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#impersonal intimacy
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shout out to tobias for frequently visiting his girlfriend for a nighttime chat and being so innocently matter-of-fact about it. jake and marco and even cassie would absolutely have a moment of internal processing (as in "oh my gosh. okay. i'm actually here") if they were to enter a romantic partner's private space alone at night but tobias's attitude is just "i went to rachel's room because she's there and it's nice being with her"
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saintslaughter-a · 1 year
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thinkin bout les and intimacy n how he will kill u if u touch him ever
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spocksmalewife · 2 years
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I love how the opening to Eraser has the humming of two girls giving bjs (?) which then turns into an insect-like buzzing when the beat kicks in and that seems like a nod to the next song, Reptile
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after-witch · 16 days
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Death by Stereo [Yandere Chrollo x Reader] [Vampire AU]
Title: Death by Stereo [Yandere Vampire Chrollo x Reader]
Synopsis: You’re just a nobody living in a small town when a mysterious stranger with a leather jacket, good looks and a penchant for kissing your hand rolls in, just in time for the ever-popular summer carnival. Things are going great, until dead bodies start piling up. 
Word count: 17,510
Notes: yandere, vampire AU, descriptions of dead bodies, some violence, gore, abuse
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Thursday
Is there anything more wearisome than a small town? Small towns grind you down so slowly that you don’t realize your feet have been eroded into useless nubs before it’s too late, and you have nowhere to run, even if you had the inkling to get away. 
A small town has its charms, as they say--but it has its burdens, too. You know all the faces, but all the faces know you; some of them have even known you since you were just an ultrasound picture carried dutifully in your mother’s purse, pulled out at coffee shops and book clubs. 
They know when you got your first period (age 13, in the middle of gym class--you were wearing white shorts); when your first boyfriend dumped you (at the school dance, right before he made out with the third most popular girl in school); what colleges you applied to, and later--why you dropped out (your dad got sick) and how he was doing (not so great but getting better) and where you worked, how you liked your coffee, and all these impersonal and personal details that made up the monotony of your life. 
It was a trap, this small town life. A faux bubble of intimacy that your parents embraced, but you’d never fully believed. Because despite knowing so much about you, no one here really knew you. They could tell you that you looked just like your mom at her age; they could sling down a mug with your coffee order without you opening your mouth (black, 1 sugar, 1 cream, no milk)--but they didn’t want to hear about how much you wanted to travel; how much you wanted to see.
Did it matter? You weren’t getting out anytime soon, anyway.
Like all small towns, yours had a claim to fame. While others might boast being the hometown of some B-list celebrity or the site of an all-you-get-eat seafood festival, your particular small town had one edge over the others: a summer carnival right on the beach, designed to appeal to nearby tourists who came to much larger, resort-friendly beaches for the summer season. 
The tourists loved to flock here on that singular summer weekend, pretending they were enjoying a quaint local carnival where they got drunk on cheap beer and sampled funnel cake until they puked. And if the locals hustled them as much as possible, overcharging for drinks and parking and sightseeing maps, was that so bad? Small towns needed to leech off new blood once in a while, after all.
The carnival was four days long--Thursday, Friday, Saturday, Sunday. Sunday was, of course, the grand finale. There was a massive fireworks show on the beach, a huge concert with local and sometimes vaguely familiar bands. A lot more booze traded hands on Saturdays, and the beach was lit up with more than just fireworks; the local volunteers always spent the next week picking up cigarette butts and discarded joints in the sand.
The carnival can be fun. Although like anything that happens every single year in a small town you’ve lived in your entire life (save the one year of college you managed before your dad’s test results came back) it gets wearisome.
Still--you go. What else is there to do? Besides, you’d be stupid to deny that it’s more fun to spend your summer weekend wandering the carnival, riding a few rides, speaking to people, than to sit at home or pick up an extra shift at the diner. 
That’s why you’ve wandered into the carnival today--Thursday. Thursday is your favorite day of the carnival, because it’s the most quiet, relatively speaking. There are tourists here, sure, but they’re not rowdy yet. Not as overcrowded. There aren’t gaggles of kids running around with lobster-red faces and arms because they’re parents didn’t understand the necessity of sunscreen; there aren’t groups of women traveling in packs with matching sunglasses and hats, enjoying a summer break away from their rich and distant husbands.
It’s mostly locals on Thursday. People like you, bored coffee shop workers with nothing better to do on a Thursday evening.
Or people like Jake Jenson over there, currently aiming a colorful dart at a row of balloons in one of many carnival games that would hustle drunk tourists out of their money this weekend.
Jake was the town drunk--a title he gave himself, and others were only too happy to oblige him. He stuck to himself most of the time. During the carnival, he won as many carnival prizes as possible, and traded them to tourists with shitty aim for beers or cigarettes. 
And over there--the early birds. They’ve come three years in a row, you think from somewhere in New  York. They’re attached at the hip, constantly rubbing their noses together like some twee movie couple, and you’ve heard them complain that the boardwalks in their part of the country are a lot more “authentic.’ 
Sure, there’s the familiar faces, but unfamiliar ones, too. An older gentleman and his wife, who walks next to him more slowly, with a cane. He’s balancing a plastic plate with a fresh funnel cake in his hand. They’ll find a bench to sit down and enjoy it, maybe people watch, like you.
It’s time for one of your favorite games: making up stories for the various tourists you probably won’t ever see again. This couple--this is the last trip they’ll take together, because the wife got an awful diagnosis, and they’re spending what would have been the rest of their retirement savings on the dream vacation she always wanted to take. They met during the war, decades ago… he was a soldier and she was a nurse, and he hurt his leg, maybe, and wound up in a field hospital.
It would have been terribly romantic. 
Your eyes shift away from the couple and onto a few other new faces. 
Maybe that’s why you liked the carnival. It was nice to look at new people and imagine where they came from, what they did. The kind of life they had, which was surely more interesting and worldly than yours.
With people watching in mind,  you abandon your bench in front of the games and head deeper into the carnival, weaving yourself in between snack and ticket booths, stepping over large black cables that kept the rides running. 
Dusk had already settled in, and the warm glow of the summer had been replaced with a deepening sense of evening. The carnival lights had already begun to play against the darkening sky, creating that magical atmosphere that couldn’t be replicated during the day.
You don’t notice the stranger at first. It’s dark, the lights are a bit dizzying, and there are plenty of people simply wandering around and taking in the sights. What’s one more stranger, when over the course of the next few hours and days, the summer will be increasingly filled with them?
But this particular stranger shows up in the corner of your vision and immediately strikes you as… odd. He’s just standing there.
Watching you. Staring--right at you. What the fuck?
He’s wearing all black, and there’s some sort of scarf or cowl over his face. His eyes look impassive but there’s something awful in them, even in the brief glances you get from catching him from the corner of your gaze.
What a creep. 
It sours the mood, and you decide to leave, or at least take a break and shake off whatever out-of-towner decided to pull off his best edgy horror movie impression to creep you out. It wouldn’t be the first time a tourist behaved like a jerk, or a weirdo, especially if they’d be drinking. 
Something about nighttime at the carnival made people go wild. 
So you head away from it all, from the couples trying to win stuffed animals, from the giggling shrieks of people on rides that spun them upside down until they wanted to puke. And maybe you should just head right home, but it’s not fair to waste a night of good weather.
Cool, but not too cool. Pleasant. The moon is out and the stars twinkle overhead.
Heading out on the dock might be nice. Tourists don’t bother with it, at least not on Thursday, when the beach isn’t lit-up and there’s no particular reason to head out this way. 
But you’d been to this beach in the evening before; you weren’t scared of the dark. By contrast, you liked the way the beach sounded at night. The water moving in and out, slow and sure. The occasional sound of wildlife splashing in the water. And the din of the carnival behind you, all rainbow lights and indiscernible human happiness.
Your joy is cut off by the sound of footsteps. Your heart leaps in your chest and your hands slam into your pocket instinctively, fumbling for your keys. Fuck, how were you supposed to use these in self-defense again? Put them between your fingers?
Your heart hammers and you slowly turn around, squinting as you make out a figure approaching you in the dark.
“I’m sorry,” a voice calls out, penitent. “Did I scare you? I’m trying to get reception.” The man wiggles a small silver object in the air, raising it above his head. A small LED screen lights up and your heart rate begins to calm, slowly but surely.
After a few beats, he sighs, and shoves the phone in his pocket. 
He turns, apparently to leave, but then looks back at you. “Are you all right? I really didn’t mean to startle you.”
You swallow, lick your lips. Feel stupid for the keys in your fingers. He seems nice enough. A typical tourist. “Um, yeah.” You laugh, an empty sound. “I guess I’m just a little jumpy tonight.”
The moonlight doesn’t give you a clear view of the man’s features, but you can see him tilt his head a little. “Jumpy?”
The keys in your pocket rattle when you let them go, and pull your hands out to point back towards the carnival. The man follows your finger with an almost studious interest.
“Someone was following me, maybe? Or he just seemed a bit creepy.” You laugh again, a habit ingrained after years of dealing with men in odd situations--defuse, tread lightly, always. “He was staring at me, but I couldn’t see his face. He had a scarf over it, I think.”
The man in front of you hums in acknowledgement after a moment. He almost seems a little amused, which is both irritating and relieving in its own way. You were just being silly, jumpy, overreacting, weren’t you? Maybe the guy wasn’t even looking at you in the first place.
“Can I walk you back to the carnival? It doesn’t feel right to leave you here alone.” 
Ah, no, you think. Sure, the man in front of you might just be a tourist in search of reception, but that doesn’t mean you’re stupid. This is how people get murdered. Or attacked. Or like, hoisted into white vans and never seen again.
“No, that’s okay. I was going to stay out here longer and look at the stars. I’m going home soon, anyway.” Not a complete lie, since you did really want to go home. Something like this is usually enough for most people to take the hint, right? 
The man doesn’t turn around. Instead, you see the shape of his smile, lit only by the moon in the sky above.
“You want me to walk you back to the carnival,” he says simply, and offers his arm out, like some kind of old-fashioned gentleman. 
Oh. Of course you do. What were you thinking, staying out here on the dock at night? Mosquitoes would eat you up, anyway. 
You smile in return and take his offered arm, stepping lightly as you make your way back to the carnival with a complete stranger.
Only by the time you make it back to the threshold of the carnival, which seems to be eaten up by the darkness surrounding all of the twinkling lights, he’s not really a stranger, is he? 
And as you get closer to the carnival, the natural darkness of the beach gives way to an abundance of artificial lights that allow you to see him better. He’s cute--no doubting that, with dark hair that frames his face, and a bandage around his forehead. Maybe an accident, or an unfortunate birthmark. 
Even if you weren’t familiar with most of the town’s residents in one way or another,  you’d know he was an outsider from the way he’s dressed. A slim motorcycle jacket and dark jeans… not the type of guy that hangs around here for long.
As you stop at the border of the carnival, he asks where you live, and you tell him--”around.” He admits that he’s only in town for the carnival week. 
“I figured,” you say lightly enough.
He raises his eyebrows. “Is it that easy to tell?”
You put your hands into your pockets and look around you. 
“I mean, it’s a small town, right? Everyone knows everyone, after a while. A new face stands out pretty easily.”
His smile is charming. Practiced, but charming. Or maybe being practiced is how it’s so charming in the first place.  “That makes sense.” He considers you for a moment. “You like to watch the tourists, then?”
You shrug and gesture with your chin towards a mom with a toddler clinging to her hand, pulling her along towards one of the games with enormous stuffed animals.
“I like people watching, I guess. Sometimes,” and as you’re saying it, you don’t know why you’re telling him this so openly. “Sometimes I like to make up stories about people I see. Like, where they’re from or what they do or a backstory like they’re from a movie or whatever.” 
Your cheeks feel suddenly, stupidly hot. Christ, you meet a handsome stranger on the beach and your first major conversation involves you admitting you make up stories about people? You’ve got to get out of this town more.
But he doesn’t seem like he’s judging you. If anything, he looks interested. 
“And what would you imagine for me?”
The question is unexpected. 
“I think…” You try to force your mind to wander like it does when you people watch organically. What would you imagine, if you came across him walking around the carnival in the evening? He’d be on his own, surely, maybe his hands in his pockets. Quiet. A soft smile on his face, maybe? 
“I think you’re some sort of… librarian. Or a curator. A collector?” You shake your head, unsure of exactly where you want to go with this one. “The point is, you’re traveling around the country, looking for things to add to a museum or library or something like that. And you came across an ad for a summer carnival and thought you’d take in some local culture.” You gesture towards the carnival--the lights, the crowd of people, the humanity on display. “But walking around here makes you feel lonely. So you walk down to the beach in the hopes of distracting yourself. Only,” you add, with a cheeky grin. “To come across the most amazing small town waitress in 100 miles standing on the dock like a weirdo.” 
He doesn’t smile at your story. Not exactly. Instead--and you look away when you notice, feeling too rude for staring--his eyes widen just a smidge and he purses his lips in a thoughtful way. 
“My name is Chrollo,” he says. “May I have yours?”
Chrollo is kind of old-fashioned, you decide. Perhaps you were more spot-on than you realized with your story. 
Maybe you shouldn’t give your name. But there’s a giddy feeling inside your chest. Something akin to what you used to feel when you were a teen and you snuck out in the middle of the night for bonfire drinking parties.
I mean… a handsome stranger in a motorcycle jacket who escorted you back from the beach wants your name? You’d be stupid to say no. 
So you give it. 
At that, he finally smiles again.
“Well, then,” he says softly, saying your name in such a way that makes you hope he’ll say it again in the future, “I hope I’ll see you tomorrow night.”
--
“Help! Someone help me! For God’s sake!”
Jake Jensen cried out these words as loudly as he could--as clearly as he could, with booze slurring his words and making his mouth all mumbly. But he wasn’t loud enough. No one heard him. Not over the music and delighted screams of the carnival.
He had been chased away from the beach, past the dock, into a little storage shed used for kayaks rented to tourists during the summer. His worn out body protested with every movement, his lungs hacking from years of cigarettes. 
His attackers, who blocked the door frame, said nothing. They only looked at one another, silent words passed between them, and the taller of the two grinned in the darkness. 
Jake Jensen died screaming.
--
Friday
You tell yourself that you’re only sitting here on this bench, munching on fresh hot popcorn, because you had a hankering for carnival food. Definitely didn’t come here in the hopes of seeing a certain someone. You tell yourself this even as your eyes dart here and there, looking for any sign of the not-quite-a-stranger from last night. 
The sun has just set, and it’s a bit hard making out faces in the glow of the early evening. There are a lot more people here tonight, a new wave of tourists drowning out the familiar faces. Not that the locals shy away from the carnival--you spot your former best friend from high school, your old math teacher, one of the regulars at the diner… Jake Jensen isn’t in his usual spot at the games, but maybe he’s sleeping off a hangover. He never misses a summer carnival.
“Hello again.”
Oh--you choke on your current handful of popcorn just as Chrollo appears suddenly in your line of sight, hands in the pockets of his motorcycle jacket, a casual smile on his face.
“Hey,” you say, coolly, like you didn’t just nearly spit chewed popcorn kernels in his face when he approached. The silence between you doesn’t last long, but you fill it anyway. “You um, want some popcorn?”
But when you hold out the now half-filled container, Chrollo only looks at it curiously. Like he’s never seen popcorn before or something? But then he takes a small handful and pops it in his mouth. Chews--but he might as well be chewing broccoli, for all he seems to enjoy it. Oddly, he watches you while he chews, seemingly studying your face. Did you have popcorn in your teeth?
Better to fill the silence again.
“Well, what do you think?” You ask, grinning, popping another handful in your mouth. “It’s my favorite because it’s fresh, and that booth actually uses real butter. Not the fake oil stuff.”
Chrollo hums in agreement. “I see. I thought that tasted like real butter. Thank you for sharing.” 
You decide on the spot that you’re going to make the most of this evening, popcorn-in-teeth or no. So you shrug and give your best smile. “No biggie. Buuut… you will owe me.”
He raises his eyebrows. “Oh? And what will I owe you?”
It’s your turn to hum as you look out towards the carnival, scanning past the numerous faces, the booths, children running with balloons and sticks of cotton candy. “A ride on the Ferris wheel once it’s properly dark would be nice.”
A snort, though his nose. “I think I can manage that.”
He offers his arm again, and you take it, not minding how old fashioned it was. Somehow, despite his jacket, his sleek hair, the hint of motorcycle oil mixed with cologne, old-fashioned seemed to suit him.
Lots of things seemed to suit him, actually. You learn this as the evening wears on. He’s great at carnival games, choosing only a select few that he claims to be an expert in. He wins you a few stuffed animals that you pass on to little kids, save a smaller teddy bear that you can shoved inside your purse. 
You learn other things, too. Like, he’s a great listener. He lets you talk--about yourself, about the town--and doesn’t interrupt or tell you that you talk too much or make it clear he’s not listening to a thing you say. He even asks you questions, which shows he’s actually listening, and not just thinking about other things and waiting to ask you to go somewhere “private” like some other guys.
It’s nice, surprisingly nice, to find someone from out of town who’s so thoughtful.
The line for the Ferris wheel is always long once the sun goes down, and you’re one of the last rides of the night. 
When the carnival worker locks the bar down over your waists, you kick your legs and wait for the strange rush of adrenaline and pleasure that comes with the Ferris wheel. It’s a beautiful sight--all colored lights contrasted against the night sky, whisking you high into the air and giving you a view of the entire carnival and the ocean beyond.
But your body always reacts to the imagined danger of being carried so far away from the safety of the ground, and when the Ferris wheel reaches the top and begins to circle over for the first time, your stomach lurches and you gasp.
“Are you scared?” Chrollo’s voice is low--you could swear he’s teasing, but there’s something else in there, too. 
“Yeah,” you say, breath catching as you're brought back closer to the ground, only to be whisked away again. “Of course. What if something goes wrong, and I fall off and break my neck?”
Chrollo tilts his head. “You’d be dead.” 
You can’t help but grin. He’s so to-the-point sometimes. It’s charming in its own way, although you can’t exactly describe what “its own way” means with Chrollo. It’s like he stepped out of some old fashioned film but also came out of a cooler city. A biker who carries around an embroidered handkerchief, or something like that.
“And I don’t want to die, hence--the stomach flipping.” 
Chrollo looks ahead, then, taking in the view as the Ferris wheel carries you over again. “No? How long do you want to live, then?”
The snort is involuntary. A philosophical question on the Ferris wheel--not exactly what you expected from tonight. But maybe it’s not so bad. He’s good company. And Chrollo looks earnest in his question, too, which makes you feel guilty for snorting in the first place. 
Maybe it’s the lights of the Ferris wheel that dazzle you; maybe it’s the way being on the Ferris wheel at night makes you feel like you’re in some wonderful haze of a dream. 
Whatever it is, you fling your hand into the air, towards the carnival, towards the stars.
“Long enough to achieve my dreams,” you breathe out, earnest, almost sing-song. “Whatever they might be. I haven’t figured them out yet.”
Chrollo turns his head to look at you. His eyes almost seem magnetic against the night sky, with the lights of the carnival playing in them. 
Then, as the Ferris wheel brings the two of you down towards the ground, you see him. The man from yesterday, with the cowl over his face. He’s looking right at you, and it’s no mistake or figment of your imagination.
Your head swivels to the side and you grip the bar of the Ferris wheel until your knuckles hurt. You jerk one hand out and point to the stranger on the ground with a trembling finger. 
“There--look! Look!” 
Chrollo takes a moment to respond, and follows the sight line of your finger.
But now--there’s no one there.
“What do you see?” He asks, clearly unknowing that the object of your terror has vanished into thin air.
“The man… the man from yesterday. He was right there. I swear.” Your chest hurts; fear hurts. 
Unbidden, Chrollo pulls you close to him, and you let him hold you tight.
“You’re all right. I’m here.” 
He holds your chin in his fingers. “You’re safe, do you understand?”
The fear in your chest seems fuzzy now, like it had almost never been there in the first place. How silly of you to be scared, when Chrollo was right here. It doesn’t even seem strange that he’s touching you so intimately, does it? So you nod--yes, yes, you understand. 
Chrollo smiles. 
“Let me kiss you,” he says simply.
And you will. Of course you will. What else would you want to do? 
But as you lean forward, eyes already closing, he pulls himself away.
“Wait.” You blink, head clearing, and he continues, words slow, careful. “Would you like to kiss me?”
Now, you think about it. Maybe it was too hasty. But the lights of the carnival are beautiful and Chrollo is beautiful, and he’s been so thoughtful all day, and now he’s here, holding you, promising to keep you safe from carnival creeps.
A summer carnival is the time for a flirty romance, after all. 
“Yes,” you answer, simply. “I would.”
Chrollo’s finger strokes your chin as you lean in and share your first kiss on the Ferris wheel, glittering lights and carnival music dancing in your mind. 
--
The wife died first. Too quickly, but perhaps it was all the alcohol in her system; $1 margaritas at a local watering hole on a Friday night did nothing to make her more agile when being chased by predators while running in black city heels that had no place in a small town carnival.
Well, to the dying woman’s credit: it was the heels and alcohol and the sliced tendons in her ankle. Taut wires cut through her flesh like butter and she was down for the count, crawling, sobbing, begging for her husband, for God, for anyone to help her.
No one did.
Those pitiful cries, too, were cut down by a wire pressed into her throat; silencing her vocal chords, yes, but spilling blood over her neck that was as pretty as a sight as anything to those watching her choke and scrabble her hands against the ground, eyes wide, gaping, wondering--how is this happening to me? 
The margaritas may have hindered her before her unfortunate ankle accident. But they did make her blood taste sweet and tangy. Metallic, rich, with a twist of lime. All that was missing was a miniature umbrella.
This joke was said aloud, once everyone had a taste of her. A few laughed, blood on their teeth. 
Her husband didn’t seem to find it funny, but perhaps he was more preoccupied with his own current slow death. An arc of his blood spurted into the air--”Don’t fucking waste it, Uvo”--before a greedy mouth latched onto the wound, beginning to suck him dry.
The husband, like the wife, would be shared.
Soon, though, there would be no need for sharing.
There would be enough for everyone to have their fill--and beyond that.
There would be enough to gorge.
--
Saturday:
Three people are dead. 
You didn’t know them know them, but the shock is still there, making your hands tremble a little as you pour morning coffees and deliver plates of steaming eggs and overcooked bacon to tables of locals and tourists in almost equal measure.
Jake Jensen is one of those people. The identities of the other two are unknown--”Due to the state of the bodies, no identification could be provided at this time,” said the sheriff, above a rolling news ticker that had been on the diner’s singular TV all morning--but they might be a couple. A man and a woman.
People die all the time. Sure. But…  dead bodies are not often found in your small town, where gossip typically revolves around couples breaking up or a local store not putting up enough holiday decorations to appease the older crowd. 
Yet now, in one morning, there are three. 
Jake Jensen, who was found near the beach.
And an unknown man and woman (John and Jane Doe) who were found in a wooded area near the carnival.
“Mighta been a bear,” says one of your regulars, gnawing on a piece of his burnt bacon. He liked it that way.
“I heard they were drained of blood!” Your head--and others’ too, you suspect--turns to the voice. It’s not a local. Someone who’s far too dressy for the diner, sipping on a coffee they brought from home while they sample your diner’s less than stellar fruit salad option. He’s oblivious to the stares, to the eye rolls, to the immediate dismissal that his outsiderness earns him. “Two puncture wounds on the neck. Heard it from a cop while I was walking in this morning.”
Someone murmurs a joke about vampires and the locals chuckle, then go back to their coffee, their eggs, their eyes now and then glancing up at the old TV screen.
Your eyes roll, too, but then you wonder.
If they were murdered--and it’s an if, of course, because it could have been animals and Jake Jensen could have gotten so plastered that he fell off the dock or something, murders just don’t happen in your town--then… could it have been that creepy guy from before? The one who’s been following you around the carnival?
Shit, maybe he was waiting for the chance to get you alone, so he could drag you off to the dock or the woods and slit your throat. The thought gives you goosebumps, and acrid coffee tries to climb its way up your throat, before you swallow it down.
It was a good thing you had Chrollo around for the past two days.
And you’d be seeing him again tonight.
They weren’t canceling the carnival--it brings in too much money. And while a part of you is all sore and soft for poor Jake Jensen (who was never mean, just drunk) you try to brush it away. It’s sad. But life is sad. 
You don’t want to be sad tonight. You want to look nice--for Chrollo? He wasn’t the first out-of-towner that had flirted with you, that you’d flirted with back. He was the first one that you’d ever genuinely looked forward to seeing again, though.
So.
You want to be wearing your best smile when you meet Chrollo again tonight. 
And you can’t do that if you’re thinking about Jake Jensen’s body washing up on the beach or if there’s a small, tickling question dancing through your mind--
What sort of animal leaves two pretty little puncture wounds on the neck?
--
You sit on the same bench as before; the bench, in your mind, where you and Chrollo have taken to meeting up these past few days. 
There’s no room in your stomach for popcorn tonight, though. Or rather, there’s room--your stomach growls--but you can’t imagine chewing anything rich, hot and buttery right now. Your thoughts flit between horror (poor Jake Jensen, one time, when you were younger, he helped you fix a flat bike tire) and romance (Chrollo’s lips on yours, warm, the breeze tickling your neck, the lights of the Ferris wheel twinkling around you).
You feel bad for wanting to enjoy tonight. But that’s not fair, is it? Another small town tragedy: caring too much about someone you didn’t really know as anything more than a passing familiar face that you can’t even focus on a hot date. 
Fuck. 
“Daydreaming again?” 
The evening sky above you is a wash of deepening colors, devoid of actual sunlight but clinging to the last vestiges of it like a child refusing to let go of his mother’s hand on the first day of school. 
He’s holding up a stick of bright pink cotton candy in one hand, while the other arm is offered for you to take--the contrast between his leather jacket, the ball of fluffy sugar he’s holding, and the way he sometimes acts like an old timey gentleman out of the movies is enough to make you smile.
Perhaps there’s bitterness in it, because as soon as you’re standing, Chrollo regards you with a measured look.
“Are you all right?” 
Well. You don’t want to ruin your evening, but it would be stupid to pretend everything was all sweetness and sunshine, wouldn’t it? It’s better to get it out of the way. 
“Sorry, it’s… I don’t know if you saw the news?” He says nothing, and you continue. “Those people that they found dead this morning.” Your lips press together. “I mean, the guy--I knew him, sort of? Everyone did. He was drunk all the time, yeah, but he wasn’t a jerk about it.”
Chrollo hums.
“I can imagine that would be shocking for you to hear.” 
Your smile is shaky, and you nab a piece of cotton candy from the stick and shove it in your mouth. The sweetness contrasts awfully with the words that pass through your lips. “For you too though, right? I mean, it’s not every day three people turn up dead at some small town carnival.”
Chrollo raises an eyebrow in a way that seems to say that he is not particularly shocked by the news. 
“Shit, really? What are you in your non-touristy life, a mortician or something?” A sudden realization washes over you, that Chrollo has an entire life outside of you and these carnival evenings; he has a past, and family, and friends, and a job. Hopes, dreams, the whole nine yards.
“Something like that,” he says. When you move to apologize, he shakes his head. “It’s alright. I’m not terribly shocked by these things, I suppose, because of what I see in my day to day.” He looks at you a little curiously. “But I can see how it would rattle you.”
You open your mouth, but you don’t know what to say. Sugar sticks to your teeth.
“Come on.” Chrollo drops the cotton candy into a nearby trash can, and leads you towards a row of carnival games. “I know what might take your mind off things.”
For once, you’re glad to see the carnival games; the fast-paced spitting words of the barkers trying to hustle money from kids and couples, the sound of darts popping balloons, the triumphant music that plays before the obnoxiously difficult water shooting game. 
You’re even glad to see the tourists in all of their Saturday glory, which isn’t so much “glory” as it is a sort of restlessness. Saturdays were always a strange day at the carnival; the last middle day before the grand finale. An unusual mixture of sleepiness, anticipation, and a buzz that held everyone together until tomorrow.
Strange day, strange faces. Some stranger than others. Staring up at the bell at the top of the Test Your Strength game is an exceptionally tall man with wild dirty blonde hair. By the size of his muscles, he might just break the game, which hadn’t been replaced in the many years you’d been coming here in the summer.
You tug on Chrollo’s arm and point the man out. “What do you want to bet the carnie will try to get him not to play? He might just break the thing…”
“I don’t doubt it.” Beside you, Chrollo snorts, but doesn’t linger on the man as he leads you further into the carnival. 
The two of you walk, and talk. About nothing and everything. He asks you to come up with stories for a few tourists, and you do. Light ones. It really does take your mind off things. At some point, Chrollo buys you fries, which taste slightly sweet; probably cooked in the same oil as the funnel cakes. 
You dig in your heels in front of the fun house, but Chrollo shakes his head, and won’t go in.
“Are you scared?” You tease. At night, the fun house was all lit up, and the clowns painted on the front had a ridiculously sinister air to them.
But Chrollo doesn’t smile or laugh. “They make me dizzy,” he says, quietly. There’s something behind his words, but you don’t know what. A medical problem? A bad experience? You apologize and then he does smile, shaking his head, at himself, or you, you’re not sure. “Think nothing of it, dear.”
Dear.
You want to hold onto that bit of affection like the sky holds onto the sunset on summer evenings. At least as long as you can, which tonight, seems to be until Chrollo takes you on the Ferris wheel again. 
This time, he holds your hand as soon as the attendant locks the bar down. Your fingers interlock and squeeze and it sends butterflies rushing through your chest. What was there to worry about, to think about, when you were sitting next to him? 
It takes a few turns around the Ferris wheel to remember what you were supposed to worry about, because on the trip down, your stomach fluttering from romance and gravity alike, you see him: the strange man. The stalker. The maybe-serial-killer-on-the-loose. 
He’s standing still in the crowd walking here-and-there around the Ferris wheel, couples intent on getting in line, children running from tired parents as they beg for another carnival game.
And he’s staring straight up at you.
You don’t think this time. You grab Chrollo and point straight down and practically screech out the words: “There! He’s there! Look, look--look!” 
And the stars must be aligned, because Chrollo actually sees him. His grip on your other hand tightens and he pulls you closer to him as you make your way back around the Ferris wheel and the man goes out of sight. By the time the two of you are at the top again, the stranger is gone.
Your goosebumps remain.
“We should talk to the police,” you murmur, a quiet, scratchy whisper.
Chrollo turns towards you. You recognize the look. The “Do you really think the police will do anything about this?” sort of look. 
“I’ve been thinking…” You squeeze Chrollo’s hand and he squeezes back and that’s all you need to keep going. “That maybe he might have something to do with those people? The ones they found this morning?”
Chrollo’s eyes widen just a little. It’s both comforting and worrying to see him look taken aback, even if it’s only a bit. 
“I heard…” You feel stupid saying this. But you shouldn’t feel stupid, not with Chrollo. He hasn’t given you a reason to feel like you can’t tell him things. “Someone at the diner today said they were found with puncture wounds on them. I was thinking, maybe… like an ice pick? Or a screwdriver or--I don’t know. But maybe they were killed.”
“Perhaps he’s a vampire,” Chrollo offers, voice low, lips curled into a smile, and your face must reflect the flash of offended shame that rushes into your chest, because he immediately apologizes. His sigh flutters against your cheek. “Well. He wouldn’t be the first killer to prey on crowds or small towns, would he?”
At least he didn’t say you were crazy to connect the two things, vampire joke aside.
He keeps you close once the ride is over, and you wouldn’t have it any other way. 
“I’ll inform the police,” he insists, when the two of you finally stumble on a pair of deputies patrolling the carnival. He leaves you standing next to the Test Your Strength game, where the carnival barker has agreed to keep an eye on you. It made you feel like a child, but for once, maybe that wasn’t a bad thing--to be watched and protected.
You watch, biting your nails now and then, as Chrollo and the deputies talk. In the end, they shake his hand, and you feel cool relief in your stomach. The police will know what to do with the information. If this guy’s a killer, they’ll catch him. If he’s not, well. The carnival was almost over, and you wouldn’t have to worry about him much longer.
Things will be normal soon.
When Chrollo returns, you take his arm without hesitation, but this time he begins to lead you away from the carnival.
“I was thinking,” he says, “that we might go for a walk. Get away for a bit. If you don’t mind, that is.”
You don’t mind at all. 
“Do you like trails?” You ask, steering him towards a trail that leads from the beach to a popular hiking spot for locals. “It’d be a bit more private. As long as you’re not scared of the dark.”
Chrollo chuckles. It’s a warm, dark, rich sound, and it sends a delightful thrill right through you. 
“I’m not if you aren’t,” is all he says, and that’s enough for you to point out the way.
Thoughts of dead bodies and stalkers fade away with the carnival, whose sights and sounds fade bit by bit as you and Chrollo leave the beach and begin making your way into a wooded area with a paved hiking path lit on the other side by electric trail lights. 
“I’m surprised to see these,” Chrollo says, quietly. He pulled his phone out at the start of the trail to give the two of you more light, though the trail lights were decent enough, especially since you’d been up here more times than you could count.
“Mm,” you murmur. “Locals come up here all the time at night. Especially teens. Usually to make out and stuff.” Chrollo gives you a look and your cheeks hit up, but you don’t elaborate. He doesn’t need to know about your high school escapades. “They added them to avoid the inevitable lost-teen-in-the-woods-at-night rescue scenario, I think.”
“Clever,” he says. 
--
The waterfall is loud when you’re this close; so loud you can’t hear anything in the moment but your own thoughts, which have grown louder and louder somewhere between the hiking trail and this popular waterfall spot. So popular that it’s lit with a flood light near the top--supposedly a teenager slipped in one night and drowned in the shallow pool, though you’ve never been certain if it was a true story or not.
Regardless, you’re not sure you want to stay. No--you know you don’t want to stay. 
This is a bit much, is what your thoughts are starting to scream. Chrollo is nice, but you don’t really know him, do you? And you just walked somewhere alone with him in the dark after being surprised by a maybe-stalker, the day that three people were found dead around here.
Yeah. A bit much might be an understatement. You should really get back to where there’s more lights and people and civilization in general. If Chrollo is a nice person (and he is, you insist, you’re just being smart!) he won’t mind. 
“I think we should go back,” you say, but Chrollo can’t hear you. So you cup your hands around your mouth and lean closer to his ears. “I think we should go back!”
You expect him to nod and take your arm and lead you carefully down the lantern-lit trail, perhaps still using his phone to guide the way. Instead, he takes your chin in his hands--you move to jerk it out, you’d rather wait until you’re back at the carnival to kiss again--but his grip is impossibly strong.
“It’s all right,” he says, and it’s the strangest thing, you can hear him so clearly despite the roaring waterfall just a few feet in front of you. “You know that you’re safe with me. You don’t want to go back yet.”
How strange. How silly. Why did you want to leave, when you just got here? You didn’t even show him the best part yet.
“Come on!” It’s your turn to pull him along as you carefully walk the path leading to the front of the waterfall, which has already begun to soak water through your clothes. 
“Is there a cave?” Chrollo asks--and again, you’re struck by how easy it is to hear him, despite the water rushing down in front of you. 
“You sure know your way around local watering holes,” you jest. 
He merely smiles. “I travel a lot.”
With that, you grip his arm tighter and run through the waterfall, shrieking in delight. Both of you emerge on the other side soaked; you, grinning, and Chrollo, looking around with interest.
The inside of the cave was lined with endless rows of fairy lights, courtesy of a local high school group. They had also brought in the two couches--used leather, frayed and flecking, but good enough for a hang out. When you were younger, there were only folding chairs; which were great for sitting, not so much for much less. 
“Do you like it?” You ask, then feel stupid. Why do you care so much what he thinks of some local hang out spot, especially one you hadn’t been in for ages? The same reason why you’d spent all day telling him about your daydreams, about small town memories, bits and pieces of local lore that he didn’t brush aside but seemed to enjoy hearing.
Chrollo was so different from the others you’ve met at the summer carnival. 
Maybe that’s why your heart begins to beat fast the moment you catch his eye again. His skin looks almost dewy in the glow of the lights, thanks to the water; his eyes shine, reflecting a soft, warm twinkling glow.
It’s just the two of you. No tourists, no locals, no would-be stalkers. Even the carnival itself seems far away; the lights blocked from view by the rushing water and canopy of the forest, even the wafting smell of popcorn and stale beer was long gone out here.
It was just you and Chrollo in a cave at the end of the evening. 
But… it didn’t have to be the end of the evening, did it? 
You ask him, this time. 
“Do you want to kiss me?” 
“I do,” he says. “Very much so.”
This time, your kiss is tinged with the tang of river water.
--
Five bodies lay scattered in the grass. Young men, young women. Teens that had been giggling and stumbling through the forest, flasks of pilfered whiskey in their bags. 
Now some dead and going cold, their limbs twisted, their mouths open in silent screams.
Two were still alive, whimpering, weak hands beating against monsters’ chests as open mouths hungrily lapped up their life blood. They had screamed, all of them, but no one could hear them in the woods--over the water. 
“This is a lovely spot,” said a woman, brushing back her blonde hair. A bit of red gore had stuck to the strands and she tsked at the sight of it.  “The waterfall adds a nice touch.” 
The man hummed, and stuck his hands in his pockets. The slightest touch of red showed on his lips; like a woman pressing her lipstick-covered mouth onto a bit of tissue to get rid of the excess. 
The carnage made him indifferent; the whimpers of the dying, even more so. But as he looked around at the carefully placed lights on the trail, the way they flickered against the waterfall and its hidden cavern like delicate stars, he smiled. 
“It came highly recommended.” 
--
Sunday: The Final Day
Chrollo was in your bed last night, and you thought he’d be there in the morning. But when the sound of birds pulls you delightfully out of a restful sleep and you blink your eyes open to dappled sunlight through your blinds, you realize that the bed is half-empty.
Just you and the sheets and the leftover smell of Chrollo--cologne and, more faintly, sweat and sex. 
You freeze, listening for the sound of someone meandering about an unfamiliar kitchen. He could be up and about already--making coffee or breakfast. The image of him serving up a plate of bacon and eggs almost makes you laugh.
But the apartment is silent, save for your breathing, the sound of a clock ticking in the living room. 
Your heart lurches and shame pricks at the back of your eyelids. He fucked you and ran, didn’t he? Just like the others, just like--
But just when you’re about to give into the temptation to scrub yourself all over with hot water and erase every trace of Chrollo that ever existed in your presence, you see it: a piece of paper, torn from a notebook you keep on your dresser. Carefully folded over and placed on the side table next to the bed.
Your name is on it, written in a surprisingly beautiful, scrawling hand. 
Curiosity and leftover shame-tinged dread curl together in  your stomach as you sit up and slowly pick up the note. 
Dear--
Your heart lurches again, for a different reason this time.
I apologize that I did not give you a proper farewell. I had an urgent matter to attend to. Forgive me, won’t you? We will see each other tonight, I hope, for a memorable and unforgettable evening.
Of course he didn’t fuck and run. He wouldn’t do that. And tonight would be--well, memorable and unforgettable, just as he said.
The pitter-pattering inside your chest takes on a new delightful cadence as you get yourself ready for the day. No work--you had Sundays off, thank God, maybe literally, for that. It was a shame Chrollo didn’t tell you where he was staying; presumably, the only hotel in town. But maybe he was at one of the B&Bs or was shacking up at a room for rent.
It would be nice to see him in the daytime, too.
But he didn’t, so you’re left with nothing to do but flick on the TV and make yourself a cereal bowl. Well, that’s wrong.  That’s not the only thing you could do. You could go to your parent’s house and help out your mom; she could use a break with caring for your dad.
But… was it wrong to be selfish, just a little, for just one day? You didn’t want to see Chrollo tonight with something unpleasant sticking inside you, on the potential chance that your dad was having a not-so-great day.
It was better to approach your last evening together with a sunnier attitude.
Although you don’t really have a choice, because the first thing you see when the news returns from a commercial break is a giant banner scrolling across the screen: TWO MISSING TEENS FOUND DEAD AT LOCAL WATERFALL. POPULAR TRAIL CLOSED UNTIL FURTHER NOTICE.
In the background, the sheriff recites familiar lines about respecting the privacy of the dead, about putting the full energy of the police force into finding the investigation, about how there is no need to panic. He says that it may not have even been foul play.
Somehow, you don’t believe that.  You just know. 
Sugary cereal seems to lodge itself inside your throat. You were just there. You were just there, kissing Chrollo, holding his hand, and now two teenagers are dead and lifeless and, and--
And if it was that same man… the one who was staring at you, stalking you… how close did you and Chrollo come to dying last night?
Tears prick at your eyes and you grab your purse. Maybe you would spend the day with your parents, after all. 
--
You should be more excited to see Chrollo. And you are, truly. But between the news this morning and the dull realization that this would be your last evening together ever, it’s hard to feel too enthused. 
Chrollo would be going home after tonight. Tourist trap over, no need to stick around. Something childish in you thinks: maybe I can convince him to stay a little longer. And if he stays a little longer, he’ll see how nice it is here (it’s not) and maybe he’ll want to settle down (he won’t). 
Oh, how stupid. It’s like when you’d meet the endless stream of New Best Friends every summer weekend as a kid, and you’d beg their parents together to extend their vacation.
It wasn’t going to happen. You’ll never see him again after tonight, and you’ll go your separate ways, and that’s that. 
Reality sucks sometimes.
You’re still stuck in the dreary shit cloud that is reality when Chrollo’s now somewhat familiar footsteps approach you on the bench. The bench, your spot--your spot? As if you and Chrollo had anything that could be called an actual relationship that warranted the use of “your” plural. 
You shake your head, hoping it shakes those silly childish delusions, and force yourself to smile.
Chrollo, to your surprise, doesn’t smile back.
Instead, he leans down, and takes your hand. His eyes roam over your fingers like they’re something special and it makes your stomach flutter stupidly.
“You seem a bit sad,” he says, bringing your knuckles to his lips for a kiss. The way that makes you feel is something you love and hate in almost equal measure. It’s not fair, is it, that he makes you feel this way--when he has to leave, and you’ll never see him again.
Perhaps it’s the knowledge that you will part ways after tonight that makes you speak freely.
“I’m just sad that you’ll be leaving.” He blinks at you, and turns his head a little. “That we won’t see each other after tonight,” you clarify. 
You expect him to nod and agree, and perhaps say something trite but comforting, like, “We’ll just make the most of it.” 
Instead, he gives your hand a squeeze.
“We don’t have to part, you know.”
It’s your turn to blink. A silly, little-kid-in-you hope does a twirl. He could stay--and this could maybe, possibly, in some far off millimeter of a chance, turn into something more serious than a summer fling. “You could extend your vacation? Your job would do that?”
Chrollo finally smiles at you. 
“My life is flexible. But,” and now he pulls you up so that you’re standing. It’s a fluid, easy gesture for him, almost too easy--he’s stronger than he looks. “I was thinking that instead of staying here, you would come with me.”
The world around you is not silent. The carnival is always producing an eternal cacophony of sounds--screaming patrons hung upside down on the more thrilling of rides, cheery carousel music, laughter, popcorn endlessly beating like a fast paced drum, everything and anything all mixed together into a swirl of sound.
But it might as well be silent, because you feel like all you can hear is your heartbeat in your eyes for a few stretched moments. 
“What? You’re not serious.” You smile, too, but it feels fake. Like it’s plastered on and cracking underneath. There’s a brief thought--maybe he means, like, for a weekend?--but you instantly know that’s not what he’s talking about.
This is too much, too fast. Too out of the blue. 
Chrollo looks at you in a way that almost makes you uncomfortable. Like he wants to see something inside you that you’re keeping for yourself. Then that gaze is gone and he’s smiling softly, charming, a little bittersweet.
Bittersweet is familiar territory, and the ringing in your ears fades in favor of a carnival barker offering 2-for-1 prizes on the Test-Your-Strength game. 
Chrollo’s voice cuts through it all, jovial, unassuming. 
“We can talk about it later, if you’d like. Let’s go enjoy the carnival a bit more before the concert.” 
That would be nice.
“I’d like that.” 
And you mean it--you do. You shake your head and let Chrollo intertwine his fingers in yours, and it doesn’t take long for his question to fade away from your mind as you weave in and out of the crowds.
If you weren’t so distracted, so disarmed, you might have noticed an uncomfortably familiar figure clad in black watching the pair of you intently.
--
The Ferris Wheel worker should have kicked you off several spins ago, but Chrollo had slipped him a twenty as he buckled the safety bar down. It’s nice, this extra time with him--it’ll be the last time you ride the Ferris wheel together, after all. 
What did it say about the state of your love life--or your life in general, actually--that slipping a carnie 20 bucks made your heart soar (and twist, and ache) even a little bit?
The night is prettier from the Ferris wheel. The world, too. Up here, you can’t see the grit and grime. The fermenting candy apples littering the ground, dropped two days ago by careless kids; the too-drunk couples arguing about whether they should stay for the concert or not; the exhausted carnival workers smiling hard no matter how much they get yelled at for their rigged games.
All you can take in from up here is the broad vantage point. Crowds and happy sounds--squeals and music interplaying above crowds of people, including a growing crowd on the beach in front of the black stage, waiting for the concert to start.
Chrollo’s grip on your hand tightens and draws your attention back to him. Even he looks more beautiful from up here, with the rainbow lights of the Ferris wheel playing on his face. 
“I’ve enjoyed our time together,” he says softly.
Ah, you realize. The extra spins were for the inevitable “we’ll never see each other again but it was a blast” speech. You knew it was coming. Doesn’t make it any less bitter in your mouth. But what good is holding bitterness against your tongue?
“Me too,” you say, and it’s not a lie, even if you hate the way the conversation must end. You try to focus less on the sourness and more on the sweet that came before. After all, Chrollo was… well. Handsome, yes, magnetic, yes. But more than that. He seemed thoughtful. He listened to you prattle on about yourself and your small town, and he didn’t even make fun of you for knowing so many local stories.
He was good in bed, too, wasn’t he? You blink and realize you don’t actually remember all that much about last night, except that he wasn’t there in the morning. Vague snatches rush through your memory. You remember his mouth on your lips, his hand trailing against your skin, removing your clothes. You remember his mouth against your neck, then this teeth, nipping, and--
It’s all fuzzy. But you weren’t drunk. So why--
“Have you thought about what I said?” He asks, and once again you’re pulled away from your thoughts, although this time you’d like to focus on them. Why couldn’t you fully remember last night?
When you don’t answer, he raises his eyebrows.
“About coming with me,” he says, a bit louder, as if you can’t hear him over the carnival din.
You let out a soft puff of a breath, then, and force yourself to focus on the current conversation. For now.
“You’re serious?” You don’t mean to sound so flippant, but you do. Chrollo frowns, just a little, and you feel like a bitch for it. “Sorry. I just--I didn’t know if you really meant it.”
“I am,” is all he says.
You didn’t like the idea of the conversation headed towards Chrollo leaving, but you like the idea of him genuinely asking you to come with him even less. Partly because you know you never could, and partly because there’s some small, stupid, fantasy-of-your-hair-blowing-in-the-wind-wearing-a-leather-jacket-on-a-motorcycle part of you that wants to say yes.
“Chrollo, I can’t do that. I have a job here. A life.”
Chrollo doesn’t let go of your hand, but you can sense the way his muscles tense. 
“A job at a local diner slinging hash browns,” he says, voice dry and almost hurtful. You must look offended--are you? You can’t tell--because he turns a little in the seat, trapping you with his gaze. His voice is earnest now, drawing you in.
“Don’t you want more out of life? The ability to pursue your dreams--to figure out your dreams?” One hand goes to your cheek, and his knuckle brushes against your skin. “You could travel. See so much more than your little town. Imagine it.” 
An image starts to build in your mind. Unbidden by you, but there, somehow, nonetheless. Of you riding behind him on a motorcycle, holding onto his waist as he takes you wherever you want to go--wherever he wants to go, together. Life would be wild and unpredictable, but easy and fun and--
“My family,” you murmur, and Chrollo seems surprised that you’ve spoken. 
His lips press thinner. “You could write to them, call them. No matter at all.”
Whatever fantasy has built in your head gets swept away and the Ferris wheel finally comes to a stop. The seat rocks back and forth and the bored (but $20 richer) carnie lets you off. Chrollo helps you as he’s done every time.
You wait until he’s escorted you away from the Ferris wheel to turn and address him. 
“Chrollo, I can’t--” You try to find the right words, but there are no right words. “I don’t know you. Not… really. Not enough to give up my life here.”
Chrollo is quiet. He considers you, turning his head a little. You feel awful--maybe you should just end the night here, on this shitty, sour note, because you’ve probably ruined the rest of the evening anyway.  You wish he hadn’t asked again before the night was over, but there’s no way to fix it now.
You’re ready to leave, to bite your cheek so tears don’t come. You’re prepared for Chrollo to say something low and insulting, to dismiss you, because why should he waste another minute on someone who would rather stay here in this shitpot of a town than--
“Come along,” is what he says, finally, holding out his hand--to your utter confusion. He still wants to go to the concert? With you? Now?
But you take his hand anyway. 
“It would be wasteful to end our evening early and miss the concert.” 
His grip is harder than it has been, but maybe you’re imagining it as he pulls you along, weaving in and out as the crowds grow larger and a little more drunk the closer the pair of you get to the beach.
This doesn’t feel right, suddenly. He’s upset, that’s why he’s holding you so tightly. Or maybe you’re upset and imagining it. Either way, it doesn’t feel good. Your primal gut instincts are telling you that it’s better to cut your losses and leave now, then to spend the night with a flipping stomach. 
“Maybe I should just go home,” you yell over the crowd. 
Chrollo stops, and you stumble forward a little, but he catches you in both arms before you make an ungraceful acquaintance with the ground. The hand not gripping your own gently grasps your chin and he leans in, not quite kissing you. His breath smells off, like rust. 
“And miss the grand finale?”
You should insist on going home. Everything’s gone shitty. It’s too crowded and the music will be too loud, and Chrollo is clearly irritated with you--
“Come to the concert,” he whispers, and none of that seems to matter anymore. Of course, you’ll go to the concert. What else would you do? 
He keeps his grip on your hand as you walk onto the warm, crowded sands of the beach, even though you have no intention of leaving. 
--
Booze, sweat, and popcorn. That’s all you can really smell now, surrounded as you are by crowds of people jumping and swaying to some rock band you’ve never heard of before; but no one really cares what the music sounds like on a night like this, when alcohol has been flowing and summer is at its peak.
Even Chrollo seems to be enjoying himself, although he’s not dancing. Just holding you, his arm around your waist, pressing his lips now and then to your forehead.
You feel bad. That must be why there’s a pit in your stomach. You were being rude to him. Of course he’d ask you to come with him--if he’s the type to live so freely, he wouldn’t think twice about making the offer. He just doesn’t understand what it means to be rooted down, willingly or not, the way you are.
You can’t hold something like that against him, so you don’t. 
Instead, you sway to the music, hips bumping against Chrollo now and then. Maybe after this, he could come back to your apartment again, for one last…
All thoughts in your head are stomped into the stand when you spot the strange man with the cowl in the crowd. He’s standing stock still while everyone around him jumps and dances and flaps their drunken arms. 
And he’s looking right at you.
“Chrollo--” There’s no time to waste, and you grab his arm and jerk him towards the direction of the stranger.
But he’s gone. He’s just fucking gone. Cold terror seizes your chest.
“What is it, love?” 
The nickname doesn’t even register.
“That--the man--the guy from before--he was there.” Your voice begins to tremble, frightened tears welling in your eyes. “Can we leave? Please?” 
Chrollo pulls you closer to him and you feel dim comfort as he wraps his arms around you and presses his lips against your head. But he doesn’t tell you that of course, we’ll leave, of course, I’ll get you somewhere safe, of course, let’s talk to the police. 
“Hush.” One hand begins to pet your hair. “Not much longer now. It’ll be over soon.” 
“What do you…”
Behind Chrollo, you see another familiar face. Vaguely familiar. The tall man with wild blonde hair, the one who looked like he could snap the Test Your Strength Game in half if he really wanted to--he’s standing still, like the man from before, while everyone jostles happily around him. He’s not looking at you, but that doesn’t make it any less unnerving. 
Your eyes dart over the crowd.
There are others, standing still. Others who seem out of place immediately, either because of their appearance or something awful you can’t describe. A woman with pink hair looking impassively as she scans the crowded beach, keeping her body perfectly still. A man with long black hair and something shiny and thin strapped to his shoulder. A woman with blonde hair in a smart black tailored suit that no one in their right mind would wear to a summer night carnival concert. Others, too, all out of place and making you want to be anywhere but here.
And then in a few blinks, they’re all gone. Like they were never there.
Dizziness overtakes you, along with a strange sort of fuzzy fear. Is this what a heart attack feels like, maybe? No, it’s just panic. Understandable but undeniably awful panic. 
“Chrollo,” you manage, voice shaky. “Something’s wrong. There’s people, they seem--it’s---I don’t know how to explain, we should--I think we ought to--”
Chrollo doesn’t say anything. Instead, he turns you around, keeping you in his arms as he makes you face the stage.
“You’ll miss the concert,” he whispers in your ear.
Helpless irritation courses through you. Who cares about the concert right now? You have half a mind to ask him why he’s not listening to you, but that impulse is gone the moment you see the tall man with blonde hair and impossibly large muscles leap onto the stage.
The guitars and drums come to a confusing, stuttered halt. The lead singer, clad in an oversized black t-shirt with a skull on it, looks like he wants to throw his guitar at the intruder.
“Dude, what the fuck, we’re playing up here, you can’t just--”
Even from your vantage point, you can see the large grin the blonde man sports on his face as he raises his fist and knocks the lead singer’s head off with a single punch. 
The body remains standing for a moment before collapsing without grace onto the stage. Blood spurts from the wound, spritzing high enough that it sprinkles the faces of those closest to the stage. 
There’s a noise from the crowd that almost, for a moment, sounds like a burst of startled laughter.
And then the blonde man leaps onto the corpse, opens his mouth until it’s gaping far too wide to be human, and begins to suck on the headless neck like a crawfish.
It’s that moment when people finally begin to scream.
Your head jerks towards one of the screams, and she’s there--the woman with the pink hair. Latched onto someone’s neck while blood dribbles from her mouth and the person, eyes bugged out, cries out in wordless pain. His body is cross-crossed with strange cuts, like someone pressed him through a sieve. 
You spin around, looking away from horror, only to see it again: the man with the long hair swings something out--a sword?--and strikes someone’s arm clean off his body, then pins that person down and begins to suck at the spurting blood. 
That’s not all he hit.  The person in front of them, a woman holding two drinks, staggers to the ground. Half her face slides off, revealing bone and brain. Lukewarm beer and gore meet the ground together.
You’re not entirely sure if you said Chrollo’s name, or when he let you go, or what you should do. All you know is that when you finally pull yourself together enough to look at him, he’s simply watching the events around you like a boring television show.
Like people aren’t screaming and running and bumping into you. Like blood isn’t flying. Like you aren’t seeing things that you’ve only seen in shitty horror movies. 
He’s in shock. Fuck. So are you, maybe? But it will be up to you to get the pair of you to safety, so you grab his arm and shake him hard.
“Chrollo! We have to go! Now!” 
He doesn’t move. You shake him again, and he finally looks at you. 
He smiles, and holds out his hand, ignoring your jostling.
“You’ve had time to think about it, haven’t you? Will you stay with me?” 
Oh, he’s definitely in shock. That doesn’t stop the impulsive words that flee your mouth as quickly as the people around you are trying--some not successfully--to flee the beach. 
“You’ve lost your fucking mind. Let’s go!” 
You don’t register what’s happened until you’ve hit the ground. Someone finally ran smack into you, and something--their elbow, maybe--strikes your head, hard. Pain blossoms in your knees and the side of your head when you hit the ground, then explodes when someone steps right on your hand.
There’s a feeling of lost gravity when someone yanks you up--Chrollo--but when you’re on your own two feet, he’s not there anymore.
You call his name. Once. Twice. Three times, four. He might not be able to even hear you over the din, if he’s nearby. Maybe he got swept away by the panicked people. Maybe his shock wore off and he ran to get help. Or ran--and left you.
There are a few moments where you almost run deeper into the crowd to look for him. A stupid thought. But then the wild, shock of fear inside you turns to complete ice and you’re not sure of anything in the world because he’s there. 
Standing in front of you.
Close enough to touch. 
Your stalker. The man with the cowl. Only the cowl is down, now, and his mouth is covered in a smear of blood. He smiles at you, and it’s not a nice smile at all. His smile grows wider, and you have to blink several times to realize what you’re seeing.
He’s got fangs.
Two of them, red tinged. Sharp enough to puncture your neck. 
They’re vampires. Actual vampires. Actual, damn bloodsucking vampires. 
There’s a brief, panicked thought--where’s Chrollo?--before your flight kicks in, and you’re scrambling through the crowd like everyone else. You stumble, of course you do. Over bodies, some dead, and you almost fall flat on your face when you make it off the beach and your ankle rolls on the uneven grass-covered ground.
If you were thinking logically, you might have run to the car park, and hopped into your car. You might have run in the direction of the crowds thinking the same, and gotten lost in them.
But there was no logic. Only pure primal panic, the realization that you people were being murdered all around you like animals, and you were one of those animals because one of the monsters was chasing you.
You didn’t dare to look back to see how far away he was; you just knew, deep down, that he was following you now. Running wouldn’t work: you couldn’t run forever, not with the pain in your ankle, and he’d catch up with you even if you weren’t panicked and in pain.
You had to hide.  But where? The carnival was all lit up at night, and the beautiful lights that had been fun to see just a day before now made you want to scream. He could see you, just about clear as day, no matter where you ran.
Unless you can find somewhere to hide inside.
It’s this thought that pushes you to dash inside the fun house, sneakers pounding on the silver ramp leading into the entrance painted over like a mouth devouring any children who enter.
The stillness inside startles you more than anything else. The lights are on. The music is playing, quiet, delightful. It’s hard to hear it over the dulled screams coming from outside, and from the awful, pounding rush inside your ears.
You follow the short hallway until it leads to something which you’d forgotten about; but it wasn’t your fault. Panic made you stupid, and you hadn’t actually been inside a fun house in years. 
The glass maze. All-see through panels that you’d smash into on an ordinary day, much less this one, where your mind is fried from panic and adrenaline keeps your body from coordinating properly. You smash against the panels a few times before you see it… something, behind you. 
No. Not something. Someone behind you. Or near you. Or far away. 
You can’t tell exactly where this person is, because of the fucking glass maze, but the fact remains:
He’s there--he’s here--he’s going to get you and kill you and it will hurt so bad.
You scream, at some point, and it’s dumb because the sound simply bounces off your current glass predicament and hurts your ears.
Maybe panic pushes you through, or maybe you’re just good at completing mazes when you’re in fear for your life; whatever the reason,  you make it out. You stumble through a hallway made of rollers that nearly send you sprawling, until you’re at the end of the hallway. 
A small red spiral staircase, barely usable for adults, is your only hope. 
You don’t try to be quiet now and the metal stairs clang under your feet as you run up them, feeling dizzy, feeling like this might be the last thing you ever do in your short, stupid life.
The second floor isn’t entirely enclosed. It opens out onto the carnival in the front, and there’s a slide to take you down near the end. The wall behind you is covered in a series of mirrors--the kind that make you tall or short or wide or impossibly thin.
It’s not the mirrors that catch your eye, though. It’s what’s down below. 
They’re all down there. The monsters from the beach. All covered in various amounts of blood and gore. Splatters. Smears. Like they’ve all gotten into different scrapes--killed people different ways. 
All of them have blood around their mouths. 
Fear rings in your ears. You want to wake up, more than anything. This is a nightmare and you want to wake up. 
You don’t wake up.
Instead, you hear a metal clang.
Then another.
And another.
Someone is coming up the stairs.
Thoughts dart here and there, but there’s nowhere for them to go. If you go down the slide, well. There’s a gang of monsters waiting to kill you down below. If you stay up here, well. There’s still a monster waiting to kill you.
The metal clangs again, and again, and again.
He’s coming up the stairs and he’s going to kill you. You’re going to die. Today. Now. 
Warm urine runs down your leg and thoughts come, too quick to really process: Mom-dad-school-work-never-did-anything-my-childhood-dog-that-one-time-we-went-to-Canada-to-visit-my-aunt-I-kissed-a-boy-under-the-bleachers-I-forgot-to-tell-dad-I-loved-him-yesterday-I-I-I--
It’s not the monster with the cowl who comes walking up the landing of the stairs. 
It’s Chrollo.
It’s like you blink and you’re in his arms, clinging to his shirt and sobbing like a child. He presses a kiss to your hair and you realize, gratefully, that he doesn’t look hurt. No blood on him, no scrapes, no bruises. 
“Thank God you’re here. Thank God you’re okay,” you say, reflexively. “Thank God, thank God, thank God.”
Chrollo pulls you tighter against his chest, and murmurs, “God? An interesting choice, my dear, considering…”
You aren’t even really listening. You’re just happy. Delirious, even. Chrollo’s here. He’ll help you. You can make it out together. Somehow. 
There’s an almost giddy sort of hope in your chest--until you hear the metal stairs clang again. And again. And again.
You whimper stupidly and pull on Chrollo’s arm. 
“We have to get out of here. Somehow. I don’t--maybe we can distract them?” Your eyes glance down at the monsters below you, who only seem to be watching more intently. The man with the blonde hair, which is now caked in blood, has an awful grin on his face. You imagine you can see his fangs, even if he’s too far away for you to properly make them out.
Chrollo doesn’t move. Shock again? Or he sees them, too, and knows the two of you won’t make it a step off the slide before being attacked.
The footsteps on the stairs stop. You look behind you, and your bowels clench at the sight of the monster with the cowl, pulled down, that same small, mean smile on his face.
Your hand tightens on Chrollo’s arm. A sentimental, if selfish, thought: At least I won’t die alone.
Chrollo turns, too, and looks at the man who’s been haunting you for days. Looks at the monster who has already killed people and feasted on their blood; at the creature who will now undoubtedly kill the both of you. Lovers for only a few days, but forever in death.
Chrollo sighs, and inclines his head towards the man. 
“Wait a moment, will you, Feitan?”
There were many things you might have said in this moment.  Eloquent things. Meaningful things. Things borne from inner betrayal and horror and anger. But all that comes out of your mouth, which gapes ridiculously, is: 
“Huh?”
And then something clicks, and realization dawns like a morning you don’t think you’ll live to see. The idea comes naturally, somehow. Borne of a childhood reading books and watching movies about vampires. Bloodsuckers. 
Your head turns, and you look over towards the wall of mirrors. You’re stretched thin like taffy about to break, your features a jumble in the dirty, cheap material. 
In the mirror in front of Chrollo, which should make him ridiculously short, there is nothing at all. 
When you look back at him, your eyes wide and pupils blown, he’s no longer the person you met a few days ago; the person you took to your bed, the person you were lamenting leaving. The person who kissed you and made you feel good, inside and out, if only for a while. 
He’s a vampire. 
“I advise you not to run,” he says quietly, if not, perhaps, a bit sympathetically. 
You do, because you aren’t a fucking moron. Though you don’t make it far, as it doesn’t do you any good to run towards the staircase. You run right towards the other monster--Feitan--who grabs you with ease.
He’s faster and stronger than he looks. Maybe they all are. Your body and brain don’t care about that, though, so you struggle with all of your might.
In response, your arm is deftly twisted behind your back and you expect this monster to stop, you expect your arm to meet its natural resistance while you struggle.
He doesn’t. It doesn’t. Your arm snaps and the pain is so sharp, so sudden, that your vision goes blind for a few seconds. In those few seconds, you scream.
When you’re aware of the world again, there’s still the pain. Sharp and awful and renewed every time you jostle your body in any direction.
Chrollo, walking up to you, hums in sympathy. 
“I know it hurts, dear. But this is what happens when you don’t listen to my orders. Do you understand?” 
The strangest thing (and in a world where the man you fucked last night is currently standing in front of you with fangs, that is saying something) is that Chrollo’s expression is not wild or monstrous at all. If you thought about it, and you’re having a hard time thinking with the pain of your arm and fear of impending death, you might say he looks hopeful. That you will understand. That you have learned something.
And you have. You’ve learned that he’s a liar, that everything he ever said and did was just to keep you around long enough to literally eat you, that he has no morals, no empathy, that he’s not even a person.
“I understand,” you manage, voice tinged and weak with pain, “that you’re a fucking monster.” You spit at him. Or try to. Your mouth is too dry to manage more than a stringy dribble that sticks to your chin. 
At this, Chrollo sighs. He shoves his hands in his pockets and frowns.
“You didn’t speak so crudely to me earlier this week.” A little smile. “Last night notwithstanding.” 
Bitter tears well up in your eyes. It was all just a game to him. Cat and mouse. Every smile, every thoughtful word. Every kiss. Your bodies pressed together, his mouth on yours--
“I didn’t know you were a… a… fucking vampire earlier this week.” 
Chuckles, from down below. Feitan, behind you, snorts. 
Chrollo doesn’t look angry, but you can feel a flash of it ripple through the air. It quiets the chuckles. Feitan tightens his grip on you, and the flash of pain makes you groan and slump forward.
“Regardless,” Chrollo says, “respect must be maintained. I expect you to refrain from these little outbursts. Do you understand?” There’s still a tinge of cooing sympathy in his voice--it makes anger bubble up in your chest. 
“Fuck you.” This time, the spit flies, and hits his cheek.
The gestures are slow. Unassuming. He wipes the spit off with the back of his hand. He wipes the back of his hand on his pants. And then he nods at Feitan.
Feitan’s hand reaches around your throat and when you glance down, you see that his nails grow. And sharpen. Sharp enough to cut, sharp enough to--
He drags his hand down your collarbone, and you feel the awful, deep sting of it before you see the blood spill out from your flesh. It coats the bare skin between your collar and the top of your shirt like some sort of morbid camisole. 
You cry out, you shriek, but he doesn’t let you go until Chrollo gives him another nod. You’re shoved towards Chrollo, who doesn’t grip you, but merely lets you stand, swaying, in front of you.
When you finally get the courage to look up at him, his pupils are blown up like a shark’s. 
“I’d like you to stay put this time,” he tells you, voice deeper, richer, at the sight of your blood. “And not run away from me. I’d like you to listen, and refrain from being… impulsive.” 
He leans in, and the scent of rust hits you, but this time you know what it means. “I could make you do it, you know. I don’t have to ask.”
Realization hits you again, and it hurts even more this time. That night, on the dock. And on the Ferris wheel. And how many other times he’d told you to do something, feel something. What was really you, and what was him? 
And now, despite all this, despite the scent of blood in the air and the wails of horror coming from the beach, he wanted you to listen to him? The audacity of vampires--it might have been funny, if you were in the mood to laugh.
“Like hell,” you mutter.
Chrollo breathes out through his nose. Impatient.
“I don’t believe I heard you, dear.”
You look up at him, gaze sharper. Heart sharper. 
“Like. Hell.” 
The slap you give him is weak. You’re surprised your good arm even managed it, all things considered. 
But the shock of the act that ripples from Chrollo to Feitan and even down below is what gives you a few microseconds to escape, to run, ears ringing from the pain of your jostled broken arm, and throw yourself down the slide.
You don’t have a plan. How could you? As soon as you get to the bottom, you’ll just run. Run and maybe die but maybe you’ll get away, someway, somehow.
You don’t get more than a few steps before you fall. Not fall, exactly. Trip. You trip over something that shouldn’t be there, something taught and thin. A wire? 
You see, from the corner of your vision, the woman with pink hair yank her hand backwards and the wire that shouldn’t be there slices deeply into both your ankles. Blood seeps through your socks before you even hit the ground. 
Your ankles burn and bleed, and new sparks explode behind your eyes when your broken arm smacks the ground at the worst possible ankle. You think you scream, but it’s hard to tell, over the pain.
Chrollo and Feitan jump down from the second story of the fun house. It should break their ankles--it does not. 
Someone turns you over on your back with their boot and you’re left staring up at the sky, ink black and throbbing with stars. It was such a pretty night, before all this. 
Above you, Chrollo and Feitan look down with decidedly different expressions. Chrollo regards you coolly, with no real expression on his face; it’s like a porcelain mask, indifferent, never-changing. Feitan, on the other hand, is smiling--he’s looking not at you, exactly, but at your blood.
It’s Chrollo who speaks.
“I would like an apology for your behavior.”
If your eyes were not safely attached to their retinas, they might bug out of your face entirely. You are laying on your back with bleeding, mangled ankles; your arm is broken, flopping, useless; a collar of blood adorns your neck. Vampires are standing above you, fangs at the ready, having already spread carnage through an entire beach of concert-goers.
And he wants an apology?
You want him to go away. To not be real.
You want your mom, and your dad, and your childhood bed with covers big enough to hide you.
So you shake your head, helpless, like an infant lying on their back.
Above you, Chrollo says your name. Sternly. Just once. 
When you muster up the words, you taste copper. You must have bitten your tongue after tripping. 
“F…fuck you.” 
Stupid words, you know. But you’d rather your last words be this than pointless begging. Now that would be stupid, begging for your life in front of grotesque creatures who want nothing more than to devour your blood. 
Somewhere above you, a gruff voice says, with a hint of glee in his voice:
“Want me to do it, boss?”
Your eyes dart around, but you can’t see anyone else. Even Feitan seems to have stepped back, leaving you with no one but Chrollo in your line of sight.
Chrollo tilts his head a little, considering.
“No,” he says, finally. “Feitan will handle it. I appreciate your methods, but you might break something a little beyond repair.”
Whoever spoke chuckles, but doesn’t disagree.
The words reach you, but you don’t take them in for a slow moment. 
Break… break… what else can they break, what else can they possibly do--
There’s a weight above you. A dark one that smells of blood and metal. It’s Feitan. He blocks out everything else, just for a moment, staring into your eyes with their big pupils and blurring tears.
When he pulls back, you see him move, but don’t know what it means until you feel an explosion of red hot pain in your hand--the hand you slapped Chrollo with. Your fingers crunch and break and you try to pull your hand away, but Feitan’s boot keeps it pinned down, grinding his heel until you shriek so loud that you think the inside of your throat will blister.
Time itself is hot and painful. You’re not sure how long it goes. You’re only sure that when you try to move your mangled fingers, they don’t move. Hot, thick pain shoots down them and it makes you stop trying to get up. 
It’s not like you could run, anyway.
At some point, you hear a new sound. Sirens in the distance. Police? Ambulances? There’s no hope in your chest, no thought that they’ll save you. Even if they got here in time, the monsters would kill them. 
Somewhere above you, Chrollo talks, though his words sound like they’re being spoken through water. 
“Take care of them, will you? We’ll meet up near the waterfall before we head out.” A question from someone. A pause. “Yes, I’ll handle her.” 
The voices fade away. Either because they’ve walked away, or you’re finally going to die from the shock. That might be a mercy compared to whatever grisly end Chrollo has in store for you. Is this how he planned for you to die, after all? Or was it meant to be swifter? You might have screwed it all up with your running and spitting.
Before Feitan broke your hand, you might have been proud of the spitting. Now you just wish you’d let them kill you quick. 
Finally, Chrollo returns to your line of vision. He’s a bit blurry from your tears, from your pain. Probably a bit from your blood loss, too.
He kneels down next to you, and you tense. Even tensing hurts, and you whimper. 
“Are you going to kill me now?”
Beside you, Chrollo coos. A soft, sticky sound. He takes your broken hand and your voice wants to shriek, but all you can manage is a strangled cry. He kisses your broken fingers like a gentleman.
“Kill you? Of course not.” He presses a last kiss to your mangled hand. “I do want to see that sweet girl from before.. the one who daydreams about strangers and holds onto my hand so tightly on the Ferris wheel.” An indulgent look crosses his face and he gives your broken fingers a painful squeeze that has you groaning.
“She’s still in there, no doubt.” His thumb brushes against your cheek, pushing away the dried salt of your tears. “Buried under fear and pain and newfound knowledge, no doubt.” He smiles nostalgically. “But those can be remedied with time.”
He’s crazy. I mean, you know he’s a vampire, sure. But he’s also fucking crazy.
“I want to go home,” you croak. Even though you can’t reason with crazy.  “Please. Please.”
His eyes blink down at you. How old is he, anyway? Centuries? Longer? To him, you must be nothing. Insignificant. Ridiculous. 
He doesn’t mock you, though. He only continues stroking your cheek with his thumb. “I’ll be your home now, wherever we go. And we will go so many places.” There’s some sort of dulled excitement in his expression that turns your stomach. “And from now on, you’ll do what I say, won’t you?”
Tears spill over your eyes, trickling down over his thumb. You don’t have the energy or the lack of survival instinct to say no. But you won’t say yes, either. You can’t. 
“Well. I can make you obedient, if you’d rather be stubborn.”
You’re about to ask--”What?”--when he kisses you, shutting you up entirely. 
You’re afraid to move. Your lips tremble against his, thinking only of death--of his fangs. His lips move and brush against your neck, and a mocking forgotten memory of last night flashes through you. He kissed your neck last night, too, a wet, sucking kiss that had your toes curling. Your toes curl now, too, out of fear. The blood from your ankle makes your toes slick inside your shoes. 
And then his fangs sink into your neck and hot, searing pain shoots through your entire body, masking everything else. Your ankles. Your broken hand.  Your brutalized arm. The cut on your collar. None of them matter compared to this pain, which is not localized at the sight of the bite but spreads throughout your bloodstream, making it impossible to think of anything but how much it hurts.
You’re dimly aware of your screaming. A helpless sound you heard from countless others tonight. Your legs kick, and you realize, vaguely, that you can’t really feel them anymore. They hurt, yes, but there’s a numbness behind it. Are you really moving them at all?
There are more screams now--from the beach. You don’t know how you know, but you do. It’s like you can see it in your mind although you’re flat on your back in front of the fun house with a monster draining you of blood. 
The world spins as you imagine how the first responders must be dying right now, while you’re dying. Are they wishing they never responded to the emergency calls? Are they thinking about their families, their friends, and their little dogs, too? 
Chrollo’s mouth is against yours again, and you taste yourself on him. Bitter metal, still warm. He’s blurry as he pulls back and bites against his wrist. What should be vivid red blood is dark and ugly--dead. He hovers his wrist above your mouth and the substance drips onto your lips. It’s cold, vile.
A final insult before you die, making you drink this nasty stuff. Vampires have a sick sense of humor.
But what did you know about vampires, anyway? 
You black out as Chrollo murmurs something above you.
At least, you think, this is finally over. 
--
You do not wake up in heaven or in darkness, either.
You wake up in a man made clearing, sitting against a tree, with a blanket draped over you. In front of you there is a fire, not roaring but alive enough in the night; a pot with spilled chili lay on the ground. Behind the fire is a camper van with its door wide open. 
The corpse of a man is propped against the door of the van, keeping it open. His mouth is slack and ah, he’s not dead yet, is he? There are two glaring puncture wounds on his neck, but he’s still around. His fingers twitch  and seem to register you with tired eyes, that drift from your face over to the far end of the camp.
You follow the look, and oh. There are two dead teens piled next to the fire. Already drained, already dead. His children, you think. 
The world seems to come into more focus then.
You are, as far as you can tell, alive. You’re propped up against a tree. It’s night time. The people--the monsters, the vampires--are here, in this campsite. Some of them glance at you once they realize you’re awake, but no one says anything.
Strangely enough, you’re not in much pain. Soreness, yes. But you should be in agony. Your hand feels okay--sore fingers, but no longer blinding pain, and you can bend them almost normally. Your arm, too, feels sore but mended. Your hands reach up to your collar, your neck, but there’s no trace of the wounds except a thin scar on your collar and two small bumps on your neck.
How did it heal so fast? Did they bring you here to hurt you again? Keep you like some sort of blood bag?
Your eyes travel down to the blanket draped around you. It’s heavy, comfortable, and stained with blood. 
You jerk like you’ve been electrocuted and throw the soiled blanket from your body.
Someone nearby laughs. “Picky princess, huh?” You vaguely recognize the voice--the tall man with wild hair. The one who knocked a man’s head off at the beach.
Just as renewed panic begins to awaken inside you, Chrollo appears from seemingly nowhere.
“You’re finally awake, I see.”
You shrink against the tree, and look around. Could you run into the woods? Were you still in the trail by the beach? How far could you run? 
Chrollo smiles, and sits down next to you like this isn’t horrifying or unusual at all. “Don’t be ridiculous, dear. There’s nowhere to go.”
Your throat is dry and your words stick to your mouth several times before you can speak.
“Where… are we?”
If you’re close enough to home, you might still get out of this. Somehow. Find a gas station or a rest stop and beg for help. 
“Far away from that little town, I assure you.” Chrollo jerks his head back and you finally see the row of motorcycles parked near the campsite. “We won’t stay here for long. We rarely do. Just long enough for you to get healed up, this time.”
Which means he plans to take you with him--with them. For how long? And where? And why? Why take you? Why not kill you, why not drain you dry in front of the fun house and leave your corpse for survivors to find? 
You could ask all of these things, but you’re not sure you want the answer. Instead, you give the only answer your mind can manage, which is to curl up against yourself and cry. 
“I want to go home.” You whisper, out of practicality more than anything. Your mouth is so damn dry. 
“None of that,” he says, a little sternly. His expression softens when you flinch, and he brushes the hair from your face. “Don’t waste your breath on such a silly sentiment. You’re not going anywhere I don’t want you to go.”
“You said you didn’t know me well enough to leave with me,” he continues, pressing a chaste kiss to your cheek, then a warmer one to your unwilling lips. “You said you hadn’t had time to figure out your dreams. Now, you can take all the time you need for both of those things. We’ll have eternity, after all.” 
Dull, cold horror pools in your gut.
Eternity.
“Did you… am I… did you make me--” 
Your hands shoot to your mouth, to your teeth, feeling for fangs. But there’s nothing new inside your mouth, unless you count the awful cotton dryness that blankets your tongue and teeth like film. 
He smiles indulgently, and you hear someone nearby snort. 
“No.” A pause. “Not yet, not quite.” He smiles at your ignorance and takes your hand away from your teeth, giving it a kiss that feels like mockery even if you get the sense that he isn’t trying to make fun. “That may come later, if you behave. For now, I’ve made you…” Another kiss, this time with a smile on his lips, as he seems to debate on what to say. “… let’s say, mine.”
You shiver. From fear, and from cold.
Chrollo presses another kiss to your lips, until he can shove his tongue in between your teeth and run it against your own. You taste yourself on him, still, that rusty taste. It makes you gag, and he pulls away.
“You must be cold. I don’t want you catching a chill so soon. Why don’t you go sit in front of the fire and warm up?” 
You shake your head, wanting to spit out the taste in your mouth, but not having the courage to do so.
He watches you for a moment. Calculating, cold. He makes you think of an animal, in this moment. An animal thinking on what to do when his prey does something odd in the wilderness. 
“Go sit in front of the fire,” he tells you. 
And without wanting to, without meaning to, you do. Your body jerks up and you walk over to the fire, with its spilled chili and corpses left in its wake, and sit down. 
It’s like before, at the carnival, but different now. There’s no warm suggestion, no soothing manipulation. Only an order that you obey, and that’s that. When you try to push yourself up,  you find that you simply can’t make your body do it.  You can flex your fingers, your toes. You can move your arms up and down. But you cannot, in any way, stop sitting in front of that fire.
“I’d prefer you to do things willingly,” Chrollo says from his spot near the tree. “But I don’t mind giving orders either, love.”
Love.
You’re not sure he knows the meaning of the word.
But neither do you.
Despite the fact that there are two dead kids and their dying father just feet away from you, you find the fire comforting. It’s warm. It’s bright. It’s everything that the monsters around you aren’t; and you aren’t one of them, not exactly (not yet, your brain screams, he said not yet) and maybe you can cling to that. Cling to your humanity, to get you through this. 
The fire crackles in front of you. At some point, Chrollo sits down, and offers you a bowl of chili that they must have set aside for you before knocking the pot down. 
It’s lukewarm, and a bit bland. The dying man wasn’t a great cook. But you eat it, slowly, carefully, while Chrollo watches with an almost serene expression on his face. Like watching you eat was the most endearing thing in the world. 
Above you, the night sky watches the scene with indifference. 
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sylvies-chen · 1 year
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my mother said something really interesting about this episode (yes, she also watches the show and is a huge fan of dani rojas just like me) and it’s been stuck in my head ever since. she said: “it seems to me like this whole episode was about intimacy”
and like… yeah! that’s exactly it! the amsterdam trip set the perfect scene for it too, because people are normally a little more lax on vacation, a little more adventurous, a little more lenient and able to put themselves out there.
you have the pretty obvious contenders for this point: rebecca having her little fling with that nameless bald man and learning to open herself up to real connection and intimacy again, to be able to envision for herself a life and a love that is unmoored to her past with rupert and is able to exist in its own little intimate pocket. you’ve got jamie and roy learning to trust in each other, to be intimate and vulnerable about their pasts and about their present situations too (especially for roy, who is still right now a man who would rather break up with the woman he loves that admit, that he doesn’t think he’s good enough for her). and you also have, of course, the true soul of the episode, which was colin and trent’s discussion, and how colin feels that ache to be able to show the more intimate parts of him to the world the way heterosexual couples do, to be able to merge his intimate personal life with his fun if not a little reserved professional life. how to achieve a balance between intimacy and privacy.
and then you have the less obvious ones maybe, like higgins and will going to the jazz club— which isn’t really that hard to decipher when you think about it. it is, after all, where higgins opens up about an intimate detail of his love for jazz, and then gets to share his previously very intimate and private activity of playing the bass with the crowd. he even starts the night complaining of how exposed their seats feel, and ends up standing on the stage by the end of it. and, of course, will potentially had a threesome. so there’s a kind of intimacy for you. the one that truly isn’t obvious is the team pillow fight which honestly, I think is just a way of showing that sometimes a more intimate, fun yet indoor activity makes for better memories than something like a sex show or a club, which are both very grand and exciting yet impersonal and detached kinds of activities.
then of course you have ted, who is sort of lacking what my mother called an intimacy with himself. he’s been feeling a little lost, a little “stuck” as he put it. and I don’t think he understood why until this episode, until this adventure he went on with the museum and the american themed restaurant. it was a way for him to spend quality time with himself, to be alone with his thoughts while still not totally unable to absorb his surroundings and learn something. and in exploring his more intimate thoughts he was able to think of something really good! something that will make him a better coach!
and yeah, when it’s framed in this way I think this episode was sooooo killer. I love seeing people open up a little bit, to show these deep and intimate parts of their being. it’s so so so good.
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dirtyvulture · 6 months
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NSFW Alphabet: Sergeant Edition
feat. Natasha Romanoff x Beefy!Reader*
18+ only, read at your own risk
AN: Reader has a penis, no pronouns used.
Here it is, as promised, with both Sergeant Romanoff and Sergeant Beef. 🥳
A = Aftercare (what they’re like after sex)
At first, Sergeant Romanoff was very quick to hurry you out of her office or bedroom whenever you two were done. It made you a little sad because of how impersonal it seemed, but you also didn't want to overstay your welcome.
It wasn't until one night Natasha completely fucked your brains out and you were so tired you couldn't even move to leave, that she let you stay the night and even cuddled with you for a bit. After that, she became more open to letting you stay and take care of you after sex with her.  
B = Body part (their favorite body part of theirs and also their partner’s)
Sergeant Romanoff definitely has a thing for uniforms, on herself and you, and she absolutely loves how her curves look when she's completely done up.
As for you, especially in your uniform, it takes all her willpower not to jump you, especially with how your biceps threaten to rip open your sleeves or the buttons on your shirt straining to hold in all your muscles. Sergeant Romanoff loves her beef. :)
C = Cum (anything to do with cum, basically)
Sergeant Romanoff is obsessed with the high of getting to cum, especially if you're the cause of it. She also loves making you cum, which is the next best thing to cumming herself, whether it's in her mouth or her pussy, or all over her chest or hand. She especially likes it when you tell her how good she makes you feel.
D = Dirty secret (pretty self explanatory, a dirty secret of theirs)
When your sex tape with a former partner leaked, Sergeant Romanoff was not only wildly jealous, but also extremely turned on. She never told you, but more than once she masturbated to your video and fantasized about making a better one with you.
E = Experience (how experienced are they? do they know what they’re doing?)
Sergeant Romanoff has a lot more experience than you, which is one of the reason why she's usually calling the shots in bed.
And even though you're not as experienced as her, she loves how eager you are to please her and she is surprisingly patient with you as you learn your way around her body.
F = Favorite position (this goes without saying)
Since Sergeant Romanoff is a dom, she loves any position where she's on top of you. But occasionally, she'll ask to be under you, mostly because she likes the view of your dog tags swinging around your neck as you ram into her and she likes clawing at your muscular back and leaving her nail marks.
G = Goofy (are they more serious in the moment? are they humorous? etc.)
Sergeant Romanoff is extremely serious, almost to a professional level. She might make an occasional joke, but she won't let you laugh for long.
H = Hair (how well groomed are they? does the carpet match the drapes? etc.)
Nat prefers to keeps herself shaved most of the time. But if she does grow it out, yes, the carpet does match the drapes.
I = Intimacy (how are they during the moment? the romantic aspect)
Nat had to learn it was okay for her to be soft in front of you because you wouldn't judge her for it. (Being a woman in the military causes her to overthink and always try to exert an aggressive front.)
But even once she's fully comfortable around you, you don't hear her say "I love you" as often as you'd like, but she's working on it.
J = Jack off (masturbation headcanon)
Sergeant Romanoff prefers engaging in group activity with you, but when you're not around, she has no choice but to find other ways to satisfy herself. She does prefer to have you on the phone or video call though so you can watch and squirm as she gets herself off to the thought of you.
Before your big deployment, you went and made a custom dildo of your own cock for her, which has become her favorite toy to use when she can't get her hands on the real thing.
K = Kink (one or more of their kinks)
She has a lot of kinks, but her favorite ones are probably BDSM, bondage, public sex, and orgasm control.
L = Location (favorite places to do the do)
One of Sergeant Romanoff's favorite things to do is call you to her office. You're pretty sure she's fucked you in every position possible on her couch and desk. She has a plug-in air freshener that sprays constantly, but there have been a few close calls where someone visiting has commented on the smell of her office.
M = Motivation (what turns them on, gets them going)
You acting submissive to her in public (even in your normal work duties) usually has Sergeant Romanoff going feral. Every time you ask for her permission to do something (especially cumming), she gets an immense rush of power and arousal.
N = No (something they wouldn’t do, turn offs)
Sergeant Romanoff will not use any weapons on you during sex. She (and you) have had too many dangerous experiences with guns and knives to treat them as toys in the bedroom.
O = Oral (preference in giving or receiving, skill, etc.)
Sergeant Romanoff loves giving you blowjobs. It gives her such a rush of power, even if she's on her knees for you.
And when you're on your knees eating her out, she'll yank on your hair like a set of reins to remind you that she's the one still in control.
P = Pace (are they fast and rough? slow and sensual? etc.)
Most of the time, Sergeant Romanoff prefers to be very fast and very rough with you. Even though you're bigger than her, she's always the one man-handling you around the bedroom. She loves leaving scratches and bite marks all over your body as a reminder of how well you please her.
Q = Quickie (their opinions on quickies, how often, etc.)
Sergeant Romanoff is very open to quickies as long as they're for her benefit. If you don't finish (or she doesn't let you), she'll just zip you back up and send you on your way. In those times, you'll always find your way back to her and beg her to let you relieve yourself.
R = Risk (are they game to experiment? do they take risks? etc.)
Sergeant Romanoff was very hesitant to give you any kind of control in the bedroom. It was a process, but once she learned to trust you, she was happy to be used as you saw fit from time to time. But in general, she's very protective of her control and would rather lead than follow.
S = Stamina (how many rounds can they go for? how long do they last?)
Natasha can last much, much longer than you can. But if you ever cum too early or without her permission, she will make sure to punish you so you aren't tempted to do it again.
T = Toys (do they own toys? do they use them? on a partner or themselves?)
Nat has basically every sex toy you can think of and she uses them all on you. She has a strap so she can peg you and has an assortment of vibrators, cock rings, Fleshlights, etc.
She doesn't let you use toys on herself, but you know she's obsessed with the custom dildo you made for her.
U = Unfair (how much they like to tease)
We all know Sergeant Romanoff is the biggest, most unfair tease of all time (let us not forget the public humiliation during our first uniform inspection). She totally gets off to how much you beg and whine for her to let you cum, almost to the point of being legitimately mean about it. But she always rewards you nicely if you manage to follow all of her instructions.
However, the one time you had to use your safe word with her, Nat took it very, very personally. She was very upset with herself for pushing you too far and promised not to do it again.
V = Volume (how loud they are, what sounds they make, etc.)
Sergeant Romanoff is actually pretty quiet, even if you are pounding into her like your life depends on it. Mostly, she'll vocalize if she wants you to go harder or faster, but it's pretty rare to hear her enjoying herself (but when she does, that's how you know you're doing something very right).
W = Wild card (a random headcanon for the character)
The first time Sergeant Romanoff brought up pegging you with your own dildo she did so jokingly, but it wasn't really a joke anymore when she saw how much you were begging and shaking for her to fuck you harder. She almost came at the sight of you and is desperate to find something that will give her a greater high.
X = X-ray (let’s see what’s going on under those clothes)  
Sergeant Romanoff actually spends almost as much time in the gym as you. Her body is extremely fit and toned, although not quite to the level that yours is, but she is very confident and proud of herself.
Your nickname is Sergeant Beef(cake) for a reason and you draw a lot of attention from the other recruits and staff for your physical prowess. But Nat will gladly let everyone know that you belong to her and that she is yours.
Y = Yearning (how high is their sex drive?)
Sergeant Romanoff basically wants you 24/7 and a few times you've indulged her in a sex marathon (although that usually ends with you sleeping for 12 hours straight and practically needing an IV to replenish all the fluids you've lost). There is probably no person on Earth who could keep up with her, but ever since you gifted her the custom dildo of your dick, she's a lot more keen to leave you alone for a bit.
Z = Zzz (how quickly they fall asleep afterwards)
It takes a lot for Sergeant Romanoff to get tired out (and you usually pass out before she does), but if she ever does reach her breaking point, she likes to fall asleep on you because you're her personal heater and you make her feel safe.
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AN: I always really like writing these lol. I hope you enjoyed reading it, and let me know if there was any headcanon you want elaboration on. :)
Please like, reblog, and comment! Follow for more content. 🥰
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astrosky33 · 7 months
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𝐘𝐎𝐔𝐑 𝐊𝐀𝐑𝐌𝐈𝐂 𝐖𝐎𝐔𝐍𝐃𝐒 𝐁𝐀𝐒𝐄𝐃 𝐎𝐍 𝐂𝐇𝐈𝐑𝐎𝐍 🧶
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CHIRON IN THE 1ST HOUSE: Wounds involving your identity, outlook on life, appearance, physical fights, your confidence, your passions, your individuality, and/or your beauty
(Example) struggles with being your own person
CHIRON IN THE 2ND HOUSE: Wounds involving emotional security/stability, receiving, self worth, work ethic, and/or finances
(Example) struggles with self worth
CHIRON IN THE 3RD HOUSE: Wounds involving communication/speaking, your mind/thinking skills, opinions, your conscious mind, and/or siblings
(Example) speech impediment or mentally challenged in some way
CHIRON IN THE 4TH HOUSE: Wounds involving family, your mother, emotions/emotional instincts, femininity, your inner child, self-care, your roots, and/or home
(Example) family issues or mommy issues
CHIRON IN THE 5TH HOUSE: Wounds involving your childlike spirit, joy/letting yourself enjoy life, romance, fertility, children, pleasures, and/or talents
(Example) struggling to let yourself ever relax and enjoy things in life
CHIRON IN THE 6TH HOUSE: Wounds involving routines, health, fitness, animals, consistency, self improvement, hygiene, innocence, analytical nature, step siblings, service to others, and/or anxiety
(Example) lots of struggles with anxiety/panic attacks
CHIRON IN THE 7TH HOUSE: Wounds involving commitment, partnerships, relationships/marriage, concern for others, attraction, enemies, conflicts, negotiations, contracts, equality, harmony, and/or sharing
(Example) lots of wounds caused by relationships
CHIRON IN THE 8TH HOUSE: Wounds involving intimacy, sex, death, major transformations/changes, longevity, shared resources, secrets/mystery, the occult, and/or trauma in general
(Example) this is a big indication of just having a lot of trauma in general
CHIRON IN THE 9TH HOUSE: Wounds involving your grandparents, your in-laws - relatives through marriage, wisdom, law/laws, beliefs, religion, viewpoints, languages, foreign environments, travel, courts, media/television, interviews, and/or learning
(Example) religious trauma
CHIRON IN THE 10TH HOUSE: Wounds involving your father/father figure, reputation/public image, status, career, bosses, fame, goals, responsibility, sense of mission, achievements, and/or authority
(Example) daddy issues
CHIRON IN THE 11TH HOUSE: Wounds involving friends/friend groups, socialization, technology, money made from your career/material gains, gains in general, uniqueness, film, desires, manifestations, influence, social awareness, partying, step/half parents, step/half children, humanitarianism, and/or politics
(Example) struggles with social anxiety
CHIRON IN THE 12TH HOUSE: Wounds involving healing, the hidden, sleeping, dreams - the ones you have when you sleep, intuition, isolation, hidden enemies, illusions, secret bed pleasures, closure, impersonations, fears, spirituality, escapism, privacy, hypnotism, the past, restrictions, and/or lots of karma in general
(Example) lots of people out to get you for no reason
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𝗠𝗔𝗦𝗧𝗘𝗥𝗟𝗜𝗦𝗧
𝗦𝗨𝗕 𝗧𝗢 𝗠𝗬 𝗣𝗔𝗧𝗥𝗘𝗢𝗡
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© 𝐚𝐬𝐭𝐫𝐨𝐬𝐤𝐲 𝟐𝟎𝟐𝟑 𝐚𝐥𝐥 𝐫𝐢𝐠𝐡𝐭𝐬 𝐫𝐞𝐬𝐞𝐫𝐯𝐞𝐝
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tackytigerfic · 3 months
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WIP Snip
Nearly finished this fic, final extended scene is a go atm. In this snippet, Harry has just arrived unexpectedly at the Manor where Draco is undercover pretending to be a Death Eater. CW for wandpoint confessions and mild angst.
Draco’s eyes narrowed but he put his hand inside his robe and then, quicker than Harry could have hoped to notice, Draco had his wand out and was holding it to Harry's throat, pressing hard so the wood bit into the tender skin under his jawline. "You are Harry, I suppose? You seem right, of course, but there’s always a chance that someone enterprising might come along with a stash of Polyjuice and a gift for impersonation.” “Oh, fuck off,” Harry managed, and the point of Draco’s wand wormed slowly deeper into flesh. “You knew it was me the second you saw me.” “Mmm, I suppose that’s true,” Draco murmured agreeably, something suggestive about how the sound travelled through the small space between them. His free hand strayed to Harry’s forehead and he brushed his fingers lightly over the dried blood that Harry could feel tightening on the skin there. “But indulge me. Tell me something only you would know.” Harry scoffed, though he was thinking with his throat tight of Arthur knocking at the door of the Burrow in the middle of the night long ago, and Molly blushing, and how they had exposed the long intimacy of their marriage for safety's sake. “There’s a lot I could tell you,” he said tightly. “If you’re really sure you want to hear it.” “By all means,” Draco said, eyes on Harry, searching for something in his face. “You fucked me in that bed and afterwards you asked me not to leave because you wanted to wake up with me? Remember?” Draco wanted to look towards the bed, Harry could tell by the way his eyes flickered, but he resisted, and so Harry went on. “You told me you wanted us to win this war just so you could take me back to London and feed me my favourite ice-cream off your spoon. You told me the only thing you miss about France is how you and your mum really got to know each other properly, and that when she gets back you want to take her for dinner to that little French bistro we went to that time in Edinburgh. I know you remember that, you said the wine was better than anything in the cellar here.” Draco nodded shortly, and almost regretfully pulled his wand away from Harry’s neck. He didn’t move away. “Yes, fair enough, I believe you.” But Harry couldn’t stop, didn’t know how to shut up now he had started. “The last time we were together, you told me that I’m generous with my love. Do you remember that? And I wondered then… because I’d never said it, had I? Not out loud, anyway. Neither of us had. But I thought, maybe— Maybe it meant that you knew.” Draco was staring, his eyes wide and shocked, a blush crawling up his neck, blotchy with heat. Neither of them moved, the silence between them growing until Harry could practically feel it. Draco almost raised his hand to Harry then; Harry sensed the arrested movement, the enforced stillness. He didn’t know what he’d do if Draco touched him. But he didn’t have to find out, because that’s when the knock at the door sounded.
Does anyone have a snippet they'd like to share? Consider yourself tagged and pls tag me so i can see as i've been off tumblr and i miss every single thing on here. And I'll no-pressure-tag @boxboxlewis @citrusses @fluxweeed @maesterchill @moonflower-rose @skeptiquex @sweet-s0rr0w @the-starryknight plus the FrotCotLot.
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ohnococo · 5 months
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Kento Nanami NSFW Alphabet
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A = Aftercare (What they’re like after sex)
He’s very quiet, soaking in the moment. He just wants to lie with you and feel that afterglow, hands playing with your hair, listening to your soft breaths. If he speaks it’s a whisper, and if he moves it’s slowly, keeping his hands on you as much as he can. Also he prefers not to pull out right away if you don’t mind it, just wants to be inside of you until one of you needs to get up.
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B = Body part (Their favourite body part of theirs and also their partner’s) 
Nanami likes his own hands. Strong, capable, and well-maintained. You won’t catch him with uneven nails or dry skin. He carries a nice hand cream in his coat to make sure of it. It’s not necessarily out of vanity, he just doesn’t like having rough hands.
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C = Cum (Anything to do with cum basically… I’m a disgusting person)
Cums absolute buckets. Even if he just came like an hour ago it’s just SO much. Texture wise it’s on the thinner side, inoffensive taste as well. He’s not a shooter either, it gushes out more than anything, coating his knuckles and pooling on his hips. 
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D = Dirty secret (pretty self explanatory, a dirty secret of theirs)
I’m sorry I know we’ve discussed this at length but Nanami is 100% a filthy panty sniffer. He doesn’t like to do it outright, but whenever you leave him unattended with your panties he has to have a sniff and file the scent away in his mind to conjure up later when he’s fucking his fist. 
When he’s been particularly stressed or pent up this becomes much less secret as he’ll shove his nose right against your cunt to sniff them while they’re still on you before taking them off. 
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E = Experience (How experienced are they? Do they know what they’re doing?)
Nanami is fairly average in terms of experience. He’s had sex before, and knows what he’s doing, though most of his skill comes from being an attentive lover. 
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F = Favourite Position (This goes without saying. Will probably include a visual)
Generally, anything face to face (like this or this) He wants to kiss you and be kissed, especially when you’re cumming, he wants you moaning into his mouth. He also loves being able to watch your face while you have sex.
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G = Goofy (Are they more serious in the moment, or are they humorous, etc)
Nanami is generally serious in the bedroom, sex with him doesn’t ever feel impersonal so he isn’t one to laugh or joke around. Even if it is a no-strings-attached situation, he’s always very intimate. That being said, bodies making funny noises, or situations that could lead to a laugh (or even embarrassment) like a cramped leg or slipping out of his grasp don’t phase him at all. He knows these things happen and isn’t uncomfortable about it, so he wouldn’t want to make you uncomfortable either and just moves past it.
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H = Hair (How well groomed are they, does the carpet match the drapes, etc.)
Not the popular take, but I personally hc Nanami as not being naturally blonde, so his pubic hair is dark, though he keeps it trimmed quite short. 
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I = Intimacy (How are they during the moment, romantic aspect…) 
Incredibly intimate, even if you aren’t really in a relationship or exclusive. He’s serious about you enjoying yourself, and he feeds off of your pleasure. Even from the first time he’s always kissing you, caressing you gently, whispering to you about how good you feel. Considerate of you as well, if you get especially sensitive and need a break after you cum he’s happy to lie there cuddling, kissing, being gentle until you’re ready for more - even if he hasn’t cum yet himself.
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J = Jack off (masturbation headcanon)
Nanami is zero or 100. Most often he masturbates in the shower, as a sort of release more than anything. These times his hands are quick and his eyes are closed, head tilted back, water hitting his back. Other times? He’s so slow with himself, rubbing his body all over for ages before he touches his own cock, then when he does he’ll make slow, drawn out thrusts into his hand. He cums hardest like this, but is the most relaxed. Likes cumming on himself in the moment, hates the cleanup afterwards. He finds it inconvenient, thus the usual shower sessions. He’s even worn a condom while masturbating for easy cleanup too. 
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K = Kink (one or more of their kinks)
Clothes on sex. It’s surprising at first because something like public sex with Nanami is an absolute hard no, but he loves nothing more than just undressing you enough to go down on you, or fuck you against the wall. He still takes his time, he still kisses whatever bare skin he can get to without completely undressing you, but something about it gets his balls tightening. 
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L = Location (Favourite places to do the do)
Honestly, locations are very vanilla for Nanami but as long as it’s in the privacy of your home he’s generally for it. His favourite is in bed, but when it comes to him going down on you?? He might throw a lot of his usual reservations out of the window. Whenever, wherever for him - in the kitchen on his knees while you’re trying to make breakfast, in the shower before work, even on the balcony where someone might see. It’s the only time he can be tempted to bend his hard Not in Public rule. 
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M = Motivation (What turns them on, gets them going)
Flashing him your panties, asking him to go down on you, and he has a slight subby streak so telling him to do something (touch you, pull out his cock, get on his knees, etc) has his cock twitching immediately. Also, for as much as he doesn’t like any kind of public or risky sex, he loves having you whisper in his ear or text him dirty things in public. 
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N = NO (Something they wouldn’t do, turn offs)
He’s willing to discuss a lot of things, and even if it’s not something he would have jumped to do if you tell him why you want it or how bad you want it he’s willing to reconsider trying it. However he generally doesn’t like any kind of public sex, as far as he’s concerned it has the potential of involving people who have not consented to walking in on something so he can’t really get into it the way he prefers. 
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O = Oral (Preference in giving or receiving, skill, etc)
He loves receiving, of course, but giving? It borders on fetish for him. He loves smelling you, tasting you, having his face covered in your juices. It drives him crazy. It’s what he thinks about when he jerks himself off, it’s what he wants to relieve his stress after a long day, when he finally gets that much needed vacation it’s first on the itinerary. 
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P = Pace (Are they fast and rough? Slow and sensual? etc.)
Nanami prefers to take it slow, slow kisses, slow strokes, and he loves being sensual. It’s a full body experience for him and he wants to be able to focus on every part of it. 
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Q = Quickie (Their opinions on quickies rather than proper sex, how often, etc.)
Quickies are out of necessity for Nanami, typically when there’s just no time and it’s not really an often occurrence for him. He‘s a patient man, a fan of delayed gratification, so he’d rather just wait until you can do things properly. The exception is when he’s been especially stressed, and he just needs that release. In cases like that, you’ll find him rushing home and asking to go down on you then and there - having his face buried between your legs where he can smell and taste you is stress relief for him and if you only have 10 minutes before you need to be somewhere, well then he’ll have you cumming fast. 
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R = Risk (Are they game to experiment, do they take risks, etc.)
Absolutely down to experiment, but risks are always informed and measured. He doesn’t go into anything on a whim, he wants to do it properly so anything you may suggest he’ll have to think on, and anything he suggests will have been thought over already.
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S = Stamina (How many rounds can they go for, how long do they last…)
He has a fairly long refractory period. You aren’t going to get another session for the news several hours at least once he’s cum, however he is incredibly disciplined at keeping himself from cumming no matter how close to the edge he is. It comes from his habit of getting himself close then pausing or slowing down until he’s no longer on the precipice of orgasm. He didn’t even know about “edging” for the longest time, it was just something he did because he enjoys the journey as much as he enjoys finally cumming hard at the end of it. Because of that he has incredible stamina and lasts long enough that most will be satisfied and welcome a break. 
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T = Toy (Do they own toys? Do they use them? On a partner or themselves?)
He doesn’t own any toys himself, but he will take an interest in yours and knowing what you like, how you use them, and likes using them on you or during sex with you. 
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U = Unfair (how much they like to tease)
Nanami can be one to tease for sure, though it’s not always intentional. When he has the time he likes to take it very slow, to the point it borders on edging. He’ll build you up to your orgasms and then stop just to kiss you long enough that the feeling fades, only to start up again. He can go for ages like this - though sometimes he’s teasing himself more than you. 
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V = Volume (how loud they are, what sounds they make, etc.)
He isn’t very loud, more than anything he breathes heavily when he’s close and has these contented sighs throughout - deep noises carried on a low hum. He does let out the odd moan but it’s very low and breathy. More of a grunt when he’s cumming too.
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W = Wild Card (Get a random headcanon for the character of your choice)
He can and will be out here naked for sex with his socks still on, pulled all the way up too. It doesn’t even occur to him to take them off, because it’s not like they’re in the way, right? 
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X = X-Ray (Let’s see what’s going on in those pants, picture or words)
Nanami’s cock is thick, especially the head of his cock. It’s soft and smooth and a pretty salmon colour too. 7 inches, uncut, veiny, and his balls are HEAVY. Big, surprisingly not that low hanging for the size of them - will definitely slap against you when he’s fucking you. 
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Y = Yearning (How high is their sex drive?)
His sex drive can fluctuate wildly. Sometimes he’s horny really often for days on end, sometimes he’s not bothered by a lengthy dry spell. When he’s very stressed his sex drive does seem to be higher, at the very least for the opportunity to have some kind of release at the end (or middle) of the day. He’s flexible though, in that he can match his partner’s sex drive without feeling like he’s doing more or less than he wants. 
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Z = ZZZ (… how quickly they fall asleep afterwards)
Nanami is very relaxed right after he cums, it’s the most peaceful you’ll see him, but not to the extent of falling asleep. He likes to just bask in the feeling for a while, talk if you’re up for it, enjoy the silence if not. He will nod off eventually, but not before he pees and gets ready for bed properly. 
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272 notes · View notes
Note
Having an android ask you detailed and methodical questions about the human experience of penetration as an act of intimacy while you sit in their lap.
Having an android ask you detailed and methodical questions about the human experience of penetration as an act of intimacy while you straddle their lap, the silicone attachment they made themselves and modelled on the dildos you already own pulsing and vibrating inside you.
Having an android listen carefully to your ragged, half-formed answers as you cling to their immovable metal and plastic shoulders, tiny circular sensor patches stuck to your pulse points and your temples feeding them real-time data about your body's responses for proper comparison.
Having an android tilt their head curiously as your answers fade to apologies, because your self control has crumbled and you are riding them now, fucking yourself stupid on the phallic silicone shape while you mumble that you are sorry for ruining the experiment before they got to the end.
Having an android ask you, in a soft but impersonal tone, if inflicting corrective physical discomfort for this perceived failure would assist you to achieve sexual release. Sobbing out a yes with your arms tight around their neck and then cumming so hard you see stars when you feel a series of sharp, painful electric shocks against your inner thigh.
Having an android thank you calmly for your assistance with their data collection.
.
392 notes · View notes
oneforthemunny · 11 months
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pieces of you and me |dad!rockstar!eddie munson x nepo baby!reader|
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prompt: your six daughters with eddie are named after the places they're conceived. fluffy little piece I had about nepo baby!reader and rockstar!eddie and their lives as parents, more specifically how they named each of their girls.
contains: mature, sexual themes not graphic but still 18+, minors dni. mom!nepo baby!reader x dad!rockstar!eddie throughout the years.
June 1993 - Corfu Beach, Greece
Your wedding ring dazzled in the Greek sunshine, bright and clear, almost as reflective as the waters in front of you. Corfu Beach was the first stop on your honeymoon trips, after three wedding ceremonies.
The tabloids had gone rabid when you'd announced that your weddings- plural- would be spread out from May to June. Three ceremonies, extravagant but intimate. The first in Palm Springs, an estate near the San Jacinto mountains with just your family. You and Eddie were both only children, the ceremony was sweet and short, an officiant, your parents and grandparents, Wayne and his girlfriend, and the two of you. A silk, slip white dress, custom made by Donatella herself just for you. Eddie wore a tux, the sweetheart, choking back sobs when he read you his vows, promises for your life together. You'd danced under the strung lights, Forever by the Beach Boys, his hand on your back, holding you sweetly. Your private photographer, a family friend, made sure to capture all the intimate sweet moments for you, and it was secluded with no worries of paparazzi.
Then you'd jetted off to Las Vegas, sin city as a couple. Eddie had taken the liberty of renting out Elvis' Little Chapel just for the two of you, hiring the best Elvis and photographer. You'd wore a tiny, leather white dress, garter showing on your thigh. Eddie in an Elvis suit, white just for you. Your friends dressed their part, his band mates, friends from Hawkins, and yours from Beverly Hills and others joined. You didn't remember most of the night, giggling when the Elvis impersonator read you your vows in the mimicking voice. It was a blur, champagne, liquor, and drugs in a penthouse suite at the Palms. You'd woken up a little sick, veil still in your hair and aching between your thighs, ass covered in welts from the night before. Eddie had managed to find a heart shaped paddle on the strip, using it on you when you got back from the 'reception' that was in the other room, where your friends were scattered still.
Lastly, you finished in Paris. Eddie wanted it just to be the two of you, an officiant, and the city of love. He'd gone all out, his vows seemed to triple in size from the first ceremony. Tucked away in a Parisian Chateau that had a stunning view of the Eiffel Tower in the backdrop, Eddie poured his heart out to you, vulnerable and raw. You both sobbed through your vows, heavy with emotion that pored out with each word, kissing each other before the officiant ever gave you the signal.
Now you were here, Greece. The beaches were beautiful, the wine delicious, and the waters stunning. Eddie had rented a small boat for the two of you, drifting off the coast of the secluded resort you were staying at. You were thankful for the intimacy, relaxing in the warm sun, topless, the true European experience.
"I think we should do this more often," Eddie grinned, blocking the sun from your view, standing tall over you.
You shielded your eyes, looking up at him. The sun haloed around his curls, his inked skin a little pinkish from the rays. He looked angelic.
"I think you just like to see me topless." You smirked.
"I think you'd be right." Eddie scoffed, kneeling down between your legs on the towel. "Can you blame me? Look at them." He squeezed your boobs lightly. "My girls. All mine, forever."
You let out a soft laugh, his lips ghosting over yours, fingers rubbing your pebbled nipples between the two of you. He kissed you slow, sweet, taking his time to truly taste you, feel you.
He was between your legs before you knew it, his cock splitting you open, harsh thrusts that left the small boat rocking and shifting with the waves. You'd gotten on top, hips swiveling and rocking with every rise and fall, his hands gripping your hips harsh.
You two spent the day like that, him filling you up raw, pumping his release deep inside of you, leaving you dripping him for the rest of the day on shaky legs.
The thrill of the ceremonies, of the honeymoons, of being hopelessly, completely in love with Eddie had your head spinning. You were still on the high of the first two ceremonies when you'd left for Paris, forgetting your birth control on the counter of the Hills home.
It wasn't until nearly a month later, when you finally returned, still in bliss and the rush of that newly wed feeling, that you realized. Staring at the silver packet that mocked you. You hoped that maybe you'd be lucky, maybe your body was just adjusting from jet lag and the different time zones. You were dehydrated from your time in Europe, maybe that was it.
A month later, you sat in the gynecologist office, the wand pressed over your belly, showing the small blip on the screen, Eddie's ringed hand tight in yours. "Looks like you're about seven weeks along, Mrs. Munson." The doctor said, looking over at you.
Eddie's eyes shined at you, teary and wide. You were both scared, overwhelmed. "Greece." He muttered. "It must've been our honeymoon, shit- well, that makes sense."
Persephone June Munson was born February 17th, 1994.
November 1994 - London, England
"Christ, fuck, it's cold." Eddie grumbled, hands buried deep in his leather jacket, air fogging around him.
You snorted, rolling your eyes. "That's why I told you to bring a jacket." You hummed, Burberry plaid scarf whipping in the harsh winds. You held Persephone closer to your chest, she was bundled up in her hat and scarf under your own heavy jacket, but you still worried she'd still be cold.
At ten months old, she was the spitting image of her daddy. Eddie's twin through and through, shining brown eyes that were so expressive and little chocolate curls that were starting to spiral on the ends of the tufts of downy, baby hair. She was your kryptonite, your little angel, for both of you.
Parenthood fit you both very well, to the surprise of nearly all the media. You and Eddie navigated being parents like you did anything else, head first and a little stubborn. After many sleepless nights, parenting books, and the help of your own parents, you'd finally felt accomplished. Eddie didn't want to miss a second of being a dad, and you couldn't blame him, not when the most precious creation on the Earth was looking back at you.
The tour and Corroded Coffin's album had been pushed, finally releasing in September. Eddie knew he'd have to tour soon, the two of you were still working out if you'd stay or go, but when he'd been asked to play at a concert in Wembley Stadiums, headlining with Metallica and Ozzy and all the legends he'd looked up to, he couldn't turn it down.
Now, the three of you were walking down South Kensington in London, heading towards the Natural History Museum with your baby- oh, how times had changed. Eddie smirked, stepping closer to you, looking down your jacket.
"Can she breathe in there? Is she alright?" Eddie asked, eyes scanning the two of you. All he could see of little Persephone was the little pink poof that sat on top of her hat, bobbing and hitting your chin with every step.
"She's fine, aren't you Sephy?" You cooed down at her, pulling your jacket back. Eddie looked down, melting at the brown eyes that stared back at him, chubby cheeks a little red from the warmth of your jacket. "Say, quit worrying daddy, mama's got me." You mimicked a high pitched baby voice that had her giggling.
Eddie grinned, pulling you close to him, his lips pressing a sloppy, wet kiss to your cheek. The security in front of you and behind you followed closely, one holding the door while you climbed into the room. The guide waited cheerily at the front, excited to take the infamous rockstar on a private tour.
You held Persephone, still in her little hat but your own jacket shedded. Eddie watched you, how you'd coo sweetly at her, pressing kisses into her little cheeks, swaying with her when the guide would explain the areas.
Eddie felt his heart swell, boasting and filling with love and pride, and something else. Something primal and deep and lustful. It was different from before. Usually the type of thrill that came with drugs, performing for thousands, then having groupies throw themselves at his feet. Now, he felt it deep in his chest, the protectiveness he had over you, over Sephy, his little family.
"You think she'd stay down for a nap if we take her back to the hotel?" Eddie growled low in your ear, teeth nipping at your lobe playfully.
You swatted him away, rolling your eyes. "I doubt it." You gave him a pointed look. "She has like a sixth sense for when were about to fuck." You snorted playfully, looking down at your little baby.
Eddie gave a soft smile, taking Persephone from your arms, snuggling her tight in his arms. She giggled, reaching to grab onto his curls. You grinned when she did, yanking them down hard, pulling at the scalp. Eddie hissed, moving his head with her to alleviate some of the pull. "Easy, easy, sweetheart," He muttered, opening her little fists.
You told him a million times to put his hair up around her. She was going through a grabbing stage. Anything and everything. The two of you had to re-baby proof the house when she'd started crawling, her tiny hands grabbing onto anything and everything she could.
"She's got a fucking iron grip." Eddie grunted, pulling his scalp back, tossing his hair over his shoulders. He knitted his brows, looking down at Persephone playfully. "Don't you? You're just a strong lil thing aren't ya?" He cooed, excitedly, bouncing her in his arms.
You smiled at her little giggles, the faintest crease in her chubby cheeks, hinting that she'd inherit dimples like her daddy. You shouldn't be surprised at this point, she was Eddie's twin, but it still made you a little jealous every time a new feature came in and it was a carbon copy of him.
"The next one will look just like ya, babe." Eddie would wink when you'd huff to him about it. "If not, we can just keep trying and trying and trying 'til one looks like ya." He always said it like he was joking, but the way his eyes darkened, you wondered if he truly was.
Persephone had gone down easily for her nap, and you were thankful. You figured she was still exhausted from the flight. You'd flown private with the band, your parents insisted on it, which benefited the two of you more than anyone else. Her little ears hurt from the pressure, whimpering and sobbing in the little bedroom on the back of the plane while you and Eddie tried to soothe her.
Eddie had gone for a soundcheck with the band, leaving you at the hotel with Sephy, unwinding in the cool linens of the hotel. You ran your hand down the bed, gnawing at your bottom lip. The last time you'd been at this hotel in London, it was with Eddie, but very differently. The two of you had just begun... whatever you wanted to call the relationship. You'd flown out on a red eye to London when he started his European tour, letting him fuck you hard and mean, tying you up to the headboard and having his way with you.
Now, you had a baby, you were married, and life was so different.
The door clicked shut, locking gently. Eddie could hear the sound machine, white noise that washed out the busy streets below next to the crib. You held your finger to your lips, nodding towards Persephone, who napped in her little portable crib.
Eddie smiled lovingly, looking over the edge of her crib. He climbed into the bed with you, gently laying down beside you. "She been asleep long?" He whispered.
You shook your head, your nose touching his. "Just a few minutes. I fed her and she was exhausted." You smiled, hands running over his shirt, down his arms. He perked up at the movement. "I think we have some time if you want to..." You bit your lip suggestively.
Eddie's eyes flicked from you back to the crib. "Here?" He whispered, ringed finger pressing into the bed.
You rolled your eyes. "We can go in the bathroom." You nodded to the spacious bathroom on the other side of the room. "Just be quiet."
Eddie grinned wide, letting you pull him by his hand towards the bathroom. "You be quiet," He whispered, pressing the door closed softly. "You're always the one screaming."
You rolled your eyes, wiggling your pants off. "Just hurry up." You huffed, tossing your discarded clothes to the ground, bending over the counter.
Eddie grinned, dropping to his knees. He pulled the lacy little thong off, smirking at your choice of panties. "Let me taste you first," Eddie rasped, ringed hands pulling your cheeks apart, revealing your slick puffy lips. He nearly drooled. "'S been too long, baby, let me have a taste."
You bit down on the back of your hand hard, smacking the faucet on, hoping the steady water stream would muffle your whimpers that escaped while Eddie devoured you over the counter. Miraculously, Sephy stayed asleep while Eddie pounded you hard, hips snapping against yours, holding you up to look at you through the mirror, hand around your neck.
He had more adrenaline after that, seeing his cum drip and spill out of your sopping hole. He pushed it back in with his pointer finger, smirking when you whimpered, collapsed over the vanity, cheek pressed to the marble countertop of the bathroom.
Four weeks later, you were sure you'd caught a virus. Stomach lurching and exhausted beyond belief.
Eight months later, that 'virus' was crowning, pushing out of you while you swore and threatened Eddie.
Kensington Klein Munson was born on August 3rd, 1995.
February 1998 - Milan, Italy
You'd been reluctant to go. You knew getting invited to Fashion Week in Milan was a big deal, especially since your long time friend was showcasing his line there, fresh new styles curated for the runway.
"Button, just go," Your mother sighed. "Daddy and I have it covered. We've raised a baby before, and look at you, you turned out just divine."
Still, you were hesitant to leave. You never left your babies often, hating the feeling- it was one you knew all too well. It was only a few days after Persephone's birthday, it felt too soon. And Kensington was going through a particularly nasty clinging stage with you, wailing and sobbing herself to near hyperventilation when you weren't in her sight.
Eddie had coaxed you sweetly, reminding you it's only be for a few days. He knew you didn't want to travel alone, and he too had been invited, so he offered to come with you, leaving your babies with your mom and dad.
You could hardly sit through the plane ride, guilt and nerves making you tight and irritable the entire time.
Eddie pressed sweet kisses into your skin, muttering that it would be ok. You were tense with every passing second. Tense during the pre-show dinner the night before, tight lipped smile and clutching your cell phone tightly. You'd given your hotel number to your parents, and instructed the concierge to forward it to the restaurant immediately if they called.
Even the wine, your favorite from Tuscany, didn't help soothe your nerves. Pouty the whole night, ignoring Eddie's sweet touches. You'd scurried to the phone when they said there was a call for you, nearly knocking over a waitress in the process.
It was your parents calling with the girls, ready to say goodnight. "Oh, Kensie, I know, sweet girl," You cooed sweetly, and Eddie could see your own heart breaking through the phone. "Mama and Daddy will be back so soon, baby angel, I promise."
Eddie rubbed your back soothingly. He could hear Kensie's wails and blubbering over the phone, through the noise of the restaurant. "You're with sissy, and Glammy," You sucked in a breath, fighting an eye roll at your mother's outrageous name she'd chosen for her grand babies to call her. You pulled the phone away, another heart wrenching wail, making your face crumble.
Eddie wrenched the phone out of your grasp lightly, pressing it to his ear. "Is that my sweet Kensie crying?" He cooed lowly into the phone. You pressed closer to hear. Her cries stuttered, shushing temporarily at her father's voice. "That can't be my sweet Kensie crying, is it?"
"It is, dad." Persephone's grumbled voice came from the background. "She hasn't stopped crying." Even at four, she was all attitude. She might have gotten Eddie's look, but he swore she got all your sass.
Eddie bit back a grin. "Sephy, can you hear me too?" He asked. She confirmed. "I need you to be extra sweet to your sister, ok? Mommy and Daddy will be back soon."
"And we'll bring you gifts back if you're good!" You added, yelling into the phone.
Eddie glared at you lightly, rolling his eyes. Persephone seemed excited at the promise. "Kens, Seph, can you both be good for Glammy and Pop-Pop?" His younger self would be raging at the nicknames.
"We'll be good, Daddy, prowmise." Persephone said sweetly through the phone. Eddie's heart swelled.
"Good." He grinned back. "You have good dreams, ok? Call us in the morning." You reached for the phone, pulling it away from his ear.
"Have sweet dreams, my angel babies." You cooed. "Daddy and Mommy love you so much. We miss you so much."
Your mother took the phone, chatting with you for a moment before you hung up, hesitantly, shoulder's deflating in defeat. You looked tired, dull, so unlike yourself. Eddie frowned, his hand circling your waist, pulling you close.
"C'mon," He nodded, pulling you towards the door. "Let's go back to the hotel."
"But-"
"-Tell them I got sick." Eddie shrugged. "I wanna spend some time with you. It's the first night alone we've had in a while."
You smiled gently, wrapping your arms around his torso. He shielded you from the paparazzi, ringed hand shoving cameras when they crowded outside your hotel, shouting at them all the way to the elevator.
When he got you back into the hotel, his hands on your back, smoothing over the fabric of your dress. "You know what we haven't done in a while?" Eddie grinned lightly. You hummed. "You haven't let me tie you up and have my way with you in a while."
Your thighs twitched, pressing together under the dress. "Ed," You let out a breathy sigh, squealing when he pinched the fat of your ass. "Kinda hard to do that when the kids are around."
"Well, the kids aren't around now." Eddie smirked, squeezing and kneading your cheeks. "No one to bother us all week. C'mon..." He was already moving towards you, lips slotting over yours to capture your lips in a sweet kiss, tongue sliding easily into your mouth.
You melted into the kiss, relaxing for the first time since you stepped off the plane. Eddie pulled you closer, fingers splayed out on the small of your back, pressing you farther into him. His lips pulled apart from yours, soft lips pressing into your cheek gently. "C'mon, baby," He rasped into your ear. "Be my good girl."
You perked, eyes meeting his, dark, hungry eyes shining back down at you. You rolled your lips like you were really thinking it over, but your hand was already reaching for your zipper.
"Fine, but only your hand if you spank me." You warned, pointing at him sternly. "We have to sit like all day tomorrow, and I better be able to sit." You glared at him, letting the slinky dress fall to your ankles.
Eddie's grin widened, eyes lighting up with excitement. You smirked, rolling your eyes, climbing on the bed. He fumbled through his bag, pulling out the leather cuffs. You lifted a brow. "So you were planning this?"
Eddie shrugged. "Maybe. Knew we'd be alone. Figured I might as well take advantage of my opportunity." He grinned.
You snorted, rolling on your stomach and letting him cuff you behind your back. Eddie hauled you into his lap, spanking you until your ass blossomed with red splotches and you were crying out. He fucked you hard into the mattress, skin burning and nails raked down his back and shoulder.
You were limping to the show next week, only sitting through your friend's show before disappearing back to the hotel, judgmental looks be damned. Eddie had his way with you the rest of the trip, the two of you refusing to leave the hotel room, fucking hard and nasty like you used to before; before the kids and before the marriage, before you two even liked each other.
You squirmed the entire plane ride home, finding refuge in Eddie's lap while he let you curl up into his chest. You ached between your legs, ass burning, chest littered in hickies you hoped the girls wouldn't see.
Nine months later, you were back in a familiar position, screaming in pain while you pushed out not one, but two babies; twin girls. Eddie nearly fainted at the ultrasound.
Sicily Giselle and Sienna Noelle Munson were born December 1st, 1998.
June 1999 - Sharm El Sheikh, Egypt
It was an anniversary gift, celebrating your wedding date from Farrah. You loved to travel, you and Eddie both, and since you saw the feature on Egypt, you'd wanted to go.
Farrah offered to watch the kids while you and Eddie had a get away, a romantic trip to the beautiful El Fanar Beach. "Just bring me back something nice, ok?" She winked playfully.
Eddie was in paradise, literally. You, him, and a private resort a haven for just the two of you. He'd taken you shopping to the local vendors, and you knew you had to pick up a bottle of perfume. Everyone raved about the fragrance, how decadent and strong it was- one of a kind. You'd fallen in love with one, dousing yourself in it during the trip.
Eddie seemed to like it too, burying his face in your neck, wrists, chest wherever you sprayed it, nuzzling need and sweet into you, inhaling you deeply like he might lose the scent if he didn't. You giggled when he nipped at your neck, loose, flowing linen dress flying around you in the breeze of the balcony.
The water was a gorgeous turquoise, but you hadn't managed to get in it yet. Every time you changed into your swimsuit, Eddie had you crowded around whatever was nearest, bending you over or pushing you against the surface, fucking you deep and slow.
"Ed, please," You whined, his crotch digging mercilessly into you, lips sucking and nipping at the skin of your neck, still raw from earlier. "Please, I-I wanna go to the beach."
"We'll go," Eddie hummed, lips ghosting down your collarbones. "We'll go after, I promise."
"You said that yesterday." You whined, huffing when he toyed with your clit through your swimsuit. "Ed, please-"
"-You just look too good, baby, fuck." Eddie groaned. "Smell too good. They put crack in that perfume. Made you irresistible." He growled, nipping at your ear.
You giggled, relenting when he dropped to his knees, licking you slowly until you were a puddle, sliding down the wall and further onto his tongue, hands gripping his curls.
Eddie went out and bought every bottle they had of that perfume, packing it back over on the plane, his nose still buried deep in your neck.
You blamed the perfume on why you were ringing in the millennium heavily pregnant, sipping soda water instead of champagne with your friends. That damn perfume, but it had a beautiful name, one you passed on to your daughter a month later, saving the original bottle in your safe just for her one day.
Zahra Wayne Munson was born on January 19th, 2000.
March 2007- Las Vegas, Nevada
You felt a little tipsy, stumbling in your stilettos across the marbled floors backstage. It was easier these days to get drunk. Younger you would never believe that you lose your tolerance when you get older, yet here you were thirty-seven, stumbling through The Colosseum at Caesar's Palace.
Corroded Coffin had been retired for years now, since the twins, really. Eddie had agreed to do a few shows, but hung up his guitar, trading it over to be a family man instead. He still dabbled in projects, produced, and some other things to occupy his time, but he wanted to be present with the girls, with you. It shocked the world that the both of you were as dedicated parents as you were.
Now, your oldest was thirteen, your youngest seven. Your little family complete and perfect. You were still reluctant leaving them, even if they were older, but it was a special event. Corroded Coffin live in concert at Caesar's, Eddie couldn't turn it down. And the two of you would never turn down Vegas, no matter how mature you were.
"Hey there, sexy mama." Eddie slurred, drunk and flirty. You giggled, gripping onto this leather clad arm. The show had ended hours ago, the after party raging on into the early morning.
"What're you doin'?" You giggled, watching him grab at your ass, hand ducking under your dress to squeeze your cheeks harsh.
"You just look so fuckin' good baby, goddam," Eddie grinned, swaying with you in his arms. "You're so pretty. So pretty."
You snorted. "You're horny." You grinned, feeling his half hard dick against you.
Eddie rolled his tongue over his cheek. "You're right. Can you blame me? With how good you look?"
You blushed, arms circling around his neck, pulling him closer to you. "I think-I think you look really pretty too." You smiled, nuzzling your nose against the scruff of his cheeks.
He pulled you in closer at the waist, hands still firm on your ass. You knew you were too old to be acting like this, you were parents and adults, you should behave. But you couldn't get enough of him. A little over fifteen years together, five babies, and you still couldn't get enough; that might be why you had the five babies.
"I think," Eddie whispered into your ear. "I think we should go to the bathroom." His eyes lit up suggestively.
"The bathroom?" You asked, giggling.
He was already waltzing you through the crowd, towards the private restrooms in the back. He'd had you already in the dressing room, you dropped to your knees when he came in, sucking him off until he fucked you hard over the table. Just like when you were younger, when everything was new and exciting.
He was insatiable then and still now, that never changed.
The bathroom door clicked with a lock, spacious and extravagant like the rest of the room was. Eddie hoisted you up on the bathroom counter, hands roaming every square inch of your body, needy and slipping under the fabric of your dress. You giggled, throwing your head back on the mirror, letting his fingers work you open.
He pulled your thong down, black lace with 'CC' crocheted on the front; a true artifact, made in 1992 when you went to your first Corroded Coffin concert. He fucked you back stage, and you surprised him with it. Somehow, your panties made their way into the lyric pages of their next CD.
Eddie laughed, holding them up by the band, eyes widening back at you. You blushed, shrugging gently. "Surprise, baby." You giggled. "I thought you'd see them earlier."
Eddie groaned loudly, tying his hair up with the thong before plunging head first between your legs. You squealed and gasped and writhed on the counter, his hands gripping your waist hard holding you into place.
He fucked you in the bathroom, trapping you against the wall, hips snapping into yours while you grabbed at his ass. There was no need for birth control, condoms, or having him pull out. He'd gotten a vasectomy after Zahra, you were done having babies, giving up on having your boy and accepting having all beautiful girls.
Or so you thought.
You returned to Los Angeles with more than just a hangover. The Las Vegas night was truly one you'd never forget, even if you didn't exactly remember everything, because- to both of your surprises, your urine test came back positive.
Vega Jo Munson was born October 29th, 2007.
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rohanneofcoldmoat · 10 months
Text
I've always found it interesting that Brienne calls Jaime 'my lord' when she approaches him at Pennytree, which is something we've never seen her call him before. It especially sticks out considering the weight names carry in their story (You will call me Brienne, not wench / Jaime, he thought, my name is Jaime). Brienne, knowing that she's about to betray Jaime, can't bring herself to compound the betrayal with the intimacy of using his name, but she's well past calling him Kingslayer, so she settles on My Lord, which is formal and respectful yet impersonal, and perhaps allows her to keep some level of emotional distance from what she's doing.
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paradiseinaverno · 2 years
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Reader is a human and is oblivious to Morpheus's feelings for her?!?
in your dreams
aka; gn!reader being completely oblivious to morpheus’ feelings
thank you for the ask ! as always, lowercase intended :)
headcanons, morpheus x constantine!reader, established contact, slight plot derision, heavy miscommunication (idiots in love basically), GENDER NOT SPECIFIED !
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oh you silly, oblivious fool. the both of you.
in fact, morpheus should become despair, and you? denial. utter delusion.
despite having strings of passionate love affairs, morpheus is perplexed by you. the seduction has never been hard for him, only the longevity. but he can’t even reach that.
he supposes he should be somewhat grateful, as he won’t come on too headstrong. on the other hand, however, he wonders exactly how much effort he has to put in to win you over. and morpheus has never shied away from a romantic pursuit, especially not when it involves his ego (which, in fairness, it always does), but you are…something else. that’s why he likes you. you’re so different from your sibling; where she’s perceptive, you practically live in daydreams.
and that is precisely where he begins his pursuit of you. in your dreams, as you say to him. morpheus begins by making everything softer, brighter. both you and your sister are chronic nightmare sufferers, as you’ve mentioned. so, unknown to you, he keeps nightmares at bay. not this time, he chides them. not this time.
it’s the first night you get a full eight hours of uninterrupted sleep.
you suspect it has something to do with him, but you brush it off as impersonal. even despite johanna’s prodding, you think it’s probably because the sand has been returned.
“i’m telling you jo, it’s nothing.”
“well he didn’t make my nightmares suddenly vanish. next time you see him, tell him i have a bone to pick with him.”
“there won’t be a next time!”
deep down, you hope there will be.
on the other hand, it’s been at least two weeks of pleasant dreams, and morpheus’ patience is wearing thin. surely for someone of your intelligence, you’d realise it has something to do with him? fine. maybe he just has to be more obvious.
he starts by physically appearing in your dream. slowly, though. tactfully. there’s roses along the meadow you’re dreaming of tonight. maybe it’s just you, but you swear you can hear some type of slow jazz.
it takes you at least twenty minutes (if the dreaming even has a linear concept of time) to notice him. and when you do, it’s only because he has to shuffle to get a better view of you, and you’re slightly perplexed by the swath of black fabric against such a vibrant pink background.
“oh! it’s you!”
finally, he thinks. “it is. and you, y/n? how are you?”
“i’m good. i’m not sure if this is actually you, or if you’re just me. still wrapping my head around this whole thing.”
“i am quite certain that we are separate. it will take time to adjust, but i am sure you will. you have quite the mind.”
you flush. “thank you. oh! actually, i had a favour to ask.”
“anything,” morpheus replies, instantly. there’s a softness in his voice that makes you almost melt. he, on the other hand, is elated. such intimacy, already? perhaps his worries were for nothing. he’d quite literally grant you the sun, if he could (though he doesn’t have the best experiences with those).
“could you perhaps get rid of my sister’s nightmares, too? in her own words, she ‘has a bone to pick.’ if that’s not too much?”
ah. not quite the favour he was thinking, but if it makes you happy…
“of course. i will see to it myself.”
you smile at that, and morpheus feels a warmth in his chest that he hasn’t felt for a long, long time.
“thanks, man. i appreciate that.”
you physically cringe. man ? there are seven ways you can envision the ground swallowing you up alive, and the only reason it doesn’t is because of morpheus’ presence.
meanwhile morpheus himself is inwardly despairing. ‘man’ ? either humans have changed entirely, or his seductive skills are at a miserable low.
thankfully, you’re saved by your alarm blaring through. you wake up in sheer agony. so bad, in fact, that you lie in bed for another twenty minutes quite literally saying prayers to every deity you can imagine. you’re atoning for some sin you can’t even think about. what the hell have you done to deserve this?
whilst you’re busy despairing in the waking world, morpheus is slumping against his throne in the dreaming. despair must be having a brilliant time, he thinks.
it takes both lucienne and matthew’s combined efforts to pull him out. giving the lord of dreams a pep talk? never been on the agenda, but he feels remarkably better after matthew assures him “maybe they’re just shy!”
so morpheus does something he’s never done before.
he consults human dating books. oh, so a ‘light touch on the arm’ is still popular. matthew tells him to try a more extroverted approach.
“why can’t you just tell them?”
but the lord of dreams is a prideful creature, though he’d never admit it. why should he go to them?
underneath that is a piercing fear of rejection, of being alone again, especially after the burgess incident. but that’s for later.
morpheus even consults death. his sister has a wonderful track record of being good with humans.
so, armed with flowers, and newfound knowledge of “tenderness, morpheus. be tender and warm,” he shows up at your door.
when you answer, you’re delighted, though you try and hide it, of course.
“hi again - oh, are those for johanna? she’s out at the moment, unfortunately, but i can pass a message on if you’d like?”
he blinks. “no, they…they are for you, actually.”
your eyes widen in surprise. “for me? what’s the occasion?”
he looks at you, so deeply that you almost shudder. there’s something…tangible about his stare. something that looks like restraint. “there was no reason,” he almost whispers. “i just thought you might like these. they’re often in your dreams.”
you could melt right there. he saw your dreams? personally?
but of course he did. he’s quite literally the lord of dreams. he sees everybody’s.
inwardly, you recoil, too caught up in denial to continue even thinking about any possible advances towards you.
“that’s…that’s really nice of you. thank you. would you like to come in?”
but before he can, you hear a car pull up. johanna’s home. and you love your sister, you truly do, but just this once you wish she hadn’t been home on time (which is a rare occurrence of it’s own).
morpheus, on the other hand, looks distraught. he’s practically on the verge of tears as johanna approaches, and though you remind him the offer still stands, he bids the both of you farewell. much to matthew’s chagrin, of course.
“nice one, boss.”
johanna teases you about the flowers, but you brush her off.
“it’s probably just appreciation. you know, because of the sand?”
your sister’s had enough. “you’re utterly hopeless, you know that? and so is he.”
“who?” you ask, absentmindedly.
“your sand boyfriend.”
“he’s not my boyfriend!”
oh, but how he wants to be.
in fact, morpheus has all but given up, until he sees one dream that particularly intrigues him.
you’re dreaming, again. you’re dreaming, and he could fall to his knees in relief when he realises that you’re dreaming of a romance movie.
it’s pride and prejudice. and the only reason he realises this is because he was there for its publication, of course (and because there’s been a strange influx of austen-adapted movie dreams lately, for some reason).
but it’s the scene that intrigues him, where darcy is walking up to you, in this case, and profoundly expressing his love.
how odd. he never would have pegged you down for such a hopeless romantic, but now he realises. he needs to be forward in his advances.
so he swallows your pride and shows up at your door the next morning, armed with nothing this time.
you answer the door hurriedly after hopping out of the shower, wearing nothing but an artfully wrapped towel, thinking it’s johanna.
it’s not. it’s a man (a man?) you are incredibly interested in, and you’re standing in front of him with wet hair and just a towel.
“could you…could you give me a minute, maybe?”
but morpheus’ usually formal tendencies have somehow vanished, and he protests.
“i need to speak to you.”
he barely waits for an answer, striding in. you practically run to shut the door, frantically looking around for something to preserve any shred of modesty you have left. that towel is slipping and you give yourself maybe five minutes before all hell breaks loose.
“y/n.”
“morpheus?”
to your utter horror, he launches into a speech you find all too familiar.
“-you have bewitched me, body and soul, and i-”
“were you spying on me?”
you’re seething. is this some sort of joke? does he mean to insult you? does he find humour in dreams that bring you some semblance of joy?
“i…”
“you have no right to peer into my dreams. that is personal. i don’t give a shit if you’re the king of dreams, you let me have that! let me live my dreams in peace!”
you’re all but yelling into his face, jabbing a finger into his chest. embarrassment is flaring into every atom of your being at the thought of him laughing at you. ridiculing you.
to your surprise, his own eyes burn in anger. “my apologies, but you are not exactly the easiest person to please.”
“to please?”
he groans. quite literally. the sound reverberates around the walls.
“do you have any idea how utterly exhausting it is to get in your mind? to try and win your affection? i have done everything. i have lost my dignity - i even considered asking desire for advice, all for you!” his voice penetrates into every layer of your body.
bashfully, you mutter, “why?”
if he could explode, he might have. you’ve both quietened down, a palpable tension between the two of you. the clock ticking dully is the only sound that fills the room for maybe five minutes.
“i have…i feel for you.”
“what? like pity?”
“no. listen to me. i feel for you. i have feelings for you. every moment i spend in your presence is a test of my restraint. there are no words for the boundless nature of just how deeply i feel for you. i am…i am half agony, half hope. say the word once, and i will leave you in peace. i will not interfere in your affairs, nor your dreams, again. but if there is even a glimmering semblance of affection for me, i beg you. tell me so. i cannot bear it any longer.”
oh.
you’ve never been good with words. it’s not in your nature; you’ve always left the negotiating, the diplomacy, to your sister. you’ve always been the first to act.
so when you grab morpheus’ face with your hands, eyes locked, you can feel in your gut that once again, your instinct hasn’t failed you.
you can practically hear relief filled in the sigh that escapes morpheus’ lips, a wordless plea pooling in his eyes, mouth begging to be savoured with everything you have in you. so tenderly, you press your lips to his.
it’s heaven. months, of pure restraint and long-awaited hope pour into the kiss, settle into your bones, wrap around the two of you. in fact, it’s almost like you both become one, so deeply are you melded together. kissing morpheus is like being filled with every star in the cosmos; like light and dark themselves, simultaneously.
when you finally break apart, you can’t help the smile that spreads on your face, and neither can he.
he looks at you eyes full of wonder, lips lightly swollen from the kiss. you’re wrapped in his arms, and his neck is woven in between your own arms.
“nice way to sneak austen in there, casanova. i thought the lord of dreams would have been original about that stuff.”
he pulls you closer, your head nestling into the crook of his neck. “i might have been very loosely inspired.”
you hum softly. “what a shame. you owe her an apology.”
morpheus shakes his head, and you feel a low chuckle build in his throat.
“in her dreams.”
——-
TAGLIST;
@liv-n
if you’d like to be added to the taglist, please let me know ! i appreciate all feedback. and thank you so much for all the love on my recent writes! it is heartwarming and i am so grateful to everybody! :)
-orion
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astroismypassion · 1 year
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Astrology observations 🧡🧡🧡
Credit goes to my blog @astroismypassion
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🧡🧡 If you’re a woman, your partner doesn’t really see you as Venus sign in THEIR natal chart. They see you as your Venus sign in your OWN natal chart. So your partner could have Libra Venus in their natal chart right? But you have natal Virgo Venus, resulting in your partner complimenting how good you just naturally look, how humble, grounded, down to earth you are. Your partners compliment you based on traits of your OWN natal Venus, not their this is my main point.
🧡🧡 The amount of Cancer over the 8th house and Moon in the 8th house people who almost prefer just laying next to their partner, resting their head on their chest, lap along with cuddling over sex is really quite something. They really crave the comfortable intimacy of laying next to someone.
🧡🧡 Meanwhile, Scorpio Moon can really love physical act of passionate, more aggressive sex, but could also switch and just prefer caressing, kissing and cuddling in bed as well. So I think they can go either/or.
🧡🧡 If you have Solar Return Aries Moon that year, it’s best to start a project that you only will have FULL control over it. This is also what helps Aries Moon stay MOTIVATED (because this is what they mostly struggle with), that of they won’t do it, no one else is there to save them or do it for them.
🧡🧡 Often that person who a lot of people get a bit intimidated by or always feel like this friend will go on and do great things in life that could be significant have Leo Rising or Rising at a Leo degree (5, 17, 29).
🧡🧡 Often in family relations, there runs a Sun conjunct Rising connection. You could be Scorpio Rising and your sister for example could be Aries Sun, have Sun aspect Mars or Sun aspect Pluto or Sun in the 8th house.
🧡🧡 I noticed also that in marriage people could not only go for Sun sign of their Jupiter sign, but also the OPPOSITE sign as well. For example: Virgo Jupiter could end up marrying Virgo Sun, but also Pisces Sun as well.
🧡🧡 I’m really starting to think that Aries MC, Aries over the 10th house, Mars in the 10th house and Mars Saturn aspect even can make you seem a bit like a “mean girl”. These people are often so compromising in their family relations and with their partner, but the public can too often “demonize” them or they make them see like the bad guy. This was well apparent in the media by the treatment of Meghan Markle.
🧡🧡 In Solar Return when you are unemployed or just starting your new job, there is often Saturn in the 6th house in that year’s Solar Return chart. But if you are employed, it indicates great duties and responsibilities that you are met with in the workplace, such as becoming a team leader or manager, supervisor. Not necessarily becoming boss though, since it’s located in the 6th house (subordinate position).
🧡🧡 Aries Moon people are so good at impersonating others, they get everything down to the smallest gestures or voice. But when they do it, people often get riled up because they do it confidently as well, so others often end up feeling like the Aries Moon person is mocking them.
🧡🧡 For creating more wealth and generating money in a particular year, don’t just look at Venus position and 2nd house. Check your Part of Fortune sign and house, degree. If you have Part of Fortune in the 1st house, start a lot of new projects, when you will experience new beginnings, when you are pioneering something that there’s a gap in or be spontaneous and decide to earn money, that is when you will find the most abundance.
🧡🧡 Also, another unique correlation I noticed you might earn more money on days the Moon is in the sign of your Part of Fortune. If you have Sagittarius Part of Fortune in the 1st house at a Gemini degree, you might earn more or have better opportunities to gain money when the Moon is in Sagittarius, Aries and Gemini.
🧡🧡 Libra over the 2nd house might not even be that great at cooking overall, but they are really good at baking and making desserts. Also these people really prefer is their spouse, committed partner cooks for them. They might not enjoy cooking on their own that much.
🧡🧡 Libra Moon and Libra IC, even IC at Libra degree (7, 19) needs to learn how to speak up in partnerships. They might postpone it for too long and not really speak up for themselves. But as soon as you notice something that seems to you as unfairness, not equal treatment, stand up for yourself. And even in friendships if you also have Chiron in 3rd or the 11th house along with that as well.
🧡🧡 I think when Hailey Bieber talked about how one of the best things being married to Justin Bieber is the companionship and being married to your best friend, this to me is peak Cancer over the 8th house or Moon in the 8th house energy.
🧡🧡 Every Aries Moon talks about their projects as “their babies”, like they just had a newborn. 😂
Credit goes to my blog @astroismypassion
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f1ghtsoftly · 8 days
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While, I don’t hate the women that express “doomer” ideology, I do think it’s Really Bad for a wide range of reasons. One of the most important of which is the all or nothing type of valuation it places on resistance, we either destroy all patriarchy, or we’re all doomed, and the way it negates our power as living breathing adult women to do anything at all the change our circumstances, because I can’t change all of it-I change nothing instead.
There are thousands of women on this website that are alive right now who want a better world-do you seriously believe none of our efforts, do you believe the efforts of all the women who’ve ever lived amount to nothing just because we haven’t achieved a post-patriarchal society? Think about all the ways women’s resistance, big and small, has nurtured you-even before feminism was a thought in your head. Didn’t that not matter to you? Not that protect you? Not enough of course, but enough to make you curious and brave enough to dig for answers, to not immediately give in to all that was expected of you, to find a place here on this website, surely. It did matter, even just hearing or seeing something that made you feel seen for the first time in your life-that does matter.
I think one of patriarchy’s most pernicious effects is the way it corrupts intimacy between women. We are trained to play act images of women that men create through media and social control we end up worrying if we’re successful in our impersonation of this being we call “woman” always trying to be nice enough, tidy enough, small enough etc…and disrupts our images of woman’s actual humanity and personhood. Remember how crazy you felt before you discovered feminism, imagine all the other women and girls who already do and will one day feel like you. You thought no other woman was like you, until one day you went to a secret place, somewhere men didn’t control, and discovered, it wasn’t true.
Women’s ability to resist patriarchy is a gift to us, it lets us know, even hundreds of years into the future, that we have never really been alone. Women who acted out to the point of being disciplined via religious, psychiatric or state institutions. Women who worked in secret as men to be able to write, create, make and live independently. Women who pushed politically for their rights. Even just women who survived and gained power for themselves in environments that were hostile to it. They all gave us a gift and that gift is the knowledge that they were alive, they mattered and they didn’t like it-they weren’t these images of women that men created-they were human, just like us. More than just giving us comfort, these big and small acts of resistance allow us to more fully understand not only the totality of what we’re up against-but also to appreciate the incredible fortitude of women who persisted against incredible odds. They didn’t know what their fates were going to be either and it probably felt as bleak, if not more, than it does right now. We can find women like this in the historical record, even if Big Patriarchy is still around.
It’s true that individually we don’t have a lot of control over the Really Big Historical Picture, but the good news is we don’t have to-we just need to control our slice of it. There are so many women just waiting to find women like us, there are girls growing up who need to see us to know that they’re not alone and that there is a community of women who feel like them and who are worth fighting for. Focus on making yourself visible as a human being to the women around you, on trying to make a mark big enough so that women in the future can find you. We are alive and we matter-and I really think this is enough. It’s a very worthy effort to live by and for other women and usefully it’s also a really critical step in building solidarity, so even if some of us get crazy ideas about doing something to change the Big Historical Picture, they’ll have a much better chance of achieving it.
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magicfootballstuff · 11 months
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Strictly Unprofessional - part 8 (alexia putellas x reader)
Summary: You’ve just landed your dream job as a photographer at FC Barcelona Femení. The only problem? You hooked up with the captain five years ago and haven’t seen her since.
Part 8/9
Previous parts here.
———
You arrive early for your lunch with Alexia, hoping to settle your nerves and calm your racing heart before she arrives, but the plan backfires because she’s already here too.
“Hi,” you say awkwardly, unsure if you’re supposed to pretend that the last couple of days haven’t happened and greet her with a hug as you would have done before.
“Hi,” Alexia responds. 
No hug. Okay, that’s fine.
You take a seat opposite Alexia and immediately start perusing the lunch options, using the menu card almost as a physical barrier between you and Alexia.
It’s the exact opposite of your hangout at her apartment the other night. While that, with the privacy and intimacy of being in Alexia’s own home, allowed things to get too intense too fast, meeting in a public place like this makes it feel a little impersonal, like you’re about to discuss a business transaction and not the confusing mess of feelings you have for her.
“Thanks again for yesterday,” you say, anything to fill the uncomfortable silence. “My dad had the best time.”
“It was nothing,” Alexia shrugs it off. “It was nice to meet him. I’m glad he had fun.”
You fall into silence again. You barely slept last night, overthinking this conversation and all the possible directions it could go into, but now that you’re here in front of Alexia, all preparation about what you wanted to say to her flies out of the window. You’ve forgotten everything you wanted to say to her, your mind blank and your tongue heavy in your mouth.
You’re saved by the waiter, a welcome distraction that gives you a moment to compose yourself as he takes your food order.
“I’m sorry about the other night,” Alexia eventually says, when the waiter has left you both alone again. “About asking you if you wanted to kiss me. We’ve got history and I got carried away thinking there was still something between us.”
“You didn’t get carried away,” you tell her, thinking back to the other night and the obvious chemistry that fizzled in the air between you. “I feel it too. And you don’t need to apologise, I was the one who overstepped by suggesting I could photograph you in your home.”
“I enjoyed it,” Alexia admits. “Hanging out with you, eating dinner in front of the television, even the photoshoot. But spending time together outside of work brought up old feelings that I thought I’d done a pretty good job of squashing.”
“Here’s what I don’t understand,” you interject. “You didn’t recognise me, which is fine, we’ve talked about that. We both agreed that it was a one time thing and it’s in the past. But then your sister is telling me…”
“Don’t listen to anything that Alba says,” Alexia interrupts to warn you. “She likes to interfere.”
“She said you were hung up on me after Ibiza,” you explain to Alexia. “Her words, not mine.”
“I liked you,” Alexia admits. “A lot. I wasn’t looking for anything in Ibiza but you surprised me. If we’d met in Barcelona I like to think things could have been different.”
Alexia’s words take you by surprise. All this time, since you started your new job with the football club, you thought that Alexia was trying to put everything that happened in Ibiza behind you both. You thought that the feelings for Alexia that have been growing within you were completely one-sided - it was only two days ago in Alexia’s apartment that you even dared to imagine what might happen in the unlikely event that Alexia reciprocated.
“You mean you wanted more?” you ask, confused.
“I probably would’ve wanted to try,” Alexia answers with a nod.
“Then why didn’t you? We knew we were both going back to Barcelona. We’ve been living literally ten minutes from each other all these years.”
“You don’t remember, do you?” Alexia asks, her eyes filled with sadness.
“Remember what?”
“I did try. You’re the one who didn’t want more.”
———
five years ago
You wake up in a good mood.
Despite the combination of a little too much alcohol and not quite enough sleep, you feel relaxed. And as you drift further into consciousness, you realise that probably has something to do with the person next to you.
Alexia is sprawled on her stomach, the sheets pooled around her hips exposing the skin of her tattooed back. Her hair is splayed messily across the pillow, her mouth half open as she sleeps, and her arm is draped loosely across your bare stomach.
Oh. Yeah. That’s why you’re in a good mood.
Your phone is on the nightstand and you reach for it slowly, careful not to disturb Alexia. You have a few messages from your friends, some drunk ones from last night after you left with Alexia, and a couple this morning checking in. You send one back to let them know that you’re okay and that you’ll join them at the hotel later, then set your phone face down.
Alexia sleeps on.
As you lie there, you don’t really know what the rules are. You’ve been in a relationship for the last three years, you don’t remember what you’re supposed to do the morning after a meaningless hookup. Redressing and sneaking out while Alexia sleeps seems a little cold, but you really need to get back to your own hotel and staying here for pillow talk with a girl you’re probably never going to see again feels unnecessary.
In the end, you’re saved from making the decision by a sudden hammering on the hotel room door.
Alexia startles awake at the noise and you watch as she takes a few seconds to return to her surroundings. There’s a sleepy frown on her face as she pushes herself up onto one elbow and runs the fingers of her other hand through her tousled hair, then she smiles blearily as she sees you.
“Morning,” you murmur.
“Hi.”
The hammering on the door returns, louder than before, and is followed by a voice yelling, “Alexia!”
“Shit, that’s my sister,” Alexia says, pushing the sheets away and slipping out of bed.
You watch as she pulls on some underwear and tugs a t-shirt over her head, then answers the door.
“What?” Alexia demands.
Alba peers through the open door, past Alexia to where you’re still sprawled in the bed, the crumpled sheets hiding your nudity. A smirk on her face, Alba turns back to Alexia and says, “I came to ask if you want to come to breakfast but clearly you’re still busy.”
You sit up, the sheets still wrapped around you, and start to look for your clothes in the pile of things on the floor beside the bed. It’s time you left Alexia with her sister and returned to your own friends.
“You woke us up,” Alexia tells Alba. “Let me shower, then we’ll get breakfast.”
“See you downstairs then,” Alba replies. Her attention turns to you again, and she gives you a little wave as she smirks and says, “Nice to see you again.”
Alexia closes the door, then sits down on the end of the bed with a groan.
“Sorry about her,” she apologises. “How are you this morning? Do you want to join us for breakfast?”
“I shouldn’t,” you reply, getting out of bed and pulling your underwear up your legs, then hunting around for your bra.
“You’re more than welcome to join,” Alexia says. “Alba won’t mind.”
“I need to get back to my hotel. My friends are waiting for me.”
You locate the rest of your clothes and start to redress, your back to Alexia as you pull on last night’s clothes and try and make yourself look somewhat presentable for the walk back to your own hotel.
“Maybe we could hang out again?” Alexia suggests. “Or I could get your number?”
You feel your stomach sink. Alexia is nice, she’s attractive, you’ve had fun together, and she’s definitely helped to fill that void in your chest since your relationship ended. But your mind is still busy, your heart still broken, and you don’t think this can be anything more than a holiday fling.
“Look, Alexia…” you start, turning around to look at her.
You watch her face fall as she realises what you’re about to say.
“This has been fun,” you tell her. “I didn’t expect anything like this to happen, and I had the best time with you yesterday. But I also just broke up with someone. I don’t want to lead you on or let you believe this could be anything more than what it is.”
“I understand,” Alexia replies, her expression impossible to read.
You feel a little guilty, though you’re not sure why. You swore that you weren’t going to sleep with anyone while you were here, the breakup still fresh, but it doesn’t mean that last night wasn’t fun, or that you weren’t allowed to indulge. And there was never a promise of anything more than what it was, so you can’t be blamed for leading Alexia on. But you never considered the possibility that Alexia might want to see you again, which makes it a bit of a surprise.
“Sorry,” you feel compelled to apologise. “I’m just not looking for anything more than this right now.”
“I get it. You don’t have to explain.”
You collect the rest of your things together, then turn back to Alexia, still sitting on the edge of the bed. It feels cold to leave without a goodbye kiss after you explored every inch of each other’s bodies last night. But kissing her again would contradict the excuses you’ve just given her.
“I had fun,” you tell her, in lieu of anything else. “It was good to meet you. I really mean that.”
“Yeah, you too,” Alexia agrees, though her voice lacks the enthusiasm needed to make her words sound genuine.
You leave without another word, painfully aware that you’ve outstayed your welcome, and you make your way out of the hotel, past Alexia’s sister in the lobby without making eye contact, with a slightly bitter taste in your mouth as you make the decision to put everything that happened last night behind you.
———
present day
“Oh my god, I’m the asshole?” you ask, as memories of your morning after all come flooding back. 
“I’m not sure I’d use the word ‘asshole’ but yeah, you were the one who turned down anything more. Not that I blame you for that - you had your reasons and you were right, it didn’t need to be anything more than a vacation hookup.”
“So, what?” you ask Alexia, trying to fill in the rest of the blanks. “You asked me out, I said no, and you wiped me from your memory?”
“I moved on,” Alexia explains. “I dated other people. I got on with my life. I’ll admit it, I forgot about you. You were just an anecdote, somebody I met on holiday and had one amazing night with. I didn’t have anything to remember you by, just your first name and the way you made me feel. I never expected to see you again so when you showed up in my life again, it didn’t click that it was you until I started feeling that spark again and remembered when I felt like that before.”
You nod as you process Alexia’s words, and it all starts to make sense. You, rather naively perhaps, thought that there were only two options, that Alexia would have remembered you this entire time, or that she forgot about you the second you left her hotel room in Ibiza, but it’s more nuanced than that. You should have known that from your own experience - you told Alexia that you weren’t interested in anything after Ibiza, but it must have only been a matter of days after returning from your vacation that you googled footballers called Alexia and learned exactly who the girl you hooked up with really was.
“So what happens now?” you ask Alexia.
“What do you mean?” she frowns at you.
“Alba said…” you start.
“Don’t listen to anything my sister says,” Alexia cuts you off. 
“Okay then, Mapi said…”
“What’s Mapi got to do with this?” Alexia interrupts again.
“Mapi interrogated me and I ended up telling her about what happened between us,” you explain. You roll your eyes as you remember Mapi’s teasing yesterday, and continue, “She found it hilarious and called me an idiot but she also said I should be honest with you about how I feel.”
Alexia’s golden eyes soften slightly and she asks, “How do you feel?”
Your heart starts to race in your chest. This is it, the moment you’ve waited for. You could have confessed your feelings for Alexia at Camp Nou yesterday, or at her apartment the night before, or at any other point since Alexia came back into your life at the start of the current football season. But you always found an excuse not to say anything.
Now, Alexia looks at you across the table as she waits for you to answer her question. Whereas before, you’ve avoided telling her how you feel by choosing to say nothing, to avoid telling her now would mean having to tell an outright lie.
It’s time for the truth.
“I like you, Alexia,” you confess, your heart pounding and your hands trembling as you tell her how you really feel. “I like you a ridiculous amount. I thought I could be professional and not let our past get in the way of our jobs but the more time I spend with you, the more I realise that I’m falling for you. Sometimes I think about what could have been if things had been different and we hadn’t wasted the last five years not knowing each other. If there’s a chance of something happening between us, I don’t want to waste any more time.”
“The other night,” Alexia says. “You ran away. Again.”
“I was scared. The way I feel when I’m with you, I haven’t felt like that in a long time. And you have to understand, this is my dream job. I’ve spent years worrying that I’d never be able to make it as a full-time photographer. I didn’t want to risk messing that up by trying to date somebody I work with.”
“What, and now you do?” Alexia raises her eyebrows at you.
“I think you might be worth it,” you tell her. “And I know I’ll regret it if I don’t at least try.”
Alexia’s face twists into a frown, and she says, “I don’t think you know what you want. You ran away in Ibiza, you ran away the other night. How do I know you’re not going to run away again when it gets tough?”
“You don’t,” you say, this admission maybe taking even more bravery than telling Alexia that you like her. “I was overwhelmed by how much I wanted to kiss you and knew I needed a clear head to be certain it’s what I wanted. I should’ve asked you for time instead of just running away. I messed up, I’ll admit it. And I can’t promise you I’m not going to mess up again. But I want to try to be better, and the first step is admitting how I feel about you. I want to be with you. I want you to give me a chance to prove I’m serious about you.”
This is it. Everything is out on the table now, including your heart. It’s up to Alexia to decide what she wants to do with it.
“What changed?” Alexia asks. “Two days ago you didn’t want to take a risk and now you do?”
“I don’t know. I guess I decided you’re a risk worth taking. Plus, everybody I spoke to at the game yesterday seems to think we should be together. Mapi, your sister … you know, even my dad thinks you’d be the perfect daughter-in-law.”
Though the comment is based in truth, it’s supposed to be a joke that pulls a laugh from Alexia. Instead, she stares and arches an eyebrow.
“So you’ve changed your mind because I impressed your dad?”
You let out a groan and say, “You’re not making this easy for me, Alexia.”
“You’re not making this easy for yourself,” Alexia corrects you.
You take a deep breath, then confess, “I want to be with you because I like you. You’re the best part of my day and you’ll continue to be the best part of my day whether you declare your love for me or tell me to fuck off.”
“Are those the only two options?” Alexia asks, the corner of her mouth twitching slightly.
“Not if you can suggest a third.”
“Take me out,” Alexia challenges you. “Prove that you want to be with me. Show me that you’re not going to run away.”
“Like a date?”
“Yes, a date,” Alexia confirms with a nod. “But some rules - firstly I don’t sleep with people on the first date.”
You open your mouth to make a comment about what happened in Ibiza. But quickly shut it again when you remember you’re supposed to be on your best behaviour to prove to Alexia you’re serious about wanting to be with her.
“Number two, there’s a clean slate for both of us,” Alexia continues. “Neither of us is the same person we were five years ago.”
“Agreed.”
“And finally, you’re paying for everything. You owe me that much.”
“Doesn’t that kind of contradict number two?” you ask, raising your eyebrows.
“Shut up,” Alexia warns you, though a smile is just threatening to tug at the corners of her lips as she adds, “If you’re lucky enough to get a second date, I might pay for that.”
You grin, because while there’s still a long way to go and there’s no guarantee that things will work out with Alexia, the fact that she’s willing to give this a chance is more than you could have hoped for when you started working for Barcelona six months ago.
“Deal.”
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