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amirisqueer · 2 years

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A silly AU I made a couple years ago. I still think it's kind of fun. Here is the original description:

"So, first off, this is going to be pretty loose concepts for a Warriors AU I had in mind. I need to work on personal projects at the moment, so I won't go too into detail with this. Additionally, I should have reread Power of Three and Omen of the Stars before this, to make it more detailed and accurate, but again, I need to work on personal projects.

I may come back to this when I have time for it. As for now, it'll stay pretty loose. Unless some of you want to mess around with the concepts, and I fully welcome you to do so! It'd be really cool to have a bunch of people putting their ideas into this, and making it a community thing!

I've removed anything to do with Rock, the ancients, the stick, and the Tribe, because they're all pointless and irrelevant to the plot, and contribute nothing to the story. The undergroud tunnels remain, but they're left a mystery.

Anyway. On with the villainy.

PoT and OotS were disappointing, to say the least. PoT had a good build up, and had tons of potential, but, as usual, the Erins wasted it. OotS is a hot mess; like PoT, potential was wasted, the plot meanders, there are far too many inconsistencies and plot holes, character motivations are weird, characters are unlikeable and boring, a ton of important points in the story feel really contrived, and it's poorly written over all. I still enjoyed these arcs, though, just for how bad they were.

I think it would have been really cool if the Erins explored the potential for villainy Jayfeather and Hollyleaf had. Jayfeather expresses quite a bit of resentment and disrespect for Starclan, and seems to feel like he's above everyone else bc he's part of a prophecy (one that really never is used or explored meaningfully). He's also pretty interested in plants that harm people, which is unique for a medicine cat.

Hollyleaf is a stickler to the warrior code, though we see her twist it and her logic to fit what she wants, especially when she goes out of her way to murder Ashfur, and threaten Leafpool. She's also shown to be very ambitious, and wants to be leader one day. She wants to be important to her clan, and be respected.

Lionblaze, in this AU, is a lot softer, and much more caring and gentle. While he does want to be a great warrior, he doesn't enjoy fighting, which makes his power a point of angst for him, since it's one that enables him to hurt other cats without any physical consequences to him. Lionblaze in the books always stuck out to me as particularly bland; he was just another cat who wanted to be the greatest warrior, who loved fighting, and was aggressive. I want a soft, gentle hero. I want a hero who can and will fight for what he believes in, but would much rather take a pacifistic route.

Again, I need to reread PoT and OotS to refresh myself, but bear with me.

What if we explored this in a way that made Jayfeather and Hollyleaf villains? These traits certainly make it easy.

What if Jayfeather grew especially resentful of Starclan, and, upon learning of the prophecy and how much power he held, turned against them? After all, Starclan gets increasingly annoying, petty, and downright irritating as the series goes on. They act as though they know more than the living cats do (which they don't, and this is shown multiple times), and instead of actually doing anything to help the clans, they give vague omens and signs that could easily be interpreted as anything!

So Jayfeather, resentful of Starclan, plots against them. He wants them to hurt. He wants them to admit they're no better than anyone else. He wants them to stop being so pretentious and full of themselves. He also hates Starclan for making him blind, and, like he said in The Sight, he wishes he had never been born because of it. Jayfeather's bitter and vindictive nature is explored a ton here.

He comes up with a plan to wrest the clans from Starclan's control. He wants everyone else to resent them, too, so Starclan will lose what power they have over the living cats. And to do that, he'll need to take over clans and spread his ideology, much like Sol.

Meanwhile, Hollyleaf wants to be leader, as mentioned before. And Jayfeather sees this as an opportunity. He's the mastermind behind all this, as the most intelligent of the three; he's the one pulling the strings.

By the way, Hollyleaf has a power in this AU. Her power comes from her dedication to and belief in the warrior code; she can always tell when cats are lying, and when they have broken the code, as well as convince them to believe in her own convictions, too. The more she believes in an idea, the more easily she can persuade cats to take her side, and believe in her version of the truth.

And so Jayfeather uses her. Throughout the books, he'll help her become deputy, and then leader, by strategically poisoning clanmates (as well as cats from other clans) to help her gain power. He's also making up visions, too, and manipulating clan politics, trying to turn them against Starclan that way, too. He tells Hollyleaf the things he reads in other cats' minds to help her find weaknesses to exploit.

Hollyleaf believes that what she's doing is right, and that she's fulfilling the prophecy, and making Thunderclan strong. In reality, she's simply carrying out Jayfeather's attack on Starclan.

Lionblaze, meanwhile, is blissfully unaware of this. He does what he does best; fight and try to be a good warrior. The best he can be, in fact. While Lionblaze isn't very intelligent, Jayfeather is wary of trying to involve him, because Lionblaze is a genuinely kind hearted cat, whereas Hollyleaf isn't.

Also! Throughout the PoT arc, there are tons of bonding moments between the three; for Jayfeather, it's all manipulation, but for Hollyleaf and Lionblaze, it's genuine. I've always been irritated by how Warriors never actually shows bonds between families and friends; the books just usually go "they were friends" or "they were family" and that's it. It makes all the family/friend deaths so unemotional and contrived when they happen, because the bonds are never explored. I don't care that Feathertail died; you never showed me the relationship she and Crowfeather had. His grief feels fake, and I'm not invested, at all.

In addition to this, friendships between the protagonists and side characters are also more deeply explored. For example, Hollyleaf and Cinderheart would have a very deep, loving friendship, and Lionblaze and Berrynose would have a friendly rivalry, but are also there for each other. Lionblaze also deeply cares for his family, and loves his siblings, Brambleclaw, Squirrelflight, Firestar, Sandstorm, and Leafpool dearly. Hollyleaf is close with her mother and father too, of course, but not quite as close as Lionblaze. Jayfeather is too wrapped up in his hatred and fantasies of revenge to really bother with friendship or family, and thus is viewed as even more prickly by his clanmates.

Jayfeather makes sure to make Hollyleaf look like an excellent warrior and leader, helping her find opportunities to do so. He encourages her to use her power to persuade Firestar to give her an apprentice, so she could be made deputy, and it works. Eventually, she'll use this power on Firestar to convince him to make her deputy after Brambleclaw dies.

Also! In chapters from Jayfeather's POV, it's shown that he grows to hate himself, too, for his actions. He knows very well what he's doing is wrong, but he keeps doing it. He feels horrible for using Hollyleaf the way he does, and feels slimy and gross about it. He thinks he's too far gone, that there's no hope for him. So he keeps making things worse and worse, and hates himself every second of it.

This only serves to make him more bitter and resentful, and he lashes out at clanmates even more, taking out his anger and other mixed emotions on them. It's pretty clear he's developed some sort of depression. At this point, it's obvious that revenge on Starclan won't make Jayfeather happy, at all. But that's what keeps him going.

Eventually, Sol comes along, and Jayfeather sees him as an ally; after all, he's trying to dismantle the clans' belief in Starclan, too. With Sol, he helps spread disbelief and strife, leading to Shadowclan being reduced to the state it was in. Thunderclan is following lead, though a bit more slowly, because, annoyingly, Firestar and Brambleclaw are still there.

So Jayfeather sneakily poisons him, without any cat in the clan knowing. He, of course, does this after Firestar has taken a liking to Hollyleaf, and during his grief, Hollyleaf goes and consoles him, as well as giving him advice on who the new deputy should be, strongly hinting that she thought she would do a good job, by stating traits that she has, and that Firestar has seen in her.

So! She becomes deputy! Lionblaze is, of course, proud, but he's a bit unnerved by the fact that Jayfeather and Hollyleaf don't seem bothered by their father's death. The fire scene happens at some point, and they learn about Squirrelflight's lie. Ashfur is still killed by Hollyleaf to keep the secret. And this time, she doesn't spill it.

Sol is also eventually killed off, because when Jayfeather realizes he's also trying to destroy the clans, not just ruin their belief in Starclan, which isn't what he wants. He doesn't want Starclan or the clans to die; he wants Starclan to suffer. So, he comes up with a plan to kill Sol, and Hollyleaf executes it.

At this point, Hollyleaf too is becoming resentful of Starclan, and twists her version of the code to fit with that, silently vowing to enforce it when she becomes leader.

Thunderclan is starting to grow really angry with Starclan, due to Jayfeather's and Sol's influence. Firestar continues to have faith in them, and the clan slowly turns on him, seeing him as a weak and incompetent leader. Other unfortunate things start to happen as well, like prey being scarce in greenleaf, warriors being injured more, fights on the borders breaking out, etc. It should be noted that Hollyleaf also uses her power to help convince the clan of Jayfeather's beliefs, and it works really well, seeing as she believes them herself. The majority of clan starts to believe that Starclan has abandoned them.

But not all of them, which is key to the rest of this AU!

Hollyleaf believes this too, and believes that the clan would do far better being lead by her. She speaks with Jayfeather about this, and, of course, he's pleased by it. They hatch a scheme to kill Firestar in secret, using a lethal concoction of herbs and framing it as a sickness.

Also! As Jayfeather's ideology spreads, other medicine cats' connection to Starclan grows weaker and weaker, until, finally, at the end of the PoT arc, they cannot communicate with Starclan at all. Only Jayfeather can, as that's one of his powers.

Once Starclan is entirely cut off from the clans, Cinderpelt's spirit (in Cinderheart) is released; her link to Starclan has been severed, so the whole reincarnation sort of thing no longer works. Cinderpelt is instead stranded in some sort of limbo, and never finds her way back to Starclan.

However, Leafpool has noticed Jayfeather's interest in toxic plants, and grows suspicious of him... so she must be killed, too. While gathering herbs with Jayfeather, Hollyleaf ambushes Leafpool and kills her. Jayfeather has Hollyleaf injure him, too, so he can frame it as an accident with some rogues, which he just barely got away from. Hollyleaf is never mentioned in his explanation, so she's completely free of suspicion.

Two of the three never learn of their true parentage, and only Lionblaze ever really cares about it, because of his deep connection with his parents, grandparents, and aunt. Lionblaze later learns about it from Squirrelflight.

With Leafpool out of the way, they can finally kill Firestar. Jayfeather slips deathberry juice into some of Firestar's fresh kill, and, when the leader is unconscious and in the medicine den, Jayfeather poisons him with more and more herbs (like foxglove, water hemlock, deadly nightshade, etc), which prove powerful enough to kill all his remaining lives.

The clan doesn't suspect a thing, and grieves for him, despite his weak leadership. This further reinforces the belief that Starclan has abandoned them.

Hollyleaf becomes Hollystar. And, despite everything she's done, she gets her nine lives. This is because, since Hollystar and Jayfeather are part of the proohecy, and supposedly hold the power of the stars in their paws, they can force them to give her nine lives. Especially with Hollystar's power of conviction.

I'm not sure who her deputy would be, but it would have to be someone incredibly loyal to her. Perhaps Cinderheart, seeing as they were close friends. Maybe they even get to be a cute, villainous lesbian couple. You know what, they do. CinderHolly is canon in this AU.

However, Lionblaze notices how unbothered Jayfeather and Hollystar are by Firestar's death, and starts to suspect the worst. He has kept his faith in Starclan, by the way, despite his siblings' attempts to sway him. He has also gathered a small group of the clan together who still believe in Starclan, and they worship in secret at night, outside the camp. This group, critically, includes Whitewing and Birchfall, Dovewing and Ivypool's parents. It also includes Squirrelflight and Sandstorm, who were, of course, incredibly loyal to Firestar.

With Hollystar in her leadership position, and a blindly loyal deputy and mate are her side, she pushes her anti-Starclan agenda, and actually forges an alliance with Shadowclan and Blackstar. They promise to help each other in the coming days, seeing as Starclan has left the clans, and they can only depend on each other.

Windclan and Riverclan are horrified, especially the medicine cats (except Mothwing, she actually sees this as wise), but through Hollystar's conviction, these ideals infiltrate the other two clans. Each clan splits into factions: those who have faith, and those who do not. Consistently, the latter groups are larger.

Lionblaze is incredibly upset by this, and is torn between his love for his siblings, his care for his clan, and his faith to Starclan. Hollystar starts to weed out the disloyal cats, the ones who still have faith in Starclan, and makes them sleep in a separate den from the other cats. She keeps a close eye on them, and monitors their movements at all times, with the help of Cinderheart, Jayfeather, and a few other extremely loyal warriors.

One evening, Lionblaze manages to sneak out from under the gaze of his clanmates, and eavesdrops on a conversation between Hollystar and Jayfeather. He learns of their manipulation, and how they killed Brambleclaw, Leafpool, and Firestar, and, in fury, attacks Hollystar. This grabs the whole clan's attention, and during the battle, Hollystar loses a life.

Lionblaze, being the big hearted cat he is, stops fighting once his sister dies once, horrified at what he's done. However, the clan has turned against him, and he, as well as the other Starclan faithful, are driven out of Thunderclan territory. Hollystar has convinced Thunderclan that any Starclan faithful cats are dangerous traitors, and, at the next gathering, encourages the other clans to drive them out, too.

Lionblaze and his group, meanwhile, shelter beyond Thunderclan territory, and Dovekit and Ivykit are born. They slowly recover their strength, and set up a sort of temporary camp. Lionblaze tells them about Hollystar and Jayfeather's treachery. All the cats are bereft, and have no idea what to do. Soon enough, though, a group of Shadowclan cats find them, and reveal they've been driven away, too. The clans by the lake have all lost cats, and they are weaker now, which is critical for OotS. This is where the PoT arc ends.

Hollystar's regime is as strong as ever in Thunderclan, and the rest of the Starclan faithful cats in the clans have been driven out. The Dark Forest sees this as an opportunity to take advantage of, and starts recruiting warriors and apprentices to their cause to destroy/take over the clans, or whatever the DF was trying to do. Like. Seriously. What exactly were they trying to accomplish?

We'll just go with destroying the clans, due to their festering, bitter hatred for Starclan, and how the clans wronged them in their past lives.

Starclan is completely cut off from the clans, except for Lionblaze's group, which has become its own sort of clan. Each of the groups of Starclan faithful have found their way to him, and they live an unsteady, unsatisfying life outside the clan territories. They want to go home. They want their clans back. But if they dared set paw at the lake territories again, they'd be killed.

Enter Dovepaw and Ivypaw. Despite not really being a clan, the group has still continued clan traditions, and Dovepaw is apprenticed to Willowshine, while Ivypaw gets Brightheart. For extra drama, Brightheart and Cloudtail were split over the Starclan debate, and Cloudtail remains with Hollystar.

In this group, there's a lot of quarreling over who's in charge, as they don't really have a leader. They eventually agree to have a small council of four cats, one from each clan, to lead them. Lionblaze, Tawnypelt, Heathertail, and Mistyfoot are the leaders of this group, and they are trying to form a plan to take the clans back. Tawnypelt was also able to convince Tigerheart to remain faithful to Starclan, so he's here, too.

Squirrelflight, in a soft, emotional scene, reveals the three's parentage to Lionblaze. Instead of driving them apart, this makes them grow even closer, as they both understand what it's like to care for their siblings deeply, even when they've done something wrong.

The fourth cat from the prophecy remains, and it's Dovepaw. She doesn't have any powers, and yet she'll be key to turning the clans back to Starclan. During their time spent as a group, the borders between the clans here dissolve, and they become united and strong.

Dovepaw is actually trained as a medicine cat here, and is the only one in the group who can connect to Starclan. Her faith is particularly strong, given how her life began with being driven out of her home. This is how the connection between the clans and Starclan is slowly restored.

Meanwhile, in the clans, as the year progresses, things get worse. The draught happens like before, and a patrol is sent upstream to investigate the cause, like before. Leopardstar dies, and someone replaces her; possibly Reedwhisker. Perhaps he didn't go with his mother, and remained with Riverclan. This could be a source of grief for Mistyfoot, and affect her actions in the rest of the arc. Reedstar it is, then.

The DF keeps training and corrupting warriors in the clans, and as the arc goes on, some of them start to fear that Hollystar was wrong, and that they should've stayed faithful to Starclan. Of course, no one says this; anyone who speaks like that is immediately exiled.

Hollystar practically controls all the clans, given her power. Her propaganda has taken hold of the leaders' minds, and they all follow her suggestions. Jayfeather is both happy and dissatisfied at the same time; he is glad Starclan is suffering, and frequently visits them to gloat, but he feels that something is wrong. He isn't truly happy. He's still bitter cold and angry inside.

If I'm being honest, I barely remember what happened in OotS between the first and last books. The whole arc was a disaster, and, like I said, its plot was boring and meandering. I apologize for the stark lack of detail in this part. Like I said though, this is just a loose concept for this AU, and anyone can add their ideas to it, if they want!

Essentially, in the end, there are 3 factions fighting: the Starclan faithful, Hollystar's clans, and the Dark Forest. Jayfeather, once he learns what the DF is up to, is upset about it, and opposes it, simply because he doesn't want the clans destroyed, he just wants Starclan to suffer, and have them watch helplessly as the clans live perfectly well without them.

Lionblaze and his faction also, through the arc, spy on what the clans are doing, and learn how things are slowly falling apart. This isn't so much due to the lack of Starclan, but due to the Dark Forest taking advantage of that lack of faith. Had the DF not been an issue, the clans would have made it perfectly fine through that period of drought, and lived well w/o Starclan's influence.

Ivypool is also recruited into the DF like usual, but this time, she immediately knows something is up, bc of Lionblaze and the rest of the group having such firm faith in Starclan, and passing that onto the kits. However, since Ivypool is smart, she decides to spy there, along with Tigerheart, which give the Faithful an advantage. There, they finally have a name: the Faithful.

Hollystar's clans eventually learn of the threat from the DF, and things devolve into panic. Hollystar and Jayfeather are losing control, and both the DF and the Faithful take advantage of this.

Dovewing is especially gifted with speech in the AU, and is really compassionate and dedicated to what she believes in. She rallies a good portion of Hollystar's clans to the Faithful, and their numbers grow steadily. She is, in a way, like a cleric in DnD, and Lionblaze is a paladin. Dovewing does most of the speaking, while Lionblaze does most of the fighting.

Then, the battle breaks out. It's DF vs the Faithful vs Hollystar's clans. Like the Great Battle in the other books, this battle is chaotic, takes place all over the clan territory, and a ton of cats die. Hollystar and Lionblaze have an intense encounter, and Lionblaze pleads her to see sense and join their side. However, she is too far gone, and too convinced of her own flawed beliefs to listen. Hollystar is killed by Lionblaze in an emotional battle, and Jayfeather is eventually cornered, too.

Lionblaze also pleads with him to switch sides, and it is here that Jayfeather finally reveals what he's been doing all along, and has his traditional villain monologue. At the end of his monologue, he admits that he isn't happy with how things turned out, and feels hollow, numb, and bitter cold instead.

Jayfeather loathed himself as much as he loathed Starclan. He knew his actions were wrong, and hated himself for it, but he couldn't stop himself. He wouldn't. From his first kill onwards, he thought it was too late for him to change paths, that he'd always be a despicable, miserable cat. He sees no chance at redemption, and asks Lionblaze to kill him. When he won't, Jayfeather eats the deathberries he had kept with him, killing himself.

In the end, the Faithful are victorious, and take back the clans. Lionblaze, however, is completely devastated by all the loss. He had lost family and friends during all of this, and feels utterly swamped by grief. The loss of his siblings hurts the most; not only had he lost them to death, but he had really, truly LOST them; their personalities had completely changed, and the cats he once knew had vanished.

Despite this, he pushes through with Dovewing and Squirrelflight's help. Lionblaze becomes Lionstar, at the urging of his clanmates. He names Squirrelflight deputy, and Dovewing is his medicine cat. The clans are recovering from Hollystar's reign, and are turning back towards Starclan, for better or for worse. Either way, their faith has only strengthened during this time, and once again, the medicine cats can connect with their ancestors.

So! That's it! That's the villain Hollystar and Jayfeather AU! In my opinion, this is MUCH better than how things actually went in the books, and I would have rather had things go this way. Potential isn't wasted (as far as I know), and each of the three is more fully explored.

The OotS part is definitely lacking, because like I said, I've forgotten what happens through most of it. Lionblaze also gets a bit shafted, because I wanted to focus on Jayfeather and Hollystar, and also because I don't know his personality as well. I really wish I had given him more content, but my pool of ideas was a bit shallow for him :'D. If any of you have any ideas for him, or for the rest of the AU, please feel free to share them!!

I may come back to this in the future, after I've reread PoT and OotS, and add more details. For now, though, it is this.

Let me know what you guys think! I'd love to hear your ideas, too, like I've said a billion times before! As I've said many times earlier, I think it'd be really cool if you all contributed too, and we made this a community thing!"

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joshhhhhhhhhhhhhhh · 6 months

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Here's a show I've been watching on the side without mentioning. This is Galilei Donna - an A-1 Pictures original anime that I'd literally never heard of and which turned 10 years old while I watched it. I came across it because my friend was watching anime he found using the random button on anidb, this turned up, he reacted to the first episode for a youtube channel we semi-unseriously run, I thought it actually looked kind of awesome, and then I watched the rest of the show myself. So let's talk about it!

Galilei Donna is a cool original action show in which three sisters descended from Galileo Galilei are framed by a multinational corporation and a corrupt police force and are forced on the run, branded as international criminals, and being hunted by said corporation, the law, and even air pirates for good measure. It exists in a setting which seems like a near-future but largely contemporary version of modern day earth, although as the series continues it becomes clear that it's almost better considered a different timeline version of earth altogether, using different energy sources which have resulted in different versions of transport including armoured metal airships which see civilian use (strangely normal cars exist but are all just destroyed and abandoned on the streets?), and also this earth is downright pre-apocalyptic, with the show calling attention to a sort of global freezing suggesting a new fucking ice age. The show's moment-to-moment largely consists of our main characters going from place to place seeking the treasures of Galileo to potentially avert their global energy crisis, all the while escaping from their would-be-captors. And of course during all this we laugh and we cry and we meet new people and say tragic farewells, the characters learn a little bit more about each other and a little bit more about themselves, all that good stuff.

I'd fully say that if all that sounds good to you, then just go and watch the show. The series by and large follows through on the majority of the good you'd expect from that premise, and in terms of sheer fun, yeah it's all there. But here's where we get to the caveats. The buts. The if only this was differents. The biggest and kind of just the main one, plain and simple, is that the show absolutely doesn't have enough time for how ambitious it is. The cast is big, the show has a lot of moving pieces in the plot, there's multiple villain factions, the future of the world is questionable and yet pieces of the past are relevant too, there's a global travel aspect in there, there's a criticism and takedown of capitalism and the elements comprising it, thematically it's going for a lot of stuff, there's just a lot here. And it has 11 episodes to do all of that. 13 episodes would've been a bit more breathing room, ideally it could have an entire additional cour - but the 11 that it's left with is downright suffocating. The show doesn't really attempt to downsize its narrative to fit within the final episode count, so we end up with even main characters having little to no development whatsoever, and majorly significant pieces of the plot happening completely off-screen, only becoming relevant in the final episode, itself a courtroom drama episode of all things? Every single aspect of this series is begging to be fleshed out and explored more and the overwhelming majority of it just isn't given that chance. Eldest sister Hazuki's worldview is majorly challenged only to be relegated to a background gag argument. Middle sister Kazuki is defined by a love interest who doesn't even have a name. Youngest sister Hozuki takes until the semi-final episode to have any development whereby she acknowledges herself as socially out of step with other people despite the events of the rest of the show suggesting otherwise. And that's for the literal main protagonists of the show! Once you move onto supporting there's a major recurring anti-villain into anti-hero whose name I don't even remember the show telling me at any point, I just know it because of MAL! Like all in all this is a show that desperately wishes it could be more, and it just wasn't given that opportunity.

Also this one doesn't fit into the last paragraph anywhere but this show's music is Scooby Doo-core and the tonal whiplash is cracked.

This is one of those shows where I watched it, I liked it, and when it was all said and done I was bummed out that there wasn't more of it. And I think that was probably true of Aniplex as well - whom I am singularly attributing the production of the show to for the sake of brevity, but obviously more companies and people were evolved, yadda yadda, just ignore me. But a quick glance at the series' still-alive website reveals a series attempting to push a solid amount of goods out for a random original series, and a look at the twitter seemingly suggests there was even a life-size statue of Hozuki on display for some Noitamina Shop thing? Which is like, kind of a big deal, to some degree. Certainly this was a show that I have to assume had some pretty heavy marketing push if it's getting stuff like that. And yet for all that, absolutely no western presence or even really awareness of the series, and total blu-ray sales under 1000 volumes. Galilei Donna is a flop, a flop that wanted more and wasn't given it. A flop that several companies wanted to make them a gajillion dollars while themselves not pouring enough resources into the series to let it see its artistic vision through to the end. Maybe. That part's absolutely just speculation and I'd need to do a deeper dive into whatever knowledge of the production is public - although even saying that I have to assume if anything like that exists it's purely in Japanese and I don't speak that language soooooooo

But hey, all in all, if you asked me "how was Galilei Donna?", I'd respond by saying that it was just

#galilei donna #14.10.23 #josh reviews #welcome back to existence @ that tag

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knightotoc · 2 years

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So the final ep of Rings of Power came out yesterday, and I binged the whole season with my dad. Kind of a rough show to watch with him, since it's all about mean dads! How far this story has gone since Tolkien wrote it for his kids.

I went into it with low expectations, but it ended up disappointing me in compelling ways. Like Star Trek movies, the even-numbered episodes are better than the odd-numbered ones. Late-game reveals retroactively add some thrill, but can't go back in time to erase the initial tedium. The show has the same structural and characterizational flaws as last decade's LotR spinoff, the Hobbit trilogy: unrestrained emptiness in both showtime and our hero's brains. These goodguys are stupid, and their writers have even less respect for the audience.

But stupidity, while an unexpected legacy for the world's most overthought fictional setting, is not a killing blow to it. We've always had Pippin, after all. The thing that hurts, the thing that makes RoP unique, is indifference. These characters, with a handful of important exceptions, do not love each other. They certainly don't hate each other. They just don't care. In the first scene children destroy each other's toys, and nobody really grows out of that pointlessly selfish mindset.

Fight choreography is self-centered and nasty. Shot composition is lonely. Nobody talks to each other with the goal of actually communicating; they speak in dramatic pauses, anecdotes, twists and turns. At one point, a blind woman asks what has happened, and no one answers her. Her father died. Everyone else is too far inside their own feelings to tell the person for whom that matters most.

The leadership and general population of the elves, dwarves, and humans are bigoted isolationists. The villains, a host of orcs who wear cool skulls on their heads like Cubone, display far more fellowship and joie de vivre than any group we're supposed to like. They even call their leader Dad, and, by this show's standards, he's above-average at that role.

But the most shocking intrusion of indifference is with the horrible nomadic harfoots. You know how ohana means family, and family means nobody gets left behind or forgotten? I don't think they know about ohana, Pip. These cultish hobbit-knockoffs condemn anyone who misbehaves, and their family, to the back of the group when they migrate. If not for some supernatural help, our plucky heroine would apparently have gotten picked off in the night by the cruel forces of nature. If the hobbits had been anything like the harfoots, the only logical message of the original story would have been "Fuck the Shire."

But I said there were important exceptions. Of the multiple subplots, at least two revolve around genuine affection, and at least one of those is actually cool and fun. Firstly, there is the grand romance of sexy elf Arondir and lovely human Bronwyn, original characters who have to drag around his lazy coworkers, her stupid neighbors, and a cute kid.

Secondly, there is the rekindled friendship of conflicted dwarf prince Durin and ambitious half-elf Elrond...who is not only my favorite character in LotR but one of my favorite characters in anything, so I am happy to report that he slays in this one. And in the end, for me, that's all that really matters.

Durin and Elrond's friendship is not only beautiful on its own, but it shines all the brighter among the cynicism and apathy that characterizes the rest of this show. After some genuinely great shenanigans, Elrond starts to give Durin a literal elevator pitch about some bullshit. Suddenly, Durin tearfully confronts Elrond with the fact that, though they used to be friends, Elrond missed Durin's wedding and the birth of two of his children. Elrond is taken aback -- after all, twenty years is much shorter for an elf than any other being. He apologizes. They hang out. They take a vow on the mountain. They defend each other to their shitty kings, at the risk of their own futures. Durin almost tells Elrond his true name, and Elrond's like, "Save it for Heaven." They cry because they wuv each other so much. It fucking rules. Eat your hearts out, Legolas and Gimli.

Unfortunately Elrond's not a dad yet -- he's a little baby who looks like a combination of Hermey and MatPat (pictured) -- so the proportion of bad dads to good dads remains overwhelmingly poor. The only actually good one was the one who sat next to me while we endured this terrible production.

#lord of the rings #the rings of power #rings of power #elrond

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amratsu · 1 year

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after reading @ryo-maybe 's recs, compiling my own rider recommendations/breakdowns, in chronological order of release, with the general approach of 'here's what you may enjoy' and 'here's what people love/remember it for'. den-o onwards to zi-o cause I need to rewatch the older ones tbh. I've watched all of these myself once, and (barring ghost) with @stuffman-main and @icedfairy so you can poke them for opinions too probably.

>den-o the first 'comedy' rider that really leaned into its mascots, so much so that said mascots are kind of still around to this day like 15 years later. this tends to give the wrong impression though, because den-o still takes a surprisingly deep and melancholic look at its themes of existential dread and being remembered. it's a generally fun time that'll also pull at your heartstrings at surprising times, and takeru satoh (of current ruroken live action fame) really does portray the growth of the protagonist from a complete non-person into a still-nervous-but-will-throw-down hero nicely.

>kiva oh I absolutely agree with the general consensus of crazy aesthetic (fucking STAINED GLASS VAMPIRES?) but whack-ass writing, but as my first rider I have a big soft spot for it. it was also the first rider I watched together with stuffman-main and iced-fairy as an introduction to deeper weeb enjoyment. make no mistake, kiva is deep in the late 2000s sauce of plot via lack of communication, but at the same time it's still kind of charming how earnest it is about it? it's just 100% vampire melodrama inside a kamen rider. and also the time period gimmick is, in retrospect, one of the weirdest and most ambitious plot threads toei's ever tried. I can't even straight say I recommend kiva, but if you can stick around after they only really get better. (fun fact with kiva: the default suit was so fucking heavy BECAUSE IT HAD ACTUAL METAL CAUSE THEY WANTED NATURAL CHAIN JINGLING that they had to introduce the super mode like a dozen episodes early or else the suit actor was literally going to be crushed)

>decade anniversary series. meme origin point.

>w I think if any series really leans into its subgenre the most, it's a toss-up between W and Exaid, but W is way more universally loved. it's a tight noir experience, the duos done so well that it'd fuck with rider writing for multiple series to come (for better or worse). the way it plays with its supporting cast really makes the city feel alive in a way that makes it as easy to love Fuuto as much as shotaro does. the rider tropes themselves are also handled very well, with little arbitrary power ups or alt forms, and an absolutely unheard of total of two riders, period, until you go into side materials. and the writing very much benefits from its ability to focus on them to the exclusion of anyone else. extremely easy recommendation, and its 2 episode format also makes it very easy to watch in short sessions.

>ooo where W lives and dies by its two-episoders, OOOs uses it to support the developing relationship between protag and 'mascot' while also pursuing a much more ambitious overarching metaplot. the nonlinear nature of the belt/suit 'upgrades' leads to an pretty exciting shuffle of transformation trinkets between the protagonist and villains; you never quite know who has what, and in that sense it's almost closer to a rider royale with how the characters jockey for the macguffins. eiji's also a generally very refreshing protagonist who will still do Dumb things, but not Stupid things, and that's a fine line to walk/write I appreciate a lot.

>fourze anything I could say ryo(?)'s already said. it's just fun. it's very different from a lot of other riders though in that you won't see the same emotional ups and downs in the plot you would elsewhere. gentaro's just immune to that shit.

>wizard oof. I'm going to be bold here and say I find haruto, the protag, fine. lots of people say he's boring and one note, which I disagree with; he shows a fair amount of subtle growth as a person over the course of the series. nito, the side rider, is also great. aesthetics are also great fun. but wizard is absolutely STRANGLED by its one note supporting cast, a peanut gallery full of drag-you-to-the-lake-bed cement that's just impossible to care about. if you can deal with the generic kid's show level of eyeroll carry-on cast, you'll probably have an okay time here.

>gaim gaim gaim gaim. oh gaim. I love you so much. and this is contingent on spoilers, but, I think urobuchi plots honestly fine if there's a happy ending. and there is, because SPOILERS that facilitate post-series xovers. like of all the ways we've seen urobuchi wank about the cruelty of the system, the futility of struggling against it, and the tragedy of life, gaim's protagonists arguably end up doing a lot more to win despite it. and also I find the thought of urobuchi simmering in his dark little corner because toei forced him to write a happy ending really, REALLY funny. can't recommend unless you're in the mood for urobuchi though.

>drive honestly? drive is one of the most inoffensive riders. nothing really wrong about it. it leans into its subgenre a lot in the vein of W, so if you're in the mood for a cop show with androids and robots it'll do you good. the protag is also a tall drink of water. definitely a fine starting point.

>ghost oh god. no. by this point in the time line, the 'cool rider=sucky show' meme is really in full force. there's really not a lot I can write on ghost that hasn't been said by other people, but in short it's just very one note with very shallow characters, and a lot of shoehorned merchandising that messes with what little coherence there is (the super form is a seperate belt all on its own, never used by anything else. why???).

>exaid again, ryo(?) has me covered here. worth pointing out though, ex-aid is a perfect otome game cast: clumsy good boy with some spice to him, tragic serious elite genius, jokey lovable trickster, abrasive jerk with heart of gold. so that's fun.

>build build's AMBITIOUS. the conspiracy/amnesia plot goes deep, and it almost forsakes a monster of the week and all the tropes attached to that entirely. whether it lands the plot is up to debate but at the very least the characters are all very well realized and live. they all struggle with 'who am I' in their personal ways, and the way they clash up against each other (ESPECIALLY the villains) is exciting.

>zi-o another anniversary series.

#kamen rider

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themovieblogonline · 1 day

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SILENCE 2: THE NIGHT OWL BAR SHOOTOUT Review: A Mystery Thriller

Silence 2: The Night Owl Bar Shootout is a new mystery thriller that acts as a sequel to the 2021 Silence… Can You Hear It. However, the sequel has very little, if any connections to the original, so prior viewing is not required. The new thriller has a lot going on, sometimes to its detriment. While the morals and message of the story are well-intentioned, the execution feels overly complicated as it becomes guilty of trying to do too much all at once. Read on for my full Silence 2 review. https://www.youtube.com/watch?v=hNIoC1oNOj8&pp=ygUkc2lsZW5jZSAyIHRoZSBuaWdodCBvd2wgYmFyIHNob290b3V0 Please note that the following Silence 2 review will be completely spoiler-free. The Story Of Silence 2 A grisly multiple murder shooting at a dive bar beckons ACP Avinash Verma (Manoj Bajpayee) to the scene. Even before he arrives, his boss tells him that the shoot-out has to do with a politician’s secretary, and Avinash gets the case to ensure the murders don’t expose anything embarrassing for the government. So when we get the revelation that this is a Red Herring in the plot later on, it’s hardly a surprise, seeing how it was telegraphed from earlier. As Avinash digs deeper, the shoot-out becomes connected to a plethora of other, larger conspiracies involving blackmail, sex, human trafficking, queer victimizing, and many other social issues. It’s almost all too much for the execution to properly handle, so it comes off as a surface-level examination only, without any nuance. While certain aspects of the thriller mystery feel very well written, such as the technical forensic jargon. Which, while maybe a little far-fetched, was no less believable than those CSI TV shows from the early 2000s. More dramatic flair than an attempt at a realistic depiction. Manoj Bajpayee Carries The Movie With A Serviceable Supporting Cast While the story in this Silence 2 review may not be perfect, its lead actor is impeccable. The always-talented Bajpayee is his charming self, committing to every moment and delivering a fine performance. Bajpayee makes a meal out of the material he has to work with, and I wish he had more to do. While the story moves at a moderate pace, enough to keep audiences engaged, it’s almost too focused on its murder mystery plot. We can’t really connect as an audience to Avinash, because we know nothing about his personal life, or who he is outside of his job. Barring one pretty great scene when his daughter checks in on him in his new house. Avinash is clearly lonely and dealing with some things, and I wish the story explored more of his demons and how they affect his work. Similarly, the supporting cast of Silence 2 has some talent included. Avinash’s seemingly second in command is Inspector Bhatia (Prachi Desai), who I’ve been a fan of for a while. However, besides just being another cop on the case, we learn nothing about her personal life. Same with Sahil Vaid, who made a name playing the hero’s sidekick in comedies like Humpty Sharma Ki Dulhania. Seeing him in a more serious crime thriller in Silence 2 was very intriguing, but again, I wish his character had more to do. Silence 2 Movie Review Is Spoiler-Free Ultimately, Silence 2 is an engaging watch that moves along at a pretty decent pace. But the runtime would have been better served if the main characters were fleshed out more, and more screen time given to them, than the myriad of misdirections and seemingly separate plot lines. The writing of the movie is very ambitious as it struggled with a very complex plot with plot twists and threads that, for the most part, work. But the execution of how it all comes together feels too much to take on. For example, there’s a weird Keyser Soze-like montage near the end of act two, but the ultimate climax never connects the efforts of the villains to that scene. Silence 2 is a serviceable watch with friends or in a group setting, especially for Bajpayee whose performance makes up for any lack of writing or execution. Silence 2: The Night Owl Bar Shootout is now streaming on ZEE5. What did you think of Silence 2? Let us know in the comments below. Or follow me on X (formerly Twitter) at @theshahshahid for more Bollywood thoughts.

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dascarecrow · 14 days

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Build The Roster - Injustice 3 (Base Roster Veterans)

Hello everyone and welcome to another build the roster post.

This time we're doing one for a series that is near and dear to my heart. I'm talking about a build the roster for Injustice 3. As a huge fan of DC comics I cannot wait for the next entry in the Injustice series of fighting games so I'm putting together my own dream roster in the meantime.

First off we need to determine the base roster size. Injustice 2 had a jump to 28 baseline fighters from Injustice 1's 24. Now you might think we'll just do another plus 4 add on but we're going to be a little more ambitious than that. We'll be boosting the number up by 8, meaning we'll have a starting roster of 36 fighters going in.

Now we have to decide who will return for the next game and who is getting cut. The guest characters from the last game will naturally not be returning so they're automatically excluded from consideration. So no Hellboy or Ninja Turtles for another go around.

Now onto the selections. We'll be starting with veterans which will consist of...

Batman

Superman

Wonder Woman

Green Lantern

The Flash

Aquaman

Supergirl

Robin

Green Arrow

Black Canary

Cyborg

Firestorm

Harley Quinn

Starfire

And that will do it for veterans from Injustice 2. I know some people will probably not agree with me on this but there is a method to my madness. I'm trying to get the roster a bit less, shall we say "Batman heavy", hence the cutting of the likes of Bane, the Joker and Catwoman. Harley Quinn is sticking around because she's been integral to the story of the games and I don't see DC cutting her from the games for any reason. The "supervillains" from the last game I feel can be cleared away to make room for more new additions, either heroic or villainous. That said we'll also be adding in some veterans from the first Injustice who didn't return for the second one and they will consist of...

Nightwing

I would like to see the multiverse aspect return in the third game and Nightwing would be a perfect inclusion for that.

Raven

We need a magic user in the roster and I'm a Titans fan so she gets to come back.

Lex Luthor

I'd like to see him comeback and this is a game based on DC comics. Resurrection is far from impossible.

Martian Manhunter

I really like the idea of the founding seven of the Justice League all being in the base roster of an Injustice game so he gets to come back.

So far that puts us at a solid 18 fighters, which is half the roster already!

Due to Tumblr's limits in regards to how many images can be uploaded to a single post I will be splitting this Build The Roster into multiple parts. Please see the other posts pertaining to this one to get the full experience.

If done reading this post please go on to the Newcomers post to continue.

#Build The Roster #Injustice #Base Roster

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xcaroldanversx · 3 years

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For what it's worth, the reports that they were casting a 20-30 year old male to play Korvac came after we knew Zawe Ashton was already cast. I kind of suspect her character will be an apparent villain in the first half of the movie that switches sides (maybe hunting Michael?). One and done villains are usually more high-profile names.

Thank you for this you have given me hope 💕

I’m excited to see Korvac because he is one of the few characters to actually unnerve me (Sentry for some reason also terrifies me. The first comic i ever bought had him killing 2 gods).

I’m not sure if secret invasion will wrap itself up or will it lead into more Skrulls into The Marvels, but maybe Zawe could play Veranke/spider-woman? But as Sony has some control of that character idk who decides casting. I think disney got to decide on Tom for Spider-Man tho.

@dalenthas (hope you don’t mind the tag) suggested maybe Deathbird and I’d love to see a classic villain like that. I feel though marvel will keep this under wraps as long as possible, like they did with Yon-Rogg

#personal #captain marvel #thank you so much anon!#the marvels #it would be ambitious to have multiple villains like how do you get time for that when dealing with the likes of Korvac #I feel he’d be able to wipe thanos

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volot · 2 years

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what got you to pick up volo as a muse? :)

› ❝ munday questions.

thought he was a very beautiful man and much like a man from the victorian days of olde i simply could not tear my eyes away from such temptation... like the sight of a bare ankle on mid-summer's morn.

okay but more seriously.

i started getting vibes from volo the minute he dropped in the character trailer, right? i read his description on the website and thought to myself 'oh, hmm, he's curious about people and things...? seems to follow you where ever you go? very suspicious. it reminds me of colress. wonder if they'll do a second coming of that.', but i left it alone because i decided, well, let's see how the game handles him. it could be a fluke and a red herring, he is cynthia's ancestor, for as much as that sets up the possibility that cynthia's ancestor might be fucked up.

fast-forward. i don't think about him again until the pla leaks start surfacing. the leak of That Famous Scene drops, as well as the script, and my jaw is on the floor. i immediately run to my friends and start going off about how the madmen actually did it. i don't use the term brainrot too loosely, but i mean it when i say like i could not stop thinking about volo for hours and days upon days. when the video dropped of the mt. coronet confrontation, i watched it multiple times until it got removed. like, i couldn't stop thinking about this stupid yellow komaeda anime man. i was so fascinated and pulled in by his motivations, i was so enamored with his whole ordeal of being like that.

i love characters who are too curious to the point of self-destruction, and lead to live a cautionary tale. i love characters with heavy religious themery and complicated relationships with religious figures in their lives. i love characters who are ruthlessly ambitious and will do whatever is necessary to ensure their goals, and who don't give up when they've been beaten down. i love characters who are manipulative and surprise you by getting you in the back, and a twist villain that at least i think, personally, is good, because they really play upon the trust you're meant to have in a cynthia-esque figure because of gen 4 nostalgia. i love a good villain/antagonist who has just reasons and is tragic, but they don't get woobified and magically changed at the end, who have good reasons for doing what they do but the execution is horrible. i love characters who are full of grief and rage at the world and channel it in the worst possible ways.

he's very much a cocktail of my favorite things in a character, and someone i knew i would have such a blast exploring and writing and figuring out on paper. he's a very easy muse for me, both in voice and thoughts, aside from how i pick at my brain constantly to try and decide which headcanons i like most for him. he's just very fun!! i enjoy him, and i knew i could at least do an okay enough job at writing someone like him, so here i am.

#ooc.#asks.#prompt: munday questions #reconductor #i couldnt leave this as just the joke answer i felt too bad im sorry #long post

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kaypeace21 · 3 years

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Analyzing the 5 plays in this drama club poster .From the bts pics of stranger things 4.

So... some of ya’ll know I'm going through the st s4 films given to us by the official st twitter + the films reffed in the show itself or mentioned by the Duffers in interviews .

So I decided to look at the plays mentioned here. Because even if we don't see the monologues in the show directly - the Duffers wouldn't name drop anything unless it inspired them in some way. Similar to films name dropped in the show. Tw : for some dark themes .

This is just a quick little analysis I decided to do since we probably won't get any new st content today (3/22). Nothing too deep. Just mentioning things that caught my interest especially cause these plays have a lot of narrative connections to the st s4 movies I've been watching.

Invitation to a march (Authur laurents)

Reminds me of the stancy/jancy love triangle. "A young woman is having second thoughts about doing the right thing and marrying a respectable , rich, kind, young man with good prospects.By way of a prewedding diversion, this woman becomes interested in the passionate but poor and entirely unsuitable son of a local landlord.Basically, the plot concerns the efforts of Norma Brown to choose between a conventional fiance who "puts her to sleep" but is wealthy (like what her own mother did) or go for this new-poor guy. The play is principally interested in how this youthful love triangle affects the three mothers involved (whether the kids like it or not)

12th night (Shakespeare)

- viola (el) wrongly assumes a family member (hopper) is dead. She dresses up as a man named 'cesario'. A girl named Olivia falls for 'cesario' (violet dressed as a man). "Finally, when 'Cesario' and Sebastian (violet's twin brother: assumed to have drowned - Will) appear in the presence of Olivia there is more wonder and confusion at their physical similarity. Taking Sebastian for 'Cesario', Olivia asks him to marry her, and they are secretly married in a church. Cough if Olivia is 'straight' cause she fell for Viola (as a doppleganger dressed like her twin brother).Mike being into el who multiple characters in s1 said looked like a boy and specifically like Will is...suspish and a hint he's not straight lol. just like Olivia they're both into guys . plus, this play just has a butt load of love triangles (ugh i hated that aspect). There was also romantically coded letters (which was in the s4 films) . One character is also thrown into an insane asylum and framed as 'insane'.'Pretending that Malvolio is insane, they lock him up in a dark chamber. Feste visits him to mock his insanity'. We all know the psych hospital will be narratively important- talked about it more here.

The seagull (Anton Chekhov-russian)

similar to how I believed s4 will show m*#even already broken up since the months between s3-4 : act 3 (s3) ends with Nina begging for one last chance to be with Trigorin before he leaves/moves away. They kiss and make plans to meet again in Moscow.And in act 4 there's a timeskip where it shows they've been broken up for a long time between acts- and its established they never actually loved eachother. Do i even have to spell out why this parallels the m*#even ending in s3? There is also a play within the play (this is common in a lot of the st films- they have plays- or a story within a story- which illustrate certain themes or emotions of the characters within said film : blackswan, children of paradise, highschool musical, Rushmore, book of Henry, welcome to marwen, never ending story, romancing the stone, wet hot American summer, etc).The play is Konstantin's latest attempt at creating a dense symbolist work. There is also alot of love triangles in the seagull. TW!: for se#ual ab*se/su*cidal thoughts/ inc*st (here and in other play segments). The seagull motif reminds me a lot of Jonathan's rabbit story.Konstantin romantically into Nina shows up to give her a gull that he has shot. Nina is confused and horrified . Trigorin sees the gull that Konstantin has shot and muses to Nina on how he could use it as a subject for a short story: "The plot for the short story: a young girl lives all her life on the shore of a lake. She loves the lake, like a gull, and she's happy and free, like a gull. But a man arrives by chance, and when he sees her, he destroys her, out of sheer boredom. Like this gull." This immediately reminded me of jon's rabbit story and some of the movies on the s4 list . Like in forrest gump- Jenny (who is poor) was se*ually ab*sed as a very young girl by her father. As a child she runs away into a field-away from her alcoholic father yelling at her -there she prays that she can "be a bird so I can fly far far away" .

Jenny as an adult struggles with this unresolved trauma- being with ab*sive partners, doing dr*gs, and having su*cidal thoughts . She as an adult when contemplating su*icide, jokes 'you think i can fly like a bird ?' while looking down at a bridge.God-i'm worried about jonathan (Jenny was also a musician sort of like jon). In another s4 movie example ' mystic river ' :(in the 80s) a preteen baseball playing boy is r*ped by men in the woods. He later says he wishes he could become an undead monster to not feel the pain of that experience - cause quote " if I'm not human anymore maybe the pain will stop" (Will) . slightly off topic but he also has another personality, imagines a alternate word that dissappears when he turns his head. And as a less direct animal parallel to the play - the boy from the film also imagined his perpetrators as monsters and wolves to cope.In 'getout' the photographer character sees a dead deer in the woods and it represents a parent/his own childhood tra*ma relating to his past. similarly in 'prince of tides' the 2 siblings as kids were ra*ed by men. The older brother remembered it and the younger sibling developed DID (so didn't remember but she would draw wolves- as the perpetrators/villains in her picture stories she created . In the film they also had an ab*sive dad and were very poor. She also tried k*ling herself multiple times-but started to get better after remembering the source of her pain and trauma. There is also the theme of multiple attempted su*cides in the play- and the play ends with yet another attempt- and the audience is left unaware of the artist's fate at the end of the play.

The tempest (Shakespeare)

Prospereo - (the perceived antagonist) is a wizard with monstrous looks, storm powers , and ability to create monster-dogs

He wants revenge on a man who tried ra*ing his family member & revenge on his other family member who wronged him years ago. I mean... pretty much my did theory.But in the end.Prospero decides to show his enemies the mercy that they did not show him twelve years earlier. He tells Ariel to bring the men to him, he will restore their sanity and then renounce magic forever.Prospero breaks the spell that the men are under .

Diary of a scoundrel (Alexander Ostrovsky-Russian)

- I suppose this could loosely relate to Jonathan? Glumov, is a young man from an impoverished family lacking status seeking entrance into society's pampered class. A 19th-century Russian scoundrel must scheme his way out of his meager life in a small apartment -whatever it takes.He has a quick mind and some talent for seeing through the hypocrisies of people around him ( Jonathan does make a lot of social critiques about society). That gives him some advantages. A tale of one man's mission to finagle his way into upper-class society and find a cushy job. Set in 1874, this social comedy follows Glumov, a Russian youth who begins his ambitious ascent to social esteem. He progresses by wit, guile and rhetoric. Pitting one stupid person against another, he soon gains his ends. To reach these goals, Glumov will lie, flatter, and cater to the vanities of the wealthy. Unable to contain his disgust with his victims, Glumov decides to relieve his unvoiced satirical comments by recording his schemes in a diary. But he is tripped up by his uncle's wife, to whom he has made passionate love on his way to success. At the end of the play, his diary is stolen and his duplicity exposed, but he can nevertheless suceeds. The author is much more critical about the high society itself than about the main character, so the play keeps attracting generations of directors by opening possibilities for political criticism while also avoiding naming names of the current rulers.The play's aim was to overthrow bourgeois tradition and establish a class-conscious art called eccentricism giving a deliberately comic portrayal of reality.

I suppose I notice some possible commonalities- besides s3 critiquing the wealthy/capitalism in comedic ways . jonathan since s1 has worried about his family's finances / had some resentment toward the rich . In some of the s4 movies ‘orphan’ & ‘ girl interrupted’ someone reads their diary out loud to get at them (in girl interrupted the winona character’s diary even had critiques of her new friends). Alot of movies also have someone (usually a teen/young adult) making a documentary about their life -which could narratively replace said diary? A few movies have a poor guy adjusting to snobby rich social circles (or being poor and then getting money)- titanic, kingsmen, karate kid, the craft , godfather, wardogs,into the spiderverse,flashdance, and many others . And movies like wardogs has a poor-young-character do shady things to finacially support his family . There’s also that whole uncle’s wife thing- which makes me uncomfortable for obvious reasons (but I’m just thinking of Lonnie’s creepy gf who was into him). A few movies had the guy’s step mom innappropriately hit on him- orange county & you got mail. And him trying to avoid her advances. Or...not to mention ... it may be a problematic coincidence /trope. But in enter the void -the guy who needs to finacially support his sibling/ does dr*gs -hooks up with his dr*g dealing friend’s married mom (who would give him money). Or in gilbert grape- the poor teen-who has to finacially support his siblings/single mom-has his endgame relationship be a girl his own age. But before that he h*oked up with a married woman -who would give him money. Don’s plum -young film guy-propositioned by older female film director (for dream job). Not even mentioning the other films that have the guy hooking up with toxic older women (like ‘the graduate’). Or analyze this-where the therapist accuses him of having an Oedipus complex (not touching that one... but the guy in ‘enter the void’ a 100% had one). It’s possible those movies were just- inspo for s3? A coincidence? Or s3 was foreshadowing for this in s4- but unlike s3 it will accurately be played as wrong and a sign of Jonathan recreating past tra*ma caused by Lonnie (cough like the photos) /being desperate for money. And not played ‘comedically’ like how it mostly was in s3. But shown as self destructive (for Jon) and immoral on the Woman’s end. Like... Billy and Jon are character foils. Both are older siblings into rock music, with ab*sive dads who shoved them into walls. Both lose it (and beat steve to a pulp when Steve accidentally triggers their daddy issues). In s3 it’s established womanizer Billy has mommy issues, than he tries ho*king up with someone his mom’s age, and the characters ref ‘back to the future ‘ and Steve incorrectly says it’s about “alex p keaton trying to bang his mom.” This could illustrate his subconscious issues with parental figures/adults cause of Lonnie’s possible past se*ual ab*se . One film the friend even says to the guy “you don’t have friends!” guy b: i have friends! him: no you have acquaintances! ADMIT IT! YOU’RE AFRAID OF MEN!I mean-Jonathan liked Nancy- but he initially hooked up with her cause he wanted to prove he didn’t have ‘trust issues’ from his dad. Also it’s prob a bit of a reach (and maybe a coincidence)- but the fact Murray in the same breath compares Steve (Nancy’s then bf) and Lonnie ... uh... if you think too long about it ... it’s very sinister . Especially because in s3: muray tells Joyce that despite her wanting to be with a nice guy, she’s curious about “the brute” Hopper despite him reminding her of a past “bad relationship”(aka Lonnie). Like- yeah connect some dots. Quite a few films (other than forrest gump) also have the character who (as a kid) was r*ped by their dad/parent- begin to do dr*gs/be pr*miscuous as adults since they never learned to properly cope with their trauma (’girl with the dragon tattoo’, ‘black swan’, and ‘magnolia’). Unfortunately the whole relative doing such things to kid-relatives is in at least 30+ movies.

Personally, i would be MUCH happier if Jon had a age appropriate romance- and had not a single creepy adult near him. A few movies actually imply Lonnie gets yet another ‘new model’ replacing his gf in her 20s with a new gf- who is ‘barely l*gal” and just turned 18. so there’s that possibility as well- that she’s jonathan’s age.I just want Jonathan-happy &safe. GOD. IS THAT TOO MUCH TO ASK?

#byler #byeler #will byers #mike wheeler #Jonathan byers #nancy wheeler #joyce byers #jim hopper #murray bauman #stranger things #el hopper #s4 theory #stranger things theory

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niniane17 · 3 years

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This is an answer to @lives4lovesworld 's question on my Stannis vs Dany's meta:

(Sorry for the screenshot, but I'm on my phone with no access to the laptop)

In my experience, that happens very often with Daenerys. There is a huge, huge tendency in the fandom to take things away from her and give them to other characters. I've lost the count of how many times I saw metas/speculations/fanfictions which are basically "what if X had Dany's plotline?".

Setting aside the (depressingly widespread) misogyny that motivates this tendency, I think it all comes down to the fact that, whether we like it or not, Daenerys is the hero of the story. She is tied to most of ASOIAF's themes, if not all: war vs peace, ruling vs conquering, hard power vs soft power, the intersection of gender and class, free will vs biological destiny, abusive family dynamics, politics, money and, of course, magic and prophecies.

(Lol that looks like a laundry list of dark AO3 tags)

Most of the time they don't even realize they are giving Dany's plotline to other characters: they just want their faves or even their OC/self-inserts to be special, and to be special in the ASOIAF world means to be more like Daenerys, to have the same things she does. And, you know, I understand it. Not everyone has to like the things I do! If some readers think that it would be a better story if, say, Arya, Young Griff or Robert's hypothetical trueborn son were Azor Ahai, more power to them.

What I don't understand is instisting that Daenerys' story line is irrelevant at best or evil at worst, and that either way she is bound to die to make things smoother for other characters. This is like writing a "Neville Longbottom is the Boy Who Lived AU" but claiming that, in canon, Harry is not the Boy who Lived or he is secretly Voldemort. It just doesn't make sense to me.

As for Stannis vs Daenerys specifically, I think it's because a lot of people identify with Stannis and his awkwardness, and want him to win. In his own way, Stannis is also a subversion, given that he's a good Macbeth who sincerely thinks he's doing the best for Westeros and who doesn't push his claim out of ambition but rather a sense of duty. I do feel personal reasons of disappointment towards his brother do play a role in all this as well (see whole "I am the messiah of a foreign religion because this woman says so" thing. I mean, that is definitely an emotional decision), but he certainly isn't a greedy, ambitious bastard. In fact, he is right when he says he is the legitimate heir of the Baratheon line.

That is bound to reasonate with readers, and create interest, for multiple reasons. I suspect that a non-insignificant part of his fandom just want to see the Macbeth trope subverted, which I absolutely get. I myself consider Daenerys as the subversion of a very (in)famous trope: the pyromaniac madwoman, a concept so prevalent that is embodied by the books' main female villain.

Ultimately, though, I believe Stannis is a sympathetic but straightforward example of the tragic hero turned villain. There is a lot of beauty in this idea, however, and I suspect this is why they give his story line to Daenerys. This way, she gets to be the protagonist AND the villain, which I admit it's better than making her discount Cersei or discount Aerys.

While I don't recommend reading ASOIAF solely in terms of "which trope is going to be subverted" (this is how you get crazy stuff like Political!Jon), I do think that, when it comes to the Dany-Stannis conflict, it's indeed a question of whose story is a subversion and why, at least partially. In my opinion, Daenerys represents something far more important, and her story needs to end in a non-tragic way to have some meaning at all. Not because "women need role models in fantasy!" (and what's wrong with that, anyway? So many men take Aragorn or Luke Skywalker as role models and nobody makes fun of them) but because narratively, thematically, even artistically it has to.

What would be ASOIAF if Daenerys, the fire of Ice and Fire, ended up dying a tragic villain, consumed by madness? A tale told by an idiot, full of sound and fury, signifying nothing.

In my opinion, this is the perfect description of Game of Thrones' finale.

#asoiaf #anti got #daenerys targaryen #stannis baratheon #macbeth #i'm very invested in stannis as macbeth #even the show couldn't screw that up so abysmally

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unbentunbowedunsnaped · 2 years

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For the Snape asks: 8, 39, 48! 💖

Thanks for the asks!! <3

8) If you had to assign Snape to a house, which one would it be?

I think he has qualities from all four houses but I would probably put him in Slytherin. He is definitely cunning, shrewd and ambitious but I think these take a back seat in the book because he is so focused on his mission. If I had to sort him into another house I would say Ravenclaw because he clearly loves learning and is very creative with his knowledge.

39) How do you think Snape spent his early childhood days?

I think he escaped the house whenever he could really, given his situation at home. I do believe that as a young child he had a fairly close relationship with Eileen, given how much he seems to know about the Wizarding World when he talks to Lily, but that relationship became more distant as he went to Hogwarts. He still cared for her though hence the Half Blood Prince alias, and I think in later life he understood why she was more distant.

Once he met Lily I think he tried to spend as much time with her as possible, simply because she was genuinely nice to him so she was an escape for him in a way. I imagine he spent a fair bit of time with the Evanses or just playing outside and making "potions" @snonions-and-cream has a glorious comic/drawing of Severus and Lily making potions which is exactly how I imagine them!

48) Did you feel Snape was the "good guy" even before the reveal?

I definitely remember thinking certain things didn't add up and that he wasn't simply Voldemort's right hand man. The bit in the "Flight of the Prince" where he yells "DON'T CALL ME COWARD" really made me think something else was going on. That is not a normal reaction for someone who has supposedly killed the ultimate enemy of the Death Eaters. Also besides the Malfoy family he never really appeared to like anyone who was on Voldemort's side? He clearly hates Bellatrix, didn't seem bothered by Barty Junior getting kissed and just seemed to have a general distaste for the other DE he interacts with. That and the fact that HBP was so obviously trying to frame Severus as the villain that he simply couldn't be in my opinion :p. (not to mention the multiple times he saved Harry/helped the Light)

#severus snape #severus snape meta #snape meta #pro snape #harry james potter #lily potter #harry potter books #half blood prince #eileen prince #Lily Evans

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dreamteamfanblog · 3 years

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The fact that even the Dream Smp Wiki acknowledges the founding of The Badlands as the festival without acknowledging the stream where Skeppy and Bad literally formed the Badlands (they even named it that stream) way before the festival. Which. Is a shame. Because I really like that stream. Bad's assertion that "The Only Important Side's Skeppy's Side", the way they giggled and reveled in their plans as they discussed how "Maybe the most amount of fun we can have is the chaotic kinda fun~", and I kinda got chills during that giddy "We play the sides against each other and take it all for ourselves!" speech. Like. Man. I remember getting so psyched over that stream and all-caps screaming about how cool it was.

So it's kinda sad to me that nobody seems to know about that stream. Like, it's nothing new, there were hardly any posts whatsoever about it when it happened and literally every time I mentioned that they were going on a villain arc I got multiple confused comments and questions. Then everyone seemed confused about whether Skeppy was even a member for the longest time and even when he was included it was "under the assumption that he's teamed with bad cause in what world aren't they teamed lol" rather than because Skeppy and Bad literally planned their little team together long before other members were even a thought in their minds, and it surely speaks to their characters, that Bad so easily proclaimed Skeppy's side the only one that mattered and slid his idea by Skeppy as an equal before he even thought of a plan, before he even thought of a name, something they did together.

And like, I just clicked on The Badlands wiki page for unrelated reasons, and even that page lists The Festival as the start of The Badlands and lists Bad, Ant, and Awesamdude as the founders even though Bad and Skeppy had formed their own little faction they called The Badlands with just the two of them long before the others entered because the two of them are all that matters to them, really, and in what world does Bad while in his right mind launch such an ambitious project without his Skeppy already by his side.

"The only faction that matters is the Skeppy faction"

The Badlands was their plan, their faction, created with so much giddiness and excitement by the two of them for the two of them, for each other, with the idea in mind that this was all that mattered, whatever else came from their little scheme.

And I just really really like that whole stream. I really like how thoroughly it displays that nothing really matters to them besides each other. I really loved their energy and their giddy excitement and affection throughout the planning with one another was in equal parts a further reminder of how much they matter to each other and an indicator of how disconnected their emotions are from the world outside each other. They agreed to do this for the fun of it. Not even a hunger for power, not some sort of resentment, not as well intentioned extremists, not for any reason but that this is the most amount of Fun we can get out of all this. As if the lives of other people were a game to toy with. As if they lacked empathy entirely for the people their "fun" may hurt. As if they could only see each other.

And god i've been sitting here including this stream as a peak moment for them both and including this in my thoughts on the Badlands dynamic generally because hey, doesn't it strike anyone as odd that Bad and Skeppy were whispering and giggling about how much fun they were going to have and openly discussing plans and expressing a complete lack of care for like Anyone else because as Bad outright said there's not really a thing outside of Skeppy that matters to him in the slightest, and that goes both ways....and yet when Bad approached Sam and Ant it was under the pretenses of solidarity, of 'outrage' over the festival and how Schlatt had gone too far, not a word to them about how the little world domination scheme and The Badlands as a faction long predated this conversation and the moment in which Schlatt took things 'too far'. Isn't it odd that none of this is mentioned to them. That Bad presents this idea as if he and Skeppy hadn't already formed not only the faction but the plans to facilitate conflict and snatch whatever they wanted out of the ruins? That he wasn't chattering away about the Fun they'd have when he proposed the idea to them? That he let them believe they were forming a new group on the spot in reaction to Schlatt? I don't even really think Bad let them in on the plan until a few days before the war despite having planned this all out with Skeppy only days after the election? That Bad let them take for granted their position as neutrals, and then as supporters of Pogtopia, only informing Ant and Sam of what had been the plan since before they'd joined the faction a few days before the event? And even then, he spoke of power, and of how they couldn't possibly stand in support of either faction after everything. He never spoke of the fact that this started as a little game. Because Bad was bored and didn't much mind what entertaining himself through chaos and bloodshed would lead to for others, so long as he maintained Skeppy's favour. Which is something Bad didn't relay to the others.

And looking at the way Bad treats their 'rise to power' for so long, it's all incredibly in line with his little game. I mean, half the time he's not even optimizing strategy here. He doesn't tell Ant or Sam his plans until it's happening, he suggests alliances and pulls away from them with ease given no real rhyme or reason, he abandons threads shortly after he pulls them and leaves a tangled mess of yarn on the floor rather than weaving together any truly effective plan, he negotiates for things he knows he can't get and never seems to bothered when it doesn't pan out, he's never entirely honest with Ant and Sam, even, if i'm being honest. He pushes for land and power and all, that's something he makes moves towards, and is something he's honestly really effective at getting, but it's all regarding so lightly. Like he doesn't care. Like it's all so much fun, just like he and Skeppy had planned for it to be.

And Bad literally continues to not care about much of anything and is very much amused by the goings on of the Smp.

Until he loses the one thing team that actually mattered.

Skeppy's team.

And I mean, yeah, the egg's influencing Bad right now, but the egg isn't actually complete mind control, and the things Bad does are still things he's choosing to do. His attempts to harm Sam. Puffy. Quackity. Everyone who'd ever considered themselves close to him. The way he spoke of power. Of taking over. Of a future for the eggpire, something those around him bought into, even those who believed him powerhungry and mad. Plans much like the ones he'd spun for Ant and Sam a million times before, even without the egg. Plans that were still no more important to him than they'd been during his little games earlier on, because Bad didn't intend to take power for the Eggpire, Bad intended to toss whatever the egg wanted at it and would be glad to sit in the ruins of whatever the egg left behind with Skeppy at his side.

The egg arc is all about Skeppy. He allowed himself to be infected to be with Skeppy, he's chosen to do all of these horrific things to his friends and to innocents and to children without hesitation for Skeppy, the only thing Quackity ever said that had him take pause was when he asked "if the egg can give you anything you want, why don't you have skeppy", the closest Bad's been recently to defying the egg was when Skeppy brushed him aside for it at which Bad lashed out at the egg, Bad insists that the egg will give him something nobody else could. Skeppy's his focus. His center. The only thing that matters.

And Skeppy's ALWAYS been.

Like, god, these things aren't new. The fixation on only Skeppy mattering, the lack of concern for everything else, the willingness to deceive and hurt even those who love him, this was all established in that very first stream when Bad proclaimed Skeppy to be the only side that mattered and they chattered enthusiastically about faction names and the fun they'd have at the expense of anyone and everyone else. This has been A Thing since the moment Bad actually like...became a character at all way back right after the election when he proposed a faction for the two of them. They planned then to recruit others as well, but the faction was there's, the faction was them, no person, no goal, no moral code, none of it was as important as their duo, their bubble, the badlands is Bad's show for Skeppy's amusement and the other people involved are glorified sock puppets who think they're special or that they matter. Nothing in Bad's motives or even really his morality or feelings towards other people has shifted much. It's always been Skeppy. Skeppy, Bad's own heart. Skeppy, Bad's life. The one thing that matters. The only thing that's changed is that before Bad was smiling, setting the world ablaze to see the way the light would reflect off Skeppy's eyes while they laughed about it, and now his Skeppy's gone, and I can guarantee nothings going to stop Bad from burning the rest of the world to the ground if it means getting him back. No other motivator, moral code, or loved one will stop him. Because there aren't any. Because there never were any to begin with. There was never anything besides Skeppy.

And that's just Really Cool and I feel like a lot of their story is at least slightly recontextualized by knowing how The Badlands were actually formed and it makes me sad how little it's thought of that from the beginning it was Skeppy and Bad and nothing else meant a thing. Cause that's a really unique situation with their characters and I need The Badlands being Skeppy and Bad's thing first and foremost above all else acknowledged more often cause it was them from the beginning guys-

#dream smp

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magnetothehedgehog · 3 years

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Dimension’s Ridge Announcement!

Hi everyone, With all the rise in Sonic media and the great releases coming up, such as The New sonic game in 2022,the sonic movie 2, sonic prime, and literally anything Idw has been releasing including their new side series “Imposter syndrome”, I am challenged to up my game and release information on my long running project in the works. Especially Since sonic prime and Idw is literally gonna blow out all the spoilers before I do if I don't start releasing stuff first. Since its been happening constantly, I gotta be a step ahead.

So, without further ado, I introduce you to the World of Dimension's Ridge.

Dimensions Ridge is My personal Alternate Universe that seeks to combine all aspects of sonic media. In fact, its super similar to the upcoming Sonic prime, archie and Idw Comics in this regard, with it possibly being a bit more ambitious, or at least equally as ambitious as Idw.

The Series will follow a number of favorite canon and non canon characters alike, but will also their universal counterparts and alternate universe selves.

The Main overarching plot line is that a Existence level Threat is putting everything in jepoardy. This Creature Known as an Existence Eater spreads its influence to a planet by releasing its minions into it, then after enough time, it comes to absorb the planet, thus erasing it from existence entirely, as if it had never been there in the first place. This has been happening for quite a while, until a few people caught onto it. They began leaving messages and warnings to others in a attempt to save them.

Being an existence level threat, this will take the combined effort of every Version of Sonic,Tails,Sally, Eggman and everyone else if they want anything to be left in the multi-verse. This Story is about how they all come together to do just that.

However that is the main plot. The story follows many minor or sub plotlines and stories that all connect and weave into this ultimate narrative. For Stories featuring Sonic and friends, Stories start off in the classic area and work their way into the modern area as the characters develop and mature, so we get to see and live their journey alongside them. For older characters and parents, I wanted them to have a more staple involvement in the series, even if only at the beginning. Their Adventures as the World slowly slips into chaos can be read in War on Mobius.

While there are Prequels to the beginning of the story, such as the “Rift War.”, the main storylines that kicks off all the other starts is one of my current productions “War on Mobius.”This follows the economical and political collapse following the Recent End of The Rift War and begins the Egg Empire's rise to Power.I would like to mention that The Egg Empire Now consists of the collective versions of Eggman all working together as a family. Egg Fam for short. But we have Great additions such as boom eggman, Ova Eggman, Aosth Eggman, Satam Eggman, Russian Eggman,Eggette, and a few custom additions such as Omelette and Scramble.

Things That happen in War on Mobius will be seen effecting or influencing the states of things in my Classic Era Story “Classic adventures.” and others ones such as “The Freedom Fighters.”

Alongside canon appearances of less known or scrapped characters and designs, such as Tiara and Honey the Cat, Readers can expect appearances of my own characters, both as counterparts to main characters, and also as people who drive the story forward and show interesting and dynamic opinions of their changing world. A few Such ones would be “Tribal Ties” Focusing on the Tribes of Echidnas, Bayblonians and Pangolins Tribes, all of which play a part not only in Mobius history, but also will play a vital part in its future.

After Classic adventures, comes one of my long running claims to fame and a personal favorite of mine from my early script writing days. Zone Runners. This takes place after the Events of Classic adventures and as the world has been influenced by the political unrest in War on Mobius. It follows the Group of People on the East Side of the World as they try to fight back against the Egg Empire, Newly risen Oscillators Group, and The Very lack of Sonic and Freedom Fighter there. This series will also begin unraveling some of the mysteries behind the existence eater and the ultimate narrative. Originally this concept came from the Fleetway comics, and ever since I've been completely inspired to incorporate this into my own series. If anyone was ever on Sonic Amino, they might have seen me post things related to it back in the day.

I also wish to be a more character focused series as a whole, one who focuses on the people collectively as opposed to just Sonic himself. I want it to as if each character us actually a main character and can save the day, and that the day is only won because everyone has done their part, whether powerful or powerless.

To that End, I have many characters stories intertwine, or lead to one another. Some characters will have branching off stories, while others will be closely intertwined, and always interact with each other, regardless of who the story is currently focusing on.

A few I'd like to notable mention is, Shadow's Ark, Silvers Sanctuary, and Heir of Sol. Focusing on the characters Shadow, Silver, And Blaze Respectively.

While I have a lot of other Titles for the stories respectively, I'd just to touch on a few more before I close.

Worlds collide finally answers the question in sonic media about two planets and the dimensional connundrum of sonic rush and sonic 06. While also bringing together multiple characters who were on their own paths, for the collected purpose of setting up how everyone will be needed much later.

Dimension Forces is, a reimagined Version of Sonic Forces, including a whole new team of villains to take on the heroes from our prior stories. I call them: Forever Force. The Main Three Hitters Being the Villains Infinite, Eternity, And Enigma. In this Story we'll get to see Whispers team in action, and also get to see new stories involving Gadget and His Brother Widget, and a host of other rising heroes soldiers and returning cast members.

I also had this Idea that the wisps were able to use their abilities on their own, except in smaller weaker versions then when they had a mobians help.Thus you could call in drill air strikes and other things to help you in battle, and the flew alongside you rather than in containers. I had these idea way long ago, but what do you know Idw beat me to the punch again in rise of the wisps. However I would just like to say before they do it too, that I had the idea of the wisps combining their powers, as if anyone played Sonic simulator, you would know you can actually combine wisp powers. If its the same type, its twice as strong with a bonus effect. If its different, you can combine the strengths of two different powers. Think how eggman used cube with laser in the boss nega wisp armor.

Speaking of Sonic Simulator! Thats another Story I have plans for. Following alongside the events of Sonic colors, Sonic simulator follows the group of hedgehogs abducted from Mobius and sent to eggman's interstellar amusement park as part of an organic experiment to take out sonic. Suggested by The Leader of the Oscillators, These hedgehogs will now have to work together to prove their worth to Eggman and as worthy adversaries of Sonic! But what of their past memories? What will happen if they remember? And if they do, can they escape? Find out! Also its follow up story leads to sonic lost world.

I'd also like to talk about the Idw Verse Mini series I have been working on! Getting Art from the Talented CatRage and getting to voice my Ideas to My Friends as well as My sister, I present my own Miniseries! Mimic's misadventures!

This story takes place between the events of Idw's Bad guys, and follows mimic's operations and struggles as he tries to complete his missions, and deal with people of similar caliber to himself. Will this mercenary manipulate his way easily out of another situation? Or has the Octopus finally met the one group who will send him back to the ocean? Find out!

Currently, this miniseries has 5 canon issues and one undecided.

1.Ghost Of The North.

2.Into the Spiders Nest

3.Hunt is on

4.Jaws of a Predator

5.Belly of the Beast

undecided: 6.Seaside Escapade.

Currently I am writing the script for Part 1 of Ghost of the North and hope to finish up the Audio drama reading for it soon.

So this is all the stuff I've had in production for the past few years! Along with my co writer Pinky heart.

Please, Please! Reblog or retweet this. It would mean the world to me. Also please! Ask as many questions as you'd like. I'll answer as many as I can, and would love to hear everyone's thoughts and opinions, as well as questions and inquires involving the series.

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