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#island of nettle
nettleisland · 2 years
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Streaming more island flattening today! It's demo day, time for some catharsis. 😈 Starting at 4pm PT/7pm ET! I'll reblog again later with the link!
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richardsthirdnipple · 7 months
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Oh, we never had a Rhoynish person in GoT.....
We never got the Orphan of the Green Blood understanding in canon....
We never got to see someone who practiced Naathi culture......
What do you mean the Summer Islander ways were never truly explored.....
How sad......
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Let's walk down a particular path.........
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dubmill · 1 year
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Grave of William Ballantine Hyne (d. 1921), Friern Barnet, London; 25.3.2023
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marswakes · 4 months
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"Now what?" Mars snapped at the approaching footsteps, her sword at the ready. She could barely hear the person approaching her let alone see them, but hiding inside the last vestiges of this accursed island really felt as if she was being haunted, watched and followed by these godforsaken dolls. "You, what do you want?" She asked, sword still at the ready, not moving back from the little bit of cover she had from the half-caved-in roof.
@nettleberry
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mercerislandbooks · 8 months
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Book Notes: Thornhedge
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Sometimes the very last weeks of summer call for a slim novella you can finish in a day. And if you’re in a mood for a fractured fairy tale, then Thornhedge, by T. Kingfisher, might be perfect. 
From the author of Nettle & Bone, a favorite of mine, Thornhedge reimagines the Sleeping Beauty fairy tale by wondering why a young princess would need to be contained by a magical sleep in a high tower, buttressed by miles of thorny hedges. We meet Toadling, the not-quite-human/not-quite-fairy -- able to transform into a toad and with a watery magic of her own. She is the last remaining guardian to the potential catastrophe sleeping behind a bricked up door. She is the one who feels responsible and helpless and trapped all at once. Toadling has watched the world go by and prayed that none would come investigating. That the world would forget the story and the tower and the girl-like-thing asleep within it. Toadling can almost believe they have been forgotten. Until one day a knight makes camp outside the briars.
Throughout these pages T. Kingfisher continually turns the conventions of fairy tales on their heads. My tenderness and sympathy are all for Toadling, stolen from her human life. The fairies that raise her, while grotesque to the human eye, offer her a belonging that never fades, even when she is forced into mitigating harm she did not cause. And T. Kingfisher perfectly captures the mix of dread and hope that occurs when an unforeseen element is suddenly introduced to an untenable situation. The book itself is absolutely beautiful, with a foil stamped design under the dust jacket and endpapers illustrated by the author. Perfect for fans of Alix E. Harrow!
— Lori
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villainesses · 10 months
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leopardsealz · 2 years
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have had a nonstop headache since friday i might pass away <3
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When The World Is Crashing Down [Chapter 13: Condemned From The Start] [Series Finale]
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Series summary: Your family is House Celtigar, one of Rhaenyra’s wealthiest allies. In the aftermath of Rook’s Rest, Aemond unknowingly conscripts you to save his brother’s life. Now you are in the liar of the enemy, but your loyalties are quickly shifting…
Chapter warnings: Language, warfare, violence, serious injury, alcoholism/addiction, references to sexual content (18+), death, angsttttttt, more children than usual, Wolfman!
Series title is a lyrics from: “7 Minutes In Heaven” by Fall Out Boy.
Chapter title is a lyric from: “Sophomore Slump or Comeback of the Year” by Fall Out Boy.
Word count: 8.1k.
Link to chapter list: HERE.
Taglist (more in comments): @tinykryptonitewerewolf @lauraneedstochill @not-a-glad-gladiator @daenysx @babyblue711 @arcielee @at-a-rax-ia @bhanclegane @jvpit3rs @padfooteyes @marvelescvpe @travelingmypassion @darkenchantress @yeahright0h @poohxlove @trifoliumviridi @bloodyflowerrr @fan-goddess @devynsficrecs @flowerpotmage @thelittleswanao3 @seabasscevans @hiraethrhapsody @libroparaiso @echos-muses @st-eve-barnes @chattylurker @lm-txles @vagharnaur @moonlightfoxx @storiumemporium @insabecs @heliosscribbles @beautifulsweetschaos @namelesslosers @partnerincrime0 @burningcoffeetimetravel-fics @yawneneytiri @marbles-posts @imsolence @maidmerrymint @backyardfolklore @nimaharchive @anxiousdaemon @under-the-aspen-tree @amiraisgoingthruit @dd122004dd @randomdragonfires @jetblack4real @joliettes
Thank you so much for reading. I hope you enjoy the finale.🦀💚
In the Eyrie, one of Rhaena Targaryen’s three dragon eggs has hatched at last; the creature is small and pink, and she has named it Morning. When Rhaena’s tears fall onto the scales of her diminutive wings, they glitter like flecks of rose quartz. Deep within the snow-laden labyrinth of the Mountains of the Moon, Nettles is in hiding with Sheepstealer; already the nearby clans are bringing her offerings of meat and treasure, axes and clubs and daggers, hairpins carved from the ribs of enemies and necklaces made of bear teeth. Silverwing is settling into a lair on an island in the Red Lake at the northwestern corner of the Reach. Word of this has travelled back to King’s Landing, and Borros Baratheon implores Aegon II to seize Silverwing for himself; but the king does not want a new dragon. He wants Sunfyre back. That grim truth aside, Aegon is unable to trek across the continent to tame the beast anyway. Some days he cannot even cross a room. At the bottom of the Gods Eye, bodies are dissolving into bones, threads of long white hair breaking loose to flow in the currents like weightless strands of spider webs torn free by cold drafts. And only a few miles from the border of the Crownlands—preparing to cross the icy waters of the Blackwater Rush—the army of Northmen camps under a full moon in a clear, indigo sky heavy with stars like glinting coins.
“There are passageways under King’s Landing,” Clement Celtigar says. He stands by the bonfire with his sword in his hand, his face flame-bright and eager, forever licking up drops of the Kingmaker’s approval, a stray cat lapping milk splashed in an alley. Increasingly, Cregan Stark finds him tiresome. Clement is brash and dramatic, forever swearing vengeance, reveling in his newfound position as the head of his house. The Warden of the North has never had to beg for attention, admiration, acclaim. These things come to him like snow falls to the earth in winter: effortlessly, inevitably. Yet Cregan tries to be patient. Clement is soon to be his brother-in-law, and it is dishonorable to fail to extend courtesy to one’s kin. Furthermore, it seems, Clement has his uses.
“Are there really?”
Clement nods. He wears the banner of his house on a strip of fabric looped around his upper arm: crabs red like blood, a backdrop of white like snow. “That monster’s disciples used them to kidnap my sister from the Red Keep. But she fought hard. When we searched her rooms, all the furniture was upturned and the sheets ripped from her bed.”
“She is brave,” Cregan murmurs in agreement, though he is distracted now. The air tastes like smoke and ice, the wind rubs raw spots into the soldiers’ faces. They are arriving just in time. The depths of winter is no time to wage war. Cregan Stark imagines how you will greet him when he liberates you: a desperate embrace, hands that refuse to let go, whispered gratitude and breathless kisses on his earth-stained knuckles, bones of steel softened by the innate weakness of womanhood. You will love him, of course you will, fervently and entirely. Then when the realm and succession are secured, the Kingmaker will take you North and wed you in the tradition of his people, under the heart tree where the Old Gods can witness it. And then there will be the wedding night. In Cregan’s understanding, women receive little pleasure from the act itself. It is a burden they bear for the men they love, for the children they are divinely tasked with bringing into existence. Cregan Stark intends to alleviate your suffering in this regard as much as possible…yet he has already begun to choose the names of the sons he will make with you. He especially likes the sound of Brandon, sturdy and grounded and thought to mean leader or prince. “This is the last night your sister will ever spend in the clutches of the Usurper.”
“Praise the Seven.” Then Clement adds diplomatically: “And the Old Gods too, of course.”
“It’s the end of the world,” Cregan Stark says, gazing up into the night sky where constellations tell the stories men deem worthy of remembering. “And the start of a brand new one.”
~~~~~~~~~~
“How did you learn to braid hair?” little Jaehaera asks you in her lilting, reedy voice like a bird’s. You are sitting behind her on the floor in Alicent’s bedchamber. Nearby, Autumn is flipping through a child’s book with Rhaenyra’s ever-solemn son, murmuring as she points to colorful illustrations of ravens, dolphins, bears, dragons, crabs. They are learning to read together.
“My sisters taught me,” you tell the princess. Firelight turns her silver hair to gold, her pale skin to flames. Logs crack and pop as they melt to glowing embers. Alicent glances over at you and sighs despairingly. The dowager queen, so thin she might disappear, is hunched in a chair by the fireplace. She has an unshakeable, rattling sort of cough that reminds you of how Sunfyre sounded on Dragonstone when he was near the end. Her long auburn tresses are falling out in handfuls. She will not survive the winter, this is a certainty.
“You have sisters?” Jaehaera says, surprised. “How many?”
You smile faintly as you weave her hair into one thick braid like the kind Aemond once wore when he went to battle. “Three. Piper, Petra, and Penelope.”
“Where are they now?”
“Back on Claw Isle, where I came from. With our mother.” Mourning Father, mourning Everett, writing letters to Clement to keep his spirits high as he and the Warden of the North march towards King’s Landing to slay the Greens’ king and bind me to a different man’s will.
“What’s Claw Isle like?” Jaehaera asks with a child’s clear, boundless curiosity.
“Rocky, misty, grey. But the ocean is beautiful.” You think of Aegon’s eyes, the same as his daughter’s, a murky storm-blue that is deeper than it looks.
“What brought you here?”
You consider this before you answer. You see it, you feel it: cinders like dark snow in the air, Aemond’s iron grip on your forearm. “When your father was burned at the Battle of Rook’s Rest, he needed someone to help heal him. Your uncle Aemond found me.”
“And he asked you to stay with us?”
He would have slit my throat if I said no. “Yes, he asked very politely, as any gentleman would. And of course I agreed. I wanted to make the king strong again. I wanted to take his pain away.”
Jaehaera stares down at her tiny hands, palms crossed with lines that are long and shadowy in the shifting firelight. She does not speak of Aegon. She does not know him, and he frightens her: the burns on his skin, the suffering in his glazed eyes. She has no memories to impress his true character upon her. If she does not make them herself, she will believe whatever she is told. “I miss Aemond. I miss Daeron.”
“I know, sweetheart.” They were formally laid to rest yesterday on two funeral pyres. Daeron’s bloodied, charred, seafoam green cape was burned to ashes on one. All that was left of Aemond—his favorite books, his quills and ink, small leather eyepatches from when he was a boy—were torched on the other. “I miss them too.”
Jaehaera’s braid is finished. You reach into a pocket of your emerald green velvet gown to retrieve what you have brought for her: a thin golden chain necklace with Aegon’s ring as a pendant. He can’t wear it anymore. His fingers are too swollen. “What is this?” Jaehaera says as you place the chain around her neck. She lifts the ring and peers at it, gold wings and jade eyes.
“It’s supposed to resemble Sunfyre,” you explain. “Your father loves you very much, Jaehaera. He wanted you to have this ring and keep it with you always.” Aegon didn’t say that; he rarely mentions Jaehaera at all. Sometimes you think he forgets she exists. But she is a part of him, she is his legacy, and you cannot look at any piece of her without seeing the man you love.
“He gave it to me? Like a gift?”
“Yes. A gift.” A gift, an inheritance, a relic, a reminder.
Jaehaera turns around and looks up at you hopefully, vast wave-blue eyes like winter oceans. “Do you think I’ll have another dragon someday?”
Her own infant beast, Morghul, was killed in the Dragonpit before Rhaenyra fled the city. “Maybe,” you tell her. “There are eggs that could hatch someday. And there are a few unclaimed adults left, Silverwing and the Cannibal. Perhaps you’ll tame one.”
She wrinkles her nose in confusion. “What’s a cannibal?”
Someone who murders, devours, fuels their body to the detriment of their soul. “Someone who eats their own kind. Like a dragon who feeds on other dragons.”
“So just like in the war. Dragons killing dragons.”
“Exactly,” you say, a shiver crawling down your spine. “Now go show your new necklace to Grandmother.”
Jaehaera wobbles to her feet and dashes across the firelit bedchamber to where Alicent is slumped in her chair. “Look, look! It’s Sunfyre!” you hear Jaehaera chirping. Alicent examines the ring—skeletal hands trembling, large dark eyes slick with tears—and dutifully fawns over it, telling the little girl how beautiful she looks, how brave she has been. Then she bundles Jaehaera into her boney arms and holds her like she’ll never let go. Autumn catches your gaze from the other side of the room, and when you leave to return to Aegon she follows.
“What is your plan if the Greens lose the battle?” she says in the hallway under an arc of grey stones. Her tone is urgent, her hazel eyes sharp. Everyone knows the Northmen are within days of King’s Landing. Borros Baratheon—a large, loud, abrasive man, but with a bottomless appetite for combat—and his soldiers will march out of the city tomorrow to meet Cregan Stark’s army on the fields of the Crownlands, sparse and grey with winter. The Lord of Storm’s End has spent hours locked in the council chamber discussing strategy with Larys Strong, Corlys Velaryon, and the misfortunate yet courageous Tyland Lannister, maimed by his months of torture at the hands of the Blacks.
“We won’t.” We can’t.
Autumn slams her palm against the wall behind you; the sick thud of flesh against stone reminds you of the day Helaena died. “Wake up. We might. You’d better have your options figured out.”
And you recall Larys’ words on Dragonstone: I think it’s time for you to consider what your options are if a Green victory no longer appears to be viable. “We’ll run,” you say weakly. “We’ll take Aegon and we’ll escape through the corridors under the Red Keep, just like he did before. Cregan Stark will kill Aegon if he finds him. I can’t let that happen. We’ll have to run.”
“Run where?” Autumn snaps pointedly, pushing you towards a conclusion you refuse to acknowledge.
“I don’t know.”
“Where? Where could we go that is beyond the grasp of your wolf if he seizes the capital?”
“Dorne, Essos. Somewhere, anywhere.”
“The king won’t survive a journey like that.”
You cover your face with your hands, feel the biting cold of snowflakes melting in your hair, see the stains of earth on your thighs as Cregan Stark forces them apart. How can I lie with a man who hailed the deaths of people I loved? How can I spend the rest of my life listening to him being called a hero for killing Aegon? How can I give him children? How could I love a baby that was half-made of him? “We ran before. We’ll have to do it again.”
Autumn scoffs. “You have no idea what it means to be a woman on your own in the world. What will you become without a great house, without protection? A prostitute? A peasant? Will you eat scraps covered with rot or mold? Will you live in a tree? Will you beg some family to take you in? And then when the father who is oh-so-gallant in daylight starts fumbling under your blankets once the candles are blown out, will you let him inside you? Or will you fight him off and risk a blade in your guts, your throat? You have no fucking idea what it’s like out there.”
“I don’t care what happens to me if Aegon’s gone.”
“You would abandon Jaehaera? You would abandon me?” Autumn demands. “You speak for us now. You are the only one who can. Our fates are twisted up with yours.”
That’s true. And I promised Helaena I would look out for her daughter. You can’t imagine a life without Aegon; there was a time when he was only a name—and an infamous one, a terrible one, soulless and monstrous—but now he has broken down the eaves of what you were once resigned to call your life and painted colors in the sky you’d never glimpsed before, never even dreamed of. You ask Autumn with genuine, painful bewilderment: “What is the point of learning that something exists only to have it taken away? Why would that happen? Where is the justice in it, where is the reason?”
Autumn smiles, sad and patient. “Ah, this is an affliction of the highborn. You still believe that there is a design, and that life has some amount of fairness in it. There is no divine judgment being passed, my lady. There is no god weighing the worth of your dragon or your wolf or yourself. Life is random, and it is ungovernable, and it is very often cruel. And that makes it all the more remarkable that you knew the king for the time you did. That you ever met him.”
It wasn’t enough. And I can never go back to who I was before. “I’m sorry. I should not complain to you. Your losses have been terrible.”
“It is no contest,” Autumn replies, weary now. “But I should go back to check on the children. They need me.”
“No. They love you.”
And now she beams, sparkling eyes and copper ringlets. She doesn’t need to say it, you can both feel it in the winter-cold air. She loves them in return. She loves them fiercely. As long as they live, she will have reasons to.
When you reach Aegon’s bedchamber, Grand Maester Orwyle is just leaving. He bows to you and grins, pleased that you have both survived the fall and retaking of King’s Landing. He is haggard from his months in the dungeons when Rhaenyra ruled the capital, but he endured. Who would have guessed at the start of this war that the old man had more years left than Aemond or Daeron or harmless little Maelor? You wait in the hallway for the maester to amble sluggishly by, but then when he is gone, you peer through the slit of the half-open door to see that Lord Larys Strong is speaking to Aegon, who is propped up in bed on a mountain of pillows and wearing only his cotton sleeping trousers. He is thin, frail, ghostly pale with the exception of the scars that are a mosaic of white and scarlet and bruise-like violet. Aegon and Larys have not noticed you. You linger just outside the doorway, watching, listening.
You can take care of Aegon as much as you wish now: feed him, clothe him, clean sweat from his brow, dose him with milk of the poppy, rub rose oil into his scars, stretch his legs, test the heat of his skin for fever. He’s too weak to stop you. He can’t walk, can’t stand, can’t stay awake for more than an hour or two at a time, can’t even pour his own wine or milk of the poppy; the glass bottles are too heavy when full. Yesterday, Aegon had to be carried outside in a litter to see the remnants of his brothers burned on the pyres. And he had exchanged a brief, somber glance with Autumn that you neither anticipated nor understood. He acknowledges her so rarely. And yet her small hazel eyes had been alarmed, knowing.
Larys is saying with a grave expression and his restless hands propped in the handle of his cane: “Lord Borros Baratheon is asking for your assurance that as soon as the war is won, you will take his eldest daughter Cassandra as your wife.”
Aegon stares at him, incredulously, impatiently. Aegon has not called you his wife in the company of others since his homecoming. You do not ask why. You already know. It is not because his intentions have changed; it is because if he is not the victor, your life is in less danger as his captive than as his queen. “Surely even a man as brainless as Borros can surmise that there would not be much benefit for the lady now. I am a worm. Useless, pathetic, deformed, no longer virile.”
“He is willing to take the chance, I gather. And he is placing his eggs in more than one basket. He would like another daughter, Floris, to be married to me.”
“Seven hells,” Aegon mutters. Then he turns determined. “I cannot marry another. I won’t do it. I am claimed already, body and soul.”
“I fear how enthusiastically Borros’ men will fight for you if you do not agree to the match. He is risking his life for your cause. He will expect generous repayment.”
Aegon is quiet for a long time. He stares fixedly at his bedside table: a full cup, a large glass bottle of milk of the poppy. His dagger is still there from when you cut and braided his hair for him this morning; he cannot do it himself anymore. At last Aegon says, almost too low for you to discern from the doorway: “He’s not cruel, is he?”
“Who? Borros Baratheon?”
Aegon glares at Larys. “No.”
After a moment, Larys realizes what his king means. “Cregan Stark isn’t cruel. I’ve heard many whispers from many mouths, but I’ve never heard that.”
“Look at me. Don’t lie to me.”
“He isn’t cruel,” Larys says again. “Perhaps the truth is worse. He is measured, competent, merciful, wise. He is honorable. The Manderlys want to torture everyone and the Boltons itch to sharpen their flaying knives but Stark forbids it. He respects the laws of war. He tries to avoid the slaughter of noncombatants. He forbids his men from burning farms or raping women. He is devoted to the woman you call your wife. He takes no mistresses, visits no brothels. Cregan Stark is not a monster. He’s not soulless. He’s just on the wrong side.”
Aegon nods slowly, then his face breaks into a humorless smirk. “Tell Borros Baratheon that I’ll marry whichever daughter he wants me to when the war is over. I’ll marry all four if that is his preference, and bed them all on the wedding night too, one right after the other. Agree to anything he asks for. It doesn’t matter anyway.”
It doesn’t matter because none of it will ever happen, even if the Baratheon army does win the Iron Throne for the Greens. It doesn’t matter because Aegon does not believe he’ll still be here in a month, or two weeks, or perhaps even days.
But he can’t mean that. He’s not thinking clearly. He’s confused, he’s exhausted, he’s in pain, you tell yourself, before remembering that Aemond said it first.
“Yes, Your Grace.” Larys is subdued, sorrowful. He bows deeply to his king. Then he turns to depart.
“One more thing,” Aegon says, gesturing to something on the side of his bed you can’t see from where you’re standing. “I hate to impose upon you further, but I can’t manage it myself. Can you take that and empty it somewhere? I don’t care where. But you must keep it hidden from my wife. The red-haired girl Autumn knows, and so do the maesters now. They are all sworn to secrecy. Can I trust you to exercise the same circumspection?”
Larys is gaping down at an object that is a mystery to you. He begins to stammer out a reply, stops to collect himself, and starts again. “Yes. Yes you can.”
“Good.”
Larys picks up the object; you are puzzled to discover that it is a chamber pot, white and porcelain. And as he navigates around Aegon’s bed and towards the door where you wait, you see that the vessel is full of blood.
You gasp before you can stop yourself, a razor-sharp inhale of breath that both men hear. They spot you, lurking in the doorway like someone lost, someone far from home. Shock bolts across Aegon’s face, and then frustration, and then defeat, and then profound misery.
“I didn’t want you to worry,” he says. “I didn’t mean to lie to you, I just knew…I knew you’d be upset and I…I didn’t want to hurt you. I’ve never wanted to hurt you.”
“How long?”
“It doesn’t matter, Angel.”
“How long?” you ask again. “Just since this morning?”
“Four or five days now.”
“Four or five…?” Your mind whirls like storm winds. He’s dying. He’s really dying. His kidneys are failing and there’s nothing I can do. I can’t cut him open and stitch him back together. There’s no wound to scrub clean with vinegar and then bandage with honey and linen. There’s no brew that can restore the rhythm of his blood and bones and nerves. He’s just dying. That’s all there is. That’s the beginning and the end of it.
“Please don’t cry,” Aegon says, reading your face. “Don’t do that, please don’t, I’ve hurt you enough already.”
His hands stretch out to close the space between you, and as Larys slips from the room you go to Aegon, climb into bed beside him, collapse into him as his arms catch you and rest your head against his bare, scarred chest, his feverish skin mottled with the history of wounds you helped close all those months ago. “I’m sorry,” you sob. “It’s my fault. I shouldn’t have let you go after Baela and Moondancer on Dragonstone. I should have stopped you. I should have dragged you inside the castle to wait until Aemond and Vhagar could help you. I shouldn’t have let Aemond go to Harrenhal. I shouldn’t have let Daeron fly south. I shouldn’t have let Autumn go back to King’s Landing, and I shouldn’t have let Everett stay there. I shouldn’t have let Helaena leap from the window. I should have stopped Maelor from being sent to the Reach. I should have stopped Rhaenys and the Red Queen from taking flight to burn you in your armor at Rook’s Rest. I should have stopped this! I should have done something! The only good thing I’ve ever had to offer the world was healing but I can’t save anyone, I can’t stop their suffering, I can’t do anything!”
“None of it was within your control, and none of it was your responsibility. I am the king. The fate of my kingdom and my followers rests with me. I wear their spilled blood, not you. I am so full of red I’m overflowing with it.” And he chuckles, sardonic, exhausted. He’s already battling unconsciousness again; you can hear his heartbeat slackening, the slow laborious expanding and contracting of his lungs.
“Aegon,” you say softly, as if afraid to speak it into existence. “What happens if the Baratheons don’t win tomorrow?”
“They will. They have to. There’s nothing I can do for you if they lose.” Then he winces and groans. It’s his back again, his failing kidneys, overrun with so much ruin—burns and breaks and pressure and heartache—that their cadence faltered and then ceased. You grab his cup of milk of the poppy and tilt it against his lips; and how many times have you done this since you met him, burned nearly to death and half-mad at Rook’s Rest? A hundred? Aegon drinks it down, his arms still tight around your waist. They do not loosen until he’s out like a snuffed candle.
You refill the cup on his bedside table with milk of the poppy in case he needs more when he wakes, pick up the dagger you use to cut his disheveled hair, take it to the dresser. And in the cascade of silver moonlight flooding in through the windows, you practice laying the gleaming blade against your wrists, pressing it to the throbbing arteries of your throat, angling the sharpened point of it between a gap in your ribs and towards your racing heart.
Autumn. Jaehaera. Aemond’s child that Alys carries. I still have promises to keep. I still have tasks that cannot be left unfinished.
Helaena’s words surface like a drowned man dredged from the waves: You must whisper into the right ears.
You set the dagger down on top of the dresser and roam to the castle library where Aemond once spent so many hours. You collect a stack of anatomy books and carry them back to Aegon’s bedchamber. There, before the roaring fireplace, you devour them for any scrap of hope, any last resort. You turn pages until one illustration stops you. It is an unclothed man, his major veins etched in blue and his arteries in red, his nerves a faded yellow, his bones white and unshattered, his body a roadmap of the bricks and mortar used by the architects of nature. You have seen this image before. It is the same page Aegon teased you for studying when you were travelling by carriage back to the capital from Rook’s Rest.
You rip out the page, crumple it violently, pitch it into the fire and watch it burn.
~~~~~~~~~~
At dawn, Lord Borros Baratheon leads his men out of the city. You hear them through the glass panes of the windows, closed against the winter chill and flecked with frost: boots marching, hooves of warhorses clomping against cobblestones. They carry with them swords and spears and bows and morning stars like the one Criston Cole was famed for using. Meanwhile, throughout the city, civilians are arming themselves with anything they can find to ward off an invasion of Northmen, creatures they believe to be bestial and mindless. Men carry kitchen knives and clubs fashioned out of bits of furniture or driftwood. Women hide their young children in cupboards and under creaking wooden floors.
“I should be going with them,” Aegon says. He’s just taken another dose of milk of the poppy and is struggling to keep his eyes open. His long, slow blinks close his vacant eyes for ever-increasing intervals. You’ve changed his clothes and cleaned the sweat from his skin as best you can, but he’s burning from the inside out.
“You’re not able to fight, Aegon. Nobody faults you for that. Everyone knows you were wounded in battle.”
“They must think I’m a coward.”
“No, you inspire them. They love you. I love you.”
Aegon doesn’t say it back. He never says it back. He only offers you the same drowsy, mournful phrase of High Valyrian he always does, not knowing that Aemond told you what it means: To your misfortune.
Autumn is with the children in Alicent’s rooms. The castle is tense and as quiet as a crypt—Alicent weeps soundlessly, Larys paces the halls with Corlys and Tyland Lannister, everyone peeks out of windows constantly to see if bannermen of the victor have appeared on the horizon—but she keeps them distracted with stories and games. You cycle between Alicent’s bedchamber and Aegon’s. He is in and out of consciousness; sometimes you perch beside him on the bed, sometimes you lie curled up against him counting the beats of his heart, sometimes you help Autumn read to Jaehaera and Aegon the Younger. It is just after noon when the city bells begin to toll and screams rise from the streets outside the Red Keep. You and Autumn hurry to a window. In the distance, beyond the city gates, there is a swarming mass of infantry, cavalry, archers. Their banners, when you strain your eyes to decipher them, are not the brazen, vivid yellow of House Baratheon. They are night black and an icy, steely grey. They are the colors of House Stark.
“No,” Autumn says, denial in a protracted, helpless exhale. Alicent shrieks, frightening the children. You grab Autumn’s hand and lead her out into the hallway to warn the others if they don’t know already.
Lord Corlys Velaryon comes bounding up a staircase. “There are soldiers down in the secret passageways!” he booms. “Northmen! Armed! I’ve helped our guards bar the doors, but that won’t hold them back forever.”
Autumn looks to you. “Get the children ready to travel,” you tell her. “Find Larys and inform him.”
“Yes, my lady,” she says, and is gone. You sprint in the opposite direction towards Aegon’s bedchamber. You blow the door open like a strong wind, and Aegon startles awake. You rip through his dresser for things he will need: warm clothes, boots, his dagger, bottles of milk of the poppy.
“Get up, Aegon. We have to go. We’ll run, we’ll flee, there are Northmen in the tunnels but we’ll find another way out, we have to try, we have to, if they catch you they’ll—”
“Come sit with me,” he says from the bed, calmly, like you have all the time in the world. He is reaching out for you with one hand.
“What? No, we have to hurry—”
“Angel,” Aegon says. “I need you to come sit with me now.”
Why isn’t he afraid? Why isn’t he frantic? You cross the room with slow, numb footsteps. When you reach the bed, Aegon takes both of your hands in his own. And suddenly you know exactly what he is going to say. You remember what he told his brother in High Valyrian the last time Aemond left Dragonstone. Your voice is trembling and hoarse. Your throat burns like embers. “Aemond was supposed to be here to help us win. But he’s gone. Daeron, Criston, Helaena, Otto, Everett, Jaehaerys, Maelor, Autumn’s baby, so many people are gone.”
Aegon whispers, smiling softly as tears spill down his cheeks, one scarred and the other pure: “I’m not going to get better this time.”
“No,” you moan. “No, Aegon, no. You can’t say that, you can’t tell me that—”
“I’m not going to get better.” Now his palms cradle your face, forcing you to listen. “I’m not. And it’s okay. I’m not angry, I’m not scared. You’ve done everything you could and you’ve bought me more time and I’m so grateful. But I don’t want it to hurt anymore. I’ve been in pain for so long. I’ve been in pain my whole goddamn life.” He kisses you, like tasting something rare and fleeting. His thumbprint skates along the curve of your jaw, memorizing the angles of your bones, the rhythm of your pulse. “Please, Angel. I don’t want to try to run and die on the side of the road somewhere. I don’t want to die with Cregan Stark’s blade at my throat.”
You shake your head, unable to believe, unable to understand.
Aegon glances to the empty cup on his bedside table, to the large glass bottle of milk of the poppy. Then his eyes return to you. “You know how to do it.”
No. Never. But beneath those cold, dark, stormy waters: It would be painless. “I can’t,” you say, overwhelmed with horror.
“Listen, listen to me—”
“No—”
“Angel.”
“I can’t do that to you. Not to you. I can’t, I can’t.”
“When I’m gone, go to Cregan Stark,” Aegon says. “He is an honorable man, he will ensure your survival. He is the only person who can now. He wants to put his mark on the world. He wants to play Kingmaker. Let him. He can decree that my daughter will marry Rhaenyra’s son and ascend to the Iron Throne. He can end the war. Cregan will keep you safe. Tell him that I kidnapped you, that I forced myself on you. Tell him that I wanted an heir with Valyrian blood. Tell him that I was a drunk, a degenerate. Tell him whatever he wants to hear.”
“You would become a monster?”
“To protect you? I would become anything.”
He’s holding you, he’s pulling you into him until you can feel the fever bleeding from his flesh into yours, until you can number the knots of his spine and the ladder-rungs of his ribcage, counting them with your fingers through the sweat-drenched fabric of his cotton shirt. You draw back to look at him, to really look at him, sunken bloodshot eyes and rasping breaths, scar tissue of the body and the soul. You remember the day you met him, how he’d begged to die and been refused, how you brought him back. You postponed a debt, but you never paid it. It’s not possible to ever pay enough. You stack up gold coins in a vault until they touch the ceiling and still the Stranger comes knocking, jangling his purse sewn with scorched skin and chanting: more, more, more.
Aegon glances to the cup again. “How much?” he asks you, hushed like a prayer.
You don’t answer. Instead, you stand and go to the dresser. You open a small wooden door beneath the mirror. Your reflection is a woman you don’t know, someone who walks through fog and memory, someone made of ghosts. You take four clean cups from the cabinet and set them on Aegon’s bedside table. As he watches—eyes glassy with agony, lungs rattling—you fill them all with smooth, pearlescent, lethal liquid, as well as the empty cup that was already there. “Five,” you say, and it sounds nothing like you. “I think three at once would be enough. Five to make sure.”
He sobs with relief, and only now do you realize how badly he needed this. “Thank you. Oh gods, thank you.”
Your own words come back like an echo: I preserve life, I don’t take it. But that was a different lifetime, a different you. Aegon’s fingers are lacing through yours. He is drawing you back onto the bed, he is brushing your hair back from your face, he is kissing the path of tears down your cheeks so he doesn’t waste a drop of you. He’ll never get another taste, another chance; not in this life, not on this earth.
“I’m sorry I couldn’t make it to the end with you,” he says. “I really tried.”
“I know, Aegon.”
“I’m sorry I wasn’t strong enough.”
“You’re the strongest person I’ve ever known.”
He looks down at his left hand, then remembers where his ring has gone. He chuckles, darkly, bitterly, dismayed by all the failings he is built of. “I don’t even have anything to give you.” Then he remembers. “My dagger. Can you get my dagger?”
You are petrified. “Why?”
He grins, dull teeth beneath dazed eyes. “I’m not going to hack off a finger or my exemplary cock or something. I promise. Just get it.”
You fetch the dagger and bring it to the bed, and only then do you realize what he means for you to have. He points to it, then threads it through his pale, swollen fingers: his thin lock of hair that you’ve been weaving for him since the day you met. He wants you to take his braid.
“You’ll have to cut it yourself,” he says. “I don’t think I can.”
You hook the blade beneath the top of his braid, and with a few cautious slices of the dagger it is free. You tuck the braid into a pocket of your gown, thick black velvet to guard against the winter cold. Then you lay the dagger on the bedside table and pick up one of the cups filled to the brim with milk of the poppy. Your tears are scalding and torrential; it is almost impossible to see through them. You smooth back Aegon’s white-blond hair as you pour the blissful, deadly brew through his lips and down his throat, hating yourself, knowing it is the kindest thing you can do for him.
Suddenly, when the cup is half-drained, Aegon pushes it away. “You don’t have to be here. You don’t have to watch,” he says. “I can do the rest. Go, now. Right now. If the Boltons or some other house finds you before Cregan does, they might not recognize you. They might not care. You’re only safe with Cregan Stark. He has to find you first.” Aegon takes the cup with one shaking hand and presses a palm to your shoulder with the other. You haven’t moved. You can’t move. “Go. Leave me. Now. Please go. I love you, but you have to go now.”
“I can’t,” you choke out.
“You have to.”
“I’ve never wanted anyone but you.”
“Angel,” he says tenderly, smiling. “I’ll see you again. Just not too soon.”
“Okay,” you whisper, and you kiss him, traces of milk of the poppy on his lips that deaden the thunderstruck horror faintly, powerlessly, like small clouds drifting over the sun.
“If there’s anything interesting on the other side, I’ll find a way to let you know.”
The dreams, you think. “Okay,” you say again, barely audible.
“Now go. Right now. Go.”
You wipe tears from your face with your sleeve as you turn away from him. You can’t look back; if you do, you’ll never be able to walk out of this room. You take the dagger from the bedside table. Your bare feet pad across the cold floor. As you step through the doorway, on the periphery of your vision you can see Aegon swallowing down each cupful of poison as quickly as he can. It won’t take long to stop his heart. Minutes, perhaps. Seconds. You walk into the hallway. Autumn has just arrived with Jaehaera’s tiny hand clasped in her own. A few paces behind her, Alicent and Larys stand with Rhaenyra’s son. Two orphans without choices, two pawns in a much grander game.
Autumn is panicked. “Where should we go? What should we do?” Then she takes another look at your face. Her eyes go wide with terror. “What? What happened?”
“Follow me.” Your voice is low, flat, dark like deep water. Your eyes flick briefly to Lord Larys Strong. “Keep the boy here. He’s not safe with the smallfolk yet. But the Northmen won’t harm him.”
Larys knows. It’s over. He is devastated; and yet you think a part of him might be relieved as well. “Yes, Your Grace.”
“I’m not the queen anymore. I never really was.” You give him Aegon’s dagger. “I don’t think you’ll need this, Lord Larys, but now you have it in the event of any danger. Or in case I can’t convince Cregan Stark to spare you and you decide you’ve had enough of this world. You should get a say in how your life ends. You’ve earned it.”
Then you break away from them and glide through the Red Keep, Autumn and Jaehaera trotting swiftly behind you to keep up. You pass the rookery where Aemond wrote his letters. You sweep through the gardens where Helaena loved to collect her insects. You gaze down to the beach where Daeron landed on Tessarion under a dazzling sun before winter came like a plague to King’s Landing. From inside the castle, you can hear Alicent wailing as she discovers her last child’s lifeless body. What was all of this for? Why did this have to happen? Why didn’t anybody stop it?
Out on the streets of the city, the smallfolk have flocked with their makeshift weapons to defend their homes from the Northmen. But their eyes are darting everywhere and their faces are uncertain as they clutch their clubs made out of the legs of chairs and their rusty kitchen knives. They haven’t decided if it’s futile. They don’t want to be butchered for nothing.
“That’s Autumn!” they shout and sigh, especially the women. “The mother of the king’s bastard son, the one murdered by the half-year queen!” They reach out to skim their hands over Autumn’s gown, her long coppery hair, as if she is a saint or a spirit who can impart good luck upon them, who can change their fates. They fall to their knees to bow to Jaehaera, their king’s only living child, and she blinks at them with benign confusion.
But the smallfolk have a different reception for you. You hear their venomous chattering: “Is that the Celtigar woman?” “Her family put this city through hell.” “They served Rhaenyra.” “She’s a traitor, she’s a thief.” A few of them venture close enough to tug at your gown, to strike at you. A woman’s knuckles rap against your cheekbone, raising a bruise there like lavender in a dusk sky. You think dully: I wonder if they’ll gouge out my eyes with those knives like they did to Everett.
“Get back!” Autumn hisses, shoving the smallfolk away. And when she speaks, they listen. “She is going to the Wolf of Winterfell. She is my protector. She is your protector now too. She is the best chance you have left.” And the crowds open up and the three of you pass through King’s Landing unimpeded, though cloaked in thousands of fascinated gazes.
The King’s Gate has been abandoned; the guards must have feared the Boltons’ flaying knives or Lord Stark’s dark justice. Autumn instructs several hulking men of the smallfolk to open the gate if they wish to be spared from the wolf’s wrath. They are reluctant at first, but do as she asks. When the massive doors creak open, the people of the capital huddle behind the wall and peer out skittishly as you, Autumn, and Jaehaera advance to meet the Northmen, who are bloodied from battle and now within a hundred yards of the city. Above, the sky is thick and iron-grey and frigid. Snowflakes—the first of this winter to touch King’s Landing—begin to fall and land in your hair, and you are reminded of how embers rained from the smoldering pine trees at Rook’s Rest.
“Can you catch one on your tongue?” Autumn asks Jaehaera, and the little girl giggles as they both try.
The Warden of the North rides an immense, shaggy warhorse at the head of what remains of his army. He recognizes you immediately, dismounts, approaches with determined, unbreakable strides. Clement is close behind him.
“You’re alive!” your brother shouts joyously. “And apparently not pregnant with a Targaryen bastard! Praise the gods!”
Cregan Stark does not act as if he’s heard this. The Warden of the North is not as you remember him; he is larger, heavier and broader from the muscles won in battle, coarsened by weather and war. His hair is long and dark and pulled back from his face. He wears a sword at his belt that is taller than you are when it’s unsheathed. He is entombed in leather and furs. He does not hesitate before he lays his hands you. You are betrothed to him, you are his property, would a man ask before he grabs his horses or his dogs?
The Warden of the North does not seize your forearm roughly like Aemond once did. Instead, his massive palms and fingers clasp your face as he marvels at you. You can feel the stains of dirt and ashes he leaves there. You want to scream when he touches you, but you can’t. You want to burn with rage and heartache until you crumble like ruins. Your life is already over. Your life has just begun.
“You have suffered greatly,” Cregan Stark says, a marriage of shock and reverence.
“You have no idea.” Perpetual Resurrection, you think. It doesn’t mean you come back better. It just means you’re still here.
“You are safe now,” Cregan swears. “The Usurper will never harm you again.” And it ends the same way it began: with a man mistaking your allegiance and beckoning you into a destiny that he wholeheartedly believes is greater than any you could have envisioned for yourself.
“He’s dead.”
This stuns Cregan. “When? How?”
“Today. Of old wounds sustained in battle.”
He looks at Jaehaera, noticing her for the first time. “Is that his daughter?”
“Yes,” you say. “She must always be treated with kindness. She must be protected.”
“You have an affinity for her,” Cregan notes, intrigued.
You hear Aegon’s voice, so clearly it cuts like a blade: Tell him whatever he wants to hear. “We have been through great trials together. We survived the same monster.”
The Warden of the North nods. This is a story he craves to be told. “Very well. If it is your wish that she not be discreetly disposed of as a Silent Sister, I will betroth her to Rhaenyra’s surviving son. They will unite the noble houses of Westeros and end this war.”
“The worst of the Greens are dead already. Those who remain should be shown mercy. Alicent is old and ill and broken from loss. She poses no threat. She should be permitted to remain in the company of her granddaughter. Corlys was loyal to Rhaenyra until she falsely imprisoned him for treason, and he belongs on Driftmark with Rhaena. Larys Strong, Tyland Lannister, and Grand Maester Orwyle, if no pardon can be arranged for them, should go to the Wall instead of the scaffold. And Autumn, my companion there with Jaehaera…she was a true friend to me. I owe her my life several times over. She must be permitted to stay with Jaehaera and Aegon the Younger as a caretaker, and reside in comfort in the Red Keep for the remainder of her days.”
“Who do you think you are, sister?!” Clement exclaims. “You’re speaking to the Kingmaker, not some handmaiden! You do not command him!”
“I am not commanding,” you counter levelly. “I am pleading for mercy on behalf of imperfect souls who showed me kindness during my captivity. If granted, I will consider these my wedding gifts.”
“She is remarkable, is she not?” Cregan Stark says, grinning to Clement and several other men who have ventured closer. They wear the sigils of Northern houses: Bolton, Cerwyn, Manderly, Hornwood, Dustin. They chuckle in agreement, stroking their wild beards with huge filthy hands. “Dauntless but merciful. Clever but obedient.” And then the Warden of the North claims your lips with his, chaste but overpowering, the first of a thousand kisses you never desired, a thousand acts of affection for a woman who isn’t really you, feigned resignation and bitten-back rage, eternal war with the interminable knowledge that there is something more, more, more…you just aren’t permitted to have it. It was taken from you, it was ripped from your hands like stolen treasure.
All your life you will have to murmur in wounded agreement when people recount the terrible sins of the Usurper. All your life you will have to praise Cregan Stark for killing millions to rescue you. And the days will pass, weeks, months, years, summers and winters, the births of your children and their own marriages; and when Cregan’s boy Rickon, born of his first wife, produces only daughters, your son Brandon and his descendants will become the heirs to Winterfell. In the desolate North—so far from the ocean, so far from everything Aegon ever knew—your greatest solace will be letters from Autumn as she learns to read and write, books that your husband orders for you from the Citadel, setting bones and treating burns, a tiny lock of braided silver hair that you keep in a hidden drawer of your jewelry box, dreams that you never want to wake up from.
But one day, decades after you leave King’s Landing, you will receive a raven from Queen Jaehaera Targaryen, and she will ask you: You knew the Greens in your youth, Wardeness Stark. You knew Aemond, Daeron, Helaena, Alicent, Otto, Maelor, Aegon the Usurper. What can you tell me of them? What was my father like? Who was he really?
And you’ll pick up your quill and begin writing.
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ltwilliammowett · 4 months
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The Portuguese man-of-war
Time again for a sea monster and as we usually only have the mythical sea monsters here, I'm showing you a real sea monster today. You can find these creatures in the Pacific, but also off the Canary Islands and Portugal. They are also common in the Caribbean, for example off the coast of Cuba.
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A Portuguese man-of-war
The Portuguese man-of-war (Physalia physalis) or swimming terror is often referred to as a jellyfish, but is actually a type of cnidarian also known as a siphonophore and is only very closely related to jellyfish.
They have a balloon-like float, which can be blue, purple or pink and protrude up to ten centimetres above the waterline. And because this resembled a warship under full sail in the 15th century, these animals were called Portuguese man-of-war. But here's the nasty bit: underneath the swimmer lurk long strands of tentacles and polyps, which can grow up to 10 metres long on average and extend up to 30 metres. The tentacles contain stinging nematocysts, microscopic capsules with coiled, barbed tubes that release venom that paralyses and kills small fish and crustaceans. After that the feeding polyps (gastrozooids) attach themselves to the victim's body, spread out on it and digest it.
The sting of the man o' war is rarely fatal for a healthy non-allergic person, but it is very painful and causes burns on unprotected skin. Incidentally, even torn tentacles are still poisonous for a certain time, so be careful there too. If you have come into contact with it, carefully remove the tentacle under salt water and do not touch it unprotected, as it can continue to nettle. Hot water above 45 °C denatures the proteins of the venom. Treat with zinc gluconate.
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murd3r0u55ilh0u3tt3 · 1 month
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TWST x Princess Ivy reader
Ah shit, here we go again...
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Princess Ivy is the antagonist in the movie Sofia the First: The Tale of Princess Ivy. Her beef with Sofia and Amber subsided, she is currently a good guy now and is friends with Ms. Nettle. Her magic is very powerful but her sister constantly overshadows her.
• After being exiled from your kingdom, you tried to escape this deserted isle that you are currently residing. All of your plans were of no use, you tried everything. Build a boat, failed. Call for help, failed. Use magic to teleport or fly off this stupid island, failed. All of it, failed... Oh well, at least you got your butterflies to keep you company until you die... Is that neighing you hear? Suddenly, a horse drawn carriage magically appeared right in front of you.
• ... Is this...a second chance?! Did your sister finally forgive you? You don't care anymore, you're not spending a second in this island again! So you climbed in without a second thought, your butterflies following you. Then is it went dark...
• You woke up confined in tight space, confused, you kept on kicking the lid and when it was finally off, you were shocked to see the coffin from outside along with more floating coffins but was. You heard a voice and hide in the corner. Too astonished to see a monster, you didn't know that it can smell that you're awake.
• The little guy was pretty stubborn when you keep telling him to go away. His frustration got to the point of using fire on you and your butterflies. You ran as your darling butterflies cannot stand burning to death. When you wound up in a dead end, you decided to face the fire breathing monster head on and summon your dragonfly. You were not expecting anyone to save you but Crowley came to the rescue.
• He asked if you are a new student and you pretended that you are and followed him with your butterflies. Hmmm... So you're in a school? Interesting... Just how far are you from home? How powerful AND dangerous are the magic they teach? Is there a way off this place? So many possibilities to escape and to confront your sister! You and Crowley soon entered a room filled with cult members and whispers erupt about the beautiful butterflies that follow you.
• You proudly said your name to the Dark Mirror. The mirror replied that your magic is unique and powerful but it couldn't decide which dorm you should fit in, so you were being kicked out. Once the monster was finally released from its binds, he blew fire everywhere. You are so tired of its tantrum that you summoned a dragonfly and knocked him down.
• The headmage was pretty dumbfounded about what type of spell that you used to subdue the creature while a white-haired male with blue eyes praised your magic... you heard him muttering about wanting it... The monster got up, confused, and asked questions about who he is, who you are, and where is he. That's weird. The same monster that kept shouting his 'great' name is asking who he is?Just how powerful is your magic?!
• The headmage then asked for your home land's name so he could take you home. You yelled about not sending you back and even threatened him with your dragonfly. Crowley, as cowardly as he is, decided to house you under Ramshackle instead. You were disgusted with the state your dorm is in but upon you step foot inside, your butterflies scattered about and began to turn everything black and white.
• You heard the monster's voice again and prepared to throw him out again, but he begged you to let him stay because he doesn't know where he is. You gave up on his cute cat eyes privilege and took him under your wing. Aloysius was not pleased.The mage now declared that you are cleaners! What an honour!... Not.
• Prologue almost stayed the same with some students gossiping about a mage with butterflies following them. You are displeased with how colorful this place is. Ace is still an ass and Deuce is too innocent for you to control. Now you have to fight a blot monster to replace the chandelier, which you didn't really find intimidating... after all, you've dealt with dragons before.
• Anyways, huge timeskip as your butterflies aren't the only ones following you now... Rook is quite annoying. You're not even welcome in Heartslabyul if your butterflies keep making the roses black and white. Leona is the only person you find relatable. Azul is quaking in his office and checking every corner in case one of your butterflies are spying on him. Vil is... Tolerable. You hate to be with Kalim, but admire Jamil's plans of destroying Kalim. Malleus is by far the only gentleman that you encountered,you don't understand why people are afraid of him. You liked Lilia's pranks, but not if the victim. Sebek's constant shouting is unbearable.
• ... You know what? Maybe your plans of destroying your sister will have to wait. You find NRC quite enjoyable to be in.
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witchthewriter · 11 months
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𝑫𝒓𝒂𝒈𝒐𝒏 𝑫𝒊𝒓𝒆𝒄𝒕𝒐𝒓𝒚
𝐆𝐫𝐞𝐲 𝐆𝐡𝐨𝐬𝐭
An untamed, wild dragon that lived on Dragonstone during the reign of Viserys I. He had made his lair in a smoking vent high on the desolate eastern side of the volcano called Dragonmont. There were two other wild dragons; The Cannibal and Sheepstealer, the latter was later claimed by a dragonseed called Nettles. 
  Grey Ghost was said to be the colour of morning mist; a pale grey-silver. He was shy, and stayed away from humans. Feasting on fish, he was often seen diving in the sea for food. He never harmed any of the villagers on the island, nor did he seek out any company. Grey Ghost seemed to be happy in his solitude. 
 During the Dance of the Dragons, Jacaerys called for every possible rider and dragonseed to claim a dragon for the Blacks, but Grey Ghost was an elusive creature. He was never claimed as he avoided human contact. 
  However, he was later slain by Sunfyre, and partially eaten upon Aegon’s return to Dragonstone. 
gif credit: @gameofthronesdaily.
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Nettles will be a Summer Islander, and that Maidenpool arc will be put to use as a reconnection to her culture, seeing as she isn't partying with Ulf and Hugh after the Battle of the Gullet.
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paladinbaby · 1 year
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i feel like it’s potentially relevant i keep track of these all in a discord channel called nettle spiralling. family portrait of nettle nolastname
@july-19th-club / my nieces is probably the reincarnation of shirley jackson, cj hauser with notes / all about love, bell hooks / where angels fear to tread, e m forster / antichrist, the 1975 / elisabeth hewer / haunted epistemologies, laura westengard / letters to a young poet, rainer maria rilke / sam sifton / the anthropocene reviewed, john green
[Image Description: Ten pictures of text.
1: “simply cannot resist what i call the little mermaid or the tin man or the pinocchio plot, the one about a character who is either inhuman or human but outside in some way, constantly searching for whatever it is that they consider to be the quintessential proof of humanity, preoccupied by it so deeply that they fail to realise the proof is in the act and fact of the search itself”
2: “”What does it mean for the structure of your life to feel menacing? To be imprisoned within it? To feel like it might kill you?”
Haunting is an act of care, care is an act of haunting. Haunting is formed between the trauma, mothers inflict on their daughters.”
3: “We can never go back. I know that now. We can go for-ward. We can find the love our hearts long for, but not until we let go grief about the love we lost long ago, when we were little and had no voice to speak the heart’s longing.” The first three sentences are highlighted in red.”
4: “I seem fated to pass through the world without colliding with it or moving it - and I’m sure I can’t tell you whether the fate’s good or evil. I don’t die - I don’t fall in love. And if other people die or fall in love they always do it when I’m just not there.”
5: “And I swear there's a ghost on this island / And his hands, all covered in blood / And my wife inquired of understanding / But of course, my dear, you can't
She said, How can I relate to somebody who doesn't speak?/ I feel like I'm just treading water
Is it the same for you? / Is it the same for you?”
6: “I want to be eaten alive. I want / to feel wanted.”
7: “cultural anxieties and desires, allowing”for a whole range of specific monstrosities to coalesce in the same form.” The excesses of monstrosity and the hybridity of the living dead help visualize naturalized oppressive structures, making those structures uncanny and therefore intervening in the architecture of oppression. Both haunting and sadomasochism appear in queer thought as expressions of queer temporality that expose a particular type of traumatic temporality. Haunting manifests the swirl-ing, fractured, intersecting temporality of ongoing low-level trauma, not just a single event popping through into the present but a disorienting and overwhelming storm of traumatic intrusion.
The traumatic gothic shadow cast on queer theory is not always made explicit however.” The initial sentence fragment and queer temporality are highlighted in blue. The penultimate sentence is highlighted in purple.
8: “You must realise that something is happening to you, that life has not forgotten you, that it holds you in its hands and will not let you fall.”
9: “Above all, cook for someone else. Take a moment to prepare food not simply because you’re hungry, but because cooking is an act that makes others feel better. And making the lives of others better is why we are here.”
10: A photo of a page of a book, some lines are highlighted in yellow throughout. “would like that, to show it your belly. There’s something deep within me, something intensely fragile, that is terrified of turning itself to the world.
I’m scared to even write this down, because I worry that having confessed this fragility, you now know where to punch. I know that if I’m hit where I am earnest, I will never recover.
It can sometimes feel like loving the beauty that surrounds us is somehow disrespectful to the many horrors that also surround us. But mostly, I think I’m just scared that if I show the world my belly it will devour me. And so I wear the armor of cynicism, and hide behind the great walls of irony, and only glimpse beauty with my back turned to it, through the Claude glass.
But I want to be earnest, even if it’s embarrassing.”
End ID.]
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libraryofmoths · 3 months
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Moth of the Week
Angle Shades
Phlogophora meticulosa
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The angle shades is a part of the family Noctuidae. This species was first described in 1758 by Carl Linnaeus. According to Wikipedia, this moth gets its common name from the colors and marking on its wings.
Description The forewings of this moth are shaped with a sharp point. Most of the forewing is buffish as well as the head, legs, body, and antennae. The middle of the forewing is split by a triangle. The bottom of the triangle lays on the termen of the forewing or “the edge of the wing most distant from the body.” The triangle is made of layers of brown and pink. The hindwings are whitish with darker veins.
ab. roseobrunnea ab. nov [Warren], the central triangle is a rich red brown tinged with fulvous (tawny/orange), the whole wing reddish tinged, and the green shades all strongly mixed with red, the metathorax and dorsal tufts also being deep fulvous instead of green; found in São Jorge Island in the Azores
Wingspan Range: 45 - 52 mm (≈1.77 - 2.05 in)
Diet and Habitat This species eats a wide range of herbaceous plants such as Common Nettle (Urtica dioica), Hop (Humulus lupulus), Red Valerian (Centranthus ruber), Broad-leaved Dock (Rumex obtusifolius), Bramble (Rubus fruiticosus), Hazel (Corylus avellana), birches, oak, basil, and broccoli.
They are distributed throughout Europe. Their reach spans eastto the Urals, southeast to Syria, Armenia, and Asia Minor, west to Azores, and south to Algeria. They are a strongly migratory species. It is found in a variety of habitats such as gardens, hedgerows, fens, woodland, grasslands, farmland, wetlands, heathland, and moorland.
Mating This moth is generally seen from May to October and has two generations per year. The larva overwinter in soil as pupa.
Predators This species flies mainly at night. They are presumably preyed on by nighttime predators such as bats. This moth uses its coloration to disguise itself as a wilted leaf when at rest. They can be seen during the day resting on walls, vegetation, and feces.
Fun Fact The angle shades is attracted to light and sugar.
(Source: Wikipedia [1][2], Butterfly Conservation, The Wildlife Trusts)
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mercerislandbooks · 2 years
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Short Take: Nettle and Bone
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When I got to the last page of Nettle and Bone, it was with a sigh of satisfaction of a story well-told and meticulously crafted. While many of the traditional high fantasy elements are there, princes and princesses, curses and godmothers, quests and goblin markets, each is subverted in the most delightful way. Marra is the third daughter of a tiny kingdom struggling to remain autonomous against more powerful neighbors to the south and north. Her mother has laid her political pieces carefully, using first one daughter, then the second to appease one potential foe to hold off the other. Marra is packed off to a convent to keep her out of the way, but also in reserve. However, when Marra discovers the terrible secret keeping her sister trapped in her marriage, she will grasp at any way to free her. Including seeking out a dust-wife with a demon chicken, braving the goblin market, and crafting a dog from bones.
T. Kingfisher’s voice is thoughtful and humorous, filled with the small everyday details that plague a reluctant 30-year-old heroine who can see nothing for it but to do one impossible task after the other because there is no one else to do them. While there are grim moments (we begin in a pit of bones where Marra is constructing her bone-dog) it is the quiet camaraderie and pragmatic wisdom that give the narrative its warmth and heart. Not to mention many, many powerful yet underestimated women. And knitting. Perfect for any fantasy lover, I’d highly recommend Nettle and Bone especially to fans of Alix E Harrow and Kate Elliott.
Stop by to pick up your copy (check under the dust jacket for a fun design detail), and we hope to see you Saturday, April 30th for Independent Bookstore Day!
— Lori
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honeybellabuilds · 2 years
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Hayloft Family Home (Residential)
Even if life in the countryside might not be for you, allow us to sway you with this dream of a home. This now renovated barn was once home to the stallion that won the inaugural race of the Kentucky Derby in 1875. Since then the place has undergone a whole range of upgrades and quality of life improvements to adjust for the modern way of living. You and your family will live your days tending to the chickens and bathing in the sun. If that's not what it's all about, what then?
3 Bedrooms, 2 Bathrooms
14 Nettle Lane in Henford-on-Bagley (40x30)
313.905 Simoleons
packs used: High School Years, Cottage Living, Discover University, Island Living, Seasons, Cats & Dogs, City Living, Get Together, Werwolves, My Wedding Stories, Jungle Adventure, Vampires
+ contains free custom content by @felixandresims and @harrie-cc. you’ll find a full cc list with links in the patreon post.
download: free on patreon / origin @ honeybellabuilds
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