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#in the sense of a relationship i think
maddymoreau · 1 year
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Thinking about how Diavolo’s feelings transcend time and how in the Nightbringer UR+ card Demon Lord’s Castle Tour this conversation happens.
When asked, “Do you wish to see your father?”
Diavolo responds:
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“I suppose I do . . .” isn’t the typical reaction to how a child would feel about wanting to see their parent. Especially when said parent has essentially been in a coma for a year.
Along with how Diavolo describe his father.
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It makes more sense why when you learn in Lesson 56 how Diavolo was treated by him growing up.
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Diavolo can tell when others are lying but is unable to understand his father’s intentions.
Diavolo mentions that he lived a very sheltered life growing up. That from a young age his father never allowed him a chance to talk to anyone outside the castle.
His childhood friend was Mephistopheles. A demon literally RAISED to be his friend. Putting a barrier between the two because Mephistopheles would put Diavolo on a pedestal.
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The isolating childhood he experienced riddled with his strict father constantly scolding him.
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Despite everything MC is so important to him he wants to see his father again so we can meet.
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communistkenobi · 1 month
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saw someone on here describe reading as a passive activity. and like no judgement on this person but I think we have fundamentally different relationships to reading
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ruporas · 1 year
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drank too much
[ID: Digital Art of Vash and Wolfwood from Trigun Maximum. Vash’s body is turned slightly away from the viewer as he holds a staggering Wolfwood by his shoulder. He has one foot ahead of the other, the foot in the back used to stabilize himself from tipping over. Wolfwood is tethering into Vash, his weight pressed into him with his arms wrapped around Vash’s waist and his face is hidden away as he leans against Vash’s shoulder. Vash’s expression can be seen, his eyes wide and mouth tight-lipped, and his face is flushed red. A speech bubble comes out from Wolfwood, saying a drawled “Spikeyyy...”. The background are desaturated pastels of blue and green, showing night time, as they stand in the middle of an empty street that is also lit by the moon not depicted. Yellow light is seen coming from the inside of a saloon. End ID]
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wired-heartbeats · 3 months
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For the record I think Vox is being effected and possibly swayed by Val’s poison just like Angel is, the pink signifying it on Angel shows up on Voxs screen during and after interacting and being influenced by Val directly, when Vox is operating independently it isn’t an actual normal feature of his
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This paired with an earlier moment from episode 2 when Val first mentioned something had happened with Angel Dust, Vox seemed happy about the idea of Angel quitting
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“He quit? :D”
It’s interesting for sure, makes me wonder what Vox actually thinks about Angel, and more importantly, actually thinks about Valentino. He’s a business man, and clearly the Vees all teamed up (at least initially) because it helps elevate their status and power spread, they may be friendly with each other but we as an audience don’t actually know if there’s more to it as of now. But still, interesting
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average-hua-cheng-fan · 4 months
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another reason i think that xie lian felt an instant connection on the ox cart is because he and hua cheng both grew up in xianle.
there are maybe 4 people still alive that grew up in that culture. based on my own experience, you can pick up on things like accent, cadence, references, and humor that suggest a person is from the same place as you without consciously noticing it. that sense of comfort and similarity probably played into their instant chemistry.
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feminetomboy · 6 months
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Y'know what, I do love Spiderbit to pieces but I am actually very happy that Roier sorta backed away and told Cellbit that Bobby is his and Jaiden's son. Cellbit can very much be his step-dad! But it's him and Jaiden that went through all the love and grief together first.
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uncanny-tranny · 4 months
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If somebody in your life offers to knit or crochet or, really, create anything for you, please be an active participant in the creation of the piece they are making. I adore making and gifting things, but nothing bums me out quicker than a person who passively just goes "okay," to my ideas about what I'm making them - it can send the message that they won't like it, or that they don't care, even if they're happy about my offering. The back-and-forth feedback is a great way to make sure that you are being gifted something that was truly worth the time, effort, expertise, and money that will inevitably go into the gift!
I know it's really hard to be an active participant, believe me, I'm an anxious ball of horror, but it will only do good for both parties to interact in this situation. It is a big deal to be offered a hand-crafted gift, but it's also something we want you to love and use, and that can only happen if you tell us what would make you fall in love with what we create.
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fluentisonus · 6 months
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important to gimli characterization. to me. is that while he's generous & steadfast & caring where it matters he is also just a little bit vain. not in a delusional way or a way that causes problems but like. he is aware that he's good looking & good at what he does and is pleased with himself for it. he's aware of his own good qualities & proud of them in a way that makes his friends roll their eyes a little. but he's charming & realistic about it and also Right so you can't be too annoyed. guy who takes way too long styling his hair & beard because he knows he has very nice hair. guy who will brag a little about his axework because he knows he's just that good. do you see what I'm getting at
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leonardcohenofficial · 8 months
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the more i rewatch twin peaks i am reminded more and more that albert rosenfield (and to a lesser extent bobby briggs, though he doesn’t quite articulate it as clearly as albert with the exception of him breaking down at laura’s funeral) is THE only character to recognize laura’s death for what it was—completely avoidable, unromantic, and caused by human evil that nobody recognized the signs of or did anything to stop
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redysetdare · 8 months
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I think there's a genuine conversation to be had about how aro spaces have begun pushing QPRs in a similar way that amatonormativity pushes romantic relationships onto people but a majority of aros just refuse to engage in the discussion because they see it as an attack on QPRs or people saying QPRs are romantic relationships lite instead of actually looking at the fact it's critiquing how some Aros have begun pushing it almost like an alternative to romance and something all Aro's want.
No one is saying QPRs are bad but rather that there is too much push that the idea of a QPR will fix people's problems. "oh you're lonely? just find a QPR!" "You dont have to be in a romantic relationship you can be in a QPR!" "QPR is MORE than friendship" etc etc.
There's a genuine critique here of QPRs being used to continue to push amatonormativity by again assuming that every aro wants a partner - even if not romantic - and I think we can have a genuine conversation about this rather than going at each other throats over a fake argument of "QPRs bad"
#text#aro#aromantic#non-partnering#QPR#queer-platonic relationships#Queerplatonic relationships#non partnering#nonpartnering aro#non-partnering aro#nonamorous#partnering aro#if you havent seen this side of the community good for you but also kindly do not respond to this#because i genuinely do not think you can add worth while commentary on something you have no experience with seeing#also if you are not an aro who pushes QPRs on ppl then great! this post isn't about you so don't leave a comment abt how ur not like that#i on the other hand along with others have found ourselves having negative experiences with how the community is pushing QPRs#i understand QPRs used to and in some cases still are not acknowledged - especially by wider society#but this isn't about wider society it is about aromantic communities#and i know it was just excitement that got being excited to find that they could still partner with people in a non-romantic sense#it made parterning aros feel like they wouldn't end up being alone#but for many people like myself the communities laser focus on QPRs makes it difficult as non-partnering aros to navigate our identity#by society we are told we have to be in a romantic relationship#then in aro spaces we are told we don't have to be in a romantic relationship but instead we can be in a QPR#but no one ever says 'you dont have to be in a relationship' period. end of sentence.#aro spaces have shifted focus on partnering aros and any time non-partnering aros speak up we are shut down#it's 'oh not all aro's are non-partnering' or 'some aros are in qprs'#i know this only comes from the fact there was heavy gatekeeping at one point to only allow aros who didn't date at all#but the response to that shouldnt of been to shut down any and all non-partnering aros in the community#the point is we need to allow options. if the community is only focusing on QPRs then how are non-partnering aros supposed to realize that#not being in any relationship is an option. we cannot let amatonormativity take over a space that is explicitly supposed to be against it
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harvsbian · 5 months
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yeah the fitpac roommate thing is like silly or whatever but qfit is from 2b2t and im sure in an environment like that being able to trust someone enough to /share a living space/ with them is like. a big deal that conveys a lot of trust a lot of care (a lot of love). yeah maybe fit is using it to deflect from his feelings for pac or maybe hes using it to address them the only way he knows how
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favvn · 1 month
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Pairing these two scenes together because there's Something about their phrasing that is driving me Insane. (Is it the use of religious imagery turned on its head--purgatory is not a thing to desire much less create for yourself, losing paradise is normally a tragedy to be mourned--to highlight a unifying belief that both Kirk and Spock live by? That both accept the loss of paradise for the uncertainty of life?)
Like. I Know Spock's line about "self-made purgatories" (and what a line! I am gnawing on it like a dog with a bone) is referring both to his Duty to The Enterprise and Kirk as the First Officer vs his experience of love from the plant spores, but it's also referring to him being both human and Vulcan and trying to adhere to one half at the expense of the other and finding himself fitting in nowhere as result (although, I would argue The Enterprise with Kirk is where he fits in as Kirk has consistently shown he doesn't expect Spock to be More Vulcan or More Human but to just be Spock).
And Kirk.... knowing his past on Tarsus IV and how he shouldn't be alive had Kodos had his way.... His dogged determination to beat the odds against him.... Dare I say it's giving Born To Run vibes? The mindset of, "Fine. Paradise is lost, but I'll keep going anyway."
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canisalbus · 4 months
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To me, Machete kind of has the energy of a secondary villain/coldhearted side character in someone else's story that a lot of fans latch onto, moreso than the protagonist. Question is, would he be the villain in anyone's story?
Why, thank you! I'm actually glad to hear he gives off that vibe. I don't think he set out to become a villain but a lot of people certainly view him as one.
#in the 16th century canon he starts out as an introverted but sincerely well meaning guy that never quite manages to find his social niche#he was a sensitive kid and when subjected to enough pressure#his insecurity fearfulness and powerlessness mutate into distrust resentment aggression suffocating repression and self-restraint#I don't think he's a bad person in fact he consistently tries very hard to do the right thing#do his job properly avoid letting people down and get through life with a sense of dignity#but he is supposed to come across kind of cold impersonable and difficult to be around if you don't know him personally (and very few do)#people can sense there's something wrong with him and are put off by it#Vatican is a nest of vipers and as the stakes rise he retreats deeper into his coldblooded untouchable work persona#he has no choice but to start lying scheming blackmailing and eliminating his enemies#in order to maintain his position keep Vasco safe their relationship under wraps and his own head above water#essentially playing by the same rules everyone else in the holy see has been playing with for centuries#eventually he loses his spot as the secretary of state and is manipulated/forced to take on a role in the roman inquisition#and if people were sort of iffy about him before being the authority overseeing trials torture excommunications and executions doesn't help#and since he has so few allies and such an infamous reputation he's an easy target for scapegoating whenever necessary#towards the end it dawns on him that he's become the kind of twisted cruel corrupt person he used to fear and despise#and the guilt moral injury and abject self-loathing had largely sapped him of his will to live by the time the final assassin gets him#answered#anonymous#Machete#Vaschete lore#he thought his dream of priesthood would make him a better person more worthy of admiration safety and love but he climbed too high#and got roped up in the dangerous games that take place under god's nose and slowly got strangled to death
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ruporas · 1 year
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bound to want (part two) /// part one rest of pages under READ MORE after ID
[ID: 23 page digital comic of Vashwood from Trigun Maximum. The comic is in a limited palette of a dark blue, light pink, white, black, and a light beige color for Vash's skin and a mid-brown color for Wolfwood's. This comic is the second part to "Bound to Want" and is spoiler-free. The first part is linked here.
It begins with a panel close up of Vash's expressions. The sky colored in dark blue can be seen behind him. He has a neutral expression, but he holds a slight frown and the reflection of his glasses covers one side of his eyes. Wolfwood says, "Hey. What's with the distance?" In the second panel, the shot widens to show both of them, a clear physical distance separating them with Wolfwood walking ahead and Vash trailing a little behind. Vash responds, "What? I'm just walking a bit slower today..." Wolfwood looks at him with a an irritated expression, clicking his tongue. Wolfwood says, "I was going to wait for you to start... But yer just running away away."
Vash is seen looking away, unable to hold eye contact with Wolfwood as he continues, "You've been avoiding me since that night. Did ya think I wouldn't notice? It's about that dream, right? Tell me about it already if you're going to be moping like this." Vash looks slightly downwards, his brows furrowing and he starts to walk ahead of Wolfwood without looking at him and responds stiffly, "I really don't want to talk about it..." Wolfwood looks at him with a surprised expression, but doesn't probe.
A panel close up to Wolfwood's eyes as he watches Vash go on ahead before he follows suite with an irritated sigh. The panels are overlapped by Wolfwood's hand holding the bottle of the Bride with motion lines, indicating a transition in time.
A wide shot of Vash and Wolfwood in a room now. Vash is seated, his back turned away from the viewer, while Wolfwood's body faces the viewer with his eyes looking towards Vash. He rests the bottle of the Bride on the table with a "clack" and his other hand holds two shotglasses. The background is coated in a light pink.
A panel shows a close up of Wolfwood's face, his eyes looking downwards to Vash as he says, "Let's drink." Next to this panel is Vash looking up at Wolfwood, his brows furrowed and a slight frown. The bottom half of the page is a wider shot with Vash's body turned away from the viewer as he says, "I'm not going to talk about it." Wolfwood responds, "You don't have to." as he sits down.
A wide panel of Wolfwood holding the shotglass, pouring in the drink as he continues, "I'll talk." The next panel is a profile view of Wolfwood, his eyes looking down at the now filled shotglass as he continues to say, "You're..."
"... upset with me." Vash can be seen next to this speech bubble with narrowed eyes, looking towards Wolfwood. The panels are all coated in with a dark blue background. Wolfwood continues, "I can't be certain why since yer not telling me a thing -- but it's probably... my bad." The panels show Wolfwood about to bring the shotglass to his mouth but he turns way as he continued to speak, his eyes not on Vash. The bottom page shows him looking away completely with a guilty expression as he says, "I'm sorry.
If you can ever tell me why, I can try and adjust to make it more bearable. But if you're just trying to get rid of me--" The panels follow Wolfwood's certain expression as he says this, "I don't intend to leave you. I can't... and I won't." A panel shows Vash's wide-eyed expression, surprised upon hearing this, and then his eyes soften as Wolfwood again concludes with, "I'm sorry."
Vash's inner thoughts begins, a boxed speech at the center of the page and panels of his eyes, his brows furrowing again and a resigned, but frustrated expression. His thoughts starts, "Stop. I shouldn't be happy hearing that. And why are you apologizing? I should be the one to..! I can't let anything like that happen to you. You deserve to live a long steady and peaceful life. I want to be optimistic. I want to protect you, but I might end up doing the opposite." The text surrounds Wolfwood from Vash's perspective, the other man drinking out of his shotglass, his eyes downcasted.
"I shouldn't have you. And you won't leave." Behind these text is a panel of Wolfwood's eyes finally looking over to Vash. Vash's thoughts continues,  "It's so unfair." When Wolfwood sees Vash, his eyes soften and he frowns. The last panel shows the lower half of Vash's face, but tears begins to flow down his cheek. Wolfwood's hand is already reaching to wipe at them as he starts to say, "You know..."
A wider shot of Vash and Wolfwood, Vash slightly leaning forward with his mouth tightly shut, and tears steadily continuing to flow out of his closed eyes. Wolfwood continues to wipe at them with his hand as he continues, "This isn't a dream anymore. I don't know what you saw for you to be this shaken up, but whatever happened, you'll overcome it, right? If not you, I'm here too. You'll be okay, Spikey. So..." Wolfwood's expression grows more tender, "Have a little faith in me... and come back already." The dark blue starts to fade.
The wide panel has the dark blue background faded and replaced is the light pink. It shows Vash in full up to his shoulders, his eyes are still tears littered, but there's light in them as he says, "Wolfwood..." making eye contact with the other. The next panel shows Wolfwood's tender expression, his eyes and brows fully soften and he has a small smile on his lips, finally seeing the other return a level of sincerity with him.
The next panel shows the bottom half of Wolfwood's face and his hand is offered towards Vash for a dance as he says, "C'mon. We don't have to talk, but this is okay, right?" The background is now white and a ribbon flowing across the page separates this panel from the next sequence. Vash's inner thoughts continus, "I've spent too long avoiding this. It's scary to want after I've taken so much from others." A sequence close up of their hands is shown, with Wolfwood's outstretched hand on the right and Vash's reaching hand on the left. Vash gently places his hand in Wolfwood and at the bottom, Wolfwood wraps his fingers across Vash's.
Throughout the page, a dark blue ribbon starts to flow around the both of them with confetti raining alongside the effect. Vash and Wolfwood are hand and hand, dancing together with Wolfwood as the lead. The viewer can see a peak of Vash's expression, full of fondness but also a hint of sorrow as he looks down at Wolfwood. His inner thoughts continue, "I don't deserve this. I don't deserve you. But why is that even though I have these burdens, I still want to love you. I still want you to be by my side."
With a close up of their mouths, Vash's thoughts continue, the text covering his mouth, "Wolfwood, I--" Wolfwood's speech bubble covers Vash's text as he completes his sentence, "want you." Vash's eyes widen for one panel and in the next, his eyes spark, a blush appearing on his cheek and the confetti flows and spark. Tears ease up on his eyes again.
"Want me too already, Spikey." Wolfwood has leaned in enough to rest his head against Vash, a hand of his on Vash's neck, holding his nape and another hand pressed gently against his back. A ribbon separates this panel from the next, a mix of confetti flows across the page, as Vash envelopes Wolfwood in a hug too, holding him and his hand gripping tightly onto his back.
This page is just the ribbon flowly throughout the page on the white background, one white ribbon and the other a dark blue. Near the bottom, the ribbon envelopes each other in a loop. A conversation of Vash and Wolfwood is held over these ribbons, Vash starting to say, "What if I hurt you? What if you..?" Wolfwood responds, "You? How could you hurt me?" Vash, "You know what I mean... You see it everyday..." Wolfwood responds, "If you think I'm going to kick the bucket so easily, I suggest you look at me more closely from now on, idiot. I'm not that easy to get rid of."
The next page has the ribbon criss cross over the top of the page. Vash and Wolfwood can be seen in their dancing position again, Wolfwood now resting a hand on Vash's shoulder, as Vash takes the lead. Vash continues, "Well, I know that... I tried." Wolfwood responds, "But you won't anymore... since you want me... around, yeah?" Wolfwood's head cocks to the side, smiling with assurance, cheeks flushed. Vash looks at him with a wide smile and fond, loving eyes. The confetti flows across the bottom of this page and as it eases into the next page, it starts to disappear.
Vash responds, ".. Yeah... I do..." as he pulls Wolfwood into a hug again. Wolfwood says, "Not going to run away anymore, are you?" Vash says, "No... I trust you." A panel shows Wolfwood's turning away slightly with a shy expression, muttering "Geez..."
In a more simplified style, Wolfwood is seen gripping Vash's cheeks now with his hand, "Though... You do remember you avoided me for two weeks straight, right? How are you going to make that up to me?" Wolfwood asks. Vash responds with eyes closed and a pucker of his lips. A vein of irritation appears on Wolfwood's face. Wolfwood starts to squeeze at Vash's cheek with both hands, shouting, "Now that you've recovered, you're trying to be funny, huh?!" Vash says through the squished cheeks, "I'm just happy..."
The next page opens with a closed up panel of Vash's widen eye as Wolfwood's hand moves from squishing his cheeks to gently holding them and Wolfwood leans in. The inner thoughts starts again, "There's a chance I'm not making the right choice... My dreams, my fears of losing you, it will never go away. But you said you won't let it happen... And I want to hang onto your words closely this time. After all, if it's anyone who can make me believe, it's you."  The white ribbon from previous pages flows across the page and it visibly ends at the bottom of the page, enclosing the two of them as they share a gentle kiss with Vash holding Wolfwood's face, a tear in his eye.
The next pages starts with Wolfwood saying, "You cryin' again?" Vash responds, "I'm just grateful..." Wolfwood responds, "But you've always had me." Vash responds, "Being like this is different from staring at you from behind all the time though..." The two can be seen together again, Wolfwood pressing his elbows against the table with Vash leaning over him. Wolfwood is easing the tears out of Vash's eye again, just like earlier. A close panel of Vash's fond expression is seen as he says, "Thank you, Wolfwood." Wolfwood looks up at him with a small smile, gentle eyes. Confetti starts to flow lightly across the page as text starts to appear against the white background, "I'm the one who's grateful...
That you'd embrace someone like me, when I'm not fit to hold you in the first place... But I know better than to hesitate. The moment I acknowledged it, I knew I'd spend the rest of my life loving you. So, have as much of me as you want, Vash."
The final page shows the confetti gently falling down the page and at the bottom shows Vash and Wolfwood pressing their foreheads together, Wolfwood's hands cupping the side of Vash's face gently, and both of them smiling brightly with each other. ID END]
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#vashwood#trigun#trigun maximum#vash the stampede#nicholas d wolfwood#its done.... after 2 months.... collapses on the ground#theres a lot of things i would prob change about this but. its so sappy that it makes me a little happy where it ended up#they deserve a little sap too!!! and in the end this is the closest they could get to a first confession#through want! want in each other's life and company since they both have this strained relationship with keeping people permanent in their#lives... and the people or things that are tied to them in the long term tend to be something that harms them.#and as the saying goes -- good things never last! and im sure they prob gave up trying to find a good thing for a long time#vash managed to be found after the moon accident and got his good thing for a bit but even he prob knew itd come to an end eventually#ironically it was wolfwood that ended it. but he really just planted smth new for vash... and now they have some security#or at least vash does. or at least just for this one moment#a moment of bliss and feeling like they are deserving of love is so Fluctuating for vashwood#and ultimately i think wolfwood could only push onwards to initiate because he sensed there was smth vash wanted. and its just#naturally in wolfwood to give to those that he love#but anyway anyway.... i like to think in a sweet universe -- they had the chance to confess like this and got a little bit of time to#enjoy and share their company in this manner. to be a little less restrained and love each other freely#ruporas art
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ganondoodle · 5 months
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so, inspired by the warm welcome the captain received with that rough doodle i posted, i made an updated design for Ki'ita as well (basic and with clothes)
i removed the piercings she had bc considering that they spend the majority of their time in arctic waters i think having metal directly in your skin is a bad idea, no matter how thick your blubber is; i also gave her typical white markings a green hue bc ... i liked how it looked and makes them stand out a little more
(i will not repeat what i wrote on the post about the captain but wanted to add a bit of more info about Ki'ita herself)
(i dont have ALL of their backstory done yet but) the captain and Ki'ita worked together in another organization, one in which the father of the captains child also worked at, before being betrayed and barely managing to escape, after which the both of them founded their pirate crew (possible name is the Solar Pirates bc of their solar powered boat stuff); since the captain had her daughter shortly afterwards Ki'ita managed most of the organisational matters at first, including the construction of their base on an abandoned island they had initially fled to
over the years they invented the solar powered ships that allowed them to gain control over a large part of an important trade route, leaving normal ships (mostly) alone but attacking those of hunters and similar, rescuing demons and mutants, even some humans from them, most of which also join the crew and it quickly lead to them becoming their own little community
Ki'ita does not like to spend alot of time among large groups of people, no matter how much she cares about them, and her originally being from norther lands gave her the idea to explore, and if viable, do underground missions in those norther areas to disrupt the infrastructure the hunters had built in recent years and overall keep the crew informed about things that may otherwise stay hidden; with each of their travels her time absent from the base increased but the patience of the captain is wearing thin so its likely a serious talk is underway on Ki'itas third solo mission she nearly died due to entanglement in abandoned nets made by hunters from an unknown material that she could not break, the massive scars on her tail especially come from that, only surviving bc the date they were supposed to return to the crew had passed and the captain grew to worried about her and made the entire crew rush into an emergency search, including the captain herself and her toddler, who were not suited for the cold climate just like the rest of crew, taking a huge risk that Ki'ita still feels ashamed of for causing; they stayed within the base for a whole year afterwards, not just to recover but also as a silent apology, taking time preparing herself to ensure theyd not get into a situation like that again
(before departing on their next mission the captain gifted her a sword with the blade made from the material of the net, a wooden handle, bc of the cold, and a blue wrap around it reminiscent of the captains striking blue teeth; a reminder of what had happened, a means to defend herself when their strength and teeth are not enough, and also a promise to always return again)
the oldest members of the crew know Ki'ita well and treat her like an old friend, among the newer members she has more of a .. cryptic status, the mysteriously absent vice-captain who only appears every few months or so out of thin air, throws a big party, sleeps for a few days and then vanishes again, the only hint to when they will return soon again being the captain getting noticably grumpier
(OC art, Ki'ita, she/they)
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sysig · 4 months
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“It could be that the loss of her children drove the Queen deeper into her darker desires...but, I don’t believe she was fighting against them that hard before that particular tragedy. No monster does.” (Patreon)
Bonus:
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Hmm, wonder what he could cover those holes with :3c
#Doodles#Handplates#UT#Fellplates#UkaGaster's answers about Toriel really interest me :3c#As evidenced by the quote caption lol - but his other ones are very interesting too! Since it sounds like she's still around!#Poor classic Handplates!Gaster believed Tori dead for such a long time while she was at the Ruins#Meanwhile Fellplates!Gaster is just like ''? I saw the Queen last week she threw me into the pricker bushes? -.ò'' lol#But anyhow lol ♪ The implications that they're still in each other's vicinity really makes me curious about their relationship!#And how Toriel might react to knowing that someone - someone other than her - is having So Much Success on one of her sore spots#Not just of having children but of the constant reminders of Gaster's success where she has to live every day with a heavy heart for her own#Being cruel to him over it - well that's just par for the course isn't it ♪#He mentions that she's much more of an emotional sadist - insulting him and then making it Very clear that she does Not approve of the holes#''They're ugly and you should feel ashamed for drawing so much attention to something so unsightly''#I do think that her knowing that he's so intent on being kind and merciful and then twisting the knife on how much he's hurting her-#Making him feel guilty for daring to even attempt the betterment of all - for giving pieces of himself away and try to be a good person#''If anyone will break my spirit it will be her'' :)#Although that's all assuming that Toriel even knows about the brothers! :0 When I thought about it later it'd make more sense if she doesn't#It was still too good to not do something with the idea hehe - but imagine her betrayal if/when she found out tho she'd kill him on the spot#Gosh I haven't drawn Tori in foreeeeever I can't even remember the last time#Doing a/nother study on her would probably be fun haha she's rather plain how I draw her currently#I wonder if her Fellplates version would also wear reading glasses hehe#And the bonus :3c Where are the plates featured in Fellplates? Surely it's not just called that as a reference right ♪ Hehehe
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