#in a way you could say that it's only that what he does and believes in fits with the general definition of 'good'

[kpopnstarwars]

Who's Afraid of Little Old Me?: Feyd-Rautha x Reader

A/N: ty taylor swift i attempted to base this fic on your song but then i divulged as normal

tw: 18+, smut, p in v, inkpie, oral (both recieving), sub feyd by which i mean feyd is DOMMED, spit, degradation + praise, one spank kinda, swearing, lil bit of crying, mention of evil baron activities so sa + pedophilia, tiny mention of cheating but none actually happens, lmk if there's anything else bc lbr there probably is i just forgot it

wc: 3.9k

Feyd-Rautha has gravely underestimated you.

It is true that you are not strong in terms of Harkonnen definitions, but you expected a man destined to father the Kwisatz Haderach to be able to see past that. What was that the Bene Gesserit were saying about superior genetics? You don’t see even a glimpse of that in his frosty gaze when he regards you - he looks at you as if you’re a delicate vase that may shatter in the lightest of breezes. He thinks he needs to fear breaking you.

He misses how you miss nothing.

You are not Bene Gesserit; you are merely one of their pawns, a genetic machination produced from centuries of manipulations and deceptions, but you can read a man better than the majority of their number.

The seething jealousy in the clenching off Glossu Rabban’s fists is like a monster sinking its venom laced fangs into his heart: starkly evident to you - as evident as the barely repressed, parasitic fear of inadequacy that lurks like a second beast within the first. Just the same, the gazes the Baron sends your husband do not escape you. Nor does the caged, wild look that washes over him whenever you leave his uncle’s chambers: the look of a man who inside is still a boy, relief washing over him that he has left unscathed and untouched for another time.

Even more nuanced than that, you see the vulnerability within Feyd-Rautha. He craves to be loved, the way he should have been as a child, when instead he was desired; all this at an age where the most he should have been doing was playing with carved wooden toys at his parent’s feet.

He believes no one can see the last, soft sliver of his heart that he’s fought to preserve, that wants nothing but to have someone to be vulnerable with, just because he’s buried it so deep inside of him that sometimes even he doesn’t think it’s there any more.

But you see it.

You see beneath it too, to a place that he himself is not fully aware of. A place where he hates who he has become - a wild, savage creature, bleeding from wounds that do not seem to close up, slipping in its own blood when no one can see.

It’s from here, from this place, that the urge to preserve you somehow originates. He thinks you are a flower whose petals will easily be crushed in his heavy, calloused hands, and he is wrong; in a strange way it endears you to him, that he believes that he is too rough to hold you. You do not think it is quite love - not yet, at least, it is only the third month of your marriage - but when you see him fighting to not be the beast that he is before you in an effort to spare you, something that is not just pity stirs in your heart.

You can hear him now, pacing, cursing under his breath in the antechambers. Sometimes he sleeps there, on the narrow sofa, and you’ve come to realise it is those nights when he wants you most. Aside from your wedding night, he has made no other attempts to produce an heir, and you find his restraint valiant, but stupid.

He could try as hard as he liked; he would not get anywhere close to breaking you.

Rising from your seat on the small, ornate stool at the vanity, you push open the door to the antechamber and take a step into the room. Feyd pauses his pacing with his back to you, and you can see the tension in his shoulders and the rigid way he holds his body before he turns around to face you. His pupils are dilated, his eyes dark, and you watch him regard you with something too untethered to be restraint.

‘Am I keeping you awake, wife?’

You shake your head. ‘I had not retired yet.’

You know he expects you to explain why you’ve interrupted him, but you remain quiet - your silence is as much of a tool as your words. He doesn’t speak either, but his eyes tell you enough; they do not leave your frame, hungry, torrid, and his fingers twitch as if they ache to slip you out of the simple shift you wear to sleep and touch you everywhere, to explore the curves and dips of your body.

Tilting your head, you smirk. ‘If you wish to give me your heirs, husband, I would advise another method that differs from staring one into me.’

‘You don’t know what I want,’ he growls, but his face tells other tales.

Stepping forward, you reach out to him but he backs away. Still, the sheer thirst in his eyes sears away at you, even as his actions fight against it, his fingers closing on the doorknob. His hands are steady, his shoulders too, but the tightness in his muscles betrays him as always. Usually, you’d let him go now, but tonight you wish to see how far he will let you push him before he pushes back, so you snare his forearm in your fingers, tugging at him as he turns the knob.

He doesn’t look at you. ‘Don’t test me.’

You smile, cloyingly so. ‘Why not?’

Lightly, you trace your fingers down his chest, straightening the fabric of his black shirt while you gaze thoughtfully up at him through your lashes, lips curving upwards at the indecision in his eyes. He fights it, wrestles with the burning need, but in the end, he prevails, transforming it into a streak of anger that colours his voice as he tears himself from your grasp, recoiling as if your touch ignites pain within him - and maybe it is pain, that he wants you so but fears to indulge himself.

‘Get away from me.’

Feyd-Rautha does not give you a second to do so, because he is the one haring down the dimly lit corridor, his jaw tight, nails digging into his palms. Truthfully, you have never seen him move that fast, not even in the arena, and it almost makes you laugh - the great na-Baron fleeing from his wife and his own lecherous thoughts.

Maybe you did not win this round of tug of war, but he has asked something of you - to get away from him. Over the next few weeks, you follow this to the letter, avoiding him like the plague; you do not interrupt his pacing in the antechambers, nor do you haunt the bedroom like you normally do, asking him questions that he cannot answer. Feyd-Rautha is sensitive to change and you know he will seek the reason for it.

There is a barely cloaked intensity in his eyes when he finally corners you, and under it, you detect recognition: he sees that you are not who he thought you were, and he sees that you are not so different from him - always observing, always planning, and so, mind shatteringly hungry.

You were just dropping by the bed chambers to gather some of your clothes. The night before, you’d relocated yourself to one of the guest bedrooms - you could sense Feyd’s resolve cracking, and you knew that this would break it for certain: coming into his chambers to find them empty, wifeless, your side of the bed damningly cold. Jealousy is clear in his eyes as he backs you against the vanity, filling you with a rising sense of triumph.

‘What has caused this change in your behaviour, wife?’

You raise a brow, faking confusion. ‘What change? I would argue it is your behaviour that has changed, Feyd, you who can barely stand to be in a room alone with me.’

He snarls. ‘Who were you with last night?’

‘I thought you wanted me to get away from you,’ you reply, keeping up your pretence a little longer. ‘I slept in the guest quarters. You do not reciprocate any of my advances.’

‘Advances?’ He echoes, incredulous. ‘You taunt me, wife. It’s like you want me to break you.’

Cocking your head, you regard him coolly for a moment, letting some of the sharpness of your unmasked gaze leak through, letting him see the calculation in your eyes - you see the wariness it incites in him as he realises again that you are not who he thinks you are. Wordless, you lean in close to him, bringing your face to his, hovering there.

And then you let your arm drop and make a swipe for the knife at his belt.

Fast as a viper, he catches your wrist in your fingers, but you smile, challenge in your eyes as you bring his second blade to his neck. You’d slipped it out while he was distracted with your other hand, and he blinks at the cold press of it to his skin.

‘That’s the problem, isn’t it?’ You murmur. ‘You’re not scared of me, you’re scared of breaking me. Who’s afraid of little old me, huh? No one is, Feyd.’

‘They should be,’ he whispers, and when you meet his gaze, it sets you alight.

‘Indeed,’ you reply softly, letting your lower lip brush his.

As he kisses you, his hands seizing your face and locking you to him, you hook his knife’s blade in the collar of his shirt and drag it down, slicing the fabric until it flutters to the floor. Pulling away, you take him in - the moonlight planes of his sculpted chest, the broadness of his shoulders, his roiling, keen gaze. This man whets your appetite in the darkest kinds of ways: you cannot wait to ruin him.

Absently, you trace the outline of the tent in his pants with the tip of the knife blade. A breathy noise leaves him, and he freezes as if he can feel the cold kiss of the metal against his skin; you laugh, delighted that he is so mouldable in your hands.

‘Get on your knees,’ you command, seating yourself on the end of the bed.

It’s captivating, his lack of hesitation as he follows your orders. He sits back on his heels, looking up at you, and you can tell that he’s letting you see him like this, you can tell that if he didn’t want you to have him like this, you wouldn’t, but still, you reach out, gently skimming his shoulder with your fingertips.

‘All you have to do is say, and I will stop,’ you say.

He dips his chin. ‘I do not think I’ll have to.’

You smirk, something savage and powerful and thrillingly depraved rearing its head inside you, awakened by the sight of the na-Baron kneeling at your feet. That will be his last coherent sentence tonight.

Pausing, making him wait, you lean down a little, inspecting his features, the ardour in his eyes. He looks at you as if you hold the universe in your hands, as if you hung the stars in his sky, as if you are a  goddess, and he wants nothing but to worship you until he is expended.

You spit on him.

It lands on his cheek, and his eyes widen a fraction. A shudder wracks his body, and he simply stares up at you, breathing heavy, before slowly, his lips part, and he sticks out his tongue, his request evident. You grab his jaw, squeezing so that he opens up wider, and spit in his mouth - the low groan that leaves him as he swallows is fucking delectable.

His cock twitches in his pants when you pick up the knife. Tracing the blade over the shell of his ear, over his cheekbone and over his lips, you marvel at the way he holds still, awaiting what you’ll inflict on him next like a good little toy.

When the metal reaches his jaw, you nick the skin, drinking up his sharp intake of breath and the clench of his fists as the blood trickles down the column of his throat; you catch the droplet of crimson on your tongue, licking a careful stripe up his neck, grinning when you catch his lips in a kiss and he trembles at the taste of his own blood. Feyd is greedy, his tongue brushing against yours as he leans up into your touch, the way his mouth works against yours hot, fervent, pleading.

Planting a palm to his sternum, you push him back, chuckling when he strains to follow you, eyes glazed, lips swollen. You spot a streak of red and swipe your thumb over his lower lip, wiping it off before standing.

‘Get up, strip, and get on the bed,’ you bid him, pulling your own shift over your head.

Feyd scrambles to follow your orders, yanking his pants down, and you take your time to admire his muscle sheathed body; strength ripples beneath his skin, a sweet dichotomy to his weeping cock, rock hard and flushed rosy. He halts his movements, as if he’s pinned down by your appraising gaze.

‘For whom do you wait, husband?’

As he turns to get onto the bed, he’s a little too slow and you swat at his ass. A choked sound leaves him, and you laugh at the way his knees almost buckle. Feyd’s ears run red when he lies down on the mattress, and you straddle his thighs, sneering at the way he twists his fingers in the sheets, squirming beneath you.

‘Pathetic.’

You don’t give him time to respond, instead wrapping your fingers around his cock and pumping up and down fast, and he gasps at your rough touch, his back arching and his hands coming up to touch you - you wave them off you, meeting his eyes.

‘No touching,’ you intone, the hint of warning in your voice enough to render him obedient.

This time, you take his cock head in your mouth. He’s so fucking sensitive, reacting as if the sweep of your thumb down the underside of him and the slide of your tongue over him is mind shattering; it doesn’t take you long to get him teetering at the edge of his orgasm, just for you to pull away at the last moment.

His thigh jolts, weak pleas of your name leaving his lips, gripping the sheets so hard you wonder if they’ll rip. Again, you take him in your mouth, deeper, one hand dipping to play with his balls; you revel in the wretched sound that he makes when you hollow your cheeks around him, your teeth grazing up his length. You toy with him until you think he’s moments from breaking, until he’s writhing upon the sheets, face contorted in pleasure loaded with sweet, sweet agony.

‘Please let me come,’ he whimpers, voice cracking, the look in his eyes crazed, pitiful. ‘Please.’

You decide to give it to him, jerking him brutally fast until he comes; it hits him like a tidal wave - his eyes roll back in his skull, his body tensing, rigid and impossibly taut before he goes boneless, a broken cry of your name on his lips as he spills all over his stomach. A single, ecstatic tear slides down his cheek as his orgasm seizes him, snatching him up and shaking him like a ragdoll.

Lingering at his side, you wait until he’s come down from his high before getting up to retrieve a damp cloth from the bathroom, perching on the bed beside him and cleaning up his come, pressing kisses to the surprisingly soft skin of his hips. One wavering hand comes to rest in your hair, and you glance up at him, biting back a smug grin at the dazed look in his eyes.

‘Feeling okay?’

He nods.

‘Words,’ you chide.

‘Y - yes, na-Baroness. Better than okay.’

You raise a brow at that. You did not specify for him to call  you anything, so this is all his doing; he fidgets beneath your gaze, and you note that he’s growing hard again, his cock stiffening between his thighs.

‘Can I…’ He begins, but trails off, thinking better of it.

‘No, little na-Baron,’ you reply coyly. ‘Tell me what you desire.’

His eyes scorch you with their yearning. ‘I want to taste you, na-Baroness.’

You smile. ‘As you wish.’

You lean back against the pillows, letting your legs fall open for him. It’s somewhat comical, the way his eyes widen as he sees your slick cunt, and he swallows harshly - you can almost sense his mouth watering. Carefully, reverently, almost, he nudges your knees over his wide shoulders, bringing his face close to your pussy, admiring you. It’s as if he’s testing himself, waiting to see how long it takes for him to break and taste you.

Lurching forward, Feyd groans, low and deep and right against your clit when he laps at your heat, quickly becoming insatiable as his tongue moves masterfully at the apex of your legs, laving over your clit and curving in and out of you. Bolts of pleasure spear through your body, fierce like crackling lightning at the eye of a storm - he is everything to you in this moment. He shatters you, breaking you and mending you anew.

As he brings you closer, your body begins to shake and your legs close around his head; you suffocate him with your thighs, and you can tell he lives for it from the way he fervently grips your ass in his large hands, kneading the flesh and moaning into your pussy.

Something pulls tight within you, deliciously so, and you cry his name in warning, fingers curling around the base of his neck to hold him still as your hips buck, rutting into his face. Dimly, you can see him grinding into the mattress as you fuck yourself on his tongue - the chafe of his nose against your clit makes you shatter, and you fall apart for him with a ragged cry, nails digging into his shoulders.

You’re still coming down from it when Feyd begins to lap at you again, dutifully cleaning you up, and you twitch with the slight overstimulation, hooking a finger under his chin to see his eyes: his gaze is loaded with the heat of a thousand suns, and yet somehow it is also bleary, drunk. A laugh escapes you, and you tug at his hand, encouraging him to lie beside you.

‘Good boy,’ you hum as he nuzzles into your touch. You can feel him achingly hard against your thigh, and you let yourself catch your breath before reaching down and wrapping your fingers around his cock. ‘Want to fuck me now, hm?’

He nods avidly. ‘Yes, na-Baroness.’

All it takes is for you to half spread your legs before he’s climbing eagerly between them, hesitating before looking up at you for permission. You dip your chin, smirking, and then he’s sinking into you, burying himself inside you.

Voice cracking, Feyd chokes out your name, and he shudders, gasping at the velvet vice of your cunt as it clenches, bearing down on him. Sharply, you rock your hips up to meet his, and this time, a soft, keening whine leaves him, and he squeezes his eyes shut, biting down hard on his lower lip.

He can barely keep himself from spilling inside you.

‘You can barely hold it, can’t you, my little na-Baron?’

His words come out jumbled, his speech scrambled, mind ground to a standstill by the all consuming heat of your cunt; he babbles out protests, saying that he can, desperate to prove he can, stammering that he wants to make you feel good.

Cruelly, you buck your hips up against his again, and a pained sound looses from his chest, but he thrusts to meet you, hips lurching forward, his arms almost buckling either side of your head. Panting, he pulls out slowly before slamming back in, unable to stifle the whimper that tears from the back of his throat when you rake your nails down his shoulder blades, claiming him, littering his shoulders and neck with bites.

‘That’s it,’ you sigh as he finds his pace. ‘Just like that, good boy.’

A strangled noise tears itself from him at your praise, and he fucks into you, frantic, almost feral. Eventually, his thrusts begin to turn sloppy, and you kiss him in order to steal his breath and taste his fervid moans of your name on your tongue as he comes deep inside you.

Pressing a palm to his lower back, you pin him there, buried snugly within your pussy as you reach down with your other hand and rub your clit hard - it takes but a moment for you to come, and he writhes at the cataclysmic feel of your walls fluttering around him, overstimulating him, his mouth falling open in a silent cry as he comes again with your cunt milking his cock.

Completely spent, Feyd goes limp, and you rub your hand over his back, smoothing circles on his skin with your lips to his forehead. The post orgasm clarity begins to hit him, and you feel him go rigid - slowly, he pulls out, his seed leaking out now that he’s not filling you, and he attempts to get up, but his legs are too weak and he collapses beside you instead, his chest heaving, his eyes still a little hazy, still fucked out, even as he fights for lucidity.

There’s something on his face that cuts at your heart - a look of expectancy, as if he’s waiting for you to get up and leave now that you’ve had your fill of him. Concerned, you reach out, and he leans away from your touch.

‘Feyd,’ you murmur. ‘It was not too much, was it?’

‘N - no,’ he replies. ‘I just…’

Sitting up slowly, you look him right in the eyes. He stares back, bewildered, but you press a finger to his lips, foregoing your own fumbling words to instead recite the pledge of allegiance of a Harkonnen soldier to their general; his eyes widen - you know you have hit home. You’d exchanged wedding vows, of course, but these have a different meaning: you see it in the respectful way it is uttered, a soldier acknowledging his superior’s presence.

You pledge to him not only your heart, but your sword - your service - too.

‘Wife,’ Feyd bites out. ‘Surely you do not mean - ’

‘I mean it,’ you cut in. ‘Every word.’

Again, you reach for him, and this time he does not flinch away, letting you tuck him close to you, his breath coming out shaky. Gently, you tip up his chin, planting a chaste kiss on his parted lips, and he returns it slowly, wondrously, no teeth or tongue, just the gentle brush of his mouth against yours: the innocence of it is bittersweet - has anyone ever kissed him this tenderly?

Carefully, you withdraw, wanting to see him, but he does not let you meet his eyes, instead hiding his face in your neck, his lips at the hollow of your throat. You grant him the privacy of not being seen when you feel wetness on your skin, his hot tears tracking down and pooling in your collarbone - his hands ball at his sides, and you pry open his fingers and lace yours with his, pressing a kiss to his knuckles. Tightly, you wrap your arms around him, holding him with a hand cupping the back of his head, cradling him to your chest.

Your voice is quiet in the still air, but it carries as if through an arena, a promise arcing through the air like a soaring arrow.

‘You no longer walk this world alone, Feyd-Rautha.’

best believe when i started writing this i did not anticipate the 2x 'good boy's 🧍

dune taglist: @callumsgirl @oh-you-mean-me @insufferablyunbearable

#feyd rautha #feyd rautha harkonnen #austin butler #dune #dune two #dune part two #dune 2 #dune part 2 #dune ii #dune part ii #feyd rautha fic #feyd rautha fanfiction #feyd-rautha #dune fanfiction #dune smut #atreides #house harkonnen #feyd rautha x reader #feyd x reader #feyd x you #feyd rautha x you #dune x you #feyd oneshot #feyd x y/n #dune x y/n #feyd angst #feyd fluff #feyd smut #feyd rautha smut #sub feyd rautha

[erwinsvow]

imagine if rafe and pogue reader’s relationship was just a bet between him and his kook friends, to see if he could ACTUALLY get her to fall in love with him, like to get her to be all over him and how long that would last, and the reader finds out omgggg. And they break up lol

you think the ending bits of the conversation between your boyfriend and his friends hurts more than everything you just overheard.

"you really think i'd settle for some fuckin' pogue pussy? nah man, top owes me fifty bucks now."

you hadn't heard the entire exchange, just from the part where you heard your name. stupidly, like a naive girl in love with the type of boy she'd only ever dreamt about, you tuned in, thinking rafe was telling his friends something you'd want to hear.

hiding—as embarassing as it is—behind the wall, holding back tears though they don't care enough to stay held back, they pour down your cheeks as the hits keep coming. the boys laugh, but the ringing in your ears had been so loud you hadn't heard the rest of the joke, didn't understand what was so funny.

the first thought in your mind is that you can't believe how stupid you were. the second is that pope and jj and john b had all been right, that it was too good to be true, that he was playing you somehow, that he was a liar and scumbag. you had ignored what your best friends had been telling you, trying so hard to believe that they were wrong, that they didn't know rafe, or at least your rafe, the one who was sweet and funny and never let you drive anywhere or pay for a thing, the one who paraded you around town like you were something who deserved to be showed off, the one who you took back to your tiny house and introduced to your hard-working parents.

you resist the urge to slide down the wall you're leaning against, though every muscle in your body wants to keel over and cry until you can't cry anymore.

you'd been embarassed enough—they didn't need to see you like this too. wiping away tears with the back of your hand, sniffling but trying to stay quiet, you wait for the boys to walk away so you could sneak out of here and pretend that you'd never even come—though you'd only come because rafe said he was having friends over and you'd baked them some snacks for their game, thought you were being a good girlfriend and doing the things a good girlfriend does.

footsteps and laughter echo in the other room—they're gone. the second it's silent, a sob wrangles itself out, eyes getting blurry again. you don't know how you're gonna bike home if you can't stop crying. your fingers fly across your screen, dialing jj's number. you'd been upset at the blond because he seemed to be the most against you and rafe dating, had the meanest things to say and was the first to insinuate there was something wrong if rafe wanted to date you.

you'd been so insulted, so hurt by his words that the two of you had gone from talking every single day to maybe once a week. you hope he doesn't hold it against you now, but a part of you knows jj never would—that's just the kind of guy he is. he answers by the second ring, and you try to stay quiet, just incase they hear you.

"j? can you come get me? i-um, i'm at tannyhill-" the last part is said with another sob, breaking into a fit of tears again. he says he's with pope and that he's coming, and you hate that they heard you cry, because knowing the two of them they'll go thirty over if they think you're upset. you wanna get out of here, but you don't want them to die.

heart thudding, eyes watery, limbs weak, you stay against that wall for a moment. before you can make your way to the door, rafe's figure steps in to where you are. he sees you before you see him—shoulders shaking, hands wiping away tears.

when you turn to look at him, it doesn't take more a second to know you heard something you shouldn't have.

"hey, listen to me-" he gets closer, and you flinch, backing away. you want to say something mean, something snarky, something that'll hurt him as much as he's hurt you. nothing comes out, and you stare back at him, and you hope he remembers how hard he's made you cry, because you've decided it then and there—you're never seeing rafe cameron ever again.

you dart past him to the door. he follows, reaching out to grab you, but you take off, running down his driveway and into the truck he recognizes as heyward's. you get in, in between pope and jj. the last thing he sees is you crying into maybank's chest while they drive you away, and the last thing he thinks is wondering what the hell he had just done.

#i actually dont like writing much angst so sorry if this sucks #this ask has been here for so long and i knew i could do something with it i just couldnt place it yet #<3 i love u jj #rafe cameron #rafe cameron x reader

[pomefioredove]

boop

summary: booping them + their reactions type of post: headcanons characters: third years additional info: is short, platonic or romantic, reader is gender neutral author's note: this would've been good to post for the tumblr april fool's event but I missed out so you're getting it now instead!

���𝐫𝐞𝐲 𝐂𝐥𝐨𝐯𝐞𝐫 ˗ˏˋ ♡ ˎˊ˗

hmm... okay!

trey often navigates his interactions with other students based on his interactions with his siblings

there's an order to human behavior, after all

especially with the underclassmen shenanigans (he's really seen it all at this point; don't ask)

none of his siblings, however, have walked up to him unannounced and booped his nose

not yet, at least?

it seems to make you happy though, so he just smiles

half of his job as vice housewarden is "going along with it"

he's pretty used to nonsense

𝐂𝐚𝐭𝐞𝐫 𝐃𝐢𝐚𝐦𝐨𝐧𝐝 ˗ˏˋ ♡ ˎˊ˗

he's editing something on his phone the first time you try and doesn't even notice it

...and the second time, and the third

it becomes a sort of routine for you

tentatively trying to see how many times you can get away with it before he finally notices and says something

and it only spirals from there, of course

you'll up to him while he's talking to someone else, boop him, and walk away

(much to the other person's confusion)

does he notice? yeah, of course

do you need to know that he notices? ...maybe not

he likes the attention, just let him have this one

𝐋𝐞𝐨𝐧𝐚 𝐊𝐢𝐧𝐠𝐬𝐜𝐡𝐨𝐥𝐚𝐫 ⋆˚⸙˖°༄✩⊹

he gnaws your hand off

okay, not really. too messy for him

(and the consequences would be such a headache to deal with...)

but he is all grumpy because you woke him up for that

"What was that supposed to be? -_- Don't do that again,"

rolls over and goes back to sleep

you're lucky he reacted as nonchalantly as he did tbh, lions don't like being pet, and he could've kicked you out of his room in a heartbeat for that

(maybe you get a special pass to be annoying)

note to you: don't do that again

𝐑𝐨𝐨𝐤 𝐇𝐮𝐧𝐭 ˚⊹˚₊🕊 ˚✧ ₊

boops you back right away

does he necessarily know what that means? no, but he'll find out soon enough anyway

and based off your body language and expression it seems like a gesture of affection

...which he's all too happy to return

(he's so excited to be touching you affectionately he could explode)

now every time you see each other you end up going back and forth for hours

"boop!" "boop!" "boop!"

that's one sure way to give Vil a headache

(you may or may not end up temporarily banned from Pomefiore for disturbing the peace)

𝐕𝐢𝐥 𝐒𝐜𝐡𝐨𝐞𝐧𝐡𝐞𝐢𝐭 ˚⊹˚₊🕊 ˚✧ ₊

you'd assume he gets annoyed, right?

well, he's a little surprised at first (people just don't go around touching him, after all)

then he just smiles

"Remember what we said about asking before touching, hm?"

you're lucky he thinks you're cute

(if not a little strange)

like, so lucky

congratulations on being the only human on earth who gets away with casually touching his face like that

𝐈𝐝𝐢𝐚 𝐒𝐡𝐫𝐨𝐮𝐝 ₊✩‧₊˚⊹༄˚₊모‧₊

well. what do you expect

his eyes widen and his face (and hair) go pink and he internally freaks out (but externally just stands there)

"Um... What was that for?"

Idia might be a little more familiar with the conventions of a boop than anyone else

it's what you do to adorable little animals, right? like kitties and puppies?

so... why are you doing it to him?

if you say you "just felt like it" he might believe you

if you say it's because you think he's cute he will be avoiding you for the rest of the month

good luck!

𝐌𝐚𝐥𝐥𝐞𝐮𝐬 𝐃𝐫𝐚𝐜𝐨𝐧𝐢𝐚 ✩⁺₊°⊹ ᶻ 𝗓 𐰁 ☽｡°⊹

blinks.

has zero clue what you meant by that

but you seem happy with yourself so it couldn't have been a bad thing, right?

"I'm unfamiliar with that gesture. Is that a greeting from your home?"

you explain that it's a sort of affection you show towards cute things

"Oh, well... you're quite brave. I'm honored,"

he's definitely all sunshine and rainbows for the rest of the week

he's all but giggling and kicking his feet back and forth

no one really questions him

and he doesn't really explain

(if Sebek finds out you booped the heir to the throne of Briar Valley as if he were a kitty cat he will gnaw your hand off)

𝐋𝐢𝐥𝐢𝐚 𝐕𝐚𝐧𝐫𝐨𝐮𝐠𝐞 ✩⁺₊°⊹ ᶻ 𝗓 𐰁 ☽｡°⊹

pleasantly surprised, doesn't even question it

he is adorable, after all, he can't blame you for wanting to be affectionate with him

boops you back, of course

after all, aren't you just the cutest thing too?

if you try to walk away after booping him he will find you to return the favor

will somehow make it a competitive sport

waiting for you around corners, hiding in every nook and cranny so that he might catch you by surprise and boop you

(he is totally keeping count of who's ahead)

it makes the school a warzone for like a solid week before Silver's pleas to "please be normal about the prefect" finally work

(AKA Lilia gets bored of it and finds another way to be close to you)

#queued #twisted wonderland x reader #twst x reader #trey clover x reader #cater diamond x reader #leona kingscholar x reader #rook hunt x reader #vil schoenheit x reader #idia shroud x reader #malleus draconia x reader #lilia vanrouge x reader

[pit-and-the-pen]

Azriel NSFW alphabet

Literally just Azriel brain rot. Buckle in

NSFW below the cut (18+ minors don’t interact)

A = Aftercare (what they’re like after sex)

I’m a firm believer that this man is the biggest cuddler after sex. He will fully wrap you in his arms and wings and just hold you close to him. He’ll give you sweet kisses on your forehead and the top of your head, humming as he does.

If anything is particularly rough (Which I am a firm believer in dom Azriel) he’ll draw you a bath and smooth out any sore muscles with his hands.

Basically this dude knows what it’s like to be left alone and would rather die than make you feel like that after being intimate

B = Body part (their favorite body part of theirs and also their partner’s)

On him, like any good Iilyrian baby, it’s his wings. Besides the normal ego the wings normally come with, he’s able to look at them and see all the good they’ve done. Proof of how far he’s come in life. He’d learn how to fly, become one of the top Iilyrian warriors and had an amazing family. Looking at his wings, the same wings he shares with his brothers, he can’t help but feel his pride stir.

On you, everyone always goes back and forth on boobs or ass but are missing the best option. Thighs. Azriel adores your thighs. Something about the soft feeling of them under his hands instantly comforts him. And not only in a sexual way (although he has pushed your thighs tighter around his head on multiple occasions) but comforting like a cat kneading on a blanket. He loves using them as a pillow, you playing with his hair as you talk about your different days or you both reading a book. He loves your thighs no matter the size, the stretch marks, he loves every inch of them

C = Cum (anything to do with cum, basically)

I feel like all the fae males cum a ton. Probably left over from centuries of breeding being the most important thing, but Azriel takes the cake. For sake of not having to find something to clean up the sheer amount, he’s almost always coming inside of you. And even then it’s still enough that it runs out of you, something that normally is enough to make you both want round two.

I also feel like if he’s in one of his more dominant moods that once he does cum inside you he’ll use his finger to push it back in, mouth parted as he sees just the sheer amount that pools onto the sheets

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

I feel like you and Azriel would be pretty open with each other. He doesn’t want to hide things from you and he wouldn’t want you too either

That being said, I do think he likes you being dominant more than he would ever let you know. The way the tone of your voice drops slightly, the way you tease him is enough to drive him crazy. You always seem to know when he needs it too. There's not one particular thing he could point out to say he loved but you doming him is something he enjoys a lot when it happens.

E = Experience (how experienced are they? do they know what they’re doing?)

This man is quiet but that doesn’t mean that he hasn’t had plenty of experience. I mean, look at this man. Tell me you wouldn’t have to fight off both males and females when the mating bond first snapped. This man fully knows what he’s doing and I firmly believe his spymaster skills make him perfect at learning exactly what you need to make you into a complete whining mess.

F = Favorite position (this goes without saying)

He loves when you ride him. Something about feeling your thighs spread out on top of him and having full access to your chest and throat just does something for him.

I also live and die by Azriel having a breeding kink so I think he would love having you in a mating press. Your legs perched up on his shoulders as he presses so deep into you you can’t do anything but scream his name. He would still be free to pepper kisses all over your neck and face and he can feel how deep his cum is pumped into you.

G = Goofy (are they more serious in the moment? Are they humorous? etc.)

He is pretty serious overall. It’s that dom persona but sometimes when you try a new position or play and something twists the way it's not supposed to or your bodies just make the noises bodies do, you’re both laughing and giggling. On slower nights you two can make jokes but overall it’s pretty serious because the love you two have for each other runs so deeply.

H = Hair (how well groomed are they? Does the carpet match the drapes? etc.)

I think he keeps it trimmed. He defo has a happy trail that you love to kiss down. But he doesn’t really care about what’s going on down there, especially when it comes to you. As long as he can get between your legs, he doesn’t care how much or how little hair you have. And I think his hair is a little lighter but not by much.

I = Intimacy (how are they during the moment? the romantic aspect)

Azriel can be tooth rotting sweet when he wants to be. I’m talking rose petals and candles, full body massage. He would pull out all the stops when it comes to spoiling you.

J = Jack off (masturbation headcanon)

When he’s away on missions he would try. Some errant thought of you would cross his mind and since he has a hard time sleeping on missions, he would try to rub one out but it never feels the same so he doesn’t really bother with it. He has you and you’re more than happy to help him whenever he has one of his random moments of need rushing through him.

K = Kink (one or more of their kinks)

Restrains- He loves holding your wrists down, whether it’s with his own hands wrapped around your wrists pinned above you heads, or his shadows holding down all of your limbs as he absolutely worships your body, something about seeing you desperately trying to reach out and touch him makes him go feral.

Wing Play- At first you both were very tentative for you to touch his wings. He’s so proud of them and despite the fact that you’re mates, it felt too intimate. But after much begging on his part, you finally did and gods. His usual perfect timing was fully broken the first time. He came in his pants like a teenager and spent the rest of the night absolutely worshiping you. From then on, if you ever wanted to have him on his knees, you would just run a nail softly along the membranes and he would be a whimpering mess for you.

Brat Tamer- This male would love it when you talk back to him. The way you would puff up your chest, staring up at him trying your best to be intimidating. He would just coo at you and whisper something about keeping up that attitude later in the bedroom. And of course the moment the door closed to your shared bedroom, you would be apologizing for your words. Maybe if he’s feeling nice, he’ll let you off but if he’s not. You would definitely be limping around the next day.

Breeding kink- He would love to fill you up. As much as he adores seeing his cum on various parts of your body. Theres nothing he loves more than seeing it drip out of you, fucking it back into you with his fingers or his tongue.

L = Location (favorite places to do the do)

He prefers your bedroom truthfully. The two of you have made it so comfortable, bits and pieces of the both of you filled the space. The way your smell mixed with his lingers around puts him instantly at ease.

M = Motivation (what turns them on, gets them going)

For real, you could just look at this man and he would be hard as a rock. Seeing you sparing with Cassian would also be a sure fire way to get him going. Or if you are trying to get him really riled up, placing your hand on someones arm as you’re talking to them would have him literally picking you up and throwing you over his shoulder to remind you exactly who you belong to.

N = No (something they wouldn’t do, turn offs)

No temperature play of any kind, no ice or fire. Fire/wax for obvious reasons but cold/ ice because it reminds him of the winters at the war camp and those memories are not something he wants to imagine when he’s having sex.

O = Oral (preference in giving or receiving, skill, etc.)

This man will eat you out like he has been stranded in the desert for a hundred years. He cannot get enough of you. He’ll hold down your hips, shadows holding your arms down. Absolute filthy noises would be spilling out of his mouth as he lapped you up. You would literally have to pull him away by his hair and his face would be covered in your arousal. He could go down on you for hours if you would let him and he would still probably whine as you pulled him away.

That being said, this man does love a good blow job. I think he would have two moods. One where he’s just letting you explore, tongue lapping at him and he’d let you set your own pace. Just taking everything you would give him. Now. On nights where you have done nothing but tease him. Strap in because this man will (consensually) push you down to your knees with your hands tied behind you back and use your throat like it was a damn fleshlight. He would keep going until spit was trailing down your chin, eyes glassy with tears. When he finally did cum he would make you hold it on your tongue before telling you to swallow, sticking out your tongue afterwards to show him that you were a good girl and listened to him.

P = Pace (are they fast and rough? slow and sensual? etc.)

This man is the best of both worlds. Depending on both of your moods it can be soft and slow or wall shakingly rough. Sometimes he’ll being going slow and you’ll push his hips to make him pound into you and the little bit of control he’ll have snaps and before you know it, he’s flipping you over and fucking you hard enough to have you seeing stars. But on nights when both of you need to show your love to each other, he’s simply just grinding into you. Hitting that perfect spot inside of you and I love you’s are spilling past both of your lips unhurried.

Q = Quickie (their opinions on quickies, how often, etc.)

He’s not totally against them. When the mating bond first snapped all you had to do was look at him the right way and he was taking you against the nearest surface. More than once during trips to the court of nightmares you two were found tucked away into corners, both in various states of undress. His shadows were particularly helpful during these moments because he could wrap you in them and make sure no one saw that the front of your dress was pulled down or how your skirt was hiked up to your waist. But for the most part, he likes taking his time with you. He wants the time to take you apart piece by piece and have you screaming and shaking beneath him.

R = Risk (Are they game to experiment? Do they take risks? etc.)

SJM told us this man was a freak and I firmly believe it. There’s very few things that he isn’t willing to try at least once. If he thinks it will make you happy then he’s game.

S = Stamina (how many rounds can they go for? how long do they last?)

This man could go all night if you would let him. Your stamina would give out long before he would. And he’s almost always making sure that you get off at least once but we all know there would be many many more before he would even think about his own release.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

I have no idea what toys exist in this world but lets pretend the ones that exist in Crescent City are available. I think he would for sure have a vibrator. More than once he has had you tied up in your bed, vibrator strapped to your thigh and just stood at the other end of the room. You would be half delirious with the amount of orgasms the toy had pulled from you before he turned it off with a smirk at how totally fucked out you were.

U = Unfair (how much they like to tease)

This man is the biggest tease. He knows how much you love his muscles so he would just walk around the house shirtless. Commenting on how your eyes followed him like he was a snack you wanted to devour. He would tease you for that glazed look in your eyes and how your pupils would dilate. If anyone was ever around when this happened you would blush as he slowly raised a hand to shut your slightly open jaw. Laughing softly as everyone else started to slowly leave the room because they knew what was about to happen.

V = Volume (how loud they are, what sounds they make, etc.)

Listen. For how quiet this man is around the inner circle, he would be moaning and panting into your ear. His dirty talk alone is enough to reduce you to a shaking mess. But when he’s pounding into you he’ll be cursing and roaring against you. More than once you’ve had someone pounding on the door because of how loud the two of you were being. He would only make it a point to be even louder when that did happen and when the two of you finally crawled out of your bedroom, the house would be empty.

W = Wild card (a random headcanon for the character)

Azriel was terrified the first time you two had sex. It’s no secret that he’s insecure when it comes to his hands and he was afraid that you would be wary to have him finger you but that fear was quickly dismissed when you begged for his fingers. Now whenever he seems to get too far into his head, all you have to do is slip one of his giant fingers into your mouth and he would snap out whatever funk he was in and he would go absolutely feral. You made the mistake of doing it at dinner with the rest of the inner circle once and everyone just stared at you two with wide eyes as Azriel just sat back further into his chair, legs spreading as he smirked with pure male satisfaction.

X = X-ray (let’s see what’s going on under those clothes)

Our shadowslinger is hung. I think he’s at least 8 inches but he’s also thick. Like if you wrap your hand around him, your fingers just barely touch. The illyrian joke about wings is definitely true and he’s the biggest of the three males. The rest of the girls nearly fell out of their chairs when they held their hands out trying to get you to spill just how big he was. All three sisters and Mor are just sitting there like 🫸 🫷“What do you mean , keep going??? Girl are you okay???”

Y = Yearning (how high is their sex drive?)

Mother. This man’s sex drive is ridiculous. Despite having many partners over the years, there was a lot of time between then and he never let them be truly intimate, opting for quick fucks that were satisfying on the surface level for sure but he desperately yearned for real intimacy. So once he found you he couldn’t get enough of you and you him.

Z = Zzz (how quickly they fall asleep afterwards)

He’ll always wait for you to fall asleep. And you normally fall asleep pretty quickly after he’s rung orgasm after orgasm out of you. Some nights we would just stare at you as you slept soundly besides him, wondering how he got so lucky to have you next to him.

#acomaf #acosf #acotar fanfiction #azriel acotar #acotar #acowar #azriel smut #azriel nswf #this is just self indulgent at this point #i need him biblically #i need him in a way that is concerning to feminism #azriel shadowsinger smut #azriel x reader #azriel spymaster #azriel

[fairuzfan]

I'm sorry for being so stupid with this stuff but what exactly is not voting supposed to do?

I always see people say not to vote and just leave it at that with nothing to do beyond that and I'm not entirely sure what the purpose of not voting is anyway because I don't think the movement is big enough for politicians to really care. I would love it if you could explain it to me please.

I guess my question in response is that I don't understand what *voting* is supposed to do? Like what are your goals for voting? For the "vote uncommitted" campaign, it's to scare Biden enough that he takes some sort of a stance. But for voting for him...? What does that do other than not have trump in office? And "not having trump in office" is an ideologically meaningless position if the person you're voting for is an out and proud genocider. So like, who are you helping if you claim to care about Palestine?

My point is, I genuinely don't understand that if you're someone who cares about people dying — which is what Biden supporters say is the reason they're voting Biden no matter what — then why are you voting for the guy that is killing people so openly? What is the moral reasoning? Is it "sacrifice the few to save the many"? If so, then you're not voting on the basis of caring, you're doing a cost benefit analysis using human lives. That's at its core a morally flawed way to look at the world.

So how can you, as a moral person, agree to subscribe to such an immoral system that forces you to make this "decision"?

I know I'm getting more ideological than practical here but there needs to be a serious reckoning behind why everyone is ok with being part of this system we are in. "Well what else would you have us do?" Some might say. And in response, I'd say, I don't know. But to be a moral person as you claim you want to be, should you not refute immorality as a structural system?

I'm not sure if this answered your question, if not feel free to send again but honestly, my only real response to "what does not voting do" is a headscratch because I don't understand what *voting* does that you believe will fix any of the problems we have?

[chatsukimi]

POV. STREATRACER!TOJI asks to borrow your last name.

.･*:｡.･*:｡.･*:｡.･*:｡.･*:｡.･*:｡.･*:｡.･*:｡.･

“What do you mean you don’t want your last name printed on your uniform?”

Toji, your trust fund racer and favourite bet, shrugs. “Already said, I won’t race with the name Zen’in.”

You sit down at your desk. It’s after school, and you and the spoiled soon-to-be college reject are sitting in the classroom.

You throw your hands up. “But why? What’s bad about Zen’in?”

“Everything,” he deadpans.

Staring at the guy for a flat five seconds, you realise he won’t change his mind, or explain himself, which you should have expected from a guy going broke despite his millionaire family.

Toji props himself up on the desk beside yours, leaning on his knees as though thinking. A few seconds pass.

He offers, “why don’t I use yours?”

“My what?”

“Your last name,” he suggests, breezing through the prospect at horrifying speed. “It works. You’re sponsoring me anyways.”

You blink twice. Delayed reaction.

“What?!” you squeak out.

Toji smirks, leaning on his palm watching you. “What?” he repeats, playing innocent. He sports a smug look in his green eyes and even bothers to scan your notebook splayed out on your desk, reading your last name out loud to himself. “Nice.”

No. Not nice. They’ll assume you're- you're- your cheeks heat up.

He looks at you, bearing a smile that's all teeth. 'We could be cousins.'

The guy even dares to pat you on the shoulder at that. You shake him off. No one at the race would believe you two are related.

"No."

'No?' he echoes, cocking his head, tempting you to speak. 'What could we be then?'

"We can be... can be..." you think to yourself, before noticing his hands landing on your shoulder, massaging them like a habit. He's sauntered over from his chair.

Comforting, but still...

Bad habit.

Your heart stutters.

Baaad habit.

"Hm?" He chuckles when he sees you realise. "What would we be?"

You swallow, the small proximity between the two of you taking your mind on a field trip; him standing behind your seat and you, fidgeting your hands under the desk like crazy.

"Nothing."

He raises an eyebrow.

"I don't think taking your last name means nothing," he presses, serious.

How is he saying this with such a straight face? You're looking anywhere in the classroom but Toji, hoping he might just drop the subject. What's wrong with his last name anyways? What is he even insinuating? Does he really-

"I don't think I'll get tired of that face in ten years' time," he states.

Toji Zen'in is a blunt guy. When he said he hates his last name, he meant it. When he says he wants yours, well, no one's calling this guy a liar, are they?

It's been a while since you started sponsoring his races, and he's grown accustomed to your face in the stands. Always too far away, though. You always have on that dispassionate expression as a gambler, as though he's one of the rest.

For once, he cannot be just one of the rest.

“I'm... not sure what you mean." Your eyes move to the sunset outside, ignoring the way you bite your lip.

He studies your face for a minute before smirking again. "You're dabbling in illegal motorsports and can't look me in the eye."

You wince.

You murmur, "well then maybe you should say directly what you mean then."

You're so cute like this, pretending you don't like him too.

He walks around the table to face you properly. All of a sudden you can imagine your name on his back as he gets into the vehicle to race, as the stands to hear the cheers of the crowd. He'd wear it well. He coughs to get your attention.

“I’m saying.” He places his hands on his hips, shrugging as he goes. “Maybe let's be married. Just one day.”

Only, he doesn't intend for it to be one day. He wants you to remember your last name on him, keep the moment in your head; he'll wear it better than anyone else.

…

It is at that moment when the times come out and the trophies are awarded that he drapes his arm around your waist. The wink he throws your way, accomplice. Spectators ask what's his name.

And this is the moment you become more than his financier or the bets you place on him to win.

He speaks it into the microphone, proud for the stadium, the world. to hear.

And this is the moment you glance up at him with more than just a shallow smile, saying 'congrats'.

The word reverberates over the race track in a powerful wave.

He spoke into the microphone and the name is yours.

pt. 1

#jjk #jujutsu kaisen x reader #toji fushiguro #toji x reader #toji #toji fluff #jujutsu kaisen fluff #jjk headcanons #toji dr #toji drabbles #toji headcanons #anime #jujutsu kaisen

[closetsof-backlogged-dreams]

okay so I’ve seen and loved a bunch of these posts already but everything u say is immediately correct and amazing and sending u asks is the best

opinions on why zukka works and makes sense as a ship and if you think it could work in canon (outside of fanon)?

I CANT BELIEVE YOU JUST MADE MY ENTIRE LIFE COMPLETE AND FULL BY ASKING ME THIS QUESTIONNNN (strap in folks hold on to your hats keep a good hold on your bladders bc this is 10+ years worth of BUSINESS)

Why "Zukka" works and makes sense as a ship

something i've discussed THROUGHLY with my notes app and a school slides presentation is that Zuko and Sokka are both direct parallels AND contrasts to one another, at the same time. i'll list them out here:

Their fathers' roles in their lives

Both Hakoda and Ozai were the leaders of their respective nations, with Sokka and Zuko as the heirs. Then, they both become absent in their sons' lives and leave them to fend for themselves.

This is a parallel, but this is also where they contrast. Sokka's father left to go fight in the war, a noble and honest pursuit, and left Sokka to protect his sister and the village.

Ozai, on the other hand, cast Zuko out of the nation and forced him to protect and defend himself, while effectively turning all their people and his own sister against him.

Their sisters' roles in their lives

Despite both of them being the oldest sibling and brother, they both have severe inferiority complexes due to their younger, powerful bending sisters.

With Katara, she was the only waterbender in the entire tribe, a marvel. She could learn to protect the tribe in a way that Sokka had been trying all his life, and she eventually does. Despite all this, Katara is still a grounding and valued person in his life, and he would be completely lost without her (something he openly admits to in canon!!)

With Azula, she was a prodigy firebender, while also being a special kind of keen and cunning. She was adored by their father and grandfather and Zuko could never quite measure up. Because of this, Azula is the main villain in Zuko's childhood. She does everything she can to break him down, and that continues when she returns as a character in his life in season two. All throughout the show, instead of being a source of comfort and familial love, she is his main obstacle he must overcome.

The loss of their mothers

Both Sokka and Zuko lost their mothers at very young ages to the Fire Nation, but they had vastly different impacts on their families (and further developed their sisters' roles in their lives!!)

When Sokka's mother died, she was killed by a Fire Nation general. Katara quickly took over the motherly role in his life, cementing her place as a grounding and comforting force. Her death also did not break their family. It deeply hurt all of them, but Katara, Sokka, and Hakoda still loved one another just as much as before.

When Zuko's mother died (obviously not really, but this is what he believes for many years), she was "killed" in order for his father to ascend to the throne and become Fire Lord. This left Zuko without anyone to protect him from Azula's tormenting and cemented her place as a destructive, villainous person in his life. Ursa's death also did destroy their family. Whatever way she had managed to keep them all together was eradicated, and Zuko was left with a sister and father that resented him and a sister fighting for his place in the line of succession.

Their obessesions

Both Sokka and Zuko had two bone-deep obsessions that were very defining parts of their characters in the first season, that slowly wavered and faded away as the story progressed and they developed as people. They were both given these obsessions by their fathers immediately before they became absent in their lives (whether leaving themself or sending their son away) and proceeded to dedicate their entire life to these goals in the name of honor.

With Sokka, his father asked him to protect his sister and his village. Sokka then dedicates all his time and energy to becoming a brave soldier and training the children of the village in order to protect his people. This is seen further in season one even after they leave, when he is overly protective of Katara and constantly worried for her safety (something this fandom doesn't talk about enough!!)

With Zuko, his father sent him on a wild goose-chase to find the hundred-years-lost Avatar, and when he actually does, all he can do is chase after Aang so he can go back home. As we see in season three, letting go of capturing the Avatar was essentially letting go of his former self.

Unlearning their flawed cultures (the big one!!!!)

Both of their cultures had many flaws that became ingrained in their belief systems and characters; their whole development is dedicated to unlearning these flawed teachings and reorienting their perception of the world.

It is very obvious throughout the shows that the Water Tribe had strict gender roles that were both implicitly and explicitly taught from birth. The men go off to fight in the war, the women take care of the children, Sokka has to protect his "defenseless" little sister, etc. Suki helped start him on the journey of unlearning his deeply-rooted misogyny, and by the end of the series he's really drinking the Respect Women Juice™️ (unlearning the flaws of his culture also brought him much closer to his sister and strengthened their bond and respect for one another)

The Fire Nation is a lot more complicated with a lot more cultural nuances and implicit and explicit teachings, but we'll focus on one central cultural theme: the constant prioritization of ambition over absolutely everything else, including (if not especially) love. (I actually talk about this extensively in another analysis post about Azula, if you want to check that out<3) We see Zuko battle with this teaching all throughout the series, and it is the main conflict he faces, at its heart.

We watch him commit his entire life to capturing the Avatar in season one. We watch him betray his uncle in season two. We watch him, time and time again, put his own health and safety on the line trying to capture Aang, especially in season one. Constantly, over and over again, he puts his ambition first because that was what he was taught.

And though this is a trait him and Azula share, it is also what pits them against each other. Azula's entire character is built on putting ambition first, and that leads her to chasing the throne that is Zuko's birthright. Zuko just wants to go home, but that would reestablish him as the heir to the throne. Time and time again, we watch them fight and betray each other, constantly battling for this crown for a broken nation. In the end, it is Azula's undoing, but that's another post.

All in all, unlearning the flaws of their culture is central to their development as characters and a place where they parallel... but it is also a place where they directly (and perfectly) contrast.

Despite the cruelty of the Fire Nation, they are the only military that includes women. They seem to not really struggle with the same gender roles the rest of the world does. They may be colonizers, but they're not misogynists. Zuko never looked down on his sister because she was a woman, nor did her father. It was always her propensity for cruelty that undid her. (They even send a team of highly skilled women to capture the Avatar!!)

This is a direct contrast to the teachings of the Water Tribe, which are entrenched in misogyny and gender roles. The men go off to war, the women stay behind. The men are strong, the women are weak. Can you imagine how much Zuko could have assisted Sokka in his development here? (blah blah directly paralleling Suki's role in Sokka's life blah blah blah)

In the Water Tribe, love and family comes before everything. We see that time and time again. Sokka's main priority, every time, is his sister and his tribe. They stick together. They love one another. They are united, with one person leading them as a group but not standing over them like a tyrant. "Ambition" seems like a mostly unheard of concept in their nation. The only ambition we ever really see from Sokka is when he's trying to protect his tribe (season one finale)!!

Can you imagine how much Sokka could have helped Zuko unlearn his constant prioritization of ambition?? Like, come on. All the things Zuko was left to stew with and angst over all on his own Sokka could have gently taken into his own hands and shown him the way. Like, it actually makes me go feral just thinking about it. Sokka could have helped Zuko so much!! (pushing the Ba Sing Se Zukka AU rn)

Consensus

Okay, let's recap. It looks like Zuko and Sokka are both direct parallels and contrasts, paralleling in the ways that allow them to understand each other but contrasting in the ways that help them heal one another. Like, it's actually insane. I really don't know if it was intentional or not but it's really just so perfect. They slot together perfectly as characters. I hope this all made sense😭😭

Could "Zukka" work in canon?

Now, this is tricky. Believe it or not I'm actually really glad they didn't make Zukka canon. ATLA had a huge problem with writing good romance, and in the canon we saw in the show, neither Sokka or Zuko were in a place to get together.

I've enjoyed my fair share of Zukka AUs where they get together before the end of the war, but you and I both know that would have been a hot mess. (Both of them just weren't ready, they were both in relationships, and sorry but they were kinda busy—Katara was right about the whole "there are other things to worry about.") If they were ever to get together in canon, it would have to be years after the war ended.

Let's address a few things that needed to happen before they could ever have gotten together:

Finally admitting that Maiko was just an extreme example of comphet

Zuko did not give a single shit about that girl. Like. He didn't even personally go get her out of prison WHEN SHE WAS LITERALLY ARRESTED FOR PROTECTING HIM😭😭 And then they try to play off their story as some big epic romance?? uhhhh no

(really, Mai was in long-time unrequited love with Ty Lee that was finally requited after Boiling Rock but idk if society is ready for that yet)

Not to mention, Azula literally forced both of them into that relationship, but if I get started with that I'll never stop so. Moving on.

Figuring out Sokka and Suki

Okay, so while there is a good chance that Sokka and Suki could have made it work in canon, there is also a good chance they would have broken up. They both had very different priorities: while they both did care about overall world peace, it was obvious from Suki's first introduction that her Kyoshi Warriors were her top priority every time, and Sokka's was his tribe, his found family (Aang, Katara, Toph, Zuko, yk yk), and world peace at large. You're telling me those don't conflict? Especially because they really seem like a Piper/Jason situation, where they found comfort and love in each other during wartime but wouldn't have known how to keep up the relationship without the constant threat of death.

Overall, in order for Zukka to work, Sokka and Suki would have had to break up, which would not have been difficult to arrange.

Sokka needed to go home and begin rebuilding the Water Tribe

No matter how much I adore fics where Sokka stays behind in the Fire Nation and helps Zuko rebuild, it just wouldn't work. Sokka's obvious priority had always been his tribe. The second the war was over (ignoring the comics bc that's a can of complicated worms i don't want to get into), he would've gone back with Katara to work on rebuilding their destroyed tribe. Only once the Southern Tribe could stand steadily on its own two legs could he have even considered leaving.

Anyways, that's really it. In order for Zukka to work, three plot points would have to be resolved: Maiko, Sukka, and the reparation of the Southern Water Tribe. Extremely doable, imo.

Personality-wise and just as characters, would it have worked?

I really think it would have! Like I said before, Sokka and Zuko are two characters that perfectly parallel and contrast at all the exactly right points to make them slot together flawlessly as a pair. (Whether that's romantic or not—doesn't matter.) Really, I genuinely think they are a real missed opportunity. I have genuinely never seen two characters that seem so different that actually work that well together, or even just characters that work that well together at all.

Like, I really mean it, they are perfect matches. It's genuinely scary. Like it or not, no one will ever be able to replicate the perfection of what Zukka could have been.

Anyone that says that it's "random" or "doesn't work" obviously hasn't been watching the same show or simply just hasn't been paying attention. People might ship it just because it's opposites attract or red and blue or even just the most accessible MLM ship in the fandom, but they really are perfect for each other.

alright, I think that's it! sorry for this monster of a post😭😭 genuinely did NOT expect that to happen. PLS SEND ME ANY ASKS YOU CAN THINK OF ABOUT THESE TWO!! i have spent a concerning amount of time thinking about them and these show has analysis potential for days, so. (and who knows, maybe i'll finally post the like three unfinished fics i have for them💀💀 god knows i should)

thanks for the ask, and have a great day <3

#atla #avatar #avatar the last airbender #zukka #atla meta #atla ana #atla analysis #zukka nation #atla zukka #sokka x zuko #zuko #sokka #atla sokka #atla zuko

[acourtofthought]

What would you say are the top 3 (or 5) strongest clues that say Elucien/Gwynriel are gonna happen? The ones that really feel so solid to you.

Ooooh, this is a good question.

For Gwynriel:

That Gwyn is the only character to treat Az's shadows as being separate from himself. It' like a guy who begins dating a girl who has children but he never pays attention to them versus the guy who goes out of his way to get to know the children, proving that he understands the girl and her children are a packaged deal.

That Az is not looking as Gwyn as someone in need of his protection. I'm sure there will be some of that in their book, mates always look out for one another, but there is a big difference between "we can do this together" versus, "I'll do it for you so you don't get hurt".

That Gwyn seems to have a bloodthirsty side to her personality, just as Az does. He can torture in a symphony of pain which means he has chosen to finesse his craft. He's not "let's get this over as quick as possible because I don't like it," it's, "I'm going to draw this out nice and slow and make it hurt in ways you never dreamed." I think he feels guilty about his enjoyment of it afterward because he thinks it makes him a bad person but I think he gets satisfaction from the actual act. Someone like Gwyn who was excited over the thought of the Valkyries cracking skulls and skewering their enemies is well matched for his brutality.

That Gwyn and Az seem to prefer a smaller group of friends over being extremely social, the life of the party. Neither seems to mind their alone time.

For Elucien, there are so many:

That Elain and Lucien share important core values. They are quick to apologize for failing others, they both prefer to avoid violence, they both enjoy being social and engaging with others. There will never be a time where they have to check up on one another, "I'm sorry, is this too overwhelming for you? We can head home if you need".

That Lucien has been loyal to Elain and only Elain ever since he found out who she was to him. No, he did not instantly love her but he chose to respect their bond while he took the time to learn about her whereas he could have easily continued his rakish ways especially after learning she was engaged to someone else. Loyalty to the FMC is sexy.

That Lucien was the one to meet Elain's father and live in the human lands. These are two enormous parts of Elain's past, things that mattered a great deal to her and it will only ever be Lucien who has insider knowledge of who her father was and what being human is about.

That SJM retconned Lucien's father so he'd have the power of the sun in his veins and had Elain constantly by the sunniest windows, as if any bit of darkness was abhorrent, claiming that she needs Sunshine.

That Elain has not yet touched or truly gotten to know Lucien. If the author wanted us to see why they were poorly matched, she would have shown them interacting. She would have shown that despite their best efforts to acknowledge their bond, they were just not fitting. Instead, she has Elain keeping Lucien at a distance book after book and I will never believe the answer to that puzzle is because "she doesn't like him," "she's clearly not interested." An author would more likely prevent two mates from interacting in a major way because she knows there is something there. She knows characters like Elain and Lucien need to remain apart because their chemistry will be obvious the second they start really talking.

Because Elain can hear Lucien's heart and because she is the most beautiful female he'd ever seen. Because he knew she needed fresh air when every single other person in the IC just accepted her being cooped up in her room for weeks. There is a connection between Elucien that is never going away and it would ruin any other romance for either character. No matter what Elain might share with someone else, Lucien is always going to hold a piece of her that the other cannot touch.

#elucien #gwynriel

[lover-of-mine]

Okay, but I kinda wanna talk about the panic attack conversation with new context, because here's the thing, the wording of that conversation is very on purpose. And Buck is calling Eddie out in a very specific way because what Buck is saying is actually "if you love me you're not going to do that to her" but like, everything about that conversation is crazy. Buck is checking in in a way I feel he's very entitled to considering that he gets Chris if something happens to Eddie, so if Eddie is seeing cardiologists, something might be wrong and I think Eddie gave up the right to privacy about his health when he signed his will, but like, does Buck assume the problem is the shooting because he is still anxious about it? And like, Buck is assuming things are fine with Ana, we have no reason to believe things aren't fine with Taylor, but you don't talk about a relationship you want to be in as just fine, and Buck is talking about loving someone who doesn't love him enough to be all the way in and he's talking about Abby, but is he? The will reveal was a love confession. But halfway done. It was a shield. Eddie hiding behind Chris. "My kid loves her" "Is that enough?". Is Buck saying your kid loves me. You offered him to me. What does it mean? Is that all it takes? If that's all it takes then why aren't you all the way in with me? Why does all I get is a maybe under a condition I can't live with? "Somehow we became a ready made family and I don't know if I'm ready for that" Buck has been taking care of Chris since he found out Chris existed. Someone assumed Eddie, Chris and Buck were a family months into them knowing each other. Is Buck seeing that as Eddie being scared of any type of family? Is Buck seeing that as Eddie being scared of his place in Chris' life? Does he think Eddie would freak out if it was him? That's pretty much the only situation where we see Buck seem genuinely mad at Eddie. Eddie confessed his love hiding behind his child, now he's having all these feelings about someone assuming Ana's place in their life. Is Buck feeling as rejected there because he has no way of knowing if Eddie wouldn't react like that if someone assumed that about them? Because the will is a love confession but is one that Buck can't accept. In his head that is conditional. And the price is something he will never be willing to pay. "If you don't want to hurt Ana, you owe it to her to be honest" "come on, Eddie, if you're not gonna be honest with Frank, at least be honest with me", "look, man, you don't need to pretend with me" was Buck begging for clarification? Was Buck asking if he's allowed to want this? Has Buck been daring Eddie to say it again because he doesn't know if he read what happened right since Eddie didn't mention it again and he can't risk being wrong? Is the miscommunication of this situation even deeper than we imagined? Did Eddie assume Buck rejected what he offered while Buck assumed Eddie didn't love him enough to offer everything? Does Eddie understand that while he offered everything, he put a condition to it that Buck will never take because Buck needs him too much to even consider? Does Eddie understand that he offered Buck everything he ever wanted and put it just out of his reach in a place Buck would never dare to reach for anyway, because he thinks the only way he gets there is if Eddie dies and Eddie dying means he's not actually getting everything he wanted? I wrote in a fic once "I can't ask for more of you, Eddie" "everything is already yours", but do they even realize that that's what's going on? That they are imagining obstacles that could be solved if they were just honest with each other the way they keep begging the other to be? Do they even understand that the only thing between them is the way they keep assuming things and acting on that assumption instead of just asking for clarification? "You don't need to decide right now" does Buck think that Eddie not telling him again means he made a decision already? Are they just looking at each other thinking they can't reach for it????????

Are they just trapped in the moment that gun went off watching the other fall away and helpless to do anything about it??????

#im gonna go crazy #911 #thoughts thoughts thoughts #buddie #buddie thoughts

[raven-at-the-writing-desk]

If it’s alright, I have a question about Vil and Epel’s relationship. I understand that the accent changing plot line is just a cultural politeness thing that didn’t carry over outside of Japan, but the other parts of changing Epel’s behavior don’t quite make sense.

Why exactly is Epel being forced to call macarons his favorite food? And act very soft-spoken? I can’t see how these fit in with the politeness aspect of the table manners, no abrasive language, etc. It just doesn’t give a very good impression, especially in combination with the unfortunate implication of giving Epel a Southern accent for the “change your accent” plot point.

Before I get to responding to the questions posed by this ask, allow me to explain for those who may not be familiar with this controversy! This is so we can all go into reading this post from the same starting point.

I've made titles to denote the explanation of background knowledge and to denote responding to the questions actually asked to me! If you're already familiar with the Vil-Epel-accent debacle then feel free to skip the first section!

Disclaimer: I’m speaking on these concepts as I personally understand them. However, I am not a native Japanese speaker so I’d advise that you consult additional resources with a better understanding of the language and culture. Two resources I enjoy are Yuurei and MysteryShopTLs, who have both also addressed Epel’s accent and how it was localized.

The Accent, EN vs JP

It’s well-known that Epel is a character with a heavy accent who has been explicitly told by Vil, his dorm leader, to alter the way he speaks. In EN, Epel speaks with what appears to be a southern (as in, “from the southern United States”) accent. Therefore, when Vil tells him to stop speaking in the accent, it feels as though Vil is shaming him for his southern roots and culture. This has also led to fans (especially of the EN-only sphere) thinking that Vil believes Epel’s accent is “unrefined” and “makes him sound uncouth/uneducated”, which is why Vil tells Epel to cover it up. I have even received asks conveying as much in the past (here is one example).

In the original JP, Epel speaks in a way that does not closely resemble any real-world Japanese dialect but rather a blend of them. If you ask a native Japanese speaker, they would likely tell you that it is difficult to understand what Epel is saying and that it sounds as though he is speaking rudely or too casually. People could genuinely take offense to the accent because it can be mistaken as something else entirely. This is obviously very different than the real-world accent (which many people can still understand and wouldn’t perceive as rude) that Epel was localized to have. The decision to give him a southern accent, then, does not completely carry over its original JP connotations into EN.

What remains the same in both EN and JP is the reason Vil provides for telling Epel to adjust the way he communicates. As he says in EN, “Speak properly" to which Epel immediately assumes the command comes from a place of elitism/classism and Vil thinking Epel's manner of speaking is beneath him. Vil responds with, "Stop misinterpreting my instructions. I have nothing against your home or its dialect. What I object to is your attitude. Being proud of your home is all well and good, but there is a time and a place for that. The way you address your superiors is entirely unacceptable." (Keep in mind that before this, Epel was the one instigating a fight with Vil and subsequently got his ass whooped for disrespecting an upperclassman. As the victor, he declares that Epel must do as he says--that's the "culture" of NRC. The weak obey the strong, so if Epel wants to do whatever he wants, then Vil challenges him to beat Epel in a fight. Until then, the loser must obey the winner. Epel agrees to these conditions.) This may be a little hard for western English speakers to wrap their heads around, but MANY Asian countries, Japan included, run on a hierarchical system which is embedded even into their languages. Japanese, for example, has honorifics to denote the relationship between the speaker and the listener, as well as variations on the same word depending on the context ("boku", "ore", "watashi", "atashi", etc. are all valid ways to refer to oneself, "onii-san", "onii-sama", "aniki", "kyodai", etc. are all ways to refer to a brother, whether blood-related or not). In some cases, it's considered rude to call others by their first name unless you know them well, and even then it's not common to see a first name without an honorific. This is not as strictly adhered to in English, which is perhaps where a cultural disconnect occurs. What Vil is referring to in his instructions to Epel is what is known in the world of linguistics as "code switching", or changing how one communicates to suit the situation. Part of code switching is changing one's "register", or the level of formality you use. So for example, I could use a colloquial/casual register when I speak with my friends, but I may shift to a more polite and formal register when I speak with my professors, a boss, or an older relative. Vil, then, is critiquing Epel for not speaking politely to his seniors (something which is expected in Japanese culture, but not expected among those in similar grade levels in western cultures).

In the Harveston Sledathon event, we get to venture to Epel's hometown and hear how the locals speak. Indeed, we get more instances of people who speak in the same way Epel does. It's the Harveston dialect, which is so distinctive that it basically sounds like a whole different language. (There are also languages like this in real life; consider Mandarin and Cantonese; technically they are both "Chinese" but Mandarin and Cantonese speakers would not be able to comprehend one another even if they use the same written language). However, it's notable that Marja (Epel's grandmother) and the mayor of Harveston are able to code switch flawlessly into a more standardized tongue. They explain that this is a skill they have developed because it helps in communicating with tourists/visitors to the village and for whenever they travel to the nearby city to sell their wares. This reinforces Vil's point that there is a "time and place" for certain ways of speaking, which Epel needs to consider.

Macarons and Soft-Spokeness

Accent thing aside, some English-speaking fans take issue with Vil's stern treatment of Epel, particularly in instances in which Vil seems to be exerting significant control over his underclassman's behaviors. (Japanese-speaking fans largely do not hold the same sentiment.) Examples of this include Vil forcing Epel to state that his favorite food is macarons, as well as making Epel present as soft-spoken even when he's just among his peers. I will now be addressing both of these points. TO BE CLEAR, I am NOT trying to defend Vil but rather I'm just going to speculate about why the circumstances are the way that they are and/or why perceptions of his attitude may differ.

Starting with macarons! It is stated in Epel's official profile and by Epel himself in his Birthday Boy vignettes that his favorite food is yakiniku (Japanese grilled meat). However, macarons are also listed as his favorite food, and this is notable because he's the only character with two foods listed instead of just one. In the aforementioned Birthday Boy vignettes, Epel is quick to qualify his love of meats with, "Well, I do have one thing I like even more. It's, ah, macarons." When asked what he likes about them, he says, "They're... cute. And sweet! And they come in lots of different flavors." His voice here sounds hesitant, so it's not clear whether he's being entirely honest or not. He even admits in a whisper that, "[Macarons] are not very filling, but still." Epel again complains about macarons being good but not very filling when he has some in the City of Flowers/Fleur City. To this, Azul asks, "Why do you look so unimpressed, Epel? I thought macarons were your favorite food. [...] But was my intel mistaken? Would you prefer something with a stronger flavor profile?" Epel insists he is fine, and Azul responds with, "Excellent, then my intel bears out." This creates some confusion over whether Epel actually likes macarons or not. I doubt that the information Azul has on others is inaccurate. Plus, Epel states of his own free will to the player (who is interviewing him) that he also likes macarons. This leads me to believe that while Epel doesn't outright hate macarons, he does like them alright (but still prefers grilled meat more). The only thing he seems to have an issue with is how unsubstantial macarons are as a food item.

Now... why does Vil make him state that macarons are his favorite food instead of grilled meat? It's sort of touched on in Epel's Ceremonial Robes vignettes. In them, Vil chides Epel for his poor table manners and asks him to state his favorite food. Epel responds with grilled meat/barbeque, which earns him a smack from his dorm leader. (Vil actually smacks Epel multiple times in these vignettes as punishment, which ended up being another source of ire in the English-speaking part of the fandom; such a thing is more common in Asia and its media, so it's not seen as too outrageous in Japan.) "Do my ears deceive me?" Vil says. "I could've sworn I heard a word unfit to be spoken in this noble dorm. I will ask you again. As a student of Pomefiore–a dorm founded upon the tenacity of the Fairest Queen–what is your favorite food?" From this dialogue, it can be surmised that Vil's reasoning for drilling the macarons in as Epel's favorite food is because it is something that is more befitting of the regal "image" of the Fairest Queen and the dorm made in her honor. Vil seems to regard grilled meat as an inelegant food which does not suit the Fairest Queen nor Pomefiore.

The second thing the asker brought up is Epel's soft-spokeness. I guess I'm a little confused by this??? Soft-spokeness is a part of being polite; it ties back to volume control (ie "indoor voice" being softer than "outdoor voice"). I also don't recall a specific instance of Vil chastising Epel for NOT being soft-spoken at all times. He allows Epel to be loud sometimes and raises his voice himself. I feel like volume is not something that Vil harps on as much as other things like cursing or speaking politely to the correct authority figures (unless, of course, volume is important to the level of politeness required for the current conversation). I could be wrong on this though, so please let me know if you know of any specific instances of Vil being mad about Epel speaking loudly that I may have missed! What I do find odd is how... consistently (?) Epel tries to keep polite even when Vil is not around to monitor him. When Vil and Epel first met, Vil makes it clear that there is a "time and place" for Epel's accent, and it's not when addressing seniors. So... by the logic, shouldn't Vil be okay with Epel acting more relaxed or rowdy around first years or more casual settings in general? Why does Epel need to maintain the facade of being polite even when not in the presence of his superiors? Why does Epel seem to even act fearful about word of his misbehavior/rudeness getting back to his dorm leader and even make others swear they won't divulge the incidents to Vil?

One theory I'll propose is the entirety of book 5. Vil was insistent then on having Epel in the NRC Tribe. He wanted to weaponize Epel's cuteness, which he believed could compete with his long-time rival, Neige. This probably fed into Vil's demands for Epel to appear and act dainty and innocent, traits which Neige effortlessly possesses. Vil literally even refers to Epel as his "Poison Apple" that will help him defeat Neige. After book 5, Vil seems to have eased up on his rigidity. However, I will caution that this explanation may or may not align well with vignettes and/or event stories, which do not always work in a cohesive timeline with the main story.

Perhaps a more all-encompassing explanation is... this is probably because Vil is just very strict about how his dorm members present themselves at all times, since they are expansions of Pomefiore and of himself as the leader. Both the macarons and Epel's attitude are reflections of the dorm he (a celebrity who is very aware of the public eyes on him + his reputation) is affiliated with, and Vil won't have them poorly represented. He is the dorm leader, so he has the "right" to rule and impose his ideals as he sees fit. It's a similar situation to Riddle forcing the Heartslabyul students to follow silly, nonsensical rules (because they're tradition) or risk a scolding or a beheading. And again, Epel is following along because (as established in book 5), he has agreed to submit to Vil’s orders until he beats Vil in combat.

At the end of the day, I don't think Epel being forced to call macarons his favorite food is a huge deal. Is anything that big lost in claiming you like something that isn't your actual favorite food? It's not like Vil is forcing Epel to claim he likes eating something that would actually harm him (like, if Epel had an almond allergy or something).

What's more dubious is how VIl governs Epel's attitude and temperament at seemingly all times (to the point of eliciting some apprehension from Epel). Given the most generous reading, maybe it's Vil's way of teaching Epel maturity and how to keep his voice down since Epel had zero of it and acted loudly brazen when he first enrolled. It doesn't help Epel if he's quiet and well-mannered in very limited social situations; it has to be "generalized" or expand to other scenarios for Vil's lessons to truly be instilled in him. (Like... what would happen if Vil DIDN'T hold Epel in check? His classmates would not be able to understand Epel's speech, and he might get into trouble by picking fights with others.) This is a life skill that Epel lacks, unlike his grandma and the Harveston mayor, and Vil's teaching it to him via "tough love" (though whether you approve of his methods or not is up to interpretation). Recall that Vil also teaches Epel to embrace femininity as its own strength and to disregard outdated gender norms--this could be considered another "lesson". I doubt that anything Vil imposes is done maliciously, but rather comes from a place of wanting others to be better and to shine their brightest, even if that path is difficult or painful. Epel, as the rebel in this circumstance, of course does not enjoy being told what to do and misbehaves in small ways. There’s a limit on how much he can misbehave though, as it would hurt his pride to be reminded of his failure to one-up Vil. He's like a kid that doesn't want to be caught cussing or acting out by his parent. It can be seen as immaturity and an unwillingness to change or to grow up, but it can also be seen as someone who wants to freely be able to express themselves or to be their "truest" self. Epel is rowdy and headstrong, and it's difficult for him to repress these parts of himself. Given the least generous reading, Vil is oppressing and stifling Epel in many ways that extend beyond what his dorm leader position should reasonably allow him to do. In fact, a popular fan translation for book 5 is "The Beautiful Oppressor", as Vil is frequently shown limiting the liberties of his NRC Tribe members during their training arc, not just Epel's.

Which is the truth here? Why do those in the English side of the fandom decry Vil's actions and side with Epel whereas the Japanese side see little issue with this?

I wager that this predominantly comes down to, again, cultural differences. Many English-speaking fans are based in the west (particularly the USA and Canada, where the EN servers first launched), places which emphasize individuality and self-expression. Of course they would be more likely to take Epel's side, as he's the one trying to be himself and stand out in his own way. Meanwhile collectivism--an ideology which stresses conformity with a group--dominates in the east. They are more likely to see no problems with Vil's actions because, to them, he is acting in the ways he is to "guide" Epel and show him how to best "fit in" with Pomefiore and at NRC. I believe the whole "being soft-spoken" thing also ties back to cultural differences; speaking loudly is something else that can be considered rude in Japan, so it's entirely possible that Vil encouraging Epel to be soft-spoken is another element of politeness that did not translate well to English (as the western world tends to be much louder and more animated in their conversations).

What it boils down to is that the way Vil and Epel's relationship was written did not work well for a western audience, whose values and perspective is VERY different from the original audience TWST had. It appeals far more to a Japanese fanbase than a western one, and has resulted in many misunderstandings or anger about Vil's character because of this.

I'm not sure if I managed to adequately explain everything, but I hope that this at least helps you to see from a different perspective!!

#twst #twisted wonderland #Vil Schoenheit #Epel Felmier #disney twisted wonderland #disney twst #harveston sledathon spoilers #Marja Felmier #notes from the writing raven #question #book 5 spoilers #twst en #twisted wonderland en #Neige LeBlanche #Azul Ashengrotto

[leclerc-s]

the tortured poets department

series masterlist

liked by danieljonesricciardo, blakelively, yukitsunoda0511 and others

daphnejonesricciardo the tortured poets department. an anthology of new works that reflect events, opinions and sentiments from a fleeting and fatalistic moment in time - one that was both sensational and sorrowful in equal measure. this period of the author's life is now over, the chapter closed and boarded up. there is nothing to avenge, no score to settle once wounds have healed.and upon further reflection, a good number of them turned out to be self-inflicted. this writer is of firm belief that our tears become holy in the form of ink on a page. once we have spoke out saddest story, we can be free of it.

and then all that's left behind is the tortured poetry.

the tortured poets department is out now.

user has restricted comments

danieljonesricciardo wow.

danieljonesricciado that's my wife??

danieljonesricciardo i'm so proud of you. i love you.

↳ daphnejonesricciardo i love you too danny

danieljonesricciado how did i get so lucky??

isabellaperez if i sob to this album. no one say anything.

↳ landonorris i'll join you. crying session in isa's hotel room.

↳ logansargeant wait for me!!

mclaren if admin is found crying in a corner that's on us.

visacashapprb oh no. i feel the tears coming and i'm only 1 track in.

scuderiaferrari are these tears that i feel coming?

redbullracing i will be out of commission for the next few hours while i process this.

alex_albon you've outdone yourself daphne.

maxjonesverstappen1 i now understand why you people shut yourself in that studio for so long. it's amazing daphne.

↳ charles_leclerc you're such a hater, i helped too!

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↳ charles_leclerc this is why i don't follow you. all you do is bully me.

rhysjones ARE YOU PROUD OF YOURSELF? YOU PEOPLE ARE SICK!! I AM SOBBING!!

fernandoalo_oficial any songs about me daph? or our secret love affair?

↳ danieljonesricciardo please stop flirting with my wife or people will start rumors again.

↳ fernandoalo_oficial admit it, you're just jealous i could steal your wife like you were jealous of killatrav when he publicly announced he was in love with your wife.

↳ danieljonesricciardo this is why i don't like you.

alex_albon sick and twisted is the best way to describe you jones-ricciardo. i literally hate you right now.

georgerussell63 there's no way the girl who writes about max's dick is the one who helped write the songs on this album. i refuse to believe it.

↳ maejonesverstappen better believe it bitch!

patriciooward oh no this album will kill me.

isabella perez you are sick and twisted daphne jones-ricciardo

isabella perez SICK AND TWISTED!!

logan sargeant currently sobbing to florida!!!

bailey winters claiming so long london.

lando norris WHAT THE FUCK DOES THAT MEAN BAILEY?? bailey winters IT MEANS I LOVE THE SONG YOU FUCKING MUPPET!!!

mae jones-verstappen wow we outdid ourselves this time around.

charles leclerc of course we did. it's our masterpiece.

daphne jones-ricciardo a true masterpiece. the work of five geniuses.

pierre gasly i wouldn't call charles a genius. rowan todd at least he didn't get married in vegas while he was drunk. natalia ruiz we did things a little backwards but yeah pierre!

freya vettel mick wouldn't break up with me so i could get the full experience. that's blasphemous!!

mick schumacher WHY WOULD I BREAK UP WITH YOU?? IT TOOK US TOO LONG TO GET OUR SHIT TOGETHER??

freya vettel IT'S THE RIGHT THING TO DO MICKOLAS!

zoya torres i can confirm that logan is crying to florida!!! it's on a loop in his drivers room.

arthur leclerc i don't believe my brother helped write any of this album. he's not smart enough for that.

ollie bearman why am i sobbing??

oscar piastri it's a very emotional album

sebastian vettel it's an amazing album daphne!

penelope trevino that feature with florence was amazing

george russell i bet lewis wishes that was him on fortnight instead of post malone

lewis hamilton why do you people always have to drag me into things?

rhys jones rip xnda you would've loved being on a daphne jones album.

sebastian vettel he's not dead??

lance stroll it's a meme seb. sebastian vettel oh okay.

pato o'ward MY NEW HYPE SONG IS DOWN BAD

isabella perez because he's down bad for gael

gael perez i will fucking fight you isabella maria perez

max jones-verstappen DOES SHE OR DOES SHE NOT HAVE A MIDDLE NAME??

oscar piastri she does. it's juliana. isabella perez OSCAR!

esteban ocon crying in club to the entire album.

charles leclerc a win for the sad bitches (me)

dulce perez the extra 15 songs destroyed me. i was already sad and then daphne had to go and kill me.

natalia leclerc can you believe charles refused to call off our engagement so i could experience the full album in all it's pain?

daphne jones-ricciardo that seems horrible. let's run away together

fernando alonso where's daniel? he's usually the first one here screaming about how he loves the album and daphne.

rhys jones crying in his room over the album. there was a solid 15 minutes where he spent screaming "did i hurt you?" to no one in particular. the cats left him and joined me instead.

rowan todd ending the album was a 10/10 but ending it with the manuscript was a 4823014/10

carlos sainz i will never recover from this.

ollie bearman SOMEBODY SEDATE ME!!

oscar piastri he's still crying in bella's arms.

isabella perez WE'RE CRYING TOGETHER!! pato o'ward MAKE ROOM FOR ME!! I'M COMING TO CRY!! gael perez YOU'RE IN LONG BEACH!! THEY'RE IN CHINA!! dulce perez WHEN THERE'S A WILL THERE'S A WAY BITCH!

max jones-verstappen can't believe i made it onto another daphne jones-ricciardo album. that's 4 out of 11!!

natalia ruiz Y'ALL I'M ON A DAPHNE JONES-RICCIARDO ALBUM!!!

fernando alonso daphne, i knew you were in love with me!

daniel jones-ricciardo BACK THE FUCK OFF OLD MAN!

daniel jones-ricciardo THAT'S MY FUCKING WIFE!!

daniel jones-ricciardo DAPHNE ALISON JONES-RICCIARDO I FUCKING LOVE YOU

daniel jones-ricciardo SHE HAS MORE TALENT THAN I DO IN MY PINKY TOE!!

daniel jones-ricciardo YOUR BRAIN WORKS IN MYSTERIOUS WAYS!

daniel jones-ricciardo I FUCKING LOVE YOU!!!!!!

rhys jones we knew it would take fernando to get you back.

zoya torres and if i cried to clara bow?

bailey winters anyone who says they didn't cry is lying.

rhys jones i will go to my grave wishing i got a daphne x xnda collab.

pato o'ward I LOVE THIS ALBUM!!

pato o'ward ISA!! WE HAVE TO CRY TOGETHER TO THIS ALBUM!!

isabella perez i will always cry to this album and i'm in a happy and healthy relationship.

gael perez for once.

dulce perez says the one who broke up with his boyfriend because he was scared.

pato o'ward woah

daniel jones-ricciardo i expect all of you to be playing this album over the weeked in your garages. make me proud children.

taglist: @burningcupcakefire @arkhammaid @applopie @sunflower-golden-vol6 @lorarri @bb-swift @thewannabewriter @mypage-myfandoms @stopeatread @hobiismyhopeu @lilsiz @alessioayla @niniluvsainz @au-ghosttype @six-call @justtprachisblog @nichmeddar @landonorizzz @unluckyyoshi @cool-ultra-nerd @kami10471633 @1nt3rnetgf @fernandoswarcrimes @arieltwvdtohamflash @brekkers-whore @natcha888 @camdensreg @mycenterfold @dear-fifi @georgeparisole @dan3avocado @nikfigueiredo @bella-1 @namgification @jensonsonlybutton @weekendlusting @trouble-sistar @lesliiieeeee @leclercsluv @33-81 @theseus-jpg @sarah-thatstings-ann @minmira95 @casperlikej @formulaonebuff @hopenshaw @ijustgomessitupx @hwalllllllelujah @doodlehunz @prongsvault

¡leclerc-s speaks! does the tagging actually work?? cause when i do it looks like it works but i'm not quite sure if it actually does work or not. anyways, happy ttpd release! this was supposed to come out sooner but i got distracted watching grey's anatomy.

¡disclaimer! this is in no way making assumptions about the people involved in this story, this is all fake. it is a fanfiction please don't take any of what is said seriously. this is all for entertainment purposes and as a creative outlet for me. enjoy!

#leclerc-s #the honest series #formula 1 #formula 1 fic #fanfic #fanfiction #f1 #f1 smau #f1 social media au #f1 instagram au #f1 fic

[youandiwerealive]

Praying that the blood doesn’t stain [rd]

Author’s note: I cried so much while writing this one, I don’t even know what to say to you, girls, this broke my heart. Thank you to the anon who requested insecure dad!Rúben, sorry this took such a huge turn 😭 Hope you somehow enjoy this!

Warnings: there’s mentions of death and blood in this one ‼️

wc: 2107 - English is not my first language! Feedback is always appreciated

There’s no biggest joy in Rúben’s life than his family. You and your daughter, Matilde, really are the light of his eyes. The little girl has him wrapped around her tiny finger, he could never say no her.

“Daddy, can I paint your nails pink?” - the 4 year old would ask him in her cute voice.

“You want to paint my nails, Mati? Of course, but choose a pretty shade of pink that matches daddy’s game shirt, okay?” - he would say to her in a soft voice, always smiling at his baby.

Matilde would do everything with his dad. Anywhere Rúben went, Matilde was there too, always tightly held at his hip, or taking her slow baby steps towards her daddy’s direction.

And Rúben couldn’t stop thanking God, the stars, destiny, whatever put you in his way: the love of his life that made him a dad, the most important role of his life. Nothing could top the importance that you and Matilde had in Rúben’s life, he would always put his girls first. He never felt so happy, with his daughter on his lap and his wife by his side, living in your indestructible bubble of love.

But it all changed two years ago. Rúben will never forget that fateful afternoon, he was having a tea party with your baby, when he got the call from the hospital. A drunk driver hit your car while you were on your way home, making Rúben losing his other half, forever. The news hitting him like a shot in the chest, straight to the heart.

He will never recover from your absence, leaving him to raise the light of your lives all by himself. Matilde is now six years old, she has already started school, now learning how to draw her first letters. Rúben still cries himself to sleep every single night, thinking about you, about how unfair fate was to both of you. You just had your baby, Matilde was only four years old when she lost his mother.

He misses you so fucking much, and your daughter does too. Rúben finds it incredible how Matilde remembers so much of you, always remembering things that you used to say to her, plays and jokes that you had with her. Rúben secretly believes that you talk to her in her dreams, because it’s like she has you always by her side.

Rúben tries his best to not break down in front of your child, especially when she asks about you. It’s been tough for Rúben to be a single dad, missing your support, the way you always seemed to make every thing right. He never looked at another woman again, his eyes and heart belonging to his daughter only - as well as to you, forever. He still wears his wedding ring, never taking it off. He hates the fact that life didn’t allowed him to say goodbye to you, to give you one last kiss. The last time he told you he loved you was over the phone, while you informed him that you were on your way home. Him and Mati cheekily saying “we love youuuu”, over the phone, while Rúben would pretend to drink a cup of tea, wearing a tiara on his head and sitting besides Berny - the bunny, and Johnny - the bear, named after Bernardo and John Stones, Rúben’s friends and Mati’s uncles.

His friends and family never left his side, they notice that Rúben has never been the same again after what happened, everybody knows it.

Matilde is the only thing that can make him smile, making him feel alive as he teaches her how to write her name, paints ballerinas and flowers with her, cooks for her and teaches her how vegetables and fruits are important for her health. Rúben’s life mission is educating his girl in the best possible way he can, be by her side at all times and protect her from every one and every thing.

Every time Rúben looks at his daughter, his heart stings a little, she looks so much like you now. She has your eyes, your smile. At the same time, there’s nothing that he loves more than looking at his baby, resembling the love of his life so much, like you’re still with them.

He can’t do his daughter’s hair as pretty as you could, but Matilde is a gentle and caring girl, she always has a smile on her face and a compliment to give to her dad. “I love my ponytails daddy, you did great” - she would always notice every morning after Rúben would neatly comb her hair, using her favourite pink hair clips with butterflies on them.

She would thank him with a gentle kiss on his cheek, his favourite feeling in the world being the love of your daughter, the way she would tightly wrap her tiny arms around his neck when he would pick her up, how she would hold his hand while walking in the street, her loving kisses on her father’s face, and the way she laughs when his beard tickles her.

When Matilde is at school and Rúben founds himself alone, he lets his thoughts take advantage of him. You are always on his mind, there’s not a second when he isn’t thinking about you. But when nobody is watching, he cries his heart out, still questioning life about the reason why they took you away from him. He often goes to the cemetery, to talk to you, to tell you everything about Matilde - even though he knows you’re always watching over her, protecting your baby. He drops kisses on your grave, whispering how much he loves you, how much he misses you. And how badly he needs you more and more as time goes by. Matilde is getting bigger and she needed her mother too.

After he picks her up from school, Rúben is cooking dinner for the both of them, while his daughter is playing in the garden. He gets lost in his thoughts, unable to stop himself to think how the house is silent without you in it, how life was never the same.

His daughter’s cry takes him out of his trance. He immediately goes to search her outside, Matilde already running to meet her dad. Rúben’s heart breaks at the sight: his baby’s face is wet from all the tears, and her noise and chin are running blood.

Rúben immediately picks her up and rushes to the bathroom, sitting his daughter on the counter, while he tries to clean up her wounds. The little girl hisses and whimpers in pain, poor child fell while playing on the rocks - bruising her knees too. Rúben stops the bleeding and decorates his girl’s wounds with pink band-aids that have hearts in them. Those make Matilde smile a little bit, as she stretches her arms to hug his dad. Rúben holds her tightly, the girl hiding her sad face on his dad’s neck. He kisses her head non-stop, now lying in bed with his daughter still in his chest.

Matilde sleeps in Rúben’s bed now. It’s been like this since you passed away, he feels like he can’t sleep alone anymore - his nightmares about your accident chasing him every night.

The two of them stay silent as Rúben is still leaving kisses on his precious baby and stroking her back carefully. All of the sudden, there’s a little sound.

“Daddy?” - Matilde asks quietly, her voice sounding muffled from her face still being hidden on her dad’s neck.

“Yes, amor?” - Matilde knows a lot of portuguese now, understanding all the pet names and the lectures her father gives her sometimes.

“I miss mommy” - she admits with a little cry escaping her eyes.

Rúben closes his eyes and sighs. “I know, baby. I miss her too” - he admits to his daughter, his voice threatening to fail as well.

“Do you still love her, even though she’s not here with us?” - the little girl questions, her big brown eyes now looking up at his father, who kissed her forehead before speaking.

“Of course I do, filha. Have you stopped loving mommy?” - he asks her back and smiles when the girl firmly shakes her head ‘no’.

“You see, mommy is not physically here with us, but she’s always around. She’s always inside of us, here” - he points at the where his heart is located.

“In our hearts?” - Matilde confirms the place.

“In our hearts, baby. You know the necklace you wear every single day, since you were little?” - Rúben references the silver necklace that has a butterfly, a flower and the letter ‘M’ engraved on a plate in a round shape. You bought it and personalised it to gift it to your daughter.

The initial letter of her name, the butterfly - to let her know that she can always rebirth and become the best version of herself, and a flower - a tulip, to be more specific. The tulip is the flower that represent the perfect love, and you put it on her necklace so she can always remember that she is fruit of a gigantic and true love, yours and Rúben’s, and his mission is to teach her how to never set for anything less than the love his parents shared, that got her into his world.

“My necklace, yes” - the girl answers while her hand instinctively reaches to touch it.

“Mommy gave it to you, and while you have it on, she’s always looking down at you and protecting you. That’s why you can never take it off, Mati” - her father explained.

The girl just smiled at his father, and hugged him tightly, knowing that he is all that she has, but feeling in her heart that her mother is always by her side.

That night, while Matilde was peacefully sleeping in his chest, Rúben couldn’t fall asleep, no matter how hard he tried.

His mind was rushing from the previous events - remembering her face full of tears and blood, the conversation about you. Rúben can’t help but doubt himself as a father - it happens more often that he would like to.

It’s been two years, but he’s still discovering how to be a solo father, an adventure that he had to take on with his daughter - not really having a choice. And sometimes he can’t help but doubt his ‘daddy abilities’ - fighting himself for not being attentive enough to protect Matilde from hurting herself on those damn rocks. That’s his job, for fucks sake. He needs to pay full attention to his baby, to prevent this type of things from happening. He would never forgive himself if something happened to the light of his life.

He misses you, your advices. He misses your mom side, you were the perfect mother to Matilde, and he can’t help but imagine how would life be if you were still here with them. Matilde has a lot of your personality, she is extroverted, funny, smiley and bubbly - just like you were. There’s times where she gives Rúben some sassy answers, leaving him speechless, having an attitude just like yours. He looks at pictures of you two, when you started dating, and some pictures already after Matilde was born. He knows that the blood on Matilde’s wounds won’t stain her clothes, but the blood surrounding your loss will forever stain his heart, his mind, his life.

Life without you doesn’t seem worthy of living most of the times to him, but his baby is the only thing pushing him from the ground. She’s his partner in life now, filling his heart with love and laugh when all he wants to do is cry.

The moments when they sing in the car on their way to school, when Matilde makes Rúben dance like a proper ballerina - making him wear a pink tutu and all, make his life worth living. His baby’s laugh means the world to him, gives him strength and hope in a brighter future.

He wishes you were here with him, reassuring him that everything was going to be okay. But, the way your daughter starts stirring in her sleep, and holds herself tightly to him for comfort and protection, already looks like a sign to him. He’s a good dad, and he and Mati will never be alone, since they have the most beautiful and bright star looking down at them, protecting and guiding them - forever.

#ruben dias #dad!ruben #ruben dias x you #ruben dias oneshot #ruben dias fanfiction #ruben dias fic #ruben dias fanfic #ruben dias x reader #ruben dias imagine #writer thoughts #thoughts about football players #football imagines #football fanfic

[erwinsvow]

you write rafe so good and like you get me like sometimes i’m reading and i’m like “how’d they know😦” so HEAR ME OUT lifeguard!reader (bc i’m a lifeguard at a few country clubs) and i think rafe would be drooling and kelce and top would make fun of him and they’d like break all the rules like back flipping off the diving board just to get readers attention

oh my god first of all i completely adore you!! im so glad yess we must be little brain twins <3 i would love to know which parts made you think that! but here is the best i could come up with for a lifeguard au which is soooo cute but imagine.. its a pogue reader...

rafe knows every pretty girl who frequents the country club, he's made a point of making sure he does. so a fresh face in the crowd stands out pretty easily, especially one like yours.

you're pretty without trying, hair tugged behind you in a ponytail and a simple red one piece, the bottoms covered with denim shorts. it's not the usual kind of outfit for the club, but maybe you're headed out by the pool or something.

he can only see you from the back, though when you turn around, he sees the white cross on the front of your swimsuit. then he sees the boy in matching red trunks next to you, the whistle around your necks and a little first-aid box in your hands. a hot life guard, it doesn't get much more stereotypical than that.

you look around the club, following the boy who can only be giving you a tour of the facilty, with curious eyes like you've never been here before. it's only then a comment from top snaps him into a frankly startling realization.

"can't believe they hire pogues for this shit. wouldn't be surprised if shit started going missing by the pool deck."

rafe thinks normally he'd throw another line in, laugh at what top's saying, but he can't find it in him today. so he keeps watching, the sweet way you smile at a little girl who stopped you to ask for a bandaid, the way you nod while taking in something else in your training.

"alright. you've been staring at that pogue girl for twenty minutes. what gives?" kelce asks finally, after rafe ignores what they've been saying to him for the third time.

"huh?" he snaps back, tearing eyes away from you to look at his idiot friends.

"don't tell me you got hots for the lifeguard. what're you, thirteen?" they laugh, but rafe doesn't.

"shut up." he stands, downing the rest of his drink. "m'goin' to the pool. you loser can come and shut up or stay here and yap."

when he finally gets out there, you've shed the shorts, looking over the kiddie section of the pool with a watchful eye, taking the responsibility of watching brats seriously. he doesn't hesitate, jumping into the deep end with a huge splash, one that gets your attention.

you walk over, making sure whoever that was didn't just fall in, when two boys yell over.

"hey! lifeguard! our friend needs help!" you turn to look back at the boy who's been training you, wondering if you should dive in or wait since you're still in training, when you hear them again.

"not him! you! in the red. hurry!" you don't hesitate, though you're confused, jumping straight in and swimming over to the boy. he doesn't look like he needs help, in fact, he looks like he's floating.

"um, excuse me-" that's all you get out when you get close to him, because he scoops you up like he's rescuing you, carrying you out of the pool like a bride. you kick your feet, yelling out. "hey! put me down! you're not even drowning!"

he sets you down, and you wipe your face, staring up at pretty blue eyes and an arrogant face, once you recognize, one that your best friends hate.

"oh. you. i should have known."

"me? yeah, heard about me, have you? only good things, i hope."

"yeah, no. what the fuck was all that? i thought you were drowning."

"yeah, i was. thanks for the help." confused, soaking wet, and not appreciating his two little sidekicks snickering behind you, you try to get away, when rafe follows.

"so, uh, how long you been working here?"

"it's my first day."

"yeah, i thought so. i never forget a pretty face, so-"

"are you serious?"

"dead serious. and yours is definitely pretty."

"rafe," you say, leaning in closer so he can hear you clearly. "stop hitting on me. i have to work. some of us actually have to work."

"know my name already, huh? what else have you heard-" you roll your eyes, he laughs.

"i heard you're a good swimmer," you say, taking another step closer.

"yeah. from who?"

"i don't know. i'm about to find out." with one hand, you push his chest, and he falls backwards into the pool, the water splashing around your feet. you laugh, watching him bob in the pool, his friends laughing too. "good talk. hope we never speak again."

rafe gets out of the pool, pushing his wet hair back. he calls out after you.

"yeah we'll see about that."

#oooo she a snippy girly #its bc she spends all her time with jayjjjjjj #if you wanted something more cutie i can make her the lifeguard in the kids section & rafe brings toddler wheeize #lmk bae #this is actually garbage lmfao itwas a fun exercise tho

[acewritesfics]

Say it | Eddie Munson

Pairing: Eddie Munson x Reader

Request: No

Warnings: An empty threat of no sex. Reader's sister has a name.

Word Count: 1,035

Stranger Things Masterlist | Main Masterlist

"Say it," Y/N commands her boyfriend. 

Eddie firmly shakes his head, "No." 

"Say it, Edward," she says again, adding the name he despises. He glares at her and settles onto their couch. 

"No!" With a defiant look in his big beautiful brown eyes, he shakes his head and gestures his sentiment with his hands. 

"You have to!" she exclaims, her voice rising slightly as their argument heats up. 

"No, I don't!" he shouts at her, his voice rising a few notches like it does when he's annoyed, angry, or overwhelmed. 

"You lost the bet, Edward Munson. It's time to pay up," she continues. 

"You cheated," he claims. 

"No, I didn't!" she protests. 

"Yes, you did," he responds with an accusatory look on his face, his tongue jutting out of his mouth, licking his upper lip, and an arched eyebrow. 

"How did I cheat?" she says, hands on her hips, looking down at him, waiting for his explanation of how she cheated on their bet. 

Steve had visited Y/N two weeks prior to ask about her younger sister, Barbara-Ann (or Annie to most people). It's clear that the 19-year-old has formed a liking for the 18-year-old high school senior. Following numerous attempts to find love again, Y/N was unable to bring herself to break his heart or reveal her sister's secret. 

However, that didn't stop Y/N and Eddie from making a bet amongst themselves. After all, Steve and Robin had a bet going to see how long it would take for Y/N and Eddie to get together. Steve had won that bet, with his bet being 4-6 weeks. If Y/N had waited two more days to make the first move, then Robin would have won.  

Eddie was so sure that Steve could win over Barbara-Ann and had even gone out of his comfort zone to play wingman for Steve. Y/N believed that he wouldn't be able to, being the one who knows her sister better than they do. But as the days went by, it would be evident that his defeat was upon him. 

"Because you've always known Barbara-Ann has a thing for Robin," he replies, surprising her enough to make her forget about the bet... temporarily. 

"How did you know?" she wonders, her face filled with surprise and curiosity. Y/N was certain she was the only one Barbara-Ann had disclosed her preference for the same sex to. 

"I know I'm not the smartest person, and I miss a lot of social cues and stuff, but it's not hard to miss the small glances, flirty smiles, and all the other shit that she gives Robin," he explains. "No offense to Barbara-Ann, but she is not as subtle as she thinks she is, and I'm quite sure Steve is the only one who is blind to it unless he's lying to himself." 

"Steve can be a little dumb at times, but we still love him," she acknowledges, settling in beside him on the couch. "However, you still lost the bet, therefore you still need to say it." 

"You cheated! Nobody wins and the bet is wiped. That is the rules," he disagrees with her. 

"We didn't make any rules," she points out. 

"Fuck," he groans as he realizes she's right. "I'm still not saying it." 

"Fine, but no sex for a week," she adds non-chalantly. It's a hollow threat because she couldn't spend a week without sex with him either, and he knows that as soon as he touches her in an intimate way, she's putty in his hands. It's a useless threat, really. 

"Baby, you know that I know that won't work," he smirks, moving his hand to her thigh and gently moving it upwards as his calloused fingers brush against her exposed delicate skin, igniting the desire between her legs. 

She hesitates to grab his hand and pull it away from her thigh as he clearly makes his point, but eventually does so and stands up from the couch. 

He raises an eyebrow at her and then follows her with his eyes to the wall-mounted phone. "What are you doing?" 

"Calling Nancy to see if I can stay with her for the week," she says as she begins dialing the Wheeler's phone number. "I'm sure that I can come up with a plausible reason for why I need to stay with her." 

Giving up, he stands up from the couch. Moving quickly to where she is standing, he takes the phone out of her hand and hangs it back up on the hook. He groans, "I'll say it." 

She grins, her eyes sparkling with excitement as she looks at him expectantly, unfazed by the glare he's sending her. 

He sighs and begins to quote what she had written down for him to say if he lost their bet, even though he hadn't lost due to a technicality. "I, Eddie," he pauses as she raises her brow at him. "I, Edward Munson," he corrects himself, continuing to glare at her. "Enjoy wearing Y/N's panties, especially the pink ones with the lace," he pauses again before speedily adding the last part. "They make me feel sexy and fierce." 

Y/N finally lets out the laugh she has been struggling to contain. 

"It makes me so happy that you find this so amusing," Eddie adds sarcastically, as he stands there with his hands on his hips, appearing to be unimpressed with his girlfriend. 

"I'm sorry, baby," She says, with a small pout, as she threads her arms through his and encircles his waist. "I'll make it up to you."  

"Yeah?" he says. "What are you going to do?" 

"I'll let you borrow my panties," she replies, trying to keep a straight face. 

"How about no sex for a week?" he suggests, repeating the empty threat she used a few minutes earlier. 

She gasps, appearing shocked and offended, before mirroring his previous remarks as she moves her hands up and under his shirt, her fingernails raking along his stomach. "Oh, baby, you know that I know that won't work." 

"That's it," he continues to mutter to himself as he stoops down, picks her up, putting her over his shoulder. 

"Eddie!" she squeals, giggling as he carries her into their bedroom. 

#acewritesfics repost #eddie munson #eddie munson x reader #stranger things #stranger things x reader

[hitlikehammers]

time for that age old question: is love enough to beat back the apocalypse?

Because Steve's right there to protect everybody like the self-sacrificing asshole he is help Eddie make the music he's not strong enough for yet help them all put Vecna in the ground for good this time, right?(!??!)

or: what's the song for your walkman, baby? does it even matter?

I Could Be Your Nurse (or something)

Or: Five Times Eddie Has To Ask For Help, Plus One Time He Doesn’t Need It Anymore (but asks anyway) ✨ for @penny00dreadful 💜

<<< three: sleep 🌗

🎧 🎹 four: play 🎶 🛡️

To tell the whole truth of it: it comes too quickly—Vecna’s last stand. Of course it does.

But probably, if he’s being fair: they’d never have been really ready. Not for this, and so maybe it’s best that they’re not fully healed, not at full strength when it all comes to a head, not least because that means Vecna and his petal-toothed brigade aren’t at full strength either. And that choice, for their side, is sloppy; the Party stands on the right-side-up against the attack because they have to. Vecna makes his move because—or else, Eddie’s fairly sure—because the sadistic ballsac is losing his fucking mind.

Which is terrifying, sure, but fuck if it doesn’t help their cause.

It’s actually over pretty quick, even compared to Spring Break which, while it felt like a lifetime for how much it changed Eddie’s own, it’s only been those handful of days—but it’s kinda like the grand finale at a fireworks show: everything all at once then, done. In the everything’s though: he might not like it, but Eddie’s not so foolish as to believe he’s not still too tender, still too deep in healing the finer points of being gnawed alive to be anything but a burden in the thick of it. He refuses to be sidelined, though, and he thinks it says a lot for the long-term health of this glorious impossible thing he’s…building? Yeah, he, umm, he, Eddie Munson, is building a real goddamn thing where he doesn’t even just let someone into his heart and treasures them there, no, he’s building a thing where he gives his heart and gets on new and soft and trembling in kind and they both get to work at the treasuring of something more precious than just their own vulnerable insides, but yeah, yeah:

Eddie thinks it bodes really fucking well for the hopes he has that lean hard toward forever, already, in Eddie’s chest at least when Steve looks his way as they’re planning the teams and he locks eyes with Eddie and Eddie doesn’t even get his mouth open to breathe, to plead don’t cut me out, don’t send me to Wayne to be ‘safe’ or ‘out of harm’s way’ or whatever, don’t leave me so fucking far from you my heart hurts just because it’s beating in the middle space unmoored and shaking around all bruised up with it for not knowing and I know I can’t do what everyone else can but it’ll be bad enough not being next to you please don’t push me far enough that I won’t know the moment you’re safe, just—

Steve meets his eyes, and Eddie’s breath catches before his heart trips, and then Steve speaks up—and he doesn’t, not all that often when the nerdiest among them are shoring up the battle plans—but he watches Eddie without blinking when he pipes up:

“Eddie’s on medical and audio, with Erica and Jon.”

And maybe it’s his tone—this almost wholly novel thing in Steve that’s steely and unquestionable but no one pushes, they nod and get back to work, totally seamless and, and…yeah. That’s all Eddie wanted. Best he could hope for. Just outside the gate they go through. Close enough to hold a hand on the way down, and reach for purchase on the journey back.

Steve swallows hard, and nods at Eddie before he looks away and starts gearing up, twirls his fucking nailbat so it catches the sunlight even thought the metal’s mostly rusted, now and just…Eddie hadn’t needed to say a word. And Steve wanted to send him to safety, the way his throat had bobbed made it real clear there was something heavy he’s held back but: he’d said what he said. He’d laid the line in Eddie’s favor. Eddie wants to hold him, wants to pull him close and feel him breathe, and—

Yeah. Eddie kinda feels like the way it goes is a really good sign for their future as a couple. A couple. Them. Together.

With an always on the other side of all of this that could be kinda fucking magnificent, maybe. Given the chance.

Point being: Eddie gets himself set up with at least a full ambulance’s supplies for first aid, definitely not acquired legally, and a stereo set up he really wishes someone had been kind enough to outfit him with in not-the-apocalypse, holy shit is it gorgeous, but since the strength in his hands is still a work-in-progress, he’s gotta be ready to crank up the noise as a distraction from arm’s-length. It’s actually driving him fucking crazy—or, was; it was, pre-active return to the regularly scheduled world ending—the whole not being able to make music, to translate the noise in his head into sounds on the strings but even that, even that’s been tolerable, survivable because of Steve—who he loves, he gets to love Steve Harrington holy fuck—but Steve’s not just there to be everything and more than the air Eddie goddamn breathes, to become the music just by existing, nope, he one ups that shit: he asked Eddie if it’d be enough to learn the chords he needs. So Eddie could match the words with the notes right, so Steve could be a—

“—kinda piss-poor substitute but,” Steve had shrugged for it with a crooked grin; “but even a bad translator gets a message across, and you’d know when it’s wrong so we can figure out how to fix it and—“

And Eddie’d grabbed Steve’s chin and yanked his mouth close to fucking consume that man like a soul goddamn starved.

“I’d be a shit teacher,” Eddie had mouthed against Steve’s lips after they were sucked well-swollen; “if I still can’t lift the fucking neck for more than a minute,” but Steve had heard none of it, just shot right back:

“You don’t think we’ve beat steeper odds than that?”

And in the face of that raised brow, those red lips parted, that pulse in that neck still a little bit visible like a tease: the fuck was Eddie supposed to do but dive back in and love on the man who’d somehow agreed to be his, and to claim Eddie of all people in turn?

Which is a whole other reason why everything’s gonna be fine: Steve’s gonna make music with him. Steve’s gonna be Eddie’s muse and the vessel for what he inspires. It’s gonna be like Greek fucking poetry, except it’s gonna be them.

So Eddie’s all stocked up, s’got everyone’s floaty-bone-breaky songs queued up on blast for immediate deployment as necessary, and Steve’s the last to go through—he always is, in Eddie’s experience, waits for everyone to be safely accounted for before he spares a thought for himself and it might kill Eddie one day but not fucking today, because it’s gonna be fine—

“Eddie.”

It feels a little like history repeating itself, the way Steve huddles him in a little. Henderson’s through, with Lucas and Hopper and the weird stray Russian, but it’s not like history repeating, because Eddie’s got different words to see him off with; so fucking different.

“Last time I didn’t have,” and Steve reaches, cups Eddie’s cheek, drags down to press on his chest as his voice strains hard: “and it almost killed me,” and Steve usually pinches between his eyes to keep his feelings in check but instead of using his free hand to hold back the tears he reaches for Eddie’s and laces their fingers as his voice cracks and he chokes out:

“Please,” and it’s for everything. For all the almosts from last time; for all the possibilities rife this time. For all the hopes Eddie thinks they share beyond how this shakes out.

“Exceptionally underqualified field med,” Eddie breathes, and squeezes Steve’s hand so, so hard like a promise, because it is; “exceptionally overqualified DJ,” and Steve chuckles, wet but real and it’s enough, because:

“I got it, Stevie,” Eddie bends his forehead to Steve’s to say better than with words that he’s not in this to be a hero, he’ll be right here the whole time, but that doesn’t mean he…that doesn’t mean he can help but to ask this time:

“Just,” and the breath in him punches out unexpectedly as he damn-near begs:

“Only bring me back the little things, yeah? That I know how to fix?”

And they both hear what’s said underneath it:

Don’t turn around and die down there, and kill me in kind..

And—if anyone’s keeping track—they turn out not to need it but: the way the kiss is a wholeass wartime farewell, man.

And then: Eddie waits, and fucks with the speakers for less than an hour before the earth shakes, and his heart drops, but then he hears it.

The fucking whooping of those shitheads echoing through the cracks.

And then he sees it, runs, grabs the first hand that’s clinging to the rope this time and pulls with strength he doesn’t have, is probably more a hindrance than a help but he steadies them each back on the ground and hugs them so tight, kisses more than one of them on the head or the cheek as he doesn’t pretend not to be sobbing through the laughter because they did it, they fucking did it, somehow it’s over and he loves these people and he’s so fucking happy they’re alive and safe and here and—

And the person he loves more, loves most, brings up the rear, a little bloodied, a little scratched up, dingy with the fucking air down there but smiling and Eddie…

Eddie falls into him so fucking hard they both hit the ground and just, just grab onto one another. Just hold and breathe and catch lips every few seconds like an afterthought because they feel each other’s heartbeat where their chests are pressed tight and it’s, they’re…

Steve’s got four broken fingers across both hands. None in a row. He’s basically giving a Vulcan salute by default for how they’re taped.

Eddie loves him so goddamn much it hurts.

And Eddie’d obviously known—once things start to settle in the days that’ve followed—that teaching Steve guitar with those Spock-y hands was on the back burner, but he does ask Steve to sit, and to rest, and to help hum back the tunes in Eddie’s head while Eddie jots lyrics with a hand that’s still shaky but steadying out more every day, and it’s kind of perfect, and Steve adds some things into the melodies either on purpose or by accident but they’re better for it every time and—

Muse and vessel, man. The light of Eddie’s whole goddamn life.

With fucking Vulcan hands still, though, so: excuse Eddie for being…bewildered when his boyfriend—boyfriend, that’s his boyfriend—but his taped-up-healing-Vulcan-handed boyfriend is propping the front door open and lugging in a long, not-recovery-friendly thing that looks close to dropping on his toes and—

“The fuck are you doing?” Eddie asks with a little more panic in his voice than he’d hoped for as he rushes as best he can to where Steve’s kicking the door shut behind him, fluttering his hands around uselessly as Steve maneuvers past him, leans across for a peck at the corner of Eddie’s mouth and calls—“It’s fine, it weighs, like, nothing”—over his shoulder as he settles the, the thing down on the coffee table in the living room they’ve started actually using for, y’know.

Living.

Eddie follows him in, though, because of course, he’s half-a-dog on that man’s heels, whole-caught-in-the-gravity-of-his-everything: but Eddie follows as Steve tosses himself backward with something in his hand, rolls and rucks up his fucking absurd Hawking Middle tee across the sweet curve of his hips, the way the soft give of skin tempts Eddie to run his tongue over the trail of almost-curls, like baby-curls where they lead under the waist of his jeans: Eddie would happily volunteer to survive on the taste of that musky-delicate space until the end of goddamn time—

But then Steve’s huffing a breathless ha from behind a chair where he’d been stretched to reach and a light catches Eddie’s eye from his periphery where he’d been staring unblinking just at Steve: the big long black thing on the coffee table. It takes a genuine concerted effort not to keep at the Steve-staring—not an uncommon state of Eddie’s existence, in all fairness—and check what’s glowing on the table: something turned on. Was plugged in, right, that’s what had Steve rolling on the floor without Eddie on top of or being deliciously pinned down by him.

The something being the big long black thing that Eddie takes in for the whole of it, now: a keyboard.

“Jon picked it up for me second-hand from the place next to Fox Photo when he drove down for his camera, and Rob vouched that it’s a good brand and like, really good condition,” Steve’s raised up on his knees, now with his hands braces on his thighs as Eddie studies the keys, fingers the ends of a every few of the naturals.

“Rob helped with those, too, so I’d know the right, like, chords,” and yeah: they’re stupa of masking tape stuck to the keys with letters in blue, black, and red pen, alternating so they don’t get mixed up, some with and arrow, Eddie assumes, to indicate a sharp.

“I only remember like half of one song from when my parents thought it would look good to have me take piano lessons,” Steve huffs in whole-ass judgment; “my mom wanted the endorsement of the guy who was stepping down from city council, and his wife taught private lessons, so, y’know,” Steve rolls his eyes; “super convenient leading up to the election.”

“What song?”

Steve blinks, tips his head in askance for what Eddie recognizes very clearly as something closer to a croak than a question, his throat all tight. He tries to cough, to clear it.

“What song do you remember?”

Steve snorts at that, leans back on his palms, and fuck is he beautiful.

“Clair de Lune,” Steve grins crooked; “the one song I was allowed to pick, instead of just being assigned.”

“Why’d you pick it?” Not that Eddie doesn’t like it or anything. It’s more that…he knew Steve could more than just drum fingers on keys, if only just, and that a baby grand used to sit in the corner where there’s a stereo cabinet now, but.

But: see, there’s like a whole half of his heart that’s dedicated to collecting new knowledge about everything Steve: his favorite food when he was 12 versus the now. How his favorite color became his favorite color. The story behind all the polos. The nitty-gritties about why he’s in a big-ass house alone for approximately 360 days a year, and how long it’s been that way. Eddie’s whole heart is basically Steve’s but every day that half overflows a little, and Eddie’s only keeping it relegated to parts filled with Steve-lore so he can feel the collection break containment every other day, this grand and joyous bursting under his ribs as everything spills over again, and again, and again until it’s all just Steve, and his heart has to burst or stretch, or both.

Eddie thinks both will be amazing.

And right now, in the interest of building toward that amazing-both: he wants to know why Debussy.

Steve chuckles to himself—better music than any dead French guy by a country mile—and eyes Eddie almost slyly.

“Do you remember Claire Reynolds?”

Vaguely. Like, very vaguely. He remembers…uneven pigtails. Very actual-cult-like vibes about her family as a vague impression and now that he’s bringing it to mind he feels a new wave of indignation: those Children-of-the-Corn motherfuckers were just fine but Eddie liked a board game and he was probably a murderer.

“When we were in like, first grade,” Steve’s continuing on; “she asked me every, single, day, to come over and see her sheep.” Steve looks up at Eddie and bites his lower lip, lets his gaze dance and lets Eddie fall into it for a few dazed seconds before he spells it out.

“She had these crazy eyes about it, it was kinda unsettling,” Steve nudges, but Eddie’s doesn’t get it until:

“And it’s not like I do now, because obviously I don’t, but I definitely didn’t speak a lick of French when I was eight.”

It takes Eddie a hot second before he snorts hard enough to hurt:

Claire, da Loon.

“I was eight,” Steve protests Eddie’s laughter halfheartedly even as he joins in, reaches to slap at Eddie’s upper arm which honestly: just makes him laugh harder.

“Anyway,” Steve fights through the last of the chuckling as it peters out between them, drags himself to sitting next to the coffee table and taps his hand to the top of the keyboard.

“I know it’s not the same as learning guitar to help, and I can probably only get the top and bottom notes with these,” he lifts his Vulcan-fingers his a shrug; “but I was hoping that’d be better than nothing?”

And, like, how Eddie was talking about his heart having to swell, for all the things he gets to tuck inside of it that come with loving Steve Harrington?

He might crack a rib, just now, because—

“This is for me?”

Steve purses his lips, lifts a brow:

“Well, technically it’s for me,” steve singles his fingers, which looks absurd with the splints; “but yeah. To help you get the songs out. I mean, once these are free again, you can help me with the guitar like we talked about, until you’re—“

And Eddie cannot be blamed, see: he cannot be fucking blamed for tackling Steve to the floor and kissing him hard enough to bruise because…

“You got hurt,” Eddie half-breathes between kisses; “you got hurt and I was so afraid I was gonna lose you,” and Eddie reaches for those taped fingers and kisses them, too: so gentle and Steve’s expression softens so quick:

“I was scared, too,” he whispers between them, cups Eddie’s face with his unloaded hand; “you were as safe as I could make you within the fucking city limits but I was still so goddamn scared.”

Cue more rib-cracking for the heart-swelling, because Jesus fucking Christ.

“And you,” Eddie exhales, slow and shaky; “you’re hurt, but you went and got,” he nods to the keyboard;

“I know it’s not ideal,” Steve’s quick to, to what, apologize? For being insane and perfect and—

“Shut up,” Eddie says, voice low and watery and he’s still kissing at Steve’s fingers, holding his wrist delicate but also like a lifeline.

“You’re hurt,” Eddie maybe kinda moans it because he hates it, as much as he’s so fucking grateful that’s it’s just this, no worse than this; “and you still—”

“I promised, didn’t I?”

And that…that’s one thing Eddie’s learned beyond reproach; that even to his detriment, Steve keeps his goddamn promises.

And he’d promised to help Eddie get his words out, to place the lyrics to the notes and help unclutter his brain so he didn’t lose his mind.

Holy fucking hell.

“Steve,” Eddie starts, shakes his head, needs to find the right words. “You’re alive,” the most important thing. “You are healing,” another most important thing, for Eddie to oversee and make sure of, even as Steve keeps an eye on the last lingering threads of the long haul on Eddie’s road to recovery in kind, his beloved mother hen.

“This is,” and he runs his fingers too light to draw sounds across the keys, hopes he sounds as awed and grateful as he feels; “but you, you’ve gotta test, you have to,” and Eddie shakes his head and lifts his eyes to just fucking ask it:

“Why?”

And Steve: Steve just studies his face for a few seconds, reads what he needs before he smiles kinda exasperated, mostly fond and answers so simply, while also breaking a few more of Eddie’s ribs when he just says:

“Because I love you.”

And Eddie’s heart’s not so overfull yet of all of Steve, it’s not fair that it just bursts right then and there, Eddie propelled into Steve’s arms to kiss him deep this time, like he’s searching out Steve’s soul to taste and maybe he is, save that he needs his heart to not have exploded for feeling if he’s going to keep the memory of it safe in his chest for always, he needs to patch his heart back up first but he’s too distracted, too drowned in the way love actually fucking feels, fucking shifts his cells around and makes a new version of him, lets his heart grow bigger except it went and blasted apart with the unprecedented immensity of loving and—

And then Eddie’s got Steve’s taped up hands on both his cheeks, and he remembers that night, in the shower, where Steve ripped the seams from his shirt so taking it off wouldn’t hurt him; notices how Steve is wearing that same fucking shirt in this very moment, all in one piece, like it never split apart in the first place.

Master seamstress, tried and tested and true; truer than anything.

So Eddie just dives back in and kisses with everything in him, thinks maybe when Steve tastes the pieces of Eddie’s blowout heart under his tongue while Eddie goes diving for the sweet lick of Steve’s soul:

Eddie thinks Steve’s mouth might know how to stitch up torn things, too. Especially the kinds that are ripped at their seams wholly for the sake of loving that fucking hard.

✨permanent tag list: OPEN (lmk if you want to be added/removed): @pearynice @hbyrde36 @slashify @finntheehumaneater @wxrmland @dreamwatch @perseus-notjackson @estrellami-1 @bookworm0690 @imhereforthelolzdontyellatme @nerdyglassescheeseychick @swimmingbirdrunningrock @goodolefashionedloverboi @sanctumdemunson

divider credits here & here

👾 title credit here

💫 ao3 link here

#steddie #eddie munson #steve harrington #hurt/comfort #whump #fluff #happy ending #angst with a happy ending #soft #pining #slow burn #(ish) #steddie fic #deep devoted caretaker steve #smitten recovering post S4 eddie #sharing a bed #sleeping together #not like THAT #HE'S RECOVERING OKAY #nightmares #though maybe it IS time to address the...crush-confession-dick-grazing-shower-thing #like: just MAYBE #love confessions #domestic fluff #5+1 things #stranger things #gift fic #penny00dreadful

[melrosing]

JAIME IN THE RIVERLANDS II: Bluffs, Bargaining and Baby Trebuchets - Why Jaime Can’t Win at Riverrun

[lol sorry i've not updated this since Dec 2022 but i feel kind of compelled to finish it and this part was actually mostly done in back in Jan last year. I just got distracted. anyway part one here]

Following ASOS where Jaime’s character development came thick and fast, Jaime of AFFC is stalling by comparison, looking for an outlet and lacking one. He hopes to improve the Kingsguard as its new Commander but it’s in a poor state, saddled with men like Boros Blount and Osmund Kettleblack who are sworn to serve it for life. Meanwhile, his every move is undermined by Cersei’s erratic rule as regent, or the strange counsel she has built around her. He is beside his son, but Tommen can’t know it, and his daily duties involve tedium more often than not. Jaime’s scope has been drastically reduced: there are no bears, there is only Pycelle, and meanwhile his relationship with Cersei is undergoing seismic change that leaves him emotionally adrift. 

Jaime is also growing increasingly conscious of the risk that Tywin’s death poses to his family: joining the funeral procession for his father’s return to the Rock, ‘dead’ rings in his ears as he attempts reconciliation between Kevan and Cersei (JAIME II, AFFC) - Tywin is truly gone, and nothing stands in his place. Indeed, whilst we see throughout ASOS and AFFC that Tywin had the respect of his siblings, Jaime and Cersei are viewed by Genna and Kevan as little more than squabbling children far out of their depth. Kevan even regards the twins as a direct threat to he and his family’s security and goes so far to say as much, rending the family deeper. Worse still, Jaime is unsure whether or not Cersei does represent a true threat to their uncle, leaving him to play the game half blind:

Ser Kevan was a Lannister of Casterly Rock. He could not believe that she would ever do him harm, but… I was wrong about Tyrion, why not about Cersei? When sons were killing fathers, what was there to stop a niece from ordering an uncle slain? [JAIME II, AFFC]

It’s clear at this point to both Jaime and the reader that House Lannister is beginning to cannibalise itself, with each link representing a threat to the other: even Genna and Kevan compete for safer seats for their families, with Kevan leaving the poisoned chalice of Riverrun for his sister and her children. Meanwhile, Cersei’s growing paranoia and ineptitude as queen is setting off alarm bells: “The crows will feast upon us all if you go on this way, sweet sister” (JAIME II, AFFC). House Lannister’s vulnerability is hugely apparent, and now, far from Tywin’s vision of a single unanimous collective, each branch of the family pulls in its own direction. So we see that part of Jaime’s role at this point in the story is to somehow reunite his family with the singular object of their security: the trouble is that the security of House Lannister runs directly counter to the security of all others.

It is here that Cersei sends Jaime into the Riverlands against his will, to finish their father’s work in quashing House Stark and House Tully. Jaime goes reluctantly, knowing the Riverlands have already been ravaged by his father’s men: “scarce a field remained unburnt, a town unsacked, a maiden undespoiled.” Cersei’s request that he finish the work of men like Gregor Clegane and Amory Lorch “[leaves] a bitter taste in his mouth” (JAIME III, AFFC). Jaime is also mindful of his oaths to Catelyn Stark, i.e. that he will not take arms against Stark or Tully, and his own personal ambitions for betterment. But the dregs of the war aren’t going anywhere, and so begins Jaime’s attempt to balance his own personal ambitions with what his family needs to solidify their rule.

RETURNING TO THE RIVERLANDS

Jaime initially travels with little sense of direction. He hovers at Darry to see Lancel and settle the matter of Cersei’s infidelity. He returns to Harrenhal to restore order, and makes some attempts at a transformation into ‘Goldenhand the Just’: rescuing Pia, executing her rapist, punishing outlaws (be they of opposing camps or otherwise) and rehabilitating Ser Ilyn Payne. But as many have observed, these are small gestures - perhaps even misguided, in the case of the outlaws: Brienne’s chapters feature a sorrowful monologue on the plight of ‘broken men’, who have long suffered at the mercy of their high lords. This is Jaime attempting to do good within the scope he’s been afforded, but he is under no illusions that it is enough to transform his reputation, and it is certainly not enough to atone for his sins: 

"Wear [the golden hand], Jaime," urged Ser Kennos of Kayce. "Wave at the smallfolk and give them a tale to tell their children." "I think not." Jaime would not show the crowds a golden lie. Let them see the stump. Let them see the cripple. [JAIME III, AFFC]

“Men will name you Goldenhand from his day forth,” the armorer had assured him the first time he fitted it onto Jaime’s wrist. He was wrong. I shall be the Kingslayer till I die. [JAIME III, AFFC]

“He was not wrong," Ser Bonifer allowed, "but some sins are blacker than others, and fouler in the nostrils of the Seven." And you have no more nose than my little brother, or my own sins would have you choking on that pear. [JAIME III, AFFC]

After loitering long enough, Jaime finally continues his journey to Riverrun, where he finds the entire place at a standstill. The Freys have ruined negotiations by belying the bluff behind their threats, and now Riverrun will not fall without armed conflict. Jaime does not want armed conflict owing to the oath he swore to Catelyn that he would not take up arms against House Tully, but the danger to his house grows more pronounced: Lannisters and Freys can be found hanging in the woods, and Brynden Tully obstinately wants no peace with them. The contrast between the honourable Tullys and the impotent Freys is immediately made starkly apparent, and any reader would feel that Jaime is on the wrong side of this conflict. Yet even despite Jaime’s own obvious disregard for the Freys, we get to see the House Lannister he’s grown up with, and hopes to protect: the jovial Daven, the fond Genna, even the tragic Lancel. There is genuine affection amongst the extended tree of Lannisters, not easily dismissed for the sake of oaths.

Yet even so, Genna quickly notes Jaime is not the man to protect them: “Who will protect us now? [...] Tyrion is Tywin’s son, not you.” I’d argue that it is at this juncture, more than any other, that Jaime resolves to begin his performance as Tywin’s ‘true’ heir: he has entered this conflict lacking direction, and Genna has now provided him one that he has willfully ignored till now: House Lannister needs someone to protect them, and if not him, then who?

So begins the delicate balancing act between Jaime’s own ideals and oaths to Catelyn, alongside the dwindling security of House Lannister. 

ALLIES & ENEMIES

We frequently see Jaime struggle with the fact that he vastly prefers his enemies to his allies, even as the reader is encouraged to do the same. Jaime likes Jeyne Westerling, with her earnest devotion to Robb. He has admired Brynden Tully since he was a boy, and desperately hopes to win the man over himself (to no avail). He clearly prefers Tytos Blackwood to Jonos Bracken, despite (if not because of) Blackwood’s staunch support for House Tully, versus Bracken’s more malleable loyalties. Yet Jaime himself is encumbered by Freys of dubious loyalty and still more dubious character (if they are not altogether ineffectual), as well as lickspittles and violent rogues, such as the remainder of Gregor’s party he finds at Harrenhal. We see Jaime attempting to work with what he’s been given, but the disdain he feels towards his allies is always palpable - whilst his preference for his more honourable enemies is a recurring weakness.

Jaime’s ADWD chapter is an interesting exploration of both the strengths of Jaime’s character, and the ways in which he is ill-suited to his role in this conflict. He is instantly able to build some rapport with Tytos Blackwood, agreeing to privately manage humiliating dealings, and making allowances for the man where he can. He even goes so far as to allow Blackwood to choose his own hostage - Jonos Bracken advises Jaime that taking Tytos’ treasured daughter would give House Lannister the strongest hold over the family, but when Tytos emotionally protests, he allows the man to instead suggest a son he’s less fond of, and who would even enjoy the trip to the capital. The threat inherent in this exchange is so forgotten that when Hoster Blackwood emerges as though ready for summer camp, Jaime realises he has to remind the Blackwoods of who exactly they’re dealing with, else appear weak to a supporter who might easily turn: 

"I am not your friend and I am not your brother." That cleaned the grin off the boy's face. Jaime turned to Lord Tytos. "My lord, let there be no misunderstanding here. Lord Beric Dondarrion, Thoros of Myr, Sandor Clegane, Brynden Tully, this woman Stoneheart … all these are outlaws and rebels, enemies to the king and all his leal subjects. If I should learn that you or yours are hiding them, protecting them, or assisting them in any way, I will not hesitate to send you your son's head. I hope you understand that. Understand this as well: I am not Ryman Frey." [JAIME I, ADWD]

Here, Jaime directly counterposes himself with Ryman Frey: the man who almost lost Riverrun owing to his ineffectual bluffing. The reason being that Jaime and Ryman are dealing in the same currency: so far, Jaime has offered only threats that remain untested by his enemies, and Hos the hostage is only another of them. His role as Tywin’s heir is an elaborate performance, but Tywin’s reputation was earned through deed - Jaime so far relies only the memory of that. The second any one enemy does dare to test his resolve, the whole business could come crashing down - because this is a character who has yet to prove his resolve in the matter to either his enemies or himself, and is desperately avoiding doing so.

We see his lack of conviction again in subsequent conversations with his new hostage. Hoster reminds Jaime of his younger brother Tyrion, building his warmth towards the boy, and soon enough Jaime is asking him questions about the surrounding landscape and its history. At the end of the chapter, Jaime even shares a skin of wine with Hoster and his young squires (mostly hostages themselves) about a campfire, failing to enforce an emotional distance. The only instance where Jaime resumes his performance before Hoster is one where the pretence is palpable:

"My father had a saying too. Never wound a foe when you can kill him. Dead men don't claim vengeance." "Their sons do," said Hoster, apologetically. "Not if you kill the sons as well. Ask the Casterlys about that if you doubt me. Ask Lord and Lady Tarbeck, or the Reynes of Castamere. Ask the Prince of Dragonstone." For an instant, the deep red clouds that crowned the western hills reminded him of Rhaegar's children, all wrapped up in crimson cloaks. "Is that why you killed all the Starks?" "Not all," said Jaime. "Lord Eddard's daughters live. One has just been wed. The other …" Brienne, where are you? Have you found her? "… if the gods are good, she'll forget she was a Stark. She'll wed some burly blacksmith or fat-faced innkeep, fill his house with children, and never need to fear that some knight might come along to smash their heads against a wall." [JAIME I, ADWD]

Here, Hoster inadvertently tests Jaime’s resolve in the Lannister cause, and Jaime parrots obligingly, invoking his father’s darkest deeds as a reminder of what House Lannister is capable of. As Tywin’s heir, Jaime, is aware that he owes his audience a performance.

Yet what is coming out of Jaime’s mouth runs laughably counter to his own feelings and actions. He does not agree with his father’s methodry: the memory of Rhaenys’ and Aegon’s bloody bodies is clearly traumatic, and something Jaime has repeatedly wished he had prevented. And he has of course sent Brienne to rescue Sansa; in doing so, he may well have sown the seeds of the next Stark uprising himself, a consequence that could directly threaten his own family. This goes to prove how complex and contradictory Jaime’s objectives have become. He is attempting to preserve the security of both the Starks and the Lannisters, whilst struggling to avoid handing either side victory over the other. 

Jaime cannot make that struggle apparent to his audience, however, and so he says the words for Hoster: it is important Hoster believes them - that everyone does - yet once again, words are all Jaime has offered.

HALF MEASURES

Jaime’s sole ADWD chapter offers the best framework to unpack one of the most discussed episodes of Jaime’s Riverlands arc, and that is: Jaime’s threat to fling a baby over a castle wall.

"You've seen our numbers, Edmure. You've seen the ladders, the towers, the trebuchets, the rams. If I speak the command, my coz will bridge your moat and break your gate. Hundreds will die, most of them your own. Your former bannermen will make up the first wave of attackers, so you'll start your day by killing the fathers and brothers of men who died for you at the Twins. The second wave will be Freys, I have no lack of those. My westermen will follow when your archers are short of arrows and your knights so weary they can hardly lift their blades. When the castle falls, all those inside will be put to the sword. Your herds will be butchered, your godswood will be felled, your keeps and towers will burn. I'll pull your walls down, and divert the Tumblestone over the ruins. By the time I'm done no man will ever know that a castle once stood here." Jaime got to his feet. "Your wife may whelp before that. You'll want your child, I expect. I'll send him to you when he's born. With a trebuchet." [JAIME VI, AFFC]

As already mentioned, bluffs have been Jaime’s sole currency against the Tullys so far. The trouble is that he has entered an arena where bluffs have already been used to ill effect: the Freys have practically numbed Brynden Tully and his garrison to Edmure’s death, by threatening to do kill the man daily and failing follow through: this has led Brynden to frame his retaliation under the supposition that his nephew is as good as dead already. The best thing Jaime could do to assert his status over the Freys and dominance over the Tullys is demonstrate that he is a man of action, and will kill Edmure - but the action required is precisely that which he is not willing to take.

So Jaime enters this conflict with a bluff of his own, this time pointed at both the Freys and Edmure, as it’s necessary for both parties to believe he means what he says. Having covertly directed Ser Ilyn Payne to bluff, Jaime fools even the reader for a moment into believing that he meant to have Edmure’s head off:

The ferry had just started across with Walder Rivers and Edwyn Frey when Jaime and his men arrived at the river. As they awaited its return, Jaime told them what he wanted. Ser Ilyn spat into the river. [...] The sight of Ser Ilyn widened [Edmure’s] eyes. "Better a sword than a rope. Do it, Payne." "Ser Ilyn," said Jaime. "You heard Lord Tully. Do it." [...] "No! Stop. NO!" Edwyn Frey came panting into view. [JAIME VI, AFFC]

It’s here apparent that Ilyn Payne has been instructed to sever the rope suspending Edmure, making it seem to Edmure and onlookers that he means for Ilyn to behead the man. Jaime knows that Edwyn Frey will intervene before this can take place, but Edmure, who already bought into Jaime’s Kingslayer persona, has now had it reified by Jaime’s apparent resolve to behead him there and then. This lays the foundations for Jaime’s subsequent negotiations with Edmure: whilst treating with Brynden Tully, a man with nothing to lose, was a worthless pursuit… convincing Edmure, with everything to lose, holds more promise, and Jaime has now primed him to accept the carrot and fear the invisible stick.

Many readers do not regard Jaime’s villainous monologue to Edmure as any kind of bluff, but rather a promise that demonstrates that even if he isn’t Tywin’s ‘true’ heir, he’s capable of the same cruelties. However, we’ve now established that bluffs have become the currency at Riverrun, and are an especially vital currency to Jaime, a man who is determined to take no decisive action for the sake of his oath. His sole objective is to get Edmure to surrender peacefully, and violent words are his oddly pacifist method. 

It is also worth observing the improvised nature of the threat. Jaime mentions trebuchets specifically because they are trademark of Tywin’s from his feuds with the Reynes and the Tarbecks - as is drowning castles so that no-one would know they ever stood. The whole threat is heavy on Tywinian rhetoric, promising violent extremes that are atypical of Jaime’s own approach in war - but of course, they go the extra mile in pushing Edmure over the edge. Edmure knows what the Lannisters are capable of, and that is enough to frighten him into acquiescence before he begins to wonder what Jaime himself is capable of. 

Following Edmure’s surrender, Jaime self-consciously notes to himself his cynical invocation of Tywin’s trademarks, humorlessly marvelling at what came out of his mouth:

‘With a trebuchet,’ Jaime thought. If his aunt had been there, would she still say Tyrion was Tywin’s son? [JAIME VI, AFFC]

And of course, we see again here what has been on Jaime’s mind the whole time. Genna has told him she doesn’t believe he can protect their family, because he is no second coming of Tywin Lannister. Jaime is desperate to prove otherwise, whilst simultaneously desperate not to - and so, in thinking to himself that he has proved Genna wrong, Jaime has ironically proved her right: he is not willing to take decisive action, offering only words to suggest he could. 

Finally, there is a telling passage that precedes Jaime’s threat, suggesting the extent to which just saying the words pains Jaime:

Must you make me say the words? Pia was standing by the flap of the tent with her arms full of clothes. His squires were listening as well, and the singer. Let them hear, Jaime thought. Let the world hear. It makes no matter. He forced himself to smile. [JAIME VI, AFFC]

Jaime has built rapport with Pia and his squires over the course of AFFC - he gets to know them as people, they get to know him, and Jaime is a different person for them than he has been in the minds of those back at King’s Landing - he is a saviour to Pia, and a mentor for his squires. They are at the inception of the man Jaime wants to become for the rest of Westeros - someone honourable, and worthy of their respect. 

However, Tywin Lannister was not such a man - he was a man to be feared, and to sustain the Lannister regime, his heir must be feared as well. Jaime asks himself, ‘Must [Edmure] make me say the words?’, belying the fact that he had hoped to leave the threat implicit, offering Edmure a hand to his feet without having to show him the back of it. He is conscious of Pia and his squires listening, and how these words will impact their opinion of him; how the words will get out of the tent, and impact everyone’s opinion of him. 

But Jaime resolves: “Let them hear. Let the world hear. It makes no matter.” It’s apparent that it does matter to Jaime; he does not want to be a man feared and despised. Nonetheless, there is a futility in these lines. He lost the respect of Westeros long ago, and will not regain it in acting as Tywin’s heir. ‘Goldenhand the Just’ is a fantasy, and revealing his true motives to the world would be dangerous. He has to maintain his performance as Tywin’s heir for the sake of his family, and if that’s all the world will ever know of him… here, Jaime is telling himself to suck it up. “He forced himself to smile.”

The threat serves its purpose in the short-term, however. As much as Edmure hates Jaime for the words, it’s likely he requires them before he can sign Riverrun away to the Lannisters. Edmure needs to know the price of the carrot, cannot take it without asking. The price tells Edmure he’s making the right decision for everyone, albeit a bitter, humiliating one that reeks of injustice. Yet to refuse the carrot would be to surrender his family and people to something worse than injustice: in short Edmure needs to believe he’s saving his family from something. Jaime gives him that. 

THE PEACE

Of course, the greatest trouble for the Lannisters is that Jaime’s measures will not maintain the peace in his absence. Jaime did not take up arms against the Tullys, and so Brynden has escaped. In all likelihood, Edmure and his pregnant wife will shortly do the same - they travel with Jeyne Westerling to Casterly Rock, a character GRRM has told us will feature in TWOW’s prologue. It seems a foregone conclusion that that prologue will see an interruption to the hostages’ journey to the Rock, perhaps one orchestrated by Brynden Tully. 

It hardly helps that Jaime has even released a number of Tully men after having them swear an oath after the fashion of his own to Cat: 

Lady Genna suggested that a few of the men might be put to the question. He refused. "I gave Edmure my word that if he yielded, the garrison could leave unharmed." "That was chivalrous of you," his aunt said, "but it's strength that's needed here, not chivalry." [...] The Tully garrison departed the next morning, stripped of all their arms and armour. Each man was allowed three days' food and the clothing on his back, after he swore a solemn oath never to take up arms against Lord Emmon or House Lannister. "If you're fortunate, one man in ten may keep that vow," Lady Genna said. [JAIME VII, AFFC]

As we see, Genna does not regard Jaime’s measures as stringent enough for their ends, and she may well be right - the Lannisters’ pit of violence has grown too deep for the family to sustain themselves through pacifism now. But ultimately, these chapters serve to show that Jaime is not willing to consider the alternative: whatever method his family requires to survive, he is demonstrably not the character to implement it.

Needless to say, it seems pointless to argue that there aren’t clear ‘good guys’ and ‘bad guys’ in the Riverlands conflict - because even if there were, Jaime’s desire to protect his family is a sympathetic one. His attempts to do this solely through rhetoric are understandable, even laudable. And the fact that he has ultimately failed has a level of tragedy to it: we root for the Tullys and their return to Riverrun, and the downfall of the Lannister regime, but there is still a human cost associated. 

The coming of Red Wedding 2.0 is another foregone conclusion, but from the groundwork laid in AFFC and ADWD, it seems clear that GRRM will not intend it as a triumphant event: it was gruesome and cruel the first time, with many innocent lives lost in the crossfire - it can only be so different the second. 

As readers, we want Jaime to move beyond the Lannister cause to higher ideals, and in ADWD he has. But GRRM does not intend that this should be an easy path to take. Jaime’s loved ones remain embroiled in this conflict, and fighting for or favouring the other side has implications for all of them. Abandoning the Lannister cause is necessarily difficult, and there will be consequences for doing so.

NEXT PART: A Reckoning in the Riverlands!!! this won't be quick but i hope it won't be a fucking year

#jaime lannister #asoiaf