Been thinking about The Two Live Crew Job again, specifically about Sophie and Eliot with the bomb, and... y'know, it's interesting to me, how Sophie looks to Eliot while they're trying to figure out what to do with the bomb. He's not the expert in the room, not really—that’s Parker and Hardison, truth be told, though Eliot’s got more field experience with explosives, and we see that in how they're the ones providing feedback. Heck, Parker's the one that comes up with the solution with the instant pudding. Nate takes the natural leader position, and he and Sophie are... Nate and Sophie. But it's Eliot that we see Sophie consistently coming back to, who she locks eyes with.
That could be for plenty of reasons. He does seem to have the steadiest control of the situation, likely because he's the best at dealing with high-stakes life-threatening issues (the hitter with extensive military experience is, of course, going to be better under that kind of pressure than the ones who are technically civilians). But I think maybe there's another layer there: he's the one she can trust to be blunt.
See, Eliot's not going to try to soften this. He's a tactful person as a general rule, but he also knows when to be honest. Sophie doesn't want this to be softened. I suspect that's because it introduces a layer of instability; if she only hears optimistic viewpoints, there's an uncertainty in what could go wrong, a fear about what might really happen. But Parker and Hardison and Nate don't necessarily get that—in fact, they themselves won't want to stare down the flat truth, and they may take the optimistic standpoint simply to keep themselves comfortable, even without realizing it.
Conversely, Eliot's not (and never has been) the type to try to look only on the bright side. You don't get to do that in his line of work. He knows how to look at all possible outcomes and take the scene in as-is, and he understands that some people don't want platitudes. Sophie's one of them. She knows, then, that she can trust him to tell her exactly what's happening and what the stakes are, no sugar-coating, no shaky voice, just steady truth.
And she knows, too, that he knows when something is a lost cause—and he understands when to cut his losses. Eliot can be impartial in the moment, no matter how much he beats himself up about it later, and he can weigh the odds and decide, coldly, when to abandon her.
The others can't do that. Parker, even here, even now, two years before The Long Way Down Job, could never choose survival over Sophie in that way. Hardison and Nate? They'd stay, no matter how bad the odds, no matter if it was sure that they wouldn't make it. But Eliot can. More importantly, he's the one who can drag the other three out of there.
He's the one Sophie can depend on to keep them alive. Even if it means she dies alone, even if it means she loses that slim, tiny chance she could live—he'll get them out, and they'll live. She won't let them stay behind, and she even shouts that at them, yells at them to get out, and she knows even as she does so that Nate and Parker and Hardison might not listen. But Eliot will. No matter what, Eliot will, and he'll listen to her and follow her orders.
It's Eliot that she watches, and it's him that she keeps steady with, because he'll be honest with her, and he'll be honest with them, and he'll keep them safe, the same way she "[makes] sure we’re all okay," as Hardison so poignantly puts it.
And do you know what else? In spite of all of it, though, in spite of being the one to be blunt, he still manages to be gentle. He's reassuring, holds her gaze and speaks soft and even and gentle, calming, steady, sure. He's the one who hates explosives, who knows exactly how bad this could be, and he stays steady for her.
This is their second year working together. It's mere months after she apologized for lying to them, point-blank, in The Second David Job. Yet there's still this trust, this holding anchored balance, that they'll keep the crew safe together.
But here's the other thing. It's not just that they trust one another with the rest of the crew. It's that Sophie trusts him to keep her safe, and Eliot trusts her to keep him safe, even if "safe" doesn't mean physically. Because sometimes "safe" isn't about that. Sometimes it's safety in reassurance, even when everything is going to go horribly wrong. Sometimes it's safety in keeping secrets, or listening to each other without judgement.
And sometimes, it's about safety in knowing the truth, no matter how vulnerable and terrible it may be.
786 notes
·
View notes
yes, the plans that i could not share with you (because the haters would sabotage me) were that i was taking on LACC in my vash getup :)
i have so few pictures of myself but i got so many compliments (especially on my arm) and plenty of other people took pictures of me. and normally i don't like attention but i will be honest with u. under these circumstances i loved it. my arm held up really well through 8 hours on the convention floor and i have never been prouder of anything i've made. it's articulated incredibly well, no part of it gave out or required repair, it's never uncomfortable or a nuisance to wear, and i have enough range of motion to do relatively complex things like tying my shoes.
originally i was not planning to try to meet anyone famous because 1) it's expensive and 2) the lines are long and 3) i feel weird and annoying approaching literally anyone for any reason BUT. the spot where i met up with my sister just happened to be right next to johnny yong bosch's table. right when he started signing things. so i said LOL ok i'll do it.
it was super chill, i asked him how it felt to get the call that they wanted him to come back 20 years later for a trigun reboot and he said it almost didn't happen -- that since they recast everyone else for stampede they considered recasting vash as well (and i said WOW i'm so glad they didn't) and he said he really enjoyed getting to come back and explore a darker take (i forget if what he said was a darker take on vash's character, or just a darker trigun in general) but it was briefly surprising 2 me that he considered stampede to be a darker version but i get it, especially when u consider that there is not a lot of comedy in those 12 episodes to balance out the grief.
ANYWAY he was impressed with my arm and i asked him if he would sign my coat :) so he signed the lining but he was also like u know what, i'm gonna give you a second autograph just because. so he signed a print for me as well (free of charge!!) and the print with the blue signature matches my famous paintings that i always film in front of (that's providence baybee)
other stuff from the con under the cut
cosplay notes:
i saw 3 other vash cosplayers (a 98 vash, a stampede vash, and a purple coat vash) and no shade but i definitely had the best arm build. peace and love to all of them though
i saw 1 1/2 wolfwoods. 1 was the aforementioned mullet wolfwood from yesterday's post (ww if you’re out there ww) and the 1/2 was the 98 vash cosplayer’s gf in some kind of goth-ish dress and she was carrying a punisher
mullet wolfwood if you're out there i regret not getting a picture with you so much. i am deeply ashamed and i have no excuse because i ran into you twice and both times i was too embarrassed to ask for a picture. i just want you to know that your punisher was swag and your earrings were yolo and we would look very good together
i expected to see a lot more trigun tbh. los angeles where u at. 4 vashies at a convention of 120,000+ people is nothing. one guy even walked up to me like wow i love ur vash, i haven't seen a lot of trigun at this con and i was like I KNOW i thought i'd see a lot more
theeeee costume of all time award goes to the cad bane cosplayer i saw on the balcony. spare hand in marriage dude (gn) you looked so good
second place for costume of all time goes to the other mother cosplayer who had button eyes and these crazy finger appendages and never once broke character even while waiting in lines
i took 100 points of psychic damage from this one guy who (and im not kidding) was at least 6’4’’ and wearing platform boots and was dressed as the mfing onceler. with the stupid top hat he was fr 7+ feet tall (i saw him duck to get through a doorway).
someone was there as the brawny paper towel guy?? just walking around in a beard and flannel carrying a pack of paper towel rolls?? go off king
i saw 5 nightwing cosplayers but only 2 were biblically accurate (had ass)
the nanami sweep at this convention was so real u all SHOWED UP. and everybody ate. i saw at least 12 nanamis and not one of them was a flop.
i have never seen so many spider-mans in my life
other things:
fig. 1: this extremely hot captain america on a very large poster was about 2 make me act unwise. hi gorjus................................. nice eyebrows
fig 2: i saw this sign a couple blocks away from the con and i did a triple take. 🔥🔥🔥TRIMAX MENTIONED🔥🔥🔥
fig. 3: i saw all 4 hobbits in panel and can confirm elijah wood’s laugh is ten times more infectious in real life. before they were even done sitting down, dominic monaghan switched around all of their name cards so that none of them were seated behind the right name. as u might imagine much of the panel's content was reminiscing about LOTR, but i heard some stories that i hadn't heard before. they also talked about video games, other projects they are working/have worked on, how their kids feel about their dads' LOTR roles, how much they love ian mckellen, and how they would love to see something happen for the 20th anniversary of ROTK this year. sean astin (the legend) took shots at the stranger things writers (basically said joyce could never be happy with hopper) AND EVERYONE CLAPPED LOL. billy and dom talked about the best food in NZ, their show billy and dom eat the world, and the unfortunate events that led to the friendship onion's hiatus. it was a ton of fun to just watch them be themselves with each other, you can tell that these guys are all so fond of each other and love each other so much.
and finally, fig. 4: i bought these beautiful prints from @/batinyourbelfry and the skeletal washi tape from @/skeletalacademia (both on IG)
28 notes
·
View notes
I really dislike the inherent main plots of TSATS and Chalice of the Gods as they’re being explained to us currently, mostly just cause I feel like they take away from already established lore of the series and other plot points.
There is no way TSATS can go that doesn’t make either Tartarus feel cheap and/or the entire book just feel like Percabeth In Mark Of Athena: 2 Electric Boogaloo. Unless the twist is that they don’t go to Tartarus it is physically impossible. Because either they go to Tartarus and breeze through it, which makes Tartarus as a setting feel cheap and ruins all prior instances of it being used as a landscape of suffering, or they suffer Lots and Lots and it just feels like we’re rehashing the same exact plot over again purely for the sake of treating solangelo the same as percabeth, which doesn’t work because they’re vastly different character dynamics and putting them in the same situation has nowhere near the same emotional weights. Also it makes Nico’s original foray into Tartarus feel null because it makes it feel like his trauma doesn’t have any actual meaning, because why would he jump right back into it? Even with Nico’s character being extremely self-sacrificial, we’re at a point where we’re being told he’s improving on that and this is possibly the one circumstance he would think twice about. AND it makes Tartarus feel overused - Nico surviving Tartarus once? Okay, makes sense, he’s the son of Hades, and it’s cool that he’s the first mortal to ever survive it. Percabeth too? Getting iffy (especially since we see their trip in detail and that inherently means it’s lost a lot of potential oomph, because when you’re going for horrifying a lot of the time less is more) but okay, sure, Nico probably gave Percy some Tartarus Tips after being rescued and they had a literal dues ex machina or two helping them out, and they fell in accidentally so it’s not like how Nico waltzed in there. Third time? And it being Nico AGAIN and Will Solace (who as far as we know has little to no quest experience and most of his experience is being a battlefield medic) and then purposefully going there? Nope. It’s just a poor set-up. Plus “the major gay couple goes on vacation to superhell” is a... questionable plot set-up to begin with, especially when it’s been heavily implied it will be traumatizing for them, and we have already been told explicitly that references are being made to things like Call Me By Your Name so there is a self-awareness about the themes there (also that alone raises questions about how we’re going to be taking the tone of things - again, there’s two ways it can go and both would be extremely difficult to get right). If Mark Oshiro were not co-authoring this I’d be a little horrified. I’m very glad Mark Oshiro is co-authoring this. I don’t believe it can’t be done tastefully, and yeah it’s a situation ripe for symbolism, but it is definitely the kind of subject that would be difficult for a non-queer author to handle appropriately.
As for Chalice of the Gods, we know two things: A.) It takes place prior to TOA, and B.) The chalice Percy has to retrieve has the power to make anyone who drinks from it immortal.
..... so basically, without the book even being out, we are told “If Percy had waited like 20 minutes, all of TOA would be null.” Admittedly, this does give justification for Percy specifically to be doing this quest outside of “college” reasons, and in my opinion, “The gods asked Percy specifically because they have verified he adamantly does NOT want to be immortal” is hilarious. However, adding yet another universe mechanic to the repertoire that nullifies death is annoying as hell, because death as a consequence in the series has been completely ruined since HoO. The more avoiding death options there are, the more every death scene feels completely pointless and avoidable.
52 notes
·
View notes
been having a little 2521 fics and final blogposts anniversary reminiscence and i just wanted to once again recommend the cdrama lighter & princess for anyone who needs reassurance that a college-to-adult love story with a dual timeline can and does work. it's such a perfect show with wonderful character development, irresistible romance and flawless pacing that lets a slowburn rivalry-to-partnership-to-friendship-to-lovers story reach its fullest potential while providing the angst and heart-to-heart resolutions to make it worth rewatching again and again. the reason i haven't written as much about it here is that it's already so accomplished it hardly needs me to emphasize the writers' and actors' achievements, i can only invite you to discover its warmth for yourself ♡
27 notes
·
View notes