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#invented fantasy love stories
caernua · 5 months
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girl help i started pillars of eternity and i feel another hyperfixation coming
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erismourn · 1 month
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they should have let me on the mass effect writing team. production started when I was 6 years old but they still should have put me on there to make shit actually make sense and be compelling
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isekai-ideas · 5 months
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Isekai idea where a childless divorced engineer woman is isekai’d into the body of another woman who was pregnant with the child of an ice dragon (drunk hookup single mom style). Upon finding out that she is A. Pregnant, B. In a fantasy medieval world before electricity, and C. Flat broke, she gets to work on trying to advance her surroundings even the slightest bit so that herself and her future child (will probably become children as the series goes on and she adopts more children) don’t have to live in medieval hell. Her advancements quickly attract the attention and sponsorship (and Romance) of the Duke of the West, whose lands are not prosperous or doing particularly well until our protagonist comes along with science and technology and flips that fortune on its head. (Btw gentle slow burn for the relationship between the Duke and our girl) anyway, she’s appointed head engineer in his cabinet and the rapid growth and flourishing lands attract the attention of the Emperor who takes himself and his eldest son and daughter to see what’s happening. They’re stunned utterly by the innovation that is happening, but the son is much more interested in the lady engineer, and decides to pursue her romantically (romantic conflict!). Also the Ice dragon baby daddy comes back in when he hears about his one night stand having his son and being owed medieval child support.
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I can finally finish writing what I actually enjoy writing about (the made-up people who have been living in my head for 9 years)
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runningfromadream · 1 year
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She had lost herself somewhere along the frontier between her inventions, her stories, her fantasies and her true self. The boundaries had become effaced, the tracks lost; she had walked into pure chaos, and not a chaos which carried her like the galloping of romantic riders in operas and legends, but which suddenly revealed the stage props: A papier-mache horse.
Anaïs Nin, A Spy in the House of Love 
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always-a-slut-4-ghouls · 11 months
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Every time I see the tag “x ship invented love” I do a little mental thing where I go through all the ships I’ve seen it on and try to determine the oldest, giving them the title. Problems arise when one story has a different timeline of history (like the world being less old than it is irl) I’m like, in this case there is no easy way to determine which wins, considering that one ship could start super early in that earth’s history, but is still younger than the one set in a timeline as old as ours.
I don’t include ships from a fantasy setting with no or little connection to earth because they would be harder to date in comparison and wouldn’t have invented love in our world
#emma posts#I overthink things a lot#so far I think hualian is winning#it is however in a weird place when compared to Crowley/aziraphel#because that technically would have started close to the beginning of their alternate earth#but is younger than hualian in terms of years if I’m remembering the dates correctly#not me making a mental timeline for fun when I’m bored 👀#if I’m forgetting any older ship of mine. oops#but hualian became canon and had been around each other off and on around each other for fewer centuries than the other one#I don’t remember if we have a solid date for exactly how long ago that story happened#even though it’s fantasy it is still set on an earth and has an earth timeline#you can have characters older than the earth but I won’t count it until their first canon meeting for the in my mind competition#and if they are canon and have a canon date then they could be counted by when they got together or when they met#which is older though? if hualain is more recent in just years then it wouldn’t really matter which earth#but if they are older then that is where the mess begins#i feel like I’m forgetting someone though#you could argue that the first love story to be recorded invented love#but that is not what I’m thinking about#someone else is going to come in and be like ‘I have a ship from the ice age’ or something but I don’t#and for the sake of simplicity I’m only counting humans and humans look alikes#gets too complicated if I include early hominids and or other animals from prehistory#of which I can’t think of a ship I ship but eh 🤷‍♀️#no or little connection to earth includes Star Wars to me. sorry but that is very vague and if it’s a long enough time ago it would#outcompete earth ships too easily#this is about ships with connections to earth and humans#even just a little connections to humans#I’m not going to get into timeline messes like madoka magica. though I’m not super intense about any of those ships#I am also not going to count time-travel unless the ship started earlier than the others without time travel
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lovely-v · 2 years
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I do genuinely believe that the Legend of Zelda: Breath of the Wild (and arguably the Zelda franchise as a whole, though i myself have played literally none of these games) is closer to fitting the description of ‘Tolkien-esque Fantasy’ than most other movies/shows/games/books etc that claim that label
Like, compare this post by tumblr user wufflesvetinari, which makes an important point about Tolkien’s worldbuilding, and also lives in my head rent free:
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and then these quotes from Jacob Geller’s “Every Zelda is the Darkest Zelda”
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and his conclusions about the messages in Zelda games are thematically very similar to the through-lines about friendship and love in LOTR, and what a lot of authors miss about what makes a fantasy story personal and memorable:
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“A world without joy and humor isn’t a compelling world to fight for” is exactly why there are so many pieces of fantasy media out there that just feel like carbon copies of each other (i’ve seen many posts that explain this better than I can though I can’t find any specific ones at the moment, just know that I didn’t invent this thesis). You’ve got the cool swords, you’ve got the wizards and the spells and the battles, but first and foremost you need the LOVE.
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fakerobotrealblog · 4 months
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Providing a deep analysis of all Studio Ghibli films would be an extensive undertaking, considering the studio's rich and diverse catalog. However, I can highlight key themes and elements that are often present in their films.
1. **Spirited Away (2001):** Explores identity, environmentalism, and the spirit world. The bathhouse setting is a metaphor for societal structures.
2. **My Neighbor Totoro (1988):** Focuses on the innocence of childhood, the connection to nature, and the acceptance of mystery.
3. **Princess Mononoke (1997):** Tackles environmentalism, the clash between industrialization and nature, and the complexity of human relationships with the environment.
4. **Howl's Moving Castle (2004):** Examines themes of war, love, and transformation, set against a backdrop of magical realism.
5. **Grave of the Fireflies (1988):** A powerful anti-war film exploring the impact of conflict on two siblings during World War II.
6. **Kiki's Delivery Service (1989):** Focuses on self-discovery, independence, and the challenges of growing up.
7. **The Wind Rises (2013):** Tells the story of an aeronautical engineer against the backdrop of historical events, reflecting on creativity, passion, and the moral implications of invention.
8. **Porco Rosso (1992):** Explores themes of identity, war, and redemption through the tale of a World War I flying ace transformed into a pig.
9. **Castle in the Sky (1986):** Features an adventurous tale with themes of environmentalism and the consequences of human greed.
10. **Whisper of the Heart (1995):** Focuses on adolescence, dreams, and self-discovery, emphasizing the importance of pursuing one's passions.
These brief insights into a selection of Studio Ghibli films highlight their exploration of diverse themes, including environmentalism, identity, and the human connection with nature. Each film is a unique artistic expression that often combines fantasy with deep, thought-provoking narratives.
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sanctus-ingenium · 3 months
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Ooo!! What's the dragonriders of pern???
NOT to contest the claim of trekkies everywhere, but Anne McCaffrey of Dragonriders Of Pern fame invented sex pollen and omegaverse in the 60s. Whether or not this is a good thing is up for interpretation
Dragonriders of Pern is a series of sci-fi novels that started in the 60s about human settlers on the planet of Pern who live in a pre-industrial era. Every few hundred years, their planet comes under fire from Thread, an invasive rainfall shed by a nearby dwarf planet that destroys all organic matter it touches. To fight Thread, humans have genetically engineered dragons which breathe fire to burn the Thread before it harms anyone. The series starts during an unusually long lull between Threadfalls, and in the centuries people have neglected their dragon riders and dragons to the point where when Thread does inevitably fall again, they are completely unequipped to fight it. Nearly all common dragon riding genre tropes originate from Pern!! Anne McCaffrey was the blueprint. I adore this series, but my favourite part is how as the series go on, the characters slowly uncover the truth that they are aliens in this world, dig up ancient technology, learn to use it, and progress as a society. The genre shift from fantasy to sci-fi is one of my favourite things to experience and, as the reader, slowly realising the forgotten truths that the characters themselves are unaware of is great. In this regard, a big inspiration for my Siren setting.
The series contains scenes of sexual assault and a weird adult/minor love story so I can't in good conscience recommend it without pointing this out. It should be considered a product of its time and approached with a critical lens. It was also one of the first books I ever read with normalised gay side characters and gay sex (not any of the main characters) so that was cool. For anyone wondering my fave is obviously F'nor.
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deconstructthesoup · 5 months
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I think the reason that Dimension 20 really scratches all those itches in my brain is that it really shows what you can do with D&D---and TTRPGs as a whole.
Fantasy High, by itself, is an incredibly compelling concept. What would D&D look like in a semi-modern setting? What would a high school that's all about teaching teens how to be adventurers look like? And the way it's done is beyond inventive, especially if you look at all the encounters in the first season---we've got a literal food fight, a high-speed road chase with tiefling greasers, a nightclub brawl with zombies, vampires, and werewolves, a skating match with a bunch of dwarven middle schoolers and a concrete golem, a high-stakes game of football (ish) with undead jocks that give off major teen slasher vibes, a fight done in an arcade where characters can get trapped in the consoles, and the final battle is done at prom. PROM! How cool is that?
And then we get to the Unsleeping City, which takes the urban fantasy elements that Fantasy High already had and elevates it. The way the D&D lore and magic is interpreted in a modern New York setting is excellent, as is the whole take on the "American Dream," magic literally coming from dreams, ideas, and the imagination. I know that I need to actually finish the UC saga, but from what I've seen and experienced, it is truly fantastic.
And the same energy carries through to the other seasons---my personal favorite outside of Fantasy High being A Court of Fey and Flowers, just because I'm a sucker for any Fey Realm content and I've been raised on Jane Austen---where the genre mashups shine through in the best way possible. I'll admit, I haven't seen A Crown of Candy, purely because I know how heartbreaking and devastating it is and I don't think I can physically handle it, but the concept of Candyland Game of Thrones is so beautifully bizarre that I totally get why people love it so much. Escape from the Bloodkeep hitting that workplace comedy vibe that we love to see in villains. Misfits & Magic being a love letter to the "magical boarding school" genre while also calling out all the weird contradictions inherent in it. A Starstruck Odyssey literally being an homage to Brennan's mom and exactly the kind of madcap and unhinged energy I need from my sci-fi. Neverafter perfectly encapsulating the true horror of fairy tales. Mentopolis hitting my noir-loving heart and personifying hyperfixation in the best way possible.
I'm not even kidding when I say that, if it weren't for Dimension 20... I probably wouldn't have even started my own campaign. I'd had snippets and ideas ever since officially getting into D&D and joining a game with some old friends (and getting back in touch with them in the process), but after I saw the Mentopolis trailer, I realized just how much variety TTRGPs had to offer. I could do a time-blending, history-meets-future campaign. I could go out-of-the-box. I could have endless amounts of options available to my friends and still tell the story that I wanted to tell. And when I sat down and watched Fantasy High---and when I got that Dropout subscription so I could consume whatever I wanted---it felt like the show was actually giving me advice. It's fantastic.
Also it helps that the episodes are usually only roughly a couple hours instead of being, like, an entire afternoon long. And that each season is 20 episodes, tops. No offense to Critical Role, but the sheer amount of content literally makes it impossible for me to get into it.
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howtofightwrite · 7 months
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I love picking at plot holes like scabs so i want my fight scenes to be as realistic as possible. However. There’s a creature in my head that says a buster sword is SICK AS HELL. What modifications would it need to be even remotely wieldable while still keeping its central appeal (huge sword big blade cool and sexy) intact?
You’ve made a mistake. You mistook suspension of disbelief for realism. This is a common problem that gets in the way of a lot of fantasy and sci-fi authors. So, don’t worry. It isn’t just you. However, realism vs believability is where your hangup is. Stories don’t need to be realistic to be believable.
The quick and dirty (and possibly unhelpful) answer is to create a world that justifies your buster sword, not a buster sword that’s trying to justify itself in a world that doesn’t want it. You step back from the sword itself and away from a world where reality dictates that it’s too heavy, too clumsy, too slow, and ask yourself: “in what type of world does this thing make sense?” And there’s about a billion different ways to create that.
The hangup with the realistic argument is that all of fiction is a lie. Good or bad, that’s what stories are. They can be very compelling, addicting, manipulative, feel incredibly good, and still be fake. The goal of a creator isn’t just to create stories that are believable, but for your audience to want to believe in them. Storytelling is always a joint venture between you and your reader. You are the salesperson asking your audience to come along for the ride. To keep their attention, you’ve got to spin up a good yarn. Build trust. The world has to feel right, but it doesn’t have to be right. Reasonable, not right. The goal is to take a cool idea and work backwards to how your society got here so that when seen from an outside perspective, the choice ultimately looks like a reasonable conclusion given the surrounding context. One of the better ways to build your reasonable conclusions is by studying the history of technological invention from the beginning to the midpoint rather than starting with the end point—the results.
History is full of weird, wacky, wild attempts and failures at creation. You’re not the first person to look at a human sized sword and wonder if it could, in fact, hit good. Or, really, better than swords that currently exist. Or, fulfill a battlefield role the sword was currently not occupying. Or, as we like to say, have real battlefield applications. The Claymore, the Zwhihander, the Zhanmadao are all real weapons that saw real, if not necessarily extensive, use. Like all weapons, they were specialized tools meant for particular battlefield uses. In this case, mainly as anti-cavalry support.
Ask yourself, why? Not just, why would I want it? Ask, why would I use it?
What actual purpose does the big cool blade serve beyond looking big and cool? What function does it fill on the battlefield? Why use the big cool blade instead of other weapons? What does it do better? What are some offsets which might account for the massive size? Technology? Superhuman enhancements, mystical or otherwise? Gravitic fields? Magic? Why is the big cool blade better suited to ensuring a character’s survival? What advantages does it provide? What is its practical value to warriors within your setting?
The initial defensive reaction is that we don’t need a reason because we have the Rule of Cool. That could be the reason, but I challenge you to go deeper. Go deeper than, “this was the weapon my character was trained to use.” The followup question is: why were they trained to use it?
In the real world, we can answer these questions both from a personal and from a larger social perspective. We may not be able to answer whether we’d use a gun, but we understand why humanity developed guns, why we use guns, and the purpose they serve both for personal protection and in their military applications. The answers don’t necessarily need to be good or smart. What matters is that an answer exists to feed your audience. When your reader starts struggling to believe, they begin to ask questions, they pick at the fabric of the narrative trying to figure out why their mind has rejected the story they were previously enjoying. What we, the writer, want to create is a chain of logic underpinning the narrative and its world. This way, when questions are asked, a reasonable answer is ready and waiting. While we won’t win over everyone, trust that your audience wants to believe. Trust that they’re smart enough to figure it out without being spoon fed. That way, you won’t fall into the trap of infodumping.
Worldbuilding always involves a lot more happening under the surface than ever makes it onto the page. Your characters will be the ones to demonstrate and act on the internal logic that’s been created for them without needing a billion questions to lead us from Point A to Point B.
If we look at human history in a wide view, we find that weapons are a fairly steady march forward that matches a civilization’s technological growth. We keep what works and discards what doesn’t. The crossbow replaced the bow as the main form of artillery in martial combat, but we still kept the bow. The bow still had practical applications. Guns eventually replaced the crossbow just like they replaced the sword, but it actually took a very long time. We had functional firearms in the Middle Ages.
Ease of Use
Ease of Training
Lethality
From a military standpoint, these are the three most important aspects for widespread adoption of any weapon. Easy to use. Easy to train. Lethal. The longer it takes to train a soldier on a weapon the more time your army is losing out on using that soldier and the more effective the weapon needs to be in order to justify its expense. Why give your soldier a big cool sword if they’ll never get close enough to reach the forward line to make the assault? Why have them use the big cool sword if operating the laser cannon is more efficient, effective, and keeps them alive longer? In the coldness of battlefield calculus, it’s often better to have cheap, efficient units rather than more expensive ones that might be more lethal but take longer to produce. No matter how good they are, you’re eventually going to lose them. Therefore, easy replaceability becomes a factor.
If you can answer those questions (and the myriad of other similar ones) you won’t just have a weapon, you’ll have a world. You’ll have more than a justification, you’ll have battlefield strategy, tactics, and a greater understanding of how the average layman characters in your setting beyond your main character approach warfare and possibly a technological history. You might even have several functional armies.
Ultimately, this is a game of value versus cost. Most settings that use big cool swords sacrifice ease of use and ease of training to amp up lethality. The weapon having a specialized function or only being usable by a specialized unit helps if that unit’s battlefield effectiveness is justified. Or, you could just have a weird technological outlier where its effectiveness doesn’t quite justify its cost even if the individual warrior is effective. A good example of this is in shounen anime where one character has a specialty that no one else has, a really cool, effective weapon that never appears anywhere else, because the length of training, high skill floor, and finicky nature of its use make it difficult to justify widespread adoption.
The danger is assuming there’s a right answer. There isn’t one. The value in learning the rules of real world violence is so you can break them. This way you can tell the difference between the vital rules necessary for suspending disbelief and don’t accidentally break the ones you needed to keep your audience invested.
-Michi
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theroguescientist · 1 year
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Many other fantasy authors are great because of how meticulously they plan everything in advance. They’ll come up with a bit of worldbuilding or a plot point or a character as early as the first book in the series, then hold on to it for the next seven books, dropping only enough hints that it won’t come out of nowhere when it finally makes a real appearence. Terry Pratchett is great because, quite often, he just makes things up as he goes along.
He was probably a few books in already when it occurred to him that the Discworld would end up being a series of “at least ten books, probably”. 
A lot of his worldbuilding starts off with a silly joke, but as soon as the reader is done laughing, the author goes “hey, what if I take this seriously?” and somehow it gets all deep and surprisingly real.
Like, why do you never see any female dwarfs? Well, you do actually, but they look just like the males. Here’s a few jokes about dwarf courtship. And now that it’s an established element of the setting, here’s an openly female dwarf, the struggles she has to deal with and some commentary on gender roles.
And the City Watch series is pretty much one big happy accident. Guards! Guards! was going to be a standalone book, but then there were more stories to tell about these characters, and then there were more characters, and stories to tell about them, and so it became a whole series. Carrot was going to be the main character, but then Vimes sort of took over the plot. Sybil is one of the best love interests ever specifically because she probably wasn’t invented as a love interest. But the plot required a dragon expert so here she is and, oops, it looks like she’s flirting with the captain? Sure, why not? 
Hell, the whole thing started out as a lighthearted parody of fantasy tropes popular at the time. But somehow it turned into the perfect setting for other stories, and satire on all kinds of topics, and drama and mystery, and deep commentary on the human condition, and... 
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The point is that they don't fall into the trap of an oppressive society
Svsss power dynamics are absolutely wild, and I've seen another post mention that already, about how every time you think you're seeing a fucked up dynamic, it's actually three layers deeper and flipped and more imbalanced than you could ever imagine
But the point! Is that they live in an environment that is Always giving each character some power over the other person in the relationship! And none of them ever use it
The novel is critiquing these power trip fantasies and the exploitation often seen as inherent in porn and BL and wish fulfillment stories
Sqq was lbh's teacher. There is often abuse inherent in the teacher/student dynamic. Sqq never even considers lbh as a romantic option until they have been apart for years and there is no age gap
Lbh has a tracking device on sqq and the ability to seize control of sqq's body at any time. He never uses this and only wields his blood parasites to heal
Mbj is sqh's boss who regularly heaps too much work onto him and would physically attack him. Mbj's role as boss is never utilized to coerce or manipulate sqh into a romantic relationship. Mbj was engaging in demonic bonding activities that were acceptable within his culture and stopped the Moment he realized that it was not received that way
Sqh invented the world and created his dream man who he is now romancing. He could be considered a god. It could be wish fulfillment. He uses his knowledge to protect mbj's kingdom and mbj himself and takes up a servants role
There are a thousand other tropes in this book like this. You hear student/teacher, god/creation, body control, fuck-or-die, demon lord/prisoner, age difference, corpse in bed, boss/employee, King/servant. You think you know what kind of book this will be, what kind of abuse and power differences there will be
But the point is that they all just love each other instead! The world is Constantly giving them the opportunity to abuse each other, manipulate, take power over another person. And the point is that they all choose to ignore those customs. The teacher just wants to relax and live a simple life. The god wants to serve. The king learns to serve. The demon lord wants nothing more than to leave it all behind and become a housewife
And it works! They get their happy ending! They fix the world by refusing the opportunities to exploit and abuse others
It's beautiful! And it also makes it absolutely impossible to recommend this novel to anyone!
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arcanusarchieves-if · 2 months
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||DEMO TBA||INTROS||
The Arcanus Archives is an upcoming 18+ modern fantasy interactive novel. Inspiration is taken from: Harry Potter, Percy Jackson and The Olympians, The Mortal Instruments (and various other YA series).
[[Content Warnings]]: This story will include things such as explicit language, violence, substance use, sexual themes, etc.
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“That's the thing about magic; you've got to know it's still here, all around us, or it just stays invisible for you.” ― Charles de Lint
The allure of magicae is undeniable. It's a force so majestic that many dedicate their entire lives to its pursuit - something that most people spend their entire lives devoted to.
After all, when one can do practically anything with just a wave of their wrist, why would they even consider wasting their time on things like cooking and cleaning when they could be learning to tame dragons or inventing new spells? Most Magus don't even consider leaving the world of Magicae once they've made a life for themselves.
Of course, you aren't most Magus.
Instead of breaking curses or making potions, you've made the very practical (and totally not boring) choice of settling down in the non-magical world. An odd choice, sure, but it's not like you were exactly going to make it very far as a Magus. Not with your...condition.
Especially now that the war was over.
Honestly, spending the rest of your life as a Debilis was probably the best choice you could have made.
...or at least, that was what you thought until a certain bird flew through your window and let the parchment in their mouth flutter down onto your desk.
So now, instead of being able to live out what would've been your very happy and normal life, you are being dragged back into a world full of mystic and wonder to fight a war that you really don't want anything to do with. You'd be terrified (or perhaps thrilled) if you weren't dreading it so much.
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Have fun exploring a world of magic and wonder. Try not to get too caught up in the excitement though - after all, there is a dark side to everything.
Create your own character! Their personality, appearance, gender identity, sexuality and skills will be yours to customize!
Choose from five different houses that your MC could've been in during school!
Look back into your past and all the fun experiences and relationships that come with it. Try not to fall too deeply into it though - you still have the future to look forward to after all.
Join a secret magic organization in order to stop an upcoming war!! Yay!!
Navigate through a series of complex relationships. Will you find friendship? Fall in love? Help mentor and care for the child of your deceased friends? Join the dark side and murder everyone? It's completely up to you!
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kiestrokes · 7 months
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astringe | NSFW
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Pairing: Hwang Hyunjin x Reader/You/Yn Rating: NSFW! Mature (18+) Minors DNI. Word Count: 2516 Genre: smut, porn without plot, friends to lovers. Warnings: artsy undercut Hyunjin from the last month + 2023 VMA's, college, art school, a variety of kissing, handholding, Hyunjin is confident, mentions of a fantasy book featuring a blood mage which is a nod to @chans-room and a lovely fic they are crafting up.
Sexually Explicit Content: consented choking (this is the main focus of this fic DO NOT read if you don't enjoy choking in theory or real life), sexual intercourse (penis in vagina) cowgirl, missionary, some breast play but not really, mutual orgasms. let me know if I missed anything!
Summary: Things get a little tense in the library when your best friend innocently discovers your secret asphyxiation kink. He just wanted a better angle of your neck, but now that he's found it, how could he not toy with you a little?
🗝️ Note: sooo this brain rot had consumed me all of my workday yesterday and was only intensified after that undercut reveal at the VMA's. Hyunjin has been a fucking menace lately and I just needed to yeet this my from my brain. So yea, enjoy 🙏🏼thank you to B for their lovely beta read 🖤
Disclaimers: This is a work of fiction; I do not own any of the idols depicted in this story.
Read it on Ao3!
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You’re tucked away into what is arguably your favorite place on campus- a window alcove nestled between two rows of bookshelves stocked with the full collection of Oxford dictionaries that nobody ever uses anymore. Thanks to the invention of smartphones.
Your best friend, sketching away on the window sill across from you as the sun descends into twilight. 
Hyunjin looks every part the troubled artist; a black sweater draped over his broad shoulders, dark hair pulled back nonchalantly, displaying his freshly shaved undercut, silver-rimmed glasses glinting under the fading halogen bulbs, a singular black nail pinching a bit of oil crayon as it glides across the thick paper of his sketchbook and rambling about how he needs to work on specific body parts more. 
You’re immersed in your fantasy novel, humming along, without the notion that you are his current subject or what he is saying at this point. The handsome blood mage has captured the warrior princess and is taking her back to his- 
Hyunjin’s hands are suddenly around your throat and your brain doesn't have time to stop the strangled moan that leaves your lips. Your book topples to the carpeted floor with a soft thud, announcing the loss of your place. You regain enough awareness to fight off your body's natural response to this type of touch. How you want to close your eyes, to sink into the hand cupping your neck, and relinquish control. 
Hyunjin’s observant gaze catches it and a mischievous smirk marks his beautiful lips. Slowly he begins to toy with your neck, turning you at angles with a slight flex of his fingers and jut of his thumb into your jawbone. Pretending to sketch the slopes and hollows of your throat, his interest already elsewhere. He grasps the column suddenly and your spine snaps arching your chest forward with a moan, your own hands clawing helplessly at the denim of your pants.  
“Shhh, you don’t want anyone to hear you.” His tongue toys with his top lip as he strokes your throat firmly with his thumb. 
“Hyun-” 
Hyunjin squeezes again, his gaze cutting to yours, the intensity of his eyes causing a whine to get caught in your chest.
He abandons the sketchbook and slips up next to you, his large thigh pressing into yours. His arm comes to rest between your breasts, rising and falling with your rapid breathing. 
“Does this turn you on?” 
You nod subtly. Head kicking back as he gifts you with another squeeze for answering his question honestly, biting your lip hard to keep all sounds locked behind your teeth. 
“Why aren’t you stopping me?” He looks at you from under his brow, smiling almost wickedly. 
Your lip slips from your teeth and a whimper escapes, Hyunjin rewards you with a firm press to the sides of your neck. You can feel your pulse thrumming against the tips of his fingers, and your eyes close in an attempt to calm your breathing.
“Do you want me?” Hyunjin’s cool breath fans across your lashes.
“Yes,” You whisper.
Hyunjin’s hand slips up to cup your jaw, his thumb caressing your lip before tugging it down. Your eyes snap open to find his gaze focused on his hand, and your lips. Then he's standing suddenly, like nothing had just occurred between the two of you. Calmly collecting his things, and slipping them into his bag along with your book he retrieves from the floor. 
Not a word is spoken until he looks down at you expectantly, “Let's go then.”  
You stand up shakily and Hyunjin wraps your hand in his, tucking you into his side and turning the two of you toward the exit. Hyunjin smiles politely at the librarians as they wave goodbye on your way out. His other fingers interlocked with yours as he guides you toward the elevators.
Hyunjin had lucked out in having a solo artist suite above the library, your second favorite place on campus.
Inside the elevator, you watch him in the tin reflection. Hyunjin smirks back at you, slipping your hand into the pocket of his baggy pants, and pressing the tips of your fingers into his erection. You gasp and turn to look at him, but he’s already watching you. An unspoken acknowledgment that he wants you too.
Hyunjin’s eyes only intensified behind the magnification of his circular glasses. With all the metal surrounding you, you’re all too aware of the charged energy behind Hyunjin’s gaze. As if you were to reach out and touch the wall of the rattling lift, you would be electrocuted.
The elevator dings and you tear your eyes away from him. Hyunjin removes your hand from his pocket and pulls you out of the elevator, toward his room. He punches the code in with his free hand and gestures you inside, finally releasing your hand from his firm grasp. Inside, the room is the same as it always is; dimly lit by a single lamp by the bed, bathing everything in a buttery glow that softens the sharp edges of Hyunjin’s drawing desk and stacks of sketchbooks.
You slip your sandals off and pad unsurely over to the bed, toes pinching into the soft checkered rug at the foot of his bed. The heat of Hyunjin’s body alerts you that he has moved on from removing his shoes and hanging up his bag at the door. 
You tilt your head to look up at him, just as his eyes meet yours his hand is on your throat again, stroking up before spreading firmly across your larynx.
Hyunjin’s lip's part when you press into his hand, asking for more, consenting to be choked. His lashes flutter in a soft laugh when you moan at the squeeze he bestows. He presses his front to your back, his other hand slipping under your sweater, across the soft skin of your stomach, leaving a trail of goosebumps in their wake.
“What a lovely little secret you kept from your best friend,” His lips ghost yours as he squeezes again, a groan erupting from your throat.
Hyunjin breathes a laugh as he shuffles you over to the bed, the front of his thighs pressing into the backs of yours as if you are a doll, marionetting you exactly where he wants.
Your knees bump into the end of the bed and Hyunjin’s hand slips from your throat, turning you around to face him and tossing you down on your back with a soft push. Your hands fist the soft gray fleece of his bedding, anchoring yourself to something, solidifying yourself in this moment.
He wastes no time ridding himself of his clothing, tugging off the sweater, dropping his pants and boxers to be shamelessly nude before you.
You gulp, gaze bouncing across the chiseled body of your best friend. Hyunjin smiles knowingly, everyone reacts to him this way, he just didn’t expect that switch to be so easily flipped on in you. He rakes a hand through his hair, tugging out the tie and allowing his dark locks freedom. While his other hand rises to remove the glasses.
“No-”
He stops and shoots you a quizzical look, one that is punctuated with a paradoxically cute tilt of his head.
“Leave them on.” 
He grins, “another kink.” 
Hyunjin rolls his tongue between his lips, as he bends to tug you down the bed by your thighs. The squeak that escapes your mouth earns you an affectionate chuckle from him and you relax at the familiar sound.
This is your best friend, he’s not some inexperienced man pretending to be a dominant. Hyunjin smiles at you as he feels your muscles release underneath his hands.
The urgency with how he undressed himself is the polar opposite of how he unclothes you. His slim fingers slowly unbutton your pants, methodologically like he’s molding your body like clay.
Committing each touch to memory to draw later, each feeling, each sound. The snap of your button, the zip of your pants, you watch his eyes observing every subtlety.
He bites his bottom lip at the tilt of your hips, his eyes tracing how the light casts shadows over the mound of your cunt.
The darkened valleys that your hip bones create as he shifts the denim down your thighs. He tosses them off to accompany his discarded clothing, absently tracing the malleolus of your ankle as he nestles himself between your open thighs. 
You move to sit up, thinking your shirt is next, but Hyunjin is quick- he pins you to the bed by your throat and the moan that escapes you is raw.
Hyunjin huffs at you, eyes lidding as the sound impacts him. With his hand firm on your throat, his other fingers dip into the band of your panties, middle finger diving into your slit. He moans himself, eyes closing in pleasure at discovering how wet you are. 
Hyunjin releases you altogether, bending over to grab a condom from the crystal ashtray on his nightstand. He rolls it over his length, and everything picks up speed.
Suddenly your panties are gone and Hyunjin spears open your lower lips with one hand, slapping the head of his cock on your swollen clit. You writhe, crying out at the sensation as he circles it with his tip. 
“Choking you makes you this wet?” Hyunjin’s eyes are on your face and you blink yours open at him, nodding. “Can you come from it?” 
“I don’t know, no one has ever tried. Most guys get too lost in-” You break off and he tilts his head, eyebrows rising slyly.
His tip breaks your entrance, “-this pussy?”
You arch off the bed when he thrusts into your bowed body causing you both to moan loudly.
Hyunjin climbs onto the bed, thighs slipping under yours as he presses your pelvis together.
“Oh fuck, you’re squeezing me so tight,” He heaves out in half moan, half laugh.
“Hyunjin-” you grasp at his arms on your hips and his fierce gaze meets yours as one hand takes its place on your throat, thrusting in and out a few times.
“Squeezing me just like this-shit” his hand on your throat tightens in a way that makes your eyes roll back.
Combined with the sensation of his dick rubbing snuggly into the front wall of your core. He has you panting and whimpering from both.
Hyunjin’s eyes burn into yours as he snaps his hips hard a few times before backing off of you entirely, his chest heaving slightly. You chase after him, legs sprawled open, and tug his mouth to yours with a fistful of his silken hair. 
He grins against your mouth, “That's it, show me what you want.” 
He slips back onto the bed, guiding you into his lap, and you comply, eagerly. Slowly sinking onto his length, only Hyunjin doesn’t want that, he slams you down by your hips and you both cry out at the stretch and clench of your cunt.
His hands drift up your sides, snatching the hem of your sweater, followed by a one-handed snap of your bra, before both are tossed off into the void of his darkened room. 
Hyunjin reclines back against the pillows fluffed up against the headboard, hands trailing down your chest. His right hand, the one that seems to be permanently tinted with oil crayon and kohl smudges your nipples as he grazes them. His pupils spread as he watches you, as you roll your hips forward just a little, to test how he feels in this position.
“It's not too deep for you?” He rolls up into you, bathing in your reaction as you arc forward, breasts thrust towards his face.
He does it again, this time his hand grasping your throat firmly as you shudder against him.
“No,” you moan, rubbing yourself shamelessly into his base.
Hyunjin’s lips part as you continue your gyrations, his hand on your throat constricts in response. You start to pant, your arousal beginning to climb again.
“Fuck” Hyunjin curses.
His pelvis tucking into the bed, away from you as you tighten around him. His other hand rocks your hips encouraging you to keep moving, and you do.
Your eyes lidded as you stare down at your beautiful best friend, his dark hair splayed across the pillows, metal rims of his glasses catching in the light.
Hyunjin smiles at you fondly, his own arousal flaming under your heated gaze. He squeezes your throat again, both of you moaning as you tremble around him. You start to rock, and Hyunjin’s head kicks back as you draw him out and your pussy sucks him back in with urgent strokes.
“Harder,” he bites between clenched teeth, and you slam your ass back, your hands grasping the arm linked to your throat for balance.
You’re not sure who is more lost in the sensation, you or Hyunjin. He lets out a suppressed moan, each time you sink fully into his lap. While you moan and pant unabashedly, gasping for breath as his fingertips alternate long squeezes with short tight ones against the column of your throat.
The coil of your climax sends your nipples into tight buds as it slips across your body, sinking into every muscle.
“Hyun-” you start, and he sits up smashing your lips to his, plush lips parting and tongue diving inside to swallow every moan you release.
With a firm hand on your throat, his hips match your pace, drilling up into you and no longer hiding his vocalization.
Hyunjin’s fingers squeeze tight and hold firm, causing you to burst around him. Overwhelmed not just from the asphyxiation but by his tongue tracing figure eights across yours and the swell of his cock stroking along your sensitive walls.
Arousal gushes out of you, wetting Hyunjin’s lap so that each thrust is announced with an undeniably intimate squelch.  You cry a strangled version of his name into his mouth, his lips still working yours until you’re bowing away from him, your spine curving you back. 
Hyunjin follows right behind you, fisting your throat one last time before his fingers splay open as he comes apart groaning your name. His head tossed back, hips shaking with effort as you continue to seize around him.
“Fuckfuckfuck,” he whispers as he collapses back against the headboard, “Mmm.”
Hyunjin rubs your thighs affectionately, rolling his hips into you one final time before pulling you down to lay on his chest.
The two of you lay there in near silence, the only sounds are your labored breaths returning to a normal pattern. Hyunjin idly draws lines along your spine, with the tips of his slender fingers as you come down from your high.
“Hyunjin,” you mumble against the valley of his clavicle.
“Hmmm?” He returns sleepily.
“This doesn’t change anything between us, right?” You lift your head to look at his face.
His eyes are closed, and he looks like a Grecian carved work of art. Full lips glistening with your exchanged saliva, cheekbones dewy from sweat. 
His hand on your back stills briefly, before flattened palms rub up your rib cage and his eyelashes flutter open to meet your anxious stare.
“A couple of fucks won’t change what's between us, honey.” He says firmly and you smile in relief pressing your forehead to his, he wastes no time in sealing his lips to yours.
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© COPYRIGHT 2023 by kiestrokes All rights reserved. No portion of this work may be reproduced without written permission from the author. This includes translations.
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hedgehog-moss · 2 months
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Inspired by your last ask! What are the best French books you’ve read that have no English translation yet? I read Play Boy and Qui a tué mon père (really loved the latter) last year and it feels so fun to read something that other Americans can’t access yet
I'm too nervous to make any list of the Best XYZ Books because I don't want to raise your expectations too high! But okay, here's my No English Translation-themed list of books I've enjoyed in recent years. I tried to make it eclectic in terms of genre as I don't know what you prefer :)
Biographies
• Le dernier inventeur, Héloïse Guay de Bellissen: I just love prehistory and unusual narrators so I enjoyed this one; it's about the kids who discovered the cave of Lascaux, and some of the narration is written from the perspective of the cave <3 I posted a little excerpt here (in English).
• Ces femmes du Grand Siècle, Juliette Benzoni: Just a fun collection of portraits of notable noblewomen during the reign of Louis XIV, I really liked it. For people who like the 17th century. I think it was Emil Cioran who said his favourite historical periods were the Stone Age and the 17th century but tragically the age of salons led to the Reign of Terror and Prehistory led to History.
• La Comtesse Greffulhe, Laure Hillerin: I've mentioned this one before, it's about the fascinating Belle Époque French socialite who was (among other things) the inspiration for Proust's Duchess of Guermantes. I initially picked it up because I will read anything that's even vaguely about Proust but it was also a nice aperçu of the Belle Époque which I didn't know much about.
• Nous les filles, Marie Rouanet: I've also recommended this one before but it's such a sweet little viennoiserie of a book. The author talks about her 1950s childhood in a town in the South of France in the most detailed, colourful, earnest way—she mentions everything, describes all the daft little games children invent like she wants ageless aliens to grasp the concept of human childhood, it's great.
I'll add Trésors d'enfance by Christian SIgnol and La Maison by Madeleine Chapsal which are slightly less great but also sweet short nostalgic books about childhood that I enjoyed.
Fantasy
• Mers mortes, Aurélie Wellenstein: I read this one last year and I found the characters a bit underwhelming / underexplored but I always enjoy SFF books that do interesting things with oceans (like Solaris with its sentient ocean-planet), so I liked the atmosphere here, with the characters trying to navigate a ghost ship in ghost seas...
• Janua Vera, Jean-Philippe Jaworski: Not much to say about it other than they're short stories set in a mediaeval fantasy world and no part of this description is usually my cup of tea, but I really enjoyed this read!
Essays / literary criticism / philosophy
• Eloge du temps perdu, Frank Lanot: I thought this was going to be about idleness, as the title suggests, and I love books about idleness. But it's actually a collection of short essays about (French) literature and some of them made me appreciate new things about authors and books I thought I knew by heart, so I enjoyed it
• Le Pont flottant des rêves, Corinne Atlan: Poetic musings about translation <3 that's all
• Sisyphe est une femme, Geneviève Brisac: Reflections about the works of female writers (Natalia Ginzburg, Virginia Woolf, Sylvia Townsend Warner, etc) that systematically made me want to go read the author in question, even when I'd already read & disliked said author. That's how you know it's good literary criticism
Let's add L'Esprit de solitude by Jacqueline Kelen which as the title suggests, ponders the notion of solitude, and Le Roman du monde by Henri Peña-Ruiz which was so lovely to read in terms of literary style I don't even care what it was about (it's philosophy of foundational myths & stories) (probably difficult to read if you're not fully fluent in French though)
Did not fit in the above categories:
• Entre deux mondes by Olivier Norek—it's been translated in half a dozen languages, I was surprised to find no English translation! It's a crime novel and a pretty bleak read on account of the setting (the Calais migrant camp) but I'd recommend it
• Saga, Tonino Benacquista: Also seems to have been translated in a whole bunch of languages but not English? :( I read it ages ago but I remember it as a really fun read. It's a group of loser screenwriters who get hired to write a TV series, their budget is 15 francs and a stale croissant and it's going to air at 4am so they can do whatever they want seeing as no one will watch it. So they start writing this intentionally ridiculous unhinged show, and of course it acquires Devoted Fans
Books that I didn't think existed in English translation but they do! but you can still read them in French if you want
• Scrabble: A Chadian Childhood, Michaël Ferrier: What it says on the tin! It's a short and well-written account of the author's childhood in Chad just before the civil war. I read it a few days ago and it was a good read, but then again I just love bittersweet stories of childhood
• On the Line, Joseph Ponthus: A short diary-like account of the author's assembly line work in a fish factory. I liked the contrast between the robotic aspect of the job and the poetic nature of the text; how the author used free verse / repetition / scansion to give a very immediate sense of the monotony and rhythm of his work (I don't know if it's good in English)
• The End of Eddy, Edouard Louis: The memoir of a gay man growing up in a poor industrial town in Northern France—pretty brutal but really good
• And There Was Light, Jacques Lusseyran: Yet another memoir sorry, I love people's lives! Jacques Lusseyran lost his sight as a child, and was in the Resistance during WWII despite being blind. It's a great story, both for the historical aspects and for the descriptions of how the author experiences his blindness
• The Adversary: A True Story of Monstrous Deception, Emmanuel Carrère: an account of the Jean-Claude Romand case—a French man who murdered his whole family to avoid being discovered as a fraud, after spending his entire adult life pretending to be a doctor working at the WHO and fooling everyone he knew. Just morbidly fascinating, if you like true crime stuff
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