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#is one if not THE most controversial ship in the series
absoluterpmemetrash · 11 months
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META ASKS: If Your OC Was Canon.
BASIC:
What changes do you think would be made between your muse as they exist in your head vs how they would be treated as part of canon?
What plot points would change due to the inclusion of your character in canon?
What role would your character play in the story? Are they a major player, or a one scene wonder?
If there are multiple adaptions/If they are part of a multi-part franchise, which ones would your character appear in?
Besides your face/voiceclaim, who do you think would be cast as your character?
If your character had a breakout show/film/comic, what would the plot be? Who would be in their supporting cast?
What headcanons/theories do you believe fandom would invent about your character?
FANDOM:
What do you think the fandom for your character would be like? Are they a fan favorite, a love to hate villain, derided for whatever reason, or something else?
What feelings does your character most often instill in their fans? Affection? A desire to protect? Open lust? A love/hate dynamic? Why do you think their fans feel this way?
By contrast, what would their haters dislike about your character? Is it a petty complaint? A mischaracterization of the character or their intentions? Are they just a woman in a largely male-centric series?
What controversies/drama would your character incite in fandom?
What fan-material would exist for your character in fandom?
Is your character the subject of ‘imagines’ or ‘x reader’ style blogs?
Are there any tropes fandom would put upon your character, for better or for worse?
What would be the ‘incorrect but wildly popular’ interpretation of your character in fandom?
What corners of fandom would consider your character blorbo material?
SHIPPING:
What do you imagine the most popular ship(s) for your character would be?
Are there ship wars? Are they a popular character to ship, or the kind of character that gets shuffled off and away from shipping for whatever reason?
How does fandom characterize/mischaracterize your characters ship in fanworks?
If your character isn’t designed for shipping/isn’t interested in shipping, how hard does fandom have to mangle them to make them shipping material/open to a relationship?
Be honest. What song is playing over an AMV/tiktok of scenes between your character and their love interest?
What is the wildest crackship you can imagine for your character, whether in-universe or in crossover?
What is the quote between your character and their love interest/whoever they might be shipped with that their fans would latch onto?
What’s the discourse surrounding your ship?
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waitmyturtles · 6 months
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THE MORNING AFTER: ONLY FRIENDS, EPISODE 12 -- WHEN ONLY FRIENDS GOT 2GETHER-ED
TRIGGER WARNING: EVERYONE'S UP FOR CRITICISM HERE, JOJO AND TEAM, FORCEBOOK, FIRSTKHAO, ALL OF THEM. Read at your peril.
Well. Big deep breaths. I spent a lot of time on a show that had been marketed as not-a-BL, that ended as a BL. As a mom with not that much time to spend on watching and writing on dramas that were marketed incorrectly, I am feeling some kinda way (fucking pissed off).
So many people had amazing takes yesterday, on both sides of the aisle, regarding how the show ended (pro-ending here, anti-ending here, here, here, here, here, and here, and my dear friends @neuroticbookworm and @lurkingshan did heavy lifting on reblogs yesterday, so stroll on over to their blogs for more).
I want to set up a constellation of points to touch upon before I get into the meat of this post.
1) I referred quite a bit to my review of Theory of Love throughout my watch of Only Friends. In that review, I meditate on how the majority of the general global public judges sex, and casual sex, and people who have sex and/or casual sex. Generally speaking -- even in countries that makes as progressive art on sex and sexuality as Thailand and the United States -- that's a rule of thumb that I can rely on. Sex is judged by the majority of the global public.
2) I hate to say it. I cannot believe this happened. But I was right about monogamy being an ultimate theme in Only Friends. Not just a theme, fam. A theme by which people judged others for having open, casual, and consensual sex. Queer sex. Queer sex that is so very often had outside of the constraints of a monogamous relationship.
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There was a reason why that holiday party was populated by couples, except for Boston, and Boston had to grovel to them in apology for their friendship. In Only Friends: monogamy wins, and casual queer sex loses.
3) Unfortunately, in part though an analysis of Cheum inside of last week that I accidentally started (ha), I see that points 1 and 2 come together to have created a fabric and framework of judgement that Only Friends ended on.
The last paragraph in this excellent post by @benkaaoi notes that the assumption by a large portion of the OF fandom that the creative choices that were made to end this series were designed to save the sanctity -- economic and otherwise -- of the shipped pairs of ForceBook and FirstKhao. This rings true to me.
Most of the BL shows that I've watched this year are older shows, through my Old GMMTV Challenge, in which I've been studying the changes over time that GMMTV and other Thai networks, have made towards their editorial choices, attitudes, and risks in producing BLs. I included Only Friends on this syllabus to note the show's impact as a kind of zeitgeist measure of how much heat and literary controversy GMMTV could take in airing increasingly progressive queer media -- even though Only Friends wasn't originally intended to be a BL.
To the theory that Only Friends needed to save the ships... and to another theory that the ships needed to be saved in the most moralistically judgmental way that I could have ever imagined (I was actually blown away by how heavy-handed this messaging was) -- I look to the ending of 2gether.
The majority general reaction to the ending of 2gether from within the existing BL fandom in 2020, was one of guffawed incredulousness. BrightWin/SarawatTine did not kiss in the first season of 2gether. It took Aof Noppharnach to come in to make Still 2gether to indicate that these two young men may have been at least vaguely sexual with each other throughout the course of their fictional relationship.
Yet, 2gether was a massive success. Many theorize it was because 2gether was the first big BL to air during the start of the COVID pandemic, and new BL fans had time to be at home and watch shows. But I posit in my 2gether/Still 2gether review that 2gether was also successful PRECISELY BECAUSE IT LACKED SEX (and by sex here, I mean plain old kissin').
As I stated earlier: sex is judged by the majority of the global public. With BrightWin NOT kissing, new fans who may have been implicitly and/or explicitly turned off by physical depictions of queer love could glom comfortably onto 2gether, and watch a BL without the "threat" of physical depictions of two men expressing their love to each other.
Subsequently, BrightWin gained massive social media followings, 2gether made GMMTV buckets of money, and GMMTV went -- well, hot diggity.
Many of us had impressions of Only Friends as...something else than it ended up being. Early on, Jojo Tichakorn, for instance, cited an early non-GMMTV, non-BL show, Gay OK Bangkok, that he and Aof Noppharnach worked on in 2016 and 2017, as being referential to Only Friends. Gay OK Bangkok centered on a group of queer friends, mostly cisgender men with Jennie Panhan in the mix, as they lived their lives and dated away in Bangkok.
I'll tell ya, GOKB didn't end the way Only Friends did, and I'll get into that more in a bit. I believe @benkaaoi, @lurkingshan, and others are absolutely right that the ultimate moralization on casual sex that this show depicted -- and how Only Friends punished Boston for his casual sex -- was an economic decision designed to reflect on the sanctity of monogamy that shipped couples like ForceBook and FirstKhao can sell back to their fans, fans that may have actually flocked to GMMTV shows from 2gether, and that demand a fantasy of devoted monogamy from both fictional characters and professional actors who are actually only just doing fan service to earn their livings. GMMTV has known for a long time how to make money, and money the network doth has made from Only Friends, and from shipping their ships around the world to service the growing fandom.
Casual sex in fiction, casual sex that breaks up the ships.... fucks that economic shit all up.
GMMTV has taught us our lesson, a lesson that we had already learned from the no-kissing rule of 2gether. Loose lips shall not sink ships at this network. And I think we lost a chance for a big and progressively artistic zeitgeist that GMMTV could have taken risks on, if it had the courage to risk depicting something truly novel.
I want to note quickly another framework that I dug into while I was watching this show. I sent a flare to @lurkingshan before I started watching the episode that I was going to, in part, watch this last episode from my personal Asian lens. I wanted to ask myself, as I was watching this disaster -- is there anything happening here that strikes my heart with fear and doom as an Asian?
Indeed, yes. I didn't expect it, but there was a dialogue on individualism vs. collectivism.
Boston. My dear, sweet Boston. Boston, named after a city so very distant from Bangkok.
Boston was punished by his group of friends because he didn't adhere to the rules of the group. His individualistic actions and preferences -- his preferences to "roll alone," as Nick stated, would not work in the frameworks of either monogamy with Nick and/or the group dynamics of the hostel crew.
The link I linked above is an amazing answer to an inquiry I posed to dear @absolutebl last year about how Asian social collectivist paradigms are depicted in BLs. In that question-and-answer dialogue, I asked ABL Sensei about the motif of queer revelations in BLs, and how seemingly straight characters respond in kind to being approached with a proposition to a queer dalliance and/or relationship. Generally speaking, the Asian collectivist mindset is to at least attempt to respond in kind to those kinds of propositions, as one's behavioral habits are designed to be responsive to others instinctually, as opposed to only servicing oneself. To only service oneself is not only seen as selfish, but also as disturbing to the general flow of public existence among one's societies. To respond in kind means that you will not cause potentially disturbing angst to another individual or group. (Collectivism explains why Asian countries performed much better with mask mandates during the pandemic than we in the States did.)
So -- Boston filming Ray, Boston sleeping with Top, created waves in the friend group. He was so severely punished for it.
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And the show iterates, and repeats, Nick's preference that Boston move forward alone in Boston's life, because of Boston's tendencies to make decisions that suit himself. As an Asian-American, I mutter to myself: god forbid.
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Nick will not commit to Boston -- and yet, will also condemn Boston for making his own decisions outside of the specter of a monogamy that does not exist between Nick and Boston, and that Boston will still get judged for, as referenced in the Sand/Nick conversation depicted above.
In other words: if Boston makes a decision for himself? That's punishable. Because it might hurt someone else's feelings -- a someone else that actually hasn't committed to Boston, and/or allowed Boston to commit himself to.
This group caught Boston in a moralistic and collectivist catch-22, the likes of which I just would have never expected from Jojo and team, even if the creative team faced the economic pressures of the GMMTV bigwigs. I'm sorry to state that I am beyond disappointed in this condemnation of individualism, sending Boston alone, judged, and friendless, off to New York City to live in, what, the immoral boundaries of Chelsea? Homey, get a fucking SWEET-ASS PAD, and FUCK THESE LOSERS, leave 'em BEHIND in your cloud of airplane gas emissions. See you at the La Quinta rooftop bar on 32nd Street, friendo.
Only Friends could have ended so much better. And I understand that in the Only Friends novel, published AFTER the script was finished, that it did end somewhat better for Boston (cc @jinitak, reporting from Thailand, thank you for this heads-up about the novel!).
So. Any-fucking-way. Do y'all know how Gay OK Bangkok ended?
Of many lovely endings for the various GOKB characters, an older main character, Aof, was dating a much younger character, Big. (CC to @neuroticbookworm for our quick convo on this last night.)
Aof was sex-averse. Big wanted lots of sex. Big slept with a lot of people. He loved Aof. Aof couldn't handle Big having sex with other people, and they broke up. It was a lovingly handled break-up, written just gorgeously by Aof Noppharnach.
After their break-up, I thought Big would disappear from the show. Instead. Instead! Nong Big, the little brother to the core group of queer friends that centered GOKB, was welcomed back with open arms. Arm, Pom, Sathang (played by an effervescent Jennie Panhan), and others toasted to Big, telling him he would always be family, no matter if him and his ex, Aof, had broken up. In the queer circles of friends that I'm a part of, exes are not as commonly excommunicated as they are in straight circles.
Only Friends could have been this. Something, a little something, like this.
Instead, Only Friends punished a friend for acting outside of the rules of their group.
Boston was punished because.... because Only Friends had to end up being a BL. For the sake of the moolah, for the sake of collectivism, for the sake of the shippers who'll buy tickets around the world to see ForceBook and FirstKhao perform fan service on stage.
I just didn't think that the show would be so brutal, on so many levels, in the end, to people who want to have casual sex. I don't think any of us expected this. But, it's over, it's done, and the piece has been said -- GMMTV said, no casual sex today, and here's how we actually feel about it.
I'll see you over on Gagaoolala for Playboyy. Deuces, OF.
(It was an absolute pleasure writing meta with the Ephemerality Squad -- onto the next one! @lurkingshan @neuroticbookworm @ranchthoughts @twig-tea @slayerkitty @thatgirl4815 @distant-screaming @clara-maybe-ontheroad)
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a-doubleh-x · 14 days
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Why I like Chaggie
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Hey! My last casual ship review did pretty well, so here I am with another! Needless to say, but thank you all for the interactions, I appreciate it very much 🥰
Last time I talked about Charlastor, a notorious controversial ship and today I'll talk about a surprisingly controversial ship: Chaggie. Why do people dislike this ship? I'll go a bit into it on the second half of this post, but first I'll talk on the positive I see in this cute couple.
First of all, as a guy in his late twenties who's been on at least one relationship, I will say that I appreciate a relation that's mostly based on comfort and support. Some people might think that's boring or not quite the basis of romance, but I think quite the opposite. Johnathan Decker, a licensed couples therapist on youtube (you might know him from Cinema Therapy) often talks about how safety and mutual understanding are the basis of any lasting relationship.
At the start of the Amazon series, Charlie and Vaggie have been together for 3 years, which is evident in many of their day to day interactions. They're comfortable with each other, they rely on each other and best of all, they still coo every now and then over how adorable the other is.
That is not to say the relationship is without conflict, which in my opinion as a writer it's the lifeblood of any good story. Vaggie is clearly quite codependent of Charlie, which is why a large portion of her self worth is based on being useful to her. However, I think the two of them do a decent job of talking through the problems this brings sometimes, such as episode 3.
I think it's cool that the relationship seems to work despite their rocky moments. Charlie most likely thinks a person like Vaggie is a breath of fresh air in Hell, she's selfless, loyal and dedicated. That's probably the reason why she has so much patience with her, a feeling that I'm certain is mutual. Vaggie is clearly very aware of how silly and idealistic Charlie is, in fact she often tries to nudge her to be careful with her attitude. And even though she may not agree with everything, she still always supports her without appearing judgemental, which I think speaks volumes of her character.
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Now, let's talk about the shortcomings in the face of the audience. Some people think there's not enough substance in canon to be sold on the couple, which I think is a valid opinion. Some people argue that Chaggie's relationship is boring and not quite as interesting to watch as Charlastor, which I don't entirely agree with. Some people plain dislike or hate Vaggie because they think she's just a naggy chick who is an awful partner to Charlie in every way, which I *definitely* don't agree with.
My opinion falls in a more moderate standpoint. I think, even in the series, their relationship isn't boring, but it could've been presented better. While I said earlier that I think conflict is good in a story, I think a problem in the series that's probably unintentional is that most of the story beats with Charlie and Vaggie are negative.
In episode 3, they have a fight over their lack of communication. In episode 6, Vaggie puts her own secret status as a fallen angel over Charlie, which harms her later. And in episode 7, Charlie spends most of the episode mad at Vaggie and they make up offscreen, which is something unilaterally most fans believe was a mistake.
To the showrunner's credit, there are some positive major story beats. There's Charlie's trust fall on Vaggie, which was cute. There's their beautiful duet in episode 8. And there's them fighting alongside each other in the final battle.
Unfortunately, the fact their arc is a bit wonky and doesn't have a proper buildup makes it so that the climax (the duet) may feel a bit unearned. I don't want to make this whole post about the series because I could spend all day talking about it, so I'll just say for now that i underdtand why some people aren't sold on the ship.
I will say. Some fans have some very beautiful, gorgeous pictures of this ship. There's this great comic made by squids-and-fruitcake that's been running around about Charlie giving Vaggie a gift for Christmas (here's a youtube link in case you want to watch a dub, I couldn't find the original)
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I think it's a great example of why this relationship works: they love each other. They may not completely understand each other's circumstances, but they try every day and are still together because of their mutual effort.
Charlie herself, as Hell's number 1 laughingstock can really use the support and the fact that Vaggie supports her even though she doesn't have all the answers means a lot to her. She brings her stability, peace and affection, all things she lacked until she met her.
Vaggie, on the other hand, who was plunged against her will into a pit of violence and cynicism also needs Charlie's perspective. She loves the fact that she cares about something bigger than herself, that she wants to help damned people like her, which given her circumstances I think it's something she also needs in a fundamental level.
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That haz bin my review for today! What do you think? Do you like Chaggie? Do you think it could've been written better? What's your favorite interaction between them? Let me hear your thoughts! It's been fun to put my thoughts down for casual reviews, I hadn't done it before, so expect more in the future while I'm still working on the next chapter of my fanfic.
I think I already have an idea about what my next Hazbin post is going to be about (hint: it has to do with Angel Dust). Thank you again for all the love, hope to see you all soon!
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lillified · 2 months
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On Twt you had mentioned dead colonies, could you talk a bit about it? I'm curious to learn more 👀
I absolutely can!
Dead Colonies
At the tail end of the Quintesson reign and well into the Zeta era, the Cybertronian project began to expand into space, looking to establish itself as a galactic empire (similar to the Quintessons they were following). The new regime's optimism made promising projections about the affair, anticipating the colonies they established would become vital trade hubs, resource hotspots, societies, and even tourist destinations (though some of Cybertron's ultra-wealthy indulged, space travel was far too expensive for this to ever become viable). Although the industry boom following the socio-economic institution of the Caste system gave this ambitious promise legitimacy, it was, in hindsight, completely doomed from the start.
In their heyday, however, it was easy to ignore the warning signs. These colonies stretched from nearby satellites to planets in neighboring solar systems, and they were established to varying degrees of complexity. Some stations were only ever meant to be extraction ports for valuable natural resources. The most famous of these colonies, however, were the settled territories, where groups of Cybertronians were planted and expected to live indefinitely.
Once established, these territories developed independently of Cybertron's culture and society, similar to how the flying polity of Vos maintained its own social identity. In many ways, they were like miniature civilizations of their own, only sponsored and supplied by the Cybertronian government. One example of where their societies differed from the start was in the practice of mooring Titans.
Titans are a subclass of life on Cybertron. They are theorized to be the missing link between Cybertronians and the Primus Superorganism, though that theory is highly controversial. Many Titans are dormant now, existing in a state of extended stasis, but many Polities on Cybertron were established around or even on these Titans, although the full extent of their symbiotic link has been lost to time. Unlike Cybertronians, Titans exist throughout the observed galaxy, likely supplanted by space debris. Though it served no immediate practical purpose, several of these colonies sought out these space Titans to cohabitate with. The most infamous colony to adhere to this practice was Caminus.
Caminus was an extremely ambitious project. It was the farthest of the Cybertronian colonies, whose "bridge" (a series of space stations facilitating navigation to the planet, without which many outgoing ships were lost) was considered a revolutionary innovation in space travel. For a long time it was a shining example of what interstellar expansion should be. A lush natural ecosystem native to the planet, constant technological innovation, a rich independent culture, and a general appearance of abundance made it exotic and attractive to the citizens back on Cybertron.
The colonies existed in excess for a while. Soon, though, the explosion of prosperity and industry from Zeta's widespread mechanization started to trail off, and the Energon crisis was almost inevitable on the horizon. The long-term goal that underscored the effort of space expansion was to eventually find another source of Energon, but that goal was never achieved; by consequence, the endeavor of supporting these colonies became expensive and unwieldly. There was no real end benefit besides maintaining an illusion of abundance.
One by one, the central Cybertronian government slowed down, and eventually cut off, support to these Colonies, markedly including the shipment of Energon. Some of these stations were evacuated with the hopes of reintegrating their residents on Cybertron, but many others, especially the manned trade outposts and extraction points, were simply abandoned. Rescuing everyone was just too expensive.
Of the residential colonies, only one escaped evacuation, though the story is still shrouded in mystery. Before the total cutoff, Energon shipments became increasingly more expensive, dwindling for decades. Caminus felt this bleeding and diplomatic tensions between itself and Cybertron became strained. During one shipment, with no forewarning, an outgoing cargo ship discovered that the final point of the Caminus bridge had completely disappeared, defying reason. All other communications with the colony were also completely shut off. With no way to reach them, and no way to guarantee a safe travel, the ship returned to Cybertron, and the colony essentially disappeared. The story of Caminus would become a longstanding source of mystery and intrigue back on Cybertron, though any tragedy is more a result of bureaucratic negligence than horror.
The rest of the colonies died out much less spectacularly. Now, throughout the galaxy, only old abandoned outposts remain, the skeletons of lives lived there. Like the Quintessons before them, Cybertronian expansion was destined to fail. In the end it only marked another nail in the coffin for the energy crisis, and the inevitability of domestic tensions coming to a fiery head.
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Hi Slug! If you've listened to the full songs in the new EP, have your opinions of the trailers changed? Also, the new dramas are HEAVY, so if you've listened to them, I'm curious to know what you thought of them. As always, thanks for the translations!
I like listening to Hypmic music on shuffle during workouts, so I've most of the new songs in full by now. I don't think my opinions have changed majorly. I really enjoy Black and White, and Move Your Body Till You Die is a phenomenal work of art.
As for the drama tracks... truth be told, I haven't even listened to the one that came out in April, so I'll read through some TLs now and record thoughts below the cut:
No One Lives Forever, translation courtesy of shinseimcd on Twitter
"Anti-Party of Words faction" Huh, like a government faction? I'm surprised the PoW allows other political parties or at the very least open dissenters. There was talk in some chapters of the manga of them punishing protesters, not to mention the way they crushed the TDD rebellion in its primacy. Either way, interesting, and I hope we learn more about this as time goes on.
Ichijiku and Nemu baking together is really cute lol
I love the way Ichijiku's whole personality shifts around Otome. Gap moe (????)
It's a cool tidbit that Nemu tends to prefer plainer outfits, as that tracks with how she dresses in TDD. Also, Nemu and Ichijiku shopping together is kind of bittersweet, since Ichijiku is clearly using Nemu as a replacement figure for her deceased sister...
Ichijiku secretly wanting to fall on the cute side of the cute/elegant spectrum is a pretty classic trope but a fun detail that's been hinted at already, since we've seen that she keeps a bow collection.
??? Rei's lab is on Battleship Island? Ohhhhhhhhh this is why Twitter was blowing up with controversy right after this track released... The IRL Battleship Island was home to forced labor of Korean and Chinese citizens during the twentieth-century push of Japanese imperialism which was later, iirc, denied in part or totally by the Japanese government to immense international backlash. Using this as a setpiece for Hypmic is oddly provocative, and I can't think why the writers would want to do that. On a much lighter note, this is also a headscratcher to me because isn't this a UNESCO World Heritage Site? The whole point of that is conservation, and I don't think building a clone lab counts as conservation... Unless they're implying the clone lab was built prior to the 1950s? Hm. Let's not go down this rabbit hole.
"I would like all of the True Hypnosis Mics. As well as all the Amemura clones." Oh? Are there more still alive? I thought Honobono ordered the death of the last remaining three... Well, that scraps a piece of writing I was working on LOL
"Your biometric data is required to access the mic storage facility" So how did the PoW get in?
Her? Heart stop beating? Oh for fuck's sake, is Rei's wife also in a coma? How many fucking characters are in a coma in this series... Whichever mfer invents a device that restores people from comas with no significant brain damage will make a fortune in this universe
"And I won't try anything funny." I do not believe this for one instant
Hmm, the framing of Otome planning this and the way she brushed past talk of countermeasures for the anti-PoW faction implies that Rei is heading this faction.
Oh, so they couldn't get past the biometric locks after all, I see.
I strongly dislike the idea of thirty clones for thirty mics and the nonchalance in which Rei goes, "Yeah, I'll ship them off to Chuuouku" like they're a parcel and not human beings, but that's my personal bone to pick w/ this character and setting.
I was intrigued by the notion of the PoW holding caucuses, implying there's some sort of democratic process in terms of choosing their own party members or positions, but the JPN audio doesn't specify that exactly.
"We no longer require the cooperation of Jakurai Jinguji." I know that this took like four years in real time, but in terms of the Hypmic universe... I mean, Jakurai didn't even do anything for them, did he? He went through all that moral dilemma for nothing, as far as I can tell. (I get that it sets up the reconciliation with Ramuda, but that's it? Seriously?) That's disappointing to roll it back so quickly.
"During the Division Rap Battle, the people of our nation will be focused on the tournament, giving us the opportunity to use the True Hypnosis Mics to mind hack the Anti-Party of Words faction who stand in our way, ultimately pulling them over to our side." Otome always has the most batshit plans. God bless. A consequence of her needing to drive the plot forward is that she'll say some of the truly silliest things I've ever heard. What a complete misappropriation of government funds lol. Also... is this stating there are only 30 dissidents (????), or can the True Hypmics brainwash more than one person at a time?
"Once that is complete, we will move on to other countries. And when we have taken over the world, then, in the true sense of the word, peace through the power of words will be achieved." LMAO? I'm sorry, this isn't very considerate of me, but in my initial impressions of this, I am well and truly gobsmacked. What in the actual fuck. How many clones will die for this? How much money will it cost? How does she think she stands any chance at governing so many people across such an area, even with a downsized population after WWIII? Homie... Never change, Hypmic, you are the wildest.
I can't believe Ichijiku is so whipped she's willing to go along with an absolutely nonsensical plan for world domination. Ma'am, Otome is not going to fuck you, and even if she is, it's not worth it! Ma'am!!! I'm sorry, I'm being petty and not giving this a lot of in-depth thought but LORD this is a trip on first read.
A FUCKING CLONE UPRISING AT THE HANDS OF REI? HAHAHAHAHA.
"World domination, huh, what a joke." Man after my own heart.
I'm actually quite interested in how this "mics are disabled forever" thing works. I guess the mics have a kill switch in them? I vaguely recall someone saying that in the manga years and years ago... Oh yeah, it was Ramuda in TDD 12. Huh, interesting if that was intentional foreshadowing (I'm not sure if I want to be that charitable). At any rate, can't everyone in the room just get new mics? Or does it affect their speakers and such too? I'm curious how that works, like if you build an affinity with a certain mic or some nonsense.
"looks like we won't be having any Division Rap Battles from here on out." Ah, and this is why the other half of Twitter was up in arms like "No more DRB??? End of Hypmic??" I guess.
The Block Party tracks are quite long, and since it's getting rather late for me, I'm going to leave off here for the moment. I'd like to continue this at my next available opportunity... WHAT a ride. Not sure when that will be, but I will add to this with a reblog when I can. And I know it's been months since this track came out, but I would love to hear other people's thoughts. I wasn't around much when it first launched, so I missed most of the commentary on it.
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torchshippod · 9 months
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Crew Profiles Part 1: Mary Gillham-32
Greetings Cosmonauts!
This is the first of a series of posts detailing the characters of Torchship: Forbidden Space, in the leadup to the release of our Pilot episode. And who better to start with than the most of important character of all, the rocket: Mary Gillham-32 herself! 
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Tough little ship
By 2152, it had become clear that the Aquillian De-Militarised Zone was here to stay. A ceasefire intended to last until peace negotiations that never came. The Divine Empire, risen from the ashes of the old Aquillian Empire, officially refused to recognise the DMZ. But unofficially? They made it clear that so long as Humanity kept out of the DMZ, there would be no more hostilities. 
The Florence Bailey program was soon established. Tasked with venturing inside the disputed territory, with the primary objective of reconnoitring Divine Empire operations, charting the DMZ, and attempting to make secret alliances with any civilisations inside the region. By secretly breaking the cease-fire, it was hoped the Florence Bailey program could, if not prevent another war, at least ensure Humanity was prepared for it. Secrecy being paramount, the Florence Bailey program utilised civilian ships, modified to appear like those belonging to vessels of various alien polities, alongside ‘acquired’ vessels of Aquillian and other alien origin. 
While successful, the Florence Bailey program was rife with controversies. Including a minor political scandal when the Free Aquillian Republic Raptor Libre encountered Florence Bailey-4, a captured Raptor masquerading as Free Aquillian Republic Raptor Libre. 
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Aquillian Free Republic Raptor Libre. Or is it Florence Bailey-4?
In 2162, Humanity developed their first cloaking device, finally allowing Star Patrol to explore the DMZ without the headache of acquiring alien rockets, or offending its neighbours. The Mary Gillham program was born. It carried the same objectives as the Florence Bailey program, but now using purpose built vessels, and operating openly inside the DMZ as Star Patrol vessels, using cloaking technology to remain undetected by Divine Empire rockets or listening posts.    
Mary Gillham rockets are built to contradictory standards, and Mary Gillham-32 is no exception. She needed a small profile and to appear non-threatening. Enough that if discovered, she would prompt a manageable diplomatic incident, rather than a full blown war. She also needed to be self sufficient, capable of cruising for months, potentially years, without resupply or official support, feature a cloaking device, advanced sensor systems, and be well enough armed to fend off rockets 3 times her size. How successful this was depends entirely on who you ask…
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"You're shorter than I expected." - Mary Gillham-32 faces off against a Divine Empire Second Rate.
Mary Gillham-32 is one of the smallest interstellar rockets in Star Patrol, and carries the bare minimum crew complement of 4. All Star Patrol rockets are cramped, but Mary takes it to another level. Supplies and equipment are stashed anywhere and everywhere there’s room. Her moonchute (the zero gravity shaft used to navigate up and down decks) is claustrophobic, and her doors are often joked to have been designed by Martians to spite the tall. 
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Mary’s most important and defining feature is her cloaking device. Effectively a second, specialised variant of the FTL drive, though rather than warping space to allow for superluminal travel, the cloak warps space so steeply that it creates a bubble through which no light, heat, or tachyons can enter or escape. Effectively concealing the rocket in a tiny baby universe all to itself. Of course, this works both ways, while cloaked Mary is totally blind, relying solely on computer calculations to determine position, and a periscope in the form of a tethered drone that can be extended from the cloak bubble, at risk of detection. 
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Mary's periscope observes a pack of Aquillian Raptors.
This lack of creature comforts is most obvious when it comes to the matter of armament. Too small to fit particle cannons or railguns, when it comes to combat Mary’s best hope is to cloak and escape. If that doesn’t work, she has a set of six externally mounted torpedo tubes. With no room for anything as wasteful as autoloaders, reloading is a process that takes the better part of a day. New torpedoes must be manufactured in stages in the matter printer, transported up the ship and out the cargo airlock, assembled in space, and then manually loaded into the tubes after being fitted with the desired warhead.
With only six shots, it’s imperative that even one torpedo is enough to end any fight. So, in addition to a supply of standard flak, nuclear and a handful of antimatter warheads. She also carries a small stock of Graviton bombs. An experimental warhead that creates a pseudo-singularity with an event horizon diameter measuring tens of kilometres. Anything caught within is utterly ripped apart. Mary may only have six shots, but she only needs one. 
In short, Mary Gillham-32 is an undersized, overengineered, and overpowered rocket with an understaffed and overworked crew, embarked on a dangerous, politically dubious mission with no hope of reinforcements or aid if they encounter a problem. But whatever sticky situations their mission brief gets them into, the crew can rest assured that with a bit of clever thinking, Mary will get them out of it.
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sexymancatalogue · 2 months
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I have not one but TWO Tumblr Sexyman!! They're both from the same series called SMG4, and one of them has the Sexypedia wiki (though it is somewhat outdated) while the other probably not, so I have to sadly rely on TV Trope. Anyway here's...
SMG3 (He/Him) Archetype/s: - Angst (Jealous of his rival's attention and success) - Anti-Hero (Got himself a (his word) "Vegeta" character arc) - Controversial (Due to the first redesign) - DILF (Father to Terrence and Eggdog) - Dominating (Successfully won during YouTube Arc) - Duality (SMG4's Former Evil Doppelganger/Rival) - Egotistical (Thinking his better than SMG4) - Johnlocked (Famous Ship being SMG34 (SMG3 x SMG4)) - Suitguy (Western Spaghetti SMG3 and maybe WOTFI 2023 SMG3) - Theme Song (Solarium by Max Anson) - Villain (Former Villain)
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Mysterious TV Guy (He/Him(?)) Archetype/s: - Ambiguously Evil - Arc Symbol - The Corrupter - Deal with the Devil (It's Gotta Be Perfect, Western Spaghetti and WOTFI 2023) - Digital Abomination - Evil Brit (Voice by JelloApocalypse) - Greater-Scope Villain (Current unnamed saga) - No Name Given (Doesn't have a canon name, as most fanbased called him either: TV Adware, Winston, PuzzleVision) - Perpetual Smiler - Repulsive Ringmaster (IMPLIED)
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i think i remember watching these a lot when i was younger...
-buggy
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pluckyredhead · 10 months
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Red Hood and the Outlaws #1 (2011)
It's been a while since I've read RHATO, so I figured I'd reread it - and if I'm doing that, why not make you all suffer with me? I will probably get tired of this before I finish all the various series, but let's see how far we get.
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Roy, that would probably work better if your bow had a string.
The issue begins with Roy in a prison in Qurac for trying to overthrow a dictator. He's rescued by Jason, in disguise as a pastor in a fat suit (sigh). There's so much wrong with these opening pages: the fat suit, the writing off an entire Middle Eastern nation as evil and corrupt, the fact that there's no way even a collapsed bow would fit inside a hollowed-out bible, the lazy way the panel layouts waste space...and yet. And yet.
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These pages. THESE FUCKING PAGES. "His name is Roy Harper. He's an idiot. Nice guy, but an idiot." "His name is Jason Todd. A lot of people say he's crazy...Let's just say the Red Hood is my kind of crazy!"
This kind of parallel narration always makes me think of the 2003 Superman/Batman comic, which used it extensively, to extremely (and likely unintentionally?) homoerotic effect. After I read this issue, I told a friend that I got it now: Red Hood and the Outlaws was Superman/Batman for edgelords.
Which is to say, I'm pretty sure I started shipping these assholes just from these first terrible pages.
(But seriously, there are three pages up there and only five panels. Five panels! Plus some pointless maroon boxes that don't do anything! I want my money back.)
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This panel is super misleading, because it implies that Roy and Jason know each other well enough for Jason to tease Roy about being a chatterbox, but later issues will show that barely know each other at this point. But then, trying to keep the backstories straight in this or any Lobdell book is like watching sand run out between your fingers.
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And again here, it implies that they were already friends, a team, partners...something. But later we'll learn that they only met once, and it was years ago, when they were kids, so...what gives?
(This page is actually interesting, because Jason is constantly saying playfully mean things to Roy and Roy never seems to mind, but here he clearly hurts Roy, and he knows it.)
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Siiiiigh.
To add insult to injury, Jason immediately announces that he's fucked Kori. You'll notice I aggressively ignore this in every fic I've ever written. Part of that is because I love Secret Virgin Jason, but also it just doesn't mesh with his and Kori's relationship throughout the rest of the series or his hilarious lack of game in general, and it's also so inextricably part of Amnesiac Sex Doll Kori that I just want nothing to do with it.
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HATE. HAAAAAATE. The devious smile on Jason's face in the bottom row and Roy's calculating expression are so deeply disgusting to me. "This woman can't meaningly consent! She's like a cave fish with a vagina! Sweet!" Scott Lobdell is a vile human being and so is everyone who signed off on this piece of shit. (Fun fact: this was a HUGE controversy when the New 52 launched and the outcry was so loud they walked it back in a later issue when Kori tells Roy she...just lied about all of that for no reason? Okay.)
Also, "ask her about the gang you used to hang with." Uh...what gang is that, Jason? Because Donna didn't exist at this point, Wally was 12, Garth was a literal baby, Vic joined the League immediately upon getting his powers, and Gar was a child being tortured in a lab somewhere. So was it just Roy, Dick, and Raven? And they certainly weren't the Titans, because Tim's team was the founders in this continuity...which Lobdell should have known, since he was also writing that book.
The person asking to speak to Jason is Essence, his ex, who tells him something cryptic about murder victims with missing organs.
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YOU DON'T KNOW MOST OF THOSE PEOPLE EITHER, ROY!!! "Remember Garth? The baby?" (Literally, he is a baby who shows up for one panel. In Atlantis.) And who the fuck is Dustin?
Anyway, Kori propositions Roy and he's like "Sure, why not." Did the target audience actually think this was hot? It's so depressing.
Essence tells Jason that something called the Untitled has attacked something called the All Caste, and Jason makes a surprised Pikachu face.
Elsewhere, a guy in a basement looks at a picture of Kori online.
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I will admit to liking two things about this page: the fact that Jason's helmet is in the nightstand implies that Roy and Kori fucked in Jason's bed, which is either hilariously rude or an invitation that sailed right over Jason's head, and the red hand print on Roy's chest. It's the first glimpse of a recognizable Roy in this book; he did always like getting manhandled by scarily powerful women, pre-Flashpoint.
Jason goes...somewhere, to a temple of sorts with a lot of vague cultural appropriation going on, and kneels over the corpse of an old lady. "I'm sorry I wasn't here for you, Ducra," he says, before a bunch of people attack him. END OF ISSUE!
And that's Red Hood and the Outlaws #1! It's confusing, misogynistic, lazily drawn, and not very funny, and there's no reason to be invested in whatever the fuck happened at the end because I know nothing about Ducra, Essence, the All Caste, or frankly, this version of Jason. And yet I am absolutely going to read nine more years' worth of this shit. See you in issue #2!
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lokisasylum · 10 months
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Lets talk about something controversial--
Lets talk about how BALLS-DEEP taekookers have embedded themselves inside the fandom to the point of Armys DEFENDING THEM over protecting the ones constantly being the target of this disgusting breed.
We (the OG fans who were there since the beginning and noticed the moment it started) warned ya'll about this; for MONTHS, for YEARS. But ya'll didn't listen. Just let it happen.
It started with Big “OT7″ accounts ignoring the issue and deeming it “just shipping wars”, “focus on BTS only”, to the fandom collectively turning a blind eye the bigger the hate got with every little "ignore and block", every "you need to curate your TL better so you don't constantly see that--"
We warned ya'll and you called us Crazy, you called us Delusional, you called us Entitled, you called us Problematic Old Hags. And now I fear we may never get rid of taekookers AT ALL.
EXHIBIT A:
Lets start with something that happened a few days ago. It started with a TKer using a set-up account to drag The Weekend for that weirdo netflix series. Which for some reason it called the attention of Abel (the lead vocal)'s attention to the point of quoting it, which in turn gave the tweet MORE attention/views.
As soon as the tweet started getting the desired amount of clout, the TKer changed the entire layout from taekook to Jimin to make it seem like "oh, pjms again starting shit because they're bored" (when in reality Jimin stans were hyper focused on streaming & buying 'Like Crazy' since the song was about to break the record for longest days charting and also the 119 #1s on iTunes), but what everyone ignored completely was the fact that despite switching the layout the person was actively dragging & defaming Jimin on that same acc & liking tweets from Jimin antis. But NOBODY CARED ABOUT THAT, because armys only saw "a jimin stan being problematic". And it took ONE Jennie solo stan calling out armys hypocrisy for the way they've always given trashcookers a free-pass in their fandom instead of defending Jimin, when both he and Jennie get the most hate from them on all platforms.
But AGAIN, what did the fandom do? Instead of actively reporting and trying to get the TKer suspended, they switched to attacking that Jennie solo stan AND slvtshaming Jennie as well. As for the person who started the whole thing? Deactivated and is probably STILL around with a different account spreading more hate and ways to get away with it.
EXHIBIT B: The #s war from yesterday.
Again, it was a TKer who started trending those disgusting tags over a harmless joke about spotify debut numbers. The hashtags were ALL initially AGAINST JIMIN ONLY, and each one more vile than the last and the bastards even celebrated that they got them to trend so quickly and were even putting money into keeping them up longer. 
(I spent an unhealthy amount of hours out of my life yesterday reporting & blocking people from BOTH ends, but it was just neverending! And for some reason twitter wasn’t showing all of the reports I made which frustrated me even more).
But armys only cared about the issue when Jimin stans actually started fighting back, using the SAME #s against TKers. NOT BECAUSE JIMIN HAD BEEN DEHUMANIZED/DEFAMED FIRST, BUT BECAUSE NOW IT INVOLVED 2 MORE MEMBERS (otherwise they would have ignored it). So instead of helping to clear the searches and reporting EVERYONE who was using the #s, they ONLY reported/suspended Jimin stans and instead trended “BTS IS 7″ initially, while the TKer who started this whole thing is STILL around, active on another acc after deactivating.
This gave TKers the upper-hand to once again SWITCH THE SITUATION IN THEIR FAVOR, by gaslighting armys/ot7s into thinking and trending: “solosOUT” “ALL SOLOS ARE ANTIS” “WE LOVE YOU TAEKOOK” “WE LOVE YOU [X, Y, Z member]”
(I even saw BTS members who weren’t involved in the issue being included in the tags as well to divert attention further from the fact that it was taekook shippers who started this shit).
And if you had looked closely at the first tweets using these tags, you would have noticed TONS of taekookers with the cult symbol on their username at the same time putting ALL of the blame on Jimin stans and accusing armys of ONLY caring about Jimin but never defending Taekook.
Which now has officially enabled the mentality inside the fandom that calling out Taekook Shippers = shading/hating Taehyung & Jungkook as individuals.
But its OKAY to call out Jikookers/Kookminers (cause they’re now “Tae antis” by association) & anyone who defends Jimin, because its OKAY for Jimin to get hate/shade as long as Taekook are protected.  LOL what a fucking joke of a fandom (Alexa, play “Face-Off” )
EXHIBIT C:  VMinKook at SG’s concert today
The 3 maknaes were literally standing/sitting together, playing. vibing to the concert (there’s literal clips of them talking, interacting and playing with the army bombs). But what topics made noise first?
“Taekook together at the concert” “Taekook concert date” “Taekook ignored Jimin, as they should” “Jimin left first/alone in his own car because he’s bitter.”
I even saw one where tkers were UPSET because “Jimin didnt pay attention” whenever tk interacted. Like sis makeup your mind, are you happy he’s no longer interacting like before or are you desperate for his validation that will never come???
Jimin is unbothered, happy and busy and probably had some schedule to attend after the concert, but these deranged mfers will always see what they want and armys will always give them a free-pass instead of addressing the pink elephants on parade in the room.
And if this is the fandom we have to go back to when and IF BTS ever return as 7 after enlistment (given that they don’t actually disband after that not so subtle hint suga made at the end of the concert)? Then I’m about ready to drop BTS as a whole the moment Jimin goes in for his service. ‘Cause this ain’t it.
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Ranking the star trek openings (of series I've seen) bc I have nothing else to do :
1- TNG season 1-2
Perfect 10/10. Love the Patrick Stewart narration. The music is just straight up happy juice every time I hear it. Makes me really eager and energetic and gets me in the mood every time. Only downside is that I think it shouldn't be used as a end credit music, because it create a pretty jarring mood whiplash with the endings of some episodes
2- TNG season 3-7
Pretty much the same, except I like the sorta "reverb" sound and chords of the first one better.
3- Lower decks
The theme song slaps sooo hard it was one of the few things that kept me watching in season 1 when back then I really didn't like the show. The visuals are pretty fun as well and look very good
4- TOS season 1-2
This may just be nostalgia speaking but the relaxed and content "home" feeling I get when I hear this theme is unparalleled. Also I like how short it is, which means I almost never skip it even when binging.
5- TOS season 3
It's really almost on the same level as the first one but I like the singing a bit less than the instrumental. But idk the blue letters do look a bit better
6- Voyager
Voy may be mid, but it does have a dope opening music. Really engaging and emotional. The visuals are fine but the ship just doesn't look as good as Enterprises sorry
7- Enterprise season 1-2
Okey HEAR ME OUT HEAR ME OUT. The visuals are really cool, and this opening would have made top three if they used Archer's theme instead of Faith of the heart like they planned at first. But hey. Ik the song is bad but like Enterprise itself, I have developed a weird fondness to it. I went trough the classic arc of hating it - liking it ironically - liking it unironically back when I first watched the show. Now I just sing along and almost never skip it.
8- TAS
this theme funky af
9- SNW
Still not decided on my feeling about this theme (like the show itself funnily enough). Feels nostalgia baity with the TOS remix but at the same time it is different enough from the TOS theme to be its own thing, and it sounds pretty good. Very cool visuals and love that they brought back the opening narration.
10- DS9 season 4-7
This may be my controversial opinion of the day but as much as I love DS9 I don't really like the opening. It feels dragged out as fuck and the visuals aren't very engaging (+ that meteorite looks ugly as shit sorry). Idk it's the one I skip the most often. This version feels at least a bit faster that the first one but the trumpets are slightly offbeat which is kinda infuriating.
11- DS9 season 1-3
Its sloooooooooow
12- Enterprise season 3-4
Really don't like how they remixed it. I don't even want to sing along, the added rhythm section is so distracting.
Edit : I wanted to add the first Disco theme since I've watched most of season 1 but I have no idea where to put it. I really like the music and the visuals but it just feels like it belongs to a completely different show than Star trek. Even the little TOS notes at the end feel out of place.
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imalazypandaaa · 4 months
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Hi! I'm bored and have decided to do the 35 questions thing while I finish up my next chapter of If You Need Me I'll Be There. (WHICH IS COMING BY THE WAY!!) So ask me questions! (All of these questions were made by my friend lol)
1. What is your favorite Smp?
2. What is your favorite season of Hermitcraft?
3. What is your go to pov for the Life Series?
4. What do you think of the season 8 ending?
5. What is your favorite storyline?
6. Who is your favorite duo/trio/group?
7. What is your favorite season of the Life Series?
8. Is there anyone you want to watch more?
9. Do you have a favorite ship?
10. Are some duos/ships harder to write than others?
11. Is the moon big? (That's a stupid question Alistair but I love you so I'm keeping it)
12. Did you like Empires season 1 or 2 better?
13. Do you have any merch?
14. What is your least favorite and most favorite character in the Life Series?
15. What got you into watching Hermitcraft, Empires, Etc?
16. Is there a duo/trio/group that you hate?
17. How long have you been watching Hermitcraft?
18. Do you watch MCC?
19. Is there a creator you love but you can't watch their content for some reason? If so what's the reason?
20. Do you have any "controversial" lore opinions?
21. What is your opinion on the Ranchers? (He just wants to enable me)
22. If you had to pick your favorite Life Series winner who would it be?
23. What's your favorite quote?
24. Do you usually stick to one pov or multiple?
25. What is one ship you can not get over how much you despise it?
26. Which do you like better, pirates smp or rats smp?
27. Xisuma or Evil X?
28. What is your favorite base out of Hermitcraft Season 9?
29. What is your favorite Empire?
30. Do you think the Watchers are good, morally grey, or evil?
31. Do you like Afterlife or New Life better?
32. What is your favorite origin from New Life and After Life?
33. Who is your favorite witch from Witchcraft Smp?
34. Do you like Wizard Gem or Witch Shelby better?
35. Is there one person you just can't be normal about?
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annabtg · 2 months
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AnnaBtG - my Ao3
Select works:
@jilyawards favourites
Mistletoe Mishaps (1.3k). Jily, canon, fluff. Winner of Favourite Canon 2023. Completed, rated G.
Lily Evans doesn't know why James Potter keeps on pointing out the mistletoe above her every single time. Well, she does, but she likes to pretend she doesn't.
Nom De Plume (46.5k). Jily, no Voldemort AU. Finalist for Favourite Magic AU and Favourite Fluff 2023. Completed, rated E.
James Potter, renowned potioneer, has a secret side career as an erotica writer under the pen name of Scarlett Goldwing. When his latest book starts to take off, and Scarlett is asked to promote it at a public event, he has no other option but to recruit his colleague Lily Evans to pretend to be Scarlett. The only problem is, Lily Evans hates his guts… or does she?
The Great James Potter (8.7k). Jily, canon, pre-relationship. Finalist for Favourite Canon Oneshot 2022. Completed, rated G.
Lily Evans has never held any appreciation for James Potter, even though he has always been a favourite among girls at Hogwarts. That is, until she starts paying closer attention to him...
Readers' favourites (below the cut)
Priorities (1.1k). Sirius & Lily friendship, background Jily, canon. Completed, rated G. Rec'd by @casquecest and @furiousgardenhologram.
When Lily receives some life-altering news, she turns to Sirius for comfort.
Scandalous (4.9k). Sirius/Lily fake dating, Jily, prophecy AU. Completed, rated M. Rec'd by @casquecest and @furiousgardenhologram.
Sirius Black attends Lucius Malfoy and Narcissa Black's wedding, with a controversial choice of a plus-one and the explicit intention of stirring up drama.
Are You Experienced? (12.7k). Jily, canon, fluff. Completed, rated T. Rec'd by @abihastastybeans.
James Potter decides to ask Lily Evans to a Muggle live music show. This noble mission, however, requires a series of steps he is entirely clueless about: from procuring the tickets to finding the correct outfit, and most importantly, to spending an evening with Lily Evans without making an absolute fool of himself.
My Best Friend's Girl (12.4k). Sirius/Lily to Jily, canon. Completed, rated M. Rec'd by @casquecest.
Sirius Black and Lily Evans start dating during their sixth year at Hogwarts and their relationship is nothing short of perfect, to James Potter's silent suffering. However, things begin going downhill when next year, she is appointed Head Girl...
The Chaperone (7.5k). Jily, Petunia Evans, Sirius Black, canon. Completed, rated T. Rec'd by @casquecest.
When Lily's father won't let her go out alone on a date with James, she has to resort to desperate measures: make it a double date with Petunia and Sirius.
Fixed Luck (1.3k). Established Jily, angst, no happy ending. Mind the tags! Completed, rated T. Rec'd by @kay-elle-cee.
The books warn: excessive intake can cause giddiness, recklessness, and dangerous overconfidence. But good luck is addictive.
Over Spilt Coffee (1k). Remadora, angst, canon. Completed, rated T. Rec'd by @nena-96.
Tonks's musings on the night she picked up smoking... the night Remus Lupin broke her heart.
Afterlife (microfic series, 1.1k total). Gen, James and Lily-centric. Rec'd by @nena-96.
James ships Harry/Ginny | Brother | Enemy | Unforgiven
AO3 Is Down (1.4k). Jily, Muggle AU, humour/fluff. Completed, rated T. Rec'd by @tinyluminaryzombie.
AO3 Status: Delayed emails have been sent out and the Archive is back! Thank you so much to our sysadmin james_ for interrupting his sleep to work on and monitor the situation. Inspired by this very real Tweet, an alternate universe where the sysadmin is James Potter, and Lily Evans is his supervisor who had to drag him out of bed so he could resolve the problem.
If you read my works, please feel free to send me asks or messages to add or update your recs!
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waitmyturtles · 16 days
Note
Rose's Day of Asks
From your 'OGMMTVC Project' what have been the shows that surprised you the most? For whatever reason
Have a great Day💜
HI ROSE, great to hear from you! Oooh, great question! Old GMMTV Challenge shows that I was surprised by....
I think in general, shows that surprised me were ones whose reputations preceded them in various ways. More below:
1) I was surprised by how much I liked Make It Right (season 1 and season 2 thoughts here). It's still seen as a problematic show in many ways, and especially by the way the main ships of TeeFuse and FrameBook began their relationships (and there have been issues since 2016 about how young the actors were in their first BL roles). But I was really struck -- especially in the second season, but also many times in the first season -- by how empathic the show was to the confusion of young men discovering their sexualities. It was a wild and chaotic work by New Siwaj and Cheewin Thanamin (GOD, THEY WORKED TOGETHER ON THIS, crazy to acknowledge this now), and there were manyyyy points of the two seasons that made nonsense, à la Cheewin's modus operandi. But there was true heart in the show, and the last episodes of TeeFuse and FrameBook confirming their relationships just took me out (especially with FrameBook's ending serving as a preview of how King and Uea confirmed their relationship in Cheewin's future show, Bed Friend).
2) I was surprised by how much I LOVED LOVED LOOOOOOVVVEEEEDDDDDD Theory of Love. The word used the most to describe this show when I was crowdsourcing the OGMMTVC list was "controversial." And I watched it and within the first episode, I was like, "OOOOH WE ARE GETTING PLAYYYYYED," and I loved the show for it. I know X Nuttapong has had some non-wins in his drama list (e.g., Vice Versa), but I think X's Theory of Love and Cherry Magic Thailand were seriously so fucking amazing, and he clearly can do wonders with excellent screenwriting. Theory of Love was so subversive and smart, and I think it showcased the start of the real depth of the OffGun ship wonderfully. Those two rose to the occasion. I can't wait to rewatch it.
3) I was surprised by how much I jumped on my bed and was screaming YAAAAASSSS at Lovely Writer. I watched some of Tee Bundit's works out of order. I watched TharnType first and was like, NO. And THEN I fucking watched STEP BY FUCKING STEP after that, and I was like, FUCK this guy. But Lovely Writer has almost universal praise, so I took some time to breattthhhheee, and watched it, and I was like, OH, so that's why everyone was originally hyped on Step By Step. Lovely Writer was fantastic, easily Tee Bundit's best show (in my opinion) on his list (and I say this as a IFYLITA stan), and thank god for this show, because it made me then appreciate his cute cameos in War of Y, lol.
4) I was surprised by how obsessed I got over Until We Meet Again, because fuck series that are 17 episodes long, but I literally still feel like I can't get enough of this series? I LOVE IT SO MUCH.
5) I was super surprised to have enjoyed my recent rewatch of KinnPorsche so much! I thought I'd be all haterade over it, considering my newfound education, but honestly, it was funny in a lot of parts, well acted, obviously well shot -- it was a romp, and I was glad to make myself an excuse to rewatch it as my first-ever Thai BL.
6) Something else that has surprised me recently, not quite show-related: I have recently watched Secret Crush On You, and I'm watching War of Y currently, and: I am not sure that Seng Wichai has gotten enough of his flowers. It's interesting to me that some of the absolute BEST actors in this field -- Seng Wichai, Ohm Pawat, etc. -- have controversial reputations preceding them for life situations that don't comport to easy shipping, god fucking forbid. During both SCOY and Seng's turn on War of Y, I was seriously taken by how good this guy is, and I'm not sure, during my crowdsourcing work, if Seng was boasted about enough. This m'fer can ACT, and I love him for it.
7) Not at all surprising was how much I had to say about Bad Buddy. I loved writing this mini-series!
Thanks for the question, Rose!
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itsclydebitches · 9 months
Note
I honestly have no idea how they intend to greenlight volume 10 if it's not been greenlit already. They've announced the final season of Red vs Blue and a lot of early day fans are in agreement that the end of RvB is the signaling of the end of RT in general. It's their second biggest money maker next to RWBY. After this new season, it's over. What do they do next? Do RT really believe that RWBY is popular enough to coast on for another decade? It'll be a miracle if it lasts even one more year.
Their viewership has been on a decline since Volume 6, they've abused so much of their animation department that there's almost no one left, most of their VA talent for RWBY's popular characters aren't coming back due to all the controversies, any spinoffs or soft reboots or whatever keep going back to the Beacon era and don't really do much to help with the overall problems that are down to the roots of the company.
They even made their biggest ship that kept what few fans are left canon and put out half assed merch that sold out in minutes, and somehow they still haven't managed to find enough money to greenlight another volume?
If they somehow miraculously get Volume 10 made, it's probably going to be the last.
The last few years of RWBY have really highlighted for me how challenging it is to define "popularity" and "success" nowadays. Granted, a good chunk of that is simply my own ignorance about how the production side of things are run, but it nevertheless feels like there's this intense level of ambiguity that wasn't there in the past (or at least wasn't as obvious). Fandom itself has always been an unreliable source because depending on the corner of the internet you're in, you can get a wildly skewed perspective without engaging with everything that contradicts how "good" or "bad" you think things are going. As you say, merch sells out in minutes, yet neither the finances nor the implied security of that seems to be enough to land another Volume. There are questions about whether this could be a marketing scheme, wherein Volume 10's future is simply being kept under wraps to drum up interest. There's the question of whether popularity matters at all when we've got companies cancelling and pulling undoubtedly successful shows, all according to their own, long-term algorithms. On the one hand the information surrounding RT is all about the abuse of their workers, another scandal, how this might all tie into the strikes... and yet most of this is nothing new and RWBY has still secured movies, a soft reboot, comics, and books. I agree completely with your list above of all the ways in which the series is struggling (massively) and yet RWBY has been "dying" for half its run-time. So is this the final nail in the coffin—the inevitable ending that's been a long time coming—or just another year where the fandom unintentionally cries wolf?
I'm not so naive as to believe that things were actually simple 'back in the day'—that's the nostalgia talking—but it still seems like things were simpler in comparison to what we've got now. TV and its media equivalents used to be—or at least felt like—a fairly straightforward journey of airing, ratings, syndication, cancellation, renewal, and then (eventually) the viewer securing a copy for themselves via VHS and DVDs. Now it's like, "What do I do with the newbie webseries eventually bought up by a major corporation and moved from a free watch, to a company-specific streaming watch, to a different, more expensive streaming watch, all of which has led to a decade of success with various spinoffs, but apparently this webseries still isn't making enough money to continue? Regardless, it and everything else I love to watch is inching more and more towards digital-only copies, a status that is inherently nerve-wracking, which means that if it does suddenly crash and burn (given that this is one of two series keeping the original company afloat) circulating this story and maintaining the fandom will be that much harder."
I find that depressing and I'm someone who thinks RWBY is pretty awful right now. I can't imagine what that ambiguity and the state of streaming media in 2023 feels like to fans still in love with the show.
So yeah. Idk how they intend to greenlight Volume 10 either.
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lurksunderthebed · 5 months
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Hi, I saw that you had a discussion about the queerness of our beloved characters. I really hope you’re not tired of that topic, because I wanted to add another point.
First of all I don’t really care. I really like the dynamic between most of the characters, especially Ghost and Soap, but I don’t care if it’s interpreted as besties or lovers. I think both is fun.
I just wanted to add that maybe all of the MW story feels so fucking gay, because we lack cool women? We have Farah and Laswell, but let’s be real Farah is basically married to Alex (I thought they were a couple at first) and Laswell is married to a woman. Now people go great lengths to ship the male characters with female villains, who only appear in a small fraction of the story and have no real chemistry. I mean they can do whatever floats their boat, but I don’t really see the point here.
Which leaves us with a bunch of man ‘flirting’ with each other vor comedic value. I think given this and the points you already said on your account, I think it’s even a bit intended that most of our characters might not be the straightest.
Sure, a bunch of straight men can exist without women and still be straight and the military still might not be the most women friendly institution, but I think having more girlpower would have been an easy way to make everyone appear more straight and the devs didn’t go that route sooooo… (I still would love to have more cool women, but that’s another topic)
Anyways, I hope you have a good day and I wanted to add that I really enjoyed your character analysis posts <3
Ahh thanks for enjoying my analysis posts. 💞🥹 Honestly, I'm still surprised people are reading them lol. (And asking me about it haha)
But yes, I don't think I'll ever be tired of the ol' queerness discussion. It's a fun topic to debate especially with these characters in this particular game.
Controversial take, but I actually don't think adding any extra female characters would've been helpful in making the 'gay' go away.
(gonna be a long discussion here, settle in if you want to read it haha 😅)
What we have to put in mind, is that this game wasn't made for the female audience. The vast majority of the people buying and playing it are going to be male. That's the facts. It's going to cater to men.
A game made for men is going to have a majority of those characters be male. Adding new female characters in a REBOOT series is a delicate task when a good chunk of the population playing have played the OG and want to see legacy characters back (which are all male—the OG was all men).
That means that when we look at why certain things are framed and why there aren't many female characters, and especially why there isn't much of any confirmed (het) canon romantic ships between any characters, it's because the game itself isn't focused on it.
That same vast majority of men don't actually care about ships in general and with people trying to be more progressive, any female characters introduced are painstakingly written to omit any overt possibility of romance. In one sense, it's a welcome change from the action movie style plot line where man + woman = relationship with the women being just side characters/window dressing to the MC.
Women here are shown to be tough, that they don't need a man at all. They have their own agency. It's pretty nice actually that they did that. None of the female characters are infantilised nor is there a sense of them being there to "check boxes" in the minority bag. They make sense in the framing the game has placed them in.
But we do have this interesting dynamic whereby removing the romance factor, but having female characters in a setting that most are conditioned to read as man + woman = relationship, it de-emphasizes heteronormality and actually emphasises the relationships between the core characters.
And with a game full of men, that means the relationships between men are going to be the focal point.
Adding extra female characters, wouldn't have changed any of this, because the writers have gone out of their way to not make romance a plot of any sort. (There's a whole other discussion on the flaws of trying to give women agency/proving strength of character, but by doing so, taking away their sexualities by removing any sort of romance, but that's beside the point)
I think there's also an argument to be had that meaningful relationships with others don't have to necessarily imply romance between characters. It's totally fair to be sick of always having romance injected in to these sorts of relationships. That's an extremely valid take.
But there most definitely is a double standard that everyone is operating on. And we see that when we compare Alex/Farah's relationship with Ghost/Soap's.
Alex's most meaningful relationship is with Farah. He sacrifices himself for her cause and loses a leg for it. He comes back and stays by her side. Most people assume to take it as Alex is in love with Farah. We never see any type of flirting between the two. In fact it's mostly Farah testing Alex and looking at their dialogue you can tell there's respect between the two, but anything more is undefined/up for interpretation.
Yet it's just assumed by virtue of Alex and Farah being man + woman, that they must be together because of how much Alex had sacrificed. Completely ignoring the possibility of Alex doing so because he believes in Farah's cause and was sick of being jerked around with no choice by higher ups who largely didn't care about the suffering of Farah's people. Suffering that the man had personally witnessed. But no, he must be in love with her. (If Farah was a man, their whole relationship would be read as platonic with Alex's beliefs as a focus, not him being potentially in love)
Ghost's most meaningful relationship is with Soap. Soap has changed Ghost's whole MO as a lone wolf, and has challenged his very notion of trust. Ghost tests Soap and is proven wrong when Soap survives despite the odds. We even see them have plausible deniability flirting/snark. They are framed as a unit and on the off times (off of missions in cutscenes), they are always physically together. There's definitely respect between the two, but anything more is undefined/up for interpretation.
By itself, their relationship seems innocuous, but looking at the context we see a very different picture. Context matters heavily in seeing how this relationship has changed Ghost/the importance of it to him. It's assumed that Soap is the first person in god knows how long, that Ghost is emotionally attached to. What constitutes a normal, albeit flirty and snarky, friendly relationship for most, is amplified for Ghost in the glaring fact that he really doesn't do this for anyone else ever. As far as we can tell for a man that appears to live his job, Soap is Ghost's most important person.
We can even arguably say that Ghost and Soap had a flirtier, friendlier, more emotional relationship than Alex and Farah ever had, yet it's assumed (by the male audience) to be completely platonic by virtue of them both being men.
For all those people who argue to stop shipping characters, those same people turn around and are completely implicit in the notion of Alex and Farah being a thing.
It's a really annoying take, because you and I know that it's not the romance they're bothered by. It's the idea of having a character that exemplifies the silent male loner badass archetype as anything but the pinnacle of masculinity. IE, totally and utterly straight.
I feel I could go on about all the ways Ghost surprisingly subverts his archetype, but I'll leave it there. This is prob already too long 😅
But yes, having new cool female characters is always good, but it still wouldn't settle any sexuality debate since they would most likely be written without any hint of romance between the core 141 group and that potential new character. Just like how Farah and Laswell, as you said, have been both removed completely from the romance/sexuality debate, any new female character would also be put under similar framework.
I suppose it would just make them appear more straight (and get rid of all the speculation) if they had a new female character added into 141, but I don't see the point of adding a new character for that sole purpose. And tbh, it would come across as insulting to women if they did for that one reason.
Given how little character development we had in the latest game, I heavily doubt they would introduce new characters at all when they barely showed anything of the current ones we have already. We need more development of the characters we have, adding someone new would arguably take away from building proper relationships/dynamics between the characters we do have currently.
But yeah, heh. I'll stop for real now. If you got this far in my latest Ted Talk™, kudos to you good sir 🫡, you have all my love ☺️
Hope you have a great day too nonny, and I hope this helps with the discussion. Feels like I went off on too many side tangents. 🤔🤔🤔
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worlds-oldest-teenager · 11 months
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Kind of controversial but why are people acting like TSATS is Rick Riordan's first queer book? Like Magnus chase who? Trials of Apollo?
Warning ⚠️: Long rant under the cut. It's not very tsats friendly so please scroll if you don't want to read.
Idk it just feels like sometimes the fandom doesn't really view queer rep as valid unless it centers around romance. Completely biased as a toa fan but toa had so much rep. The bi mc, the gay geysers, the kindly old lesbian couple taking in unwanted kids, ace characters, characters struggling with comphet, characters crushing on people of the same gender and none of it being taken as something out of the ordinary. It just wasn't centred around romance.
The toa fandom has always been pretty small and chill with activity spiking everytime a new book releases. Then suddenly when Tower of Nero came out there were so many people. So what changed, what brought in so many people who weren't even interested in the premise of the book?
It was Solangelo.
I like solangelo as much as the next person (minus the year of seething rage when they were dominating the toa tag) but the way that people discount an amazing series about change, growth and overcoming abuse with some of the best casual queer rep I've seen and consider the only thing of value being a minor mlm couple with a few pages of screentime leaves a pretty bad taste in my mouth.
Magnus chase is another book. Alex fierro isn't perfect rep (stop calling Alex slurs holy fuck) but it was revolutionary to have a gender fluid character in a children's series and this was back in 2016. Fierrochase is pretty popular but I wonder sometimes if Alex and Magnus would be as popular as they are if they never got together. They're still not as popular as solangelo but in good faith that might be because people became too fatigued to read mcga.
It just feels sometimes that these books are viewed as lesser queer books just because there's no shipping or it's not a (I'm so sorry don't kill me ) heart stopper esque gay couple. Idk if im taking this too personally as a potentially ace *slides nsfw art under desk* person whose gender is wonky but it's just my thoughts on this.
But I just feel like the focus should be on the countries banning and censoring the book instead of people with perfectly valid criticism of it. There are so many of his books with queer rep and most of the criticism I've seen have come from LGBTQIA+ people that like these books or at least put the same energy into scrutinizing them too. Idk why people assume anything bad said about TSATS was a bad faith reading done out of homophobia.
All that being said, tsats is definitely being marketed as the first queer book. It's banned not very accessible in my country despite all the others going through- which sucks. It's being treated like the first queer focused book Rick has written and it's coming out at a bad time for everyone but especially people in the US apparently. So I understand why any reactions would be taken as the fandoms reaction to the first queer book.
So who is more homophobic? The person who doesn't like a queer book or the person who holds a queer romance as the pinacle of queer? The answer : no clue man it's complicated and it's sucks that we're all so on edge in these trying times that we automatically assume the worst. There's nuance that a smarter person than me can elaborate on but I am not he.
Sorry for writing something so divisive during pride month but it is a conservation that should be had and what better month than one celebrating queer identity and representation. Hope everyone has a great pride month and stays safe.
Peace and love ✌️🏳️‍🌈💜
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