katsuki blames the alcohol for making him stupid.
really stupid.
not that he's had a lot, but his tolerance is low for a guy of his size, and he can feel the edges of his inhibitions dulling with every drink of whatever denki has shoved in his hand. it doesn't taste like absolute shit, which is rare enough to have him indulging, just a bit, for the agency halloween party.
another sip has his head feeling a little swimmy, and before he knows it, his eyes are trailing across the room until they find you. again.
whatever the hell you're supposed to be tonight—a witch, or something else in a pointy hat—is really fucking with him, and has since you walked in. the costume isn't revealing in a sense that it's inappropriate for a work event, but it's...hugging you in all the right places. in every single one of them.
without tights, it would be on the too-short side, but—and no, katsuki can't fucking explain this—something about them is making everything worse. and your calf-high boots ain't helping, either.
it's just—your fucking—hips.
katsuki couldn't tell you what song is playing, but you're swaying back and forth to the tune and one of his canines digs into the plastic of his cup, so deeply that it makes a terrible creaking sound and dents beneath the pressure—and that's when a sharp elbow is delivered to the center of his chest.
mina is at his side when he looks, and her wide, freaky eyes scan his face before narrowing in her little shit-eating way.
"you're a pig."
katsuki chokes, and the little freak takes that as an admission of some kind.
"oh my god," she gasps, mouth falling in all her disgust and awe. "you can't even deny it!" and then she laughs, high and chirpy, and there's no way you can't hear her. "oh, you're down bad."
"cram it," he snaps, sinking his scowl into his cup. "i dunno what the hell you're talkin' about."
"you know i really thought better of you," mina sniffs effectively, turning her face up and away. "not the type to be blantly checking out somebody's ass."
katsuki bristles, and his aggrivation growns until the plastic in his hands starts to melt. "i wasn't—"
"i'm kidding!" mina snorts before flicking him in the nose, narrowly dodging the hand he swipes out at her. "quit being a baby and go shoot your shot already."
"piss. off."
but the hero is unaffected by him, simply scrunching up her face in response before turning on her heel to disappear further into the party.
she's wrong, katsuki thinks, because he's not a pig like sero or fucking dunce face or even kirishima, from time to time, who gets red in the face over a low cut shirt and a pair of tits.
fucking ridiculous, katsuki thinks, because he's way better than that.
it's just—the alcohol. that's making his lids heavy and his thoughts dark and his face hot. has him peeking at you over the lip of his cup, has him picturing you in his head when he's forced to look away.
and, well, maybe, the short cut of your dress has a little something to do with it, too—but he's keeping that shit to himself.
taking it to the grave, even.
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My name is [BRUTUS] and my name means [HEAVY]
so with a [HEAVY] heart I'll guide this dagger
Into the heart of my enemy
Something about having absolutely no choice in who you marry. About being literally forced by the law to spill blood - to accept this stranger as your husband over a man you truly care for or accept the fact that the man you love might die because you put him in danger. Something about risking becoming the wife of a man you've never even seen before a few minutes prior because you know anything would be better than putting your beloved in harm's way. Something about the trust inherent in that decision and in the way she speaks of it after.
Truthfully, T'Pring doesn't know the captain and she doesn't know Spock. Either one of them could have taken her as their wife but she does know Stonn. She knows that Stonn will remain by her side no matter what. They made a plan together. They have an agreement which T'Pring believes will be upheld even though the plan changed with the arrival of Kirk. Stonn will always be there, always, and Stonn will be hers.
Something about the language used around T'Pring: Ownership, subservience, non-personhood. T'Pring is an object that Spock can win. She cannot reject him, she has no say in the matter other than having Stonn 'claim' her instead. Even when Spock leaves after being very clearly rejected by T'Pring he says "Stonn, she is yours." as if despite her clear rejection he still owns her and is must formally 'give' her to Stonn. But the language T'Pring uses around Stonn is a break from that: "There was Stonn who wanted very much to be my consort, and I wanted him."
Stonn who wanted very much to be HER consort and she WANTED him. The language here is very particular - It's not, for example: "Stonn wanted me to be his wife" - he is HERS. And she WANTS him. There's a mutual affection there and a strong trust - a trust which seems to be well founded since Stonn (though silent) stands by her side at the end of the episode. <- That might seem small but if Spock would reject her for 'daring to challenge' (again, the language is not 'because I don't want you' but more of an implied disgust at her having the AUDACITY to reject him) then it's not a stretch to assume that it'd be considered an insult in the TOS Vulcan society to NOT choose Stonn as her champion after a prior agreement.
Anyway T'Pring was a woman in an impossible situation within a society which saw her as more of an object than a person and she wanted Stonn and Stonn wanted to be hers and she trusted that he would understand if she had to publicly pick someone else to ensure his life would be spared and he did understand.
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no yeah miri's mom was NOT the ""villain"" and she definitely was not presented as such either.
with the smile spell miri mentioned earlier, and just overall despite the situation she was forced into, misaki clearly did her best with miri even with her conflicting emotions.
the only obviously "bad" choice shes made so far was sending miri, a 4 y/o all alone into the city but 💀 to some degree the thought of sending her to be with her dad is also. yeah. like shes not in a place where she can take care of miri properly, and even if miri seemed to be some sort of... bargaining chip?? miris dad has the resources to help miri more than her mom could
and kazuki isnt the ""good guy"" either nor was the situation presented as so black and white. both parties said things that they've internalized due to their own separate situations, and while kazuki was mostly projecting due to his own losses and experiences, itd be good if he manages to learn about some other worldviews.
but yeah tldr: neither misaki nor kazuki were villains, and they werent PRESENTED as such either. they just said whatever and you the viewer have to interpret it.
i am aware a lot of series often demonize women who dont want their children or are in similar situations etc. but thats not what happened here luckily
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