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#it was a powerful and beautiful parting scene so I'm only half complaining
deltadex · 10 months
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Arcane's symbolism: Meaning of Vi
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Of all the Arcane characters, I feel that Vi's name carries the most meaning in relation to her character.
Besides being associated with love in general, violets are also linked with lesbian love (thanks to Greek poet Sappho, who's poems centered around the relationships between women, who often wore the flowers). It's clear how this ties in with Vi and her relationship with a certain Pilty...
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As for the shortened version of her name, Vi can be interpreted as the Roman numeral for the number six (which her stylised cheek Tattoo alludes to).
In Numerology, the number six is "the embodiment of the heart". It represents unconditional love and is a powerful force of compassion and empathy. The number six's strengths include:
Supportive - will be the first to provide a shoulder to lean on, truly try to understand, and give heartfelt advice. ("You wanna talk about today?", "We've all had bad days, but we learn, and we stick together")
Protective - its unconditional love extends to all people which allows it to speak up for those that don't have a voice. Especially fierce when it comes to family. (e.g. Vi standing up for Powder when Milo complains about her, her willingness to fight for the people of the Undercity)
Romantic - works hard to create peaceful relationships and is fluent in all love languages. Only happy when its other half is happy. (Romance we are yet to see...)
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Its weaknesses include:
Passive - in order to keep the peace, six may allow itself to get taken advantage of. Would rather go along with an undesirable option than make waves. (We only really see this part of Vi when it comes to Powder/Jinx. "It's alright Powder, at least you're okay", "We can just go. We can leave and never come back")
Self-sacrificing - so willing to sacrifice itself for others that it neglects its own needs and well-being. Often overlooks the the self-care that would make it feel balanced. (e.g Vi willing to turn herself in to the enforcers. She has little regard for her own safety, putting herself in danger several times throughout the series in order to find her sister.)
Idealistic - expects everyone to treat others the way it does, which it believes would lead to a perfect world. When it realises its ideals are unattainable, it may face extreme upset. ("I grew up knowing I'm less than them, that my place is down there. I want Powder to have more than that and I'm willing to fight for it". Another moment that comes to mind is the council scene, where Vi becomes frustrated with the council for not sharing Jayce's view on stopping Silco. "This is how things are, how they've always been. I was so stupid to think it could change.")
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(Going off point here: I noticed that Caitlyn has many of these qualities as well, in some cases exhibiting them even stronger than Vi. In this way, they are more similar than they realise. They both lead with their hearts.)
Let's move on to the third and final meaning, which lies in the realm of Tarot Cards. The sixth card in what is called the "Major Arcana" is, very fittingly, The Lovers.
This card has two different meanings, depending on its orientation in a reading:
1. The Lovers Upright
Represents conscious connections and meaningful relationships. The appearance of this card shows that you have a strong, beautiful connection with a loved one. You may believe you have found a soul mate or life partner. The chemistry between you goes beyond just physical attraction to something that is almost spiritual (AKA CaitVi).
While it typically represents a romantic tie, The Lovers card can also refer to a close friendship or family relationship where "love, respect and compassion flow" (AKA Vi and Jinx's sisterly bond)
The Lovers card is one of open communication and raw honesty. Its appearance is a sign that by "communicating openly and honestly with those you care about, you will create a harmonious and fulfilling relationship built on trust and respect". It's an invitation to open your heart and be vulnerable around someone (the scene that comes to mind is the one where Caitlyn and Vi are lying on the bed, and Vi talks about the childhood game her and Powder used to play. She shows a surprisingly amount of vulnerability, which leads to an intimate moment between her and Caitlyn. By being vulnerable, Vi instigated progression of their relationship. )
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On a more personal level, the card is about defining your beliefs and values and staying true to them. You are figuring out what your philosophy is and what you stand for. (This is something we see Vi struggle with throughout the series. Vi's ideologies are constantly challenged and therefore evolving. In Act 1, it's through Vander's teachings, and the rest of the series, it's Caitlyn challenging everything she thought she knew about enforcers and Topsiders in general. Even so, the biggest threat to her value system is in the finale, where she is faced with whether or not she should choose to put some of her own values aside to maintain her relationship with Jinx. I think we will see a continuation of this personal journey in season 2: Is she going to follow Vander's example or forge her own path? Will she choose to believe the Piltover and the Undercity's relations can improve, or will they forever be "oil and water"? Who is she when she isn't constantly striving to reconnect with her sister? Will she ever be able to forgive her for everything she's done? Will she ever be able to forgive herself?
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At its heart, The Lovers is about choice. Who you want to be. How you want to connect with others. This card is often a sign that you are facing a moral dilemma and must consider all the consequences before acting. It is advised not to make a decision out of fear, guilt or shame. Your values system is being challenged, and "you are being called to take the higher path, even if it is difficult."
Finally, The Lovers card encourages you to unify dual forces and bring together two parts, one that are seemingly in opposition, to form a harmonious "whole" (very fitting for a show whose central theme focuses on duality). This is where I see Vi and Caitlyn working together to forge peace between the two sides of the city, which is the reason she eventually becomes an enforcer. And, naturally, acceptance of this unified duality may also lead to the initiation of a relationship with Caitlyn.
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2. The Lovers Reversed
Reversed, The Lovers can signal a time when you're out of sync with those around you, especially your loved ones (and it's no secret that Vi and Jinx have become "out of sync"). You're relationship is strained and communication is difficult. Depending on the case, you can either try to bring love and compassion to the situation, or you can accept that you've grown apart and move on (this is the harrowing decision that Vi is facing).
The Reversed card may reflect that there are feelings in a relationship that aren't mutual. One person may be more emotionally involved than the other which, down the line, can lead to disappointment and insecurity. You may also be reluctant to open your heart for fear of getting hurt. (This is basically the "oil and water" scene beat for beat. Vi is afraid of opening up to a relationship with Caitlyn and shatters the prospect of "mutuality" by stating that it "wasn't meant to be". And then there's Vi's relationship with Jinx, which also has a lack of mutuality, at least from Jinx's point of view: "I thought, maybe you could love me like you used to, even though I'm...different". i.e Why can't you love the new me like you loved Powder? It hurts because it's not that Vi doesn't love her, it's that she doesn't love her in the way that she wants her to, thereby leading to her choosing Jinx over Powder. She can't go back to being Powder. After all, "she fell down a well".)
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Not only does the card refer to relationships with others, it also speaks to self-love and respect. To what extent do accept your identity and the value you offer the world? (I doubt Vi has any self-love and respect left, which is really sad. Her self-worth was already damaged in childhood; "I grew up knowing that I'm less than them. That my place is down there." This feeling of worthlessness was only exacerbated by her time in prison, where she was beaten senseless by the gaurds on a regular basis. You can tell by the way she carelessly throws herself into danger that she doesn't believe she's of any value except for being her sister's protector.)
The card encourages you to be mindful of when you look at other people and wish you were more like them. "Understand that if you can recognize these traits in others, it is because you have them within you." (In other words, what you perceive in others is a way for you to recognize your own strengths. Vi looks at Caitlyn and sees this amazingly kind, good-hearted and empathetic person. But what she doesn't realise is that she has these qualities as well. Caitlyn even points it out: "Despite it all, I can tell. You have a good heart ". Despite her constant cynicism towards Caitlyn, this quality still managed to shine through, enough for Caitlyn to notice it. My hope for next season is to see Vi get in touch with her tender side again after having to be tough for so long.)
If the Lovers Reversed shows up in a reading, you might face a tough choice with significant consequences (Vi faces the ultimate choice in the now infamous "tea party" scene, where Jinx presents her with the question: "Where should I sit? That's your choice, really." But what Vi doesn't expect is the way she has to answer that question: by choosing whether or not to kill Caitlyn.)
Instead of making a decision based on your values, you feel tempted to cut corners. (Vi tries to evade the dilemma by suggesting that they leave together. Nevertheless, this only makes the situation worse by riling up Silco.) The Lovers Reversed encourages you to reconsider and choose the path most in alignment with your values - no matter how difficult it might be (this might be a hint to Vi letting go of any prospect of a having a normal relationship with her sister again)
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Lastly, this card can also suggest inner conflicts and being at war with oneself, rather than with external forces. You may be punishing yourself for something you have done or consider yourself responsible for. (Vi clearly has an extreme sense of guilt. She was the big sister that was in charge of taking care of her siblings, and when it came to it, save Vander. Even though there are several factors at blame, she feels responsible for the death of her family and her sister's poor mental health. Not only that, she also feels guilty for not being able to support Ekko and Powder in the time following that fateful night. It must eat her from the inside out: If I just hadn't gone through with the heist, none of this would have happened. Why did I have to hit Powder? Why did I have to call her a jinx? I have no one left, and it's all my fault. I'm the real jinx.
Now, let's take a step back and see what the running theme is here. Considering each of the three meanings her name represents, it's easy to see: Vi is the human embodiment of the heart. And love is the force that drives her. Nevertheless, sooner or later she's going to flatline. A heart must both give and receive blood for it to continue beating.
From what we've seen, there is NO DOUBT that Vi is able to give immense amounts of love; it's literally permanently tatooed onto her. But the question remains; will she be able to let herself receive it?
Sources:
fnp.com
numerology.com
biddytarot.com
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marimayscarlett · 5 months
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i've read that you read fanfiction about a German rapper 👀 Would you mind sharing who said fave rapper is? Trying to get into German rap and hip-hop a bit more and I'm searching for some suggestions
OH BOY, MY DEAR ANON. You might just have opened such a huge can of worms, I am so sorry for my Rammstein mutuals, but...but I just need a moment to absolutely go nuts about this group and this guy, so here we go:
My favourite rap group since I was 14 years old (more than half of my life I just realised) is K.I.Z, a Berlin based group which have the absolute best, most eloquent and smart lyrics/rhymes/lines in the german rap scene in my opinion. A lot of their songs deal with political/violent/sexual/disturbing/critical social themes in an ironic, sometimes very dark and denunciatory manner, to provoke and rouse the public. And of course they have some typical rapper songs, but always with heavily sarcastic undertones.
They often have a rather shocking and daunting effect on conservatives and right winged people (a right wing politician here in Germany even complained about them in the Bundestag) which is just chef's kiss.
My favourite rapper is part of this group, Nico Seyfrid (the other two are Maxim Drüner and Tarek Ebene). His voice is like so incredibly smooth (like melted chocolate) and yet so powerful and he's just... I love this man and his talent now for 15 years. Absolute teen crush and still kind of is. He's pretty straight forward, funny, has a wonderful Berlin accent and also looks rather beautiful in woman's clothing (K.I.Z sometimes host concerts only for women and dress up as really beautiful ladies on stage, it's just iconic). And now please look at my beautiful cuties, making legendary tracks since the year 2000:
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And my rap baby in particular:
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Plus they ALSO sometimes kiss on stage:
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Maybe they're not something for everyone's taste, but next to Rammstein (of course always my number 1), Led Zeppelin and MJ, these wonderful idiots are in my favourite top 4 music acts ❤
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onaperduamedee · 3 years
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"And that whole scene with Michael Burnham really resonated in the sense that it was two people coming full circle and understanding that 'I love you for who you are and not who you want me to be and I believe in you.'
And when she went through the portal that time, for me, it's like saying 'au revoir', because 'I'm in Paris', no, I'm kidding, but it's like 'Goodbye, until we meet again.' Because this is Star Trek, who knows, one day Emperor Georgiou is gonna find out that Michael Burnham is in a dire state or the other way around and something has to be done."
— Michelle Yeoh on Emperor Georgiou's goodbye, in Star Trek: The Pod Directive, “The Incomparable Michelle Yeoh”
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who-am-i-no-one · 3 years
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Emma. (2020)
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I watched this movie in late January. After multiple viewings and re-reading the book, I have a lot of thoughts about this adaptation.
It seems rather strange, given that Emma is part of my holy trinity of Austen novels, that I didn't watched the most recent adaptation earlier. I think it was mostly due to my initial impression that Anya Taylor-Joy's otherworldly looks didn't quite match what I had in mind for the titular character. I decided to give this version a try after watching Queen's Gambit. Not sure that Anya's looks will ever grow on me, but she did impress me as a young actress who seemed to have a maturity beyond her years.
Long story short: really wished I had seen this movie earlier! It is absurd and heartfelt at the same time, imo, the version that best imbues Austen's humor. It is now my favorite adaption, with the possible exception of Clueless, and I'm not quite sure how much of that is just nostalgia.
From the casting to the direction to the script to the costumes to the set to the soundtrack, I could tell the creative team really put a lot of love into this project. It's always a joy to watch something that's made with love and made well.
Direction
Autumn de Wilde's directing is quite good. I would never have thought this was her first feature. She certainly has a unique and colorful style, which is probably to be expected for such a famous photographer.
Funnily, while watching the movie I kept thinking it reminded me of early Hollywood romantic comedies like Bringing Up Baby (incidentally one of my favorites) or The Philadelphia Story, and then reading interviews and seeing that she had tried to bring in some of that style of humor made me feel rather validated. Also the servants' reactions were awesome!
Absolutely loved the fact that they decided to show that Knightley and Emma were in love with each other very early on in the story, with Knightley more aware of it. I've read some people complaining about the surprise of Emma's being in love being ruined. But come on, did anyone reading two chapters into the book think it wasn't going to be the two of them together in the end?
Loved how much of Knightley's point of view we got in this movie. This is one repressed pinning man. I can totally see this Knightley riding ventre a terre from London in the rain because he thought Emma was heartbroken.
The only gripe I had was the lack of Frank and Jane's subplot. As it seems they shot some scenes for that, I assume it was the director's discretion to take them out. I remember thinking while watching the movie that they must have expected the audience to be familiar with the story because some things just didn't really get explained or extrapolated on a lot. If you hadn't read the book it'd be 30 minutes or more into the movie before you put two and two together and figured out why Mr. Knightley is always at Hartfield.
Script
The script takes most of the dialogue directly from the book, which is awesome. I love Austen's writing because there is a certain musicality to it and retaining that in large part for the movie really made it better for me. The deftness with which Eleanor Catton moved dialogue from one scene in the book to a totally different one in the movie was quite brilliant. Everything flowed so well.
The scenes that differed from the book were also excellent - namely, I really loved the Jane/Knightley duet, the infamous nosebleed and first kiss scenes. 💖 I thought the screenwriter used those changes to quickly establish plot points and character arcs well.
Costume/Hair
Not a Recency expert so can't say much about the costumes and hair as far as period correctness but from reading other reviews it seemed like they were very true to the period. Obviously appreciated them taking the time to show the audience how men got dressed in that time (purely for research purposes obviously 😜).
Emma's dresses were all quite beautiful. I especially loved the black evening dress, the pink one with the roses and the proposal dress. Also loved the little pop of red shoes that went with the proposal dress. As someone who wore red shoes with her wedding gown I heartily approve.
Absolutely loved how Emma's curls unwound as her life unravels. Similarly think they must have done the same for Knightley to a lesser extent. His hair during the card playing scene at the Westons was quite terrible.
Set
I! Loved! Hartfield! It looked just like a doll house. Really most of the sets looked good enough to eat. So much pastel. Reminded me of French macarons.
I liked how everything in Donwell Abbey was shrouded in Holland covers. Makes a good point that Knightley barely lives there at all, that his home has been with the Woodhouses for quite a while now. Which, of course, makes his sacrifice at the end just a little bit less of a sacrifice?
Soundtrack
Isabella Waller-Bridge's music really meshed well with the tone of the entire film. The male and female opera singers, sometimes sounding as if they are bickering with each other and other times seeming to be in duet, was a brilliant touch. The folk music was a little jarring at first but really grew on me.
Johnny Flynn's end credits song "Queen Bee" is amazing. I love that we get Knightley's perspective at the end with a song written and sung by Knightley. It's a lovely coda to the movie. And now, if the next Austen hero doesn't write one for his SO I'm going to think him a very poor sort of lover.
Cast
Anya's Emma was really great. I'm glad they allowed Emma to be her bitchy self. Lol. I haven't watched the 1996 and 2009 versions in a while but I distinctly remember them making Emma too nice. I recall writing after watching the Garai version that Emma was actually mean and they should have let her be mean! If she's not a brat in the beginning, how will we see her change for the better later on? I love what a snob and how manipulative this Emma was and so assured of her place in her little society but still had the vulnerability of almost an imposter's syndrome which I feel most people can relate to.
Her chemistry with Johnny Flynn's Knightley was off the charts. Pretty much every scene they had together I half expected them to reenact the library scene from Atonement lol.
Mia Goth was a wonderful Harriet. She really captured Harriet's inexperience, naivete and diffidence. The orgasmic sounds she was making during the gypsies attack scene were awesome. Although, I could probably have forgone a few of Harriet's scenes for more Frank and Jane.
Not sure why they made Mia go brunette since the book specifically mentioned Harriet was fair? Perhaps having all three leads as blondes was just a bit too much. I'm also not sure if I liked Harriet's ending as I really don't think Emma, even in her most contrite mood, would invite further friendship from a tradesman's daughter and soon-to-be her husband's tenant farmer's wife. This seems a piece of modern day wishful thinking on the part of the creative team.
Bill Nighy was so good as Mr. Woodhouse. He made it so believable why everyone would do everything in their power to accommodate his whims. The gag with the screens was too funny. He was able to sketch out a lonely quirky old man who is afraid to lose those close to him in very limited screen time. Absolutely loved the scene where Emma was heaping blame on herself and he just sat with her in sympathetic silence.
Miranda Hart's Miss Bates was excellent as well. She has long been one of my favorite British comedic actresses but she can also do drama well. Her reaction to Emma's teasing on Box Hill and her forgiveness of Emma later brought me to tears.
Josh O'Connor's Mr. Elton was deliciously creepy. The carriage proposal scene was at once a little scary and hilarious. I actually liked the portrait scenes a little less because I found the acting there slightly affected and veering into 1995 Mr. Collins territory. But as Austen described Elton as having "a sort of parade in his speeches", this was much more forgivable. Really loved Mr. Elton's determination to eat cake during the Eltons' visit to Hartfield.
Tanya Reynolds was an excellent Mrs. Elton and in very little screen time was able to bring to life this meddlesome nouveau riche. Adored her little shimmy during the ball.
Amber Anderson's Jane really looked as if she were in a decline. Callum Turner did a good job as a slightly restless, mischievous and immature Frank Churchill. I did feel his looks were a bit too modern but that's just my personal view.
Given how many scenes they had I thought they used the time they had pretty well with furtive glances and sly smiles at each other to establish the relationship.
Connor Swindells was such a love sick puppy as Robert Martin. Did this role ever get cast in other adaptations? I don't seem to recall at all.
Special shoutout to Oliver Chris's John Knightley. Absolutely had me in stitches.
And last but never the least, Johnny Flynn's Mr. Knightley:
To preface, I will never not fall for Mr. Knightley in any version that I watch. And really, get yourself a good looking enough actor with good enough chemistry with Emma and good enough acting chops and you should have a fairly successful Knightley.
I judge all my Knightleys by the Box Hill scene. And up to that point in the movie, I really liked Johnny Flynn's Knightley. He was playful and sexy and jealous and slightly bitchy as well. The duet scene was lovely because I always appreciate a man who can play instruments and sing well. The sexiness and chemistry of the dance scene was off the charts. That's all well and good. And like I said before, given any well cast actor, I probably would have liked them in those scenes as well, just as I've liked Northam's and Miller's Knightleys.
But, the Box Hill scene absolutely blew me away. To make sure I was not just biased towards the last Knightley I saw on screen, I did go back and compare each version's Box Hill scene and I am, actually, even more blown away. Some of it is a credit to the directing and script, but a large part of it is Johnny Flynn's acting in that scene.
As far a script and directing, the set up to the fight scene was fantastic. Loved Anya's expression changes after she makes the joke. Loved Miranda Hart's Miss Bates as she realizes what Emma meant. The silence that followed. Knightley's shocked face and how sympathetic he was to Miss Bates. Can probably write a whole thing just about this scene alone.
I loved the fact that Knightley had an internal struggle as to whether or not to approach Emma and reproach her for her behavior. I know the book has him tell Emma about his struggle but that just doesn't work as well for me on screen.
During the scene you can just tell how frustrated and disappointed in her he is even though he tries to keep his voice low. But the way he reprimands her does not at all feel lecture-y and I feel like part of it is because it seems like he starts to lose control a little bit as well. His voice starts to crescendo as she stubbornly refuses to admit she was in the wrong and culminates in "badly done, indeed!" with actual fingerpointing. Yikes.
Then he losses steam and looked regretful, almost devastatingly so, at his own outburst and perhaps felt that he was losing her by giving this speech and looked as if he would have said something more - an apology or some words of comfort to soften the blow? - but didn't.
This remorse and the struggle at the beginning really bookended the scene for me.
Absolutely loved his Knightley, and, really, him as an actor after that.
The proposal scene as well was very good. His delivery was just really good. The way he said "If I loved you less then I might be able to talk about it more." with some regret and then closing his eyes as if he can't believe what he just said. Soooo good. Also, he cries very pretty, lol.
The delivery of the three "yes" during the kiss scene as Emma asked for confirmation that he really was ok with giving up his house to come live with them was also brilliant. It just kept getting softer and softer but he never breaks eye contact. Absolute chef's kiss. His closed eyed little smile of content after Emma kisses him just made me melt into a puddle.
Yup, overall I'd say I rather liked his interpretation of Mr. George Knightley. 😜
I did wish they hadn't giving him such sideburns but after watching some Emma interviews I can totally understand. If he didn't have the sideburns there'd be more complaints about how young this Knightley was. He's got such a baby face.
...I seemed to have written an entire essay on this movie...yeah, I just have a lot of feelings and thoughts about this version...
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clericbyers · 5 years
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The funny thing about RR!St3 (and yes I'm still talking about this) is that its technically your au so if u don't like stuff about season 3-and maybe that's like everything lmao- than you can change it for this au!!! so what're some things you could change to flex on the duffers with ur beautiful Galaxy brain?
oh ur so right….oh man OH MAN the power in my hands right now…this is super long but i got so into it okay thank u…
First off, my real vision for RR!ST3 would not be too close to how ST3 went down; the RR!ST3 I originally hashed out was me trying to stick close to ST3 but as I said then, it was hard bc many of the issues in ST3 wouldn’t happen if Mike wasn’t obsessed with El and if we actually address the fact that these kids are dealing with serious trauma from the events of ST2. In RR!ST2, Mike would be the one dealing with being possessed, Will would have been at his side the entire time, Nancy and Mike would be a lot tighter thanks to RR!ST1 (like she’d be very overprotective because she almost lost her brother and he’s annoying yeah but she can’t imagine not having him in her life anymore). So when RR!ST2 ends with the Snowball, I can see Mike still dancing with El when she returns because he needs to thank her, she saved his life after all, but I really. just cannot see his level of attachment being enough to try to date her. Because in ST1 and at the beginning of ST2, Mike is wracked with guilt about losing her, about bonding with her and ultimately her being a sacrifice to save them. He doesn’t have that in RR!ST1 and RR!ST2, at least not to the same degree as ST1 and ST2. He didn’t have the time to bond to El and while I think he might have fleeting feelings for his savior (like I said, nightingale effect) and have some guilt about how she seemingly gave up her life to save everyone, especially him, I also think RR!ST2 Mike would be very attached to Will though given how Will trusted him and stuck by him despite all the horrors. Mike takes loyalty very seriously and Will being with Nancy and Karen (as she would be the “crazy” mom who lost her son in RR!ST1, but she’d enlist Joyce’s help since Ted wouldn’t really care so it would be power duo Joyren trying to figure out where Mike is) in the RR!ST2 shed scene would mean a lot to him.
Now, we have those 8 months between ST2 and ST3 where basically Mike and El entered a relationship in ‘85. In that time frame in the RR au, I would focus more on how the Party is getting over the trauma they faced during RR!ST2. Firstly, Mike is definitely not okay after being possessed by a demonic godly shadow force. He’s in therapy again maybe, back on medications, IDK what exactly but he is broken inside but trying his best to act like everything is normal and he wasn’t just possessed. I think he would try to cling onto his childhood as Will did in ST3, because Mike didn’t get to grow up normal since he got kidnapped and possessed by monsters. Will and El would bond a lot in those 8 months though, definitely becoming closer siblings and El having a crush on Mike can still a thing. Mike might not feel that same way for her but he’d be down for dating if just to feel normal again. Part of that may be to continue dampening how he feels for Will because he just wants to be a regular kid again and what he feels for his best friend is not at all natural in his mind. I like the idea of Mike and El getting together in ST3 at the mall scene so I’d stick with that. But I also feel like Mike would definitely also be spending half the time subconsciously trying to stay away from El because she’s also a reminder of the horrors he faced in the UD and with the Mind Flayer.
There would be a lot of Will, El, Mike moments too! Will is her brother of sorts in the RR au and Hopper is only ever really comfortable with Mike coming to visit when Will is over, too, even before Mike agrees to date El.
So okay, Episode 1 of RR!ST3 deals with the fact that all the kids are still dealing with some sort of trauma. Mike wakes up from a nightmare, uses his walkie talkie to contact Will, and Will comes over and sits in his room with him and they chat for a bit until Mike can fall back asleep. Will sits at the foot of Mike’s bed watching him sleep before he sneaks back out the house. Nancy catches him and thanks him for stopping by and then he catches Lucas outside too while making his way back home. Lucas casually mentions that he couldn’t sleep and they chat about how weird things have been when no one in Hawkins knows what happened last fall. In the early afternoon the next day, Will bikes over to Hopper’s cabin to hang out with El, they listen to music and doodle together for hours, just being great friends. El casually mentions that she might have a bit of a crush on Mike (who comes with Dustin, Lucas, and El to visit sometimes because fuck ST3 and isolating El from the Party). This could be a moment for Will to be like, “Oh, me, too.” and they can bond over liking Mike together (that’d be cute af!! and it would help Will feel more comfortable about how he feels toward Mike when he’s able to talk about it without persecution). She asks him if Mike likes him back and Will kinda just stops doodling.
“I don’t know,” he murmurs hoarsely. “He’s never said anything.”
El hums and takes out a purple crayon to color in the grass. “Do you know if he likes me?”
Will says he doesn’t know but that he’ll figure it out for her. Hopper won’t let her come with Will to the movie that night so he promises one night he’ll help sneak her out and then bikes over to the theater. We have the ST3 theater scene but it’s reversed of course, so it’s Mike who feels the Mind Flayer and Will who asks him if he’s okay. Mike isn’t as shy and flustered as Will was in ST3 though, he tries to brush Will off petulantly (as RR!ST3 Mike tries his best to act like the events of RR!ST2 aren’t affecting him as much as it is) but Will takes his hand and says, “It’s okay to not be okay.” and Mike kinda fidgets but squeezes his hand in turn before they both go back to watching the movie.
The next day when Dustin comes back, we have the Party going up to Cerebro but there would not be any El and Mike leaving like in ST3. Instead, Will and El are whispering between themselves but it’s not really much about anything. El is too shy to ask Mike if he wants to sit with her as they listen to Dustin call his girlfriend and Will just wants her to feel comfortable near Mike and keeps pestering for her to just sit next to him. Mike is irritated because he wanted to hang with Will more today and he’s bonding with El. His powers activate from his irritation and he’s blocking the radio signal for Dustin and Suzie’s call. When it starts getting late, the Party splits up, Will and El leaving first because of curfew (a real one not the lie El told in ST3). Lucas and Max leave next and Mike is left solo with Dustin.
“I know that Will and El aren’t together, but god, I feel so childish being the single one out.” Mike complains as a chill breeze washes over the two of them.
Dustin hums distractedly, still trying to work out why Cerebro isn’t picking up Suzie’s channel. It takes a moment for Mike’s words to sink in and then he perks. “You know, El likes you.”
“She what?” Mike blurts, giving Dustin a look. “No, she doesn’t. She can’t.”
“Uh, but she can and she does.” Dustin turns a random knob to a different frequency. “It’s pretty obvious; she was sending you heart eyes this entire time if your oblivious ass would have realized.”
Mike isn’t sure how to feel about it. He’s always seen El as Will’s sister, especially with Hopper attempting (and kinda failing) at dating Joyce. Even when they danced at Snowball, it was a thing of gratitude, of joy, of acknowledging that she hadn’t died and he was happy about that. But, El actually liking him? “What am I supposed to do about that?”
“Do you like her?”
Mike scrunches his nose. He feels…something toward her but he’s not really sure what it is. It’s not the same way he feels toward Nancy but it’s not what he felt toward Max either. And it’s definitely not what he feels toward Will, but he doesn’t want to think about that right now. He wants to feel normal. “I’m not sure.”
“Well, if it’s not a solid no, then I’d say go for it.” Dustin adjusts his hat and leans back with a sigh. “She’s cute and I think this is the first time a cute girl has ever liked your nerdy ass.”
“Shut up,” laughs Mike and he nudges his friend who grins in turn. He looks up at the sky and sighs. “I should probably get back home before my mom goes nuts. Talk to you later, yeah?”
“I’m leaving, too,” he sighs as he stands up. “I don’t know why this isn’t working. Maybe the clouds are too overcast.”
Mike shrugs and flicks at the radio’s antenna. It buzzes erratically, static blasting through Dustin’s headphones and then suddenly there’s a voice coming through the noise. It’s a blend of things, like the receiver is caught between two frequencies. One is Suzie, the other is some spoken code (in English because the random inclusion of the Russians works for Red Scare era / anti-Russia 80′s America but like…it had no set up so I wouldn’t use it for RR!ST3) that neither Mike nor Dustin can understand. Dustin tries to fix the frequency channels to focus on Suzie, but he looses her and the input only focuses on the frequency the code is on. Mike touches the antenna again, holding on this time around, and he can literally feel the electric currents coursing through him, something sharper than a tickle but not as harsh as actual electrocution. The dials on the receiver interface start wavering about randomly and crazily until Mike lets go and then there’s only static again.
“What the,” Dustin mutters, bending down to check how Cerebro is working. “What did you do?”
Mike stares down at his hands, a panic attack on the edge of his senses because, seriously, what the hell was that? First having flashbacks in the theater and feeling that shocking tingling sensation on their way up the hill, now this? “I…I don’t know.”
Dustin taps at a dial and frowns. “Touch it again. Like hold onto it as you did earlier.” Mike does as told and the dials go nuts again. “Mike…do you…have you had any issues near electrical appliances recently?”
Mike scowls and tries to remember if anything odd has happened recently. “No? Not really. Sometimes the radio in my mom’s car doesn’t work and the TV gets a little staticy but that’s normal. Oh, and we had flickering lights out at the cabin when Will, Lucas, and I visited but it’s a cabin in the woods so what do you expect.”
Dustin bites at his bottom lip. “And this only happens when you’re around?”
“I, uh,” Mike grabs at his hair, “No, no, it doesn’t. It doesn’t. It can’t…I’m not, what…I thought that was the Upside Down only.”
“What do you mean?”
“I could touch the lights and the TV when I was in the Upside Down version of the basement. And when I touched them, everything glowed. Kind of like casting Daylight in D&D.” Mike struggles to find his breath; he never really talks about what it was like in the Upside Down. “And…and I knew, I knew where the demogorgon was before I should have. Like innate. And the dead people…”
“Detect Evil?” Dustin suggests, cocking his head to the side. “Mike, do you think any of that stuck with you here?”
[ So basically, the equivalent of “magic” in D&D is electricity in the real world / the Upside Down since electricity and tech is kinda like modern magic, and all of Mike’s powers in the Upside Down are, in theory, paladin spells. He couldn’t control which lights flickered on like Will did in ST1 but he can turn them on and he can create a beacon, along with talking to the dead and having an innate circle of protection around him (a magic circle as paladins can have!) ]
Mike goes back home totally freaked out and refusing to believe he has “powers” because his time in the UD felt like such a nightmare anyway. He just wanted to survive, he didn’t ask for this, he didn’t ask for the Mind Flayer to possess him and use his body to kill people, to almost destroy Hawkins in the process. And that night, Mike decides he absolutely cannot let these possible powers do anything or mean anything because he’s normal, he’s a normal 14-year-old boy who is absolutely not crushing on his very male best friend, no, he’s gonna get a girlfriend, and hang out at the mall like kids do over the summer, and everything is going to be fine.
The next day, Will doesn’t go over to El’s place to hang out, Mike picks up the phone and says a dumb lie about Will being busy to try to get out of it. (“Friends don’t lie,” says El afterwards. “But brothers do.” snorts Max, “All. The. Time.”) He’s frustrated by El wanting to spend time with Will one-on-one when he’s trying to get the og4 Party members together for some normal hangout time playing D&D because, again, Mike here is the one trying to cling onto his childhood, even more now that he might have “powers”. They play D&D with Mike as DM and it all goes well until Karen comes downstairs asking about magnets and Mike internally freaks out. He’s been feeling like someone is watching him for a while now (hint: El when spying on the boys in the Void) and now his mom is talking about something that could very well be his powers working. Dustin knows and can actually see it, so he suggests everyone should get some fresh air and hang out at the mall. The Party goes out shopping, they hang out at Scoops Ahoy and Mike and Dustin share their story about the radio last night but purposefully leave out details about what Mike did with the antenna. Will feels guilty for lying so he’s trying to find some new clothes so El isn’t always wearing Hopper’s hand-me-downs, and they run into Max and El outside.
“Well, well, well,” Max huffs as she crosses her arms. “Didn’t expect to see you here.”
Will is worried because El leaving the house and being at the mall of all places would definitely make Hopper upset. “Are you okay?” he asks her, careful not to sound too overbearing. “Does Hopper know you’re here?”
El shrugs. “I told him I was seeing Max. And I am.” She turns to Mike. “You said Will couldn’t come over yet you are shopping. Why did you lie?”
Mike, who has spent practically the whole time at the mall on pins and needles, is really not in the mood for being questioned like this. “It just came out. I wanted to hang with the boys, okay? Just us. Like old days.”
El frowns. “Do you not like me?”
“No! No, I really like you!” Mike softens up and gives her a smile. “Honest; friends don’t lie, right? I’m sorry I lied to you. Today’s been…weird.” Dustin huffs at that. “Don’t worry about it though, I genuinely like you.”
And Mike doesn’t mean it that way–he had just said ‘friends don’t lie’ because he really does see her as a friend–but El takes it that way, and she grins widely, blushing as she ducks her head. “I like you, too, Mike.”
Will didn’t even think Mike liked El that way but now that it’s spoken in front of him, he can feel his heart breaking just a bit because any chance he thought he had is gone in his mind. El steps into Mike’s space and he blinks a couple times. “I want to go out with you.”
Dustin gasps, Lucas covers his mouth, Will tries his best not to look dejected, and Max whoops at her side. Mike turns to Will, who is staring at his feet, and then looks back at El. (A parallel to Snowball when Will looked at Mike for approval before going to dance with Zombie Boy girl.) Mike told himself he was gonna get a girlfriend and be normal, right? Ignore whatever happens in his chest when Will smiles at him. Ignore all of that and his stupid powers and be normal. “Yeah. Yeah, okay. Let’s go out.”
So the Party stays at the mall a little longer and Mike and El hang out together and get ice cream at Scoops’ Ahoy, which is amusing to Steve and Robin both. At the end, they go back to the Wheelers and El has to go back to the cabin but Mike is kind of in a daze because wow, he just got a girlfriend for the first time and went on a date with her. Dustin keeps teasing him, Lucas is cackling and making kissing jokes, but Will…Will is oddly silent at first. They get back on the campaign but no one can really concentrate and Will starts getting concerned about El and how she was out and about without Hopper’s knowledge. Mike is even more frustrated now because he thought things were going to start getting normal now, but it just seems to be falling apart. Will won’t even concentrate on the campaign, Dustin is horrible at trying to be subtle about if Mike’s powers are activating, and Lucas is complaining with Will about how Max and El are hanging out.
Mike lashes out and storms outside, where Will goes after him. “Mike, I’m sorry, it’s a really good campaign,” Will starts with a hand to Mike’s shoulder, “but I’m worried about El and I just…I can’t concentrate right now. We can play it tomorrow, I promise.”
Mike yanks himself away from Will. “Tomorrow, tomorrow, tomorrow, it’s always tomorrow! I said ‘see you tomorrow’ before and then I never did! Tomorrow may never fucking come! But oh, that doesn’t matter, huh? Tomorrow always comes for you. Tomorrow is always gonna be better.”
“Mike,”
“No!�� he yells and lightening crackles in the distance. “No, you don’t get to say anything! You keep spending time with El, forgetting about all of us! I’m her boyfriend now and I’m not even this obsessed with her whereabouts.” He waves at Will, who scowls. “She’s not even really your sister and you’re letting her just ruining the party like this? And for what? So you can have a fake younger sister to hole up in her room all day?”
Will’s nostrils flare. “El is my sister whether you like it or not!” He snaps back with irritation. “It’s not my fault you don’t like El!”
Mike pauses, eyes widening just a fraction as his breath visibly hitches. No one was supposed to know that he wasn’t even sure how he felt…Dustin himself had come to the conclusion that Mike knew he liked El all along. Will though wants to take it back immediately. Taking out his anger onto Mike isn’t fair at all and just because Mike suddenly has a girlfriend doesn’t mean he should try to accuse Mike of not liking her. But he can’t help but question either way because Mike barely alluded to seeing her that way anyway.
“Look, I’m…I’m sorry, that came out wrong. So wrong.” He steps toward Mike, who tenses up more. “I know you like El, okay? I know you care about her. I care about her, too, just differently. She helped save you and the Party, how can I not care? That type of care has been with me for months. I can’t shut that off. I’m sorry.”
Mike’s breathing is getting denser and his vision is getting blurry because now he knows. Now he knows how he feels and he really fucked up saying yes to dating El. He doesn’t like her like Nancy and he doesn’t like her like Max either. He especially doesn’t like her like a boyfriend. “I like El like how you like her.”
“Mike?” Will’s voice is soft and shaking a little and Mike feels like throwing up.
“El saved me,” he whispers, “She saved me and I like her for that. I do. But she’s not…”
“She’s not what?”
Mike is crying now, angry tears dripping down his face like the rain as his voice crackles like the thunder. “She’s not you! I thought she would be enough and maybe I was wrong for it but it hasn’t even been a full day and I already know! I already know I don’t like her like that because I like you!”
There’s nothing but the patter of rain and Mike’s heavy breathing, and Mike can already feel his heart breaking because he spent so long trying to deny this and now he blurted it out in the midst of an argument like a dumbass and now Will is going to hate him. Hate him for not being normal, hate Mike for being what Lonnie always said he was. He’s crying still, hands shaking at his side as the tears continue to spill.
Will looks up at him with widened eyes and Mike can’t take it any longer. He can’t face the inevitable rejection right now. “I need to go.”
“Mike, wait, no! Mike!” Will rushes toward him but Mike’s already on his bike and riding through the rain. “Mike! Mike, come back!”
When Mike doesn’t turn back, Will rushes downstairs, tears streaming down his face as well and he can barely get his words out. “We need to find Mike, we need to find him now!”
“Will, what happened?” Lucas asks but Will grabs his jacket instead of replying.
“We need to go, now.” the brunette is shaking and Dustin puts a hand on his shoulder.
“Seriously, Will, what happened? Is he okay? Is he hurt?”
“Yes, yes, oh my god,” Will collapses on the stairs before he can finish climbing them. “Oh my god, he confessed to me.”
“Confessed what? His powers?”
Will blinks a few times and looks up at Dustin as he rubs at his runny nose. “His what? Powers?”
Dustin freezes. “Oh. I, uh, I thought…oh…oh. Mike likes you?”
Will waves a passing hand. “Pause, what is this about Mike’s powers?”
Lucas speaks up with irritation. “I thought you said we need to go!”
So all the boys get on their bikes and ride toward the Byers house since that’s where Mike would go when his nightmares got bad enough and it’s a safe place for him outside of the basement. Dustin explains what Mike had done with Cerbero and how they caught this code that he had been sort of hashing out with Steve and Robin when they went to the mall. No one is home at the Byers residence (Joyce and Karen are out with Hopper doing their whole side storyline there) and Will starts to freak out more.
“Where would he be, where would he be?”
Lucas crosses his arms. “Maybe the cabin? That’s where his girlfriend is after all.”
And that’s not where Mike is, he’s actually with Steve and Robin at the mall given he feels he’d be better off with someone who understands the UD/MF mess (Steve) and someone who doesn’t know the Party dynamics (Robin). He’s just about to tell Robin about his confession to Will when he feels the Mind Flayer and knows that he’s back.
The rest of the season is kinda…the same ish but also not?? But so I don’t write out the whole damn thing now lmao here are the pointers:
El and Mike are still trying to be girlfriend and boyfriend when they reunite at the cabin (Scoops Troop is a thing but it’s not tied to the Russian bs so they aren’t at the mall the entire time) but Mike is also really uncomfortable with El’s advances though he tries not to act like it.
Mike avoids Will as best he can even though Will keeps trying to get one-on-one time with Mike to confess that he likes him back
Jonathan and Nancy team up at the cabin too with news about the exploding rats (the MF’s attempt to possess non humans that went wrong) and Mike speaks up about how he might have powers himself
El tries to teach him how to go into the Void (which would be like a prayer for him) but when he does so, he ends up running into the Mind Flayer and find out that it’s after him and is willing to kill all his friends to get to him
Mike and El both pull out of the Void together gasping and crying and Will is immediately at Mike’s side as Max rushes to El. “He’s going to kill us,” Mike sobs shakily, “He’s going to kill us all.”
El gets attacked by the Mind Flayer (not Meat Flayer) because it was coming for Mike and she intercepted the transmission using her mind
At the hospital Mike breaks up with El (instead of how in ST3 they became friends again), and she’s a little hurt but understanding when he confesses that he likes someone more than her and doesn’t want to hurt her by lying to her constantly when dating her
Will finally gets Mike to himself here and is about to confess but then Mike feels the Mind Flayer (his innate sense evil power) and it’s possessed someone. He confronts it, helps save Nancy from the shapeshifting demogorgon attacking her, and banishes it from this dimension, only to pass out from the effort
El takes over with her powers and with Mike’s help, accesses the radio to find the channel that Dustin and Mike had found before. She discovers that someone is trying to open the gate again under the mall
At the supermarket, Will and Mike finally get to talk and Will confesses that he likes Mike, too. “Blank makes you crazy, right?” Mike chuckles as he takes Will’s hand in his own. He’s not willing to say love yet even if he knows it’s true. He knows that Will understands him though. Will always does.
“Yeah,” the boy replies sweetly, “blank makes you crazy.”
Cue an almost kiss before Lucas and Dustin come around with the fireworks and they all get over to the mall
Big battle against the Mind Flayer and the people it possessed. Instead of a giant gory meat machine, it possesses people in Hawkins like it did Mike in RR!ST2 and uses them to shapeshift them into individual monsters. So the Party is attacked by a horde of demogorgons and demodogs!!
The fireworks help a lot as Lucas suggested, and Mike and El work together as superpowered besties to banish the Mind Flayer from all the neighbors. Some die in the process (because it’s just, brutal and violent and horrible) and Mike gets temporarily repossessed in the battle but he’s more leveled up now and understands how this works, so he can banish the MF from him (a level 4 paladin spell might I add!) as much as El used her powers to take out the piece of the meat machine in her leg in ST3
Hopper closes the gate but not in enough time (we need him in the Upside Down for RR!ST4) and then the Mind Flayer retreats, but it kills all the people it had possessed in the process, which only wrecks the kids with guilt for being unable to save everyone like they almost did
This also frightens Mike who has been possessed by the Mind Flayer because it means his connection is still strong enough that the Mind Flayer could kill him instantly too (but it won’t bc Mike and El’s powers are too strong and it could possibly kill itself trying to kill them through that connection)
At the end there’s no one really moving away. El has lost her powers, Mike’s are nearly depleted / he doesn’t know how to use them without El’s help. Everyone is mourning Hopper and with El and Mike unable to use their powers, they can’t go into the Void to see that Hopper’s actually alive.
uhhh the epilogue is the first day of high school and the Party are hopping off their bikes and chatting about something nonsensical. Lucas and Max are holding hands, Dustin is waving his arms about wildly as he explains his latest science project, and Mike and Will are standing close together, just enough to brush their fingers together. (El is homeschooled since she needs to catch up on her education)
“You okay?” Will asks quietly as they stand off to the side away from the bustling crowds. “It’s okay to not be okay.”
“I know,” Mike grins down at his boyfriend, which is still so blush inducing to think about, so he blushes. “But, I’m fine. I’ve got you right beside me so I’m definitely okay.”
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