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#it's for no occasion
dduane · 7 days
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A brief moment of rationality from the bird place.
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rivetgoth · 2 months
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It's honestly crazy that discussion around testosterone HRT skews so much towards the beginning stages of it (to the point that you have dozens of guys thinking their transition is "failed" if they don't pass by like a year in lol) and what the initial changes of the first couple of months to years look like, like the classic laundry list of those early basic changes like bottom growth, voice drop, etc, when IMO literally none of that compares remotely to the depth and intensity of the long term total masculinization you start to experience like 3-5+ years in.
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thevagaries · 1 month
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Edited to add this does appear to be shopped, but the transphobia to fascism pipe line is a well known one.
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terracottakore · 1 month
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etho's completely normal and sane desktop setup.
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desolationlesbian · 1 year
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The butch lesbian/trans man "funky printed button down" stereotype is true but you must understand that the men's section of so many clothing stores is a bleak and miserable place. Clothing manufacturers are simply convinced that no one who wears men's clothes wants anything besides the most boring outfits possible. Often stripes are the most exciting it gets. If you want to wear clothing designed for men but happen to like "color" and "joy" in your life then often the funky printed button down or the hawaiian shirt are simply your only options, especially off the clearance rack.
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Matpat will always be welcomed into the FNAF universe
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classycookiexo · 2 months
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why aren't there more mysteries that take place in nursing homes & retirement communities. i want to watch a group of deranged retirees-cum-amateur-detectives combine their powers of:
decades of life experience
boredom-fueled busybody shamelessness
access to the most gossipy next-door-neighbors in existence
"I am too old to be arrested and/or give a shit" attitude
and solve crimes. this should be an enormous subgenre.
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valeriapryanikova · 4 months
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This season, on Hermitcraft...
(speedpaint)
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ghostlyneil · 1 year
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Idk if anyone has drawn this yet but CECIL SWEEP
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ahyuggg · 7 days
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origami 🌃
I care him,,,🫶🏼
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gerrykeay · 22 days
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beardedmrbean · 1 year
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Dude save some for us homely guys
Michael Rayner
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syruubi · 3 months
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Zhongven then:
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Zhongven now:
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But tbh I would imagine Venti is very happy about about this change, even if now he's more often a victim to his man's trolling 8'D
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ao3commentoftheday · 2 months
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Bear with me here because I might end up torturing this particular metaphor, but when it comes to trying to get the image of a scene onto the page in the form of descriptive narrative, it might be useful to approach it like a visual artist.
If you've ever watched an artist do their thing (or if you're an artist yourself), you know that they don't just start at the top left corner of the page and draw the entire scene in all its detail, all in one go. I'm going to use an example of digital drawing with the use of software like Photoshop here because I have no idea if this metaphor will work with pencil and paper.
You have an image in your head. It might be super clear. It might be more vague. When you're starting to describe it, just sketch it in. Create a layer of broad strokes information like what the location is, how many people are in it, and what activity is happening.
Then add in a layer - whichever one is easiest. Let's pretend it's the location. Read through the sketch that you currently have and see where you have opportunities to describe the location. You don't have to front load everything at the top of the chapter, for example. You can add in details about the location as the characters move through it.
Add another layer. Are the characters' appearances different from what they previous were? Are you just establishing them at the start of the story? Do they have a "uniform" that they wear in canon that you've opted not to change? You can add in whatever details here you want, and again don't feel like you have to put it all in the same place. You can talk about a ponytail falling loose partway through an action. Or wait until someone else comments on a character's new pair of shoes.
Add another layer. What are the characters doing? How are they moving? Interacting?
Another layer. What are they saying? How do they sound?
Another layer. What other sounds are in the room? What smells? Do these change? Appear or disappear?
Keep going back and forth, toggling your way through your layers, adding things in here and removing them there. Every artist knows that sometimes a line just doesn't go in the right place and you have to erase it and draw it again.
Remember that no amount of work will give your reader a perfect representation of the vision in your mind, but also please know that that's okay.
By the time you finish your scene, some of those early layers might not exist anymore, and that's okay too. They were the sketch that started your verbal drawing. The base you used to guide your inks. Your final render won't have every line or brush stroke in it, and it'll be all the better for it in the end.
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At least Matpat lives on in the FNAF universe
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