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ailuronymy · 3 years

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do you think every disabled character in wc is handled poorly? i understand theres def some cases of ableism but at the same time when i hear ppl say that its usually bc the disabled cat wasnt able to become a warrior due to their disability. and i feel like ppl forget, that not everyone irl CAN do what they want after they become disabled. ex. someone wants to be an athlete, but their legs have to be amputated. a cat like briarlight esp i feel is p realistic and could be a source of comfort

Hello there, thank you for writing in. I’m going to reply to this question with a series of questions I think are a bit more useful, given what you’re trying to ask me. I hope that’ll clarify what is a deeply complex, multilayered issue.

Do I think Erin Hunter handles anything in the series “well”? Not really. I don’t have a high opinion of the work of the collective and, broadly speaking, I think every right note they play, metaphorically speaking, is an instance of chance rather than effort, skill, or intention. Stopped clocks are right twice a day, mediocre writers will sometimes do something cool by accident, similar principle. That’s not to say Erin Hunter hasn’t ever done anything on purpose--just that overall the underlying drive of the series isn’t so much quality as it is quantity, and speed of production, and it shows.

Do I think Erin Hunter puts any significant research into how they portray disability? No. I do not think it is a priority for this series. They’re not trying to make a meaningful work of literature, or capture a realistic experience of disability, or tell especially impactful or thoughtful stories, or even make a particularly good or coherent fantasy world. Warriors is a specifically commercial product that was commissioned by HarperCollins to appeal to a particular demographic of drama-loving, cat-loving kids. It’s not really trying to do anything but sell books, because it’s a business, so the text in many ways reflects that. They’re not going for disability representation, in my opinion. They’re including disability in many cases as a plot-point or an obstacle.

Do I think this means that people can’t connect to these characters and narratives in meaningful ways? No. Often I say that a work is completed only when it is read. Before that point, it doesn’t have a meaning: a reader finishes the work through the act of reading, and interpretation, and filling in the spaces and resonance of the story with their own values and experiences. When people talk about subjectivity, this is what they are talking about. What this means in the context of disabled characters in Warriors is that these characters and their stories can be multiple, conflicting, even mutually exclusive things at the same time, to different people, for different reasons.

Do I think characters have to be “good” to be significant to someone? No. I think genuinely “bad” (i.e., not researched or poorly researched, cliche, thoughtlessly written, problematic, etc. etc.) characters can be deeply meaningful, and often are. Ditto above: for many people, and especially marginalised or stigmatised people, reading is almost always an act of translation, wherein the person is reading against the creative work of the dominant culture in a way that the author likely didn’t intend or didn’t even imagine. There’s a long documented history of this in queer culture, but it’s true for just about everyone who is rarely (or unfairly) represented in media. Disabled people often have to read deeply imperfect works of fiction featuring disability and reinterpret them in the process--whether to relate to a kind of disability they don’t experience themselves but which is the closest they’re offered to something familiar, or to turn positive and meaningful what is intended as narrative punishment, or simply to create what’s commonly called headcanon about “non-disabled” characters who echo their personal experiences.

Do I think everyone has to agree? Extremely no. As I said before, people will actually always disagree, because all people have different needs and different experiences. What can be interpreted as empowering to one person might be very othering and painful for another. There is no “right” answer, because, again, that is how subjectivity works. This is especially true because marginalised communities are often many different kinds of people with different lives and needs brought together over a trait or traits they share due to the need for solidarity as protection and power--but only in a broad sense. It’s why there is often intracommunity fighting over representation: there isn’t enough, there’s only scraps, and so each person’s personal interpretation can feel threatening to people whose needs are different. You can see examples of this especially when it comes to arguments over character sexuality: a queer female character might be interpreted as bisexual by bisexual people who relate to her and want her to be, while being interpreted as lesbian by lesbians who also relate to her and want her to be like them. Who is correct? Often these different interpretations based on different needs are presented as if one interpretation is theft from the other, when in fact the situation is indicative of the huge dearth of options for queer people. It becomes increasingly more intense when it comes to “canon” representations, because of the long history of having to read against the grain I mentioned above: there’s novelty and, for some people, validation in “canon” certainty. And again, all of this is also true for disabled people and other stigmatised groups.

Do I think this is a problem? Not exactly. It is what it is. It is the expected effect of the circumstances. Enforced scarcity creates both the need for community organising and solidarity and the oppressive pressure to prioritise one’s self first and leave everyone else in the dust (or else it might happen to you). The system will always pit suppressed people against each other constantly, because it actively benefits from intracommunity fighting. Who needs enemies when you have friends like these, and so on. A solution is absolutely for everyone in community to hold space for these different needs and values, and to uplift and support despite these differences, but it’s not anyone’s fault for feeling threatened or upset when you don’t have much and feel like the thing that you do have is being taken away. It’s a normal, if not really helpful, human response. But until people learn and internalised that the media is multifaceted and able to be many things at once, without any of those things being untrue or impacting your truth of the text, then there will be fighting.

Do I think my opinion on disability on Warriors is all that important? No, not really. I can relate to some characters in some moment through that translation, but my opinion on, say, Jayfeather is nowhere near as worthy of consideration than that of someone who is blind. I don’t have that experience and it’s not something I can bring meaningful thinking about, really. That’s true for all these characters. If you want to learn about disability, prioritise reading work about disabled rights and activism that is done by disabled people, and literary criticism from disabled people. And as I mentioned above, remember that community isn’t a monolith: it’s a survival tactic, that brings together many different people with disparate experiences of the world. So research widely.

Finally--do I think there’s only one kind of disabled narrative worth telling? No. For some people, a disabled character achieving a specific, ability-focused dream is a good story. For other people, a story that acknowledges and deals with the realities, and limitations, of disability is a good story. The same person might want both of those stories at different times, depending on their mood. That’s okay. Sometimes there’s power and delight in a fantasy of overcoming seemingly impossible obstacles and defying all expectations. Sometimes there’s value and catharsis in a narrative that delves into the challenges and grief and oppression experienced because of disability. There’s no one truth.

To round all this off, I’m going to give my favourite example of this, which is Cinderella. I think it’s a great and useful tool, since for many it’s familiar and it’s very simple. Not much happens. In the story, she is bullied and tormented, until a fairy godmother gifts her over several nights with the opportunity to go to a royal ball, where she dances with a prince. The prince eventually is able to find Cinderella, due to a shoe left behind, and they are married. In some versions, the family that mistreated her are killed. In others, they’re forgiven.

Some people hate the story of Cinderella, because she is seen as passive. She tolerates the bullying and never fights back. She does every chore she’s told. She is given an opportunity by a fairy godmother, and she doesn’t help herself go to the ball. She runs from the prince and he does the work to find her again. Eventually, she’s married and the prince, presumably, keeps her in happiness and comfort for the rest of her life.

For some, this story is infuriating, because Cinderella doesn’t “save herself”: she is largely saved by external forces. She is seen as a quintessential damsel-in-distress, and especially for people who have been bullied, infantalised, or made to feel less capable or weak, that can be a real point of personal pain and discomfort.

However, for some others, Cinderella is a figure of strength, because she is able to endure such hostile environments and terrible people and never gives up her gentle nature or her hope. She never becomes cruel, or bitter. She is brave in daring to go outside her tiny, trapped world, and she is brave to let the prince find her. She doesn’t have to fight or struggle to earn her reward of happiness and prove her worth, because she was always deserving of love and kindness. The prince recognises at once, narratively speaking, her goodness and virtue, and stops at nothing to deliver her a better life.

Depending on the version, the wicked family disfigure themselves for their own greed--or are punished, which for some is a revenge fantasy; or Cinderella forgives them and once again shows her tenacious kindness, which for others is a different revenge fantasy.

The point? Cinderella is the same character in the same story, but these are almost unrecognisable readings when you put them side-by-side. Which one is right? Which one is better? In my opinion, those are the wrong questions. I hope this (long, sorry) reply is a set of more useful ones.

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lsvdw-blog · 3 years

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Not a Minute More: Part I

Pairing: Ethan Ramsey x f!MC

Word Count: 1.6k

Warnings; Rating: Minor angst at the end; General

Premise: Ethan and MC are living in a honeymoon bliss and going about their normal routine. Then something happens that rocks Ethan to his core and threatens to change his life.

Author’s Note: New series comin' at ya! This is my first time writing fluff, so please excuse me if it's cringey 😅 Thank you to @choiceskatie for pre-reading!! I hope you enjoy and thank you for reading 💖

~ Monday, 7:00am ~

“Good morning, handsome.”

Serena walks up to an omelette-making Ethan, wraps her arms around his waist, and places a gentle kiss on his shoulder blade.

Ethan places one hand over hers, a smile spreading across his face, while the other wields a spatula.

He plates the omelette, turns the stove off, and turns in Serena’s arms to face her. He tightly envelops her, placing a sweet kiss on her lips.

“Good morning, indeed,” he smiles.

“Mmm, that’s my line,” she says, her hands moving leisurely up his bare chest, and her eyes trailing hungrily over his gym-honed physique.

Ethan lets out a hearty chuckle, turning slightly to grab their breakfast.

“As much as I’d love to take you back to bed," he gives her a quick peck, "you have a big day ahead of you, so,” he hands her a plate, “actual protein.”

“Buzzkill,” Serena pouts as she takes the ham, cheese, and veggie omelette from him. Ethan shakes his head in amusement and places one hand on her lower back to guide her towards the dining room table.

“For now, but in 10 hours…” he raises an eyebrow and smirks at her.

“10 hours and not a minute more,” she responds, sitting down, and giving him a stern look.

He laughs again. Something he’s been doing a lot more of since she came into his life. “Yes, baby.”

That seems to please Serena as she smiles and does a little wiggle in her chair, cutting into her omelette.

His apartment overlooks the glittering Charles River and the towering Boston skyline — a view people would kill for. But he’s not paying attention. His eyes are trained on the woman next to him. His t-shirt falls to her mid-thighs, her midnight hair tied at the nape of her neck, and the dainty gold necklace she never takes off is brilliant in the early morning glow. Serena shifts slightly and the faint smell of sunscreen wafts towards him.

“SPF on the face is important!” He grins at the memory.

She spends most of her time at Ethan's place nowadays. It's more private, compared to her shared apartment, and there's more space for them to sprawl out and be a couple. They cook dinner together, with Ethan learning to make her favorite dishes and incessantly asking her to taste test to ensure he gets the flavor right. They've made loading the dishwasher and walking Jenner into a two person job. He's even caught her stashing away some of his clothes in her overnight bag before: "I'm borrowing them!"

On the off nights when she insists on staying at her place to catch up on laundry or spend time with her friends, Ethan goes home to a dark and unwelcoming apartment. There is no source of laughter, light, or warmth. He never noticed it before, but now, Serena is his source of all of that, and more. Home is wherever she is.

How did I get so lucky?

“Why aren’t you eating?” Her head is tilted to the side and her brows are slightly furrowed.

Her question brings him out of his trance. He stares at her for a beat, his azure eyes filled with adoration. “Just admiring the view.”

Serena rolls her eyes and goes to playfully smack his arm, but he catches it. Interlaces their fingers and brings it to his lips. Her eyes soften as they gaze at each other.

“I could get used to mornings like this, you know," he rumbles.

"Yeah?"

He nods his head. "Yeah. I love spending them with you."

"The feeling is mutual, Dr. Ramsey." She leans in, stopping a hair's breadth away from his lips. "But I gotta get ready for my big day now," she says with a glint in her eye.

Ethan tries, and fails, to catch her lips with his own as she leans away and gets up from the table. "You're such a tease."

"Am I? Or are you just getting slow in your old age?" She playfully retorts.

Ethan stands abruptly from the table, chasing after her. Serena squeals in surprise and takes off towards the ensuite.

~ 7:40am ~

Ethan is leaning against the doorframe, arms and feet crossed, admiring Serena as she applies the finishing touches to her makeup.

"How many times are you going to stare at me today?" Serena questions.

He pushes off the doorframe and walks over to her. "As many times as you'll allow Rookie."

He hugs her waist. "Are you ready for today?"

Serena sighs and leans back into him. "I'm a little nervous. If testing doesn't go well today, we'll have to start from scratch. All our work, gone."

For the past few months, Serena has been consulting on a classified research project headed by scientists and engineers at Harvard University. The team was incredibly impressed with her capabilities, shown in saving Dr. Banerji's life and being the 2nd youngest member of the renowned Edenbrook Diagnostics Team, and liked that she provided a younger perspective. They brought her on and Ethan makes the 15 minute detour to drop her off three times a week.

"You all are ready. It will go great."

She locks eyes with him in the mirror. "Thank you, E."

~ 8:15am ~

Ethan puts the car in park, turns on his hazards, and turns to look at her.

"I can't wait to hear all about how today was an absolute success. You don't need it, but good luck." He squeezes her hand.

She nods. "Only 8 hours and 45 minutes left."

"And not a minute more," he smiles at her before leaning in to kiss her.

Ethan pulls away first, not wanting her to be late, but Serena continues to go back in for more soft kisses. After the sixth one, she finally pulls away smiling. She opens the car door, swings her legs out, and walks through the secured entrance.

~ 11:00am ~

The Diagnostics Team currently has no patients, so Ethan's morning is mundane, filled with meetings and endless paperwork. He itches to call Serena to break up the monotony, but knows she won't have her phone on her until lunch: no cell phones allowed in the lab. He settles on sending her a quick text — it'll be waiting for her. He pulls up their messaging thread, sends the text, and his eyes wander upward to see the remnants of their last conversation.

She had gotten, and dressed, Jenner in a new bow tie. She then blew up Ethan's phone with photos of Jenner, photos of her and Jenner, and even a few where she was wearing one of Ethan's bow ties to match.

"Look, we're twins!!"

Ethan re-scrolls through all of the photos and can't help the smile that lights up his face at how excited she gets about a small accessory for his dog. God, I love her.

There it is again, Ethan thinks. The 3 words and 8 letters that he never thought he'd feel, let alone want to voice. This feeling has become overwhelming in the past few weeks. He's reminded of it whenever he inhales the lingering scent of her perfume in the office, when he finds one of her forgotten face products at his place, the small moments they share when she sneaks away to visit him, "just because." It consumes him and makes his heart swell.

But he knows she's been extremely stressed with project duties, on top of handling the Diagnostics Team and regular patients. It just doesn't seem right to blurt it out when she's juggling so many things. But if all goes well, her portion of the project ends on Thursday and she'll be back to her normal workload. That's why he's been secretly making romantic plans for this weekend, not only to celebrate her success, but to also finally tell her how he feels. He wants the first time he utters those words to her to be special. Magical. Extraordinary. Just like her.

Just then, his pager beeps and he's pulled out of his second Serena trance of the day. He sets his phone down on the table, pulls out his pager, and is met with a message from Dr. Delarosa, asking for a consult. Just as he exits through the door, his phone lights up with a photo of Serena and her incoming call.

~ 2:15pm ~

The consultation with Ines turned into admitting the patient under the Diagnostics Team and the rest of the afternoon was spent running through possible diagnoses. Before he knew it, it had been over 3 hours and Ethan hadn't eaten since breakfast that morning. He can't help but think how much easier this case would be with Serena here and her perspective. Not only does her presence help keep him calm, but she always comes up with suggestions that would inevitably lead to the correct diagnosis. He throws his glasses on the table and pinches the bridge of his nose in frustration.

He begins to stand, wanting to make his way to his desk, intending to call Serena on the off chance she picks up. However, before he's even able to reach his full height, Dr. Banerji walks in.

"My boy, are you busy?"

"No. Am I needed somewhere?"

Naveen looks at him for a beat too long, causing Ethan's confusion to spike. Naveen walks to the center table and switches on the TV. There, panning around the screen is an aerial view of the Harvard University lab complex, surrounded by police cars and SWAT members, as well as multiple aircraft. In bold letters, scrolling endlessly across the bottom of the screen is: Possible attack at Harvard University labs. On lockdown.

Ethan gawks at the screen with wide eyes and his pulse immediately picks up.

"Isn't Serena at Harvard labs today?"

~~~~~~

Disclaimer: I know Ethan starts his day and gets to the hospital at an ungodly hour, but let's ignore that bc I am my MC is not a morning person 😅

#ethan ramsey #ethan x mc #ethan ramsey x mc #playchoices #ethan ramsey fanfiction #ethan ramsey fic #ethan ramsey open heart #choices open heart #open heart #open heart fic #choices stories you play

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collisiondiscourse · 3 years

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on the wonder duo (part 1)

(BNHA Analysis Post Ahead! This isn’t explicitly romantic, but it is an analysis of the relationship between the two most popular characters in BNHA--Katsuki Bakugou and Izuku Midoriya. Split into two posts because I realized that this was gonna be long as HELL)

yall ever think about the fact that the wonder duo is perfectly set up in so that bakugou and deku together are the better version of all might?

bc like. ive been thinking.

everyone knows the win to save and save to win parallel. How they are supposedly two halves of a whole perfect hero (which, previously, was defined as all might)

but ever since bakugou and deku started working as one—growing together to win AND save and continuously reminding each other that they shouldnt try to do things alone, ive realized that its BECAUSE theres two of them that they surpass all might. its not a case of deku and bakugou both being 50% of an ideal hero, but rather i think that they are 100% of what all might SHOULD HAVE BEEN from the very beginning.

as early as the AM v AFO battle in kamino, we see the effects of all mights flawed existence. the fact that he, the greatest and supposedly infallible symbol of peace, was destroyed—society had begun to collapse. there was suddenly no pillar to hold people together and the impacts were so severe that even in the latest chapters of mha it keeps on getting worse. the truth is, all mights biggest mistake was the burden he placed on his own shoulders

with bakugou and deku... its different.

its different for them because down to their attributions, they seem like two halves of a whole person.

i think that the wonder duo are going to surpass all might because of the fact that they work together.

@bakugoukatsuki-rising @svpercraigus @tybee @isaustraliaathing

(batshit crazy and conspiratorial essay under the cut !)

1. Complementary Colors

I’d like to first preface literally everything I say by the fact that I am not an expert analyzer or literary major in any way. I am literally just some random fan on the internet who has wayyy too much time and looks wayyy too deep into things, but here we go!

A common thing we see when we talk about bakugou and deku is the way they are... sort of an inverse of one another.

Down to the design of their features and the way they move, Deku is the obviously softer of the two. There’s an intentional contrast between the two of them, in the way that Deku’s drawn with round shapes and curvy hair and the way Bakugou is literally all spikes and half-mast eyes and rough muscles. Bakugou’s movements too are languid and showy, with the way he leans when he walks and splays his legs and kicks open doors. Katsuki, in a casual sense, is loud and dramatic.

Deku on the other hand s finicky. He jitters when he walks and he’s often fidgeting and mumbling. Comparatively, the aura he radiates is energetic and frenzied, even self-conscious to a point unlike Bakugou’s calm and confident movements.

the point is, there’s a clear difference in how either of them are designed and what exactly they are supposed to represent. They utterly complement each other down to the way they behave and even their main colors (red-orange and blue-green) being literal complementary colors.

Now, moving to my more ungrounded points, this is quite a bit of a stretch so I’ll try as much as possible to make sense of these with hyperlinked sources because. yeah.

Down to their names, I think Deku and Bakugou both symbolize something deeper. I think that the way Hori expresses characters and what they’re meant to do is something that we have to pay close attention to when we talk about the Wonder Duo’s rise to success.

Izuku Midoriya (緑谷出久), as some of us may know, does have an interesting meaning when broken up. According to a lovely fan translation of his name, ‘Izuku’--while not an actual name used commonly in real life--means to ‘Come out’ or ‘Long time’. ‘Midoriya’ on the other hand means (Midori) ‘Green’ and (ya) ‘valley’. The translator further pointed out that his first name ‘Izuku’ could be a reference to him being the first legendary hero to come out of the long-running All Might Era. (or, if you’ve been reading @/bakugoukatsuki-rising’s posts, the first significant anime protag in a long while to come out as queer, ppfft)

but that isn’t my focus right now.

We know that Hori LOVES telling stories with names, and more often than not in the BNHA universe, names alone tell us a lot of things about the characters. When referring to Izuku’s last name, Midoriya, it’s important I think to step back and realize that hey, maybe there’s something more to Green Valley than just the fact that his motif is all green.

After searching for a lil on the specifics of green valley, I’ve found out that across many cultures, the colour green and valleys in general tend to represent life. From dream analysts, to Christianity, and even old Taoist teachings, valleys are seen as areas of fertility and escape. They are seen as safe havens and often escapes for people to come to after running away from bad circumstances.

(Sound familiar?)

Deku, in essence represents life and peace. He represents being the “salvation” that the world in BNHA needed. To me, it sounds like Horikoshi is trying to say that he is the long-awaited hero in the sense. The one that people can feel will create a society that feels safe for everyone after years of All Might just saving people from themselves as a band-aid solution.

On the other hand, we have Katsuki Bakugou (爆豪勝己), who’s name we commonly know means (Katsuki) Winner and (Bakugou) Explosion Master. He is essentially, the champion. The power. His name means success and power and all the things that make up winning.

When putting them side by side, it then becomes increasingly... interesting to me how their names almost perfectly slot into All Might’s save to win and win to save mantra, and how they are both quintessential parts to what made All Might as a hero.

2. Hero Too!

Now, I’m not even gonna really TOUCH much of what happens in canon. If you want me to do a step by step breakdown of their arcs in regards to the plot of manga and anime, feel free to send me a gratuitous ko-fi tip so I can pay for the headache I get after trying to organize my thoughts into word vomit.

What I WILL talk about on the other hand, is the subtle shift both of them slowly have in regards to how they look. Bakugou and Deku, while growing up, seem to have MANY many parallels--but before I elaborate on all of that, I wanna talk about something else.

Detour: Deku’s Red Shoes

We all know the iconic symbol being Deku’s red shoes. For all his life, save for some outfits like his hero one, we see Deku more often than not wearing his signature red sneakers which have become a running joke in fandom.

But the funny thing is, in Japan, red shoes seem to have an interesting connotation.

In 1922, a popular Japanese nursery rhyme was written, called “Red Shoes”. The interesting part to me about this song was the symbolism that, in my tiny pea-sized brain, I could connect to the story of BNHA.

The story goes that there was a little girl with red shoes named ‘Kimi’. She was from Shizuoka prefecture (which, if you didn’t know, is most likely where Musutafu supposedly is) and was raised by a single mother. When she was young, her mother had to entrust her with a foreigner under the impression that they would give her a better life in America. The stranger is a man named Charles Hewitt (who was described to have blue eyes) and supposedly took her away.

The singer of the song (supposedly the mother, but some argue it was written from the perspective of a childhood friend) believes that Kimi is happy and living a better life away from them, when the reality of the situation was much worse. The young girl with red shoes in actuality had Tuberculosis, and thus the foreigner whom she was entrusted to had left her to fend for herself and eventually left her to go to America while she died alone and orphaned.

“When I see red shoes, I think of her.”

A very interesting story with very interesting implications indeed.

Anyway, moving on to the more... “nuanced” and connected parts of this section, I have every reason to believe that Bakugou and Deku were simply MEANT to be working together down to how they dress. Now, I’d like to discuss their hero costumes.

At the start of their series, using these godawful pics for reference, it’s clear to see that neither of them seem alike in any way--reflecting the dissonance in their relationship at that point in canon.

ough. deku why. (yes we know why its because you love your mom you stupid little bunny <3)

Anyway, we see an immediate gap in how the two of them are. Deku’s first costume is one that reflects how he treated his dream of being a hero. He was still in that childlike idolization phase, the one where his dreams and aspirations were hinged on pure feelings and inspiration from All Might. Katsuki on the other hand was a lot more tactical--professional to an extent. The gap between their respective development with their quirks is something that is clearly felt in every fashion decision they’d made.

(Notice how Deku’s green is a lot brighter and less like the green accents Katsuki has all over his costume.)

As time progressed however... their costumes changed. The colors, the silhouettes, the practical functions, most things.

(Deku’s Gamma Costume and Bakugou’s Winter Costume used respectively)

we begin to notice a few similarities.

As the show goes on and we see more evolutions of their costumes, it almost seems like they begin to look like a matching pair. Deku’s green grows darker and almost teal in nature, while Bakugou’s orange is veering towards red territory. This is important to note because red-orange and blue-green as I said earlier were complementary colors as compared to simply orange and green. The minute shift is something I really wasn’t quite sure was intentional, but something I find interesting to pick up nonetheless as the colors they used to accent their costumes begin to match up.

Secondly, I think and important thing to note is silhouettes. The way that both Bakugou and Deku’s costumes are designed follow a lot of parallels that typically we don’t see with the rest of 1-A. For one, they both have a combination of tight long-sleeved tops with a bulkier set of bottoms. They also share the use of utility belts and metal pieces typically worn around their necks. Deku has his bunny-eared hood that mimics All Might’s hair, while Bakugou has his orange and black explosion ear-pieces that mimic his own quirk.

i don’t think any other people in class 1-A match each other as subtly yet strongly as these two. Uraraka and Deku and Bakugou and Kirishima do come close however.

“But Codi, you fucking knob!” I hear you plea. “This is such a reach and tells us practically NOTHING!” And yes, I’m inclined to agree with you! You’d be sort of right in the idea that this is a reach. Maybe I am looking too much into this, and maybe it really isn’t that deep--but I do think that them subconsciously matching outfits means something quite brilliant.

In the way that their costumes are designed, each aspect of either outfits have a very logical explanation. The changes were strategic and made with their fighting styles vividly in mind, so what that tells me is that BECAUSE these costumes are so complementary or similar in nature (Bakugou’s reinforcing his arms while Deku reinforces his legs), these two are implicitly showing the audience that their combat styles are complementary as well.

The evolution of their design choices and similarities tell us that even unknowingly, their minds line up in strategy on the battlefield--a clear exhibit for why they would be INCREDIBLY POWERFUL as a Hero Duo to begin with.

When I look at their hero costumes side by side, I see a mirror. I see the way that these two are reflections of each other and are strong where the other isn’t. The point I see in BNHA repeatedly is that EVERYONE HAS A WEAKNESS. Nothing is infallible, regardless of how hard you train or how powerful your quirk is. Everyone will always have a weakness, but the significant difference I see when fandom discusses the future of Pro-Hero Society is that the new generation is finally raising itself to be RELIANT on each other.

Observing their fighting styles and the simple use of their quirks, its obvious that they are indeed two parts of a whole hero. Bakugou, who’s quirk emphasized his arms and hands and the power that comes from it, while Deku who’s quirk now emphasizes his legs and lower body and the way he’s always running to save people.

IN CONCLUSION:

As they become heroes, it is easy to assume that if nothing else, Bakugou and Deku will cover each other’s weak spots (especially when you consider the way Deku probably won’t be able to keep using his arms with the way both the anime and manga are going...) (also chapter 285, anyone?)

Part Two: Interactions, OfA

kofi || commission details

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pennylaneforthoughts · 3 years

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Lokius Hogwarts AU

All right my dudes, hot take time:

I’ve seen a lot of Hogwarts AU headcanons floating around, and having thought waaaaaay too much about it, I’m here to add my two cents.

( @sortinghatchats has my favorite sorting system I’ve seen to date, since it goes so much in depth into themes throughout the HP series that good ol’ JK barely touches on in her pretty surface level commentary on the subject, so that’s the system I’m gonna use. Go to their blog to learn more about the way the system works bc I’m too lazy to go more in depth than I already have.)

This is gonna be Hella Long tho so I’m putting it under a cut.

Loki: Petrified Slytherin Primary/Slytherin Secondary - sorting: Slytherin House

Perhaps it may seem trite, but Loki really is a Slytherin Primary at heart. Yes he is ambitious and all that stereotypical stuff, but that’s not really what makes a Slytherin a Slytherin. Anyone can be ambitious. No, he’s a Slytherin because he unapologetically prioritizes himself and the people he cares about above all else.

“Slytherin Primaries are fiercely loyal to the people they care for most. Slytherin is the place where “you’ll make your real friends”– they prioritize individual loyalties and find their moral core in protecting and caring for the people they are closest to. Slytherin’s reputation for ambition comes from the visibility of this promotion of the self and their important people– ambition is something you can find in all four Houses; Slytherin’s is just the one that looks most obviously selfish.”

However, Loki’s trauma has pushed him to something this system calls Petrifying.

“Whether through death, betrayal, abandonment (from either side), or through never having had any to begin with, the Petrified Slytherin has decided that having important people is too dangerous. Having those strong ties leaves you open to pain and weakness, and the pleasure of those connections aren’t worth the despair that comes from their seemingly inevitable loss. In this way, they close themselves off to meaningful connections out of what is ultimately fear (though from the inside, it’s far more likely to be experienced as a rational, sensible decision given the circumstances of the world), and gives them a stony exterior that seems impenetrable, resolute, and cold.”

Loki wants love and acceptance so badly, but he is convinced that the kind of attachments and relationships that that comes from are far too dangerous and the risk isn’t worth the reward. He pushes people away, hides behind a mask of self-aggrandizement, and betrays others before they can betray him in an attempt to protect himself from potential pain.

In the series, however, we see him slowly unpetrify and move towards a more healthy style of attachment because of Mobius and Sylvie’s influence on him. Whereas his circle of priorities used to include only himself (and arguably Frigga and later, Thor, in the movie timeline), he proverbially “thaws” enough to let Mobius and Sylvie in, and tragically, because of that, the loss of them hurts him so deeply because by the end of season 1, they’re all he had.

His Slytherin Secondary, however, is obvious in his methodology. He’s the god of chaos. He loves improvisation, and plans only exist as long as another better idea doesn’t come along and usurp it. He’ll change and adapt (quite literally) to best fit the situation in front of him, and he takes joy in that. But beneath all the running and his many personas, he has his “neutral state” that he lets only a precious few see. Mobius gets to see it, and so does Sylvie, and as he progresses through the series, he starts to be more comfortable existing in that state where he’s no longer hiding behind everything he feels like the world expects him to be and he can just be himself.

Mobius: Slytherin Primary (Hufflepuff Model)/Hufflepuff Secondary - sorting: Slytherin House

People like to put Mobius in Hufflepuff, but honestly? I don’t think that’s where he’d be most comfortable. Yes, he is kind and caring to basically everyone, and we see this over and over again in the series. The man radiates comfort. However, like it says in Inky and Kat’s description of the Slytherin Primary,

“Wanting to help someone doesn’t mean you’re loyal to them. Wanting to help them at the expense of your comforts, your values, your commitments and sometimes even yourself–that does.”

Mobius is kind to a fault. But he is not kind at the expense of himself. Not to everyone at least. He is kind to the child in France, but he is not kind to the point of saving him from the resetting of the timeline, and he doesn’t feel guilty about that. He believes in a duty of care, but he does not believe he has any obligation to go beyond what he thinks that duty of care is. He unapologetically plays favorites, and this is mentioned on multiple occasions. Above all else, Mobius values loyalty as a virtue. Sure, he cares about the TVA and its accompanying morality, and he genuinely does believe it’s his duty to care about and be kind to others. He seems to vibe quite well with the Hufflepuff ideal of caring about people simply because they are people, but this is all secondary to his personal loyalties when push comes to shove. For Mobius,

“dropping that model in order to stand by someone you love, or in order to protect yourself, doesn’t feel like a failing. Sticking to that modelled morality at the expense of betraying or abandoning one of their own would make a Slytherin feel guilty and wrong. Being able to put the things and concepts you like aside for the sake of the people who need you feels more righteous than any moral posturing.”

It’s for this very reason that Mobius gets so angry and feels so betrayed when he thinks Loki has abandoned him for Sylvie, and when Ravonna lies to him and prunes him.

“Betraying your own is the worst kind of crime. Loyalty is precious and terrible; it makes you vulnerable. It’s given sparingly, deeply, and a Slytherin will stand by their loyalties through the same death and fire that a Gryffindor would brave for the sake of doing the right thing, or a Hufflepuff to help someone in need.”

Loki is Mobius’ own. Mobius prioritizes Loki over almost everything else, sticks his neck out for him over and over again, and is willing to sacrifice his own happiness for him. He’s even willing to abandon the whole of his former ideology and prior friendships for this relationship that has become closer to him than his own self, the highest tier of trust and loyalty a Slytherin can give.

“It’s an extreme Slytherin who would let the whole world burn for the sake of a friend, but every Slytherin Primary would be at the very least tempted.”

And Mobius very nearly does exactly that. Even says the words, “burn it to the ground” when Loki asks him what he’s going to do. And he doesn’t feel bad about it. Especially after realizing what the TVA has done to him and the people he cares about. He kicks the TVA out of his circle of care, and doesn’t look back. And he does it for Loki.

Mobius’ Secondary is where people get his Hufflepuff vibes from, I think. A Hufflepuff secondary is marked by “their consistency and the integrity of their method. They’re our hard workers. They build habits and systems for themselves and accomplish things by keeping at them. They have a steadiness that can make them the lynchpin (though not usually the leader) of a community.” And that is what Mobius is. It’s why he radiates that kindness and comfort. He quietly and carefully works at and invests in the relationships in his life to the point that people almost automatically trust him, and over time he has learned how to read people and figure out what makes them tick.

He approaches new situations with a steady head and gentle hand that Loki is unused to, and it’s this approach that eases Loki into learning how to trust and rely on people. It’s an inherently Hufflepuff approach, and it’s the key to his success as an analyst for the TVA and an understanding friend for Lokis across the timelines.

Tl;dr - Application to an actual Hogwarts AU fic:

THEREFORE! There’s a compelling narrative to be had with a tiny, first-year Loki coming into Hogwarts. He comes from a pureblood family that’s very proud of their Gryffindor heritage (they don’t talk about Hela, and Loki and Thor don’t even know she exists until later in this story), and his brother had been sorted into Gryffindor a couple years prior, and Loki has heard very little other than contempt for Slytherin House and everyone in it. Loki doesn’t want to be sorted into Slytherin. He doesn’t want to deal with the disappointment and shame from his father and the sad eyes of his brother. But the sorting hat sorts him there almost immediately, and his heart sinks. He wanders over to the table miserably but determined. If he’s gonna be sorted into the “evil” house, might as well just run with it, right? Best not to get close to people though. It’s Slytherin. Who knows when someone will betray you.

Enter Mobius, the tiny muggleborn, bright eyed, bushy tailed, and having no clue about the prejudices between houses. The hat takes a hot minute sorting him, giving him the choice between Hufflepuff and Slytherin and telling him Hufflepuff would love a kindhearted and welcoming member like him. But Mobius has been eyeing the little black-haired kid who got sorted before him and is now sitting far apart from everyone, and he can’t help but feel like he needs to be this kid’s friend. And didn’t the hat just say Slytherin is where you’ll make your real friends? Friends are what Mobius cares about, so he’d like to go to Slytherin, thank you very much, so that’s where he goes, and he happily plunks himself down right next to Loki and sticks his hand out.

“I’m Mobius. What’s your name?”

Loki looks at Mobius’ hand disdainfully and doesn’t shake it, but he does answer, “Loki.”

Mobius’ eyes go wide, and he smiles. “Loki? Like after the Norse god?”

Loki nods, eyeing Mobius suspiciously. People don’t often bat an eye at his name. Not in the wizarding world, anyway.

“Wow, that’s so cool! I loved reading about Norse mythology in school and Loki was always my favorite. Names have power, you know. If you’ve got the same name, then you must be just as awesome.”

Loki has no idea what to do with this kid, but he’s immediately aware of two things:

He’s absolutely sure that this Mobius kid is in the wrong house. No way a Slytherin can be this excited without a single hint of deception in his face.

He’s going to be eaten alive by the other students if Loki doesn’t protect him. What a pain.

Loki is completely wrong on both of these points.

#lokius #loki x mobius #wowki #loki #mobius #loki 2021 #look i've thought WAY too hard about this and i just need a slytherin mobius who subverts everyone's expectations about what a slytherin is #while still being 100% obviously a slytherin when you think about it

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magireco · 3 years

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out of curiosity what do you think of the characterization of homura in rebellion? i hugely dislike it but get the impression you enjoy it which i think is interesting cuz we seem to have very similar thoughts on homura pre-rebellion (CORRECT ME IF I AM WRONG)

THIS IS INTERESTING BECAUSE IT DEPENDS ON WHAT FLAVOR OF REBELLION HOMURA YOU MEAN. i really really like the way she was done in the first half of the movie but as for the twist at the end...? mmm...

...okay, so... i've been thinking about saying this at some point but i keep avoiding it in fear of causing discourse and such bc... this is a really unpopular opinion apparently, but I really do not think devil homura was done properly. read under the cut if you wanna know why i feel this way!

the first issue i'm going to address is that there wasn't NEARLY enough buildup for it. i'm going to explain this from the perspective of a first-time viewer: what would you have thought would happen after the very last scene of rebellion leading up to them breaking homura out of her soul gem? when homulilly got purified and the flowers on her head turned to sakura flowers (y'know, the flowers that symbolize life and rebirth, homura being reborn from her witch)? did you think homura was suddenly gonna undermine madoka's godliness? because, uh, first-view me did not think that at all. and neither did almost anyone i know who watched it for the first time. not only is that poor setup but it's just so sudden and it feels so out of character compared to what we'd seen in the entire series as a whole, especially considering that the entire last part of the movie leading up until that was about purifying her... and saving her... there wasn't enough buildup. most people are like "but the flower scene happened!" but that's still way too vague...? it's hard to tell what conclusion homura comes to at the end, because we don't get to see any of her internal monologue... there is no other buildup after the flower scene... it just skips to homura realizing she's a witch. wouldn't that bring the viewer to think the flower scene was something that made homura realize she was a witch rather than her suddenly starting to form her plan? it always felt like to me the conclusion homura came to at the end of the flower scene was that she was validating madoka's bravery and telling her that if it ever came to that, she'd have the ability to make that hard decision. which is... so... weird? because i always interpreted that as homura coming to terms with what happened? i could just be interpreting it wrong though, but isn't that supposed to be our proof scene? our buildup scene? why would they make it so hard to understand? we need to know such important buildup points just as blatantly as the natural buildup to homura becoming a witch was. that's just from a moviemaking & writing perspective though.

secondly, i'm gonna discuss homura's motive. i actually ended up understanding were she was coming from after a while of being like "what the hell that makes zero sense!!!!". madoka is a 14-year-old girl who, in order to save the fate of every magical girl, literally had to sacrifice herself and erase herself from the world, and in the end, madoka just ended up saving homura again, and that must've made homura feel like her promise with madoka was never fulfilled. it's unfair what happened when you think about it and the law of cycles should not have been run by madoka herself because she, as any other 14 year old, deserves to be happy on earth. although it was said in magireco that madoka felt happy with what she was doing (and she felt like it truly gave her a purpose), she did admit to feeling lonely and homura probably made that assumption big time. but the way the writers went about it just made her seem so sinister... so out-of-character-ly sinister. what with the evil smirking and the deepened, almost... uh, sensual-seeming voice, and homura completely ignoring madoka's fear. it feels like they twisted her character extremely suddenly and it throws the viewer on a loop. they could've gone with that ending without making such drastic and sudden changes to homura's character, and if they were planning on doing that, why did they not give us more buildup? buildup that wasn't extremely cryptic that you have to scan and search every detail to get a clue? something i love about rebellion is that every time you watch you find something new, but how come some of the only clues illuding to devil homura's existence are in the op? it's odd. why didn't they go with something like making the incubators run the law of cycles? they were the ones at fault for causing it to be created. but honestly, the incubators cannot be trusted with anything, which is why it'd make sense for a magical girl to run the law of cycles, but if homura and madoka had the combined power to do so, what if they just remade the law of cycles so it was less unfair to madoka...? i don't know. either of those possibilites would make more sense than what happened.

something else that kind of irks me about it is that they demonized(literally, lol) homura's love for madoka. homura is very much a canon lesbian, and it's incredibly discomforting to me that they made her seem, outwardly to the viewer, so selfish...? please don't get me wrong, i'm not ACTUALLY calling homura selfish -- i know the entire akumura facade is a mask she put on, but like, it's so much more blatantly sinister than she is in the series when she's putting on the coolmura facade. it's going to really confuse the viewer and see every single one of her actions from the entire series in a completely different light, INCLUDING stuff that happened in rebellion itself. like the genuine sadness homura felt, the way we saw into her soul and felt her pain, that genuinely made a lot of people i've seen think that it was ingenuine upon first inspection... they made homura turn "evil" out of her love for madoka, as if it's a bad thing to fall in love, and as if love for another girl was what corrupted her soul gem... i understand that gen urobuchi probably wanted to explore that kind of path where love leads to obsession or whatever, but homura was selfless to a fault, constantly trying to force herself away from the others in order to not get attached, and deeply afraid of seeming creepy and predatory and scaring(she said this herself), which is exactly what she ends up doing at the end, and i feel so awful that they did that to her... how is the viewer supposed to know what her true motives are at that point? it gets all scrambled up after they did that huge plot twist. i'm going to address another thing super quick before people jump in my ask box over this, i understand also that it would make sense for homura to be obsessed with madoka, but in the series, it was never shown in this light, and like i said, if they were going to do this, why'd they even have the purification scene at the end at all? the buildup is all wrong . it also just made me upset that this ending caused SO many people to start literally believing homura is evil because of her actions at the end, and it made people become even more vehement on their beliefs that homura is obsessive and ps*cho...

i was really confused when i watched it for the first time (and also sobbing hysterically, literally, my funniest rebellion story as someone who has genuinely watched the movie 40-ish times, i remember vividly the first time i watched it i started sobbing on my hands and knees on a yoga mat in my mom's room). also like, just to prove my point a teensy bit more, the ending was so ambiguous and out of nowhere that one of the first google results to "madoka magica rebellion" is "madoka magica rebellion ending explained" because it shocked people so much that that was the first thing they needed to google. also, the fact they left us on such a vague cliffhanger and then abandoned the movie series for a total of 8 whole years only to make a sudden comeback in god's holy year of 2021 was almost cruel. LIKE GUYS I JUST FINISHED UP MY DEVIL HOMURA HEADCANONS IT TOOK YOU LONG ENOUGH!!!

...anyways, um, i really have to address the sexualization. madoka magica, previously, was a series that avoided fanservice in the show, at least, but why did they make akumura's design look like that...? it shows an unsettling amount of skin and like, every three seconds in the end they're focusing intensely on her lips and her eyes and... it's almost like the writers forgot she was 14, but they never seemed to forget that in the series? what happened????? in the transformation scene, we get closeup views of homura's thighs and back and stuff and it's all open everywhere... they made her tights into thigh-highs... in the whole series, even when she went to school, she always wore tights, and she was wearing tights in her magical girl outfit too... they absolutely deliberately did that to sexualize her further so they could make official art with her thighs out. speaking of official art that unsettles me, why does so much of the official art make the whole outfit just glued to her body and you can see all the shading on her features... it's just. ugh. anyways.

i went off a LITTLE too much on this and i know this is probably gonna get me some weird glances in the fandom and i am open to hearing other people's opinions but i don't think i'll ever stop disliking the effect this plot twist had on the fandom's interpretation of homura and although i'm like UNDENIABLY incredibly hyper excited for the next movie, i'm kind of...nervous for what this is going to bring? i don't want this next movie to cause the same amount of discourse the ending of rebellion did and i legit just want to see homura happy. another one of my main issues with the ending is just that homura is SO unhappy when she literally deserves to be happy SOOOOOOO BAD and just take a break from all the loops ... i'm Praying to madokami out there that that's what happens.

i know this is all really funny coming from someone who draws devil homura on a regular basis and literally writes her, but like... i'm a lesbian i'm allowed to<3

ANYWAYS thanks for listening this was a fun ask!!!

#asks #neorattz #rambles #analysis #rebellion tag #IM DEADASS AFRAID TO DROP THIS #like... something i was too afraid to mention is that i Have unlisted disorders that are heavily stigmatized #and the reason why they are unlisted is literally bc of that #and i feel like i'm allowed to have a negative stance on this kind of thing because of that #not that someone who doesn't have those things isn't allowed to have these opinions OR opposing opinions but like #i've seen some people choose to cope through devil homura which like.#i get that.#and then i've seen other people use devil homura as an example on why homura is an obsessed psycho girl who only loves madoka #and hates everyone else #which is also partially where my issue stems from.#it's complicated. just like the ending of rebellion!!!!! LOLL

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shinjaeha · 3 years

Text

ipytm ep 3 (thoughts + spoilers)

this is going to be a tough post for me to do bc honestly...this ep just left me feeling so run down. i know that the cast and crew have always strived for realism and authenticity with this series, but this one was just a lot to take in :/ my thoughts are gonna be even more all over the place than usual but idec at this point. having to rewatch this ep again is really fucking hard (even harder than itsay ep 4 bc even though that makes my heart ache, i still feel some sense of satisfaction from the development we get...this just leaves me feeling defeated in every way).

you know the drill: not an analysis, just me ranting as usual bc free therapy (and boy do i need it after this one)!! i had so many feelings watching this ep (esp towards teh but what’s new), so here goes.

we begin with the drama students rehearsing for jai’s new play, and the introduction of the plum wine which will be the recurring motif in this whole ep. the use of the plum wine in this also kind of reminds me of how teh initially disliked coconuts until he started falling in love with oh-aew and started to like them instead...i’m guessing that’s the parallel they’re trying to draw with the plum wine comparison in this.

teh’s having a hard time getting into character (which we already know from last ep was always going to be one of the toughest challenges for him as an actor). his character in the play is supposed to have a sex scene, but he’s struggling with this bc he can’t put himself in his character (akin’s) shoes, so jai ends rehearsals early.

jai gives them all logbooks which he basically wants them to treat as diaries where they’ll write everything they feel/learn and hand it back to him (he’ll be the only one reading them). ngl this already had me feeling kind of yikes (esp now as i rewatch this knowing how everything went down) since jai already has inside knowledge about teh’s feelings on his relationship with oh-aew which he can take advantage of :/ more on that later though...

it’s sad to me that so much time has passed since teh’s argument with khim and he's STILL avoiding her. khim was someone that he respected immensely (and was such a great mentor for him) so it just sucks to see that their relationship has deteriorated so much since the first two eps. teh might have had his reconciliation moment with oh-aew last ep, but there’s still a lot that he’s not ready or willing to address yet.

i understand that teh’s just encouraging jai about his work when he tells him to stop having others comment on it, but at the same time, i disagree with him bc i think it IS important to get other peoples’ opinion about your work. how else will you ever be able to see things from other perspectives if you don’t?

anyway, teh tells jai he’s seeing a play, and jai asks teh if he’s bringing oh-aew...the look on teh’s face is telling enough that things aren’t going great between them (at least on his end). this brings us to the logbook scene, where teh’s homework for the day is to write about the similarities and differences between himself and his character in the play. this gets teh to reflect on how he feels his relationship with oh-aew is changing, or specifically, how oh-aew seems to be changing so much that teh feels like he’s becoming someone else entirely...and does that mean that he still loves him the same?

i feel like this is a fairly common issue with people that have been in a relationship for a while (and this is their third year together now), so i understand how teh might start having doubts. it’s nothing that oh-aew’s done, it’s just that sometimes all these small changes can keep mounting up to the point that they feel much bigger than they actually are. oh-aew’s really just doing what everyone else does, which is grow and change as they get older, but teh’s still stuck in the past trying to hold onto what they used to have instead of evolving with oh-aew. the way teh picks at all these little changes of oh-aew does make me think that he’s self-sabotaging himself. he’s just so afraid and insecure that oh-aew will change so much he leaves him, that he has to nitpick at reasons why oh-aew’s the one that’s growing away from him (though when we watch the whole ep we know that that’s not the case at all). it’s like a ‘if i push him away first, then he won’t push me away’ sort of self-defence mechanism. either way, teh’s a constant overthinker...and he’s always been his own biggest enemy since the start, so it makes perfect sense to me that he would do this to himself here too.

i know that they’ve been together for years at this point, so things are not quite as exciting as they used to be, but it hurts to see oh-aew be so happy about getting an A for his class, and teh be so unenthused about it. oh-aew has to basically beg teh to give him attention and praise. remember when teh used to get so worried when oh-aew did badly in chinese class...and now it’s like whatever to him just bc he’s not tutoring him/they’re not in the same major anymore :((( i know it’s prob both bc teh’s still hurting that oh-aew transferred majors, and from seeing oh-aew succeed while he feels like he’s failing, but still...

also, not inviting him to see the play with him bc he thought oh-aew wouldn’t be interested/oh-aew kept falling asleep whenever they saw plays together ;;; i get the reasoning from both povs, but it still is nice to be asked :(

so one thing i have to say about the progression of their relationship here is that i just feel this huge disconnect from last ep and this ep?? i know it’s bc of the time skip (since it’s a year later basically), but to go from the end of ep 2, where they’re promising to love each other forever, and then to teh feeling disillusioned/as though he’s falling out of love with oh-aew basically right after that?? it’s so jarring. i feel like we lose so much with these time skips bc the transition from ep 2 to ep 3 is never really shown, so there’s this lack of flow there. like we’ve skipped a step entirely and something’s missing. this is the disadvantage of only focussing on one year per ep since there’s not enough time to explore as much character and relationship development when we’re only seeing an hour long snippet of an entire year. it just makes things feel superficial since so much of what we should be seeing is missing...and we basically have to fill in all the gaps ourselves.

okay, back to oh-aew ranting to his friends about how he feels like his relationship with teh is fading away bc they don’t have the same interests anymore, but also wondering if that’s just normal for long-term relationships. bless that boy that came to ask oh-aew for his ig :’) at least he knows that he’s wanted and has options, even if he obv turns him down bc of teh (for now).

plug and mangpong are dating!!!!!!! and mangpong does a horrible job of trying to hide it 😂 sidenote, but i love the way pp delivers lines sometimes (like the “just shocked”), he’s so cute. plug and mangpong’s legs touching...and the wave of nostalgia that came over me (and oh-aew) during that ;;; oh-aew seeing their blossoming relationship would make him reminisce back to his own experience of falling in love with teh...when everything was still so fluttery and new. so when teh texts him about using his car to help jai move, he looks happy. like he wants to rekindle those feelings again too.

that being said, it’s kind of sad to me how even jai shows more interest in oh-aew’s major than teh (when he asks him for his opinion on how to get people interested in his play). oh-aew’s got some good ideas and is more than willing to help (esp since he wants to connect and find a common interest with teh again). also, just bc oh-aew doesn’t want to be an actor anymore doesn’t mean that he’s completely uninterested in it. god, watching this part again hurts bc oh-aew looks so happy and optimistic. he worked so hard to help teh (and jai) only for them to betray him like that. it made me mad originally, but now it just breaks my heart :(

jai’s running acting classes again for his play, and this time it’s a workshop to help them tap into their feelings. it’s like an intimacy exercise where they give one another consent to touch certain body parts. teh is still struggling a lot with this. i think teh craves intimacy, but as he doesn’t feel that connection in his personal life to oh-aew anymore, so it’s difficult for him to draw on his experiences. he can’t even remember the first time he had sex with oh-aew properly anymore. as usual, teh’s too in his own head to just go with the flow and ~feel things (which isn’t new since teh’s had problems with this since itsay), but it’s def something that he’ll need to learn how to do if he wants to become an actor. he’s trying, but the fact that he can’t get to that place makes him feel even more insecure than ever that he might never be able to get there. imo one of the reasons teh works so hard, and is as driven and ambitious as he is, is that he’s afraid that he’ll never be good enough. he puts so much pressure on himself, and the issue with that is that he’ll never be able to live up to his expectations that way.

teh is also very much alone now. oh-aew has his group of friends to talk to about his relationship with teh, but teh just has jai at this point. he’s pushed khim away...and he and oh-aew aren’t communicating effectively (which is also why they’re on SUCH different wavelengths in terms of where their relationship is at), so there’s literally only jai for him to talk to about all his relationship issues. and to me at least, jai seems to have ulterior motives (particularly when you consider that the subject matter of his play is pretty much the same thing that teh’s going through rn). it’s times like this when i do feel kind of bad for teh, but then again, he brought this upon himself the way that he almost always does...and it leaves me frustrated instead.

jai kissing his professor though...also their conversation?? i have QUESTIONS...

that whole interaction with teh when jai catches him spying on him and the professor was SO awkward. idk what it is about teh but i have never encountered a character that has given me as much secondhand embarrassment as he does. when he starts touching the bars and avoiding eye contact i just- why, teh why?????

moving on, i’m thinking there’s prob more to that scene that we don’t know about bc jai’s shifty like that...but it’s purpose is also to shift teh’s perception of jai. before this, he pretty much just saw jai as his friend and mentor, but seeing him kiss someone else pushes him to think of jai in another less platonic light. like the first spark of attraction.

the both of them go to see the mime show (babymime), and i know that the point of this is so teh can learn to just feel and let go the way that the mimes in this play do, but idk it’s just kind of funny to me the contrast between the last scene and this one.

the leg touching scene again but this time with teh and jai...thanks, i hate it :///

teh’s already feeling like he and oh-aew’s interests are making them drift apart, so by connecting with jai, it’s that initial feeling of attraction that he used to feel with oh-aew all those years ago. jai is that cool senior that he respects...he’s goal-oriented and has so much in common with him (in a way that he feels that oh-aew doesn’t anymore), so it doesn’t altogether surprise me that teh latches onto jai in this way. esp when all their conversations revolve around what teh’s most passionate about, and what dreams they’re striving towards in the future.

it doesn’t surprise me bc teh’s affections shifted in a similar way from tarn to oh-aew when he was first starting to realise his feelings for oh-aew too (though at least he and tarn were never officially dating during that time...)

there’s a genuineness to the way teh praises and encourages jai that isn’t there when he’s doing the same to oh-aew :( and that coupled with teh lying to oh-aew about him having dinner with jai while oh-aew is at home, completely oblivious, painstakingly photoshopping his boyfriend’s face on the poster of the play TO HELP TEH instead of doing his own uni work, makes me so fucking upset for oh-aew.

it’s interesting to see how different their personalities are even when it comes to something as simple as the way they read their texts. oh-aew is so ready to accept whatever teh tells him at face value, but teh overthinks everything to the point where he jumps to a certain conclusion in his head about it instead.

but yeah, it’s just really tough to see oh-aew try so hard for teh, only to see teh do nothing back for oh-aew in return. there’s only so much one side can give. it’s the absolute lack of effort on teh’s part to even try to make things work with oh-aew that is the most frustrating thing of all. oh-aew is carrying their entire relationship rn and it makes me feel all “and for what?? why should he even bother??” about it.

sneaking to sit at the river with jai is like this forbidden, new experience, so it just enhances that feeling of attraction that teh is already feeling towards jai. and esp when he starts telling him about his previous relationship with james, the significance of the plum wine, and how jai ended up breaking up with him. since it’s reflective of teh’s own experiences atm (even in how he kind of self-sabotages himself to push people/oh-aew away first), he clearly takes it to heart. and it makes him want to do an even better job since the play is an autobiographical one for jai. not to mention, teh supposedly being the only one that jai told his story to makes him feel ‘special’......and we all know how teh likes feeling as though he’s special to someone. you can see it in how dejected he is when he thinks jai only told him his story bc he wanted him to get into character better, but perks up the moment jai says he actually told him bc teh’s been doing such a good job (and to encourage him). like i mentioned before, teh’s already feeling vulnerable and isolated from everybody else, so hearing any sort of praise (and esp when it’s from someone that he looks up to as much as jai), is going to pull him in.

when they were hiding from the security guard i was like ughhh i know where this is heading and i. don’t. like. it........

the problem is that i know where teh stands on this. like i know that there’s some attraction on his end. but i don’t know where jai stands. is he intentionally manipulating teh’s feelings for his play? is there any sincerity there? i think it’s obvious that he can tell teh is attracted to him from the glance that they share in this scene, but i can’t get a handle on what he actually wants (which i guess is the point of making his character as mysterious as it is but still). and if he can tell, and he doesn’t actually like teh back in that way, it makes the end scene even more yikes imo.

hmmm teh lying in the pool trying to recreate that feeling right before their first kiss when the both of them just let everything go and sank down into the water. that’s how you KNOW the next scene is supposed to be angsty...bc just like how their first underwater kiss had a sense of sadness to it bc they were hiding, their first (on screen) sex scene has that same sense of sadness, only this time it’s bc teh’s using his attraction to jai/his method actor desire to get into character to fuel the sex instead of bc he genuinely just wants to have sex with oh-aew. and if his reasoning for the sex is bc of that, then his task to recreate their first sexual experience will never live up to the actual first time they had sex (when they BOTH wanted it, and there were no other factors involved).

that’s not to say i don’t think teh doesn’t love oh-aew anymore. i think that there HAS to be some level of love still there amidst all of the confusion, but it feels a lot more like he’s testing his love/attraction to oh-aew during this scene (sort of like how he did with tarn in itsay) than a proper ‘love scene’. like he’s trying to reconfirm his feelings, whilst using oh-aew as inspiration for his role at the same time. it makes my heart ache that this is the first love scene we get from them this series, and it’s marred by the context of what we know is going on in teh’s head. like i said, it’s this permeating sadness throughout...and just knowing that oh-aew has absolutely NO IDEA what’s going on with teh and why he suddenly wants to have sex makes it worse. oh-aew’s been trying to make things work, and in his mind, teh spontaneously coming over like this prob makes him think that things are getting better between them since this is also the closest thing to teh showing any sort of initiative to work on their relationship in this ep so far...

and that’s not also taking away how beautifully this whole scene is shot. i’ve always loved the way that teh and oh-aew play and flirt with each other (bkpp’s chemistry is honestly unparalleled!!) so it was nice to see them be kind of playful before they started kissing again (if you ignore how sad this scene really is). i LOVE the inter-splicing between their first time on the beach and the present. the way the score swells, and little moments where you can see their feet and fingers interlocked on the beach. it gives you such a visceral visual (and totally takes me back to itsay days when that sort of imagery was used a lot more). i just hate that since we know the truth, this scene is more uncomfortable than satisfying despite how nicely shot it is.

i wish we got more domestic moments from them. i know their relationship has sort of grown past those initial moments of flirtation, but it truly makes me sad that we don’t get to see more of them as a couple in general in ipytm. moments like this where they’re lying in bed cuddling each other are so few and far between that i always feel like i have to cherish every little fleeting piece of fluff that i can get. even if idek if this can really be called fluff since the context sort of ruins it.

oh-aew’s still got his heart attack bag :’)))

he was soooooo happy when he met up with his friends 😭 but also, how the hell is it possible for teachers to move deadlines up like that. i FEEL that panic... poor oh-aew...

teh’s in rehearsals again and this time he’s wearing his moon shirt which...i do NOT need those ep 3 itsay vibes rn when i was already dreading this last ten minutes with everything i have in me :((( but anyway, jai’s brought plum wine to class and we know that teh doesn’t usually drink, but he does this time. he tells teh that the taste will change over time (it symbolises the ageing of the relationship process), and teh says it’s a pity he won’t get to taste it next time since jai wants to go abroad to study. then teh tells him he’s worked on the acting exercise and wants to try it out with jai, and i feel like we all knew where it was going to go from here.........

they really had to hammer it in with him missing oh-aew’s call too huh :/

as soon as they started the touching/intimacy exercise again i was just waiting for the catch. even on this rewatch i’m still sitting here chanting “don’t do it teh don’t do it” knowing full well that he kisses jai and there’s no changing that. but then when they cut to oh-aew walking up the stairs with the posters and you hear just how much time he’s sacrificed to help teh/jai on this...sacrificing time EVEN NOW just to go over to their uni to give them the posters when he has a presentation due tomorrow that he and his friends still haven’t finished working on...it’s just heartbreaking knowing what he’s going to end up walking in on.

whether it’s itsay or ipytm, teh’s default state is confusion. so while i think that there’s a certain amount of attraction towards jai there of course, i kind of get the feeling that he’s confusing his feelings of connection with jai (bc of their shared interests and passion) with him falling in love with jai. i feel like his attraction to jai reminds him of what it was like when he was first attracted to oh-aew, and since things have changed so much between him and oh-aew, it’s like he wants to recreate and capture that feeling again with jai (which is also why he wears the moon shirt...he wore that during itsay ep 3 beach scene, which was the moment when the attraction really started to burn between him and oh-aew). he can’t feel that same spark with oh-aew anymore, so he transfers his feelings to jai since, at this point in time, he feels closer to jai than anyone else. instead of growing alongside oh-aew, it’s like he’s choosing to revert back to a time when he was happier.

we know that teh has always been the type of person that will act on his impulses when he feels them. that’s WHY it was so hard to watch...bc i knew while watching that last scene, he was never going to restrain himself or put a stop to those feelings bleeding over into action. and esp not when it could benefit him in some way with his acting too.

in the end, it just makes me so devastated for oh-aew. and i really hope that he doesn’t let this go bc he thinks it’s just teh method acting or getting into character or whatever...i know that teh’s feeling a lot of conflicting things rn, but that’s not an excuse. he really fucked this one up.

the thing is, it’s not that i don’t think teh is capable of acting this way (i’ve seen a few people say that this is ooc for him, but it really isn’t? this confusion and impulsiveness has always been a part of his character from the very start...he was always the one that had the most trouble dealing with his feelings out of the two of them), but the time skips don’t do him any favours bc we lose all those moments that take him to what he’s currently feeling. when we don’t have those moments, then it’s a lot harder to sympathise with him. in itsay, bc we always knew how teh got from point a to point b, even if he did frustrating/silly things, i always understood where he was coming from. i always felt for him. i GOT his struggles, which was why i was always able to empathise with what he was going through. in ipytm, he just comes off as unlikeable bc of how superficial his feelings seem (from what we’re being shown on screen at least).

falling out of love with your significant other/starting to feel things for someone else is obv a fairly common experience, so i don’t blame teh for FEELING like this, but it’s how he treats oh-aew throughout this that doesn’t sit right with me. even if you feel like you’re falling out of love with someone, or that they’ve changed since the first time you fell in love with them, you’d think there’d be some motivation to at least TRY to make things work with them before giving up. we never see that from teh at all. instead, he just see him becoming infatuated with jai (so we barely see teh/oh-aew together in the first place). and while i can see now that a lot of this is due to his own insecurities and inadequacies, it’s also just so disrespectful to oh-aew who's the one that we see putting in all this time and effort (it calls back to their whole “don’t give my time to others” scene in itsay bc we see oh-aew giving so much of his time to teh through helping him out with his play, while teh’s giving that time that should be for oh-aew to jai now). no matter his reasoning, watching teh act that way towards oh-aew does make it increasingly hard to root for him. there’s just too big a disparity in how the two of them choose to act and devote their time to their relationship.

what’s frustrating is that in itsay, teh would fuck up but he would always try to make amends with oh-aew in some way. he would always come forward to try to sort things out after...but there’s nothing here. even after their dinner fight in ep 2, it’s OH-AEW that reaches out to him first (even though it’s teh’s fault that they fought in the first place). where’s that boy that dressed up in his old school uniform in order to talk to oh-aew at his school? or made a whole chinese idioms scrapbook for oh-aew? or gave up his uni admission for oh-aew? i understand that characters and motivations change (and he was obv hopped up on his first love with oh-aew at the time), but it’s just really, really sad to see teh keep messing up and not even try to meet oh-aew halfway with this. yes, you can fuck up, but there are only so many times you can keep fucking up before it starts to look more like a pattern of shitty behaviour than a few forgivable missteps.

another issue is that there’s been so much focus on teh and his flaws that a lot of the time oh-aew comes off as a side character to teh’s story. previously, i understood that since teh was grappling with his sexuality. it made sense that his journey was the primary focus of the plot and character development. but i always felt that there was more room to explore oh-aew’s story (and i thought that we would get a lot more of that in ipytm...esp after ep 1), but it just feels like we kind of skimmed past all of oh-aew’s growth and struggles adjusting to bangkok/uni life so we could turn the attention back to teh again. i just hate that we never get to see more of how oh-aew’s changed in teh’s eyes (other than the surface level things like his hair, new car and major), and that we never get to see more of oh-aew’s life when it’s not related to teh in general. i hope that we’ll get more of oh-aew in the last two eps, but i really don’t know what they’ll give us anymore.

at this point, i don’t even want them as endgame anymore given everything that’s happened in the recent ep. and it pains me so much to say that bc teh/oh-aew are so immensely important to me, but they’re just in such different places in life. and teh esp has so much more growing to do (i think i said this last week too? teh...). oh-aew deserves to be with someone that can see his worth as he is (that won’t cheat on him for one!!). i just want him to be with someone that can make him happy. what i wanted most for them out of this was for the two of them to grow to a better place (together and as individuals), and while i still want that for them as individuals, it’s hard for me to want them to be happy together anymore. at least for the time being.

i’m kind of at a loss for how they’re gonna work through this (and i genuinely want oh-aew to be able to explore his options too...particularly with someone that will actually treat him better than teh’s treating him atm). so at this point it’s kind of looking to me like a break up is inevitable? but i do think it’s necessary for both of them rn. i feel so heartbroken about it though...like ipytm is actually making ME go through the breakup...breaking up with all my beloved itsay teh/oh-aew memories :((( anyway, i think a break up is also conveniently the best time to put a time skip tbh...so we’ll see if that does end up happening now in future eps.

this one took such a long time to write up bc i wrote like a quarter of this RIGHT after i finished watching the ep (so you can clearly tell which parts were me right after the ep, and which parts were me after i had some time to sit on what happened 😂), but i thought it was best to take a bit of a break. i didn’t rewatch it again until i calmed down a little and sorted out my thoughts some more (though i know this is still pretty messy). but yeah, i’m still very much interested in watching how they things are going to progress from here...but i can’t deny how sad i’ve been feeling after this.

#i promised you the moon #ipytm #text #i feel like i always need to rewatch ipytm eps bc i'm so HEATED during the first watch #but then by the second one i've usually calmed down so much more #like i obv still have a lot of things that i'm not super happy with (and rewatching this again didn't really bring me joy) but still #i get so invested in itsay/ipytm that sometimes i just gotta take myself out of the situation and go live my life for a bit #i was meant to post this yesterday bc it's been sitting in my drafts for too long but i just woke up (it's 2am) so what better time hah

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djemsostylist · 3 years

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Every once in a while a show sort of creeps up on you, you know? You don't really expect much of it, and then it sort of quietly wows you. Ada Masalı is that show.

At its surface, AM is about a city girl who falls for a small town boy, and all the clichés that entails, and that is the core of the story. I think that's part of why it's so good--bc this story had a premise and it's kept that premise solid. City girl moves to small town and falls in love with a local and everyone learns lessons along the way.

But AM takes the tropes and clichés and does them well. I've written before about how they take the basics and give them just enough "oomph" to make them special. I'll quote myself here, if I may:

Haziran and Poyraz both seem to fit into pretty typical roles: gruff, silent man and bubbly, talkative woman. But they’ve given each character enough nuance to move them out of the typical mold. Yes, Haziran is bubbly and talkative and a little overly loud, but she has a reason for it–silence in her childhood meant anger and fighting with her mother, and she learned how to fill the silence with talking. She is also very competent at her job, genuinely kind, smart, and driven. Poyraz is the “strong, silent” type, but he manages to subvert the “asshole” which far too often comes with the role. Like Haziran, he has some difficulties in his past, but he also seems well adjusted, smart, genuinely kind, focused, and again, competent. He and Haziran are true equals in this show, which is rare in romcom couples, particularly Turkish ones. They both are in similar financial situations, they both seem to have similar philosophies and outlooks, and, perhaps most importantly, they are both head over heels for each other and they both know it, even if they are unable to say it out loud just yet.

At the time when I wrote the above piece, I believe we were just before episode 6 or 7, so the secret hadn't been revealed yet, and at the time I speculated that it was likely to drop before their relationship started, and I was correct. This show continues to take the obvious and turn it on its head.

Poyraz and Haziran are one of the few dizi couples, and certainly the only romcom couple, I've seen where they have entered into a relationship that isn't built on a fragile house of cards held together by mutual attraction. This couple is completely and totally all in, and it makes sense. They've had conversation upon conversation about their parents, their past, their fears, their insecurities, their concerns. They've seen each other vulnerable and hurting and scared and been there for each other at their lowest. They have complete and total trust in each other, in their love for each other, in their relationship.

There is attraction yes, certainly, god is there ever, but there is also a deep affection. They like each other, which may seem a silly thing to fixate on, but so many times with couples I ask myself "okay, but do they even like each other though?" and in this case, they genuinely do. Poyraz loves her rambling and her overreactions and the way she hops from one idea to the other but somehow always manages to make it work. He loves that she works hard and never pawns off the hard jobs and he loves how genuinely kind and caring she is. He memorizes everything because he liked her before he loved her, and that's huge. And same for her. She loves his kindness and his empathy, his ability to fix broken electronics and his stubbornness when it comes to getting his way. She loves his honesty and his pride and the way he can't ever really say no to her. I think she also really loves that he doesn't let his past affect who he is. There's a connection between them that started with a spark but grew into something actually real.

The best bit, though, is that this is the first romcom couple I've seen (there may be more) that enter the relationship on completely equal terms, no secrets, and no uncertainties. All their secrets from each other were cleared up long before they ever said I love you. They are both in a similar place life wise--financially they are both probably around equal in terms of overall assets, they both have equal romantic histories (probably a series of short term relationships but nothing big or long lasting), they both value hard work and honesty and kindness, they are both mature adults who have been "out" of their parents house so to speak (yes, both still live with their respective parents, but neither play the typical "kid" role--they both are honestly more in the caretaker role), they are both college educated with business acumen. They both have had difficulties in their past, but neither allow those issues to hurt others--they both possess enough self-awareness to know how their issues effect them personally and they both work to ensure their issues don't become someone else's burden. Poyraz helping her with her fear of water or Haziran talking him through his mother are not them burdening each other, or using their issues as a reason to avoid a relationship--on the contrary, they build their bond by supporting each other through their pain. And, and this one is perhaps most important, they both love each other equally, and they both knew it before it was ever said outloud. That Poyraz could say "I love you" and Haziran could say it right back, no hesitation, speaks volumes to where they are both individually and as a couple.

Perhaps what's been the most refreshing is them communicating, constantly. When these two fight, they share their issues, their anger, their irritation, and then they work through it. The way they talk through their issues, every time, is honestly stunning for how completely refreshing it is. When they get mad at each other, they don't act like everything is fine while actively treating the other like crap--they explain the reasons behind their anger/irritation, they listen, they talk. The scene this episode of their banter after their fight on the first date was incredibly refreshing--bc it wasn't actually fighting. Haz was upset bc Poyraz ruined their first date--which he acknowledges, apologizes for, and then makes up to her, and she accepts. Their playful flirting in the kitchen the next day is just that--fun and playful and both of them are in on it. It's not Haz treating him like shit under the guise of "comedy", it's not him purposely being an obnoxious pain in the ass. It's them being cute and flirty and light after their fight the night before, which they already solved with a text conversation.

What I love most about their relationship is that I buy it. Completely. These are two people who aren't going to run when things get tough, who aren't going to play coy about their feelings, who aren't going to fight just to fight. We've seen them be honest and straightforward in their feelings, good, bad or otherwise. We've seen them fight for each other and their relationship. We've seen them encounter problems (whether in their relationship or in life) and work through them, together. And perhaps the greatest part of their relationship is that they allow each other to be exactly who they are. They are both allowed to feel the things they feel, and the other lets them. They are given a safe space to be themselves, and to know that they will always have the support and love of the other person, no matter what.

I said I thought this show was about love, at it's core, and all the ways love manifests, and I still think that's true. But I think this show is also about happiness--and about the idea that we can't always know exactly what is going to make us happy. True happiness can't always be predicted--what you think might make you happy isn't always what actually does, and sometimes that's a hard thing to accept. All of the characters on this show have a view of the world and what will bring them joy, and one by one I think we are seeing that change. Sometimes what makes you happy is the thing you didn't expect.

This show is hardly perfect. It's a dizi, and it has it's flaws. And without knowing how long it's set to run, the chances of it losing focus is not an impossibility. But this show continues to delight and surprise--from introducing new characters like Batu who are far more than they appear, to continuing to keep us guessing with old ones, I think AM has the chance to be a romcom people remember as being special. I'm hoping right now for between 20-25 episodes, which would allow us to explore their island and it's story in the detail I think it deserves, without leaving too much room for nonsense to creep in.

I think I'll leave this here for now--sometimes a show is more than it seems, and sometimes a show is exactly what it seems. AM is both and neither, and I'd be willing to argue that it's the summer's best. The focus in the diziworld seems to be entirely on the summer's other two romcoms, but AM stays quietly getting better by the week. I look forward to what these writers have in store for us in the weeks to come!

#ada masalı #ayça ayşin turan #alp navruz #djem watches dizis #seriously if you aren't watching this show pls do #its a feel good happy show #thats well written and fun #an honestly seems to be on an upward trajectory #in terms of getting better and better

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elriel-oblivion · 3 years

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Okay here's the thing.. I respect everyone's opinions and they can ship whoever they want but like... For Elucien and Gwynriel... I literally cannot even see how. I would gladly ship them if someone gave me a valid reason. Elain avoids talking or even being in the same room as Lucien, and Azriel had one polite conversation with Gwyn. Az is just nice to her. As nice as he would be to any female. Elriel has foreshadowing & chemistry- The roses painted on her drawer and the rose necklace...👀

Strongly agree with all of this!! My main problem with anything that's not elriel is that a lot of anti-elriel shippers completely ignore or erase Elain. With these ships, it's always what benefits Elain does or doesn't bring. It's so misogynistic, people just ignore everything she's mentioned about her own heart and how she doesn't want a mate or the bond, she doesn't care for it, but oh Lucien's had such a hard life, he deserves his mate!!!!!

😒😒😒

Surely he deserves someone who wants him as much as he wants them, no?

Non-elriel-endgame with the canon we currently have would mean Elain's choices are stripped once again since she'd have to give up/lose the love she actually wants in favour of one she doesn't want that's attached to some cultural concept that means zilch to her and her human heart. I mean, sure sjm could spin it so Elain catches feelings for Lucien and they end up happily mated. But then what is the point of having Elain constantly avoid him for three books? That's not even setting up for a good relationship bc every time they interact/meet, the communication just gets worse.

While I can honestly see the potential of gwynriel bc platonic interactions can later become romantic, I still don't ship it bc it doesn't feel right the way elriel does to me. I can def see gwynriel becoming a strong healthy friendship, but if it's endgame then Elain ends up with Lucien, whom she visibly shrinks from and has been avoiding since acowar. She doesn't feel seen by him at all - as much as I love Lucien and truly do want him to have his own HEA, we can't deny that he's really just pursuing (I use pursuing in the loosest way since he's very respectful about it 😅) Elain bc of the bond. If we take that away, there's nothing between them imo and he probably wouldn't give Elain more than a passing glance for her beauty and that's it bc she's not the type of girl he's into.

But people don't wanna think about how that makes Elain feel. This girl who previously felt seen by only one person - who then rejected her bc of that bond itself - and craves someone to see who she truly is, is being courted by someone who doesn't actually like her for her, but just the idea of what a relationship with her would entail. He's only trying bc of some divine belief she doesn't share. That must suck like hell. It's almost objectfying, the bond. And again, I don't blame Lucien at all, not even for trying bc it is something that's important to him and his culture, but it's not a mutual thing. If it were important to Elain too and she just wasn't cooperating bc of some stupid shallow reason, then I'd be angry at her. But that's not the case at all.

But with Azriel, the first person to see her since Graysen, there's so much potential for growth - for both of them. They make each other feel seen. And for all that antis say neither has grown in the time they've known each other, how did Az pluck up the courage to almost kiss Elain after having not done anything with Mor for five centuries? How did Elain initiate that kiss - ie have the courage to follow her heart again after having it torn and shredded by Graysen? And anyway, weve never seen into Elain's head so we don't know what she feels has changed within her; we can only detect subtle changes from other povs, but there might be some huge changes in her learnt from Azriel, maybe about her outlook on life/strength, that she's just keeping hidden for the time (or that no one has bothered to see bc Elain is invisible 😭). Same with Azriel. One little chapter isn't gonna tell us everything he's been thinking the past two years.

But either way, we know now that they both have feelings for each other. Why is a mutual healthy relationship shut down so quickly, one where both partners' choices are taken heed of? If Elain had said no in that moment, Azriel would've stepped back instantly, no questions asked. He probably would've have some huge internal conflict about his own self worth but he wouldn't have gone further without Elain's consent. He's already shown he respects her, he said they've been sharing looks and touches, and these are things fandom eat up, so I don't understand why it's suddenly wrong or unwanted just bc Elain makes up half the ship.

And there's so much foreshadowing/symbolism that antis seem oblivious to, which, fair enough, interpret the text how you want. But even if somebody doesn't see the spark or blooming feelings between the pair throughout the books (how do they explain away all the stiffness whenever one of them is mentioned or is in the same room or something though? Genuinely curious here), there's a lot of plot foreshadowing. The Blood Duel has now been mentioned twice, as has the idea of breaking the bond, maybe more. There's the issue with Koschei and Elain not being able to see things related to him past mist and shadow. There's all this potential conflict that could arise between the Courts if elriel pursue their love, and conflict is the driving force of any novel.

If gwynriel were an IRL couple, I wouldn't care if there were never any conflict, but if I'm reading their story, I want more than just them falling in love and having internal conflict about whether they should kiss the other or not. Especially if the backdrop is a fantasy world on the brink of war with many players. I saw a gwynriel post mentioning Merrill once and while I do think she has the potential to be a running antagonist, I don't see her as anything but a subplot/crony for/associate with another stronger villain. I don't think she could carry a whole novel at the moment. So Gwyn is tied to nothing in the overarching plot. Same with Az. Not to mention all the theories about the Koschei/Swan Lake/firebird folklore that is potentially inspiring this new series in the acotar world. Of course, this could all change as we get more info about the next book/s and all, but compared to elriel certainly, I don't think there's as much conflict with gwynriel.

Ultimately, I don't claim knowledge of the next books' content, so I don't really care what people ship, but the main thing I take issue with is how they treat Elain in the midst. A lot of gwynriel arguments I've seen portray certain acts in a romantic/positive light for Gwyn but either completely ignore or erase any semblance of romance for Elain or tear her down. Like, we shouldn't push the narrative that Gwyn as an SA survivor can't have healthy meaningful sex in the future (yeah, of course I agree), yet some of the same people who say that are also people who judge and make fun of Elain and call her too vanilla for Az without having a clue what her bedroom habits/preferences are 🤯 This is just one of many. There are so many double standards I've seen for gwynriel against elriel and I'm just tired of it. And even if they're not doing any of that, they simply hate Elain and don't want her to be with Az and so ship gwynriel as the next best alternative. Like, can they not push down Elain in favour of Gwyn, please? That's so misogynistic 🤮

For all that this fandom flaunts the series being feminist with strong female characters, they sure do a good job in tearing down females who don't fit their definition of strong, despite even Feyre stating and acknowledging multiple times that Elain has a different kind of strength 😒

Gahhhhhhh. *exhales deeeeeeeeply* Sorry this is so damn LONG!! 😅😅😅😅😅 I did not expect to write a whole bloody essay lol but I hope it was fun/comforting to read at least 😅😆 I know I fall back on elriel posts when the ship war gets too intense bc I actually enjoy shipping elriel. They've become my otp, and I absolutely adore both characters of the ship; I think most of us elriels do. I haven't really seen any elriel stans who dislike/don't care for Elain and her welfare so it's nice being in this corner of the fandom where we can appreciate both Az and Elain equally. And of course, the other characters with their due respect. I truly do want Lucien to finally get his good life, but I don't think that's with Elain 😕

#elain archeron #elriel #azriel acotar #elain x azriel #Acotar #Acosf spoilers

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mira--mira · 3 years

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What's your opinion on the Ame Orphans? (Nagato, Yahiko & Konan)

Konan

See this sister post for a shorter but more positive take. I love Konan, but I cannot physically express how much rage I have for her place in the narrative. This will tie into Nagato and Yahiko as well but as I'm mostly focused on Konan I'll put it here in her section. Her backstory was ignored in favor of the boys'. She was pushed off to the side and god it makes me furious. Her powers were incredibly versatile and unique and she was knee-capped at every opportunity to show her true potential. I 100% believe she should have fought Jiraiya with Pain. (Also, their backstory and how fucking creepy he was to her when he acknowledged her at all? Disgusting.) Even after she died (which I hate izanagi very specifically bc of that fight. I love the Uchiha but for gods sake izanagi and izanami are some of the most distilled deus ex machinas that are just insufferable to watch) she was erased from the story. Did she get resurrected with the other Akatsuki? Did anyone mention her again after she died? Was she remembered? Given the same level of Important Legacy as Nagato or Yahiko? Of course not. I think it's easy to point to characters like Sakura to say "Kishimoto doesn't know how to write women" and that's true because we saw Sakura's character throughout the entire run of the series but characters like Konan are pure condensed versions of that to me. She couldn't be a love interest and she didn't fall on the angry/shy duality of Naruto women so, just like Tenten, she was forgotten. I don't usually like speculating about authors bc a single piece of media can't really encompass a whole person and their beliefs but god "I don't know how to write women" is the most sexist bullshit excuse I've ever heard in my life. That's why you read narratives about women written by women. That's why you ask the women you know. That's why you recognize you don't have the lived experience of being a woman and you do the bare minimum of research and so you can realize half the human population are in fact, guess what, human and they don't fall into limited one-note angry/shy/love interest categories.

Nagato

I have no problem with the character of Nagato, all of my issues come directly from the child of prophecy plot point. I despise this plot point. It adds nothing and actively detracts from Naruto's themes about taking control of your own destiny. I also have issues with how the Pain arc wrapped up. I don't mind in the end that Naruto talked Pain down, but I don't like how he did it. Acknowledging he still hated Pain for killing Jiraiya and destroying Konoha was good but...Naruto didn't address the root of Pain's philosophy which arose from the great nations using Ame, a smaller weaker nation, as their personal battleground. Naruto promises to do better but he doesn't explain how he'll do that, how if he becomes Hokage he'll negotiate or threaten the other great nations to leave the small nations alone. Instead, he just quoted Jiraiya’s book and suddenly that makes everything ok again. I would have taken anything more concrete than ‘I won’t give up bc this wouldn’t be my story if I did!’ It just feels like a non-answer in the end, relying too much on Jiraiya nostalgia to work. That Nagato accepted it (without fucking talking to Konan first I might add) irritated me. I wanted him to press back and force Naruto to give an actual answer because this was his people's futures and lives on the line. The last issue I have with Nagato is that he didn't get Konan's input on anything and didn't consider how it would affect her. She went through the exact same thing he and Yahiko did, but was even a second spared on how she felt? No. Nagato decided to go rogue, upset their decade-long plan and killed himself to help Naruto and did he once ask Konan what she thought or consider how his death would affect her? No. And then of course she bears no resentment against Naruto, of course not. And she’s willing to give up on the Akatsuki just like that because Nagato believed in Naruto and she will too despite not having the connection to Jiraiya’s book and logically no reason to flip so late without previous concern/hesitation established. She just will. God.

Yahiko

I don't have much to say about Yahiko, I liked him and his role in the story, I get some Hashirama & Madara vibes from what he, Nagato, and Konan were trying to do, and looking at it from that lens is pretty interesting. Hashirama and Madara wanted to build a village and put an end to the senseless war that killed children, but they were from two of the strongest shinobi clans. The Ame orphans came from nothing and their enemies were the great nations that used their home as a battleground and made them orphans.

#naruto #ask #anon #konan #yahiko #nagato #rant #long post #hopefully this is understandable lol #i tried to organize my thoughts but the more I thought about konan the angrier i got

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itsclydebitches · 3 years

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ngl voyager gets a whole lot of very disproportional hate from the fandom and i'd hazard a guess that a lot of that is just garden-variety misogyny (and probably racism mixed in, considering how many of the most prominent characters are women, poc, or both). like, is voyager perfect? absolutely not. and no spoilers but there was a lot of executive meddling that wound up leading to the finale/conclusion being lacking and there's a lot of reasonable dissatisfaction with that--but again that was largely thanks to the execs fucking the show over and i recommend looking into that if you can once you've finished the show. but overall? voyager is trek right to its very core--it has heart, it's about family, and it never loses sight of that imo, even if some episodes are weaker or just duds (but, like, would it be a trek series without some episodes that just kinda suck but are still fun to watch???)

anyway, i absolutely love that you're getting into voyager, it is my all-time favorite trek series to this day for a lot of reasons, and i hope that ppl like that anon dont put you off bc i'd love to continue to see your thoughts as you watch the series!

Oh, it would take a whole lot more than some anons being salty that others enjoy things to turn me off :D

Thus far (I lost internet last night so I’m still only on Episode 7 of Season 2), Voyager is the Trekiest Trek I’ve watched. Which is a weird sentence, but I mean it in the way you said it’s “trek right to its very core.” What is Star Trek, if we strip the intent of the story down to its basics? It’s about exploration, discovery, that “wagon train to the stars,” wrapped up in the argument that life is fundamentally good. We have problems, but we can work past them. We have differences, but they strengthen us. Diversity is the lifeblood of the universe and the future will continue to improve so long as we embrace that.

Voyager is (again, from what I’ve seen so far!) basically a love song to that premise. I didn’t do too deep a dive because I’m trying to avoid spoilers, but I did look at a couple threads discussing why Voyager is so hated. Again and again I saw the same reason pop up: wasted potential. Now, a lot of fans left it at that (as if the answer to what potential Voyager apparently missed out on is self-evident. It’s not), but those who did expand on the idea consistently claimed that the show needed to be darker than it was, even if they rarely said it like that. Why aren’t the Federation and the Marquis at each other’s throats? Why isn’t the crew going crazy under these circumstances? Why aren’t characters getting killed off left and right in hostile space? “Anything could have happened out there and they played it safe!” but the “anything” here is always... awful. There’s this very pervasive idea that the world is inherently cruel, people are inherently divisive, that when pushed to the brink everything will fall apart... and that (while making for one kind of great story) is very much not Star Trek.

See, Voyager created an unimaginable scenario--lost in space, 75 years from home, forced to live indefinitely with strangers--and their answer to the question of “What happens?” is “People make it work.” They learn to respect one another, they uphold their ideals, they maintain a love of life and discovery, and they create a family. And that’s fucking fantastic. That’s Star Trek! I’m not going to pretend there aren’t problems with the show, with plenty more to come, I’m sure, but I don’t think this is one of them. Why do so many viewers think that hatred, horror, death, and growing jaded is the only potential here? Why would they expect that in a Star Trek show whose premise is the very antithesis of those things?

“But they don’t do enough with those things, even if they have happy outcomes.” They do plenty, they just do it in an episodic rather than serialized nature. I can point to multiple episodes where the replicator rations or Maquis differences are driving the characters’ actions. “But without that horror there’s no conflict.” There’s plenty of conflict. Hostile aliens aside, I just watched an episode where Tuvok and Chakotay are pissed as hell at one another because they fundamentally disagree over how to handle problems, but--because they’re adults with a well-tested respect for one another--they apologize and work through it. “But the characters don’t develop at all.” You mean they don’t grow harder. That’s not the same thing as no development. Tuvok is figuring out how to be more flexible, Chakotay is becoming more willing to accept cultures he doesn’t agree with, Harry is growing more confident now that he’s far from home, the Doctor is learning to see himself as a person, Paris is grabbing his second chance with both hands by making strong ties, and Janeway is learning to command and care for her crew simultaneously. I honestly believe that a lot of people think of “character development” as the character becoming a fundamentally different person, unrecognizable from where they started out. But characters can also grow into the people they wanted to be in the first place. “We’re far from home, in hostile territory, tempted to do horrific things to survive... but no. Right now at least, we’re holding onto who we are. We’re scientists, so we’re going to explore and learn. We’re peaceful, so we’re going to make friends with as many species as we can. We’re members of a society that teaches acceptance, so we’re going to form a family on this spaceship.” That’s incredible!! Did fans miss why Seska was an antagonist in the episode she was unmasked? Because she was trying to convince them to give up everything they believe in in the name of survival, an ends justify the means argument. And the crew said no, we will not give up what we believe in just to make it through. I legit saw a ton of fans saying some version of, “I can’t believe they were that far from home and actually followed Starfleet’s rulebook.” It’s because those rules don’t exist for the hell of it. Overlooking their practical function, they’re a philosophy that the characters believe in, and they’re figuring out how important that part of their identity is to them under these circumstances. Am I willing to steal a specie’s technology if it gets us home? Am I willing to die to help another uphold their own philosophy? (Chakotay in “Imitations”). What regulations should we bend or change to accommodate our new situation? The first two things Janeway does are a) giving the guy who just came out of a penal colony a rank and b) deciding that she needs to be more familiar with her crew than is normally encouraged for a captain because she’s essentially their mom now. Developing doesn’t have to mean characters do a 180 on their initial personality, or characters getting killed off when stuff gets “boring” so that others can do edgy things in response.

Voyager upholds Trek’s premise and runs it to its logical conclusion:

Voyager has the most literal trek--a trek back home.

Voyager has the most diverse crew--a woman Captain, Native American First officer, black Vulcan, Asian-American communications officer, and a White Dude pilot that realizes he wants to be soft and kind towards those who took a chance on him because Toxic Masculinity who?

Voyager has the most literal family--not just a 5+ year mission, but a crew who expects to raise the next generation. They have no choice but to work together, so they indeed come together rather than pulling apart

Except they do, of course, have a choice. In “The 37′s” the crew is allowed to stay on the Earth-like planet with a city of other humans and Janeway is convinced that a sizable number will choose that. After all, they may never get home and this is a safer, kinder future for them. In fact, the real question is whether so many will stay that they can no longer run the ship... but Janeway would never dictate her crew’s choices in that manner. So she swallows her worry down, opens the door...

... and finds that not a single person decided to stay behind. And the show has ensured we understand that this is not just because they all have some unshakable belief that they’ll get home (many don’t), but because this is their family now. This is home.

And fans want to toss that out for a generic, gritty, sci-fi adventure where hope is scarce, the universe is cruel, and people need to be pushed to the limit just to admit that they maybe, sort of, like each other?? Obviously like what you like, but that’s a hard pass for me. I’ll take the bridge crew comforting each other in “Twisted,” thanks. Besides, we already have shows like that. And we already have DS9 which grapples with many of those dark, pessimistic themes. Voyager feels like a breath of fresh air, even within the breath of fresh air that is Star Trek as a franchise. It’s a show that says, “Yes, when everything goes wrong people will come together. They will love each other. They will make it through.”

What’s more Star Trek than that?

#star trek #ST #mymetas #Anonymous

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makebank · 4 years

Text

silver lining

Request: “it's a day on set and you haven't been feeling good you pass out mid filming, and it turns out to be serious”

Warnings: nothing really, but mentions of surgery and emergency rooms

Rudy Pankow x reader

Word Count: 1.5k

A/N: i know i said i wouldn’t do the actor but i changed my mind bc this seemed innocent enough. not sure if i’ll do more, as i prefer the characters. but i figured i’d at least try once. if this bothers you i’m sorry. also not even a blurb lol, i can’t make them short unless they’re phrase prompts omg

You woke up this morning feeling like you had been hit by a truck. All last night you tossed and turned alternating between sweating and shivering. When your alarm sounds, you roll to the side to turn it off and are hit with a wave of nausea. Instantly, you rush out of bed and barrel towards the bathroom. You thought you were going to be sick, but thankfully nothing came up.

You sigh taking in your disheveled and damp appearance. Lifting up your shirt, you inspect your right lower stomach expecting to find a bruise. Oddly, there was nothing there but you felt a dull ache taking over the area. You were curious about why you suddenly felt so horrible, but knew you had to get to work. Turning on your shower, you steamed up the room and stepped in. You were hopeful that a nice, scorching shower would be enough.

In the shower you contemplate how important it is for you to be okay. You finally landed an acting role and didn’t want to mess it up. It wasn’t the largest part, but you were in the second half of the TV series season quite a bit. This spring you had auditioned for a love interest on Outer Banks and shrieked when you got it. Your character was supposed to start slowly falling in love with the character JJ Maybank, while he secluded himself off from his friends. He goes through a tragedy of dealing with John B. being gone and feels left out by his best friends dating. So, he meets you while surfing alone and they continue to meet up often. Anyways, you were among so many great actors that you felt insecure at times. And the last thing you needed was to be calling in sick and halting filming.

Besides, you had a huge crush on the actor who played JJ. You never did anything about it though. During filming it was professional and after you would smile and joke with the lively blond. It was hard not to like him. He was full of so much life, was intelligent, kind, and could have any room rolling with laughter. He was always so sweet and respectful towards you but that was it. You two had spent hours together rehearsing and filming. You were growing closer, but it didn’t seem that he wanted it to move any further. It wasn’t like him and his co-stars who were already all friends from the first season and had a visibly strong bond.

Pulling yourself from your thoughts as your long shower grew cold, you shut off the water and start to dry off. You would just have to fake it for the day. There was no way you weren’t going.

Arriving at set, your stomach pain only worsened. Instead now, it was sharper rather than dull. You head into your trailer and pop a couple painkillers before splashing water on your face and making your way to hair and makeup. Walking in you see the one person you got most excited to see, Rudy.

“Hey y/n.” he greets with his usual bright smile.

“Hi Rudy, what’s up?” you try to match his tone. “Oh, you know, just getting my flowing locks perfected” he jokes while the hairstylist sprays the hairspray to hold his flawless gold waves in place. You chuckle in response but try not to wince at the pain it causes. But to no avail, your face gives it away.

He frowns at your obvious discomfort. “Are you okay?” You beam at his genuine concern. “Sorta. I just have this weird stomach pain. But I’m fine!” you rush to reassure. He raises his eyebrow at you like he doesn’t believe you. “If you’re sure, just take care of yourself first please.” You actually fully smile this time, “Thanks, I will” you slightly lie.

He rises from his chair with his hair finished. “See you on set, lover” he gives you a two-finger salute as he heads to film scenes with the other cast members. You feel your neck heat up at the nickname. You knew it was only because you played his love interest, but you couldn’t help but feel flustered every time he did it.

After sitting through hair and makeup, you head to set overhearing a scene being filmed. It’s Rudy yelling at JD about something to do with his character JJ being distant and it being none of their business. You take in the sight of him now in different clothes. He’s wearing that cutoff you love that shows off every inch of his defined arms. They’re bulging even more, because he tenses with anger. His fingers covered in rings as they run through his hair. You admire Rudy’s acting and his seemingly effortless portrayal of JJ.

Suddenly, while waiting another wave of sharp pain hits you. You curl up in your chair and whimper. No one notices because they are too entranced with the scene. Taking a couple deep breaths, you try to distract the pain away. It didn’t alleviate it at all. Shortly after, they’re done filming and Rudy is walking towards your chair next to his. Bounding with a sense of pride in his work, he innocently smiles towards you. Once he’s close enough to see your expression, his demeanor falls.

“Y/n you don’t look too good. You sure you should be filming today? We can take you to the doctor.” he offers becoming increasingly concerned. You quickly shake your head no. “I’m okay. C’mon let’s go” you try to get him to drop it. He looks unsure but ultimately follows you to the towel on the sand to start your scene.

The director starts to give you both some instructions that you can hardly pay attention to. He yells “action”. The scene starts off well, Rudy is acting perfectly as always, and you deliver a few lines without issue.

Without warning, your stomach wrenches in agony. You start wincing and your eyes tear up. You curl your body up and start groaning. The camera men stop filming, and everyone rushes towards you. Rudy is the first to try to help. He places his hand on your arm to try to see if you’re okay.

“Y/N! What’s happening? What do you need me to do?” he’s frantic and rushing his words. You only cry in response until you muster the energy to speak. “I don’t know, it just hurts so much” you whimper. Immediately, Rudy is scooping you into his arms and hauling you to a vehicle. You hear everyone panicking in the background but can only focus on the soreness.

Rudy rushes you to the emergency room where people surround you and start performing a series of tests. Soon you’re being sped to surgery. You’re told you have appendicitis and need emergency removal. It all happens, so fast your family isn’t able to get there before it starts. They live all the way on the west coast, so sadly they won’t make it until way after.

You wake up from being put under on anesthesia in a hospital room. You slowly blink open your eyes to find an unexpected visitor. It’s Rudy nervously biting his nails and bouncing his leg in front of your bed. When he realizes you’re awake, you can see with weight being lifted off him

“Y/N! You’re awake! I’ve been so worried about you.” he looks so stressed and miserable. “I’m sorry.” you croak. He looks taken aback, “What? You have nothing to be sorry for. I’m just glad I forced you here when I did. How are you feeling?”

“Like shit” you tease and you both erupt into giggles. He grabs your hand and rubs his thumb softly on your fingers. “I’m really glad you’re okay.” “Me too. Thank you for everything you did and for waiting for me.” He stands up and places a gentle kiss on your cheek. “Are you kidding? There’s no way I was leaving you. I’ll go get the others, they’ll want to know you’re awake. Your family is about an hour out by the way.”

You sink further into your hospital bed feeling the butterflies taking over. You’re still slightly sore from surgery, but his lips and the pain medication make you feel on cloud nine. You weren’t sure if Rudy felt this way before and the emergency brought it out or if he’s just being kind, but you were loving every second of it.

A few days later you get to return home, but on bed rest for the next two weeks. Rudy spends every minute he can in bed with you watching movies and cooking for you both. He has to continue filming, but he reassures you that in a few short weeks you’ll get to pick up and finish the last few episodes you have with him.

You weren’t excited about having your appendix removed, but it did bring the boy you cared for full force into your life. He was your best friend. And now eagerly becoming more.

i didn’t add my everything tag list bc i dont normally write for actors and didn’t want to tag you guys for this just in case.

#rudy pankow #rudy pankow fic #des writing #obx #obx fic #outerbanks fic #obx cast #outer banks #outerbanks netflix #jj maybank #obx netflix

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daz4i · 2 years

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If you're still taking those fandom asks. D, L, U, X, Z possibly?

thank you!!!! :*🖤

D - A pairing you wish you liked but just can’t.

i think. romantic ryu//ann. at leats as a pairing and not part of a polycule. i love their dynamic but it's very much not romantic in my head (partially bc i hc ann as a lesbian) so every time i see it in that context i go 😬 even tho it really is very cute and there's no actual problems with it or smth

L - Say something genuinely nice about a character who isn’t one of your faves.

ok. while yukari isn't really my cup of tea as a character. i do think she's written very well, def one of the most interesting female characters in the series, and even anything "annoying" about her is there for a specific purpose and it's very noticable too. also her relationship with mitsuru is important to me......

U - Three favorite characters from three different fandoms, and why they’re your favorites.

i’m ngl most of the reasoning is just “they’re exactly my type” but i’ll try to explain in other ways askjfkldhlghf

persona: naoto my beloved (my fav alongside goro bc if i start talking abt him it’ll jsut be “hhhghnghh look at him 🥺🥺”). i really love how smart they are, that’s honestly the reason why i always latch onto detective characters heh. like seeing them come to conclusions is very intriguing and fun and def made the whole mystery of the game still fun to go through even while knowing spoilers, bc their line of logic is easy to follow even if unexpected at certain times i genuinely love listening to them. also their voice is very soothing ajksdgh (in both english and japanese!!! @ anime’s dub don’t interact). and their inner conflict and shadow are so relatable but still like, not accurate enough to most people’s immediate real life to offer a safe sense of disconnect from it, if that makes sense. as in, it’s relatable, but not in a way that’s already painful to see. like their gender conflict is obvious but the age one hits very close to home and also their shadow being basically a mad scientist is very sexy imo. good for them. this is already getting so long i’m sorry i have a lot of feelings abt naoto

haikyuu (and i promise this one will be shorter aklsdljg): kita my beloved. he’s just such a soothing character, i really admire his approach to life and i think he’s a very good balance for his team, and he offers some sort of break to me in a very intense arc. plus his parallels to daichi in that arc are very sexy i love it. he’s just,,, a very respectful boy,,, who later turns into a very respectful and adorable man who is full of love and i really love that for him……

osomatsu-san: ichimatsu. i reached the situation i said might happen if i talked abt goro i’m sorry. he just makes me feel very happy aksjfdkhgfdg like it’s weird to say but he as a character really helped me get through a traumatic event in my life, and he was my first ever f/o before i even realized i’m self shipping with him so naturally he means a lot to me asfljkldgk. i also think he’s just a very relatable character and super adorable and his voice is so nice to listen to and also he’s quite literally a catboy c’mon can you blame me for thinking he’s the hottest shit ever…….

X - A trope which you are almost certain to love in any fandom.

twinks with daddy issues. i have yet to run into a character that fits this description and didn’t become my favorite. the edgier the better they can and should kill people if they want to 🖤

Z - Just ramble about something fan-related, go go go!

ok this one i’m not gonna answer only bc my brain is a little fried and idk if i can form a coherent enough thought with no direction askjdkgfh sorry! but i appreciate you sending it anyway u3u!!!! (maybe the naoto ramble is enough to cover that aksjsjdhg)

send some letters?

#long post #bc i did. kind of go ham

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jackie5656 · 3 years

Text

🎄Fa-la-la-late🎄 With; Diego Hargreeves

A/N:Ummmm...hello? First off, thank you all so much for the love on my last couple imagines. Sorry for the hiatus, what can I say junior year is as hard as they say it is. Anyway, I was supposed to be sleeping last night but I was writing this instead. Leave it to me to become inspired at the worst times. This is for everyone celebrating a holiday this year without your family because of the pandemic (which is still a thing btw.) Also, this is very long but I love it. Okay enough talking, enjoy!

TW: None except...Well, Klaus is Klaus. And more random POV change bc I can!

He’s running, sprinting really, brown bag tucked haphazardly under his arm as it’s contents jostle around inside with his movements. Filled with last minute groceries for the evenings event. Never in Diego Hargreeves’ life had he thought he’d be rushing home in preparations for a Christmas party, in a red sweater for that matter. But what can he say, a year into his relationship with her and he’s officially whipped. Ever since the two of you met you had introduced him to an enormity of things he’d never considered important. Whether it be birthdays, holidays, anniversaries, you’ve added so much more to him that he could never really repay you for. So, he figures making a very last minute trip to the ever so crowded grocery store on Christmas Eve is worth it. Having to deal with other crazed and unprepared city people for three types of cheeses, four types of crackers, and a particularly expensive bottle of wine.

Apparently a Christmas party, or any get together for that matter, is simply incomplete without an assortment of appetizers. Right, Diego Hargreeves hosting a Christmas party for his siblings. The same ones who only learned about holidays in their World Culture textbooks during hours sectioned off on their daily regimen instead of actually celebrating them. The biting cold reminds him of the lonely Christmas’ throughout his life, which was at the time any other day of the year to him. He snaps out of the dark thoughts when he realizes he’s made it up the stairs and to the front door, a chorus of clanging pots and curses coming from inside.

He fumbles through the door, reminding himself he’s supposed to be rushing, but the beautifully decorated apartment distracts him from the task at hand. The warm feeling he’s still getting used to fluttering through his stomach as he recalls when you first surprised him with the holiday decor.

“It’s not too much, right? I know you never really celebrated Christmas, and neither of us are religious but my family always made the holidays a big deal and I thought-”

“You did all this?” His brown eyes are wide, gazing up at the assortment of twinkling lights aligning the interior of your shared home, a beautiful tree full of red and green ornaments in the middle of your living room. It’s stunning, to say the least, and Diego’s sure he’s never felt so much at home as he does now.

You’re gazing up at him, eyes nervously darting between your boyfriend and the assortment of ornaments. He walks forward from the entryway to admire the garland above the fireplace and the evergreen that just barely scruffs the top of the ceiling. It’s all new to him, and a bit overwhelming, and suddenly Diego realizes the resentment he’s held toward the holiday ever since he was a child was completely misguided. Because the joy he feels now, the warmth tingling throughout his body is foreign but so comforting.

“You hate it, don’t you? Listen, I just thought maybe I’d try and show you Christmas isn’t all about consumerism and selling shitty-”

“It’s beautiful.” He interrupts again, and you swear there’s a moisture begging to leave his eyes as he finally looks to you with an awed expression.

“I don’t, I’ve never...I always hated Christmas. I guess because I never had a real family as a kid. But this, this is j-just...Thank you.”

*End Flashback*

“You’re late!” You shout as the front door bursts open, a familiar thud of boots kicking snow off their bottoms and then walking towards the kitchen. Diego walks in with hands full with groceries, hair wet and messy with flurries of snow littering the raven strands. You narrow your eyes at the sight of him, dopey smile on his face as he sets the bags down on the counter.

“What’s gotten into you? I thought you’d still be grumpy at the fact that we’re hosting.” You’re less than presentable at the moment, having been cooking all day and leaving getting yourself ready for last minute. You puff a stray hair out of your face as he responds.

“Nothing, and actually I am still upset that my siblings are coming over.” He leans against the counter as you unpack the groceries, eager to finish up so you can look a little less crazy when the remaining Hargreeves arrive. Diego is still staring at you, grinning fondly at how flustered you look. And although he’d rather not have you meet his brothers and sister, you deserve to know why he’s keeping you from meeting. After all, it’s been a year since you’ve been together, and he’s met your family already.

It’s different though, because although they too have their issues, your family isn’t a dysfunctional pack of emotionally-stunted freaks. He’d much rather protect you from their intrusive antics. The warm feeling fades as he realizes what’s to come. He appreciates your optimism, truly, but he suddenly can’t shake the feeling that they’ll manage to upset you and ultimately screw up what you’ve been preparing for all day.

“A little help please?” You ground him once more, gesturing to the bags beside the both of you and the assortment of trays of food on the counters. Diego grabs onto your sides when you try to brush past him to check on the turkey, ignoring your incredulous look as he presses his body against yours.

“There’s still time to call this all off, you know. We can watch all the cheesy Christmas movies you want, and have dinner all to ourselves.” His eyes are hopefully looking into yours, the persuasion in his tone hinting a part of him isn’t really joking.

“Absolutely not. Di, we’ve been together for a year now. I want to get to know your siblings. Besides, you met my family and they loved you!”

“That’s different y/n, you’re family is...Well, they’re not like mine! You guys are normal! My brother is a moon-obsessed, half monkey moron and my sister is a mind-controlling movie star.” You can’t help but giggle at his words even though his frustration is adamant. He backs away from your embrace and runs his a hand through his hair in an effort to calm himself down. The sudden thought of one of them being too pushy or making you upset is overwhelming him now. If it’s one thing he’d like to keep you from, it’s the bad side of him his siblings tend to bring out.

“Diego.” Your voice is soft now, you’re using that love-laced tone that always makes him feel like he’s melting. He shivers as you get closer to him, still somehow getting used to the effect you have on him. And although you don’t notice, you seem to be aware you’re calming him down. “I’m scared too, I don’t want to mess something up or embarrass myself in front of them. Hell, your little-or...Older brother is a time traveling assassin who’s kind of a genius. It’s intimidating definitely, but they’re your family Di. I know you hate to admit it, but they’ve played a huge role in who you are. And even if a lot of times you resent each other, it’s clear you love them.”

He’s gotta admit, you’ve always had a way with words. “Fine, what can I do to help beautiful?”

“you can start with setting the table so I can get ready and actually look beautiful. And use the good China!” You plant a quick kiss to his cheek before rushing off to the bedroom, silently praying the anxious won’t drop a plate or two in the process.

****************************

“Baby, does red or white wine go with tur-woah.” You’re doing some finishing touches on your makeup when Diego walks in, honey brown eyes shamelessly looking over your figure with a smirk as he now leans against the door frame.

You roll you eyes at his ogling, but can’t help smoothing down the silky olive green fabric of the dress your wearing with a pleased smile. Gold jewelry adorns your neck and ears, with matching gold heels to bring the look together. The red of his sweater (he so stubbornly obliged to wearing) compliments the green you're wearing beautifully. A year ago, Diego wonders just how much it would take him to put on anything other than black.

“Cmon, they’ll be here any minute.”

As if I’m cue, the doorbell of the apartment rings. You rush to the front door, Diego trailing behind as he reminds himself how important the evening is to you.

“And remember, no knives.” You whisper to him, turning back around and opening the door.

“Fröhliche Weihnachten!” Klaus pushes through the entryway excitedly, tackling you in a hug in greeting. Luckily, you’ve already met the most eccentric sibling of the bunch. As he often crashes at your place, much to Diego’s disliking (or so he says).

“My my my, that dress is to die for! I’ll be borrowing that soon. And those heels! Please tell me we’re the same siz-”

“Alright bonehead, you can steal her stuff later. Take yourself and the booze to the kitchen.” Diego interrupts, shrugging when you slap his shoulder at his bluntness.

Greeting the rest of the family goes better than expected. Allison and Luther arrived together (an innocent carpool of course) whilst Vanya had come just a few minutes after Klaus, happy to see she wasn’t the first to arrive. She brought along with her a homemade dish, Allison with a top notch bottle of champagne, and Five with a box of Griddy’s donuts and...Coffee? His odd choice of food making the perfect ice breaker, to his confusion of course.

“Alright, enough small talk. Diego, how much are you paying this lovely lady to pretend to be your girlfriend?” Klaus interjects your conversation about current events as the rest of the table looks to the pair of you and laughs.

“Seriously, Allison couldn’t even rumor someone to be this good of a cook,” Luther chimes in. Not having looked up from his plate for a majority of the meal.

Although slightly offended, Diego realizes his siblings have a valid point. You’re blushing crimson as you laugh along, shaking your head and nervously rambling on about when you just last week almost burnt the apartment down trying to perfect said recipes. He’s entranced as you speak, admiring the way you seem to capture all of them with unknown ease. Unknown, truly, because you’re still too modest to see how perfect you are. He doesn’t deserve you, but he’ll spend every day trying to even out the impossible score. It's known he can be quite the competitor.

“I’m just shocked he’s out of black for once.”

“Says the 45 year old in a school uniform!”

**********************

“Alright, I’ll clear up dinner so we can start dessert.” Y/n announces, just in time to halt a three-way argument between her boyfriend, Luther and Five about some Academy mission from when they were kids. The evening has been lighthearted for the most part, with a majority of the conflict being steered off by Allison or Vanya. The two practically experts at distracting their egotistical brothers. You catch on as they do so, the three of you having shared a few sly smirks between one another a few times throughout the meal.

“Please y/n, let me. You’ve done more than enough tonight. Besides, I need someone to test out that wine for me.” Allison assures, kicking Diego’s shin and motioning to the kitchen when you’ve given her an appreciative smile and inquired Vanya on her violin skills.

Allison’s knife wielding brother shoots her a look of shock at her actions, trailing along confusedly after her. Your empty plate and his own in hand as he sets them down in the sink.

“What the hell? Why-where-you-hiding-her-from-us!) The curly haired woman emphasizes each word with a smack of a stray dish towel to his arm, sure nobody can hear them over Klaus’ obnoxious storytelling back in the dining room.

“Quit it! I wasn’t hiding her I-I was protecting her from you shitheads.” Diego defends, once again bewildered by his sister’s playful outburst.

“Diego! She’s amazing, you should’ve introduced us forever ago.”

“Right, she’s amazing. What do you not get by the word protecting? If you all had met her any sooner you would have scared her off!” He flails his arms as he speaks, unaware of his flushed cheeks as his sister smiles fondly at him.

“What now Allison?”

“You loooveee her.” She poke his side as she teases, chuckling again when he swats her arm away. The scene is childish, but something about the heat rising through his neck to the tips of his ears makes Diego feel like a kid again. Allison teasing him about girls, just as they had when they were young.

“Wh-whatever. Yeah, I love her. Can we go back to the table now, or should we paint our nails and giggle about how totes adorbs Luther Looks in that coat?” They both laugh at his mocking, leaving the room and too giddy to remember the discarded plates left behind.

***********************

“An espresso machine? Wow, Columbia-brewed K-cups too! You shouldn’t have y/n.” Five is beaming at the gift in hand, wrapping paper still hanging off the side of the box as he admires the machine. His siblings stare confusedly at his jolly demeanor, and he immediately clears his throat before giving said girl a curt nod. “Thanks.” He deadpans, and you laugh with a nod at his change in demeanor.

Luther and Allison have already opened their gifts, the burly man pointing to his miniature moon replica and lecturing about the craters and valleys to an extremely bored Klaus. Allison has already put on the elegant gold charm bracelet you’ve given her, rolling charm with Claire’s initials and birthstone on it with glossy eyes. Beside her, Vanya delicately peels the wrapping off to a freshly polished violin case, her name inscribed in cursive on the top.

“It’s beautiful. I-I’m so sorry we didn’t get you anything. If I had known-”

“Nonsense V, I’m just glad you could all make it tonight.” You reassure with genuine smile, glad to see her positive response to the nickname.

“I still can’t believe you got them gifts.” Diego mumbles from behind you, having climbed over the back of the couch you’re all sat on to have you sit between his legs. He kisses your temple and wraps his arms around your middle, softly humming when yo lean into him. The fireplace is crackling, and the record payer you love dearly quietly plays a Perry Como Christmas album. You close your eyes, taking in the warm feeling and relaxing in Diego’s touch. The two of you jumping when a shout comes from beside you.

“My turn! My turn!” Klaus claps loudly to grab your attention. You chuckle at his childish ways, leaning down to pick up the wrapped present at your feet and handing it off to him. Unlike the others, he eagerly rips apart the wrapping, gasping dramatically when he lifts up the skirt.

“You’re a bit hard to shop for, there’s a gift receipt if-” The excitable man scrambles up from the floor tug on the fabric, twirling around in it in a fit of giggles before you can finish your statement.

“Great, he’ll never take that off.” Diego mumbles in your ear, you shake your head with a smirk at his teasing before you’re reminded of something.

“Oh! And one more thing.” You note suddenly, climbing out of Diego’s hold as he huffs reluctantly. You pull a a final present from under the tree, secretly handing it to Klaus to make sure the others don’t see. Though they’re too enveloped in conversation to noticed.

“Another one for me?” He whispers happily, eyes furrowing when you shake your head. Sitting back down in Diego’s arms before you explain.

“No, well...Yes, sort of. You’ll see.” You ramble, gesturing to the box in his hands as he apprehensively chuckles. You feel Diego’s eyes on you, deciding to place a peck on his jaw instead of elaborating.

Klaus pulls out a pair of books, readig the well-known titles before looking up at you. You motion to the box once more, biting your nail as he sets them aside and reaches in once more. He pulls out picture frame with a sharp intake of breathe, hand going over his mouth as he looks up at you once more. Your boyfriend, eager to see what has silenced his rowdy brother, takes the frame to inspect it.

It’s a picture of him, Klaus, and Ben on the front steps of the academy. Having to be only five or six in the photo. Klaus has an arm around Ben, smiling big for the camera as his brother offers a smaller, but no less genuine grin to the lens. Diego sits a step above them, mouth frozen open in a laugh as he must of been reaction to something only Klaus could make him react so much at.

“I remember Di telling me Ben read a lot. And...Well, it felt wrong to get everyone else a gift but him. Those are two of my favorit-”

“Wh-Where did you find this?” Diego whispers, arms encircled even tighter around you as he holds up the frame in shock.

“When we were moving in. I found it at the bottom of one of the shelves at your room at the gym. It was under a bunch of old books you had, I figured it could use a frame.” Just as you finish, Klaus practically tackles you in a hug, a soft hiccup coming from him when he pulls away.

“Geez Klaus, it’s just a skirt!”

“Can-it Luther!”

*************************

“You think he’ll be alright?” You mutter from the bedroom hallway. You and Diego leaning against the wall, looking at Klaus whose passed out on the sofa. The others having left hours ago, but you simply couldn’t wake him at seeing how peaceful he was. The picture frame still tucked to his chest as he snored softly.

“Trust me, he’s fine. I think he’ll be sleeping in that skirt every night from now on.” Diego pulls you to your bedroom door as you laugh, the exhaustion from today finally setting.

“Hey, would you look at that? Mistletoe.” Your head trails upwards to gaze up at the fruit being dangled above your head as you grin.

“Those are grapes Di.”

“Are they? Hmm, must be from that stupid cheese board I had to run across town for.”

“It’s a chacuterie, actually. Didn’t you learn French Hargreeves?”

“Yep, but I only seem to remember two words.”

“Oh really? And what might those be?”

“Embrasse moi” He finishes as he connects his lips with yours, holding your face as if you might slip away when he lets go.

“Smooth, knife boy.” You pull away softly, wrapping your arms around his neck and hugging him tightly.

“Merry Christmas Di.”

#diego hargreeves #diego hargreeves imagines #The Umbrella Academy #umbrella acedmy #vanya hargreeves #allison hargreeves #luther hargreeves #five hargreeves #klaus #klaus hargreeves #tua netflix #netflix #christmas #fiction #imagines #tua fanfic #ben hargreeves

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fantastic-bby · 4 years

Text

Maive

Pairing: (F)Reader x Chan

Word count: 2.7k

Genre: Fluff || Guardian angel!Chan

Summary: As your guardian angel, Chan’s supposed to protect you. Rather than hiding himself, he becomes your best friend instead of simply hovering around you secretly. Only when years pass does he realise that maybe you’re more important to him than he thought you were.

Warnings: Demons bcs there’s fallen angels

A/n: Hi sorry I’m posting the start of the angel series so late but like heyyyy here it is uwu. Happy October, everyone!

Masterlist || Minho - Kira || Changbin - Skye || Hyunjin - Nova|| Jisung - Blair || Felix - Lia || Seungmin - Raisha || Jeongin - Avia

It’s a simple task; one that Chan is so used to. He just has to watch over a human and keep them safe. His human just happens to be you. Chan uses one of his typical approaches which is hiding his wings and becoming your best friend. He remembers the first day he popped into your life; it was the middle of the school year. You were 16—the age where humans are unknowingly assigned their guardian angels.

Chan did the approach of sitting beside you. Knowing well how to interact with humans, the angel was quick to become your friend. Chan made it a point to hang out with you everyday and was soon acquainted with you and your best friend, Lia. It took a year later before another person was added to your friend group. The fourth addition being a guy from Lia’s class—Chan knows him as Lia’s guardian angel.

“Felix! Stop!” Lia squeals as he picks her up bridal style and runs straight into the swimming pool. You and Chan laugh as you watch from the side of the pool, legs swishing around in the water. Lia and Felix had seemed to form a different kind of bond compared to you and Chan, but it didn’t change your friendship even after you all moved into college. Felix and Lia ended up in a different college from you and Chan.

You’re still amazed that the both of you had gotten accepted to the same university which meant that you could both just move in together since you’ve known each other for so long. You certainly weren’t expecting having to accompany Chan jogging every morning.

“Come on, (Y/n), it’s just a little more,” he chuckles when he sees you struggling to keep up.

“Easy for you to say,” you pant, “you have muscles the size of my face.” He lets out a laugh.

“Would you feel better if I carried you back to our apartment?” Chan suggests. You look at him and nod, outstretching your arms and making grabby hands at him. He never declines whenever you ask him to carry him around. Honestly, Chan knows that even if he really was a human, he would still be best friends with you. You’re one of the few humans that he actually enjoys protecting.

You make it easy to be around and you’re fun. The time Chan’s spent with you is nothing compared to his many centuries of being alive, but he finds himself enjoying your company more so than any other human.

“Look at those stars,” you point towards the sky, bringing Chan’s attention to the stars that scatter the night sky.

“What about them?” he hums questioningly.

“Those constellations tell stories of Greek mythology,” you turn to him and he nods. “Do you think they’re real?” Chan can’t help the smile that breaks on his face. He finds you so unbelievably adorable that he can’t stop himself from feeling all giddy and happy around you. “What?” you ask when you just see him smiling at you.

“I mean,” Chan looks up to stars that scatter the night sky, “myths have to come from somewhere, right?” He turns back to see you looking at him with a pleased smile. He likes your smile a lot, but he’s a guardian angel—your guardian angel to be exact. Guardian angels aren’t supposed to fall in love with their humans. The ones that end up pursuing their humans get their wings ripped off.

Chan doesn’t think much of it. He pushes aside whatever feelings he has, blaming it on the connection he’s allowed himself to build with you. No matter what happens, Chan is supposed to protect you until your time comes; nothing else. That’s why when he comes across a fallen angel trying to stray you away, Chan’s mind goes into panic. How is he supposed to sneak out and fight the fallen without you being suspicious of his sudden disappearances.

“I met someone,” you announce shyly as you step out of your bedroom. Chan looks up from the cereal he’s eating to give you a questioning look. “His name’s Minho.” The angel stops moving completely at the mention of your new friend. Minho. Minho. Minho. He knows that name too well; the name of the fallen angel who almost pulled Chan down with him.

“Is it that dance major from the dance club?” Chan doesn’t want to show that he’s bothered, but how is he supposed to keep you away from a fallen if he’s already got you falling. You nod, lifting your phone to show your best friend Minho’s Instagram page.

“He seems nice,” you hum as you watch him scroll through Minho’s posts.

“I get a bad vibe off of him,” he mutters out as he hands your phone back to him. You give Chan a weird look. “I don’t know, (Y/n). I don’t think he’ll treat you right.” Your expression doesn’t change.

“It’s not like it’s anything serious... yet…” you trail off. You find Minho really cute. He had somehow managed to win your heart just by working at the coffee shop you usually go to before your morning classes.

“Yet,” Chan points out. You roll your eyes as you take your phone away from his hands, scrolling through Minho’s Instagram on your own.

“He can’t be that bad,” you stubbornly mutter as you stop to look at a picture of Minho and his cats. “See? A cat man! Cat owners aren’t bad,” you show your best friend the picture like it’s evidence.

“(Y/n), just because he has cats doesn’t mean he’ll be a good partner,” Chan claims. You turn to him and scowl, bringing your phone away from him.

“You don’t know that,” you grumble.

“You don’t know that either,” he pushes himself off of the counter. “(Y/n), please think about this. You can’t just go around flaunting your heart around for people to just play around with. You’re smarter than that, and you deserve more than what half of these dumbasses have to offer. Please, trust me this once—I just don’t think this guy will treat you right.” Chan’s eyes are pleading. He honestly wants to tell you the real real reason he doesn’t like Minho, but how are you supposed to believe that Chan comes from a world of angels and gods?

“I’ll try to stay away from him.” Your words cause relief to wash throughout his body. “But he’s very charming and I can’t make any promises.” Your followup only makes Chan chuckle.

“I can see why he’s charming. At least try and stay away from him. I get really bad vibes.” You nod with a small smile. Chan really does a huge influence on the decisions you make. But his influence just isn’t enough to get you to fight off Minho’s magic.

Chan can tell something’s off while he’s sitting in his bedroom, shirt off with the door locked. His wings move around behind him. He can feel a shiver running down his spine when he feels the vibe in the apartment shift. The moment Chan hears it, he’s dashing out of his bedroom and slamming into yours. Not only had he woken you up, but he had caught Minho off guard, sending the fallen angel out of the air and to the ground out of shock.

“Get out,” Chan growls. Minho hisses at him before turning back to you, your face holding pure horror as you look between your best friend and the fallen angel.

“C-Chan?” you stutter, torn between staying in bed or running into the arms of your best friend who has wings. A pair of big, white wings are hanging from his back as he stands at your doorway, staring straight at the man that asked you out for dinner a few days before.

“Do anything to her and I’ll bash your head in so hard that even Satan wouldn’t recognise you.” Chan’s tone is the scariest you’ve ever heard and you’re not sure whether you’re more scared of the intruder or him.

“C-Chan.” Your voice has resorted to a whimper out of fear. Even through the whole situation, your instincts still reach out to Chan for comfort.

“I’m here, (Y/n),” he soothes as he carefully makes his way over to the side of your bed, all the while keeping his eyes on Minho. Once beside you, Chan grabs onto your arm and pulls you behind him, guarding you from the fallen angel.

“You can’t protect her forever, Chan,” Minho snorts. “Humans are fragile beings. I don’t get why the angels just can’t let us feed off of them. What’s the point of protecting them?” The fallen angel chuckles darkly as he rounds your bed, stepping closer to your guardian. “May I remind you of Kira? How fragile she was to just slip past your fingers so easily,” Minho giggles gleefully at the memory.

“Kira’s a lost cause,” Chan mutters, his grip around your hand tightening. “Get out or I’ll banish you instead.” The threat makes Minho’s face contort in annoyance before his form disappears completely. You’re still shaken when Chan turns around, his hands moving to cup your face gently. “Are you okay? He didn’t get to you did he?” His brown eyes flick across your skin to make sure you’re okay, but you don’t answer because your eyes are glued to his wings.

“W-Why do you have wings?” you question softly as your eyes meet his.

Chan lets out a frustrated sigh as he shuts his eyes tight. He’s only then realising the weight of what he’s done. “I can explain, but I don’t think you’d be able to understand. You’re quite shaken up.”

“Of course I’m fucking shaken up,” you scoff, “the guy who asked me out to dinner appeared in my bedroom and you have wings. What a totally normal Friday night.” You roll your eyes as you sit on your bed. “So, what? Are you just not going to explain that?” you gesture to his wings.

“Well, I’m your guardian angel,” he simply claims. You blink a couple times before sighing and sitting at the edge of your bed, hanging your head.

“There’s no way I can’t believe that since you already have the damn wings.” You look up and watch as Chan takes a seat on your bed beside you.

“I was assigned to protect you when you turned sixteen. I chose to show myself and protect you because you were sleeping a lot during class and I didn’t want you to fail,” he sheepishly confesses. “I decided to just stick around since you were pretty fun to talk to. It’s been awhile since I’ve actually connected with a human like this.” Chan turns to you with a small smile. “But now that I’ve revealed myself, I’ll just leave so you can calm down.” The angel stands up, his eyes reassuring you softly before he heads to leave your room

“Chan,” you stop him. He turns around and gives you a questioning look. You don’t want him to leave. The fear that runs through your veins yearns for the comfort of your best friend. “A-Are you going to disappear, too?” Chan’s features soften. “I don’t want you to leave.”

“No, no, (Y/n),” he quickly moves back to sit beside you. “I meant that I was just going to head to my room to give you time alone to process it all.”

“Minho’s not just gonna pop up out of nowhere again, right?” Your eyes are scared and that much Chan can tell without having to look into your thoughts.

“I’ll keep him away from you if he ever tries to come back,” he gives you his signature smile, “I promise I’ll keep you safe, (Y/n).” You know he’ll keep you safe. You’ve already concluded in your mind that he’s the only person that makes you feel as safe as you do.

“Can you stay here with me?” Your request is simple and Chan understands why you’d be scared. It’s not exactly an everyday thing when your best friend has wings and someone from your college appears in your bedroom in the middle of the night. You climb into bed with Chan, his wings protectively caging around you while his arms hold you close to him. His embrace is as warm as it usually is, but the added warmth from his wings wrapping around you just makes his hold more comforting.

“Just stick with me and I’ll keep you safe,” he hums softly as his hand runs up and down your back soothingly.

“What did Minho mean when he said humans are fragile?” you question as you look up at him. For a moment, Chan doesn’t speak. He stays silent and you know that he’s debating whether or not he should tell you about it.

“About...2 humans before you, I was protecting a girl,” Chan starts. “Her name was Kira. Like every human, they’re assigned an angel when they turn sixteen. She was one of the first few times I chose to show myself. The only reason I did was because I was still learning the ropes of being a guardian angel and one of the few ways I hadn’t tried yet was showing myself without giving away my identity.” He pauses for a moment, his hand still running up and down your back calmly. “But Minho showed up that time. He got into Kira’s mind and took her away from me. He corrupted her and now she works in the Underworld because of him.” Chan’s hand stops moving, his hands balling into fists before he calms himself down. “She was the first human I ever lost to a fallen angel.” There’s many things he doesn’t tell you about her.

The first being that Kira was the first human he had fallen in love with on duty. He would never tell you how happy she made him even when he was hiding his feelings from the higher ups. Chan thought about dating her secretly. It was when Minho came around that he realised he was in bigger shit than he thought. The fact that he had not only thought about courting a human, but he had lost one to a fallen angel.

The second thing he would never tell you is that you make him feel the same exact way Kira did. He sees only purity inside of you, bringing your smiles to light and your laughter to life. Chan doesn’t know when he did, but he’s fallen in love with you. As he lays in your bed with you in his arms, Chan can’t help but wonder just when did he fall for you.

“Chan, your mistakes can’t be repeated,” the deity advises. “We’ll let it pass on one condition.” Chan looks up at the omnipotent being. “If (Y/n) is good enough, we’ll make her an angel. Because Lia is good, we’ve made an agreement with Felix. He has to make sure she’s good enough to become an angel only then can he romantically pursue her. Felix has been an exceptional guardian, which is why we’re granting him this one opportunity. You, on the other hand, not only have you lost a human to a fallen, but you had secretly pursued her.”

“I-I tried to fix that,” Chan stutters as the memory replays in his head. “I was so close to saving her.”

“Yet you failed,” the deity cuts him off. “This is the same fallen angel as then. Prove that you’re fit to protect (Y/n) and only then will we have a discussion on your romantic interests.” Chan returns to his bedroom with trembling hands. He can’t lose another human—not to Minho again. Chan makes it a point to stick around you. Being a guardian angel, he just manipulates the world around the both of you to make it easier for him to keep an eye on you at all times.

“Is it necessary for you to change your major for me?” you ask softly. To say that Chan’s announcement of him changing a whole major just to be with you is a shock is an understatement.

“I can’t let Minho get to you,” he gives you a reassuring smile. “Either way, I’m an angel. I won’t be affected by any of these decisions. I just do what I can do to protect you.” You purse your lips into a straight line as you take it into thought. Chan could honestly just do whatever he wanted with his magic, he just wants you to be his. By being your guardian, he’ll make you an angel; an angel that he can finally love.

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