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#it might also be fandom association
aro-culture-is · 10 months
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Being in Aroace spectrum culture is being a fic writer and writing romantic and s*x scenes that lean more towards describing platonic relationships. And also sometimes write pwp works and get angry that readers prefer to read them, and not really good and important for you gen works
(quick note: please do not censor [ie, using asterisks] words in submissions. leave them as they are so that others may read them with screen readers, or filter them as they so choose.)
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createacamillahect · 5 months
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you should make a camilla hect fic rec list!
i feel like this is the "you've made it" ask, so thank you for sending!
i would love to see your recs if anyone wants to send me any! anyway lets begin!
https://archiveofourown.org/works/38398693 this girl gets it (itsa me mario)
https://archiveofourown.org/works/26968918 this one has been a fav since 2020
https://archiveofourown.org/works/21817129 this is fun cam is background to pal&dulcie but still fun
https://archiveofourown.org/works/51098326 i've been meaning to read this one these 2 people are lovely and have been very kind to me
and i read these 3 the other day high off my ass and enjoyed them immensely
https://archiveofourown.org/works/42216225/chapters/105992889
https://archiveofourown.org/works/50477737/chapters/128421982#workskin ch 12 of this one
https://archiveofourown.org/works/44030262
and this which is arguably unrelated
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paradife-loft · 1 year
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Hi! Thanks for responding to my DDDNE poll! Quick question for you, because you mentioned something I find interesting about option 5: what portrayal do you think DDDNE implies/indicates that CNTW doesn’t? Thanks for your contribution to Science!
Ooh, you're welcome!
So, I think the basic sense for me, is that Choose Not To Warn can come from so many potential angles, that while it indicates the likely presence of some(?) sort of archive-warning-relevant content in a fic, it doesn't indicate anything on its own as far as the tone of the fic, or the overall prevalence or importance of the potentially-upsetting material. Dead Dove is more targeted and specific, about the centrality of said material to the whole experience of reading the fic, and quite likely the degree of graphic detail about the situation that the writing is going to lean into. A fic listed as CNTW for (say) character death content, could just as well have said death occur at the end of the story with the moment itself not lingered on, as have it be up-front, rendered in detail intended to be visceral and disturbing. Whereas in general, I would only expect content closer to the second option if said character death was given a Dead Dove label.
At the same time, I personally don't tend to take the CNTW label on its own as saying anything about (even disturbing) fic content that isn't relevant to the specific archive warning categories. DDDNE though is a lot more open-ended as far as what it might entail. I suppose a fairly concise summary of the differences to me, is that CNTW (by virtue of its position among the other archive warnings) is a message about the literal, factual content of a fic, regardless of how that content comes into play; whereas DDDNE by itself conveys a message of prominently featuring or leaning into something fucked up, but doesn't say what specific type of fucked up situation is involved.
I hope that's helpful! The way people use various warnings and tags and such is quite interesting to me, so your poll was fun to see!
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marcspectrr · 2 years
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To the asks on whether or not I'm writing/will continue to write for outer banks/jiara in the future, short answer is not right now.
The way the fandom has been and the way they're treating the cast lately has turned me away from it big time. I'm taking a much needed break from it all.
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maipareshaan · 8 months
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Your faction in the stan wars depends on which character's hate can you least tolerate
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swordfright · 2 months
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this might just be because i'm a bit older than your average mcyt fan, but it makes me kind of sad to see all these younger fans scramble to wipe their mcyt fanworks off the internet the second a content creator is revealed to have done something awful.
don't get it twisted, I'm a big believer in rescinding financial support to ccs you no longer agree with or admire by unsubscribing, deciding not to buy merch, or refusing to give them ad revenue by watching their content. if you don't feel comfortable giving someone money, don't give them your money. material support isn't what i'm talking about here - I'm talking about fanfic, fansongs, fanart. yknow, content that fans create for themselves and each other, stuff that's not for ccs.
in the past year (and especially the past week, obviously) i've seen tons of mcyt fans saying they're planning to delete their art (or that they already have deleted) because they don't want their work to be associated with content creators who behaved badly, and that they want "a fresh start." I've seen fan writers say the same thing about their fics. and like, this is fine, do what you want with your stuff, but i'll be honest...it does make me sad that so many younger fans seemingly have been made to feel such a high degree of responsibility for ccs that they're unable to enjoy fandom (a thing that is FOR US! FOR YOU!) or take any measure of pride in their past fanworks.
again, at the end of the day you should do what you want with your own shit. but what i will say is, if what you want to do with your work is delete it, at least think first about why you're considering the nuclear option. you aren't responsible for a cc's behavior, and that goes for literally anyone who's ever had a hand in making anything you like: books, movies, games, anything. you shouldn't be made to feel ashamed of having created fan content for a piece of media that a shitty person was involved in making. straight up, this kind of shame isn't something i believe should exist in fandom, because it's parasocial in the same way that positive emotions towards media/creators can be parasocial.
and also, as someone who's been involved in fandom for a long time, i can say with confidence that creators will keep disappointing you like this. there are shitty people out there. if you're searching for a piece of media with zero shitty people ever involved in the project, you will not find it. i'm not saying this to normalize shitty behavior on the part of creators, I'm saying this to emphasize that bearing the shame and guilt of every creator to this degree is not sustainable or healthy (and it's not how fandom used to operate, but that's a conversation for another day, perhaps.)
i understand why so many folks are considering deleting their fanworks, and if that's you...think about it before you do it. that's all i'm asking. you don't want to create a habit of divesting yourself of all evidence of having been passionate about art created by someone who sucks, because if you do get into that habit, then your chances of ever truly enjoying a fandom again are, unfortunately, pretty slim.
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crunchycrystals · 11 months
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the only taylor swift song i can really justify myself listening to is you're losing me because it's just a local file on my spotify but i'm wonderign like. how can i separate her from the music because i love the songs without the context of her personal life that's been my philosophy for years anyways but it's really hard to separate some of them like look what you made me do
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nekropsii · 5 months
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Hello, pardon and I don’t want to be a bother but I would like to ask for your take on something. And if you’re not down to answer this question, that’s completely fine, you seem to make large opinion posts on a noteworthy basis so I understand if you don’t have the energy or motivation to give an opinion right now.
But I wanted to ask for your take on the ethics of enjoying Homestuck in the modern day. Many people such as myself and seemingly you as well enjoy Homestuck but are painfully aware of all the gross stuff in it. And as I see the comic pop up in more and more dni lists, with people claiming that enjoyers of Homestuck are supporting these things inherently, no matter the fact that most of us stand against Hussie and attempt to reclaim Homestuck as something to express joy and our identities in, it makes me wonder more and more the ethics of enjoying Homestuck. Since you seem to have thoughts on the matter, I was wondering if you’d like to share your take.
I once again want to stress though, absolutely no pressure to answer. I am not entitled to your time or hearing your opinion. You don’t know me, I don’t know you. I was just asking in case you wanted to speak about it.
Hi, Anon! This is a very interesting question, and you were right to assume I have thoughts on it. They might not be as long and complicated as some of my other essays, but they still exist, and I would quite like to share them. Thank you for the opportunity.
My opinion on The Ethics of Enjoying Homestuck is that I believe it's perfectly fine to do so. I also think it's perfectly fine to dislike, or hate, or not want to associate with it or any fans of it. This is a personal boundary set by and for the individual, and it's not my business to question, nor my place to cross it. However, I don't really agree with the way some people go about communicating or enforcing this boundary. I've seen some people put Homestuck and Harry Potter on the same level before. I've seen some say that enjoyment of either piece of fiction is, at least in part, comparable. I heavily disagree with this- and the fact that this is a point that comes up shows to me that there's quite a few people who don't actually fully understand why so many people are saying to stop supporting Harry Potter.
The conflation of the two things reads to me as if some believe that Harry Potter has been "cancelled for having a problematic creator"- and that's not wholly true. Yes, J.K. Rowling is, by definition, problematic, and she is the creator of the Harry Potter franchise, but people have drawn such a hard line against supporting the series not just because J.K. Rowling is Transphobic, but because she has honest to god legislative power. She is, as it stands, currently the backbone of the TERF movement, and is spending a lot of time and money to ensure that Transphobes dominate the government. Monetary support of Harry Potter pools into her funds, which adds to her ability to further Trans Genocide. Communal/Fandom support of Harry Potter increases her visibility as a public figure, which adds to her ability to further Trans Genocide. J.K. Rowling has made very clear statements saying that she takes any support of the Harry Potter franchise- any at all, including Queer/LGBT+ Friendly fan content- as support of her beliefs. Support of Harry Potter is a method of legitimizing and validating Transphobia, and is being used as a way to further Trans Genocide.
If J.K. Rowling was just an average Transphobe, the outcry would not be nearly as severe, and the line wouldn't be nearly as clear cut. It would just be disappointing, bring to mind the phrase "same shit as always", and many would make the personal choice to distance themselves from it. But that's not the reality we live in. We live in the reality where J.K. Rowling has sway on the government, and is getting real people hurt and killed.
Andrew Hussie, creator of Homestuck, however, is just some random asshole with no political power outside of his own vote. Yes, Homestuck is filled with plenty of unsavory elements- random out-of-place interjections of Hussie's own past bigotry included- but at the end of the day, Homestuck has no influence over government action. Hussie has no tangible political influence, and does not want to have tangible political influence. We don't even have evidence that Hussie still holds the same beliefs as he did during and prior to the creation of Homestuck. This is just some random indie comic, made by some random guy in 2009. J.K. Rowling is dangerously close to billionaire status, and using that power for evil.
It's fine to like something that's not very morally clean- or something made by a not very morally clean artist, during a not very morally clean point in time in a not very morally clean place in this world. It's okay. The fixation some have on this is OCD-inducing. The best that can be asked is that one recognizes the bigotry, and doesn't perpetuate them. That's all. You can read, watch, play, and enjoy just about anything, as long as you don't make the more unsavory elements out to be a good thing. Don't start acting like Racism is awesome, or Antisemitism is cool, or Transphobia is based, et cetera, and you'll be totally fine.
The ability to find value in something impure or unsavory is a valuable one. Some may not want to associate with that, or find the particular flaw in the work in question to be too uncomfortable to stomach, and that's fine, too. Not everyone can just sit through Era-Appropriate Casual Homophobia or Racism and come out feeling fine enough to keep going. I'd argue- hope, even- that most feel at least a bit bothered by such things. It's all about personal tolerance levels. No one's committing a moral crime by either enjoying it or not wanting to even look at it.
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bluegiragi · 1 year
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hello! i'm gira, i go by she/her, and i've been making fanart for the cod fandom for about four months now :) the majority of that time's been spent on the soapbox saga, which is sort of just what i call the very plot-ridden porn comic featuring ghost, soap and konig. and recently i've been working on the monster 141 au!
i'm here to address the reasoning behind how i assigned certain monsters to certain characters, particularly the POC characters as well as accusations of racism regarding me neglecting gaz in all my art :) whoever you are, if you're reading this in good faith, i thank you! i earnestly never intended to make anyone feel uncomfortable from my work.
The Monster AU
i won't post the blog who brought this issue up mainly because, (realistically speaking) i think people might go after them and spam them with hate so I'm paraphrasing here. but basically..."how come all the POC in the Monster AU are assigned animal-associated monsters? Comparisons to animals can be incredibly demeaning when it comes to minorities".
I completely agree! But earnestly, I think my desire to assign every character a 'monster' that was relevant to their culture overshadowed the part of my brain that would've raised red flags about this sort of thing. There's the argument here that I could've assigned these characters cooler monsters such as Price who is a dragon, and Ghost who is a wraith, but I wanted to be respectful of all the minorities in the COD cast by giving them creatures that reflected their culture and personality.
ALEJANDRO - NAGUAL
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In the Monster AU, Alejandro is a nagual, which is considered a guardian spirit in Mesoamerican culture. Typically, it's said that the nagual is the shapeshifted form that powerful men can transform into in order to do evil (although that doesn't apply in this case, Ale's a heroic lad), and can come in the forms of a jaguar, deer, dog or bird. I chose a jaguar, since it seemed to be the most common form of nagual depiction in the resources I was looking at. The 'panther mode' isn't pre-established as part of nagual mythology, but since most panthers are just black jaguars, i thought the association wouldn't be unreasonable.
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I chose Alejandro to be a nagual because it's so in character for him to be protective of his home. The idea of him being a literal guardian spirit for all he considers his just made sense to me :)
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RODOLFO (RUDY) - CADEJOS
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In this AU, Rudy is the vessel for two cadejos, which are legendary dog spirits popular in the mythology of Central America, parts of South America and Mexico. Historically, they've been known as psychopomps (guides to help humans into the afterlife following their death) but modern interpretation has shifted to depict them as the good guardian dog and the evil attacking dog respectively.
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A lot of the minute information about the cadejos tends to differ depending on the source. Like whether they're actually two separate dogs, or they're the same dog just in different 'modes', or how big they are. My personal depiction of them has them sized as normal dogs (although their spirit nature means they can move into small spaces pretty easily by just becoming immaterial temporarily) and as separate spirits that have been passed down through Rudy's family generationally.
I chose the cadejo for Rudy because although I wanted to include him in the Monster AU, i still liked keeping him as a character who was a bit more 'human' than Alejandro. I think Ale needs Rudy to hold him back sometimes, and having the two cadejo definitely helps with that. Sort of like how cheetahs in zoos have therapy dogs growing up because they're so anxious all the time! I think it also does a good job of showing Rudy's two sides as well, like he's a softie who just wants to protect those he loves, but he's capable of a lot of violence too.
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VALERIA - GORGON
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Valeria is a gorgon which, admittedly, is not part of Mexican mythology. However, I was put in a bit of a bind here, since my research didn't really reveal to me a monster in Mexican culture that I thought would suit Valeria's vibe (manipulative, elulsive) and I just felt like a gorgon would be perfect for her. Medusa's myth has her being continuously demeaned by the men in her life and is a symbol of female empowerment, which I thought was a great reflection of the implied reason that Valeria left the army was due to internal sexism. There's also the perfect parallel of how anyone who sees El Sin Nombre's face dies, and Medusa's whole 'turn you to stone' thing.
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I thought i could compromise by making Valeria a gorgon but her hair would be Mexican black kingsnakes but...turns out they're actually not that dangerous. Some people even keep them as pets! So I decided to keep the visual, but make her a pit viper, a subfamily of vipers found in the Americas as well as Eurasia.
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HORANGI - HAETAE
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Horangi is a haetae (해태) which is a beast in Korean mythology that typically comes in the form of a horned lion or dog. It's prevalent in a lot of cultures in East Asia actually, although it goes under different names depending on the region - kaichi for Japan, xiezhi for China. I made Horangi a tiger variant on the creature because...well...'horangi' means 'tiger' in korean. It just made sense to me to put that little twist on it.
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Typically, haetae are seen as spirits of judgement, that decide on innocent and guilty parties in disputes and punish the latter. It's also considered a guardian against fire (hence the fire immunity and cloud manipulation powers I gave him).
GAZ - HARPY
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Gaz is a harpy which, I won't lie, was purely inspired by the fact that he seems to keep falling out of helicopters. But it's also because...yeah, I did neglect Gaz in the soapbox saga. But I think I neglected...everyone in the soapbox saga who weren't directly involved in the main ship. I sort of just tunnel visioned on the main three, so my exclusion of characters isn't just limited to Gaz, it was included Price, Laswell, Alejandro, Rudy, Graves etc.
I just want to make clear that my treatment of Gaz in particular isn't reflective of any inner preference against him. And to make good on that, me assigning Gaz wings of all things was to help me spend more time on him in the Monster AU! I think the contrast between Gaz being an upstart harpy, and Price being a one-winged dragon has a lot of potential as a mentor/protege relationship (and perhaps even something more) and it's why I assigned this monster to him. I really wanted to establish a connection upfront, but just making Gaz another dragon felt cheap - the harpy thing felt a little more in turn with his character :)
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I really hope this cleared up any remaining frustrations with my designs for the Monster AU. I hope you can see that I never meant anything demeaning by assigning these monsters to their respective characters - in fact, I earnestly tried to go out of my way and be respectful to their backgrounds.
In any case, if you have any more questions I'd be happy to answer them - I'd just ask you to please ask politely :)
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youryurigoddess · 4 months
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“The farthing… has vanished”
Remember that line from the Nazi Zombie Flesheaters minisode? Sick and twisted. And we need to talk about the reason why, even though the magic trick in question is nowhere near as spectacular as the Bullet Catch. Let’s start with a quick recap:
The farthing was a British coin worth one quarter of a penny, discontinued in 1961 due to its plummeting worth. The reverse featured the image of a wren, one of Britain’s smallest songbirds with plumage in rather drab shades of beige and brown. Reminding you of someone?
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A popular design of a sixpence, the bigger coin in this set, minted in the 1920s and 30s depicted oak branches with acorns. Which means that seen from close quarters, so basically Crowley’s perspective, Aziraphale’s vanishing coin trick leaves empty branches with no bird in sight.
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As if that image wasn’t traumatizing enough for almost everyone in the Good Omens fandom post S02E06, the etymology of wren’s name in most European languages refers to royalty in some way. Like a literal king or otherwise supreme bird. That’s why killing a wren or harassing its nest is traditionally associated with bad luck. In certain parts of France it’s still believed that the robbing of a wren’s nest will render the culprit liable to be struck by lightning.
In Irish the wren is called a trickster, which connects to the ancient (as in: mentioned by Aristotle, Aesop, and Pliny) fable on how wren became crowned in the first place — by proving that intellect beats strength:
On one occasion a general assembly of birds resolved to chose for their king that bird which could mount highest into the air. This the eagle apparently did, and all were ready to accept his rule when a loud burst of song was heard, and perched upon the eagle’s back was seen an exultant wren that, a stowaway under its wing, had been carried aloft by the kingly candidate. The trickiness angered the eagle so much, says one tradition, that he struck the wren with his wing, which, since then, has been able to fly no higher than a hawthorn-bush. (Ernest Ingersoll)
In art and folklore this little bird symbolizes rebirth, immortality, protection, and the promise of spring. As a luckbringer it was supposedly present at the stable in Bethlehem when Christ was born; and and Irish proverb runs: “The robin and the wren are God’s two holy men.”
But there’s also a catch. According to legends, it was the flapping of the wings or the song of the wren that betrayed the first Christian martyr, Saint Stephen, while hiding from the mob, and led to his stoning by the Sanhedrin — the highest tribunal consisting of the Head Priest and the Jewish elders.
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That’s why December 26, his remembrance day, is celebrated in the UK and Ireland as Wren Day. Its highlight was a traditional bird hunt, where the wren as king of the birds was hunted and subsequently paraded through the town and rural areas on top of a pole or holly branch, decorated with ribbons and colored paper, as a substitute of the ancient human sacrifice of the Year King for winter solstice. The wren boys still travel from door to door singing, dancing, and playing music, demanding money to “bury the wren”, but fortunately no more animals are harmed in the process.
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With Aziraphale being chosen as the new Supreme Archangel and literally disappearing from the face of the earth in the season finale, his becoming a scapegoat or a sacrifice to a greater, communal goal might be a real possibility when something goes wrong with the Second Coming. The good news is that this level of danger should be enough to get the Ineffable Husbands back on speaking terms.
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necroromantics · 1 month
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How To Write ASPD / Psychopathy
half educational, half ramble. dedicated to the creepypasta fandom.
(check out my how-to-write bipolar + ticci toby here)
What is ASPD?
Antisocial Personality Disorder (ASPD) is characterized by a disregard for others rights and feelings. It's a personality disorder, which means the mindsets and behaviours associated with this condition are deeply ingrained and maladaptive.
The current DSM-5 diagnostic criteria states that to be diagnosed with ASPD, a patient needs to have a long-term (occurring since at least age 15), consistent, and persistent history of three or more of the following:
failure to conform to social norms; repeatedly breaking rules/laws that may be grounds for arrest
deceitfulness; lying, tricking others for personal gain
impulsivity or a failure to plan ahead
irritability and aggression; fighting, hostility, outbursts
reckless disregard for the safety of self or others
irresponsibility; repeated failure to comply to work or financial obligations
lack of remorse; being indifferent to or rationalizing having mistreated or hurt others
ASPD, by definition, can only be diagnosed in people who are 18+. Minors cannot have ASPD due to treatment and intervention reasons. A minor who exhibits traits of ASPD will be diagnosed with Conduct Disorder.
At it's core, though it may seem like people with ASPD are just hostile and insensitive and rude, is a defense mechanism formed in childhood, typically in response to an abusive environment. Self-preservation and a "dog eat dog world" mindset are very common in those with ASPD. Everything is about doing what it takes to retain social dominance, control, and ultimately safety. Boredom and risk-taking is also very common in people with ASPD, and many people with this condition have never had proper, healthy influences in childhood to teach them proper manners, social norms, morals, or how to regulate their emotions and aggression.
It is a chronic condition that affects about 1-3% of the population. Its very prevalent in the prison population as well. ASPD not only causes a person to potentially cause harm to others, but is a condition that very negatively impacts the patients themselves.
(Note: The term "sociopathy" is typically used to refer to an extreme presentation of ASPD. "Psychopathy" may sometimes be seem as a very very extreme presentation of ASPD)
What is Psychopathy?
Psychopathy refers to a set of traits/issues that might be seen in patients. It is NOT a diagnosis. If psychopathic traits cause dysfunctional behaviour in an individual, they will most likely be diagnosed with ASPD.
Psychopathy is now most commonly used in research settings to use it as a term that describes certain patterns and behaviours. It is something professionals study, not diagnose.
The traits related to psychopathy are:
manipulative behaviour; superficial charm, persistent lying, deceiving others
grandiose sense of self
lack of remorse or guilt; lack of empathy, callousness, shallow emotional expressions
reckless lifestyle; need for stimulation, parasitic (constantly takes from others), lack of realistic long-term goals, impulsivity
antisocial behaviour; poor behavioural control, early behavioural problems, trouble with the law in youth
Not all psychopathic people fit the criteria for ASPD, not all are disordered by their traits, and not all people with ASPD are considered psychopathic. But there is a very big overlap.
Psychopathy is typically only recognized in a forensic or research setting. It is often wrongfully used in the media to describe people who are serial killers, abusive, or used to dehumanize others.
Personally, I believe that media and creators need to move away from the terms psychopath/sociopath. They have far too much negative connotation that only exists to demonize people who suffer with unconventional traits. If you want to write psychopathy correctly, do your research on what it looks like in its presentation, and just drop the label.
What are some harmful tropes with ASPD/Psychopathy in media?
ASPD and Psychopathy have been tossed around in many different settings as ways to cheaply create an evil villain, or a cold calculated monster, or a reckless criminal. There has been only one instance in my lifetime of watching hundreds of movies and shows that I have seen an accurate, humanizing portrayal of ASPD. (That show is House MD by the way, I highly recommend if you want to see good representation).
So what are some of the tropes to acknowledge and avoid?
1. Psychopathic serial killer
Have you seen American Psycho? Great movie. Don't do that. While the character Patrick Bateman is commonly associated with the terms "narcissist" and "psychopath", he also is a satirical character who is a very dramatized and exaggerated presentation of some psychopathic traits.
I will be honest. A lot of real-life serial killers do suffer from various mental health conditions, but correlation is not causation. In the Creepypasta fandom we are surrounded by different characters who are almost all serial killers, and people like to make things easy and just throw the label of "psychopath" onto them and call it realistic. This is very cheap, and very harmful.
If you want to write a psychopathic serial killer character, then acknowledge how harmful, fear-mongering, and dehumanizing this trope is towards people who actually suffer from these traits.
2. ASPD synonymous with abusive behaviour
ASPD is a disorder that does cause people to do and say things that will harm others in some way. Cluster B personality disorders are commonly seen as 'social disorders', as in they cause dis-order in interpersonal relationships, and in response to society. Borderline personality disorder (BPD) for example may cause somebody to threaten harm to themselves in response to percieved abandonment, or to have intense fights due to emotional dysregulation.
ASPD in particular may cause someone to be insensitive towards others problems, lack morality, be aggressive or hostile, put others down, or get into reckless situations. This is why they are disorders. Because they cause significant and serious problems in the persons life.
It is not pretty, and it's not fair, and yes, people with disorders may cause harm to others due to behaviours associated with their condition. But there is a difference between causing harm, and abusing another person.
Lying to someone is not inherently abusive. Being reckless is not inherently abusive. Being an insensitive asshole is not inherently abusive. To not understand the nuance and the complexity of these situations is to completely demonize and stigmatize a serious mental health condition. You don't call people with BPD abusive for their actions inherently, because you acknowledge they are hurting and only doing what they know to cope with this hurt. Of course it's unhealthy. That's what a disorder is. That does not make someone abusive by default. Anyone with any condition, even neurotypical people can be abusive.
3. Cold, emotionless robot
People with ASPD can and do feel emotion. People with psychopathic traits can and do feel emotion. They get sad, disappointed, disgusted, happy, excited, jealous, hurt, angry. There is nothing in the ASPD criteria that states anything about emotional presentation or experience.
In psychopathy, it is mentioned that there may be a shallow emotional expression. This may also be present in ASPD. This means that while a person will feel emotions, it is either beat down or brushed off, or completely repressed. The emotional repression may come from childhood abuse where they were punished for expressing emotions, or expressing emotions had caused them harm.
Lacking emotions/emotional expression is instead highly linked to Schizoid Personality Disorder, and is apart of the criteria for said disorder.
Media protraying people with ASPD/psychopathy as cold, emotionless, calculating robots is another trope used to dehumanize people with mental health issues. It's used to make people with ASPD seem evil or not having feelings that could be hurt. In reality, nearly everything a person with ASPD does, is their dysfunctional way of protecting themselves from being hurt.
People with ASPD may lack the emotional capacity for things such as empathy and remorse, though. Its common that they are unable to care for, or feel upset for others suffering. They may also be unable to feel guilt. This criteria is seen in about 51% of people with ASPD and is associated with more extreme presentations.
Do you headcanon anyone to have ASPD?
Yes, but I don't like to use the label on them. I do write a lot of antisocial mindsets into my headcanons for Ticci Toby, and I heavily write ASPD into my OC, Tobin.
For Toby, his presentation of ASPD comes in the form of rebellion, not understanding/following social norms, recklessness, and a strong desire for power, dominance, and control. I write this as his subconscious response to the trauma he faced in childhood. As a child Toby was constantly put down and made to feel small and powerless at the hands of his father. In order to make sure his father abused only him and not his mother and sister, Toby would act out and be a troublemaker. I think that he would have a lot of ASPD behaviours and views on the world.
For my OC Tobin, he's pretty similar in presentation in regards to power/control, and not following social norms. He is very prone to justifying and rationalizing his behaviours to the point he doesn't feel remorse for the harm he causes. Tobin grew up in a very unstable and abusive environment where, like Toby, he did what he needed to do to get by. He never learned proper morals, norms, regulation, etc. But Tobin does care about others. He takes care of his little sister, and loves his girlfriend, and is very protective. Tobin is still a complex human being with more to him than just being an antisocial insensitive prick.
How can I write a character with ASPD?
Do proper research. Not on Reddit, or Quora, or WebMD. I mean go find trusted, scholarly articles and read real scientific papers and studies on ASPD. Do research into how/why it forms, the mindsets, the symptoms and their presentation, the neuroscience even.
Humanize your characters. While it's fun to throw around a bunch of negative and toxic traits to a character you want people to see as 'bad', it's lazy character development. Give them good, positive traits as well. People are very complex, and nobody will fit in to the mold of good or bad. Make them human enough where someone wont look at your character with ASPD and assume everyone with ASPD are monsters.
But also, don't water down the disorder. ASPD does cause harm to the patient and the people in their life. I've seen it a lot where people will try to fight against stigmatization by completely glamorizing the disorder. "People with ASPD aren't inherently bad! They don't actually hurt others or act hostile or say insensitive things"... Yes we do. And it causes many problems. And that is why its a disorder.
Personally I don't like to throw the ASPD label onto my characters even if I do write them to have ASPD because I feel like it just boxes them in. If you write a character with ASPD, try doing it in a way where a professional would be able to tell they have ASPD without you even mentioning the label.
Remember that ASPD is COMPLEX. It varies vastly in its presentation, its a disorder that is life-consuming and the dysfunctional beliefs and behavioural patterns are deeply ingrained and consistent throughout many different areas in someones life. It's a label to describe preexisting issues. It's something that is highly associated with childhood trauma, and drug addiction, and general suffering for the person dealing with their own chaotic mind.
The biggest problem I see that frustrates me is the way people throw around the terms "psychopath" and "sociopath", especially when someone just wants to add a layer of edginess onto their character. Remember that you are dealing with a condition that real people suffer from every day. If you can't handle it respectfully, and if you would demonize someone with ASPD in real life for acting as your character does, just don't write it in. Keep the label separate. We don't need any more stigmatization and misinformation.
I know this was very long, but it's such a multifaceted and complex issue and I've seen it enough times in the fandom to be frustrated enough to write this. If you have any questions, want more advice or information, please feel free to ask away in my ask box 🔥
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thefandomlesbian · 5 months
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Thinking about House's infarction and recovery and based on the scar, I think he would have had a wound vac for a significant period of time.
(Disclaimer: I am not a doctor, this is conjecture for the sake of fandom, any misconceptions are my own.)
So this is House's scar, per the screen grab I can get off of Google.
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In my opinion, the scar seems like it wasn't well-approximated at the time of closure, which makes sense; it's consistent with the idea that his leg was opened and necrotic tissue was debrided, leaving wide margins that couldn't be secured with sutures. (This is a guess; muscular infarctions are incredibly rare and I haven't found any information online on standard procedure for clearing necrotic muscle tissue surgically.) Combine with the fact that an infarction is a clotting issue that can interfere with circulation and perfusion, I think House may have been discharged with a wound vac.
A wound vac is an electronic negative pressure device that assists with wound closure for open wounds, ie the outermost layer of skin isn't sutured/stapled and underlying tissue is exposed. These devices are usually in place for a few weeks.
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(This is a stock image I swiped from Google associated with a study on the efficacy of wound vac closures.)
Basically, the tubing hooks to a machine that provides suction for any drainage and helps everything remain clean, among other things. The dressing is generally changed every 48-72 hours and is pretty painful, the adhesives involved are strong to provide total suction (the machine will flag if there is any leak and start beeping, so it must be completely airtight). I've had it described to me as, "It feels like they're peeling your skin off and digging around in your wound."
So from pain alone, this is not something House would've been able to do well by himself. He also eschews nurses, so I find it most likely Wilson provided this care for him. As a surgeon, Wilson is well-acquainted with wound closure techniques and with stages of healing, this is his area of expertise. This is something that needs to be done every 2-3 days, for 3-4 weeks, maybe longer depending on how the wound healed.
Again, based on scarring, it looks like there may have been healing complications. Which, granted, it's House. We see him perform bathtub surgery with no sterile technique or gloves (he also might have had a wound vac for that, too). House attempting to perform his own dressing changes, or worse, foregoing them altogether because it's too painful, except now the suctioned drainage is green and the periwound is hot and bright red and his leg is starting to swell. He needs help, he can't do this himself.
Wilson wants to take him to the hospital to sedate him for debridement and provide IV antibiotics, but House won't go, he's afraid of losing his leg if he's anesthetized again, he'll sooner die of sepsis. Wilson, against his better judgment, does what he must. Clears the dead tissue, cleans the wound, replaces the wound vac dressing, new tubing and canister, all while House is biting a towel like a civil war soldier because he won't be anesthetized again. Wilson fills oral antibiotics to control the infection. Going forward, he religiously changes the dressing, because if the wound becomes gangrenous he knows House will die before he consents to an amputation.
We all discuss House relying on Wilson for mobility after the infarction, which I also think is true and deserves a spotlight. But wound care is such a personal act with regards to House's profession and personality that the notion of Wilson providing for House in this way has me salivating.
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