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#it was still really cool though
quarklynx · 9 months
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I DID IT! I successfully streamed to twitch for the first time, I'm a pro gamer now
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raveartts · 3 months
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gonna take a break and make another sketch page later :3
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thatkoiboi · 7 months
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Sleepovers with April are the best! ...and normally accidental-
omg also i binge read dandy's "i may be invisible, but i still look good" and the reference is random but i needed it cause it was funny in the fic and references are my data collection-
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tubbytarchia · 2 months
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@mcyt-yuri-week Day 5, Rose/Thorns I never stop thinking about SL episode 8 never ever
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micfool · 9 months
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My god, the idiot is actually going through with his ill thought out idea of "x the everything app"
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For those that don't know, here's a little bit of context:
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sskk-manifesto · 30 days
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Btw friendly reminder that the anime cut the scene where after jumping off the sinking ship Mitchell and Hawthorne encountered James L. - the Guild's top-level's secretary that the pm killed at the end of season 1 -... Only to find out it was actually his corpse standing tall, eviscerated and filled with lemon bombs, complete with graphic depiction of his face splitting open and lemon bombs rolling off it
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ophernelia · 4 days
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@imogencrnza: it was hard getting them all to behave for a picture.
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skitskatdacat63 · 8 months
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2009 Abu Dhabi Grand Prix - Sebastian Vettel(ft. Mark Webber & Jenson Button)
#fantastic podium!! maybe my favorite of this season?????#sebmarkson podiums are my fav ever nothing can top them#and both mark and jense were being so cute with seb this race aaaahhhhhhh <333333#theres something about seb that makes older men want to cuddle him and pick him up and pour champagne on him#haha thank you to dru for showing me seb getting drenched on this podium a few weeks and making me hype for this race!!#this race was very very good as well. like the last laps battle btwn mark and jense was insane#its very good when i already know the results of a race but the racing still makes me sit on the edge of my seat and scream a bit#i mentioned this before but i love how this race felt like an epilogue and it was nice to see everyone having fun and enjoying themseles#thank you everybody for joining me on another season journey!!! it been so much fun. ive really really enjoyed 2009#brawn is just soooooo cool to me. their story is insane!! im glad ive gotten to watch thru this season before the docu abt them comes out#but also very fun to see the beginning of rbr getting to the top of the field. every good result just felt so rewarding and worth it#anyways dont wanna do too much commentary abt it since ive discussed it a lot. onto 2010 next!!!! i shall miss you 2009#though i will say. it was rly interesting in this race to hear their team predictions for next season bcs a lot of it doesnt pan out#mark webber#jenson button#sebastian vettel#sebson#martian#sebmark#f1#formula 1#formula one#we do a little bit of f1#2009 abu dhabi gp
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not-equippedforthis · 3 months
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really love characters who have varied panic responses. kirk stating himself that he does not panic outright, externally, not in high-stress dangerous situations, but instead becomes tense and level like a wound string, on-guard: mostly because his role as captain necessitates that he maintain level rationality even when facing potential death as his training as 'the guy who tells you what to do when shit hits the fan' requires, but also because his childhood experiences taught him early that drowning in the desperate haziness of panic won't help you survive. especially as kirk already follows his intuition so deeply. he learned to grasp and contort the feeling. spock is the main person who represses his emotions, of course, but kirk does it to those deep-set, personal ones (this includes how he doesn't reveal anything truly personal about himself willingly 90% of the time, only what others already know/shallow anecdotes) in a much more subtle way that's really interesting to me. certified expert at avoiding the subject as long as he isnt caught out on the lie. professional bluffer.
in terms of past or parents we dont know much!!! hes known as the heart-on-his-sleeve guy!!! like yes he yells, he gets irritated, excited, hes a whirlwind of quick-thinking and plans and intuition, he goes out of his way to connect with his crew and shows it, when he puts on a little act or bluff he puts his heart into it and clearly enjoys the dramatics so much, at times he wears his heart on his sleeve, he laughs openly and is honest to spock about what he means to him, he's very sun-coded to me in a burning, passionate way, always intertwined with the stars and seeking them out, but when it comes to genuine deep-set turmoil? we dont actually know all that much about him??? hes so full of emotion and character (i love fics where spock characterises jim's mind/bond as a whirl of colour and sensations, hes a quick thinker!!! intuitive!! lively!!!) and yet its still so outwardly surface level. tarsus iv gets mentioned like twice? so especially here where kirk gets briefly jumpscared by the creature, because like:
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its subtle but his eyes. his eyesss!!!!! kirk commands with his emotions but there's always some sort of level of control to it, or he transforms them into something that spurs on others or uses them to ascertain a goal: seeing unguarded fear/distress in his eyes even if its faint and brief (in this instance) makes me go insane every single time. like!!! its such a small moment!!! he isnt even panicking!!! really, he just got jumpscared!!! its insignificant!!!!!!! but seeing a two-second flash of actual, naked apprehension is just...oughhh,,,,,,,,,
oh god, and dont even get me started on the galileo seven episode where he assumes a tense level-headedness throughout the whole thing, irritated and apprehensive but not panicking, making sure he maintains intelligent rationality, even when he has to leave them behind, but when spock and the crew are confirmed safe and the bridge is occupied the camera pans to him and his eyes look like they're fucking watering and he's so achingly relieved. don't even talk to me. im. fuck.
he shows so so much but at the same time reveals so little.
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moeblob · 1 month
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Sorry I forgot Hanneman suggested Byleth undress after they show up with a different hair color. And I miss Hanneman. And also while swapping between Houses and Hopes and seeing Hanneman pop up to help in a Hopes paralogue is just devastating since he doesn't ever actually join you at all and I am denied my old man rights.
So I had to draw this. Thank you for understanding.
#fe three houses#byleth#hanneman von essar#i like that Byleth just kinda stares at him and he realizes WHAT HE SAID and the implications and is like#step back uh forget that I said that#like man so zoned in on research he blurts that out and has to backtrack mentally to AH socially bad to say that my bad#if i need to tag this as anything lemme know even though it is a conversation in game basically (minus the marriage)#also if you have never married hanneman i genuinely enjoyed his s support and was VERY surprised and hes just#honestly one of my favorites overall in 3h ?? and im still bummed i cant play as him in thropes like thats just mean#also i think if byleth was like oh well if its awkward to see someone undress randomly#then marriage would solve the awkwardness this is truly the best deduction#which is really funny that i can see it happening with both leths despite my hc of them#with fyleth as bi and myleth as ace i think both would just be like AH cool we can avoid awkwardness by marriage#and hanneman just wants to go lie down in a ditch because he said something like that#and and byleth doesnt even know about religion while working at church school they dont know about school regulations#that wasnt really on their mind to check ok just saying you could tell byleth no to something#and then they just go oh school policies i understand unfortunately#and the person is like no we just meant its frowned upon to do archery practice in the tea garden its not technically illegal just dont??
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fengchikelp · 11 months
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back in my women loving era
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loganslowdown4 · 1 month
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Thomas: why should you be held to a different standard than any other side?
Virgil: because I was one of them—
Fanders:
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skrunksthatwunk · 3 months
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thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.
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botanybulbasaur · 4 months
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vertin gender
hey you guys ever think about how arcana and constantine refer to vertin with feminine terms (ex: lady vertin), how people who are on their side but who are perceived as people who “aren’t close with” vertin time and time again refer to them with “timekeeper” and they/she (ex: sonetto, madam z), and how people who look as vertin not as a leader or an ‘enigma’ (they/she, timekeeper) nor as someone they can pawn on their side (she/her, ‘lady vertin’) refer to them with masculine terms, such as ‘sir’ or ‘lord’? (ex: an—an lee, schneider)
it’s like. the less you look at them as a pawn and the more you look at them as a person the less cisgender everything gets. i should probably do a serious theory on this
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icecreampizzer · 2 months
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Well, it's Solaris's turn! Here's a cleaner set of design notes I've got for her. Giving her some alternate outfits and a cane for good measure (though I've also considered making more mobility aids for her in the future weehee)
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good-beans · 11 days
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this is so stupid but i always have fun imagining the milgram characters watching their own/others mvs and seeing their reactions, especially for MeMe
That’s not stupid at all, thank you so much for the ask!! It’s sooo interesting to think about! I planned on just posting this drabble, but the more I thought about it, the more I started jotting down headcanons for everyone 👀 Of course there’s the initial disbelief and shock that Milgram can really do what it claims, but once they accept that, they’d have a lot of interesting reactions…
Es gets to watch the video first, then the prisoners are free to watch their own in the privacy of the courtroom/extraction room/wherever. Other prisoners can watch them only with explicit permission from the video’s singer. No one is allowed to watch Undercover except for Es. At first they spend hours looking at those final frames of themself flinching from the camera, hoping to jog any sort of memories, but eventually they give up on it. While actually watching it, they don’t mind the murder silhouettes. While sleeping, however, it has triggered more than one nightmare.
Haruka: He thinks Weakness is very pretty – he’s amazed seeing himself on the screen and hearing his voice, knowing he’s not that good of a singer. Even before his innocent verdict, it gives him a huge surge of confidence. Once he gets to know the others better, he gives them mv permissions, then stares intently at their faces to see their reactions as they watch it. AKAA scares him a bit, seeing his own intense emotions on screen, and he only gives Muu permission to see it. When he’s alone, Haruka pauses the shots of his mother, just to stare for a while.
Yuno: Laughs at the symbolism her mind used in Umbilical. She’s never shied away from sexual words/thoughts, so it's funny the video was as tame as it was. She thinks the song is fun, and isn’t afraid to show the others and sing snippets of it around the prison. Some days it’s too emotional for her to get into it, but most of the time she tries to display a confident attitude about it. After Tear Drop, she’s satisfied with her anger and more overtly sexual images. If anything, she feels too exposed by the shots of herself looking more vulnerable/sad. 
Fuuta: He experiences a solid mix of embarrassment at the gaming theme in Bring it On and feeling a surge of pride that he looks badass in the knight’s armor. He’s worried the warden won’t take him seriously with the video game obsession, but he absolutely loves the song and thinks it portrays his toughness and ideals well. He’s less thrilled with Backdraft, everything about it unsettles and embarasses him. He’s thrown by the shot of crossing out his own silhouette – he’d had self-harming thoughts, but wasn’t quite ready to confront them so blatantly yet. Like Haruka, he can be caught pausing the arcade shot just for a moment before turning the whole thing off and storming away.
Muu: She has mixed emotions towards After Pain. She hates seeing herself look so weak and pathetic, but it gives her a lot of hope that her story will be understood. She misses her friends, and seeing them again is bittersweet. She closes her eyes at the moment of the stabbing – she’s only gotten the courage to watch it through her fingers once. She watches INMF once, then refuses to look at it again from shame/horror. Despite Haruka’s begging, she doesn’t let him watch it, either. 
Shidou: He asks Es what they saw in Throw Down. Upon finding out his family wasn’t in it, he chooses not to watch it. He believes he already knows all about his emotions and crime, so there’s no need to go through that pain again. He’s tempted to watch it when he’s confused about Es’ verdict, but still holds off. He does watch Triage when informed his family is in it. He spends hours in front of the screen by himself. Only after seeing that one does he watch Throw Down, though he’s still left confused about Es’ decisions.
Mahiru: Absolutely loves TIHTBILWY. She thinks it perfectly describes her situation, and that the song is very cute. She lets others watch it, and unlike Yuno, feels like singing it 24/7. It reminds her of her bf, and she thinks that’s very romantic. Similar to Shidou, she spends a lot of time watching I Love You just to look at her boyfriend. She shows it to everyone, just to show him off and talk about him, even if she does skip over the beginning and end each time.
Kazui: He is very similar to Shidou; he refuses to watch his videos until T2, assuming it would be too painful to watch something he already knows and wishes to avoid. Unlike Shidou, seeing Hinako is far too painful, and he regrets watching it and seeing her so happy on their wedding day. Though maybe he’s still waiting, and hasn’t seen any of the videos yet…
Amane: Magic makes her worry more than anything. She fears she’s poisoned by unnecessary vainness since so much of her video involves cute things, colors, outfits, animals, and is set up like a tv show. She’s also worried that Es and the others will really see her as a child because of how cute the whole thing is. She prevents herself from watching it too many times, but buried under all her fears, it gives her a surge of pride seeing herself so talented and pretty and the star of the show. Purge March only reaffirms her confidence in her crime – the video brings up some awful memories, but it shows her as a leader, a warrior, a hero! It brings her comfort and confidence more than anything.
Mikoto/John: The videos are distressing to both of them, and they spend all their time studying the others’ screentime. Mikoto watches in horror as John does things that line up with his spotty memories, and John panics seeing that his actions distress Mikoto more than they’ve reassured/saved him. John does end up watching his own scenes a few times – it feels incredibly good to appear in a way that Mikoto may finally notice him. He feels seen. Now, logically I think that MeMe would be the final tipping point in which Mikoto finally accepts the situation and his DID, but if I must stick to his canon denial, then I’d say he goes on a whole rant about movie magic andt the crazy things you can do with editing nowadays. He doesn’t have a good explanation on how Milgram found his home and knew so much about him, but he explains everything away as cgi or camera effects. Double manages to sway him a bit more, as he hears John speak so plainly to him. Just as the audience had some debate on who was apologizing at the end of Double, Mikoto and John wonder who is apologizing to whom. Though they both come to the conclusion it’s their own apology, they decide that if it was the others’, they’d accept it and forgive them.
Kotoko: She’s very pleased with Harrow, and is unashamed to show it to the others. Though she’d been able to watch a few of the previous prisoners’ videos, it still shakes her a bit when she realizes that Milgram really does have the tech to look deep inside her. She watches it just a few times – not obsessing over it, but not afraid either. Deep Cover, however, is a once-and-done sort of deal. She claims she’s not letting the others watch it because “they couldn’t handle such harsh but true criticisms about themselves,” but she doesn’t end up watching it anymore herself, either.
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