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#it's a great image
reactionimagesdaily · 11 months
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batbabydamian · 7 months
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Damian adjusting to his new hairstyle in B&R 2023
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nemfrog · 9 months
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As the ancients saw it. The book of stars. 1920.
Internet Archive
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jarrows · 5 months
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recently i reread a bunch of my favorite sherlock holmes stories (norw my beloved) and felt compelled to create my own diagram for 221B
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horang-07 · 6 months
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FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!
i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.
i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.
in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.
this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable
it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.
then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.
he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.
finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.
it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.
in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.
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um.. three Mikes - three emoji memes:
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One day I’ll draw enough Mikes that it’ll fit any emoji
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phuntyme69 · 2 months
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boycritter · 9 months
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silly little comic about chronic pain
[image id: an 8 panel comic
the first panel has a conversation between two people. the one on the right is a light gray, and facing away from the viewer. they are meant to represent a generic person. they are saying, "wow, chronic pain sounds like it sucks." sucks is written in a dark pink. the person on the right has tan skin, a pink shirt, and pink hair. he responds "haha yeah."
the second panel shows the same two people, with the first person saying "how do you tolerate it? i'd go crazy!" tolerate is written in a dark pink. the second person responsed "um..." and trails off
the third panel shifts to a drawing of the second person sitting curled into himself. it is entirely grayscale, except for his pink hair, which is a little more muted. the text around him reads "i tolerate it because not doing so isn't an option". 'isn't an option' is written in dark pink.
the fourth panel shows him sitting and leaning against the left edge of the frame, with his legs stretched out. it reads "because what else am i supposed to do?" supposed is in all caps and written in dark pink.
the fifth panel shows a torso up drawing of him in the bottom right corner. the text reads "i can't hope for a day i'll wake up and be better." better is written in dark pink and all caps on the left half of the panel.
the sixth panel shows him sleeping, with a brown dog near his head. the text above him reads "all i can do is make sure i wake up." wake up is written in dark pink.
the seventh panel is all text, reading "i tolerate it because it needs to be tolerable". tolerable is written in dark pink.
the eighth panel shifts back to the conversation between the two people. the man finishes his response to the other person's question with "i don't know".
end image id]
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catocappuccino · 5 months
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Hehe
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foreverher1 · 6 months
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She looks amazing!
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bklily · 7 months
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Replaying this event I noticed something and it was great.
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Jamil's having a little crisis he'll get over it.
(background close-up under the cut so you can have your third eye opened)
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humming-fly · 8 months
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Just like Justin Mcelroy's callbacks to the chilean miners I have once again emerged to deliver this, More Team Greed Nonsense, this time featuring stupid questions ed asks to get out of work
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ngl drawing this is the most clear headed I've felt in weeks if i go longer then seven days without drawing greedling I start going through withdrawl
to that end have a second bonus:
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Team Greed Doodles Masterlist
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neeeeet2 · 2 months
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Inspired by @idzymi post, I've made this monstrosity <3
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Original photo:
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20 Versions of Sherlock Holmes Ranked from Most to Least Likely to Set a Building on Fire in a Fit of Rage
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dandylyn · 1 year
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My piece for the @legacies-entwined zine! Showing the moment after Barriss has received her tattoos - I felt as though this would've been a big ceremonious occasion, so I like to imagine she and Luminara returned to Mirial to be surrounded by their birth culture and other Mirialans. I also like to imagine that it was Luminara who gave Barriss her tattoos. :)
If you missed your chance to grab this beautiful zine, the leftover sale will be going live Feb. 22! More info here
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risingsunresistance · 2 years
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I FOUND THE REST OF IT
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