Been thinking about how it feels, being the wild child
the struggle of not feeling human, when emotions get too strong,
when hands feel like paws and teeth become fangs, shoulders and hunches raised in anger and low growls of fear,
somehow this body language is easier, is more natural than my own
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the adversary is such an interesting route because through most of the game routes, most actions you can take are not locked behind specific dialogue options, and the actions usually don't need to be "repeated" to achieve a specific path through the route. for example, the path to freeing the specter only requires that you tell her you want to free her, let her possess you, and that you not stab yourself with the knife, in order to achieve that.
but the adversary has a few unique and somewhat non-intuitive actions you can take with her (flipping her the bird and even having her allow you to stab her in order to prove she can't die) that are locked behind dialogue options, and those dialogue options don't even clearly point to you being able to unlock those actions. additionally, you have to repeatedly choose to fight her in the exact way she wants if you don't want her to evolve into the fury or the eye of the needle.
i guess it fits to have the route most defined by stubbornness and rivalry requring you to pick a course of action and stick to it, but the amount of unique actions allowed within this route (even leaving her in the basement can trigger some unique scenes!) makes me wonder if it was the first developed. most routes in video games have "convergence" points with very few subvariations in order to cut down on having to develop too many distinct outcomes. while it's true that slay the princess has an unusual amount of distinct variations in each route, it's still also got a lot of convergence points that reuse the same art pieces with just slightly different dialogue. it feels significant to me that the adversary has a lot of unique scenes and art compared to some of the other princesses
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ive been trying to have coherent thoughts but i haven't even had a chance to process the dnpcrafts video because my brain has just been consumed by shourtney ive been giggling and kicking my feet for the past 24hrs im officially losing it
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something about the same actor playing bolkonsky AND andrey. it makes the audience question how much of andrey’s cruelty is inherited from his father, and how much of it is a result from the war.
both are mentioned in the only song andrey physically appears in: ‘there’s a war going on’ andrey says, a callback to the prologue. in that song, the characters sing ‘the war can’t touch us here’ — an ironic statement, now. and pierre says that andrey ‘smiled just like his father / coldly, maliciously.’
andrey is malicious, and wary, and exhausted. there’s a war going on. his cruelty is echoed in the way the son is playing his father. his father is playing his son. words and notes are sung with similar cadence and emphasis. how justified is andrey? how much did the war change him, or how much can the war excuse his maliciousness? andrey does not break the cycle of his father’s cruelty, but how much of it is his fault? there’s a war going on, after all.
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Sometimes I feel very sad that I didn’t just focus on one creative skill. I look at my art some days and go I wish I’d spent all my time making only that, because that way it would look better and I’d do more and it wouldn’t matter if I couldn’t write very well because my art would be amazing and I’d be able to make the stuff I really want to and maybe even get a job related to it and I wouldn’t feel like so much time was wasted. And often times it really does feel like you’re wasting time and everything is telling you to just pick something to focus on so it can mean something and you can never seem to pick one of anything.
And then other days I feel like an absolute GOD. Anyone else able to write your own fic and then draw art for it just because you can? Can you make an edit/amv after writing a silly little analysis post on the show/character that is so perfectly on beat and fits the lyrics and with transitions so slapping you get chills while watching? Can you write a short silly ditty on the guitar about how you’re feeling using the eight chords know and belt it out only a little bit off key then do a choppy little animation of your sona singing it?
I may not be the most skilled at all of the above, and it can be a little lonely to be a one man band who doesn’t play half as well as a lot of people out there, but when your power goes out or your wifi dies or you have a day off, everyone else is busy and you’re alone...
you play the best gosh dang music in existence
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i love writing an extremely sleep deprived rushed essay on the insane interest of my mind. through the power of love I Won. she also loved my essay on black cartoonists last semester she put up with two semesters of my comics in my fine art history classes. love her forever. "your catalogue was a bright light in the grading pile and i am sincerely grateful for it" I WON.
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