now.“ You wait a moment, telling him quietly into his neck, “I only want to be with you.”
“And what if it goes bad? What if I hurt you again?”
“We’re going to hurt each other, Daryl. What matters is we try and we stay. That’s it.”
He faces you now. His nose brushes against yours, your foreheads connect, it makes your eyes flutter shut. Your tears are drying the longer he holds you like that and everything feels so warm. Your heart, your brain, your cheeks and his fingertips against them. It makes you feel it again, that fearlessness— you kiss him. Gently touching his jaw, your chin moves upwards, your mouths opens, your lips twist so softly with his, you already can’t breathe, and then you let go.
As he looks at your face, he smiles, realizing he’s seeing the girl he used to know again. His sunshine girl with the stars in her eyes. They’re shining up, still half sad and glossy, but the bright lights are slowly coming back on. His dream is back. She’s real. You’re real. You’re trying, you’re staying, so will he.
He takes your neck and kisses you this time. His tongue slips in, you’re so surprised, you gasp into his mouth. It makes you both smile into the kiss. You come closer and he helps you into his lap, allowing you to lean in. His hands go to your waist and yours to his shoulders. Then one of his hands runs up to your hair and your opposite hand does the same to him. You want to touch each other everywhere now.
Then he feels the ribbon, the black one. It makes him stop.
You’re worried, “What happened?”
He holds the piece of hair that the ribbon is secured to, it’s only a little part, the rest of your hair is down, and he undoes the bow, discarding it to the ground. Your hair falls messily over your ears and down your neck. “You don’t need that anymore.”
Daryl pushes your hips and you sit on the floor again. He’s reaching in his pocket, and you can’t believe it, it’s another one. A dark ruby, maybe a silky burgundy one it was in color— it was another ribbon.
“How long have you had that?”
“Since I found the other one.” He shrugs, “I thought the first one was better.” This one had fraying on one end, unraveling just a bit.
You would have said that you could sew it later, but you didn’t, you said only what mattered: “It’s perfect.”
Daryl doesn’t argue. This is him trying, he takes the win.
He doesn’t know how to put it nicely in your hair, how you do it with the different styles, so he just wraps all of your hair in a ponytail, just like last time, tying it into a bow.
It feels like a gift, not just because he gave it to you and not because it looks like a decoration on top of one, but it is all of it— this moment, the conversation— it all feels like breathing new life into something you worried might be slowly withering and dying. You exhale, it felt so nice to feel him so close, to feel his fingers run through your hair, to feel his breath on your skin.
“Think maybe this suits you better now,” he says, and maybe it always has.
He leans back against the wall and you lay your head and back in the crux of his knees and chest. You look up into his eyes and he does the same right down at you. There was more work to be done, more fighting to endure, but for now, you lay there as if you were the only two in the world. In a moment of sweet understanding; in a moment of love. You could finally admit it to yourself now, you were absolutely and monumentally in love.
… I could go on forever ♡ perhaps this can be a mini-series where I post one when I think of another and you can feel free to request a trinket you think Daryl would give the reader and I’ll post it and respond or even write a blurb for it and add it to the list if it’s a good fit! Thank you for reading. ⋆。°✩
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nelkcats · 1 year
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Consequences
When he felt compelled to take over as Robin in order to save Batman from himself, Tim didn't have high expectations; he didn't expect to be adopted by Bruce, he didn't expect to acknowledge the fact that his parents were abusive by leaving him alone for months, he didn't expect anyone to care if he ate or not, and in general he didn't expect to gain a family.
And for a while he thought that everything would get better: he gained brothers, he had a caring father, he had no financial problems or had gotten sick; And yes, maybe Robin's patrols were harsh at first, maybe Bruce's words when he was angry reached his heart and hurt him deeply, but he was fine.
Until he wasn't, at some point he felt more abandoned than ever even though he was surrounded by his family. When he was talking to his boyfriend, he realized that everyone took him into account but no one really appreciated what he did.
At first he didn't understand why Danny looked at him concerned and kept asking if he was okay while he told him an anecdote from his life as a vigilante; they had known each other for a while (Alfred had noticed, the others hadn't), they started talking, dating in coffee shops and even revealed the fact of being vigilantes after a few months on a relationship, that's when they started sharing anecdotes with each other.
Danny mentioned that he was being a hypocrite for caring so much about his stories when his were just as bad. Tim didn't get it until he started to see things from another perspective.
He never realized how much it hurted how Bruce had never thanked him for helping when he was lost in time, or how Dick avoided talking about his Robin time by concentrating on Damian, he thought he could understand but that didn't make it any better, Jason's nickname was beginning to make sense.
He didn't realize how broken he felt when Jason tried to kill him and blamed him; He was his childhood hero, Tim loved Robin because Jason put him in the stars, however, no matter how many times he explained to his brother that the only reason he had taken the suit was because he had no choice, and that he felt forced to blackmail Batman to be his Robin before Bruce became what he hated most. Jason still didn't care, still called him Replacement over and over again, blaming.
Or Damian who kept trying to kill him, refusing to acknowledge him, and when he defended himself he ended up getting reprimanded. Not even Bruce thanked him for all the work he did in taking over the company as CEO. His entire family went on with their lives without repercussions.
Maybe he was being naive as he refused Danny's requests to run away from home and stay with him, at least for a few days so they would miss him. He felt like a broken record repeating the phrase "it's okay, they're trying, they can change", the look on his boyfriend's face told him he wasn't doing a good job on believing his own words.
The mansion made him feel small at times, ignored; it was fortunate that Alfred was actually paying attention to him and offering a cup of hot chocolate at such moments.
At some point he couldn't take it anymore, Jason and Damian's comments had gone too far, Bruce's lack of response along with Dick's laughter commenting that they weren't saying it in a bad way only made him angry, so he left the cave and called to Danny, he told him it was time to go.
He said goodbye to Alfred, Cass, Duke and Steph who had generally not contributed to his decision, and he regretted that he couldn't stay longer to get to know them better, but the damage had been building up for a long time.
He wrote a letter detailing his reasons to the rest of the family, leaving along some clues to let them know that he had left of his own free will and they wouldn't be able to find him even if they wanted to, he sighed as his anger turned to resignation.
"Are you ready?" Danny questioned, taking his hand gently as they walked out of the mansion.
"Ready as I'll ever be"
That's how Timothy Jackson Drake said goodbye to his home dimension and headed to the infinite realms, of course he was going to sneak in a couple of times to help his friends but never when his family is around. He hadn't expected the life in the palace or the marriage proposal that came years later, but although the place was gigantic, Tim felt good in it, comfortable, appreciated.
Time in the Realms passed quite quickly, unlike his original dimension, so years for him were a couple of months for his family.
He found it ironic that Danny was summoned as the Ghost King by Ra, who had the nerve to order the "creature" to give him the secrets of the Lazarus pits, offering the Batclan as sacrifices. Tim looked at the time portal connected to his home dimension (That Clockwork had given him to watch his family and friends, even if he was upset he was not going to let them die) wondering if he should interfere.
It was decided when Danny called Fright Knight to deal with the nuisance that was Ra, and he accompanied him as a royal adviser (regardless of his second title as ruler, he actually liked being a part of strategizing better and Danny was happy to give in to his wishes).
With a weary sigh he crossed the portal and began to recite Ra's crimes, indicating how he had damaged the balance between life and death since he corrupted the ectoplasm on the Lazarus pits to extend his life at the same time that Frighty stopped the man.
No one in the room bothered to pay attention to the stupefied bats who were watching the missing member of his family, but years older, that apparently was the Ghost King royal adviser. They tried to call him but Tim just gave them an annoyed look before continuing with his work.
By the time Fright Knight took Ra completely chained through the portal, they finally saw the ghost king move, he started kissing Tim's face repeatedly, which had turned his frown into laughter.
The moment they finally processed the scene they both disappeared, and well, weren't those the consequences of their own actions?
----
Thanks to @unadulteratedsoulsweets for the general idea, I enjoyed writing this! Even if it ended up a little bigger than I expected
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transmutationisms · 8 months
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Hi Caden don’t know if you listen to Ethel Cain but was wondering what u think abt her subverting the Americana aesthetic since I think she’s often compared to Lana, at least online. I do think she’s doing something different & to me more compelling than Lana, but I don’t really know how to articulate it.
yep i like ethel cain. i agree she and lana are doing very different things. like, i said before that lana uses american nationalism because she's playing off the fact that it makes/has an erotic appeal, and she places herself as the object of desire in that paradigm��tell me i'm your national anthem, etc. my read on ethel is that she's interested in the rural americana 'trad' aesthetic from a very different angle, where she's trying to connect the homestead and american rural social structures to the perpetuation of violence. there's some overlap here in the sense that lana is definitely also interested in sexual violence and sexuality-as-violence, but in her work the violent or abusive man is generally a specific figure who's aberrant from the norm, and a lot of the artistic interest for lana comes (i think) from her interrogating what it is about this man that's appealing to her and how she sees herself through his eyes. with ethel, on the other hand, she portrays violence as coming through the infrastructure of normal and normative social structures, like the family and the church, with abuse understood to be a feature of these and not a bug. family, church, etc are in turn understood to be part of the infrastructure of american rural communities, casting the critique she's making through the ethel character onto this entire social apparatus (& there is some implication here of how this is all a part of westward colonial settlement—which is a potentially fruitful direction to go in, the idea of expansion into the 'frontier' as a narrative of, or narrative prerequisite to, violence).
so for example this is partly why, for ethel, incest specifically is a mode of sexuality & violence that she continually uses and interrogates: she's invoking it as an intensification of the 'normal functioning' of the family, which means the whole family structure gets pretty ruthlessly questioned through the character of ethel and the violence she faces. she invokes the trad aesthetic and the idyllic family homestead, then shows you the brutality that creates and is created by them. for lana, the family is not a concern in this way and is not something she's questioning or challenging the way ethel does (the daddy/girl thing in lana's work is p far removed from even a pseudo-incestuous reading most of the time, even in her lolita references). there's a similar distinction with how ethel examines protestant theology and practice with the explicit goal of pointing out inherently violent aspects of it, whereas for lana, invoking god or christian imagery is generally more on the level of playing off the way that american nationalism resembles and uses rituals of religious worship. lana takes political phenomena like the appeal of nationalism, and expresses them through the erotic configuration of these relationships with older, dominant men. with ethel it's more that she looks at social structures and practices signified by the rural americana aesthetic, and pokes and prods at these structures until the violence inherent to them is glaringly obvious to listeners through the ethel character's story. it's a way of problematising these institutions and practices, not letting them hide in plain sight by presenting themselves as benevolent.
so yeah i can understand why people might want to compare these two artists, but i think they're actually doing very different things. i would probably not say either of them 'subverts' americana or signifiers of nationalism, which is not a criticism, i just think that concept is often poorly defined and less frequently applicable to art than people sometimes think lol. ethel uses her character's story to deconstruct and question the american aesthetics and institutions her work invokes; lana translates these aesthetics and institutions into explicitly erotic discourses and dissects them through the allegorical figures of the people and relationships in her songs. (this is not to discount the importance of erotics in ethel's work as well obvi but this post is already long :P)
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badgerhuan · 2 months
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two weeks ago i made this post after i finished playing gs1 and then got informed that one of my favorite scenes in Yomigaeru Gyakuten (Rise from the Ashes) had been altered. i'm sorry that i didn't respond to anyone on that post, but now i'm here to present the full scene, with screenshots.
this scene is triggered when you go to Mitsurugi's office for the first time, and you choose to inspect the bookcase. (i fucked up my timing for the first screenshot rip. sorry Akane-chan)
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Akane: Uwa...are all of these case files!? Akane: They're slotted tightly all the way to the ceiling! There's even a ladder here. Naruhodou: ...that's weird. Since that guy is supposed to have a fear of earthquakes... Naruhodou: I really can't imagine him using such a dangerous bookcase like this one. Akane: It's no problem! Akane: There are really gigantic bolts fixing it firmly to the wall! Akane: What great power. I wonder if Mitsurugi-kenji-san did that? The screen flashes to Itonokogiri's laughing sprite for an instant. Naruhodou: (...for some reason. Itonoko-keiji's face came to mind...)
when i got to this scene playing the game, it meant everything to me. on top of checking up on Mitsurugi after earthquakes, Itonokogiri also took measures into his own hands to make sure his office would be a safe place for him in case of earthquakes...it made their relationship even more compelling to me.
it's also very important to me that it's Naruhodou picking up on this. playing through the game i always got the vibe that he noticed how close Mitsurugi and Itonokogiri are. this is just one more piece of evidence for that.
it had been made known to me, that in the English localization, they, for some reason, decided to erase Mitsurugi's known fear of earthquakes (which Naruhodou only knows bc he learned it from Itonokogiri!) and swap it for a...fear of heights? that has never existed in the original version of the games? and also the only time it was brought up in the English version at all??
i really don't understand why they did that. what was wrong with the original?? why invent a new fear out of thin air instead of using what's established?? what was the goal here???
there are numerous slight changes that the English localization has made that, when compiled together, really alters the vibe of the characters and how they interact with each other. but this is by far the most egregious change they've made that i've encountered (i've only played from gs1 and gs2, and i wasn't really paying attention to possible changes when playing through gs1).
maybe one day i'll make another post about the small changes they made (that are almost all at the expense of Itonokogiri...), but for now, here is the change that left me the most baffled.
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vecnuthy · 3 months
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Day 3 of @steddielovemonth: Love is wanting to do everything with someone, even if its nothing special | wc: 722 | G | established relationship, language
"Who....decided...to put....ugh, to put the toilet....so close....TO THE TUB?!"
Steve followed the smell of vinegar and Dawn to the bathroom and looked down at Eddie's form hunched over the side of the tub, obviously was struggling as he tried his absolute best to stretch to the far corner of the tub, even going so far as to brace one gloved hand on the tub's side and throw out his right leg.
"God, this fucking sucks," he seethed to himself, practically punching the sponge into the corner with each strained lunge.
Steve leaned against the door and watched, taking in the view of his partner's butt in the air and the slew of creative curses his other end was rattling off. He bit back a grin, warmth spreading through his chest.
"What are you in here complaining about?" he finally asked between Eddie's grunts a jab that included something about a wart and a garden hoe.
Eddie huffed and straighted up, his hair pushed back by a gloved wrist, then he twisted around to where Steve stood in the door, showing off his very flushed, very annoyed, very cute face. "It's hard to reach that corner because of this thing," he said with a shove of his hands toward the toilet.
"Get up, I'll get it."
"I mean, I can get it," Eddie scoffed, but already pushing himself up. "It's just hard." He pulled the rubber gloves off and handed them to Steve with a small smile. "Knock yourself out, though."
Steve watched Eddie watching him as he slid the gloves on, gave a cheeky wink that made Eddie shake his head with a smile, then leaned over the side of the tub on his knees. From there, he saw that Eddie had cleaned the walls of the tub except in the far corner, and most of the floor still needed to be scrubbed. He got to work, kind of hating how tricky it really was to reach the corner, but he got it done. It might've given him a bruised sternum, but he got it done.
"You're so much better at that than I am," Eddie complemented as he wiped "his" toothpaste splatter from the mirror. Eddie had seen Steve do those, though.
Steve snorted, his voice a little muffled and strained as it echoed slightly in the cavernous tub when he said, "You're just glad that you're on mirror duty now." He moved on to the floor, scrubbing tight circles over the textured surface.
Eddie couldn't deny it because the mirror was obviously the better of the two, but he was distracted now. His polishing came to a slow halt as he watched Steve scrub away from behind. An overwhelming sense of fondness washed over him and he felt a blush creep up his face. He couldn't help the hooded gaze and grin he cast at his unsuspecting partner, because, yeah, Steve was being an absolute sweetheart and doing a great job of cleaning the tub, but he was also doing great job of cleaning the tub. Really putting his back into it. The tight circular scrubbing rotation of his arm made his whole torso carry the motion like a conduit straight to his plump rear that swayed rhythmically under Steve's loose, short gym shorts.
"I think your ass his hypnotizing me."
Steve stuttered his scrubbing and his body shook as he laughed. "You will do the dishes," he compelled with a low, dramatic voice after he collected himself.
"You dare use your power for evil!" Eddie gasped.
Steve threw a look over his shoulder that would have been a lot more scathing had he not been biting back a grin.
He used to hate doing chores. He still hated doing the dishes and pretty much hated cleaning the tub too, but those typically mundane tasks were so much better when the man he loves was in the throws of it with him. It may be crappy work, and the side of the tub may give them a pair of bruised sternums, but was rarely dull work. He even looked forward to it. Steve even embellished the scrubbing just for Eddie.
"I will do the dishes," Eddie droned behind him, jokingly caught in the hypnotic pull of Steve's swaying butt.
Steve's chuckle earned him a pop from Eddie's mirror rag.
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shuttershocky · 6 months
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how do you feel about iori/saber so far by the way, whether as a ship or just their dynamic in general
I really like their dynamic!
While Iori and Saber themselves are full of callbacks to the original Shirou and Saber, their relationship dynamic is something that's all their own.
Usually a servant like FSR Saber would have belonged to a more emotional master. Saber starts the game out as an arrogant, destructive force and a bit of a bully, constantly going "Good grief my master's so weak! How did I get such a weak master when I can solo this whole thing? I should just kill everybody that gets in my way."
Rather than get upset or insecure however, Iori's humility and martial discipline ends up making a wall for Saber's arrogance to repeatedly bounce off of. When told he's weak, he goes "You are right. I don't fight because I'm strong, but because I should." When Saber talks down to him saying his presence doesn't change the outcome of a fight whatsoever, he just goes "I know. I'm doing the best I can."
This doesn't just eventually warm Saber up to him, but it also ends up creating the soul of their dynamic for the rest of the game. Saber's powerful, impulsive, and free in all their aspects, while Iori is measured, disciplined, and tied down (he's poor, he's an orphan, he's a warrior in an age of peace). This leads to fun gags like Saber having that classic Saber gluttony which wreaks havoc on Iori as a poor ronin living hand to mouth every day, but where this really shines is in how it makes its own twist in the original dynamic of Shirou and Saber.
Underneath Shirou and Saber's relationship was the recognition of themselves in the other. Both were willing to give up their entire lives for the greater good without once thinking of themselves, and seeing it in the other person horrified them because that was someone they cared about, while making a special exception for their own self-sacrifice.
In Samurai Remnant, Saber wonders how could such a weak human have summoned a servant as powerful as them, but the answer slowly becomes obvious as their relationship grows. Hiding underneath Saber's smug nature is a legend known for brutally killing anything and everything that stood in their way, whether that be armies, kings, monsters, or even gods. Why? What could compel a human to put a god to the sword just because they were ordered to? How broken and terrible inside must you be to see an aspect of divine power and feel no fear, only the desire to fight and to kill something that should be untouchable by a human?
The most delicious part of Iori and Saber's developing relationship is Saber slowly realizing that the bravery in Iori's eyes when he (literally) locks blades with a Servant is not bravery, but something much more familiar.
It should also be said that FSR Saber is one of the extremely few servants (if not the first even) to cry about the thought of leaving their Master after the ritual has ended.
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Bittersweet goodbyes have been a mainstay of the series since Fate/Stay Night, but FSR is the first time in my memory that we see a Servant look back at the short, second life they've been given and actually break into tears about not wanting to go.
Going back to the throne of heroes would mean returning to legend. They'd be the bloodstained killer and godslayer. Unparalleled, feared, revered, and alone. Meanwhile in this incarnation, they run around doing odd jobs every day to afford rice, assumed by the neighbors to be the new fiance of the poor ronin that lives in a shack, destined to be forgotten by history like everyone around them living humble and ordinary lives. And now that they've tasted it, they don't want to go back. They've fallen in love with this life, and have to live out the rest of the Waxing Moon Ritual knowing they don't have a choice about going back.
It's soooooo good. Such a perfect capture of that vintage Type-Moon feeling, I'd almost forgotten this wasn't even written by TM themselves but by the Fire Emblem Three Houses team.
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