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#it really kills my motivation if someone writes a scene similar to one i already planned or wrote
eggs-can-draw · 1 year
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Nanami Anon: I believe I promised I'd dump my Kokichi Characterization Thoughts into your inbox at some point? Well, anyways, buckle up. The thing I'm trying to write is going slowly rn because I'm in a big clump of some of those connector/establishing scenes that are only satisfying once they've paid off so I may as well do this and be about as productive as I was gonna be anyways.
Ok. So. Kokichi and Kiibo wake up the same room, we think. They're certainly in the same one when Kaede and Shuichi find them, and it's very similar to the one that pair woke up in. Neat, this dude's a robot! Still, it's kinda freaky to wake up somewhere you've never been before. Who's responsible for that? We dunno, nobody seems to know, best be on guard. Don't look vulnerable. Nobody else's skill in combat has been established, so Kokichi can't be sure he can defend himself. Oh, everyone's being told that they have to get away with murder if they want to go free? Double down.
Rantaro dies. The game truly begins. If he wasn't stressed before, he is now-- everyone is. Don't look vulnerable. So he keeps up the cheerfully immature facade. Keeps lying. Keeps pointing out that he's lying, not so that people look past it but so that they ignore it when the act breaks.
Kaede dies, because she killed Rantaro. She didn't want him dead, sure, since he wasn't the one who brought them all here, but that's what she got. The person who put the most work into keeping the group pointed in the same direction is dead. Because she killed someone. There's no point in really trusting anyone. Is there?
Everyone's snippy because they're stressed, but some people are still nice enough. Kokichi does wind up bonding with certain people. Him and Kiibo and Miu like snarking at each other, it seems. He and Gonta make a pretty good tag team, honestly-- I've already talked about how, if you act at the right time, you see Gonta fully aware of the motive video viewing aspect of the insect meet and greet, but that's not the only thing. At one point, Gonta mentions he thought he saw a bug for a moment, but couldn't find it after; because of this, Kokichi at some point asks Miu to build the bug-vac. There's clearly a certain amount of mutual respect between all of these parties, if you know where to look for it.
Ryoma dies. What happened before wasn't just a one time thing. Ryoma is dead because someone thought they deserved to leave more than he deserved to live. No pretense of belief it was his fault everyone is there, since he'd offered his life to free someone before. Something intentional, if well intentioned.
Kirumi dies, because she killed Ryoma. Kirumi, who cared for them, all of them, was willing to let them die for her own goals. Willing to kill them all for her own goals. And, sure, perhaps they are noble goals. Who else has noble goals here, that they might find worth killing for?
In Ch3, Miu's lab with the big ass computer opens up and she begins working on a project involving it. This becomes instrumental in what we eventually learn to be her plan to kill Kokichi. We don't know when he finds out about this, but it's probably sometime during Ch3, since most of Ch4 is dedicated to the NWP. Miu is his friend, which is not something he's sure he can say about most everyone else here. Possibly, she is even his best friend. He was helping her put together this place for everyone to be away from the killing game, at least for a little while, and it was all so she could kill him?
He is a liar. He knows this. Everyone around him knows this. There is no one he can tell, who he can trust to believe him, to help him keep himself safe. Is there?
Angie and Tenko die, because there is malice in this place. Why else would Tenko be dead, if not for malice? Angie, one could have claimed, died for freedom. But Tenko? There was no reason for her to die. Angie was already gone. Kokichi picked the lock to find her body himself, was one of the first people to see her dead. And then Tenko dies, too. Killed right in front of him, even if he didn't see.
And then, while he's investigating an empty room (maybe because he thinks something might be there. maybe because he just needs some space to think.) he falls through the floor. He knew this place was shittily made, but-- No, lying under the floorboards with his concussion and looking up at the cause, he can see that this was quite intentional sabotage.
He is a liar. He knows this. Everyone around him knows this. There is no one he can tell, who he can trust to believe him, to verify what could become a crucial piece of the puzzle. But he does have a bleeding head injury. That's got to count for something. Perhaps there's something easier to convince people of, than the fact that he cares. (Perhaps people want to believe more in the idea that he's so opportunistic about messing with them, that he'll use his real ass head injury to play dead just for a reaction.)
Korekiyo dies, because he killed Angie and Tenko. Because of his malice. Kokichi watches him, and knows that one way or another someone will be following him all too soon.
Maybe he realizes Gonta doesn't remember, when they get out of the NWP and he's acting the same as he did before they went in. Or maybe he doesn't. But he does cry, when the voting's done. Even if he walks it back afterwards, even if everyone thinks he's a horrible person for walking it back too far. He does cry. Whether it was real or not. But what reason would he have to pretend? To fake a vulnerability he immediately denied? Kokichi broke that day, I think, the snapped wing of his downward spiral finally shattering against stone with the rest of him. Don't look vulnerable.
"You're alone," someone he respects (likes) (appreciates) (believes in) (loves?) tells him. "You're alone and you always will be."
And with a nightmarish grin on his face, Kokichi leaves everyone else behind, his mind made up. His course of action decided. He is going to die for these people. And he is going to do so as a villain, because there is no other way left.
And then he does.
holy SHIT this got long
Hi please know that this has me. so so so SO emotional. ABSOLUTELY LOSING IT I ADORE THIS. AAAAAAAAAAAAAAAGH IT CLICKS SO NICELY. CHEWING THIS LIKE AN EXCITED DOG WITH A FUCKING CHEW TOY
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naffeclipse · 2 years
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First, please forgive the jumbled incoherent mess that I am about to dump into your ask box.
The way your story smoothly relays important information is a breath of fresh air. How the hints/nods/facts are woven into the unfolding events without it being glaringly obvious is what I adore the most, it feels natural and makes the story flow. This form of storytelling really gives a great nod to the reader. Like you are trusting the reader to figure out the puzzle pieces. It makes it fun and enthralling. I saw the post where someone had already made a connection to the possibility of Moon already knowing about Y/N's past. It had come across my mind when Moon had asked Y/N to stop lying and it really made sense considering all the factors leading up to that point -> Sun & Moon are both brilliant detectives -> Have been working on Y/N's case for a good while now -> Knowing where a hideout is that was used during the Afton family's reign -> Meaning they must have personally been assigned to cases involving said crime family -> Meaning they must have had some information on the members of said crime family.
I'm gushing over the complexity you are giving these characters, in no way are they one-dimensional and neither are the relationships between each other. Given Sun & Moon's past relationship with Eclipse. I can't imagine how hurt and bitter they must be towards someone so close become everything they are against. Eclipse and his brothers were on two different sides of a coin on what they considered to be just. It must have really touched home seeing Y/N being able to stray from the life of crime and horrific acts to becoming a vigilante trying to redeem their past sins. It's like Y/N must have given them hope their brother could change. I know it could be that this is not the case, but it's a thought. On the other side, Eclipse is full of vengeful spirit against society for what they went through to survive. I see his personality is more "kill or be killed" and that he learned if you want something you have to take it. Losing his relationship with his brothers must have hit deep because it's something he can't just take back. Then here comes Y/N, leading a life similar to his, but willingly throwing it all away. It's something he couldn't bring himself to do even for his brothers. I sense a resentment there and a longing. Maybe even jealousy that Y/N can have a relationship with his lost family while he can't. He might deep down blame himself, think himself an irredeemable monster and that Y/N has to be too. The mentality that if I am this way and can't change, then who the hell are you to say you can? I could see Eclipse pursuing Y/N because they represent another thing he can't have, but he will not take rejection again. There is so much more about this dynamic I could rant about, but I will stop here lol It's really hard to write out my thoughts.
I envy your ability to portray your ideas on paper, character and world building. Being able to portray the characters emotions in a variety of ways (facial expressions, motions, actions, gestures, speech pattern). The way you are able to describe a scene in a way that plays like a movie in your mind. Simple details and actions that really put you in the moment. I have never written a story before, but I am pretty motivated to take a shot. That is, if I get my art projects out and stop procrastinating :( I have an entire plot and details hashed out that I can't get past the brainstorming/info dump stage. Again, absolutely love your work. If this story was written with OCs and not based off of a fandom, I would still eat it up :)
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Oh my gosh, you're making me melt!! Ahhhh, thank you so much and I love reading every word of this, it's just so amazing!! I'm just sitting here trying to collect myself but then I reread this again and alsjdfalfa
Your analysis of the brothers' dynamics, Eclipse, and Eclipse's obsession with Y/N is *chef's kiss* magnificent! I'm eating up every word eeee!
I can't answer directly to your speculation but just know I'm reading it like this:
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northerngoshawk · 1 year
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Tell me a little about your most recent fic (make sure to link it!): what was your inspiration? Favorite line you wrote for it? How do you feel this piece shows your strengths as a writer?
so ig i'll be talking a bit about my very very niche AU that superimposes the lore of another media onto atla lol ty hotwife for this opportunity luv u 💖
so my most recent fic that i posted just yesterday and is sitting at 19.2k words (help me 🥲) is The Darkened Path, which is the prequel to a fic i wrote one and a half to two years ago, The Dishonored Blade. these two fics are set in an AU that combines the ATLA worldbuilding and characters with the lore of two League of Legends characters. in particular, it centers around Aang and Zuko and deals with themes of regret, shame, guilt, and forgiveness. while "The Dishonored Blade" focuses on Zuko and how he grapples with his guilt over killing Aang, "The Darkened Path" focuses on Aang, his journey through the Spirit World, and how he manages to come back to life.
the number one "inspiration" (nothing short of copying lololol) for the plot of this fic was this animated cinematic, similar to how TDB was derived from another animation. however, the main reason why i was finally motivated enough to write this prequel was because @chocomd read TDB and really enjoyed it. i’ve always wanted to write the prequel for a while now, but then life and other ideas pushed their way to the forefront so i put it on the backburner. not to mention, since this au is really only for me, i was never expecting a lot of engagement on these fics anyways; i’m even surprised i managed to accrue 26 kudos on the first fic. so to see someone enjoy something that i enjoyed as well really helped in terms of motivation and inspiration 🥺
as for my favorite line, i’ll have to add a paragraph preceding it for context:
At some point, he realized, firm arms that could only belong to Sokka had wrapped around him, but this time, it was not to restrain him. This time, it was to hold him. To let him fall apart and break to pieces before he inevitably had to put himself back together. Because that was what the war had made of them.
i think i just really enjoy that last line because in addition to the shameless self-indulgence, it really hits home the stakes of war. because when you’re fighting in a war, there’s no time to grieve properly---you can only let yourself mourn for a brief moment before you had to shake it off and get the job done. i just think that’s really tragic, and that last line really hammers down on that thought.
finally, strengths this piece showcases... i think this fic really shows how i can weave in various themes into something that can be very action-packed and plot-heavy and self-indulgent. in addition, i also think that it shows my ability to be able to write various relationships with different characters, since there are flashbacks that feature Aang’s relationship with Sokka, Toph, Katara, and Zuko individually. also fight scenes, because i really enjoyed writing the fight scenes here lol.
anyways i really did enjoy writing this fic, and while i’m not expecting much in terms of engagement, it’s still thrilling to see a universe i created from my mind have two fics already existing and out there.
thanks for the ask, hotwife!!
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nebulousfishgills · 11 months
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writing asks!
5, 6, 9 [crimson, bright, or under], 25, 26, 48, 57, 63 [His Tenebris Moenibus], 72, 77
Thanks! Sorry, I would have answered this sooner, but I spent most of today doing training modules for work and my brain is friiiiied.
Anyways, let's see what we have here...
5 - How many WIPs do you have? What fandoms/pairings are they for?
All my current WIPs are under the Stranger Things and/or Twilight umbrella.
Necrosis: Diplopia's sequel, a more freeform fic based on the many (...many) wonderful fics I've read. The fic deals primarily with... I'll call it Emily's Involuntary Character Development by Phoenix Wright-Related Means. Posted chapters: 5/?
The Weirdo From St. Valentina's: I know this one was originally a one shot, but someone in the comments flattered me by saying it should be a longfic, and I have more ideas, go figure. So I have another chapter partially drafted and maybe a few more after that? Posted chapters: 1/? (Three or four maybe)
Stranger Things One-Shots: I have a few one-shots I have already written and a few I want to finish/write. As of now I have a total of I think 4 that I have yet to publish, three are done and one I need to finish.
Twilight One-Shots: There are fewer of these, in fact right now I only have one that's in the works, however given that my top priority is the Twilight longfic and I have some of those later chapters done for when I get to them, it evens out. There also miiiiiight be one in the future that doesn't involve Emily at all...
So I don't know how those totals work out. A lot, it's a lot of WIPs.
6 - What is the last line you wrote?
"Lead the way."
Context: Emily says this to a character that she's gonna take a walk with to a location after a very... we'll call it an introspective conversation. I can't say much for spoilers' sake, but this is one of those "later Necrosis chapters."
(I know I posted a one-shot called The Third Rule to celebrate Stranger Things 4's one year anniversary, but technically that was one of those one shots I wrote a while ago, so none of those lines were 'the most recent line.')
9 - Does [word chosen by asker] appear in a WIP?
Crimson - Surprisingly, no lol
Bright - She had just the prettiest, brightest hazel eyes, I could practically see every color imaginable in them.
(That counts, right?)
Under - He hasn't had a singer in 305 years, not since 1593. It's amusing how the humans are still under the impression that the poor man was killed in a bar fight. That's what Chelsea told me, at least.
Dang, those are from the same WIP lol, again, one of my Necrosis chapter drafts (although this one is gonna be on deck soon).
Also I should note the italics are indicating that this is a quote someone is reading. This is a scene of someone reading someone else's writing.
25 - What is your favorite part of the writing process?
Honestly, it depends on my mood. But in general I really like developing characters. Their traits, their relationships, all that fun stuff. It fits together like a nice puzzle and I just get to be creative. Writing aside but in a similar vein, I also like coming up with character concept sketches and making character playlists. Both of those things can be a massive help to the writing side of the equation as well.
26 - What is your least favorite part of the writing process?
...can I say the actual writing part? I mean, I don't hate it, sometimes the act of writing is a huge stress reliever, but the problem arises when I either a) have the motivation but not the time or b) the desire to write but the inability to actually execute the process for any number of reasons. I need to plan more, I don't wanna type, I'm tired and would just rather daydream about the fic... the list goes on lmao.
48 - Who is your favorite character to write for? Has this changed since you've started writing for that fandom?
This is an interesting question since I love writing for all the characters I write for. Some more than others, sure. I mean, obviously I love writing stories about Emily, else I wouldn't keep doing it. But like Emily, I'm very attached to both of her long term boyfriends and love getting to write for both of them. Although I thiiiiiink Henry takes the edge.
It really just comes down to how creative I feel like being on that day. When I'm in the mood to be more creative I like writing for the Twilight characters more since... there's very little canon material to work with, forcing me to fill in the gaps. Giving more depth to characters like Jane or Sulpicia is such a joy, even if it's born of annoyance.
57 - How conscious are you about adding symbolism or foreshadowing in your fics?
Incredibly. I try to make every single thing in my fics very intentional, down to using specific words in simple sentences or dialogue. For example, this excerpt from Diplopia:
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If you know, you know, and you know this will be important later... and that it is not gonna be pretty. Foreshadowing is one of my favorite tropes because it gives a fic re-read value to go back and look for hints.
63 - What was the hardest part of writing His Tenebris Moenibus?
Many little things, but it all boils down to balance. Balancing Emily's shitty personality to still make her a somewhat likeable character that you want to keep engaging with. Balancing content and information in the show with keeping the story fresh (i.e. Henry telling Emily his backstory in a different way than he presents it in Episode 7 while still getting the same information across... admittedly in retrospect writing out his entire monologue when we eventually get to the massacre might have been unecessary, but I did it anyways cause I love and adore that scene, sue me). Balancing out how Emily interracts with people like Eddie so her presence in that part of the story doesn't seem forced or weird.
72 - What's your favorite writing compliment you've gotten?
I appreciate and adore every compliment I've ever gotten on my writing since they're all very special to me. Obviously the analysis comments you give me and I get stronger with every "good characterization" comment (I might be able to fight god soon). I even got compliments on Necrosis from someone whos fics I have not only read multiple times but have gone absolutely feral over... It's like publishing a short horror story and Stephen King telling you he felt creeped out reading it.
But I think the greatest compliments I've gotten are from people who've told me my writing changed their outlooks and minds on characters, Henry specifically. You've said this once or twice and I actually got @ohitshoneybee on the full blown Henry hype train... arguably initially because I put him through an emotional ringer with Diplopia and she felt bad for him, but still. This is a character I care about very much, more than I ever expected to, and it gives me a sense of pride that I can essentially make people somewhat see him the way I see him.
77 - Why do you enjoy writing fanfiction?
Oh, many reasons. Putting my own creative spin on my favorite fandoms, exploring ideas and adding extra dimensions to pre-existing lore... and making people have emotional breakdowns. Are you really a fanfic writer if at some point you haven't gone full Helmo?
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I think the most recent example is the fact that it's allowed me to take my childhood nemesis franchise, Twilight, and give it my own three-dimensional makeover. I basically started with Mopey, Angry, and Creepy with their (remaining) wives, Druggie One and Druggie Two. I put some thought and work into it and now instead of two dimensional, one trick ponies, I have full characters I can mold and play with.
Stephenie Meyer, if you're ever reading this, call me and I can have an entire guidebook whipped up to give your characters a full revamp (no pun intended).
I take cash, checks, or Venmo.
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ryuuaka713 · 3 years
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Bungou Stray Dogs Dead Apple: “You used corruption, believing in me? How Beautiful.” A “DISSECTION” OF THE SCENE
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I mentioned before in one of the posts by @nataliaphantomhivesblog​, where we were discussing about the corruption scenes in BSD, that the scene in Dead Apple is my favorite. So, I decided (like any SKK trash) to make an “analysis” of that scene, just to make a point why I like it the most compared to the other corruption scenes (as if this post is the definition of being productive like I’ll just wasting my time rambling here LOL)
I divided this post into two parts. Part 1 is the more difficult one where I am attempting to write some “character analysis”. While Part 2 is more about how the scene is composed (it’s pretty boring. I’m sorry)
I will NOT include the infamous Lap scene (I know. I know. We all love that moment. But I would rather focus on the scenes before that).
Side note: I do not specialize in film or literary critique, so really this whole post is just for fun. Thus, why I put quotes on the analysis. Take this is as my personal opinion where I’m attempting to make sense by making it sound “fancy”.
But anyway. Here it goes:
In every Corruption scene, the thematic notion is always Trust—as in Chuuya trusts Dazai well enough to use his ability so long as he is present to nullify it. It is a very life-threatening process, especially for Chuuya since Corruption, despite being one of the most powerful abilities, can cause self-destruction the longer he uses it. So, Dazai should keep a close watch on him at all times, and then even giving him a sense of comfort to compensate to Chuuya’s worn-out body and for his efforts. This is the same trajectory in all 5 episodes of Corruption, but out of all of them, what stood out the most (for me) is the scene from Dead Apple. 
This scene has amazed me ever since I first watched the movie. And while it just shows their infinite trust, the whole execution of this scene evokes more than just that thematic concept. What I see in this scene is something that all of us have already witnessed, but there is something unique in the way Dazai nullifies Chuuya’s corruption, and their dialogue may be just them bantering and yet, their tonality is different. It is as if, we just touched a moment that is reserved only for these two and we just happened to have the privilege to witness it. In other words, there is a sort of familiarity (or intimacy) and gentleness going on at this very moment—it is cathartic. This is what I want to look into—like how did we come to this?
PART 1: His Proper Partner.
In the Japanese version, ever since the episode where Chuuya made his first debut, they call themselves “aibou” (相棒), referring to a one-on-one partnership. While “nakama” (仲間)can also refer to a partner, it has a different connotation in which the closest English equivalent of that term would be “comrade” or “acquaintance”. The closest English equivalent of “aibou” is, to no one’s surprise, “partner” (or “pal”). And it makes sense, considering that the first kanji (相) can mean “mutual”, “together”, or “each other”. So, to have Dazai and Chuuya referring to themselves as that, it just manifests their familiarity on each other.
And in their case, their “familiarity” is both their advantage and disadvantage. It is a “disadvantage” because they use it to get on each other’s nerves (both in comedic and serious situations).
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However, it also serves to their advantage, especially when they have to cooperate in the battlefield. This comes into light in the Lovecraft Episode where they executed Operation Shame and Toad—Chuuya acknowledges Dazai’s tactical mentality, whereas Dazai (as he referenced Chuuya’s mastery in martial arts) let’s his partner do the grunt work. Interesting enough, this is the same episode we first see Chuuya’s Corruption (but not the first time he uses it).
Using Corruption stipulates that “familiarity”, especially in Dazai’s part who has to be present to monitor Chuuya’s physical state, therefore he is aware, not just the consequence in using Corruption, but also of Chuuya’s limit. This explains why Dazai declares that he is aware of Chuuya’s moves and “breathing pattern”, otherwise, as what he himself says, he “won’t be a proper partner”.
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What is witnessed in the Lovecraft Episode is the standard protocol that Soukoku uses when they are at their last resort. So, it is not a surprise that we get to witness Chuuya using Corruption, again, when he saves Dazai in Dead Apple, except it is done differently.
Even though Dazai is ten steps ahead of the enemy, the situation is still risky and even more complicated in Chuuya’s part since he is using his ability WITHOUT Dazai present. And that he has to save Dazai first before he can get it nullified. With that being said, it requires a careful approach, one in which they know the other’s moves—Dazai knows too well how Chuuya would react. For instance, the manga version of Dead Apple demonstrates how Soukoku communicates in their operation using “codes”. As such when Dazai got himself kidnapped, no one knew about his whereabouts until Hirotsu mentions about Dazai buying a microscope (to which it leads them to a dead end). However, Chuuya—upon remembering that Dazai teases that he needs a microscope in order to see him—demands to see that microscope, breaks it, and finds the transmitter. It is a well-planned strategy in Dazai’s part where all it takes is to leave helpful clues for Chuuya to pick up and catalyze the operation. In the Dead Apple movie, he does it again:
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Indeed, for the audience, it is not new to see Dazai planning ahead and having ulterior motives behind his actions. It is not new to see Chuuya executing his plans and understands his motives either. But seeing these two working together despite those four years of absence, and without physically communicating is beyond human comprehension. Almost like the microscope scene, Dazai is not there to directly tell him about his plan. Chuuya doesn’t know about the antidote until that punch as his only “clue” is that Dazai is working alone, so he sees that something is amiss.
Seeing the critical state of Yokohama, Chuuya knows that he will use Corruption, but seeing Dazai’s corpse, it gives this uncertainty on whether they can make it out alive or not. And yet, what did Chuuya do? He jumped off the plane and activates his ability, knowing that there is “no time to chicken out” or else Dazai’s plan won’t work, and they’ll end up dead. Even if it means doing the job to protect the city, it still takes guts for Chuuya to work and place his life on someone he “hates”. Despite those 4 years of absence, the scene in Dead Apple just manifests that they never doubt each other’s capabilities. And to further validate this, let’s check out their dialogue:
           Dazai: You used Corruption, believing in me? How beautiful.
           Chuuya: Yeah I did. I believe in your disgusting vitality and craftiness.
           Dazai: That was a somewhat violent way to wake up Snow White.
           Chuuya: Tch. You’re the one who hid an antidote your mouth knowing I would punch you.          
Not only does this scene perfectly parallels to the Lovecraft episode where we see Soukoku bantering while still in a critical situation, it also emphasizes the degree of their trust and how that trust has taken root from their familiarity.
Dazai: You used Corruption, believing in me? How beautiful.
Chuuya: Yeah I did. I believe in your disgusting vitality and craftiness.
Dazai’s first line is the main idea of their partnership, echoing Chuuya’s quote from the Lovecraft episode: “I used Corruption because I trust you”. This is a vital aspect in their relationship since it has been stated before in Fifteen and Stormbringer that “no one has trusted Dazai”… until Chuuya comes into the picture. Ever since their first teamwork against Rimbaud, Dazai finally has someone he can rely on both in strength and assurance, even smiling at the fact that Chuuya doesn’t even deny his proposal but merely asks for his reason.
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With that being said, then it is appropriate for Dazai to say that line, touched by the idea that Chuuya still constantly trusts him. It just reminisced so much from what they have as children that it seems to this day, they never forgotten about it.
On the other hand, in Chuuya’s end, he confirms that trust and provides a reason, which is appropriate since Chuuya is Dazai’s “reason-living” like in Fifteen:
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Chuuya’s line—“I believe in your disgusting vitality and craftiness”—is very similar in the excerpt from Fifteen, and this just shows how that line from the movie indicates his familiarity to Dazai. By “familiarity”, I mean that he knows his partner’s mental process and motives (as I have mentioned above). In this case, it seems like Chuuya has seen something that he and Dazai have in common: the desire to live. Of course, the latter always craves for death, but with his new viewpoint on Death, his mission in fulfilling Oda’s wish, and the fact that he is tethered to someone who wished to live, Dazai just couldn’t die. And Chuuya, being his constant companion, knows this. This is why Chuuya “believes” that whatever plan Dazai has on mind, it will always work, and in the scenario in Dead Apple it starts by taking a leap into Corruption—which is ironically, the very thing that could kill Chuuya, and by extent, would cause Dazai’s death if the plan is not well-thought or if they don’t work together. By referring to his “vitality and craftiness”, Chuuya is acknowledging his familiarity on Dazai, admitting their “rotten relationship”, and justifying his trust on him.
Dazai: That was a somewhat violent way to wake up Snow White.
Chuuya: Tch. You’re the one who hid an antidote your mouth knowing I would punch you.
Another interesting thing I find in the dialogue is Dazai’s line: “That was a somewhat violent way to wake up Snow White”. Fans think that this is Dazai flirting, where he is implying that he wants to be kissed by Chuuya the same way the prince does to Snow White. For me, I think this little dialogue is more than just fanservice since it makes sense, not only in the context of the movie containing motifs of a “poisoned” apple. I think the reference of the fairytale in this dialogue not only foreshadows his “death”, but it also highlights their dynamic whenever they work together with Dazai acting childish and Chuuya knowing that he is actually being serious (or the fact that he cracks some jokes in most Post-Corruption scenes). This is still related to the whole “familiarity” theme that I have been rambling about; as mentioned before, Dazai and Chuuya would use whatever they know about each other just to rile each other up. These moments are generally meant for comedic effect, but these teasing and bickering can serve as their advantage.
Similar to the microscope scene I have mentioned, Dazai makes that microscope comment seem like a childish joke on the surface, however, Chuuya picks this up as a clue and sees his real motive. This kind of synergy is seen again in the prologue of the movie where Dazai jokes about Chuuya getting hit by bullets when he is in close range of the enemy, and yet, the latter takes it as a warning that an ability-user is nearby. We really don’t know if Dazai leaves a Snow White-related clue for Chuuya before the events in Dead Apple (it would have been pretty cool tho), but that dynamic in the microscope incident and prologue is very similar to that dialogue we see in the movie: Dazai is being playful, but Chuuya sees and calls out his ulterior motives. This is how Soukoku works!
PART 2: The Art of Catharsis
The relationship of Soukoku in the battlefield is one of the best teamwork we have seen in the anime. Both parties are synchronized in the way that Dazai’s brains and No Longer Human, and Chuuya’s fighting skills and Corruption perfectly compliment each other. Moreover, we also see the basis of that partnership, and this is something that the creators want to highlight in this scene (in other words, how did the animators deliver this dynamic?)
In my opinion, I think the words “gentleness” and “cathartic” fit in this scene. To start off, before this moment takes place, we have witnessed Chuuya fighting the Dragon.
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That scene was intense! Chuuya activates Corruption, generates into pure destruction with him yelling Dazai’s name (despite the fact that he is not supposed to be in a proper mindset). The way this scene plays out is interesting; in the shot, we see the two main figures (the Dragon and Chuuya) mostly in red—which is a very vibrant color—in contrast to the blue and green background. By using the color that pops out, the attention is on them, and it is topped with the amount of action in that moment. Not to mention, the background music, containing a rock music and a rap, elevates that energy. It is a scene that heightens the adrenaline, so the audience can empathize with Chuuya—understanding him as a character that is full of life, and also his hastiness to kill it before he runs out of time.
When that fight is over, we notice that the music alters into a string orchestra. This is a very good change because the tempo is slower—a direct contrast to the rap music—as if it is slowly bringing the audience down from the hype in the fighting scene the same way Chuuya slowly goes down and hovers Dazai’s body. The music immediately stops right on cue when the punch happens, then the audience is left in silence. Usually in films, silence is used for the purpose of anticipation. In this case, the anticipation is placed on whether Chuuya’s punch and/or the pill worked and saved Dazai.
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The transition from the white background into a blue background should indicate that Dazai is alive. And yet, the animators did this subtly rather than showing Dazai’s face (like in Season 1 episode 1), just so the audience is still in the state of anticipation (add that with the white noise in the background). Furthermore, there is a fairytale quality in that shot, like this is similar to when Sleeping Beauty (in this case “Snow White”) wakes up, that’s when the colors in the castle come back.
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Getting close to that iconic shot, I love how the animators keep the “camera” in the same place (Chuuya’s face), that way we can further empathize with Chuuya by seeing a close shot of his state: he was at his limit! But as soon as the blood starts moving away from the screen, we can see a bandaged hand moving to his face. And then, finally!
Words cannot describe how much I appreciate the details of that scene, especially on Dazai’s gesture. He moves his hand slowly but quick enough to nullify him right on time. Not to mention, he does not just touch his cheek but rather cups it (look at the shape of his hand!). One can say that the gentleness in Dazai’s gesture is the exact opposite to Chuuya’s punch, and this sort of contrast further highlights the catharsis in this scene. In other words, after all of that intensity with the fight and seeing Chuuya’s bloody state, it is relieving to see that familiar hand touching him, indicating that Chuuya can rest. And seeing that we witnessed and empathize with him, we know what it feels like.
With that being said, that’s why the third shot above where the hand is fully placed on his cheek and he made a short gasp is my personal favorite. It is the contrast in Chuuya’s face where we can still see “Corruption”, and Dazai’s hand to which he activates “No Longer Human”. I have seen some people complaining about how they want to see Dazai’s face in this scene; personally, I think this scene is animated brilliantly as it is. It is only fair to see a close up of Dazai’s hand to indicate that he is nullifying “Corruption”, after all, “No Longer Human” is works through touch. To top it off, the beauty in “not seeing the face” is more powerful because it leaves more to the imagination—we don’t know specifically what kind of face Dazai is making, but the way that hand moves alone is enough to tell us what he is thinking at that moment. And finally, upon contact, we see Chuuya making a slight twitch—this is when Corruption recognizes No Longer Human and deactivates. This is when Chuuya recognizes that familiar touch and knows that his partner is finally awake, so he can finally rest.
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Then we have that iconic shot! Like the one I mentioned above, the camera stays in one place, only this time, it is a long shot, so the focus is on them (thus they are on the middle). Interesting enough, there is no background music in this scene, and we can’t see their expressions. Usually, in this anime, when a character is seen faceless, in order to determine what they are thinking are feeling, the animators would usually make them do a gesture or a dialogue.
In this scene, where everything is silent and their faces “unseen”, our focus goes to their exchanges. Both Mamoru and Taniyama use their “bedroom voices”, and I think it is appropriate considering that their dialogue contains a deeper meaning in regards of their relationship. In other words, as mentioned before, it may seem like another day of bantering, but with their tone, there is something sincere and intimate in what they are saying. Also, the playfulness in Dazai’s comment and Chuuya’s response hits different compared to their other moments of constant yelling. You really don’t need the close up of their faces in order to see that they are at peace in each other’s company.
In addition, the color scheme of the scene is predominantly blue, which makes sense, not just because of Dazai’s ability, but also because it highlights the serenity in the scene. The blue color, the orb, and the bandages that glide silently are animated in a way that they buffer out the red that we have seen back with Corruption, and also indicates a sense of “protection” (which is later seen in the lap scene when Dazai has to protect Chuuya from the fog). In short, the ambiance perfectly fits with how Dazai is there to give Chuuya a sense of comfort in Post-Corruption, letting him rest so that he can compensate for all that he did.
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The scene in Dead Apple is something that lies in between of the familiar and the new—we have seen Dazai and Chuuya in this situation before, we know how they function as a team, and we know the level of risk they are taking. But this is something that we have never seen before; like subtleness in his gestures, the softness in their tones, and the fact that these two are in a position where they are saving each other, which becomes part of their instincts. They show how much they trust each other by knowing how much they knew of each other. They acknowledge the fact that their fates are tethered regardless of the years of absence. And finally, it is not just the Prince saving Snow White, but rather: the Prince saves Snow White and Snow White saving him in return.
OK, I just literally fried my brain. If you’ve read this far, I thank you so much for your time! I am so sorry if this is too long. I welcome for any critiques or discussions. So yeah, that’s my ted-talk
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candied-cae · 2 years
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I've Rambled About the Witcher Once or Twice
This is going to be an ongoing masterlist for all the OFMD stuff my brain does - it's somewhat organized by its subject/style with little descriptions! But if you wanna check out my fics or drabbles... Click Here!
Art: ...
Edits: ...
Clips: ...
Proper Thoughts: ...
The Difference Between The Golden One and Burn, Butcher, Burn - short comparison between the two songs and the hints and context clues it gives on how Jaskier felt and his timeline Post-S1E6 Mountain BreakUp.
I think Jaskier only performed Burn, Butcher, Burn once
I Don't Think Jaskier Really Trusts Geralt Yet - Analysis on the Geralt/Jasker reunion scene and how it looks like Jaskier is still hurting from what Geralt did to him and is still doing
Geralt Moving to Catch Jaskier's Vest - a little ramble on how this scene looks like the first steps Geralt's taking to prove he deserves the second chance he's getting from Jaskier.
Geralt introducing Jaskier and Ciri makes me mad every single time
Wait a Minute, Jaskier did Elven Activism through song? - pulling together context clues from the scene in S2 where Yennefer and Fringilla mention Jaskier's songs to Filavandrel and what that might mean in the grander scheme of his life and career
Jaskier may be Taylor Swift in the Witcher, but if he attended a Mitski Concert he'd be on his knees - excerpts from Mitski's "Nobody" and "Old Friend" why they are super similar to Jaskier's situation.
We deserve a Geraskier SnowWhite!AU
I want Marilka Back - I miss her and I loved her character, especially her profound effect on Geralt following that first episode.
"Have You Ever Shed a Tear Over Anything Elven?" - Massive appreciation post for this incredible line from Francesca to Yennefer with small analysis on why it's important and accurate.
^Pt. 2) this is not to say Elves who "pass" a human should be excluded from the community - further explanation of Yennefer's relationship with her Elven Blood and why she has alienated herself from the community, not the other way around.
Were there Non-Mutant Wolf Cubs Vesemir Raised at Kaer Morhen? - headcanon that since there was no way to tell the Continent that Kaer Morhen lost the ability to make more witchers, there were probably many more boys who were left to the keep who might've been taken in anyway.
People Don't Understand Vesemir? - an analysis on Vesemir's character, motivations, and canon backstory on why I believe it made a lot of sense for him to want to turn Ciri (and others) into Witchers. Minor Spoilers from Netflix's Nightmare of the Wolf.
Yennefer and Cahir's Wanted Posters - Let's look at these for a moment. You try to tell me anyone was going to actually catch them based on these if not for plot reasons and them acting suspicious as hell.
Oh My God, I forgot Yen had siblings, and they could still be alive?!
Why does TWN quote a line from the books that doesn't appear in Season 1? It Doesn't Make Sense. Geralt shouldn't have this quote in the show's Canon
Why I want to like Yennefer, but struggle to sympathize due to many writing choices from S2 - Character Analysis on why Yen being a morallly grey character is already difficult for me, but with what they did with her S2, particularly how they wrote her and Ciri together, I'm really not enjoying her :( Love the Fanon, but in Canon Yen stresses me out
Netflix is making Geralt and Yen look like a married couple who want to/should get divorced, but try bringing a child into the relationship to "fix" them and I hate it
My Critiques of Yennefer and the decisions the show makes with her character are criticisms of the Writing, Showrunner, and Production team. It is NEVER about Anya
I think the writers ruined the dock scene when they killed someone - analysis on the SandPiper scene on the dock and why it makes scene for Jaskier to retaliate, but it looks like he killed someone for being immature.
S1's excessive nudity was atrocious and I am so happy they dialed it back for S2
Silly Stuff:
Jaskier invented icon behavior when he wrote The Golden One
The Golden One is barely in the show and it makes me MAD
The Saddest Death of Season 2 (joke + obvious S2 spoilers)
I'm choosing to believe Jaskier DID "win the hearts of the huntress pair"
Sometimes I cry at my job while I write Angsty Geraskier fanfics on the computer (meme)
If the Continent treated Geralt like TS fans treat J*ke Gyllenh*l after BBB (joke)
My Geraskier fanfics aren't horny, just really S A D (meme)
I watched S1 of The Witcher in my senior year at highschool, and those fanfics had me by the gd neck
The Witcher is just Fantasy Queer Eye because I said so (+ lil sketch)
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messrmoonyy · 3 years
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number 3 from the physical touch list (hiding face in neck) for remadora please :)) (no pressure)
Not me neglecting previous prompts/requests because this one the one I got motivation for.
Prompt from this list.
I used this to do my spin on the aftermath of the Battle of the Seven Potters, Cause I like anxious overprotective Remus🙃😗✌🏻( I also changed like. The entire dialogue from the original scenes because why not ). Think battle of seven potters but add a little ✨spice and drama✨. I went off on a total tangent on this tbh. As I do with every prompt it seems. Anyway. Hope you like it my dear anon.
Pairing: Remus lupin x Nymphadora Tonks
Warnings: none
Check my masterlist for all my other writing!
She was late. Incredibly so. Her and Ron should have been one of the first pairs to arrive at The Burrow, he’d arranged for her to have one of the shortest routes. He’d not told her that of course but he was quite sure she’d known he’d gotten a little too tetchy and secretly spoken to Alastor. But he had a right to be over protective didn’t he? This was was his wife. The woman he had literally, and in every sense of the word, sworn his life to. Sworn his dying breath to protect her, care for her.
Yet he’d let her put herself in danger. He could have tried to persuade Alastor to let him and George go the same route as Dora and Ron, or at least in the similar direction. He knew he had to be focussed on the war effort, knew he had a duty to protect the children. But… he also had a duty to protect her. His wife. His Dora. And now for all he knew Bellatrix could have struck her down, her body lying lifeless in a field somewhere.
He wasn’t a particular calm man at the best of times, his stress had its own stress, but he had never felt worse than he did in that moment. He’d already practically attacked Harry, was in no way of any comfort to George and Molly. Or anyone else.
So he was waiting out of the way by the window, constantly looking up at the sky through the glass and waiting for her to materialise through the burrows guards, come skidding over and laugh at him for being anxious over nothing. But the sky remained clear of her vibrant hair and her joyful laugh. The stars practically mocking him as he waited.
“ she’s a tough one. She’ll be okay “ Kingsley had appeared at his side “ Bill and Fleur, Ron and Tonks. They’ll all be here soon. Stop fretting Remus “ Remus almost laughed at the sheer stupidity of telling him not to fret over her. As if he ever did anything else. He always worried for her safety, had done long before they had even become a couple. Waiting up for her to come home from late shifts at the ministry in the days she’d stay at Grimmauld, worrying about her when she’d turn up with a new bruise or gash from something. Marrying her had simply made him fret more.
He’d never felt so protective of anyone in his life, never thinking he ever would either. Yet here he was, constantly putting her first and wanting to do nothing but take care of her. She never left his mind, was his first priority forever and always. He didn’t even want to think about what he’d do if he ever lost her, if he ever failed to protect her.
“ Bill and Fleur were scheduled to arrive as one of the last. Dora and Ron should have been one of the first pairs here “ he said it slightly more harshly than intended and turned to apologise to his friend immediately after, but as he did there was the sound of something passing through the guards outside.
Remus charged outside, almost tripping over his own gangly limbs as he went. He froze to the spot in a mixture of shock and relief as Doras broom appeared in the sky, the bristles smoking and charred as she made an unsteady decent to the ground. She landed in a long skid,stumbling from the broom and directly into Remus’ arms. She practically fell into him and would have knocked him to the floor if he hadn’t been stiff as a board.
“ Remus “ she gasped, hugging him so tightly it took the air from his lungs. But he didn’t even care, he’d give his last breath if it meant dying with her there in his arms. Because she was alright. She was right. There “ was so worried about you. The death eaters and- fuck I know you’re really no good on a broom and you bloody hate flying at the best of times. Merlins balls I was so scared “ she rambled so fast Remus barely understood what she was saying to him.
His hand slipped into her hair in some attempt to hold her as close as he could, still trying to accept that she was really there. Safe. Alive. He had worried for nothing of course. He should have known. She was tough. So much tougher than he gave her credit for it seemed.
He gently pried her out of his grip slightly, needing to see her face just to make sure it really was her. That he wasn’t dreaming it.
“ where were you “ as had most of his words that evening, it came out a little harsh but she didn’t seem to care. She reached up to cup his face in a soothing manner that was the complete opposite of his previous words to her.
“ Bellatrix. Wants me dead just about as much as Voldy wants Harry. Missed our port key. But I’m fine. Ron’s fine. We’re fine. You’re fine? “ he could feel tears welling in his eyes and he felt a bit stupid, but he couldn’t help it. Words failed him and he simply just nodded and pulled her back into his arms “ fucking deatheaters “ she grumbled.
He pressed his face into the crook of her neck, breathing in her scent and letting it calm him. She smelt like the fresh air, her hair all wind tousled and the slightest hint of smoke. Probably from her charred broom. Her hand rubbed gentle circles into his back and it made him feel… small. Which was funny with how much smaller she actually was compared to him.
“ sweetheart… I’m fine “ she said softly, clearly reading his fear still evident on him “ Remus “
He lifted his head as her hand patted him lightly, but he couldn’t bare to part from her again just yet and his forehead dropped to hers.
“ I’m afraid I underestimated you once again, darling. I knew deep down you’d make it back to me, I’m getting far too old to be worrying like this “ he said with a hint of a smile.
“ oh don’t worry, you won’t get rid of me that easily. Take more than a few of old Voldys mental lackeys to take me out. You’re stuck with me now. Im going no where “ their faces were so close he could feel her cheeks shift as she smiled with her words. Her nose brushed against his before she pressed a kiss to his lips. He usually was rather strict on his avoidance of showing affection to his wife in front of well… anyone really. But he happily kissed her back, even if he did cut it off a little shorter than he truly wanted. Still wondering at the back of his mind if any of the order were secretly judging him. It’d never escape him no matter how hard he tried not to care about it.
As they pulled apart she then only seemed to notice that there was blood on his hands and his jacket. She took a step back, her hands suddenly searching for an injury.
" blood? Remus? " her hands were frantic as she yanked at his collar, pushed up his sleeves, searching for anywhere she could find an injury. He grabbed ahold of her hands and shook her slightly so that she would look at him, it was clearly her time to fret and not his.
" Dora. Dora relax. It's not mine. It's not my blood. George was hit.. don't worry he's alive. He's lost an ear but he's okay. So am I. Not my blood love, it's not mine " she couldn't seem to help herself then and dived for lips again, holding his face in her hands and kissing him harder than before. He still couldn’t help but be a little reluctant but kissed her back, his embarrassment of kissing her in front of others not mattering when they were both just thankful to be alive and with each other.
" I'm just so happy you're alive " she whispered when she pulled back, resting her forehead to his. He opened his mouth to say something else but suddenly she was yanked out of Remus' embrace and shoved away, her clumsy legs stumbling in the gravel and she fell quite ungraciously onto her ass with a grunt of pain. Remus immediately rushed to her side in confusion.
" what the fuck! " she shouted and Remus looked up to see that Kingsley had been the one to pull her away, his wand now pointed at her face.
" Kingsley! Lower your wand! " Remus immediately jumped to her defence, crouching beside her and placing a hand to her shoulder  " Dora are you okay? Dora? "
" someone betrayed us we have to check everyone. You didn't even confirm her identity Lupin, she could have killed you. Look I didn’t mean to knock you down- we have to be certain you understand? "
" are you bloody mental?! " Dora yelled again, rubbing at her elbow that she’d clearly hurt on the way down.
" Kingsley... lower your wand she got Ron back safetly it's quite clearly- "
" we have to check " Kingsley said cutting off Molly, who had come outside with the commotion. Remus helped her back to her feet and then grabbed her hand, stepping in between her and kingsleys raised wand.
" lower. Your. wand. " his voice was commanding as he could muster, Kingsley was his friend. But Dora was his wife. And she came first. And he would put himself between her and a raised wand any and every time. No matter who was on the other end of it.
" Nymphadora Tonks gave me a present for my birthday last year. What was it?" Kingsley asked, ignoring Remus entirely, his wand still pointed at her as she was half hid behind Remus’ body.
" this is ridiculous! We're all turning on each other now? "
" answer the question " Kingsley ignored Remus again, which only made his blood boil more. He was already on edge that evening with the fear of losing his wife. This wasn’t helping to lower his stress levels.
" I know my own damned wife- "
" what was it! " Remus drew his own wand then at the increase in Kingsleys anger, pointing it in Kingsleys direction.
" Remus! "
" lower. Your wand. And step away from my wife " he demanded, not wanting to hurt Kingsley… but willing to if he had to.
" you don't even know if that is your wife"
" please! Stop the both of you! " Molly shouted.
" fucking hell " Dora said and held onto Remus hand harder, stepping better into view " I gave you a new set of quills because I charmed your last lot to throw them self out the window whenever you touched them. Happy? " Kingsley was quiet for a moment longer " now drop your wands. Both of you " Kingsley looked to Remus before finally lowering his wand. But Remus couldn’t. He felt betrayed almost, that someone he thought as a friend would do something like threaten the woman he loved.
Dora pressed gently on Remus' wrist to make him too lower his wand when he didn’t do it if his accord immediately " Remus. Lower your wand...Remus “
" this is exactly what Voldemort would want. To see us all turning on each other. We cannot let ourselves get paranoid like this " Remus said bitterly, wrapping an arm around his wife protectively and finally dropping his wand arm. He knew that Kingsley has been right to check in a way. He had needed to check. Though there were much better ways to go about it rather than pointing a wand at her head. To hold a wand to a witch or wizard was one of the most disrespectful things you could do.
" someone betrayed us "
" Dora and I are never out of each other's sight long enough for anyone to have made a switch or have her as their spy. And you know that. How dare you hold a wand to her head. How dare you " Remus was itching for an argument. And Dora could sense it, also so incredibly good at reading his emotions and thoughts before even he was.
" Remus " she said softly, lifting a hand to gently turn his face to look at her instead of glaring at Kingsley " Remus look at me " she ran her hand gently through his hair and he instantly seemed to relax. His own muscles losing tension without his consent at her touch. She had a knack at being one of the only people to get him to the calm down in almost an instant. Sirius and James had been the only other people he knew that could " relax. It's okay " she transported them into their own little bubble. As if the others were no longer in the burrow too and she kept him there, gently rubbing at his hand until his first unclenched and angry breaths returned to normal.
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myhauntedsalem · 3 years
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13 True Horror Stories from the Psychiatric Ward that Will Give You the Creeps
Death, illness and tragedy have long been part of the history of insane asylums, and for as long as they have existed, so too have the scary stories associated with them. From haunted hospitals to sadistic doctors and nurses, psychiatric wards have been the inspiration for many of our favorite horror movies and books. Yet, the true stories told by the psych ward workers below far surpass any horrors that we might have seen at the cinema or read in a book.
Without further ado, here are thirteen of some of the creepiest psych ward stories on the internet that have been shared by health care professionals.
1. Holding her own Eyes
My mom told me this story from her time at a neuropsychiatric ward while she was in grad school. She was making her routine room checks and happened upon the most horrific scene I’ve ever heard.
This was during the night shift, and generally, all the patients’ bedroom doors should be closed. So my mom turned a corner and noticed an open door. She saw a staff member’s legs on the floor, halfway out the doorway.
When she looked into the room, she saw the patient, a woman with a severe postpartum psychiatric disorder, who had just gouged both of her own eyes out with her bare hands. She was sitting cross-legged on the floor, holding her eyes in her hands.
The first staff member to witness the scene, who was now lying face down on the floor, had a heart attack when he first witnessed the woman while he was making his rounds.
My mom screamed for help and frantically tried to perform CPR on the staff member. All the while, the woman just sat rather calmly, holding her own eyes.
2. The Saw
I work as a psychotherapist in a hospital system. My definition of creepy is probably quite a bit different from other medical professionals.
The one that got to me the most was a patient who came to us after attempting suicide by sawing both his arms off at the forearm with a table saw. His arms were reattached, fairly successfully too, with only limited impairments in mobility. All I could think was how bad it would have to be to live in his head that sawing his arms off seemed better than that.
He has since completed suicide.
3. Jane?
We had a young lady in our custody with quite a few issues. We’ll call her Jane. Jane’s first night at our facility staff doing a bed check found Jane in a puddle of blood. Turns out Jane had been slicing the skin around her shin with her finger nails and was pulling her skin up her leg, essentially de-gloving her calf.
Jane also had a ritual she performed every night before bed. While in her room she would run between walls in her room touching them in a crucifix pattern. After doing this for a few hours she would sit on her bed and go to sleep. This particular night Jane was frantic in her pace, practically running between walls. Our night staff observed the entire interaction and reported Jane screaming late into the night. When the staff went to check on Jane she reported Jane standing in the doorway smiling. The staff asked what was wrong and Jane replied, “what makes you think you are speaking to Jane?”
4. The Vampire
My mom worked in mental institutions in her younger years (and actually worked at a large, well-known asylum before it was shut down.)
There was one woman there that thought she was a vampire of sorts. She was only allowed out one hour a day, and they had to use safety precautions. She had already attacked and killed at least one hospital worker before these were enacted.
When my Mom asked about her, it was revealed that she had killed at least two of her children, wounded another as well as her husband because she had some sort of physical condition called Porphyria, which apparently made her crave blood.
By the time that they discovered there was something physically wrong with her, she already had lost her mind from guilt and grief.
5. The Spitter
I’m not a psychologist but my friend is. She told me about a patient of hers who was HIV positive and a paranoid schizophrenic. He thought that the nurses who worked at the hospital he was in were trying to kill him, so he would frequently bite his tongue, and spit HIV positive blood into their faces/mouths. When they had to come into contact with him, they were required to wear full masks and gloves.
6. The Only One
I once knew a woman who had spent part of her residency at a psychiatric hospital for people with severe mental conditions. Apparently, the grounds had a lovely, enclosed greenhouse. One day, one of their schizophrenic patients was sitting on a bench, smoking a cigarette, as a heron frantically flew around. It had found its way in and, not being able to escape, it was smashing into the large panes of glass. The man just sat there watching.
Finally, my counselor asked him if the bird was bothering him and he kind of sighed and said, “Thank god, I thought I was the only one seeing that.”
7. Family Photographs
My sister is the director of a psychiatric hospital. There was recently a lady there who would cut her arms, legs and torso open and place photographs of her family under her skin.
8. Under the Bed
Once, a fellow female patient told me she found writings under her bed. They were just old, small wooden bed frames with hard mattresses that would make all kinds of noises when you rolled over, but I still wondered what exactly she was doing lying under her bed to find these writings.
When she first told me, I thought it was a joke. But sure enough, one day during group we managed to sneak away, and she showed me. Indeed, there were stories written under her bed. After that, we had everyone check under their own beds, and there was more writing under every single bed.
They were stories of patients who had stayed here before, or ways they were planning on killing themselves, or who the good and bad nurses were. It creeped me out.
9. Time of Death
Well, my mother was a nurse that specialized in geriatrics, and she worked for several hospice hospitals for many years. She often described situations at her work with several of the patients. She would say that each person tends to have a very similar “checklist” that they follow right before death. This checklist often ended in a very similar way.
They would get caught talking to someone that wasn’t there. When asked who they (otherwise lucid people) were talking to, they would describe an individual who was already dead. When asked what they were talking about, they would say that their relative wanted to know if they were ready to move on. A pretty common response would be, “Yeah, he/she said that she will take me tomorrow at 3:00.” Well, it would often happen that they would die at the exact time their relatives quoted.
10. The Test Subject
I had an hour-long conversion with a delusional guy who was confined to a mental health facility, and who was probably smarter than I am. Lots of these folks believe that somebody – often the CIA – is either beaming thoughts into their heads, or has implanted a microchip in their brains for this purpose. This guy was offering a very thoughtful argument as to why such claims should not be so quickly dismissed.
“It’s precisely because such delusions are so common that mental patients make the best test subjects,” he said. There he was, confined and protected, constantly observed, his health and behavior documented, and there is zero chance that anyone would ever take his concerns seriously. How else would you test and improve such technology? Does the government not have a strong motivation and a plausible ability to create such a device?
“You can see I’m not irrational,” the man said. “I’m just straight-up telling you that they are doing this to me. I know just how unbelievable it sounds, and yet, here I am.”
11. The Boy who Loved Knives
As a tech in psych years ago, there was a 7-year-old kid sent to the floor because the mom didn’t know what to do with him. Sadly, common thing to happen, even if the kids don’t have psych issues. Anyway, the mom was shaking and crying, and they had to take the kid into another room. She was genuinely afraid of her own son. She had suspected something was wrong when she kept finding mutilated animals in the backyard, but never heard or saw coyotes or anything around. The neighbors smaller pets started disappearing. The boy had an obsession with knives, hiding them around the house. Denying anything when the mom confronted him. Then when the two started getting into arguments, he would get really violent and hit her, push her down and kick her, threaten to kill her. On multiple occasions she woke up in the middle of the night with him standing beside her bed, staring her in the face. She put extra locks on her bedroom door to feel safe while she slept. The last straw was when she lifted up his mattress and found 50+ knives of all shapes and sizes under there. So she brought him to us.
I remember talking to him, treating him like he was just any other kid that came through. He seemed remarkably normal, until you spoke directly to him. He had this way of looking right through you, or maybe like he didn’t see you at all while you were speaking.
He would respond like a robot, like he was just saying words because that’s what we wanted to hear. And he would always put on this creepy, dead-looking smile. Like all mouth and no eye involvement in the smile. Especially when he would get away with something, like taking another kid’s markers and they couldn’t figure it out. Still gives me chills laying here thinking about him.
I believe I met a 7-year-old psychopath.
12. The New Mom
I was a pharmacy technician at a hospital with a psych ward for some time. We would have to go around with a cart and dispense the patients’ medications, and being a 5’2″ girl, a security guard or male nurse would accompany me, just as a precaution. I never had any real issues other than the occasional death grip onto my arm or manic outbursts, but there was one boy who was entirely different.
His chart said he was nine and he had pale skin, dark hair, and huge bright, green eyes. He always greeted me in the most polite way, asked how I was doing, and always found something different to compliment me on every time. He was extremely well-spoken and mature for his age, so I began looking forward to seeing him, as normal small talk is definitely cherished in that setting. If he saw me outside of his room in the halls, he made sure to say hello and always called me “Miss Jones” or “ma’am.”
One day, a couple of our female nurses saw me pause to chat with him in the hallway, and waved me over to ask if I was out of my mind. Apparently, when he was in kindergarten, he grew an intense attachment to his young female teacher.
This escalated to the point of him calling her “Mom” and leaving notes for her about how he wished he were her son. He had a normal home-life with both parents, and the teacher tried to explain to him that she couldn’t be his mom because that would hurt his real mother’s feelings, and that she already had that job covered.
So, he went home and, killed his own mother in her sleep by cutting her throat, so his teacher could be his mom. The female staff had a general rule of not interacting with him excessively to prevent any kind of attachment from forming.
13. Bugs
Nothing I can say can possibly describe the year I worked in Psychiatric Intensive Care. Creepy isn’t the thing that comes to mind when I think back on it…more heartbreaking and horrifying. But creepiness was a part of it. Especially evening and night shifts, naturally.
There is always something disturbing about watching someone while they hallucinate. You can tell it is 100% real to them, and something about that makes you believe it, on some level. A lot of stories end with, “and of course, I had to look over my shoulder to make sure”. You see the emotions it brings out.
There was a woman that came in and sat down across the table from me for her admission interview. She had bandages all over her arms and scotch tape over her mouth and ears. She looked very uncomfortable and wouldn’t really sit still. When the nurse would ask her a question, she would peel the corner of the tape back and answer, then stick the tape back on really fast.
We eventually found out that she saw and felt bugs crawling all over her, and they were trying to get inside her body. The tape was to keep the bugs out. The bandages were because some bugs got in and she had to dig them out. She couldn’t sit still because she felt the bugs all over her even while we sat and talked. The worst part was, she had some idea that it was her mind playing tricks on her. Can you imagine going through your life, feeling like someone is continuously dumping buckets of cockroaches on your head, feeling like they’re all over you and getting inside of you to the point that you’re digging chunks out of your flesh in a panic, all while knowing intellectually that none of it is real?
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dauntingdarling · 4 years
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In Defense of the Weeping Monk
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So during my first ramped scrolling of Weeping Monk content post-completion of the series, I came across a number of people against the Weeping Monk not just for this storyline but because of how people have been quick to obsess over him and ship Nimulot.
In particular, calling the Nimulot ship racist or homophobic, his character a predator, and those shipping him with anyone toxic. While these points are valid and come from a place (I would assume) of good intentions (anti-homophobia, anti-racist, protect the children etc.) they are strong accusations that should not be linked to this character. And here’s why:
Racism:
-I’m going to be blunt here. Seeing as Racism isn’t a joke, it shouldn’t be thrown around as an excuse not to like WM just because said character didn’t end up with a person of color. If you don’t like him, you don’t like him. Don’t blanket cover your reasoning with a serious accusation that even today is still running rampid and needs to be taken seriously in today’s society (see George Floyd)
-It would be one thing to call out a show if they were expressing Racist undertones, but Cursed hasn't. Two of the most powerful characters in King Arthur lore are played by wonderful actors of color (Arthur and sister Morgana) and should this show continue, we will see the pair of them raise in the ranks of power for both good (King Arthur) and evil (Morgan le fay). 
-People are stating that WM should have been black, as we’ve had more than enough white edgy boys out in shows and movies (see Winter Solider, Kylo Ren/Ben solo...) I’m not against the idea of a black or someone other than white actor portraying WM. That’s not my fight. My fight is over disliking Daniel Sharman’s casting because of his race rather than his acting skill. The guy plays WM fantastically and shouldn’t be docked points just because he’s a white British guy. Like... come on. 
-I could go on, but we have more topics to cover so I’ll close this part with this: keep up the good fight to end Racism, but don’t use it to elevate your own ship/actor profile/ etc. 
Throwing around this topic to benefit your own belief (more than just in media) is what makes people degrade racism in the first place. Don’t be that person.
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Homophobia: 
-WHY WOULD SHIPPING NIMULOT BE HOMOPHOBIC? WHY
-I would have thought this show already established that they were not homophobic seen by the great response Nimue gave to Morgana after spotting the scene above^. She normalized their relationship as any other and that was beautiful *chef’s kiss* 
-Back to WM, from what I read on the topic from a person with this view, they stated that because people are shipping Nimulot over Nimue and Morgana (I’m sorry I don’t know their ship name), they are homophobic? WHAT
-Dude that’s great that you saw the fantastic chemistry between Morgana and Nimue, but do you really want Nimue to bed both siblings like that? 
-What I just stated isn’t my real fight on the topic, it’s just something I just thought of as I am here typing away. My fight here is just because Nimue hasn't entertained the possibility of a romantic relationship with Morgana doesn’t mean those shipping Nimue and WM together are homophobic. We just are ex-reylo trash (as I’m noticing so far) and love the enemies to lovers trop. 
-Also I am pretty sure that those shipping Nimulot adore the relationship Nimue has with Morgana as they give off major feminism vibes. And have a healthy relationship overall. 
Which brings me to my next point:
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Toxic Shipping:
-No one is stating that WM should hook up with Nimue immediately. And if they are, take notes. WM still needs to grow from the horrors he has done in the past and what he has ahead of him. Only then would he be deserving of Nimue (should she take him)
-I honestly believe people are not shipping Nimulot because it’s toxic, but rather because they hope that WM will come around on the other side as a better man (for he has been through the ringer) and should find peace. With Nimue? Sure, if the storyline fits. 
-I’ve read that some don’t want Nimue to be the fixer upper of WM, and I agree, but do not find this statement to be enough to call the Nimue ship toxic by any means. We just want to see everyone happy, is that so bad? 
-And after growing up idolizing the major character arch of Zuko from Avatar the Last Airbender, I can’t help but hope (as the optimist that I am) that WM will get a similar ending to Zuko. 
-As for why people want Nimue with him and not, say Gwenevere, it is because of all the similarities they carry so far that complement each other (while also playing the opposites attract card). Similarities include:
cursed out fay (N- the villagers scorning her, WM- the monks attitude toward him as a weapon and not a being)
lingering on the edge of dark and light (N with the cursed sword, WM with his faith)
scars (that happen to be on their backs)
their relationship with Squirrel (both protective, not smothering)
Symbols of their side in war (WM is the monk’s best fighter, N is their queen)
I’m sure people can give you more reasons. This is just what I came up with on the spot after one watch through of the series. If you have others, please write them below, I’m curious. 
Now onto the topic that I find to be atrocious: 
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Predator: 
-EXCUSE ME, a predator prays on others. How on God’s green earth is WM that? He was a literal sword for hire/raised to fight against his kind through mental strain from this messed up ideology of christianity. 
-And for those calling his relationship with Squirrel unhealthy... fair point but I’m not done yet. 
-I don’t mean all this to say that what he did under the red monks was good or even acceptable. No it wasn’t, the dude was practicing mass genocide of his own race, that’s fucked up. (That torture scene in front of the mill was really something)
-But as we learn in later episodes, all of his actions linger on not being damed and going to heaven (I assume) as seen in the scene when we got a nice look of him shirtless while he was having a moral crisis.
-Speaking of moral crisis, did you notice that he had one when the rest of the villains present in this show do not? Even Iris (a fantastic villain) had a tragic backstory with her family like WM, but rather than question her motives, she starts on the villain path. 
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-Now while I do admit he doesn’t treat Squirrel right in the beginning, it makes sense for his character and where he is at. Not to say that hurting a child and using him as a pawn to kill leftover tribe members is justified. 
-But the writers always wrote the interactions between Squirrel and WM with a hint of humor. Squirrel was always talking back, calling WM and his horse ugly, and even hissing out “you” in front of the red monks. All this going on while WM maintains a blank expression, that to viewers is almost comical (because it breaks away from the sad emo boy cliche) 
-In the end, WM needed someone like Squirrel to get out of the disastrous rut the red monks had WM in. For WM to start on this journey of his (that I’m sure will continue through season 2) he needed to show he had a moral code. 
-Also, like many complicated characters, WM never thought through the damage he has done and how his work impacted children up until G called him out for it. For this reason, I think G had just as much a part of getting WM to revolt as Squirrel did. 
- I think his relationship with Squirrel will continue to grow into a more protective association now that G is dead. G made Squirrel into a knight, the next step is for this kid to train like one. Who better than Mr. Lancelot himself. (They better have a training scene in next season or I will riot)
-And lastly, all of you who know the lore of Lancelot understand that he will become the best of the best and also the most loyal and chivalrous knight out there. What a better way to love a character with these attributes than if he started in the proverbial gutter and grows to understand and value these characteristics?  It’s the shiny ending that he needs to work hard to achieve and that is what, at the end of the day, all lovers of WM want to see in the next few seasons. 
Him becoming that knight in shining armor.
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draconicfaenerd · 4 years
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Obey Me Theory: In Which God is an Asshole and Solomon Might be a Good Guy?
Okay, here’s the deal. I have way too much time on my hands at the moment and was suddenly struck with inspiration, so I decided to cook up a little theory of my own.
Well, not so little. I’ve been writing this over the last few days, and this turned into something bigger than I was expecting.
Alright, here we go.
One of the great mysteries of this game: who the fuck wrote the whole Tale of the Seven Lords series? I mean, it foreshadows so much of the game’s plot twists that it’s absolutely insane! My initial thought was that Barbatos wrote it, especially since he’s the one who has a bunch of time travel/timeline powers that are, frankly, quite frightening. However, this theory leaves one gaping plot hole: how does Simeon know what’s gonna happen in the upcoming volume? Even Mammon and Satan take note of the fact that they have no idea why Simeon would know something like that. Who besides Barbatos could possibly have the power to see the future? Given this game’s penchant for foreshadowing, this is undoubtedly an important question we need to ask ourselves.
And I’d like to make you think about something as you answer that question.
While we know a fair bit about Barbatos’s power, we know practically nothing about the angels’ powers. Surely it doesn’t make sense that the demons have access to this wild reality-bending power that the angels don’t. Unless they actually do. How is this possible? Well, I turn to my knowledge of Christianity for this part of the theory.
According to many people’s interpretation of Judaism and Christianity, God is supposed to be an all-powerful, all-knowing, all-seeing entity. He knows anything and everything that has happened, is happening, and can/will happen in the future. Additionally, He can set everything up so that events happen according to His plan. Pretty difficult to go up against, right? Now, granted, we don’t know a lot about the game’s interpretation of God (yet); there are enough twists on Biblical canon that it is difficult to determine what direction this is going to go in. However, I do expect that God is supposed to be a ridiculously powerful character in-game; maybe as powerful as (or even more so than) Barbatos.
Side note: However, he is not all-powerful, and here’s how I know: he wasn’t able to just erase Lilith. Yes, I’m sure he was powerful enough to kill her, but not so powerful that he could just kill her immediately free of consequences.
But more on this later; now back to my original point. God is the author of TSL. Or, at the very least, is the divine inspiration behind it (where one of the angels or a specifically chosen human is the one to transcribe it). This explains why an angel such as Simeon would have knowledge of the upcoming plot. Another piece of evidence to back up my point: exposure to divinity. One point that pops up a few times in the Bible is the idea that anyone/anything who comes too close to God’s presence directly will perish. A couple of examples of this are the burning bush that Moses faces and the Ark of the Covenant which the Israelites are forbidden to touch. Now, you may be wondering what these examples have to do with Obey Me. The answer is simple: the TSL soundtrack. Remember why Lucifer was so interested in this soundtrack in the first place?
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First off, a scene where the Lord of Corruption places a curse on the heroes? I have a few thoughts on that, but I’ll get to that in a little bit. What I’d like to focus on is the mysterious composer and the people who die surrounding the soundtrack. Lucifer tells us on our final night in the Devildom that the record isn’t actually cursed:
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But. Well. I don’t trust that. He’s (probably) not purposefully lying to us, but I don’t think this can be a coincidence. I think that TSL was divinely inspired (along with its soundtrack) and for some reason, this particular soundtrack was too much for ordinary humans to handle (we know that MC isn’t ordinary because of their amount of hidden power that has been discussed; more on that later.) 
So I’d like to bring up something else. Propaganda.
God has already spread copious amounts of propaganda about the brothers. Why do I say this? Well, I’m going off the assumption that the human world MC comes from is pretty similar to the human world that all of you readers (and me, obviously) live in. Why does this matter? Religious texts. There’s no denying that Judaism/Christian and their respective texts have greatly influenced the course of world history. Which means, in canon, those same texts no doubt exist in the Human Realm. Now, assuming they were “divinely inspired” (another assumption, but one that seems to make sense to me), a plethora of lies were told. First of all, many of these texts paint Lucifer (the Morningstar) as: the original Fallen Angel, The Devil, the Prince of Hell, and the reason why Sin and Death entered the world (meaning he was the one who tempted Eve). In Obey Me canon, Lucifer was the leader of the rebellion, yes, but he is very different from how he would be painted in Biblical texts. First of all, the Devildom was around for a very long time before the Fall (leading to questions on the true power of the realms, but more on that later). Furthermore, Diavolo and the Demon King are more of what we consider to be “the Devil”; sketchy motives aside (which I’ve discussed in other posts), they are the ones that have the final say in the Devildom’s affairs. Not Lucifer. Yes, the brothers might hold the titles and responsibilities of being the “Seven Rulers of Hell,” but ultimately their will is overridden by Diavolo’s. Additionally, I’d like to talk about that last point: sin and death. In the Bible, Lucifer brought sin and death into the world by tempting Eve to eat the fruit from the forbidden tree. However, in Obey Me canon, we know this is not the case; death existed long before the Fall. We know this because Lilith’s human lover was going to die, hence why she fed him forbidden food from the Celestial Realm. Then, God was going to have her erased and ultimately sparked the Rebellion against Him.
So. We know that God is plenty willing to pin plenty of shit on Lucifer. But other than causing an abnormal amount of daddy issues, what does this have to do with anything? Well, remember how I noted earlier with the TSL soundtrack that it was supposed to be used in a scene where the Lord of Corruption placed a curse on the heroes? Well, the Lord of Corruption represents Lucifer. So, given the game’s penchant for foreshadowing, it seems like Lucifer is going to place a curse on the heroes (forgive me for making yet another assumption, but I interpret MC and the brothers as the heroes). Given Lucifer’s love for his family (and later MC), this doesn’t really make any sense. My initial thought was that the whole attic debacle was the curse, but that doesn’t really make sense either. But. Remember what I just said about God pinning shit on Lucifer. What if God is the one planning to put a curse on the heroes? Just think about that for a bit, let it sink in.
Now, why would God place a curse on the heroes? We know that He and the angels were able to defeat the brothers before, so they could do so again if the need ever arose, right? And why place a curse on MC, an ordinary human?
Well, not-so-ordinary human.
Remember why Asmo made a pact with MC in the first place? Solomon talks to us about how everyone has magical power within them, and it manifests itself in some, but not in others (this is already suspicious as fuck to me that a power as strong as MC’s wouldn’t manifest itself, but our in-game knowledge of magic is vague enough that I’m not really gonna dance around that right now). Anyways, MC gets stuck with Mammon, Beel, and Levi in the underground labyrinth again, and they summon Asmo and draw out even more power than Solomon can. Pretty strange, right? Belphegor also alludes to MC’s great power with his whole “you have the power to control demons” speech.
So basically we have this incredible power. And, if I’m on the right track here, then we’re a threat to God. As I explain here, Lilith is the reason we were chosen for the exchange program in the first place. Additionally, when you meet her as you’re dying and you reply to her and ask her what she’s doing, she says this:
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So… there’s a lot going on in her whole dialogue. Really. There’s so much to dissect. And frankly, I don’t think I can dissect it all. So for now, I’m going to focus on the snippets that stood out to me. “I’ve been waiting for so long, you see. I’ve been waiting for you to come find me.” Um, what? First of all, Lilith’s spirit has been around for several thousands of years, right? Granted, the Obey Me timeline isn’t super clear, but still. Even if Lilith has been waiting around for MC ever since their birth, MC is however old the player is (probably late teens or in their twenties since that’s the demographic the game is geared towards); but even if MC is supposed to be way older than that, their lifespan is a very short time compared to Lilith’s existence. Unless. Unless Lilith has been waiting for longer than MC is supposed to be alive. Unless Lilith knew that someone as powerful as MC would come into existence and… do whatever it is Lilith wants us to do. Still not completely sure about that. (Also take note that Lilith never tells us herself that MC is her descendant; make of that what you will).
Also, she says that she’s worried about all her brothers and tells us to “save them” and that she’ll “lend us her powers.” So at first, I thought she was worried about them emotionally, and that she wanted us to save them by serving as emotional support for them. But we didn’t need her for our consciousness to transfer, and Barbatos took care of our alternate self. So what did we need her power boost for? The answer: something that’s coming up in the future. What exactly? I’m not completely sure. But, I do know that Solomon has an idea of what it is, based on the text conversation with him right after leaving the Devildom.
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Now, is it possible Solomon knows because of his pact with Barbatos? Yes, it absolutely is. I know that I’ve said time and time again that Solomon’s pact with Barbatos is going to prove to be crucial in future chapters, and I still firmly believe that. However, if something is happening on the Celestial Realm side of things, Solomon has a connection there which would allow him to know the goings-on.
So for those of you who grew up in religious families, you probably remember a little bit about King Solomon; the “man after God’s own heart” (different translations may say something slightly different, but that’s the version most of us probably heard) who, when he had the chance to ask for one gift from God, chose to ask for wisdom. Now, many clues in-game point to show that there’s a good chance that this Solomon is supposed to be that very same guy. Such clues include his mystical powers and his many pacts, particularly his pact with Asmodeus. Now, remember when Solomon told us near the beginning of the game about the Ring of Wisdom he received? He never tells us about the mystery person who gave it to him, but I personally think he received it from God; since in Biblical canon God “gave him wisdom.” Additionally, remember how he talked about getting drunk off its power at first? That piece of information coincides with my earlier point about how exposure to divinity is difficult for humans to handle.
Also, remember that Solomon is a VERY big fan of TSL. (Enough to impress Levi, and enough that he has that super-rare pendant of the Lord of Corruption’s wing). So, given that God is probably the one behind the creation of this series, it stands to reason that his connection to God has something to do with this.
Additionally, while on the topic of Solomon, there is yet another chat (the one that he sends you on your birthday) that shows that he seems to be well aware of something that you, the player, are not:
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As I’ve said before, this game really loves its foreshadowing. So, we’re definitely gonna have to save Solomon at some point: now, I know I’ve called him shady many times before, and he really truly is. But.
Maybe he’s not nearly as evil as I originally thought. He has helped us before, but it’s admittedly difficult to pin down his motives. However, if saving him is going to be necessary to the plot, then Solmare probably isn’t gonna make us rescue a bad guy. Emphasis on probably.
Also… he says “first birthday here in the Devildom”... which leads me to believe that MC will have many, many birthdays with the brothers to come in the future. So. Now that I’ve talked about Solomon, I’d like to talk about Luke.
He sends you a chat that opens up some pretty good insight into the whole situation:
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Now, we know that Luke is pretty fond of MC, and we’re led to believe that Simeon cares about MC too; however, this whole “charm that attracts both demons and angels alike” doesn’t sit quite right with me. Now, yes, both the in-game angels care about MC, but that doesn’t seem to quite cover Luke’s statement. But what if… There are other angels that have taken an interest in MC? And I don’t mean romantically, I mean… what if one or more of them know about our power? As I said before, Lilith gave us a power boost for something that’s coming up in the future. Something big. And if MC truly has a special sort of charm that attracts demons and angels alike, they could prove to be very dangerous if, say, there were to be another power struggle between realms. But what does this all have to do with Luke anyways? Remember who Luke works for? Michael. Yes, that’s right, the Archangel Michael. Probably the most powerful angel in all of the Celestial Realm. What does this have to do with anything? Well, after the exchange program ends, the higher-ranked angels (including Michael) are no doubt going to want reports of everything that happened during the exchange program… including information about MC. And really, who better to ask that information from than someone as utterly devoted to Michael himself as we’ve seen Luke is?
And if this is the case… Michael will probably hand all of that information right over to God. Given how the Obey Me God seems to be, this is not good news for MC or the brothers.
Now. Just because we can’t trust God doesn’t mean we should go blindly trusting Diavolo and Barbatos either. In fact, @phairfantooooom does a phenomenal job here explaining just how sketchy and terrifying they really are. Maybe I’ll have more of my own comments to add later if the mood strikes me, but for now I’m gonna leave it at that.
One final word: MC is being used as a pawn in a grander game between the realms for which they have no idea how to play, but they better figure it out fast.
Or maybe, just maybe, I’m losing my mind during quarantine and I really just want the sexy, shady sorcerer to not be a bad guy.
We’ll see. So... what do you all make of this? I’d love to hear your thoughts.
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hellsbellschime · 3 years
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Do you think Jon hold some love and affection for Dany? It's hard to analyse as in s7 Jon suddenly started to fall for her after she came to rescue him when in previous episode he tell her they were strangers​. In s8 there was scene after dragon ride their first kiss was romantic before he got scared. In ep4 when Dany says she loves him the kiss was romantic. But otherwise the framing and chemistry was awful.
Honestly? No, not really. Jon’s character in the later seasons somehow managed to be both a clusterfuck and a snoozefest, but ultimately falling in love with Dany is just not something I think Jon would have ever been capable of.
I mean, the massively consistent aspects of Jon’s character that have always existed within him no matter what are that A. he loves his family more than anything, B. he has literally devoted his life to protecting the North, and C. he idolizes, wants to be like, and is more similar to Ned than any of the Stark children. So let’s think about that in the context of Jon’s meeting with Dany and his entire relationship with Dany. 
So Jon does something astoundingly stupid that no other king or queen would do, he goes to Dragonstone with zero information about Dany aside from the fact that she is incredibly powerful and about to invade Westeros/destroy the Lannisters. Taking down the Lannisters would be plus in Jon’s book, but I don’t know that that’s enough for him to not be massively concerned about her being an insanely powerful invader. He takes a horrible risk on the complete long shot that he can convince Dany to come North and save his family and his people, because that is how important it is to him. 
And what is Dany’s reaction to that? She not only says she won’t help unless he submits to her, someone who he literally just met who appears to be the most dangerous person on the planet in terms of raw power, but she literally takes him hostage despite the fact that Jon is so comparatively powerless. She immediately makes it clear that he’s a rebel and essentially that she’s probably not going to even let him leave until he bends the knee. And what’s worse (which is actually Tyrion’s fault but is something they never clarify and I can’t imagine Jon not loathing her for) is that he was brought there under false pretenses. The letter that Dany sent him inviting him to Dragonstone asked him to “join her to end Cersei’s tyranny,” he didn’t hear shit about bending the knee immediately until he met Dany and literally five seconds after he walked into the room she demanded that he bend the knee. 
At this point it’s not as if Jon doesn’t understand political theater at this point, but right off the bat Dany breaks every rule of Westerosi custom and imprisons a literal king to demand that he submit to her or let EVERYTHING HE LOVES DIE while he’s a helpless prisoner. This is the FIRST thing Jon ever learns about Dany. And while Tyrion says that he’s being unreasonable for expecting immediate help and expecting to be believed, it’s like yeah except LITERALLY THE WHOLE ASS REASON HE’S HERE is because Melisandre showed up and was like yo you gotta talk to this kid Jon Snow he’s seen some wild shit and then when he shows up and is like “I’ve seen some wild shit” everyone’s like well clearly you’re insane so we’re putting you in a time out until you return to sanity and bend the knee to a complete stranger. Also not to fucking mention, unless nobody on the island ever brings this shit up, Jon also immediately learns what kind of an ally Dany is because every one of Dany’s other allies is either killed or CAPTURED and she’s just like well bummer for them guess I have to accept that as a loss or wait for them to rescue themselves even though I have three dragons and the biggest army in the world and instead of saving them I can just try to force this new guy to become my “ally” instead (and if the whole political motivation for Jon’s relationship with her stems from this it would make complete sense because he should already know that even those who submit to Dany don’t get her protection or assistance if it doesn’t serve her purpose, so he HAS to get her to feel like he’s more than just her ally).
And despite being obsessed with his bastardy, Jon values nothing more than he values his family, and Dany constantly undervalues, insults, or completely writes off Jon’s family. I actually think that’s understandable from Dany’s perspective because she only knows of familial abuse, but there is no world in which I can believe Jon would take her ignoring the fact that Robb literally died to free his people, or implying that Ned was cool with goddamn child murder, or accusing Sansa of being an evil schemer because she’s angling to keep the North free very well, and two of those three things are things she does the first time she ever speaks to Jon. 
And finally, Jon wants to BE Ned. That is literally the person he has admired and emulated more than anyone, to the point where it’s almost an unhealthy obsession for him. Jon knows that Ned would choose to do the right thing over pretty much everything else. Jon knows that Ned is the type of person who would die saving the children of his enemies. I cannot fathom a world in which he would even consider loving anyone who let thousands of innocent people die for their own political gains. But again, Daenerys makes it clear the very first time that he meets her that that’s what is happening right now. She’s willing to use “her kingdom” as a political pawn that she won’t have a second thought about sacrificing in order to gain Jon’s submission. I think there was a chance that he could have truly liked her or even loved her if she just hadn’t come in so insanely hot the very first time that they met, but frankly the very first moment that they meet she shows Jon that she is exactly like Cersei, she will literally use an existential threat to all life as a tool to her political advantage regardless of the fact that it is a fucking EXISTENTIAL THREAT TO ALL LIFE. 
So I think no, there is zero chance that Jon could ever love a person like that, and I think that legit the minute that he met her he put himself in a completely political mindset and was willing to do whatever he had to do to get Dany to actually help him. I just cannot imagine a world in which Jon freaking Snow would even feel a shred of respect or non-dislike towards someone who would do that, let alone liking them or loving them, and I sincerely think that within their first conversation Dany ensured that Jon would never have any real feelings for her. I understand why so many people are confused by their relationship because it is confusing as fuck, but I actually feel like D&D very absurdly overtly put so much shit that Jon would absolutely loathe into their relationship straight off the bat that regardless of anything that happened afterwards I just cannot fathom Jon Snow essentially overlooking every single thing he hates or has no respect for in this world to realize that Dany is actually the one true benevolent queen, or even a halfway likable person in his eyes. 
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(Accidental 150 Follower Special) IOTA's Top 10 Worst Episodes of Miraculous Ladybug (Part 1)
If you saw one of my earlier posts, an anon asked what my favorite and least favorite episodes of Miraculous Ladybug were. So, I decided to make a little list explaining the best and worst this show has to offer.
A few quick ground rules here. I'm not going to list any episodes I had previously talked about in some of my other posts. This includes “Kung Food”, “Animaestro”, “Syren”, “Reflekdoll”, “Chameleon”, and most of the episodes relating to Chloe's “damnation arc” that Astruc planned since he first created the character (“Despair Bear”, “Queen Wasp”, “Malediktator” and “Battle of the Miraculous”). Also, I'm not counting the specials, mainly because aren't listed as episodes, and because I don't want to talk about them.
Other than that, anything goes, so let's get things started with the worst list.
These are the Top 10 Worst Episodes of Miraculous Ladybug (in my personal opinion because your opinion is also valid)
#10: Stormy Weather 2
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“Stormy Weather” was the very first episode of the show, and it really made a good impression on new viewers. So naturally, when it was announced that Stormy Weather would return, fans were excited. Then when the episode aired, Hawkmoth gave her even more powers, including the power to create a volcano big enough to potentially knock the planet out of orbit when it erupts. So Ladybug and Cat Noir have no choice but to stop the villain once again.
What does this plot lead to?
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Yep, this episode is nothing more than a clip show. I understand that clip shows and bottle episodes are a necessary evil, but why would you set up something this awesome with a fan-favorite Akuma like Stormy Weather, and then not even bother to show it?
This episode is yet another attempt at showing that the show totally has character development. The whole reason Aurore is Akumatized into Stormy Weather again is because Chloe says that people can't change because Astruc (who was one of the four people writing this episode) is determined to make you hate this teenage girl more than the main villain of the show.
So of course, everyone spends most of the episode talking about how much they've changed, which is represented through clips of past episodes that do a horrible job at actually conveying any development.
According to Marinette, Adrien has “become a friend she can talk to about anything, except when it comes to her feelings for him”. Ah yes, you can tell they're friends by the fact that they barely hang out together, much less share a conversation because the writers are going to drag out the whole “Marinette stammering in front of Adrien” until they get tired of it. So basically, never.
All Alya and Nino talk about is how Ladybug helped them become a couple, and become superheroes, even though neither of those are actually related to character development. Though that is a fitting metaphor for the way both of their personalities have basically devolved to “the couple”.
Chloe talks about how nicer she's gotten, while footage of her doing awful things is played. I wonder who wrote that part in...
Even Ladybug and Cat Noir talk about how much they've grown and how stronger they've gotten, as opposed to focusing on STOPPING ANOTHER ICE AGE FROM HAPPENING. How can Hawkmoth even think this will get him the Miraculous? Yeah, sure I guess he can get them from the frozen corpses of our heroes, but what then? He still doomed humanity, and I don't think he can reverse the damage like Ladybug.
Towards the end, the clip show becomes slightly interesting, as Adrien mentions an unsigned card he got for Valentine's Day in “Dark Cupid”, and how similar the handwriting looks to Marinette's.
Does this lead to Adrien figuring out Marinette has feelings for him? Is the sky bright red? Both of these questions have the same answer.
Yeah, out of nowhere, Adrien just mentions Luka, who wasn't mentioned at all in this episode, and immediately thinks Marinette is in love with him. And that's how the episode ends.
I put this at the bottom of the list because I don't think it's completely fair to judge clip shows, but even some clip shows at least try to put in some effort and justify the clips, like what The Legend of Korra and some seasons of Power Rangers did. And the fact that the whole point of the episode is a poor excuse to claim that there's character development in the show only makes it even more infuriating.
Oh my God, this is only Number 10...
#9: Oblivio
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While I already talked about “Cat Blanc”, this episode shares a similar theme as that episode: Giving viewers what they've wanted for three seasons, Marinette and Adrien finally learning each other's identity and starting a romantic relationship... only for the reset button to be once again slammed, making the entire episode pointless.
The only difference is that unlike in “Cat Blanc”, where there was an actual love confession that made sense, here, Marinette and Adrien find out the other's identity when they get their memories wiped by the Akuma of the week, Oblivio.
From then on, it's just fanservice. Instead of actually developing the relationship between Marinette and Adrien, the writers just decide to cram an entire episode worth of Adrienette content into a single episode just to tide fans over. Marinette and Adrien seriously fall in love despite only knowing each other for like, an hour at most. And the fact that the writers undo all the romantic progress of the episode makes it come across as pointless.
But the ending is what really cements this episode's spot on the list. As soon as Oblivio is defeated, Alya takes a picture of Ladybug and Cat Noir kissing without their consent and then rubs it in Ladybug's face.
Even though Ladybug doesn't know the circumstances (she has no memory of the events of the episode), this was still an invasion of her privacy, and she looks horrified by the picture that Alya is obviously going to post on her blog.
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And of course, Cat Noir is more than happy to see it, ignoring how Ladybug feels and claims that they'd make a great couple. Because everyone knows good couples are formed by someone gaslighting the other into going out with them.
But wait, it gets better! In the next scene, we learn that Alya and Nino were akumatized into Oblivio... because they were caught in an embarrassing situation by their peers.
Alya: Remember when we visited Montparnasse Tower? Well, we went and hid to play Super Penguino, but Ms. Bustier caught us, and...
Nino: And you guys made fun of us for playing that game, saying it wasn't our age and all.
Alya: We were totally embarrassed at getting caught.
This was my thought process when I first heard Alya and Nino's explanation.
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How can Alya claim to take a compromising picture of Ladybug, ignore how she feels, and not realize the similarity from when she and Nino were akumatized? This is what completely killed Alya for me in canon. This was the point where I couldn't care less if Marinette was friends with her or not. Sure, there are still fanfics, but those actually portray her with some kind of conscious. So to summarize, Fanon Alya is awesome, but I hope Canon Alya's 4G plan runs out.
This episode is just forgettable, but the ending made things worse. Apart from, I guess the action scenes and some funny jokes, this episode has no redeeming qualities. Like, literally the best thing to come from this episode was @miraculouscontent​‘s LadyBugOut AU, as it actually addressed the hypocrisy of Alya's character, among other problematic aspects of the show.
#8: Oni-Chan
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Just a heads up, most of the episodes on this list are from Season 3. Just want to give you an idea of what to expect.
This episode is about Lila tricking Adrien into helping with her homework, when she is only doing it to get closer to Adrien. Marinette tries to spy on the two and stop Lila from hurting Adrien... even though she knows Adrien is aware that Lila is a liar, and is visibly uncomfortable around her.
And because the episode spends so much time on Marinette following Adrien and Lila, the buildup to Kagami getting akumatized is incredibly rushed. Seriously, she gets a single line of dialogue before she gets akumatized, and the motive is ridiculous too. Lila sends a picture of her forcing a kiss on Adrien, and Kagami immediately bursts into tears at the sight of it.
But wait, it gets better! When Kagami is akumatized into Oni-Chan (the writers know that's a term used for males in Japan, right?), she turns into a psycho hellbent on killing Lila because “Adrien doesn't deserve her”. Most of her dialogue is her saying how much she loves Adrien, making her come across as, for lack of a better word, a yandere.
This episode just destroys Kagami's character, making her as unlikable as Katie Killjoy in the process. If it wasn't for “Ikari Gozen” actually treating her like a human being (obviously Astruc's planned character development from the beginning), I'd completely hate her.
It also shows how much of an evil genius Lila is, as she has the brilliant idea to convince Oni-Chan to kill the only person capable of saving her from the Akuma's wrath. And this somehow gives Hawkmoth the idea to forge an alliance with Lila. It's also another reason why I believe in Darwinism.
This episode is low on the list because it does have a few redeeming qualities, like Lila facing consequences for lying, however brief they may be, and it has a great character moment with Adrien realizing on his own how terrible Lila really is, a far cry from what he was like in “Chameleon”.
Other than that, it's pretty bad, and still deserves a spot on this list.
#7: Antibug
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HA! I said MOST of the episodes involving Chloe's “Damnation Arc” wouldn't be on this list, but not ALL OF THEM, so this one counts! Take that, convoluted rules I made up for some reason!
What was I talking about again? Oh right, “Antibug”. Oh crap, “Antibug”...
This is one of of several episodes in Miraculous Ladybug that really should have been a two-parter. It tries to be daring and includes two Akumas in one episode, but both of them are poorly executed.
An invisibly entity starts harassing Chloe, so Ladybug and Cat Noir start an investigation. It turns out to be Chloe's lackey Sabrina, who was akumatized after a falling out between the two. Well, I say “falling out” lightly, because what actually happened was that Chloe and Sabrina were cosplaying as Ladybug and Cat Noir, Chloe pretended to be the real deal while crashing an interview with Jagged Stone before Sabrina accidentally blew her cover, causing Chloe to be humiliated on TV and end her “friendship” with Sabrina.
Ladybug learns this from Chloe's butler, while Chloe never mentions the incident. So when Ladybug and Cat Noir engage the Akuma, Ladybug ignores Chloe's advice on where the corrupted object, naturally not trusting her judgment. And this is portrayed as a bad thing.
This episode is the start of a long-running trend in Miraculous Ladybug: Marinette needing to learn a lesson, while Adrien/Cat Noir is the one to help teach that lesson.
Chloe did nothing to help, only made things worse, and lied about why Sabrina got akumatized. It's kind of obvious why Ladybug wouldn't trust her word. The whole point of The Boy Who Cried Wolf wasn't to trust the liar after all.
But if that was all the episode did, it wouldn't be on the list, because now, the narrative wants to make the audience feel bad for Chloe before she gets akumatized into Antibug... who is just a lazy palette swap because new character models are expensive.
This part of the episode isn't nearly as bad as the first half, but like “Oni-Chan”, Chloe's akumatization is incredibly rushed, and we don't really get a chance to sympathize with her before she goes full Antibug.
Even Antibug herself isn't that interesting of a villain. The whole idea of an evil doppelganger is that they're a perfect match for the hero, but we only see Ladybug and Antibug fight for a few seconds, while Cat Noir does most of the fighting with her while Marinette's Kwami recharges. I like that Ladybug and Cat Noir show their teamwork to defeat Antibug, but I feel it would have been more interesting to see Ladybug and Antibug duke it out before Cat Noir helps turn the tide.
Again, this episode really needed to be a two-parter to better expand on the story presented here, because it had a really interesting premise. I'd personally read the version of “Antibug” in @justanotherpersonsuniverse​‘s “The Adventures of Panthera Noire” (an AU fanfic where shy girl Juleka gets the Cat Miraculous instead of Adrien). Not only does it have two separate chapters for Vanisher and Antibug, it also does a good job of setting Chloe on an actual redemption arc, unlike Astruc's “damnation arc”.
#6: The Puppeteer 2
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As much as I've ragged on Adrien/Cat Noir in some of my other posts (and will continue to do so in this list), that doesn't mean I think Marinette has problems too, and this episode is a prime example.
Marinette and Adrien go to a wax statue museum with their friends (and Manon), but because of a poor choice of words by Nino, Adrien thinks that Marinette hates him. So he does something that everyone loves, practical jokes.
Adrien seriously thinks that pranking Marinette will improve her opinion of him. Even the prank is ridiculous, pretending to be a wax statue to make her laugh. And it leads to... Oh God... This is easily the contender for one of the worst moments in the entire show. Marinette goes up to the statue and... gets close to it. Yes, we, the audience know that this isn't a statue, but putting that aside, just look at what Marinette does to the “statue” (AUTHOR’S NOTE: I made a gif from the episode, but it wouldn’t go through, so I recommend you check out the episode and watch the statue scene for yourself if you don’t value your sanity). Even Adrien, as dense as he can be, is a little unsettled by what Marinette does.
If the scene was about Marinette talking about her feelings for Adrien, I'd be more lenient on it, but this? This is just uncomfortable to watch.
Even the dialogue makes Marinette sound incredibly creepy.
Marinette: Wow... it looks so... real. The wax is nearly as hot as skin. It even smells exactly like him...! Oh, beautiful statue of Adrien, your wax is so soft! Your yak hair is silky. Your eyes are so green. Oh, shall I be a statue, too! Everything would be so much easier. Why haven't we been molded together in the plaster of destiny? Marble to marble, wax lips against wax lips, entwined for eternity...
I think Gilbert Gottfried said it best.
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This scene alone put this episode on the list, and the Akuma doesn't make it better. I really liked “The Puppeteer”, and I thought her ability to control past Akuma victims was incredibly fun to watch. And when she returns to take control of the wax statues of past Akumas they... don't use their powers (with the exception), and serve as cannon fodder for Ladybug and Cat Noir to plow through, making the return of the villain very underwhelming.
Even the end where Adrien tells Marinette that he is in love with someone and only sees her as a friend. This should devastate Marinette, but in the next scene, thanks to some fortune cookie nonsense from Tikki, she's still unsure about her relationship with Adrien, and that's how the episode ends. Seriously. Because just need to keep the status quo consistent, right? It's not like Marinette doubting her crush on Adrien and worrying that she's just wasted her time would have been interesting to see, right? Play that happy ending theme already!
Of all the episodes on this list, this is the one I was dreading talking about the most because of some of the moments here. And yet, there are still episodes that are worse than this one...
Here’s Part 2
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bloody-wonder · 3 years
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Hopefully you're still taking asks lol, I believe in captive prince that Laurent has Damen raped at one point and that it's not ever really resolved? Which leads to the romance seeming unrealistic, correct me if I'm wrong, the author tried to resolve this problem in the 4th book but it wasnt satisfactory? What, in your opinion, made the attempt in the 4th book not convincing? And what do you think would have been a better way to try and have them resolve this issue?
*i’m posting this in the main tag bc i want to engage more with the capri fandom and find mutuals. if you don’t want to see these characters criticized and discussed do yourself a favor and don’t read this
how can you “resolve” rape? i don’t think there is a way for a character who committed it to come back from that in a way acceptable to all readers. no matter how much they repent, develop and atone for their actions they will still remain a person who commited rape. so the real question is not whether it can be resolved and how, but whether it can be forgiven (or whether you can still appreciate this character despite it) - and that is the question every reader has to answer for themselves and there are no wrong or right answers. obviously lots of readers sympathize with laurent at the end of the story and choose, consciously or not, to forgive what he did in book one. many others just can’t look past what he did and so the grand romantic ending rings hollow to them bc they see it as a victim getting together with their abuser. 
on damen’s part pacat consistently chose the path of forgiveness: he is somewhat mad at laurent in the beginning but becomes gradually less so as he gets to know him better and by the time he knows he’s in love with him forgiveness isn’t even a question - it already happened behind the scenes. that is probably one of the main differences between laurent and damen: while laurent is someone whose entire personality, motivation and character arc are founded on holding a grudge and never letting go, for damen forgiveness occurs just naturally as if offence and trauma were a bruise gradually fading without leaving any mark. 
this difference and how it plays out in the last book is actually something that made the ending feel unsatisfying for me - not the fact that the rape was “not resolved”. in the first half of kings rising laurent has to confront his own cognitive dissonance about having fallen in love with his nemesis and he indeed has lots of inner turmoil until he just doesn’t. obviously in order for the romance to work he had to let go of his hatred for “damianos the princekiller” but for such a resentful unforgiving character something had to happen in order to make this change of heart look plausible and authentic. i’m not a writer so i have no idea what that should’ve been exactly, but it should’ve definitely been something that ties in with both of their character arcs. what we had instead was a freaking baby - a bad plot device if i ever saw one. as for damen, the romance plot resolution on his part was much more consequential than on laurent’s - but only bc pacat chose to write no inner conflict for him. damen is not conflicted about falling in love with laurent - at least not to the extent you’d expect from a person who went through everything laurent did to damen. that is a choice which is definitely in character for his personality and is realistic insofar as there are lots of people who forget and forgive rather quickly, but which can also be perceived as problematic or simply narratively unsatisfying. as for the former i personally don’t think that capri romanticizes abuse - all of it, including rape, is definitely framed as something bad - and as for the latter, i have to agree that being not mad enough at laurent definitely makes damen a less interesting character. the reason why i love dark enemies to lovers stories like capri is bc i’m curious about how the characters will resolve what seems to be an insurmountable conflict (”you killed my beloved brother which ruined my life” - “you had me raped”) - so i lose interest when there’s no conflict to resolve or when it just goes away bc characters are in love now or bc they “have it in their heart to forgive” or something. however, i admit that i don’t know which way of resolution would be more satisfying.
laurent is also made to atone for his actions and redeem himself in the form of grand and stupid self-sacrifice which is a culmination of his personality gradually changing to being nice and companionable (and stupid) throughout the last book. other than that, in the epilogue short story (the summer palace) he is shown to regret his past actions towards damen to which damen says something like “we both did bad things but it doesn’t matter now cause we’re together and we know we won’t do them again”. these are pacat’s attempts at laurent’s redemption arc which ring hollow to some readers - either bc they are perceived as “not enough” or as “not necessary”. i suppose those in the first camp either deem laurent irredeemable period or they think that he should’ve done something more convincing or apologized (idk how that would work but apparently it’s very important for some people to hear a verbal apology even if it doesn’t change anything). as you can guess, i’m in the second camp - i think that having laurent suddenly become reckless in attempts to redeem himself is a disservice to his character arc and frankly speaking not necessary, seeing as damen has forgiven him regardless.   
ultimately, i’m a character-driven reader who is also aroace so when i pick up a romance i’m interested in who the characters are, why they are drawn to each other and how they overcome the obstacles to their relationship which is why i am left dissatisfied if in order for romance to be endgame the characters sacrifice who they are, or if i don’t understand why they like each other or if the obstacles just fall down when needed. i feel like with capri everything was very engaging and complex for 2,5 books (which really makes this series stand out from among similar dark romances) but in the last half of book 3 things go awry. “rape not being resolved” is just a small part of that.
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wackiekebab · 3 years
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Alright. Its time. Its thoughts time. Episode 8 of Wandavision. Was a ride. So here are thoughts. Spoilers of course.
So personally I really enjoyed this episode. I am one of those weird people who just adores exposition and backstories in narratives (especially books...I should never write again...) so just to have an entire episode of back story was amazing for me
If Agatha the Villain...why so hot...also why make me sympathize with her.
I mean I get that I was going to sympathize with her anyway because cool woman with cool purple coloured powers and cool wardrobe played by ultimate cool person Kathryn Hahn.
What I mean is...is this like a Thanos situation where we're trying to paint a sympathetic villain or...or is Agatha not the big baddie of this show.
Personally I hope that she shows up again because it seems like a shame to introduce this awesome cool badass witch just to kill her off. Like if she died say right now...I'm not gonna feel any kind of satisfaction.
So I'm really curious to see where they take her...I hope beyond the show.
(Also I'm a massive simp for Kathryn Hahn so I'm very biased ignore me)
Next. Wanda
Wanda. Baby. Sweetie. Pls. Let me hug. Pls.
Okay so emotions aside for a minute. Its interesting that Agatha is convinced that Wanda already had dormant magical ability and the mind stone just unlocked it. I guess it kinda makes sense.
Like considering something like epigenetics it kinda links up. (don't bully me pls I'm an animal biology student).
Can we talk about how much Agatha is like "bro. You desperately need a therapist" every 3 seconds and like...she's not wrong.
Also me thinking we might get to see Aaron Taylor-Johnson in the flashbacks: 🤡 
Also. Vision talking to Wanda about grief being the continued love of a person. My fucking god. I just...as someone who is still trying to process a loss from last year this just...it really hit me.
Okay so at SWORD
Hayward clearly wanted Wanda to see Vision...maybe because he thought she could bring him back
But she couldn't...which begs the question...why did it work in the post credits scene...
My theory is that Wanda was too bogged down in her grief and emotions to like...fully exert herself in her power...which is why when it was used as an energy source that could be quantifiably controlled...it did work.
And judging by the post credits scene we were right in saying that Hayward wanted to use him as a weapon...I mean look at Vision. Look at him. Look how they massacred my boy.
AND it looks like Hayward has indeed been trying to frame Wanda as the villain. Like...all that security footage we saw earlier was given out and made to look like Wanda just stormed in wrecked shop.
Wanda walking into SWORD and being like "I just want to give him a funeral. Its what he deserves. It's what I deserve."
And okay 1. My poor fucking heart yes it is what he deserves. And 2. Yes it is what you deserve you tell him Wanda
Also
Can I talk about how I cried my eyes out when she got to Westview.
I was watching like...oh why is she stopping there...its clearly so boring...there's nothing there...was she just like "whelp this is a good a place as any to sit and cry"...wait...what if that piece of paper in the car was like the deed to a house or a piece of land...oh if it is I'm gonna cry real hard...
AND THEN IT FUCKING WAS AND I CRIED
AND HIS NOTE
MY FUCKING HEART OMG WHYYY
Okay. I think its time we talk about:
The fact that Wanda just created another vision???? Just??? Created another one???
What???
Excuse me???
I mean. She really wasn't kidding when she said she just felt alone and then all of a sudden they were in a sitcom.
So. We've already established that Vision can't exist beyond Wanda's Hex...he starts to die...
So my question...or more...pondering...is what's going to happen to him...
And this new SWORD!Vision...what's he gonna do.
Also what actually is Agatha's motivation here...is she trying to gain Wanda's power. We've be shown that she wants to know how Wanda did it...presumably so she can do it (or something similar) too.
But why...and what for?? She does she really want?
Needless to say I am VERY excited for the rest of the show and can’t wait for next week...aaaaaa.
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gaawachan · 3 years
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Critical Role 126 Discord Convo
Here, my sibling and I talked a bit about Veth, Caleb, the Cerberus Assembly, and Astrid/Wulf in particular (it starts out a bit goofy at first but gets serious): Sibling: Did you see that animatic I sent you, speaking of that scene?
Me: Yes
Sibling: Like, it'd be great to update it with Astrid and Wulf in a mound just behind the 9
Me: Lol, they would have seen the polymorphed worm, too... And the yeti friends... "They... built snowmen in balenpost?"
Sibling: And had to camp out while they disappeared into the wizard tower... the Beau-shaped hole in Balenpost lol
Me: There was a jester one too
Sibling: LOL. Like, a snowman... a snowman with 2 heads
Me: and sad faces
Sibling: One kicked over snowman and two human-shaped holes in the snowbanks. But seriously, there's no way someone isn't aware that Vess is dead. Her window was open, letting the snow come in
Me: Oh, the assembly knows. At the very least, Ludinus, Trent, and the scourgers definitely know. Astrid "thanked" Caleb because she's assuming he killed her, or she wants that to be the case, at least.
Sibling: Veth is totally missing the point. The writing is on the wall, Astrid is using the shit out of Caleb and I think, at the very least it might be an interesting DQ6 moment where when they come back from saving the world, Astrid's already taken Trent's place and they have to deal with it that way.
Me:  Yeah, it's very obvious, especially when you consider how Astrid and Caleb have similarities. Like... Astrid's panic attack in the alley reminded me of Caleb's breakdown in Shady Creek Run. Right after the manipulation is over and they're out of sight, they have a breakdown. Tbh... If Caleb were to replace anyone on the assembly, it shouldn't be Trent. It should be Ludinus. Ludinus is the root of the problems in the empire, pretty much everyone is certain at this point that that is the case. The king is evil but seems incompetent/useless.
Sibling: I wonder, honestly, if that'll be the conclusion to the M9? If Caleb's arc will conclude it?
Me: But at the same time I don't want him to be in the assembly; I don't think he WANTS to be.
Sibling: Rewatching the table scene *Veth: (to Wulf) "When the war was a bit more hot... Were you much more busy?" Wulf: "Not any more than yourselves." Veth: "No I mean, were you out on the lines like a soldier?" Wulf: "I'm not much of a frontliner... More of a scout, if you would."* Wulf is totally tailing them. Wulf is absolutely the person they sent after them, I'm certain of it.
Me: Yeah, I figured. There's going to be a confrontation in Eiselcross when they're traveling with Essek, I'm sure of it. That's gonna be rough.
Sibling: No, I know that, but it stuck out to me. I feel like Matt's dropping major hint bombs... ex vs current bf?
Me: I wonder if Essek has MET Wulf before.Sibling: I like Wulf more than Astrid.
Me:  Me, too.
Sibling: I think I'll be sad if he gets gravity crushed, but he better not lay a finger... on my butterfinger.
Me:  I mean, I feel bad for them both, but the problem is that they can't be trusted with power, and if the Assembly falls, they may try to seize power. Tbh I just don't see them surviving to the end and that's pretty sad.
Sibling: I could see Wulf being turned if the party spent more time on things, seeing as he seems to be more of a piece to be manipulated than a major player himself... but their focus is entirely on Trent and Astrid, which makes me think that he'll be canned.
Me:  Actually, I'm not so sure about that Wulf thing. I think he may be harder to reach in some ways. See the thing is... Astrid wants power.  That's understandable.  But it's not clear if she wants power for necessarily nefarious purposes or if it's just that the life of poverty she led before coupled with how much she's lost drives her to reach for it, and it's not clear what would satisfy her or whether or not she'd be interested in taking her life in a different direction, so that's complicated.
Me: But with Wulf... Wulf's issues are simpler, which I think arguably makes him harder to reach. Wulf and Astrid have both basically shrugged off their parents' deaths at this point, they've both indicated as much in different ways, but Wulf's a servant of the Raven Queen.  He can rationalize the death of anything and anyone under her banner.  Unlike Astrid, who is motivated by power/ambition, Wulf is the holy soldier... of the death god.  That's uh... zealotry.
Me: Worse still, he has religious motivations for going against those who use Dunamancy, which is likely an anathema to the Raven Queen. He was already following her when he was a teenager, because Caleb was looking to see if he had any symbols of her on him when they first reunited. Honestly I really don't think either of them can truly be reached unless Caleb DOES take over the assembly and even then they might do scummy stuff behind his back out of perceived necessity.
Sibling: If his motivations have been so tied up in his religion, it would make it very difficult to reach him, true. But Astrid seems to have invested so much into her ambitions that I wonder if she might try to quiet those talking her out of it. She seems very aware of her actions' consequences, unlike someone like Essek who had ambitions without understanding where his studies would take him. If they're left alive, which I don't think they will be, Caleb's best scenario would be to avoid the assembly as much as possible.
Me: Honestly at this point I feel like the entire government of the Empire needs to be cleared out and replaced, ideally by the Cobalt Soul.  Though that would be very controversial, I don't think any other organization can be trusted with filling that vacuum. The Soul is ultimately an international religious organization, but considering they have shown willingness to weed out corruption within their own ranks, it would be interesting if they pooled their resources and had the Empire taken over by a circle of vetted monks instead of corrupt mages, and then have them transition to a democracy eventually.
Sibling: Considering that Matt has reinforced that the Cobalt Soul is attempting to weed out its own corruption, but can't seem to do so for other organizations... I wonder how long it would last. At least they wouldn't have to operate in secret anymore. Maybe that would lift their final restriction?
Me: Well, the thing that really chafes at me with respect to Caleb potentially joining the assembly is that he just DOESN'T FIT THERE.  I've thought this before but Caleb would be more at home working for the Cobalt Soul than the Assembly.  He's been talking about burning out the rot in the Empire for ages now, and that's basically the goals of the expositors. I wouldn't object to him being involved in the Empire's government... as long as that government did not consist of anything resembling the assembly. A complete restructuring.
Sibling: I mean, you can't really rework the gov unless you're already in a position like Ludinus, but even then, Caleb I still feel like is not the person for that.
Me:  But let's be real, ideally he would be the head of the Soltryce Academy... and that's the thing... One of the problems with Wulf and Astrid is that you get the feel that they could rationalize doing anything.  And you have to wonder under all that rationalization and manipulation if there is any malice/sadism... there probably is, which sucks because Astrid is actually far better positioned to be an effective politician than Caleb; she's had experience around it for over a decade, she probably knows politics very well. Caleb is earnest and an excellent negotiator but he is not a politician. He would be best off as an ambassador, if I had to pick a political position for him to take.
Sibling: The government does still need to be overthrown for Essek to come hang out with Caleb though, so it must be done.
Me: It must be done. Looping back to Veth/Astrid... Here are some of the posts on Veth's behavior that I've seen. *posts a bunch of links* It's interesting... the Astrid thing. I haven't seen anyone else point this out, but... Veth probably sees Astrid as being Caleb's Yeza.  And if Caleb can go back to Astrid and be happy, it's like a test run for her going back to Yeza. Which is pretty messed up. He keeps telling her "Yes, I care for her, but we've both changed" and that's not something Veth wants to think about because it applies to her as well, except that... well, Yeza really hasn't changed.  Just her.
Sibling: 1) Ah, skirting her trauma by attempting to address what she sees as Caleb's? Addressing her issues by proxy? Overbearing mom living vicariously through her son...? ... That kind of makes my stomach churn, but I get it. 2) Another revenge perspective. Considering her knee-jerk reaction to kill people who've wronged her family or the party, I think revenge is totally an aspect that has gone unexplored for her. 3) Eugh, the romance still squicks me out, but I understand. Nott was a different person to Veth, she probably had a hope out for returning to her form and going back to Yeza... But I wonder if she thought he wouldn't accept her, and she had Caleb as like... (ew) a backup?
Me: I mean, it's pretty well-established that she has a thing for Caleb.  And yeah, her feelings for him are pretty fucked up because of their dynamic up to the point where they went to Felderwin. The CA did wrong her family, and so did Essek, and Veth is very much a vengeance-minded person in a far more straightforward way than Caleb.  Most of the others have told Caleb that if he goes after the Assembly, it should be for the right reasons.  Interestingly, Veth, Fjord, and Jester don't seem to agree exactly. Jester sees it as a sort of "why not both?" thing.  Fjord seems to have no qualms with vengeance at all (unsurprising considering which parts of his past have not yet been resolved, and yet Fjord has never gotten shit for that like Caleb has, and Sabian has done far less harm/damage than Trent).  But Veth?  Veth sees vengeance as clearcut, something that ought to be pursued and then when it's done, it's done and she's satisfied.  It's interesting that the person who Caleb was most attached to at the start of the campaign is also by far the most unhealthy influence on him in the group at this point.
Sibling: I think it's because Fjord hasn't been molded by Sabian. Sabian wronged him, but the more Fjord found out about himself, the less important that seemed. And the more they found out, the more you begin to call into question whether what he did was to get rid of Vandran, an unsavory figure or... something else? Not to mention, Sabian is insignificant, whereas Caleb's abuser is still abusing people to this day. I can see there are major differences between the consequences of either of their revenge quests.
Me: Yes, but that's precisely my point. Sabian is not hugely harmful in comparison to Trent, so it's interesting that people give Caleb shit for being motivated partially by revenge, while Fjord doesn't get any when that's basically his ONLY motivation for tracking down Sabian.
Sibling: Probably because Fjord might get a reason without killing Sabian. Caleb might be walking into a trap, laid out by his peers. I still am of the opinion that killing Trent is a net positive. Just the act of getting rid of him is necessary to stop the cycle. But what comes next is the most important part. Because if Trent is dead when they come back, and Astrid sits in his place... The perpetuation of this cycle won't come to a close.
Me: Yes.  I mean, personally?  His entire section of the Empire's government should be outright dissolved.  It's absolutely revolting.  The thing is that it's not just Trent that needs to go; it's his POSITION.  That needs to not exist, and I don't see that ever happening so long as Ludinus exists as well.  Edit: Well, you basically said what I meant in a different way, lol.
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tales-of-sweets · 2 years
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For the asking meme Kratos and Alexei please? c:
Hi! I will put the answer under the cut since it will be long ^^ Also someone already asked for Kratos in another post that I'm still typing up so stay tuned for that! I'll answer for Alexei though:
ALEXEI
favorite thing about them: I find him to be a very interesting character and his descent and motivations really fascinated me!
least favorite thing about them: As for the writing of his character, nothing? But within the context of the game I obviously hated how he treated Raven and the other knights towards the end as well as all the destruction and bloodshed he caused. Not to mention his self righteous and egotistical attitude.
brOTP: Literal bros, I HC him and duke as feuding brothers due to their contrasting goals, similar color palettes, and their general proximity to one another.
OTP: Uhhh... do I even wanna admit to Alexei/Schwann (or less frequently Alexei/Yeager)? 😅 I love them so much for the angst and heartbreak as he twists into someone cruel and unrecognizable before their eyes. I cry over them daily. On the other hand I kind of like Alexei and the Don, I think they could have a fun dynamic!
nOTP: I rarely see anyone ship Alexei with anyone except Schwann but I guess Alexie/Duke since I HC them as brothers?
random headcanon: I already said my main headcanon so I'm unsure. Ig this is more of a theory but I think a big turning point for him was the massive trauma he sustained during the attack from the capital, he looked absolutely haunted in his hospital bed. I think he already had some kooky ideas in his head but that the event changed his course of action. My friend's related HC was that when he asked Schwann to kill members of the council it was out of impulse and grief, not something he truly expected him to go through with (hence the reaction) and it showed him just how far Schwann was willing to go to be loyal to him and just how much he could really put him to use to meet his end goal.
unpopular opinion: Is liking him unpopular? I think he's a piece of shit but that's why I love him, I love villains.
song i associate with them: Maybe this one? He seems like he barely trusts anyone and is willing to crush those in his path to continue doing things on his own (much to his own detriment)
favorite picture of them:
Maybe one of these two? Ngl, I kinda just dig the whole scene where he mentally snaps due to seeing the adephagos and realizing how badly he fucked up. It mentally breaks him in an instant which I guess is to be expected when you have just summoned a giant Lovecraftian horror by mistake after committing many atrocities all for nothing.
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