nightwing being hurt in the field, and over comms he can’t get out what was wrong, nearly in shock, and jason puts on his best batman™️ voice and says “robin, report.”
and it snaps dick out of it enough to say concussion, possible broken ribs, and a gash in his side.
no one talks about it, and then a year later, damian does the same thing to tim
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AU where Jason comes back to Gotham and begins his plan to confront Batman and all that. Except after only like a week the Joker gets hit by a bus and then shot by a little old lady with a shotgun and dies.
Jason’s plan is now in shambles because the dramatic climax of his plan is no longer possible. But that’s fine. He’ll think of some other suitable alternative. Granted, it’s not quite the same if he uses some other villain. Making Batman choose doesn’t mean nearly as much when it’s not about the person who killed him.
And really, is he going to try and get Batman to kill Black Mask or something? Scarecrow? Red Hood is competent; he could do it himself so why bother.
So Jason lays low continues to build his criminal empire with astounding speed and efficiency. If only he could think of a good way to announce his return. Nothing he can think of is dramatic enough.
Meanwhile, the Bats are freaking out because who is this guy that’s taken over half of the Gotham underworld in like a month? He’s obviously trained, but they just can’t seem to get any information on who he is or where he came from. It is beyond frustrating.
After a few months Jason is frustrated that he just can’t seem to find any dramatic good way of making Batman prove himself. It has to be something big! Something magnificent!
During his weekly chat with Talia he complains about his problems and she suggests he come back for a visit. He argues that he can’t just leave, but she says if he has competent enough lieutenants it’d be fine. He spends the next three weeks making sure that everything will be fine if he leaves for a week. He will not have all of his hard work falling apart and going to waste due to incompetence. Absolutely not.
So then once his lieutenants are sufficiently prepared (and the rest of Gotham’s criminal element sufficiently cowed), he heads to Nanda Parbat, only to find Ra’s on the phone with Bruce, who is demanding to know if the Red Hood has any affiliation with the league.
Oh. Oh. He can give them affiliation.
A new plan begins to form.
He’s going to be the most affiliated he can be. Jason immediately goes to Talia with his newest plan: Overthrow Ra’s and takeover the league. Talia whips out her forty step outline for overthrowing Ra’s and tells Jason she’s so proud of him.
Jason has a new goal now, so he gets to work. He checks on things in Gotham, but everything seems to be fine and there haven’t been any unplanned explosions so it should be fine if he stays here for a bit.
Taking over Gotham really was good practice, as it turns out. Thanks to Talia’s plans and previous foundational efforts the takeover happens in no time.
Meanwhile the bats are still freaking out. Red Hood hasn’t been seen in three weeks, he may or may not have league of assassins connections, and even in his absence his goons seem to be managing things competently.
Back in Nanda Parbat, Jason and Talia finish their takeover. And now, finally, he’s ready to confront Batman.
He arrives in Gotham as the new head of the league. His arrival is loud, elaborate, and dramatic enough to fulfill his inner theater kid’s dreams.
Batman is speechless. And not his usual grunts instead of words, but actual surprised speechless. Jason is alive?!?!?!?
Jason was not expecting all the tears. And hugs. And mother henning. Goodness gracious, this was not part of the plan.
Bruce is obviously struggling with Jason’s revelation that he took over the league, but the newest little birdie seems almost relieved at that(?) and Dick and Alfred both seem strangely proud. Whatever. Even Bruce seems to be at least mostly ignoring that for now.
Then someone asks him if he knows Red Hood. Jason blinks. Says that yeah, he knows Red Hood. Everyone seems to ease at that. One mystery solved. Jason quickly realizes that most of them have no idea he is Red Hood. Cass seems to be the only exception but also appears amused and willing enough to not mention it.
Dramatic appearance complete, Jason now has a new goal: see how long he can keep the bats (minus Cass and potentially Alfred) in the dark about his crime boss identity.
He will bribe Cass as much as it takes to keep her on board with the causing chaos plan, but she seems eager enough. Favorite sibling status definitely unlocked. (The whole killing thing is fought over at great length and a truce of sorts is eventually made)
David Cain is never heard from again.
Damian shows up at some point.
At least one league member has suddenly found themselves as an HR rep for Gotham criminals? They’re still not quite sure how that happened.
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Retelling The Hobbit Chapter 16: The Song of the Lonely Mountain
First chapter / Previous / Next
To view full comic: Webtoon/A03 / Tumblr post with links to all chapters
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*crumbles into dust after finishing this* Thank you for reading! This The Hobbit webcomic adaptation thing takes a lot of effort to put together and I can’t tell you how much I appreciate every comment. I also really appreciate the people who’ve spread the word of this comic to their friends! <3
And finally, we’re at the Song of the Lonely Mountain!
Within Tolkien’s canon, The Hobbit is an in-universe book that was “written” by Bilbo Baggins, who occasionally lies/embellishes/exaggerates things. The tonal differences between The Hobbit and Lord of the Rings are explained by Bilbo and Frodo/Sam being different kinds of storytellers, with different relationships to “the truth.” This idea is the core of how I’m adapting the novel! Bilbo is an unreliable narrator who is literally ‘drawing’ from his own limited experiences; the different art styles reflect the different perspectives of other characters. The “dwarf art style” in this chapter is inspired by stonework/metalwork in general— but especially by a mix of art deco, Celtic art, and European folk art.
The central tension of the comic is between Bilbo and Thorin, who each have wildly different ideas about what kind of story they’re in. Thorin is in a grand fantasy epic, while Bilbo is in a lighthearted children’s book adventure. The tragedy is, obviously, that only one side of the story ever gets to be fully told.
On a sillier note, a few years ago I had my first gay crush on a lesbian who sang while playing the piano. This chapter is dedicated to the piano lesbian. I hope they’re doing well, wherever they are. XD
I think I might need a bit of a break but I’m hoping for the next chapter, titled “Dawn,” to arrive on January 13th. And your comments/support really do help motivate me to get more done! ^_^
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the 212th chief medical officer, bones ✨
[id: it's a drawing sheet of a 212th Clone Medic with his name, "Bones", written in all caps in the top left. From right to left: in the first drawing, he has one hand on his hip and is looking to the side with a quizzical expression. In the second, he wears his helmet in addition to the rest of his armor and holds a medical bag over one shoulder. In the next, his helmet is off again and he is looking down, looking miffed, and in the last, he is smiling. His armor is the standard phase I and has an orange rib cage painted on the chestplate. /end id]
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