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#if i were a content creator or uploaded things (& put them in other more general tags) i would be inclined to agree with you that it would
dtupdates-archive · 9 months
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♡—DREAM replied to a post and a comment on Reddit! A transcript of the long comment is under the cut.
"So many people in this thread are just being ridiculous or saying things that are completely factually wrong. Like you are so pessimistic and hate twitter so much that you feel the need to disagree on everything. Like you can hate twitter and still recognize when a twitter take is right or not criticize everything I do on twitter.
Me asking the fandom to not comment about “body doubles” wearing the mask for required promotional content while I’m literally recovering for surgery, because it takes away from the content, is totally ridiculously okay. Especially given the fact I told them that would be the case in the first place, and far less people would comment on it in the first place. I’m not “policing” anyone, I’m asking and explaining why, as I have done tons in the past because it works because my fans respect me and I respect them (very generally lol). People say it all the time when it’s me under the mask that it’s not because of X or Y or Z and sometimes even those reasonings make me a little uncomfortable, especially in times when it is me.
Or speculating that George or Nick or Ken or whoever is under the mask.
People saying stuff about TikTok stats being terrible and that it’s trash content and not because of fans. First of all, no one’s blaming fans for anything, and it wasn’t even about past content it was seeing everyone comment “Ken” (when it’s not even Ken) on my TikTok and me realizing that would be confusing and could impact views, that’s just how I am, I analyze everything.
And anyone saying “TikTok views are trash because trash content” are just morons. My TikTok views are high, and I’ve uploaded more in the past months than I have like times 30 in the past years. Yea I’ve posted shit ones as well, that comes with trying to post more and more frequently. I’ve gained more followers recently than in years. Some of what I’ve uploaded is high effort skit content, others low quality memes or whatever. But I’m uploading what is fun and unique to me and that’s it and you can not watch it if you don’t like it.
For those complaining so much about the mask, literally just step back and realize how ridiculous you’re being?? Of my last 12 TikTok’s, 6 of them featured the mask. a few of them my face, a few of them Minecraft/normal content I’d make. Most the mask ones were just making fun of me wearing it in public lol. I post snaps in the mask, and also not in the mask. For those saying it makes my music impersonal, I’ve promoted on different platforms in the mask and out of the mask, for that reason lots of the UIEUD music video wasn’t in the mask since that was such an emotional piece. For my tour I plan to have plenty of show elements where I’m wearing the mask, and lots of singing and stuff where I’m not. At TwitchCon Paris I was in and out of the mask, at the boxing event I was in and out of the mask, I take fan photos without the mask. Like you’re far over exaggerating, and you’re forgetting I WAS A FACELESS CREATOR, I made 100% of my content without showing my face, AND I said I didn’t plan on showing my face all the time after, said I wouldn’t do face-cam streams, etc. If your complaint is that you’d rather see no person than me in the mask, then you’re just trying to look for something to complain about.
You could say “well now that we’ve seen your face we just realize that we’re missing out on seeing your face in that TikTok or post or whatever and it’s annoying” that’s totally valid, but have you ever thought that maybe you wouldn’t see that post at all if it wasn’t for the mask? I’m fairly confident, but I’m still very conscious of my looks and being judged by hundreds of millions of people makes me double take about putting just anything out on to the internet. “Oh I have a bad hair day, usually wouldn’t record, oh fuck it throw on the mask”
I’m not obligated to make content with my face in it, and I ALWAYS SAID I WASNT GOING TO, but I’ve actually grown a healthier relationship with how I look and the internet, so I do plan on showing myself more than I originally said. That being said, I love the mask, it’s great for me, and it’s always been my brand so get off your high horse about “dreams an idiot everyone hates it!”, when that’s just YOU being parasocial and not even recognizing it. I am enjoying what I’m doing and amplifying things that make me enjoy it, and I like the mask. I don’t owe anyone content of my face, but there will be plenty. I plan on making public appearances showing my face, making TikTok’s showing my face (as I have), posting pictures showing my face (as I have), and lots more. But only when and where I want to, and not because you think it’s stupid to wear the mask, but because I want to.
It’s fine to not like the fact that I wear the mask and express that you’d rather see that TikTok or post as my face, but just try and remember that I was faceless, and hardly planned on posting my face after the face reveal. There was years were I never showed myself, months where I was caught up in everything and showed myself so much, months where I JUST wore the mask, and now we’re slowly moving to a middle ground. Coming to terms with what I enjoy the most and is the best for me overall. Jesus reading this thread was exhausting so many just patently false things out of anger. I get it I haven’t communicated here much with this side, here’s a comment rip me apart"
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BIG NEWS. YOU BETTER READ THIS ONE!!!
Sorry for the long letter. This is me writing for awareness and my thoughts on the recent event! Also an apology letter due to my long hiatus, sorry to all those 20+ requestors waiting!! :,(
If any of you were up to date then you probably noticed the Alex Kister incident. There were victims, and there is evidence exposed by the victims. 
In a very basic nutshell he was a weird person. I'm putting that in the nicest way possible. 
In a plain nutshell he showed signs of predatory behavior towards minors and other people alike. I'm putting that in the most factual way possible but still trying to be relatively nice and mellow. 
For the long story here is the twitter post that leads to a google document that shows screenshots of what happened in very specific manners. You don't have to read them all, but skim through for the general context.
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Here's the thing.... I was slowly moving out of the fandom, trying to focus on my life and my personal projects. However, as soon as I saw this, it was about time I moved out of the fandom. I'll still be writing! But for now... hiatus. It's very ironic how Alex Kister said he was uncomfortable with his characters and the alternates all represented sexually in smut fics and other fanart, when he... probably liked the attention? Felt complicated about NSFW of his show? I will never know. 
When the actor of Jonah was fired for controversial events that he perhaps caused due to the obvious conflict between Gabriel Linan and Alex Kister, he had uploaded a screenshot that proved how rude to Alex Kister he was. But the screenshot didn't seem to have anything wrong with that or had offensive content... not that I know. Humans are complex and unpredictable. They could be hiding something and taking things out deliberately that show their true nature. That doesn't mean I support either of them, nor will I degrade them. I will never know unless in full truth, and that is very hard to discover. I don't want to act out impulsively on emotions, I want to act with my mind first. Think before I judge. So I will wait until the testimonies are proven to be somewhat accurate to be true.
(This is the link from Linan's final statement before he had left X/Twitter. If the link is inaccessable, that's weird. It doesn't work for me too, but I swear just a year ago it still worked...)
But despite this I cannot help but feel that Gabriel Linan was trying to help with Alex Kister's mental issues that have been prevailing for a long time (which is what he said in the apology letter), but to keep the reputation he had been fired from keeping the news spreading more. Then yet again, these are just predictions and doubts, that doesn't mean they are confirmed to be real. 
There is a quote I heard from somewhere, but I don't know who said it or how exactly it was worded. And I'm glad to see that although there are people who act out on emotion instead of waiting for the truth to unravel more, there are people who support the creation itself rather than the creator. So for the moment I am supporting the fandom, but I am also supporting the victims, and my respect for Alex Kister has gone a little down. It is also ironic that he would do this when he said he was a Christian (from what I heard last time), but the actions he did were considered sinful and immoral in the Bible. I may not be the best devoted believer in Christianity but believe me, it is considered a sin. Perhaps he is no longer a Christian, which I respect. I wasn't up to date with anything happening in the TMC fandom after all until recently.
So to spite the respect because of the betrayal we all feel?
Smut requests might be going to be soon opened on a separate book.
You heard me right.
I no longer feel uncomfortable with NSFW content and I am now willing to try to take a step further in enhancing my writing, to a variety of contents. HOWEVER. The key word here is MIGHT, I may not open the book for who knows how long. But in the end, the truth has been revealed and why do all content creators I admire have to be one of the kinds of humans that have the most strangest immoralities.
Alright. R_Sci out. Sorry for the long hiatus, had lots to do and had lots in mind. 
Stay safe, everyone. 
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blue-shaded · 2 years
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This is just my opinion but I think it's a good way to call out youtube's racism and favoritism by uploading a video that SHOULD be age restricted knowing that they have a preference for you, as an act of defiance.
I agree that there are way better ways to touch and/or fight the problem. When the problem with the video that was marked as having "violent or graphic content" happened, Mark called youtube out on twitter, saying that if Cr1tikal (the other youtuber) got a strike for uploading a video with that clip he should get a strike too.
Youtube indeed gave him a strike and took down Mark's video (that had been on his channel for 4 years at that point).
Later on Mark talked to youtube and youtube admitted their mistake and put up the video again (not sure if they took the strikes on both Mark's and Cr1tikal's channel away, but the videos were up again. https://www.youtube.com/watch?v=z0K6r1hoD7I that's the link to the video were Mark explains it and in the pinned comment he explains that youtube put the videos back up again).
Since that happened and because Mark has more contact with youtube than other content creators Mark knows that youtube holds him in high regards. That's why when the Cory thing happened, instead of going again asking for them to do the same with his video as with Cory's he went on the other direction: Upload a way more inappropiate video than a gameplay of a horror videogame and show, not only to youtube but to the people that thought Cory was lying, that youtube in fact had it's favorites. Now that video was recorded months ago and he wasn't going to upload it because it was crossing a line, however when Cory's thing happened he decided to upload it (I made my research for this and someone said Seán mentioned that in one of his videos, I checked it and he actually talks about it here: https://www.youtube.com/watch?v=JbkdvIauRYM).
So you have Mark, blatantly forcing youtube to age restrict him the same day the Game On show was supposed to come out, but youtube, instead of doing so, decided that taking out his segment from the show was a way to reprimand Mark without having to pretty much concede that they are racist. When Mark angry twitted it, it sounded more (to me, I could be interpreting wrong tho) that he was angry at the fact that youtube was going around cutting his segment instead of talking about the ACTUAL issue that's happening.
Again, there are WAY better ways to talk and fight a big problem such as Racism and Favoritism in the platform, but I don't think it was so bad as to say it was stupid? Mark has a large following platform and some people are dense and just plain out naive, having something this defiant uploaded and seeing the consecuences that it brings catches more the attention of the audience than a video talking about it, more so if there is porn included.
(Sorry for the long rant, and honestly this is not to fight you or the anons, just want to have a civilized discussion about it since we have different points of view in the matter)
I absolutely disagree with you anon. It's petty. That's all it is. It doesn't actually prove anything other than what we already know. which is youtube is shit, and Mark can't change it. No matter what he tries. The problem now is that Mark thinks he's such an absolute angel and youtube's posterboy which in fact is the opposite of true. In the past weeks Mark's become just as stuck up as everyone else. And he needs to get off that high horse before his career is down the drain too. I'm fucking done with people trying to fight bigotry on YouTube and the internet in general in such a petty way trying to prove a point for their own ego. They are real fucking issues. If they want to spread awareness and join the fight this is 100% not the way to do it and I will not accept it.
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hermette-historian · 3 years
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It's important to look deeply at the near-death experiences that the series has had in order to understand how it has grown, why it has changed the way that it did, and the reasoning behind some of the decisions that the members continue to make to this day. In looking at history we also find the answers to some of the greatest mysteries of the series, as well as some of the most frequently asked and vaguely answered questions. With that in mind:
What Really Killed Hermitcraft Season 1?
Episode 1: Death of a Bachelor
If you ask Xisuma why the first season ended, he will say in no uncertain terms that it was the loss of their founder and leader GenerikB. And he's right.
GB's final episode of Hermitcraft aired on April 20, 2013; the same date as Jessassin's, though that seems to have been pure coincidence. In it he states that he is leaving because while he is still in love with the game, the vanilla version just..wasn't doing it for him anymore. He was done with that world, ready for something fresh and exciting to be added, and to him that meant mods. To this day, he still plays modded Minecraft over on Twitch! But after he left Hermitcraft, he never really went back to vanilla. More importantly, he also implies that while the server may go on in his absence, he finds it unlikely to continue long term-true to his prediction, the series floundered without direction for another month before Xisuma uploaded his final video on June 2 of that year. Hermitcraft officially died with the disappearance of its namesake.
Here's where we look deeper, because while GB's departure may have been the straw that broke the camel's back it was by no means the only reason the season ended. Just digging deeper into each of his reasons for leaving, we can see the storm brewing as far back as November of the previous year.
Episode 2: The Call of Cthulhu
What happened in November, you ask? Modded Minecraft happened. More specifically, the extremely popular modpack Feed the Beast was released beta at that time, and the Hermits at large wasted zero time in getting in on the action. There was within a month a dedicated "Hermitcraft Feed the Beast" server, from which a few hermits were added to the vanilla counterpart retroactively: Juicetra and Skyzm among them. Other members included Hypno, Topmass, DMAC, and of course GB...FTB quickly consumed the working lives of the Hermits; it was the first experience many of them had with a real modpack, and it introduced mechanics they could only dream about having in the survival game (like flying, for instance). Content on the vanilla server began to slow down. It didn't help that none of the hermits were full time creators in 2013-their time was limited, and when they were able to spend it doing the things they wanted to do that ended up being FTB. Some members such as DMAC promised more vanilla content once the craze was over, but the "craze" never stopped and he ended up going full months without putting out vanilla episodes. The FTB server had its own issues and ended up dying of technical problems and rollbacks later down the line, but it alone played a massive part first in boosting Hermitcraft Vanilla, then slowly choking it to death.
But there is one more unsung murderer when it comes to the grave demise of Hermitcraft Season 1: the game itself.
Episode 3: If I Die Young
When Dinnerbone joined Hermitcraft in summer 2012, he requested that they begin to update through snapshots instead of waiting for full releases-presumably so that he could use them as a test server. The decision to honor his suggestion, however, was a divisive one. Some members jumped on the opportunity! GB and Red3yz in particular were beyond excited to test everything from new terrain generation to redstone mechanics. Others like Xisuma and Biffa were more cautious, preferring to wait until the game was ready to play in a way that would be fulfilling to them. Still others-Joe Hills among them-were excited at first...then fell quickly into the opposite camp when half of their house spontaneously went missing and occasionally they couldn't craft anything with the wooden planks. The snapshots proved to be glitchy as all hell and an administrative nightmare, creating little but endless stress for GB on admin duty and Hypno in the world edit repair department. But they stuck with it! Hermitcraft continued to update through every single snapshot from 1.3 until 1.5, each new week bringing a new set of uncertainties and challenges to overcome. For a group of creators that were already fatigued with vanilla and focused on something more interesting, it's easy to see how this kind of thing would force a divide between them and the server...nobody wants to create content on a game that's unnecessarily difficult on a good day.
Of course, there were other little things that drove the Hermits away from its original phase. A big one for GB that goes unmentioned was definitely the state of his base: the original that he spent nearly a year building was burnt to the ground during the conflict with TEA and redone in creative mode by Topmass and the Pimp my Minecraft team. Not only did this cause controversy among the fans like you wouldn't believe, it left little for him to do in the world where his own creations were largely gone altogether. Other Hermits like Jess ran out of inspiration or burned out in a more typical fashion.
Thus in June of 2013, just over a year after its original inception, Hermitcraft died.
On the third day it rose again, dragged by the ears near single-handedly out of the grave by the person with the most determination to see it succeed. A new era began of rebuilding on a solid foundation, with dignity intact and lessons learned, a stronger brand, a clear distinction, and no snapshots. Eventually, they would have a new leader. But these things will all take time.
Hermitcraft beta was doomed by being built on sand instead of rock. It was strangled by the game itself, a victim of circumstance and false promises and opportunity. It died and came back stronger. And once every year or two, it feels the need to do so again.
Here's to Season 8, and many more to come.
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cassandraclare · 4 years
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I'm sorry to hear that your hard work was leaked but I was curious about what happened. I hope the person faced consequences because that was a very selfish thing to do leaking your work like that :(
I haven’t taken action against the person who leaked the book. I know who they are, since they uploaded the page I signed for them, and I was able to match that against my records. 
I haven’t refrained from taking action because I feel sympathy for them. I don’t. It’s beyond shitty behavior to receive an early, signed book as a gift, and to then leak the entire book online. It’s a shit thing to do to the authors and an equally shit thing to do to other fans. However, I don’t want to put myself (and Wes) through the exhausting, grim and expensive process of legal repercussions. It doesn’t mean what this person did isn’t horrible, and it doesn’t mean they haven’t cost the entire fandom any chance of there ever being an early contest giveaway like that again. They did. There never will be. There will be no ARCs of Chain of Iron, either, and you can thank them for that, too. 
Part of what makes piracy such an issue for authors goes far beyond the individual assholes who upload and distribute and translate stolen books. It’s that the whole system is set up to make it incredibly difficult for us to do anything about it. Publishers do little to nothing to prevent piracy, and authors shoulder the entire burden of searching out and reporting illegal copies of their books. And even then, we’re dependent on whether or not the reported website feels like complying with copyright laws or not. Twitter is incredibly slow to respond, Tumblr is about fifty-fifty on bothering at all. They’re legally required to take action, but they also know that the effort of doing something about it if they do not falls on exhausted, overburdened artists who often can’t afford to follow up with a lawyer’s letter.
And like, I get being broke and wanting to read books; there were a lot of books I had to pass up reading when I was broke (I will be forever grateful to the library system of New York and Brooklyn, which is how I read books at all from about 2001-2004.) I was broke enough that I slept on a bare mattress because I couldn’t afford sheets, but I’m pretty sure if I broke into Bed, Bath and Beyond and stole a bunch of fitted percale bedding I wouldn’t have encountered much sympathy if I got caught. 
I talked about this on Twitter before, and I’ll say it again here though I know it will make very little difference: pirating books doesn’t just hurt the author of those books. It hurts everyone at the publishing company, where the margin of profit is razor-thin (and yes, publishers should do more to protect themselves against piracy; I agree there); it hurts bookstores, especially indie bookstores (I remember doing an event at a store that told me, sadly, that they were likely going to have to close because people “came into the store, looked at the books, took notes, then went home and pirated them.”) It hurts libraries, who rely on circulation for funding, and the shutting down of libraries hurts people who actually can’t afford books.
Now, I know is no way to talk people out of piracy; the internet has normalized it, and besides, people will generally do the cheaper, easier thing — you can’t talk people into not doing something they want to do by telling them it’s wrong, in my experience. They’ll find ways to justify it, whether it be that they can’t afford the book or it isn’t yet available in their language or that they find the author “problematic” and this is the way they’ve chosen to punish them. 
The reason I put “problematic” in quotes is because yes, of course you can read and enjoy work that has problematic elements. Pretty much everything has some element that’s going to be found problematic by someone — which is exactly why deciding that it’s morally excusable to steal from people you think are creating flawed work is more than problematic. Holding creators accountable for their work means critiquing that work, not stealing it.
I listen to a lot of political podcasts, and some of them review work by extreme right-wing politicians etc. who have written books that the podcasters find morally despicable but wish to, or need to, review and discuss. Since they don’t wish to give money to the authors, they buy second-hand copies or take the book out of the library. They certainly don’t steal, translate and distribute copies of the books because they genuinely do not like them and do not want more people reading them. That’s what it looks like when you have an actual moral problem with a book or author. 
However, running multiple fan accounts for a book series, naming your internet identity after characters from that book series, and talking endlessly about “your favorite parts” and how this is “your favorite book” entirely invalidates any argument that you’re doing this because you think the books are bad, evil, etc. If you claim a book is actively homophobic or racist but are so desperate to read it that you’ll steal it, so excited about it that you’ll share that stolen copy, so obsessed that you’ll illegally translate a whole book and provide that stolen translation to as many people as possible, and so dedicated to the fandom that you’ll name yourself after the characters in the books and write poetry about them, I have to tell you: the last thing that looks like is that you actually find the books problematic, regardless of what you say to the contrary. It looks like you like them but don’t want to pay for them, because in fact, that’s the case. (Either that or it looks like you’re really into racist, homophobic books, and making sure as many people read them as possible, which is your problem.)
One of the issues I have with piracy is that it teaches you to hate creators. You have to hate them, because you’re doing a fucking awful thing to them and you have to justify it. This results in lying about creators — about their process, their translations, their research — as if somehow, even if they were bad researchers, that would justify widespread theft. (It doesn’t.) Those who steal books wind up in a headspace where they are obsessed with the content of the books, and entirely unwilling to accept the reality that those books were created by a real person that they’re really harming. It encourages the mentality that I didn’t create Jem or Magnus or Will or Cordelia: they came from some kind of sparkly outerspace planet and I was just lucky enough to get to write down their adventures. It invalidates the hard work creators put into what they create, and in fact, erases their very existence. The internet attitude toward creators is already incredibly toxic (especially if they’re women, LGBT+ and/or BIPOC) and the feeling of entitlement to free content, and vicious hatred toward those who aren’t providing it (even though a lot of creators, me included, provide a great deal of free content) contributes to that. Genuinely, if you’re stealing someone’s work, the least you could do is not also be an asshole about them. (Or pretend you’re Robin Hood. He stole from the rich who had taken property and goods from the poor, and returned that stolen wealth. He didn’t steal from artists and independent bookstores and use that stealing to benefit himself and his friends. The idea is actually kind of funny.) 
 I understand there is a pressure to be up to date on the books that are being released so as to participate in fandom, and I do get that. Unfortunately, piracy has real consequences that stretch beyond just hurting me and Wes. Because LGBT+ books are pirated at such an incredible rate, and we’ve definitely seen that with TEC, I am left wondering if there will ever be an actual Spanish translation of TEC, or whether the publisher will decide not to bother because it’s already been so thoroughly pirated in Spanish. I have to wonder if there will even be a third book of TEC at all, or whether publishers will feel it isn’t worth doing. And I have to wonder why the people who create this situation so often have usernames that include Jem or Magnus or Alec or Cordelia or Julian or Tessa. What an incredible misunderstanding of those characters, to imagine a world in which Will Herondale or Magnus Bane or James Carstairs would approve of stealing books and harming writers. And why name yourself after a character who absolutely couldn’t stand you? I don’t know. I don’t get it, any more than I get hating someone who provided you with something you claim is your favorite book. 
That was a much longer answer than you were probably expecting or hoping for, and I know I’ll get yelled at quite thoroughly for writing it. Writers always do, when we engage with the issue of piracy. I know most of you reading this acquire your books honestly; most of you are not like this at all. But like most things on the internet, a small amount of people really do have the power to make things pretty rotten for everyone else.
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straighttohellbuddy · 3 years
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how the light gets in {Corpse Husband}
2. you’ve gone way too fast for way too long.
Summary: Supernatural Creatures AU. Them/Them Reader. After the success of your first stream, you find yourself wanting to get back to your YouTube roots, and what better way to do that than with a cover by one of the bands who holds a special place in your heart? And maybe you’re using it to distract yourself from thinking about how coming back to YouTube means coming back to the things - the people - you’d left behind. 
Maybe it’s selfish, but Corpse kind of wishes you hadn’t come back to YouTube; honestly, if anyone else had taken the world by storm, he wouldn’t complain half as much, except it’s you and he’s still mostly convinced that you might be an angel like him... Except better. Because of course you would be a better angel, you’re talented and driven and personable and essentially everything an angel should be, and - bar the talented bit, Corpse at least knows some of his worth - you’re everything he’s pretty sure he’s not. Except it seems like everyone loves you, and he doesn’t exactly have a good enough reason to be bothered by you the way he is, so he has to act like he isn’t. Which is a lot easier said than done, when you barely say a word to him and it feels like all of his suspicions are confirmed. 
A/N: 8471 words. Reader in the fic is stated to be 24. THIS HAS NOTHING TO DO WITH SUPERNATURAL THE TV SERIES. me, trying to walk the line between 3rd person omniscient narrator and trying to make the narration feel like its somewhat coming from the POV character?? it’s more likely than you think! as always, i really appreciate feedback.
{ m a s t e r l i s t }
Taglist: @nanasort @meme-lord-and-savior-sebastian @theboywhocriedlupin @taikalinna @jaychirps @bingusmode @divine-artemis @realmejay @lovemelikepercy @balla-deer @miniritzcrackers @loraleiix @ppopty @easygoingtheatre @insanedeathwish @siriuslystupid @losvertown @janiathecat @wineandionysus @moonlightsimp @allylyew @chokingonflxwers @sicnesa @xxniksxx @mishisamess @preciousskye @yashinosakura @meleekabenjamin @whatamievendoinghere01 @lxurxn-02 @liljennyx3 @the-fusionist @benjaminka @lilysdaydreams @a-lonely-bic @letsloveimagines @melmachh @tama-chan-suneater @shio-yuki @fairywriter-oracle @easygoingtheatre @pixelbxtch @dreammoutlouddd @abysshaven @mediocrearistophanes @tsukishimawh0re @inkbyajm @jordiee95 @honkcorpse @kaiihaan @takenbyheartstrings @mrtony-stank1 @dangeroustreebread @xibrokensunriseix @corpseglider @artsyally @ellsbells2143 @machine-gun-casie @marvelsmurphy @bigmac-papi @danielle143 @fivedicksinatrenchcoat @starstruckllamapuppy @youretheonlyonewhomakesme @fee-btheweeb @parkerpeanuts @fanfictionenthusiast @evans-dejong @pancakebinnie @minbunbun @sabrinarahaman @thefangirl05 @jades-bullshit @fo-love @roses-and-grasses @thirstyfangirl @lovelysmp @325575 @wrongcielo @lukathecrime @lunariasilver @delicrieux @rebloogggs @kookiesandtae7 @mizxkii @effielumiere @happyyyandcrazyyy @teenageguitarist @prettylittlealiengirl @aroyalharknessblr @kylie-writes-stuff @annshit @haunteddeputymugpersona 
taglist is always open! message me if you’d like to be added xx
----
The day after your song drops, it’s on Spotify’s Top 50 Viral playlist, it’s charting on iTunes, it’s splattered across the internet, according to your manager, who sees fit to text you, congratulating you on what she assumed to be a masterful marketing tactic; releasing the song and immediately streaming alongside huge YouTube creators who have a wide and diverse fanbase, all plugging your music. She thinks it was a carefully calculated move, which makes you feel all kinds of scummy, like you were using your new friends. Thankfully, when you fire a somewhat defensive response about how you had no ulterior motive, that all you wanted to do was have fun and make friends, your tone apparently reads loud and clear, as you receive an apology a few moments later. Backtracking, she simply mentions that, even unintentionally, you had great timing, and she’s glad you had a good time, which is better, and you try not to dwell on your initial assumption. Years of your life had been spent worrying that the people you were close to just thought you were using them for views or fame; her words did little to quell that worry, so instead you tried to distract yourself, or at the very least, focus on the good that yesterday had brought about.
The best, of course, was Sykkuno, the hellhound who’d endeared himself to you almost immediately. Something about him makes you feel safe, though perhaps it’s that you’re unused to someone feeling so familiar; you like to think you’re a good judge of character, so for now, you’re trusting in your instincts, trusting in Sykkuno. The next best thing was a tie, between friends and freedom. Yesterday you’d been doing what you wanted to do, not what you thought you should be doing, not what was on brand, or carefully scripted; you were messy, stumbled over your words, and you laughed and deceived your friends as was the aim of the game, it was so freeing to be unfiltered. People kept saying it was nice to see you smile, to hear you laugh again. Huh. Part of you really doesn’t like that you know exactly what they mean, and more importantly, why people are saying that at all. But things are different now, are freer now; your brand was built on you, it’s nice to get back to that.
By mid-morning, you’d been sprawled out on your sofa for almost an hour, glad to be alone, to not have to worry about being seen, as you’ve phased your tail back into reality, and have it holding up your phone as you scroll through Twitter with one hand and fidget idly with the other. More and more you’re seeing supportive comments from people gushing about the few bars you’d sung of 5 Seconds of Summer’s Youngblood on stream yesterday. First your chat had loved it, now it seems the general consensus was that people would love for you to cover more than a few bars. While you tried not to listen too much to what other people wanted, you couldn’t help but admit that it was something you definitely wanted too.    
When you text your manager, new idea already taking hold of your focus, your earlier unsavoury text conversation seemingly forgotten, your manager reminds you that you should be working on your new album, putting together the tracklist for your EP. Ugh. 
It’s not that you didn’t have ideas, quite the opposite; you’re exploding with ideas, brimming, overflowing with them, for songs you wants to write and feelings you can’t express any other way, but the songs and collaborations you’ve already completed, their mp4 files sitting neatly on your desktop, you wanted to save them for the full album, like it was some sort of penance for getting to collaborate, getting to become friends with people you looked up to, people who inspired you. To you, their contribution was worthy of your full album. 
Well, that was part of the reason, the other part was that the songs you had designated for the album had a different vibe to your EP songs; albumtouralbumtour and imposter syndrome had both been written in lockdown, about very specific concerns you were having at the time. The EP was shaping up to capture a very specific moment in time, while the album was so much more than that. You couldn’t put read at five am on the EP, the collaboration you’d done with Troye, a lyrical-lament with a dissonant, upbeat melody, an apology for when you’re the one who cuts off contact with someone you’re close to and don’t know how to say why, and don’t know how to come back; yes, the fact that you and Ethan are talking again means that the song is technically relevant to this period of time, but it’s three years of regret and indirect apology compressed into in three minutes. It’s going on the album. 
But being stuck at home all day for months had made you all nostalgic for your roots, for when you’d started uploading all the way back in 2012, at 16, with no idea what a few videos would lead to. You missed covering songs you loved, the songs other people had written and that you had still connected with, the songs that made you want to write your own. Yes, you loved your own content, obviously, but from idea to video publishing, you knew a low-effort cover would take you maximum a day and a half if you were particularly inspired, which you clearly were. By now, you’d been doing this for so long that you knew the legality of it all like the back of your hand, and were in a stable enough place to be more than happy to pay royalties to the band you’d co-headlined alongside for your first international tour.
“What if I call the boys and ask them?” You decided to just call your manager directly, tail curled securely around your phone where you’d put her on speaker, pottering around your kitchen trying to find something to eat. Alison, on the other end of the line, sighed deeply, having been fielding these sorts of calls from you about once a fortnight since lockdown had started.
“Have you finished moment before impact yet?” She countered, and you wrinkle your nose; its as if she can hear the expression through the phone with the way she continues on, not giving you a moment to cut in, “listen, I won’t tell you what to do, but you need to make a decision about your EP tracklist soon, okay? The label’s breathing down my neck, you know you have more than enough songs for it.”
“Alison, the vibes -”
“The vibes, Y/N, I know,” she sighed deeply, but you could hear the faintest smile in her voice.
“I promise I’m working on my own stuff; I think moment before impact is gonna be a collab, but I’m not sure who with yet, but if it makes you happy, once I record this 5SOS thing, I’ll work on a demo of moment for the EP,” you concede, and you hear her hum in approval, “I promise I have all the songs in my head, I just gotta make sense of which ones are the right ones for now, you know?”
“I really don’t,” you could hear her actually smiling now, so you let yourself relax for a moment, hands braced on your kitchen counter as you looked to your phone, “but I suppose that’s why you’re the musical one and I’m the manager.”
“My favourite manager,” you told her sweetly, and her answering laugh is more of a snort. 
"Call the band, maybe they can work something out for you regarding royalties, if you plan to monetise it," she suggested, and you hummed, "keep me updated, okay? Make sure you're still working on your own stuff though."
"Alison you're a national treasure," you tell her feelingly; you don't even have to see her to know she's rolling her eyes.
But you take her advice, sending 'what if I covered Youngblood and posted it to YT? I'll pay you royalties' to the mostly dormant WhatsApp group you have with 5 Seconds of Summer, despite it being about six in the morning in Australia. Callum sends back a thumbs up almost immediately. Its all the confirmation you need to get started.
As you’re hunting through your house for a pick, turning over cushions, looking through junk drawers, you hear your phone go off, and you take a moment to check, surprised by what you see. A message from Sean. Huh.
[I see you’ve finally decided to join us in the gaming community, took you long enough 😊 If you ever wanna play something, just gimme a yell, you know Id be glad to have ya on my team.]
Considering the fact that it had been three years since you and Sean had properly been in contact, you find the message both surprising, and strangely heartwarming. There were a few people you’d purposefully fallen out of contact with, plagued by your own fears and self doubts. The people who you’d seen in person almost daily were the ones who you’d felt the absence of the most, but Sean, just by his close association with those people, along with a few other international friends, had been regretfully left behind also. Here and now, you can feel just how much you’ve missed him, how guilty you feel for giving in to your own anxieties and the negativity spewed by others. 
But you know you can’t dwell on the past, on your mistakes, all you can do is be grateful for the opportunity to reconnect, and take it.
[ID: A tweet and reply conversation between @yourtwitter and @goldeny/n, followed by a single tweet by @ZeRoyalViking, and a tweet and reply conversation between @yourtwitter, and @5SOS.
@yourtwitter: someone yell at me for doing another cover instead of my original stuff. quarantine got me feeling 17 again. might do the cinnamon challenge next. or finally do that Roast Yourself trend 4 years too late. | @golden_y/n: BRUH YOU BEST NOT BE PULLING OUR LEGS | @golden_y/n: I would empty my bank account to see you roast yourself. | @yourtwitter: Please Don't Do That YouTube Is Free | @golden_y/n: 😳💀💖
@ZeRoyalViking: stream today with some familiar and not so familiar faces!!
@yourtwitter posted an image of Griffin McElroy from the My Brother My Brother & Me TV show. Griffin is a Caucasian man wearing glasses and a blue checked shirt. He is visible from the chest up and is sitting behind a desk with one arm in front of him, with his thumb out, as if counting. The image’s subtitles have been edited, now reading ‘My friends are very much into the following: Bullying me on TikTok.’ | @yourtwitter: @luke5SOS is just mad im gonna sing his song better than him. he doesn’t use twitter anymore so i have the upper hand here. | @5SOS replies with a gif of Jason Momoa, who is incredibly muscular, with dark hair down to his shoulders, a black tank top, and sunglasses on, holding a microphone, standing in a confrontational manner, captioned ‘No, no, no. By all means, speak your mind. You got a problem with my boy?’ | @yourtwitter: HE WENT LIVE UNPROMPTED TO TELL PEOPLE ABOUT HOW I WROTE NOTIMETOSLEEP IN THREE DAYS WITH NO ACTUAL SLEEP, OPENED FOR THEM IN ARIZONA, AND IMMEDIATELY PASSED OUT FOR 16 HOURS AFTER WALKING OFF STAGE | @5SOS: we just miss you tho... and it is kind of funny. | @yourtwitter: the minute im allowed to safely leave lockdown im coming to australia to german supplex the lot of you. ❤️
End ID.]
Corpse’s whole ‘not thinking about you’ plan goes down a lot smoother when you’re not actively stealing his friends- what kind of Angel goes around stealing another person - another Angel’s, no less - friends?! Except, right, he doesn't actually have proof that you're an angel, just a hunch he’s apparently committed to... and, okay, you don't know you're stealing them... Sykkuno and Rae are allowed to have more than one friend. Obviously.
"Honestly, I'm still kind of riding the high from yesterday's stream," Sykkuno’s all kinds of elated in the voice chat, and Rae's quick to chime in, matching his tone, his energy, as she agrees.
"I cannot believe Y/N played with us! I’m sorry you missed it, Corpse, I think you'd love them," Rae is adamant, to which Corpse, from behind the safety of his monitor, makes a face.
"What makes you say that?” Even as he says it, as he tries to keep the negativity from his voice, his nose wrinkles, the expression shifting his eyepatch just a little.
“I don’t know, just something about...” Rae’s voice turns thoughtful as she considers, though Sykkuno takes the chance to pipe up, voice brimming with his trademark sincerity.
“You guys have weirdly similar vibes, like kind of a similar energy?” He tries to explain before a faintly embarrassed laugh escaping him, even with Rae humming in agreement, “not the exact same, obviously, but like, I don’t know, I think you’d really like them.” The problem with having Sykkuno for a friend is that he’s almost always trying to be genuinely kind or helpful. The problem is that Corpse can tell he believes what he’s saying. 
An angelic ability that often goes overlooked, even by angels themselves, is the innate ability to tell whether or not someone’s lying. It’s like a faint buzzing, low grade tinnitus, at the sound of a lie, something that can actually be pretty effectively ignored and forgotten, but right now, the lack of buzzing with Sykkuno’s words is frankly irritating. Not that Corpse can say that, he has no real reason to be jealous of your fast forming friendships with his friends, well, not any reason he can admit to on stream.
"You know what,” Sean muses, finally joining the conversation, “It’s been a while since I properly spoke to them, but I totally get what you mean,” fucking great; of course he agrees, “did anyone invite them to play; would love to have them here if they’re up for it.” 
"I think they're working on a thing today, but I can message and ask?" It’s Sykkuno who speaks up, the barest hesitation in his voice, and to that Rae makes a proud little noise in the back of her throat. 
"You met yesterday on the stream that I organised, and suddenly you're all best buddies? Gonna be honest, I’m a little jealous,” she admits, to which Sykkuno huffs a soft laugh, uncertain of what to say, though Rae’s tone is fond and she continues on, “seriously though, good for you, dude, finally getting the recognition you deserve -"
And on the one hand, yes, Corpse would agree that Sykkuno deserved infinitely more recognition and praise than he currently received, but on the other, the speed at which you two had aparently become close - a day! It had been a day! - sets Corpse’s teeth on edge. It was all he could do to keep quiet as the others chimed in, all their sentiments mirroring Rae’s.
All this frustration and resentment was almost definitely unhealthy, he was more than aware, but something about you had fixed in his mind; if it had been anyone else, anyone less talented or personable or productive, he could have probably handled it, but you...
All he gets is two games worth of peace before Sykkuno announces that he’s gotten a reply. Aparently you’re in the middle of recording a cover. Something about knowing that fills Corpse with discomfort, with envy, like he should be working on his music instead of being here. 
"But they say they're gonna take a break in an hour or say, so they might join us for a few games," Sykkuno’s tone betrayed his bright smile, and suddenly the voice chat was flooded with excitement from almost all in attendance. 
"Wait, really? Just like that, we'll be playing with Y/N?" Leslie sounds disbelievingly hopeful, but thankfully it’s only a few moments until the next game beings. While none of the others had picked up on Corpse’s silence, his chat seemed confused. Purposefully ignoring their questions and comments on the matter, he instead gives a few comments on the game, trying to come off lighter than he was feeling. 
He’s not quite sure what he’s going to do if you join the stream, he’d never actually considered that he might one day talk to you, have to confront the person whose very existence got under his skin, who might very well be the only other person like him on this side of the world. Unsurprisingly, his head’s not in the game.
"Did you get enough sleep last night?” Rae feels the need to ask when whatever response he’d given in a meeting had just come out as an incoherent mumble. Of course he straight up laughs at her question, which is answer enough, and she clicks her tongue disapprovingly, “you’re impossible.”
“Have you drunk any water today -?”
“Sykkuno you’re dead,” Sean interrupts Sykkuno, who had broken one of the main rules of the game simply to question Corpse about his health; he’s far too caring for his own good, but moments like this make for good entertainment, “dead people can’t talk,” Corpse is grateful for all of five seconds before Sean turns on him, reiterating Sykkuno’s question like a traitor; “Corpse, have you drunk water today?” In lieu of a proper response, Corpse groans, playing at being annoyed.
“I say we vote him out because if he is the imposter, we win, and if he isn’t, he has time to go drink a glass of water,” Rae proposes matter-of-factly, which just leaves Corpse spluttering with disbelief.
“That’s fucking stupid; I’m not the imposter, you’re basically throwing the game -” but the votes are already popping up, and unfortunately, for the first time all stream, everyone seems to be in agreement.
“Drink water, Corpse,” Rae, clearly the leader of this mutiny, orders, as Corpse watches his character get flung into lava, and very begrudgingly heeds her words. He takes his sweet time drinking a full glass of water and refilling it to take back with him, intermittently glaring from his kitchen at his computer, despite the game still going on; he’s got several tasks left, if they don’t catch the imposters, they’re doomed, and honestly he doesn’t care. Once the game ends, with the crewmates’ loss, as he’d suspected, they all find themselves back in the lobby. Maybe they’re waiting for him. They can wait longer.
As he settles himself back into his office chair, he pulls on his headphones in time to hear -
“- earlier than I thought because of a whole thing on TikTok and then Twitter, and then my manager texted me telling me-” It’s like he’s turned twenty again at the sound of your voice; you, bright, earnest, rambling to probably Sykkuno or Sean or Rae, probably not even aware of him, but he’s never been more aware of you. Not that he’d ever admit it to anyone, but your second EP, hyperfocus, had been in heavy rotation on his Spotify since he’d discovered it, since he’d listened to the crack in your voice, the exhaustion with which you spoke on i’m going through some stuff when Lofi had just been taking off as a genre. He’s... conflicted, going through an internal crisis while you keep talking, blissfully unaware, “- anyways, I think she’s just worried that I’ll end up threatening to German Supplex Harry Styles, or the late, great, Prince, and I’ll end up cancelled.”
“Y/N,” your name sounds equal parts amused and concerned as Sykkuno says it, with the air of someone who’s been privy to you and your antics far longer than just one day. The response you give is just as bright and cheery as your rambling had been, assuring him that you wouldn’t threaten to German Supplex Prince.
“You sure about that?” Sean was obviously grinning, judging by his fond tone, “sounds like something you’d try -”
“I’ve changed, Jack- Sean- fuck,” your muttered swear undercuts your attempt at earnestness after you correct yourself, clearly not used to calling him by his actual name. To that, Sean gives a fond chuckle, before going right back to ribbing you.
“I’m pretty sure there’s still video evidence of you trying to square up with Mark in person,” Sean points out, to which you grow huffy and defensive, playing up your frustration. 
“Well, that was for a completely reasonable reason!”
“Which was?”
“I thought it would be funny,” tone flipping completely, the words come out so sincere and bright it’s almost tooth rotting; if he didn’t know any better, Corpse would probably find himself being endeared by it, “and it was! Plus,” though here you give pause, and something about the tone of the conversation shifts as you chew on the words you’d almost said without thinking, “it was funny,” you said, softer this time. Sean, sensing the shift, does his best to pick the mood back up, reminding you that both you and Mark lost the competition you’d been taking part in anyways, and asking if you really had changed.
Before you had time to answer, however, Rae spots Corpse’s avatar moving ever so slightly, and immediately jumps on him.
“Corpse! Did you drink water?” She asks. He unmutes so they can all hear his deep, beleaguered sigh. “I can and will bully you into taking care of yourself,” her heart’s in the right place, and it is mostly a bit, so he can’t be too put out by the fact that she cares.
“I can’t believe you all voted me out because of it,” he chooses to respond instead, and Rae’s cackle echoes through the voice call.
“She also was the imposter, so...” Ze trailed off, a little sheepishly, to which Corpse rolled his eyes, not that anyone can see. Of course she was. But he’s not even given a moments before -
“You must be Corpse!” The moment the words leave your lips, every single goddamn nerve in Corpse’s body feels like it’s alight; everything overwhelming, unfamiliar,. white-hot, he’s suddenly desperately trying to keep his various abilities in check, since he really doesn’t want to short out his whole system, end the stream early, and probably cause his building to go into a blackout, just because of whatever this is. The whole world has changed with four words; better and worse and more more than anything. It’s... it’s a confirmation of some kind, and he tries to hold onto that vindictive feeling in his chest. You are familiar, you are something he recognises like no-one else he’s ever met before; you are like him. Is it better or worse now he knows it’s the truth?
“Must I be?” He manages to respond, keeping his voice as level as he’s able, shooting for vaguely amused and trying not to let any of the past few seconds sudden overwhelming panic and triumph bleed into his voice. But the moment you hear him, there’s a sharp gasp; that same something, understanding, recognition he’d felt, you feel it too.
“Y/N, you okay?” Ze had asked, and you made a vaguely muffled noise of unconvincing confirmation. Out of sheer, idle curiosity, Corpse opened a new tab and searched up your YouTube channel where you were streaming.
“Maybe we should have warned ya’,” Sean offers with a light laugh, before lowering his voice, immitating and announcer as best as he could, “warning! Corpse is about to speak!” Which at the very least got Corpse to laugh, though he refused to give anything away as your stream loaded, and the banter continued in his ears.
“Har har,” you muttered sarcastically into the voice chat, right as the stream finished loading, and - you. Well dressed, face in your hands, heels of your palms pressed against your closed eyes; honestly, he doesn’t exactly have any prominent initial thoughts about you, watching you scrunch your face up in your hands, dealing with the same thing he had to, though your face was live to thousands. Beside you, the text chat for your stream was going almost too fast to read, but he managed to follow a few threads of thought here and there.
[an eye thing! they’ve got an eye thing!] [someone @ y/n_creature_spec on twt!!] [who has an eye thing??] [lmao love that they were so shocked hearing corpse that it set off their eye thing] [hello!! vampire here!! we have eye things!!] [u cant be a vampire it’s the middle of the day] [THERE ARE COUNTRIES OTHER THAN AMERICA YOU KNOW] [i am willing to put MONEY on the idea of them being fae of some kind.] [^^yeah they just didnt want us to see their eyes sparkling like an anime character.] [that feels like smthn corpse could bring out in people]
And then you’re blinking back to reality, bringing him from his thoughts as for one terrifying moment, it’s as if his gaze locks with yours. Expression so bright and inviting, despite the way your eyes were watering just a little, you hold eye contact with your camera for a moment before looking at your screen, mumbling something about an eyelash in your eye; Corpse lets out a shaky breath. Chat seems unconvinced, but at least the other streams take you on your word. For a few more moments, he quietly watches you, watches the way your eyes roam your screen as you order your thoughts, and for all that he’s thought of you, he’s never properly looked at you. It’s taken him until now to acknowledge that there was definitely a reason for your success beyond just your talent; certainly you could have become successful from your music alone, but your career certainly wasn’t hindered by the fact that you’re actually quite- suddenly, Corpse is overcome by the sense that he’s intruding, exiting out of the window immediately, even going so far as to push back from his desk, fingers spread wide, braced against the edge, trying not to think too hard about... any of it. If he thought too hard about what it meant to have another angel in LA, he would drive himself mad.
“Well, Corpse, it’s good to meet ya, been told great things,” to him and him alone it’s so clear you’re trying so hard to play it cool, though Corpse couldn’t fault you for that, doing the exact same thing; again, when you speak to him, it’s like his whole being is hit with a rush of warmth; it’s less overwhelming this time, somehow scalding but bearable now.
“I see Sykkuno’s been spreading lies about me,” Corpse fires off instinctually, to which Sykkuno splutters protests at the implication, despite your bright laughter, and Sean’s shout to the contrary.
“Don’t be mean, Corpse, Sykkuno would never lie about you,” Sean is adamant, and Corpse can tell he’s being honest, just as the tell-tale ringing in his ears knows the next words from Sean’s mouth are utter lies; “me on the other hand? Y/N whatever you do, do not listen to Corpse’s music, it’s just the worst.” Before the implication, the reality of what he’s saying sinks in, for just a moment, Corpse feels a rush of affection for Sean, so clearly and earnestly plugging his music, right before your voice re-joins the chat and Corpse remembers exactly who Sean is plugging his music to.
“Fuck you, J- Sean, I do what I want,” while you played along, amused and light, Corpse himself was at a loss for words. You ask him - him specifically, he knows, he knows with absolute certainty you’re asking him - if he’s a musician, and everyone else chimes in before he can even think about finding his voice.
“Don’t search him on Spotify! Don’t do it!” Sean, on the verge of laughter, seems delighted by the turn this conversation has taken as the sound of aggressive typing fills the chat from your end. What the fuck. What the fuck?! No matter his thoughts and opinions about you and your possible supernatural origins, you were still Y/N, literal Grammy winner and Golden Child from the Golden Age of YouTube, playing along as Sean used the world’s worst reverse psychology on you to get you to listen to his music. Oh fuck, this is not how today was meant to go.
“I don’t wanna hold up the game, I’ll listen as I play,” you tell them, almost painfully polite, though Ze agrees to start the next game. If Corpse’s mind wasn’t in the game before, there’s no way in hell it was now.
Three minutes into the first round and he’s failing miserably at card swipe when he chances a look at his chat; people were spamming lyrics from Miss YOU! and Cat Girls Are Ruining My Life! which was sweet but nerve wracking, since he’s pretty sure it means you’ve already listened to one and moved on to the next. If you’re an angel, and you know he’s an angel, what in the hell would you think of his music? Honestly, even if you weren’t an angel, you’re still you, and his music was... well...
When the first meeting is called, and it’s discovered that you’ve been murdered, there’s a strange sense of relief that comes with it, even as he’s being accused of your murder. He’s got a solid alibi, so they end up voting out Sean, and the game continues. Despite the brief reprieve from your possible judgement, his heart still feels as though it’s skittering erratically around his ribcage. 
Rae comes along when he’s doing Simon Says, and shoots his little avatar. The moment he becomes a ghost, he lets out a long breath, giving himself a moment to relax, to collect his thoughts, catching back up with some questions with chat  he hadn’t quite realised he’d been holding, and chances a look at his chat again.
“Of course I’m tense,” he finds himself musing quietly to his chat while the remaining players were arguing over the top of each other in a meeting, “pretty sure most of hyperfocus has been in my Spotify wrapped every year since it was released,” for a few moments, it doesn’t even occur to him what he’s said, or that he’s said it out loud, but when it hits him- oh, oh no, it feels like too much to admit, and he has no idea what to say next, how to backtrack, how to at least pretend like he doesn’t think about you or your music any more than any other person would. However much he may resent certain aspects of it, he still knows he has a reputation to uphold, and panic and denial have never been a part of his reputation.
So he keeps his mouth shut, bites down on the half-hearted excuses and explanations that keep springing to mind, keep pressing against his teeth. He does his tasks quietly, thanks the people donating, and pretend it never happened until the round ends, heart in his throat. He knows, the same way a human survivor in a zombie apocalypse movie knows, that he’s just putting off the inevitable, and that someone’s definitely already clipped it and is probably uploading it to Twitter or Tumblr faster than he could protest.
“Y/N I’m so sorry!” Sean’s the first one to talk when they’re back in the lobby, which leads to your laughter filling the voice chat, telling him it’s okay.
“I didn’t even care, honestly I was just vibing,” the smile in your voice is almost enough to distract from the strained edge to your words, something not quite right, but so faint Corpse isn’t sure if it was really there, and he’s not quite sure anyone else heard it either. Except -
“Y/N?” Sykkuno says your name like it means something that no-one but you and him can decipher, something concerned, almost a question, checking in without being too obvious. 
“Yeah?” There’s that strained tone, just a little more audible this time, before you process who’s talking, how he’d said your name, and - “yeah,” firmer, calmer, a reassurance. 
“Vibing?” And he says it like that was his question all along, like the two of you hadn’t had a full conversation in three words. When the others started asking about what you thought of the music, it’s clear none of them have picked up on the hint of strangeness that had been in your tone, and you deliberate before answering.
“Am I- is it- it’s weird if I quote it, isn’t it -?”
“Jacksepdicy how I whip that!” Sean practically yells into his microphone, cutting you off and somehow making the line sounding even more Irish than he himself did naturally, which startles a laugh from Corpse, “it’s my name in a song, I think about it daily,” he announces, voice oozing pride, and despite the situation and headspace he found himself in, Corpse feels his heart grow warm knowing that even a line like that had brought Sean joy.
“I thought,” you pause for a moment, presumably to double check which song you were about to reference, “I thought Miss YOU was a whole mood,” you admit, the faintest smile in your voice, and something tightens in Corpse’s chest at that.
“You not gonna quote it?” Rae teased.
“Too nervous to follow Sean,” you fired back.
“Don’t worry, you’ll get there one day, Y/N,” Sean laughs fondly, and you all joke around, playing up the bit, while Corpse’s mind is stuck on the fact that you never once addressed him when talking about his music. It’s not necessarily a bad thing, it meant he didn’t have to deal with the sudden, fiery sensation your voice brought with it, so not bothered, persay, if anything he’s glad to know you liked it... But it’s weird that he knows so acutely -
“Hey,” and you don’t even say his name, but there’s that feeling again. Each time it grows less intense, like he’s been inoculated, and no instead of his nerves being ablaze, it’s as if he’s suddenly sitting beside a bonfire, each and every time you speak to him. The others voice their confusion at your sudden vaguness, but Corpse answers without even thinking, because of course he knows.
“Yeah?” 
A few moments pass, while the others carry on amongst themselves for the moment. The two of you sit in this one moment together, neither quite sure how to feel about it.
“You’ve been awfully quiet,” you point out, though there was only the barest him of the earlier strangeness in your voice, now overpowered by something that made it almost sound like you were pleased. At this, however, even more confusion arises when the others figure out that Corpse had ‘guessed’ correctly, that you’d been talking to him. But he can’t really hear them, or, well, he finds himself tuning them out, swallowing hard before he pushes to talk.
“Am I not allowed to enjoy the moment?” He asked, trying to ignore the weirdness of it all, keeping his tone light.
“I’m just surprised; it’s your music after all.” 
“You like hearing my voice?” Despite the surprisingly cocky way with which he speaks, he regrets the words as soon as they leave his mouth, wincing internally. Of all the people he could have said that to...  
“I never said that,” and though your own tone matched his, something teasing, something that could almost be misconstrued as flirty in the right circumstances, he’d heard the faint thread of discomfort, feeling it all too much himself. But your words, and thankfully your tone, was overshadowed by both Sykkuno and Sean jumping in to assure Corpse that they enjoyed hearing his voice.
“If you and Y/N ever collaborated, you know it’d break the internet, right?” Rae interjects, all kinds of smug and knowing, followed by a chorus of approving voices all broke out in unison as the rest of the lobby considered the possibility.
“Rae, you know our Twitter mentions are going to be going off for the next month now, don’t you?” You groaned.
“Maybe it’s a sign!” Rae exclaimed, delighted, before her tone turns teasing and fond, “and besides, aren’t your mentions always going off?”
[ID: The first four posts on Y/N’s Tumblr dashboard.
blueheart-anon hearing y/n and sean interact again after like 3 years unlocked memories like im a fucking sleeper agent. having war flashbacks to 2017′s ‘y/n is septiplier’s kid’ phase. how do i lock the memories up again im going to die of embarrassment why were we like that [tagged: #y/n #y/n y/l/n #jacksepticeye #sean mcloughlin #i WILL NOT add the ship tag i mentioned #blue talks] [7 notes] [▶️🗩↪️🖤]
fangloriousbastard  ↪️fangloriousbastard fangloriousbastard Rae: Y/N & Corpse Collab When? Y/N: 🔪 - fangloriousbastard Y/N IMMEDIATELY MURDERING RAE AND THEN CORPSE I- - fangloriousbastard Y/N MUTTERING THE JACKSEPDICY LYRIC WHILE MURDERING HIM WTF IS HAPPENING?? - fangloriousbastard SYKKUNO NO BBY IM SO WORRIED - fangloriousbastard Y/N IM BEGGING U TO STOP SAYING CORPSE LYRICS BEFORE U KILL UR FRIENDS - fangloriousbastard WAIT WHAT Y/N AND SYKKUNO BOTH VOTING FOR THEMSELVES INSTEAD OF EACH OTHER - fangloriousbastard “ride or die guess im gonna die” y/N PLEASE U MET HIM YESTERDAY - fangloriousbastard y/n’s still listening to corpse’s music we love to see it - fangloriousbastard WAIT NO ZE KILLED SYKKUNO IN FRONT OF THEM AND THEY WON OMG SO MUCH IS HAPPENING DID THESE MOTHERFUCKERS QUOTE AN ACTUAL THE OFFICE MEME AT EACH OTHER - fangloriousbastard Y/N: YOU KILLED MY BOY Ze: you’ve known him A Day! Y/N: you don’t have all the facts Ze: which are? Y/N: I love him. Y/N: Not in a weird, shippy way tho, but like, come on, man, look at him! Sykkuno’s avatar: 🌱                          👁👄👁 Sykkuno irl: 🥰 - fangloriousbastard ahem anyways corpse & y/n collab when? - y/n 🔪❤️ - fangloriousbastard 👁👄👁 - fangloriousbastard aren’t you supposed to be streaming?? [tagged: #HEWWO??? #among us lb #why do i only remember they’re following me when i post outrageously stupid content #btw y/n if u kill sean again i’ll cry] [43 notes] [▶️🗩↪️❤️]
fyahproof-y/n  ↪️ selkiey/n selkiey/n y/n’s explicit ‘i love him but not in a weird shippy way’ is the LOUDEST fandom vague i’ve ever heard in my life [286 notes] [▶️🗩↪️❤️]
crpshsbnd  ↪️ 221b-theres-a-bee crpshsbnd hope corpse is feeling okay he’s been kinda quiet this stream - 221b-theres-a-bee if someone suggested i make music with a grammy award winning artist i might be kind of quiet too - crpshsbnd asjdskldfjkdsf u right, still, hope that’s the reason. [tagged: #how do i always forget they won a grammy #actually i know why i keep forgetting #because every time i remember they won a grammy i remember the video where they jousted corndogs with joe sugg #and the winner had to deepthroat theirs for the camera #and y/n won but felt like an asshole for making joe deepthroat his corndog alone #and they ended up almost throwing up because they went too far with it #so hot #so talented #so very stupid sometimes] [3 notes] [▶️🗩↪️🖤]
Twitter is kind of a hellscape, Corpse decides, scrolling through his notifications as the stream’s winding down, seeing about a thousand different people tagging both you and him, asking for a collab, or seeing fit to show you both every single time one of you had mentioned the other in stream. Or had simply interacted. He’s not quite sure how to feel about hearing you mutter ‘make it rain, leave her wet, like a snowflake’. Unsurprisingly, a considerable few people had thought to clip the interaction where he’d apparently instinctively known you were talking to him, which he thoroughly regrets. There’s enough speculation about him online already, he doesn’t need people cluing into the fact that he might not be entirely human as well.
So now, he’s sitting idle in the lobby of the game as everyone’s thanking each other, discussing when they might get together to stream again; he’s quiet, disconnected from it all even though he knows he’s still live, he can’t help but stare at his phone, frown at your Twitter profile. You’re not following each other. A lot of his friends follow you, are mutuals with you, but you and he are not following each other, and he’s not sure if he’d like to change that. But it would make sense, right? It’s what’s expected.
Your pinned tweet is the single you released yesterday, which he still hasn’t listened to. The cover is cute; you’re - fuck. He refreshes the page. In the few moments since he’d clicked on your profile and now, you’d tweeted, thanking everyone for joining the stream, while you’re still in his ear, alongside everyone else, distinctly not addressing him. Maybe he should DM you, be upfront, ask about what you are, if his suspicions are true.
He hits the back button and goes back to scrolling through his mentions. 
“Hey.” Your voice, soft and earnest despite that warmth that crackles through him; he’s half distracted, hand moving instinctively to push-to-talk, and -
“Yeah?” God fucking damn it. Not again. He’s really gotta stop answering on instinct just because he knows you’re talking to him. He hates that he knows.
“Good to meet you, Corpse,” and there was a strange sincerity in your voice, and he responds in kind, but his heart’s not in it. There’s too much on his mind, too conflicted in his heart to tell the truth; his own words makes his ears ring. He can’t even lie to himself.
So he says his goodbyes, waits for the lobby to clear out and chatters away to his stream about when he might be on next. Upon ending the stream, he immediately opens the latest email from his producer, his latest project glaring back at him from the screen. 
Yes, his various ailments have his body aching, but the interactions he’s had with you are giving him a headache when he thinks too hard about them, and he feels woefully unproductive. Never Satisfied stares back at him, so close to being finished, mocking him. Scowling harder, he listens to what he has so far, making tweaks and notes, glad for the distraction, glad that his producer had as chaotic of a sleep schedule as he did. This was the home stretch; one more all-nighter and it would finally be done.
He texts Heartful that he’s getting to work.
It’s four in the morning when he finally stops for a break, his good eye starting to itch from staring at a screen for so long. With a yawn, he leans forward, out of his chair, groaning as he straightens up to a mostly standing position. Hands braced against the edge of his desk, he lets out a resigned sigh and wills his wings into existence. The weight of them curled up tight against his back, as was customary for them to be when non-corporeal, has him leaning a little further forward. Another yawn and he lets them uncurl, lets them stretch out behind him, knocking over an empty microphone stand as they went. He’d get that later. A grateful groan escapes him, it’s been far too long since he’d even had a half-assed stretch like this, wings helping to stretch all the aching muscles in his back that were simply impossible to stretch otherwise, no matter how much he’d twist. Even so, his studio wasn’t big enough to properly stretch them, and he really didn’t feel like laying on his living room floor right now; he’s kind of concerned he’d just fall asleep there. Instead, he kicks his chair to the side and hits shuffle on one of his Spotify playlists, doing what he can for himself in the limited space, and finally going to forage through his cupboards for something resembling a meal. Maybe drink water, Rae’s damn voice in his head.
At least with his wings around he didn’t need to bother turning on any lights; he’s gotta find joy in the little things.
Today, or well, the past twenty-four hours, was a series of cruel jokes, he decides, all leading to the moment he curls up his wings and sits back down at his desk. The moment he puts his headphones back on, he’s greeted by your voice, and he almost jumps a foot in the air, concerned that you’d called him.
"- who I became, dreading when the music stops, what if I just fade away?” In the split second he’s realised that it was just a song, just your voice, crooning, gentle and sad against a soft beat and the sound of rain, as i’m going through some stuff playing in his ears, it’s too late. Already his aura had gone off, and his computer cuts out, as his monitor cuts to darkness, so suddenly all he can see is his own, exhausted reflection in the monitor, backlit by his own wings... Not exactly flattering. 
Thankfully, it was only his computer that was affected, as he can still hear his refrigerator humming in the other room, so he wedges himself beneath his desk to reset the breaker for the power board that his whole system was connected to, grumbling to himself the whole time. 
If he was being honest, however, he was glad he didn’t have to hear more than a few seconds of your song. For a long time it had been one of his favourites, though at this point he’d rather die than admit that. Yes, it’s a good song, but it’s the last thing he needs to hear right now. If he listened to you voice half the fears he still tried to ignore, well right now it may kill him, and he was so close to being finished with Never Satisfied. So close.
Instead, he gives himself the moment in which his system is rebooting to scroll through Twitter and Instagram on his phone, checking his mentions for good fanart to appreciate, only to stumble across one of your stan accounts tagging both you and him in a clip that he hadn’t seen earlier. He’s not sure what possesses him to click it.
“Don’t follow me baby, swear I’m going to hell,” Corpse’s own words leave your lips as you’re focused on the game, on being imposter, leading Sykkuno into electrical to fix lights, and something about it sounds wrong and he can’t quite put his finger on it. He’d heard other lines of his leave your mouth, clips from the stream he’d been tagged in, and it always manages to surprise him. When you sing his songs, even just a little bit, something in the back of his mind, something that had appreciated you as an artist all this time, it’s grateful, it’s excited, it’s overwhelmed. He wouldn’t deny that part of himself, he couldn’t, it didn’t feel right, but upon hearing this line, that grateful part was overshadowed by a visceral bitterness.
The line had been a moment of self deprecation, the only Angel he knew of who, granted it was by some of his own choices, was almost certainly going to Hell, if you believe in that sort of thing of course. But you? Every single part of you seemed to be the exact antithesis to him; you’re what an Angel should be, and him? Well, the line said it all really. It’s just... it feels like you’re mocking him at every turn now that he knows, or well, strongly suspects. With evidence. Which you’re probably not; if you’re an Angel, you wouldn’t go out of your way to mock another angel, so now he’s all in his head, frustrated at himself for being frustrated at you for just... liking his song? 
He really should message you about earlier, clear things up, get out of his own mind and stop jumping to conclusions. Finding another angel was big, no matter his personal reservations, he should try and take this opportunity, right? Except that you hadn’t reached out to him either.
Damn it; he knows he needs to stop thinking about you and focus on his own shit. He turns off his phone and gently tosses it to the floor, out of sight out of mind. 
Maybe he’ll feel better when he finishes his song, feel more productive, feel... complete for just a few moments. Maybe he’d stop comparing himself to you. Maybe.
[ID: Two tweets, one from @sp00kybihh, and one from @yourtwitter, followed by a retweet and reply conversation between @ashton5sos, @yourtwitter, and @y/nirwin.
@sp00kybihh: why did y/n’s smile every time corpse just knew they were talking to him without them having to say anythign make me feel things?? u no we love day 1 ride-or-die y/nkunno, but corpse & y/n just seem to get each other wtf 🥺🥺
@yourtwitter: australians are asleep post forbidden youngblood cover
(Thumbnail of Y/N sitting in front of the camera, dressed casually, visible from the chest up. There is a black microphone on a stand in front of them that they’re holding. Their mouth is open, as if halfway through singing, their eyes are closed, their background is a simple, white wall. Above Y/N, in black, VCR font, is the word ‘youngblood’. There is a large play button in blue and white in the middle of the thumbnail, to indicate that it is a link to a video.
Link: youngblood - 5 seconds of summer | y/n y/l/n cover i miss my boys. i miss people. thank you 5sos for being cool about me covering this <3</i> twitter: @yourtwitter 🔗youtube.com)
@ashton5sos retweeted the link and commented: Y/N you said it was gonna be low effort, this is killer! All it’s missing is some drums. Reminds me, I’m still sad we never got to record that thing we wrote in New York. | @yourtwitter: ASHTON IT IS 8AM I HAVE HAD NO SLEEP AND WAS NOT EXPECTING SUCH A QUICK RESPONSE I WOULD DIE FOR YOU | @yourtwitter: also lmfao i forgot about that ny thing that was good, from what i remember. do u still have that recording of us?? i may or may not have forgotten everything about that night apart from it being a blast #bringbacknewyork | @ashton5sos: Calum has it but also its 2am and he’s asleep, which you should also do. You know the boys are gonna love this... #bringbacknewyork | @y/nirwin: thank u both i have decided to pass away effective immediately #bringbacknewyork
End ID.]
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hualianff · 3 years
Text
ASMR/Streamer AU
Thinking about an AU with video-game streamer HC and ASMRist XL. Both have huge followings on Youtube and other social media; both never show their faces.
On his channel, MantouASMR, XL uses audio from everyday things like cutting fruit or typing at his computer. Other times, he plans out a general script to help his viewers sleep or motivate them for the day. XL writes and reads his own poetry, as well as sings on his channel too.
XL strives to be the most attentive and considerate content creator. He is constantly reading his viewers’ comments and taking up their suggestions for future videos. Anything to help his viewers get through their day or lift their mood.
(One time, XL read a comment from the parent of a child who was MantouASMR’s superfan. XL’s voice apparently helped their son sleep when he’s scared of the monster under his bed. In his next “Time to Sleep” video, XL iterated a short thank you message for the son and his parent for listening and watching his videos, and he hoped he could continue helping in the future.)
(Another time, XL read a comment from a student who said his voice helped her concentrate on her maths homework—though she mentioned she still doesn’t understand integrals and derivatives. The following day, XL uploaded an ASMR math lesson.)
XL’s voice is known to be very soothing, his whispers as airy and delicate as a spring breeze. His lower register is smooth like honey, and anyone who happens to hear his melodious laughs on a live stream instantly falls in love with his character.
On the other hand, HC’s voice is enticingly deep but has a deadly edge to it. He has no shortage of vulgar language, especially when it comes to playing with other streamers. When HC posts an occasional video that’s not video-game-related such as a rare Q&A, he’s somewhat more pleasant.
Of course, HC is incredibly grateful for his followers’ support. He just finds himself involved in too much internet bullshit even when he respectfully minds his own business. HC supposes that it comes with being China’s number one video game streamer—Crimson Rain Ghost King—watched by millions all around the globe. However, this doesn’t stop HC from being vocal about his opinions and expressing himself without giving a fuck what others thought.
Naturally, HC and XL are in completely separate circles on the Youtube platform. As far as their fans are concerned, a mellow ASMRist and a brash gamer don’t interact with each other...
Here’s the catch: Hualian are secretly married.
XL and HC have been together for over ten years now—married for just under three years. They felt no need to disclose their full relationship when HC began gaining popularity as a streamer, nor when XL’s channel tripled in size a few years later.
In his lives, XL often mentions his mysterious husband a lot. For the third anniversary of his channel, XL retells his wedding day. The picture for the video is of HC’s and his intertwined hands with a red string attaching their middle fingers.
HC was the first one to subscribe to XL’s channel (from a side account). He never fails to remind XL that “Gege has many gifts to share with the world.”
Out of nowhere, a trashy review journal bashes XL’s videos, calling them unoriginal and lowkey creepy because XL is “...a full-grown man whispering random shit that people love for some reason.” HC tries to keep XL from reading the article, but he’s too late. What’s worse is that other media sites speculate XL’s identity after, trying to expose him.
XL has experienced media backlash in the past. This event has him revisiting trauma where he nearly lost everyone in his life. He also went through severe depression and has developed major anxiety since then. One of the main reasons XL started his Youtube channel was because he wanted to be the person of comfort he wished he had had during those dark times.
Witnessing how affected XL is by the article and online hate, HC’s already-thin patience is close to snapping. That specific journal does nothing but writes drama-seeking shit about creators with a notable platform–HC included. Not that he gives a fuck about it.
Except they made XL their next target, and that is unacceptable. HC promptly makes a video grilling the hell out of the journal and the writer who published the article, making it very clear that, “Whoever reads and supports this bullshit are the scum of the Earth.”
HC uploads the video, then proceeds to make a XL-care-burrito. He feeds his husband, keeps him warm, and cuddles him all day. After dinner, XL feels renewed with energy, thoroughly enjoying his Saturday with his biggest, most devoted fan. XL decisively unwraps himself from the burrito and goes to make that sewing tutorial ASMR video he planned for the weekend.
HC’s viewers are once again curious as to if he has connections to XL. They begin digging up evidence but after the short investigation, it seems not to be the case.
Of the two instances XL couldn’t edit out him saying his husband’s name on live, no one seemed to agree on what the two muffled syllables were. XL never shows above his chest (he wears a facemask in case of a slip-up) or goes into too much detail with his stories. Both XL and HC’s other social media accounts are squeaky clean. Plus, you can count on one hand how many times HC has mentioned anything about his personal life.
Their fans stop their analysis, for the most part; XL’s viewers adamant about protecting his privacy and HC’s viewers not wanting to piss their idol off.
With Youtube being an important and time-consuming side of their life, XL and HC make sure to balance their personal, professional, and romantic lives as best as they can, or re-evaluate priorities when things begin to go downhill.
In addition to streaming, HC works as an animator for a respectable company. He has flexible work conditions and schedules.
HC during his stream debuting a new popular game: “I helped make this game, of course I know what I’m doing.” XL watches from the side wearing an adoring and proud smile.
XL is an open and free-spirited soul, so he switches side jobs often such as a barista, salesman, model, etc.
HC’s other hobbies include photography, music, traditional art, and bowling. (He has impeccable aim for obvious reasons.) XL enjoys seeing his friends (SQX, MUA; MQ, lawyer; FX, lawyer), cooking, reading, and skateboarding.
Extras:
-HC often streams with XL in his lap.
-Hualian create NSFW ASMR for themselves.
-(HC in their bed, listening to one of XL’s ASMR videos...
XL, smiling like a minx and slipping into bed shirtless: “Why watch my video when you have the real thing right here?”)
-Someone edits a comedic video with XL and HC’s voices, comparing their styles and approaches to speech. It garners lots of attention for their respective channels, the hashtag #mantouxcrimson ??? trending for a few days.
Video title: You’re friends with both Mantou Gege and Crimson Rain
(In the video)
Situation 1: You haven’t started your homework and it’s already midnight.
XL’s voice: “Whatever you do, don’t put too much pressure on yourself. You can’t do things well if your mind is unwell. Try to finish the things that need to be done, but be kind to yourself~~”
HC’s voice: “You little fucker, what have you been doing this whole time!? If you don’t do your job in the next five seconds, I’ll make sure to bury your worthless dead body where no one can find you-“
(Brainchild with @no-one-says-hi)
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endcant · 3 years
Text
aimless musings on subgenre, citypop, and internet subcultures
theres something very interesting about watching citypop become very mainstream in korea and watching that feed back into both western listeners’ opinions and also into the sometimes-cynical efforts of a variety of kpop producers
a lot of people in the youtube/kpop sphere talk about the growth of citypop as if it were a spontaneous wave that appeared out of nowhere with mariya takeuchi’s plastic love getting picked up by the youtube algorithm in like 2018 or whatever, but thats a very like online-ignorant view of the interaction between vintage japanese music and worldwide online EDM production. citypop has been used in future funk and vaporwave for almost a decade by now, and, as a result, a number of citypop songs took off on social media here and there before plastic love’s acceleration— dress down by kaworu akimoto is one of the big examples off the top of my head, but there’s likely many many more.
youtube
“Plastic Love” by Mariya Takeuchi (1984). if you haven’t heard this yet, you’d better listen to it now. The video that first went viral was uploaded in 2017
youtube
“Selfish High Heels” by Yung Bae, Macross 82-99, and Harrison (2014) is a popular Future Funk remixes of Dress Down by Kaoru Akimoto (1986)
people who haven’t been very aesthetically literate online over the years— musically or visually, since those things are tied in subcultures— treat things like they come from nowhere. there are ongoing subcultural conversations that lead to certain aesthetic choices, and when someone tries to cash in on a trend without understanding what the trend is, that leads people to call bullshit. calling bullshit is not meanspirited, in my opinion, because it very much is like somebody who can’t speak a language getting up in front of everybody and saying “hey, i’m fluent!” and then speaking some vaguely that-language-sounding nonsense. of course people who genuinely speak that language will be outraged instinctively. it feels like being mocked.
that’s why the difference between music producers picking up on a trend cynically and music producers picking up on a trend with earnest interest in that trend’s origins feels different, even if the producers are similarly distant from the original subculture that produced that trend.
youtube
“Lady” by Yubin (2018) committed hard to the 80s JP citypop aesthetic, musically and visually, down to the sets, all fairly early in the major resurgence.
i’m sure that anyone with a passing familiarity with citypop and kpop can ascertain that not all kpop producers know what citypop is and what makes it citypop. all they know is that it is on-trend and they have to make it. not all kpop listeners know what citypop is and what makes it citypop. all they know is their idol said citypop as a buzzword in their little prepared statement. all this results in some interesting moments for me as a Music Fan, Online.
here is where i get to the thing that spurred this post: loona “did a citypop” for their japanese comeback. it doesnt sound like citypop.
youtube
“Hula Hoop (Citypop Version)” by Loona (2021). It has very odd percussion rhythms and mixing for citypop, no real attempt at a citypop verse, and strangely sparse gestures towards citypop in the form of a few seconds of bass and some synthesized orchestral embellishments that were taken from the original mix …all in spite of a very disco-inspired melody that should have worked perfectly for citypop
this is not a very big deal, and im not mad about it or anything. when a kpop act i like gets saddled with an unfortunate B-Side track i dont tend to take it very hard. however, it did raise a little bit of musical discourse in the loona fandom— in the form of remixes.
youtube
“hula hoop if it was actually a citypop song” by loonahatetwinks and Olivia Soul on youtube. this one has an original instrumental that is spot-on for contemporary k-citypop
My most favorite one of these remixes is a futurefunk remix by ZSunder, one of the very best LOONA fan producers. The fact that ZSunder thought to make a future funk remix at all speaks more to an understanding of the mutually supportive relationship between citypop and EDM genres than most kpop citypop producers or fanmixers seem to care to know about.
youtube
“Hula Hoop (Future Funk Mix)” by ZSunder is futurefunk made and mixed with such love that it has the infectious summery energy of a polished, big-name future funk hit
in the comments of this video, some people seemed to get the citypop-future funk connection and some didnt. many did get it, don’t get me wrong! but also, its not all that surprising for some kpop-focused listeners to not know much about EDM subcultures and the reasons behind various trends among producers, since kpop as an institution tends to take influences from any genre and culture it likes and then decontextualize those influences by just having their names used as buzzwords in the blurbs the idols have to recite when variety show hosts ask them about their latest single. this isn’t a criticism of the genre or the fans really, it’s just a part of the kpop industry that is used to add shine to an endless firehose-like stream of polished pop tracks. there are some issues with using whole genres and subcultures with complex histories as buzzwords, but god help us if we ever want a pop industry to give its influences their dues.
anyway, the intention behind ZSunder’s future funk Hula Hoop remix happened to remind me me of why i love Yukika’s discography so much, especially the Soul Lady album. I’ve seen some reviews online baffled by parts of Soul Lady, because the album in general is an exploration of that relationship between citypop and modern/internet EDM. i’ve seen plenty of Soul Lady reviews especially baffled by pit-a-pet, saying something along the lines of “what’s with the modern-sounding dance track in the middle of a retro album?”, but i think that pit-a-pet is a futurefunk-inspired track, at least in the chorus. considering both that and the Chill Lo-Fi Interludes, it seems like estimate’s team put together Soul Lady for Yukika in a way that shows that they love citypop and understand the online-specific electronic music subcultures that led to citypop’s resurgence.
youtube
“pit-a-pet” by Yukika (2020). the stacatto, bass heavy chorus is futurefunk enough, but the soaring orchestral part in the final chorus seals the deal for my interpretation.
youtube
“All Flights Are Delayed (1 hour version)” by Yukika (2020). Estimate literally released an hour-long youtube mix of one of the Lo-Fi interludes on Soul Lady as part of their promotion, clearly inspired by “Lo-Fi anime beats to chill out to,” which is another example of online producers from around the world using Japanese samples as a focal point of their music
Estimate, in the end, is still a Kpop production company, just the same as BBC, so they have no inherent claim over citypop, but the way that their exploration of subgenres clearly comes from passion and interest on the part of their production staff makes it so that their work with Yukika rings true. on the other hand, i really appreciate Ryan S. Jhun’s work on LOONA’s JP comeback, as well as on Not Friends, but the citypop mix thing was so clearly an afterthought to the point where fans of Loona who like citypop seem mostly just irritated by the cynical-seeming attempt.
heres one last good modern kpop citypop MV that has nods to the internet culture that led to its revival in the form of the videography— vaporwave, future funk, lofi, and other internet genres along those lines tend to have videos consisting of looping anime and vhs clips. future funk in particular is known for this, especially since a lot of future funk music, esp early future funk, is just loops of very short, catchy segments of citypop and disco songs. it’s all about the loops
youtube
“My Type” by Yoon JongShin ft. Miyu Takeuchi (2019). This song is so dedicated to the retro JP citypop sound that it’s almost beyond my personal taste. The singer, Miyu, was a headlining act at a seoul citypop festival and sang this song as part of her act (:
youtube
this video of “Only One” by Conscious Thoughts (2015) has a looped clip as an example for comparison with My Type. it also has a pulsing sidechain compressor working in time with its drum beat in a way that is common for future funk and that i think is a good example for my pit-a-pet yukika comparison to future funk
i guess the takeaway here is that media is more and more online, and the creation and propagation of digital audio and video content has been in the hands of literally almost anybody who wants to do it for the past two decades thanks to garage band and fruityloops and audacity and tiktok and youtube and bandcamp and soundcloud and myspace and newgrounds and p2p file sharing and so on and so forth. and therefore like… as with all things, the consumer class more and more is also the creator class, and therefore every member of an audio-visual subculture will have the ability to discern what is and isnt made with knowledge of the audio-visual language of that subculture
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fishoutofcamelot · 3 years
Text
IT’S OFFICIAL! I’M MAKING A MERLIN-THEMED D&D CAMPAIGN!!! <3
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Do you like Merlin? Do you like D&D? Do you like the idea of D&D but don’t know how it works? Then The Rising Sun campaign is just for you! (named after that one tavern in Camelot lmao)
CAMPAIGN PREMISE:
Jailbreak! The members of your party have been locked away in Camelot’s dungeons and must work together to bust out. But with a mysterious curse terrorizing the city, that might be easier said than done. Takes place during the three-year gap between seasons 4 and 5.
BASIC INFORMATION:
4-6 players, all at LVL3
Is this your first game? Your 50th game? All experience levels accepted!
Will feature monsters/characters/settings present in BBCM canon
The session will be recorded and posted to Youtube, so even people who don’t play can still join in on the fun!
Wanna chat about Merlin? (And D&D, but mostly Merlin) Join the Rising Sun Discord Server!!!
It’s a oneshot campaign, meaning there will only be one session
Submit your character sheet/s to me (email under the cut) by November 15th!
The exact length of the session will depend on player availability/preference, and how long it takes us to get through the campaign. But expect it to take around 2-4 hours
You can play as a canon character (like Mithian or Percival), or make an OC 
We will be running this through D&D5e (5th edition) as this is what I’m most familiar with. If you don’t know what that means, don’t worry about it!
Players must have access to Discord. Announcements, party talk, scheduling, etc. will be held on an exclusive channel through the Rising Sun Discord Server
WANT TO GET INVOLVED WITHOUT PLAYING?
Don’t worry, we’ve got something for everyone! I want this to be something everyone in the fandom can enjoy :)
The campaign will be recorded virtually and posted to Youtube in 30-minute parts/episodes, with captions available
Transcripts will also be posted to AO3
Join the Rising Sun Discord Server!
Don’t have a Discord account? Information about the campaign will also be posted to the Rising Sun Campaign tag on Tumblr
Feeling artsy? Feel free to post it! Any campaign-related art sent to me (through Discord, Tumblr, or Gmail) will likely be posted to my Tumblr blog and also feature in one of the episodes uploaded to Youtube, provided you give me permission to do so <3
Interested? More details under the cut! 
PROJECTED TIMELINE
November 1: Player Submission period opens
November 15: Player Submission period ends
November 20: Official player + character list announced
December 18-January 18: Campaign session held. The exact date/time will depend on the availability of party members, but this is just the time period in which it’s most likely to happen (it’s my winter break!)
January/February: Campaign “episodes” will be uploaded to Youtube on a weekly basis, with their respective transcripts posted to AO3. Official release schedule to be posted after the campaign has been recorded
SUBMISSION REQUIREMENTS
Submit to my email: [email protected]
If you don’t know a lot about D&D and want me to teach you/help you make your character sheet, let me know through Tumblr! 
Submissions should include your: 
Tumblr URL and/or Discord ID
Time zone
Expected availability between Dec18-Jan18
Experience/comfort level with D&D
If you are willing to have your face shown in the recording
Character sheet/s
Any homebrew content you would like to use
You can submit more than one character sheet, but you can only play as one character, and only one character will be accepted into the campaign
If we get more than 6 submissions, players will be chosen based on their availability, friendliness, and how well I think their character will fit into the campaign/party
If you’re accepted as a player, I will let you know via Tumblr/Discord before posting the official player list to Tumblr. You will also be granted access to the Party-Only channel on the Rising Sun Discord server
You MUST be a member of this server, as crucial party discussions, announcements, and Zoom links will be shared there
Make sure to have everything submitted by November 15th!
GUIDELINES
My time zone is PST. Expect this to influence scheduling
If you aren’t comfortable having your face in the recording, you can turn your camera off! However, I will ask that you at least keep your mic on
The session will be held and recorded through Zoom. Make sure you have access to this program! 
Due to Zoom restrictions, a Zoom meeting can’t be any longer than 45 minutes. So the session will probably be broken up into 30-minute meetings, with 5-minute breaks in between each one. The Zoom link/s will be posted to the Party-only channel on the Rising Sun server. If I find a more efficient way of doing this, I will let you know
There will be a session zero, also on Zoom, about a week before we record the session. This is just a quick and casual opportunity for us to meet, work out any technical issues, address campaign expectations, talk about our characters, and get to know each other better <3
General courtesy and Zoom/D&D etiquettes apply. Don’t be a dick!
I might end up commissioning/having art done of the Player Characters (PCs). If you’re not okay with that, let me know!
CHARACTER CREATION
Put your character at LVL 3
Homebrew content is allowed, so long as you have me look it over first!
Use the D&D5e character sheet for character creation (if you need help accessing this I can send you an editable pdf, or help you find an online character sheet creator)
CANON CHARACTERS
Make sure all information on your character sheet is accurate to canon. Any deviations from canon (like giving Elyan magic, or making Percival a time-traveler) must be talked over with me first
Does their canon background have holes or unknowns? Fill them in yourself! Get creative <3
If this character doesn’t have a race available in D&D, like a sidhe, then you have two options. You can either homebrew their profile, or you can using an existing race profile that’s similar while clearly establishing what their real race is
When writing their backstory, try to think of how they would fit into the campaign. Why are they in the dungeons? Is Merlin suffering the aftermath of a magic reveal gone wrong? Did Gwaine get into a tavern brawl? Has George been framed for murder?
OCs
Be creative! Time travelers, shapeshifters, orcs - as long as you develop it well enough, I’ll probably allow it
If your character has a race/species that doesn’t exist in BBCM canon - like an elf or a dwarf - then provide backstory as to why their people are never seen or mentioned in the show. Did the dwarves go into hiding during the Purge? Is your character the first of their kind? Were they cursed into a non-human form?
In the event that we get someone to do art for the PCs, please make sure the physical description of your character is very clear and concise. Consider including reference art of some kind as well. This will hopefully make it easier for the artist/s to do their thing
When writing their backstory, try to think of how they would fit into the campaign. Why are they in the dungeons? Did they get caught trying to kill the king? Did their friend turn them in for sorcery? Did they steal something from the vaults?
This should be a chance for us all to goof off and have fun, so I’m not gonna be super strict on the rules. And if you have any questions, hit me up on Tumblr!! <3
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b1tchcxre · 3 years
Text
The Faults of Yagami Yato, and Why What She Is Doing Is Illegal.
cw:// Sexualization of Minors, CP, (all fictional)
if you are not comfortable it is understandable if you choose not to continue with this post. you can carry on with your day.
so today, Ms.Yagami Yato was recently exposed for allegedly grooming a minor.
If you do not know who she is I will briefly explain who she is
Yagami Yato
Yagami Yato is a woman in her late 20s that makes asmr audios of anime characters, sometimes they're comfort or nsfw.
The issue with this is Yagami Yato makes lewd audios of UNDERAGE CHARACTERS
This includes MHA and Haikyuu characters.
Although she markets her nsfw audios / "sammich audios" as 18+, she allows people under 18 to view her content.
With that being said she has a multitude of other wrong doings.
Of course she can't wag her finger at each minor who consumes her content but many people who produce these audios often have tags in their desc. that mention.
"Minors DNI (Do not interact)" "NSFW AUDIO" or "18+ AUDIO"
This is so children are at least warned to not consume this content as it is not age appropriate.
Prior to her tik tok fame, she simply marketed her NSFW audios as "sammich ver"
which is something I as 14 year old at the time did NOT understand.
Although terms like "x Listener" could be a red flag, I listened to ASMR Triggers to help myself sleep, so imagine my surprise when a thumbnail Like THIS
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were in watch history
Although her content was apparently not targeted towards children, why was it not age restricted?
Why was it for the public eye to see?
Why was I SOMEONE WITH AN UNDERAGE YOUTUBE ACCOUNT
allowed to consume this content?
Now, this was prior to YouTube's policy changes, in which you choose if you content is safe for children underage of 13.
But even then, with thumbnails (such as the one shown above) and ones like this
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That occasionally put minors in compromising positions why were these videos not put under the 18+ label on youtube?
Now, the issues with having Images of anime characters and disguising NSFW with terms such as Sammich is that people in general will not understand what it means.
At best, Yagami Yato could have not produced the nsfw content at all, or have the decency to not post 18+ content on YouTube
WHICH IS SOMETHING MANY ASMR ARTISTS DO
Many people have Patreons to lock their content so they can earn money and minors will not be able to access the content.
Although she did this, the damage by having her "less explicit" sammich versions of audios available on youtube.
as seen here
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(image provided by a quick Google search)
Now with all this being said, many people still continue to consume her content due to the minors not being fictional, although yes she can get away with "aging up characters" in her audios, she can't with the art.
Now before we get into this section I will specify
YAGAMI YATO DOES NOT DRAW THESE IMAGES
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This is the artist that produces all of Yagamis art seen in her thumbnails.
she does post the normal pictures them with her patreon audios.
For Characters such as Bakugou, Kirishima, Deku, and Toga
WHO ARE ALL UNDERAGE BETWEEN 15-17
Now, I will NOT be posting an uncensored version for this as IT IS CONSIDERED CHILD PORNOGRAPHY
but here is bakugou in a slightly suggestive pose and his current confirmed age.
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I have seen the uncensored version, of which his genatlia is exposed in a sexual manner.
She cannot use the excuse that this is up for "artistic freedom" as DRAWING A MINOR IN A SEXUAL MANNER FOR YOUR OWN SEXUAL GRATIFICATION IS ILLEGAL
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By not only purchasing these images, she is selling them herself to her Patreons who are also above the age of 18.
Meaning she is contributing to the distribution and consumption of child pornography.
fictional or not.
So to those who will continue to support Yagami Yato, despite the fact that she is commiting a crime, I will now be mentioning horrible things she has done.
This is Act 2 of The Fall Of Yagami Yato
These Trigger warnings are for the following
Cw:// Racism, Asian Fishing, and Just a small mention of the Black Lives Matter protest.
Disclaimer: I am not black, So if you want to take what I say, please also consult black creators and or black people in general if this is acceptable or not. On tik tok many BIPOC do not support Yagami Yato due to this audio.
Recently the Black Lives Matter protests have been high due to the death George Floyd.
During the height of these protests Yagami Yato Uploaded a "Demon Todoroki x Listener" audios during this time many people were already disgusted with her actions, and when called out for not only
Asian fishing, lewding minors, and not speaking on the Black Lives Matter (BLM) movement she stated that her
"Demon! Todoroki x Listener" audio was about the black lives matter movement.
as Todoroki in that audio was facing discrimination,,,
Although yes, you can use certain concepts to represent a race facing injustice, as a POC I know what it's like to face discrimination, and showing people how we deal with it is sometimes help so white people can understand what we mean when we say, we face discrimination.
But why, never explicitly state that the demon Todoroki audio was a comparison to racism prior to being called out?
Yes you may have thought it was helpful, but just posting an x Listener audio without even SAYING that you stand with the black community is absurd as she probably earned money from this audio, and there's
no confirmation if she even donated the money she POSSIBLY earned from the audio to any sort of charity to support the BLM Charity.
Now mentioning asian fishing, many east asians have come out said that her editing an instagram photo for her to look asian and using the name "Yagami Yato" despite claiming to be white passing native is very uncomfortable.
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Her instagram Images prior to being deleted.
END
So overall, to summarize, Yagami Yato, no only contributes to the production and solicitation of child pornography, but she's also done some things that aren't necessarily Pro-POC and actually cause more harm than good to our community.
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entracteofevil · 3 years
Text
Round Table Discussion with the Cover Illustrators
Entr’acte of Evil, page 142-145
--First, everyone please introduce yourselves.
Ichika: I’ve been responsible for the first cover and the illustrations for the series. My name is Ichika.
Suzunosuke: I am Suzunosuke. I normally just draw what I want to. I was able to make the cover for the second book.
You: I am You, and I was charged with the cover for this book. I’m really nervous, but I look forward to being able to do this interview with you.
--When did you all first start making illustrations?
Ichika: Since I could first remember. I don’t recall it all that clearly, but by the time I was in first year I was already drawing.
Suzunosuke: I think it was about middleschool. Apparently when I was a kid my parents were consulted by my teachers on the fact that I couldn’t actually draw pictures.
--You couldn’t draw pictures?
Suzunosuke: Even when I was made to stay behind by myself in kindergarten, the only things I drew were like little pictures of flowers on my drawing paper. It wasn’t that I was sick or anything like that, I was just a normal kid who couldn’t draw.
--I see, that’s very unexpected. What about you, You-san?
You: I don’t clearly remember when I first started drawing as a hobby, but my first picture was when I was three years old, and was a portrait of my caregiver in nursery. Back then I always wanted to use every color of crayon I had, and I guess the fact that I’m still always using rainbow colors even now just goes to show that what you learn in the cradle you carry to the grave.
Suzunosuke: I think that’s cool.
--Incidentally, when did you start making pictures related to VOCALOID?
Ichika: I think around 2007…maybe? I remember the first time I drew Miku was after listening to Yuuyu-P’s “White Season”.
Suzunosuke: I don’t remember how many years ago it was, but I feel like the first thing I drew was Kurousa-P’s “Cantarella”.
You: I listened to VOCALOID the first time in the winter of 2007, so I think it was probably around that time.
--So then, when was the first time you encountered AkunoP’s work?
Ichika: It was right after “Daughter of Evil” was posted on Piapro. I had just finished up making a PV, and when I was looking for new content on Piapro I got drawn in by the title and started listening to it.
Suzunosuke: The “Servant of Evil” was on NicoNico Douga’s rankings, and when I opened up the PV it had a tag saying to watch it after “Daughter of Evil”, so I watched them in order of “Daughter of Evil” and “Servant of Evil” for the first time.
You: Like Suzunosuke-san, probably in the autumn of 2008. The “Daughter of Evil” had a lot of buzz when it was first uploaded! I saw it in so many places with Ichika-san’s illustrations~ It feels so strange to see it having taken this form so many years later.
--Suzunosuke-san and You-san, this was the first time you’d seen a song that used Ichika-san’s illustrations, wasn’t it?
Ichika: I’m sorry for being alive…
Suzunosuke: Sorry, haha
You: Hey, hahaha
Ichika: I’m honestly really shaking here, haha
Suzunosuke: Maybe we should reply with “You’re a very wonderful person” ha ha.
-(Laughs) So what was everyone’s thoughts on the work when they saw “Daughter of Evil” and “Servant of Evil”?
Ichika: I think the imagery in it was really easy to get emotional about. I also thought it was a really interesting concept that although “Daughter of Evil” and “Servant of Evil” had a really different feel to them, they still felt like part of the same story.
Suzunosuke: All else aside I thought it was really sad, and I kept getting stuck on the fact that Allen couldn’t be saved. Still, it was because it was such a sad story that I was captivated by it. It also really made me feel the potential of the VOCALOID genre. It’s a derivative work, but also original content.
You: At the time I had thought it was really interesting and unusual to make a work with such dark fantasy elements using VOCALOID. I also really liked how catchy the tune was. It was also really impressive with all the derivative songs and fanart that got uploaded as things went on. I think it’s a work that shouldered a main pillar of the VOCALOID community in its heyday. And it’s really cool that it’s continuing to spread around the world even now.
--What image do you get of its creator, AkunoP?
Suzunosuke: Given he’s got “Akuno” (of evil) in his name, I thought he might be a scary person.
Ichika: Generally the people who do DTM have a kind of science-y image, so there’s that. And when we actually met, I remember he was a lot like that image. Though he was a bit thinner than I had imagined. Maybe if Akuno-san had shown up to our first meeting with his sunglasses look I’d answer that his image was different, haha.
You: Before I met him offline…He made a lot of romantic-type works, so I actually wondered if maybe he was a woman. When we actually met, it was apparently right after he’d changed his look, so I was a little amused to see him wearing a leather jacket and sunglasses.
--Have you all met AkunoP-san wearing sunglasses?
Suzunosuke: I actually just brushed him off because I didn’t know who he was for a second. As a fan the way he is now is probably close to his image as AkunoP, I would think.
Ichika: I also brushed him off.
You: Everybody brushed him off!
--Well that was an unexpected outcome, haha. Next, do you have a favorite AkunoP work?
Ichika: I actually really like “Clockwork Lullaby”. I prefer the quietly compelling melody and lyrics. Aside from that, I remember when I listened to “Daughter of Evil” I was really drawn to it, wondering what other kind of work he’d done, so that left a significant impression.
Suzunosuke: I think that might be “Re_Birthday”. The flow of sin and rebirth is so painfully beautiful, and I always get misty-eyed no matter how many times I listen to it.
You: Like Suzunosuke-san, I like “Re_Birthday”. I really love the music, and as for the story of it I think it’s really great it has that theme of salvation.
--I see. I had thought that Suzunosuke-san might say “Lunacy of Duke Venomania”, so that was surprising.
Suzunosuke: I could also say “Lunacy of Duke Venomania”, but I don’t want people to think I’m someone who likes erotic content, haha. But that’s also another song that I really like.
.
About the Novel Illustrations
.
--How did you feel when you heard about the “Daughter of Evil” becoming a novel?
Ichika: I was simply surprised.
Suzunosuke: I thought it was awesome.
You: I thought it was awesome for Akuno-san. I thought there must have been so many fan’s voices there, and that kind of invisible strength was deeply moving.
--Ichika-san, in the first book you did the cover illustration as well as the ones in the book itself—What was something that was hard about that?
Ichika: I’d have to say highlights.
--Highlights…! Certainly you had to do quite the interaction there… Honestly, was there any point where you were like, “I hope these editors step in dog crap”? haha
Ichika: Nah, ‘cause ever since I’ve become able to put in highlights more seriously, so I’d say it was good practice, haha.
--Suzunosuke-san, you were asked to do the cover for the second book; how was it when they approached you for that?
Suzunosuke: I had thought for sure that they were going to have me just do a pinup on the inside of the book, so then I was kind of like, “Now what?” The others who’ve been involved in it are such amazing illustrators, so I wondered if I’d be good enough for it.
--Was there anything you had trouble with?
Suzunosuke: Drawing the two of them to be just adorable was a little hard.
--I understand you had a bit of revision going on…?
Suzunosuke: Oh no, I saw that as being good training in a lot of ways, so even now it’s a good memory for me.
--You-san, you’ve been asked to do a lot of color illustrations each time, and in this guidebook you were entrusted with the cover illustration. How did you feel after finishing your work?
You: I really like doing the pinups, and I’ll generally paint them as I like, but I dealt with the cover with some different feelings in mind. As a fan I thought that Ichika-san would be given preference for sure. And I’ve refined on my composition a bit looking over past work. I wanted to emulate the flow of things up to now, so like Suzunosuke-san’s work I made it very horizontal.
--Who are some characters that were fun for you to draw in this novel series?
Ichika: All the characters are fun to draw, but if you’re gonna make me choose I’d say Elluka…I had this sense of security while drawing her, like it wasn’t an issue if I made her look a little bit like a villain.
Suzunosuke: I’ve only drawn two characters, so that would be the harmonius Clarith and Michaela. That pair so really cute, so I like them a lot.
--Suzunosuke-san, are there any characters that you would like to draw?
Suzunosuke: I love old man figures, so I’m a bit intrigued by Leonhart. Though I know that’s probably not what you were looking for, haha.
Ichika: (after half a second) It is!
Suzunosuke: Yay, haha
--You-san, you’ve probably drawn all of the main characters at this point; are there any that you’re fond of?
You: Everyone’s fun with how cute they are. I think Riliane-chan is really precious with how her hair is done up. And then there’s the princely Kyle-san—for some reason I’m always grinning when I draw him.
--Please tell us the impressions you were left with as the story has developed.
Ichika: I wasn’t expecting the romantic love between Michaela and Clarith, so that surprised me a bit.
Suzunosuke: I was actually really surprised that the base for Michaela and Gumillia’s appearances were those characters in those other songs.
You: I was also surprised at Michaela and Clarith. I felt the books complemented the content that wasn’t expanded on in the songs, which made them have a lot of interesting points. I think it’s also pretty great that I can now listen to the songs with a fresh perspective.
--Conclusively, how do you think the story will develop in the third book?
Ichika: I think Kyle’s mom is gonna be the final boss.
Suzunosuke: Hmm, I think all of the countries might get wrapped up in the fires of war. All the preliminary announcements have a pretty foreboding feeling to them.
You: All will go according to the will of god (AkunoP).
--Please let us know any final thoughts you have.
Ichika: Thanks for having me here. I don’t know yet how the third book is going to go, but I look forward to being able to go through the novels again with you.
Suzunosuke: I’d be really happy if I could be with you on the sidelines. This interview has been great!
You: I’m really happy to be linked to this series and involved in the work in this way. Thank you very much!
--Thank you very much for joining us everyone!
directory
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lesbianlovelanguage · 4 years
Note
YOUTUBER AU I’m such a fucking sucker for those. It can be anything you want really. Maybe they are friends doing a challenge or something and they end up kissing (or more ;)) or they could meet each other at like a creator even and take a pic together and everyone starts to ship them... :)
HI! Anon I am so sorry, life has been *general handwaving* a MESS. But, I’ve finally gotten most of my shit together and look! A fic! Finally!!! I hope you enjoy two ridiculous boys being ridiculous.
---
“You guys asked for it, and here it is. The explanation to Bendy and the Ink Machine! Now, I’ve watched a ton of playthroughs of this, especially The RatKing’s, as well as played through it myself, and I think I’ve got it.” 
Such a simple statement, it made it through both of the editors as well as Steve and Dustin themselves without raising any red flags. But as with everything, once it had been released on the internet it became fuel for fans to break apart and over analyze. 
The comments started pouring in, the standard mix of support and people trying to break apart his theory. But one comment in particular would stand out and begin something so much bigger than itself. 
Twenty minutes after Steve had pressed upload, someone with the username Random Hoe posted a comment saying Awe! A collab between you and Billy would be totes amazing!! While an innocent comment in itself, it began to pick up steam as people ranted and demanded for the two popular youtubers to interact more. It turned from video ideas to outright shipping within two hours, and only five hours after the video had been up, people began tagging Steve on Twitter with everything from edited screen grabs to fanart and video edits, all about Steve and Billy’s secret yet undying love for each other. 
Steve had almost quit Youtube as the fanbase for what had been dubbed “Stilly” steadily grew and became all the more ravenous. There were less and less comments and reactions to his theories, whether movie, video game, or even book related, and more and more comments about how he needed to do a collab with Billy ASAP, and how he’s queerbaiting, and how it’s okay to come out, it was 20Gayteen after all. He had tried to do damage control, but it only made things worse. 
And then someone showed Billy, and Steve not only wanted to quit Youtube, but also crawl under a rock. 
Billy’s only reaction to someone sending him a picture of Steve and Billy during a live stream was “Nice art, like the hair,” but Steve could have sworn his mouth twitched down in a grimace before Billy recovered his composure. 
But Dustin had convinced Steve to keep going, and with two months of no recognition or new content, the frenzy of Stilly shipping died down. It never disappeared, but no one sent anymore art to Billy and stopped tagging Steve in all of their posts. That had been in February. 
Vidcon was in June, and Stilly was the least of Steve’s worries. He’d been asked to host a panel on the new game show he and Dustin had begun hosting on Youtube TV about pop culture trivia, and then host a live episode with various Youtube guests as competitors. It promised to be relatively simple, a simple explanation of the origin and behind-the-scenes and a simple Q&A session followed by what he spent every Thursday doing for the past two months. And it was, him and Dustin breezing through the panel bouncing off of each other and the first round of Did You Know? You Don’t Say? flying by as the famed beauty guru aced almost every question. But once the second guest stepped on stage, Steve knew it was all going to go to shit. 
Because Billy Hargrove, The Rat King himself, swaggered out on the stage in flip flops and an Everlast crop top and flopped into the contestant’s chair with a smirk. Steve froze, mouth suddenly drier than a desert. 
Luckily, Dustin didn’t even stutter. “Ah! The next victim. Should we go easy on him?” He waggled his eyebrows as he asked the audience. The audience shouting brought Steve out of his daze, and with a shake of his head, he turned and spread his arms out wide. 
“Well then, let’s begin. So, Billy, Do you know what the rarest MnM color is?” 
The cocky smirk melted off of Billy’s face, replaced by one of thoughtful determination. He’s silent for only a moment before he looks up and says, “Brown, like your eyes, Pretty Boy.” Steve feels his pale skin flush with heat, but he coughs and tries to play it off.
“Quite the charmer there, Rat King. Luckily, your lines are actually true. One point! Let’s see it!” He calls out and then looks behind him to the television screen currently displaying the scoreboard. A large blocky 1 appears and the audience cheers. 
“Alrighty then,” Dustin says after the crowd dies down. “Next question. Billy, Do you know the original name of Istanbul?” Billy chuckles, and shakes his head.
“Easy. Constantinople.”
Dustin fake pouts and looks over to Billy. “None of that Rat King charm for me?” The audience laughs, and Billy chuckles before throwing a wink at Dustin.
“Not quite old enough to ride this ride, bud.” 
Dustin scoffs and shakes his head, making the curls bounce around wildly. “Whatever you say, old man. You did get it right by the way. Let me see another point!” Dustin mimics Steve and gestures towards the scoreboard which now shows a big, white 2. 
“Your turn, Pretty Boy. Give me something hard.”
“Alright. Let’s see.” Steve pretends to look over his notes before seeing the perfect question. “So, Billy, Do you know which two American states don’t observe daylight savings time?” Billy stares blankly at Steve. This was the final question in their lineup, but he had asked for a hard question. 
Luckily, Billy recovers quickly and clears his throat before giving another chuckle. “Damn, I know I said give me a hard one, but I wasn’t expecting that. I’m gonna go with Hawaii and Alaska?” Steve shakes his head and gives a small sigh. 
Dustin gives a little cheer, and then runs over to a table off to the side of the stage where they have a cue card that the contestant has to read off of if they lose. It was Dustin’s idea, the You don’t say? part of the title. It’s his favorite part of the show, because they get to see their contestants say some ridiculous things.
“Well, unfortunately, that was incorrect,” Steve announces over the booing audience. “And, following the rules, you now have to read whatever is on this card.” Dustin hands Billy the cue card with a wicked grin. 
Billy sighs and flips over the card. There’s a moment of silence as he reads over what the card says, and then he looks up at Steve and clears his throat.
“Would a Pretty Boy want to go out with me?” He says in a clear voice, gaze never leaving Steve’s. 
Suddenly too many things for Steve to process happen at once. He feels the heat return to his cheeks and his mouth dry out again, the audience goes wild, and a buzzer sounds, signaling that they were out of time for Did You Know? You Don’t Say? Dustin comes through and pushes a frozen Steve off-stage, where Billy is waiting in the wings. With the audience’s weighty gaze gone, the feeling returns to Steve all at once.
“What the hell man? What was that out there?” He hissed at Billy. The man simply shrugs and gives another one of his trademark smirks.
“Just giving the people what they want, Princess. Try to keep up.” And then he turns around, and walks away. Simple as that. Nothing to it. 
Steve wants to scream. Fortunately, he and Dustin have been friends for years, and he knows all of Steve’s tics by now. The stagehands shoo them from the wings, and he pulls Steve through one of the backdoors to outside the convention center. Somehow, he also procures a water bottle in the hustle, and hands it to Steve once they’re both sitting on the steps outside. Steve takes the water bottle gratefully and chugs half of it in one long gulp. He pulls it away and wipes at his face before sighing. He seems to deflate, like a balloon losing all of its helium at once, and Dustin puts an arm around him. It’s awkward because he’s shorter than Steve, but it’s still comforting nonetheless. 
“Penny for your thoughts?” Dustin asks quietly.
“I- I’m so stupid. For just a second I thought it was real, but why would it be? What would someone like him see in someone like me?” Dustin lets out a huff before pulling away and turning towards Steve.
“Steve, buddy, pal o’ mine. You’re an idiot. If anything, he doesn’t deserve you. He’s a pompous ass for pulling a stunt like that. It’s bullshit.” 
“He could have anyone. Between his paycheck and his pecs, he’s one of Youtube’s hottest content creators.”
“Yeah, sure. But for the sake of alliteration, he also lacks personality. The guy’s a huge dick! And he proved it today. He knew that you wouldn’t shut him down and bitch him out on stage, so he thought it would be funny to pull that shit.”
“Yeah, he is kind of just a publicity-seeking asshole, you’re right,” Steve admits, feeling a little better, and a lot angrier. “You know what, Dusty-Poo? I’m gonna find him, and give him a piece of my mind.” He stands up, itching for a fight and knowing who to go find for one.
“Tha-that’s not exactly what I meant but sure! Go knock him down a peg.” Dustin stands up as well and follows Steve back onto the main showfloor. 
It takes about twenty minutes to find Billy amongst the crowd but Steve sees him, and locks in like a tiger stalking his prey. Or something cool like that. Thankfully, Steve doesn’t have to make a huge scene as he walks up to Billy and gets in his face. 
“You. Me. Conference Room 3. Now,” Steve says, poking a finger in the middle of Billy’s chest to emphasize his point. Billy chuckles, but still follows along as they walk into the empty conference room. Once they clear the doors and Steve hears them swing shut behind them, he turns to Billy.
“Explain. What the fuck was the point of that little,” he wavs his hand around, “stunt you pulled during the game show?” 
Billy raises an eyebrow. “Told you Pretty Boy. I gave the people what they wanted. 
“So that’s it? It was a publicity stunt?” 
“You tell me. You’re the one who started the whole thing,” Billy shoots back, still holding on to an air of nonchalance, but Steve can his patience waning.
“You- you mean the stuff from February? When I happened to mention you in one video? You think I meant for that shitstorm to start, for fun and publicity?” 
Billy only shrugs again.
“Okay. Nope. Again, I mentioned your channel one time, as a source. Gave credit where credit was due. I do it for all the channels I watch! I’ve mentioned Nancy’s channel like 8 times, and Jonathan’s too. Never had this shit started with them.”
“They’re married, Steve. Like super married. Of course it wouldn’t. We’re both single, queer youtubers. Of course shit’s gonna stop. Didn’t your agent or whoever look over your video?”
Steve huffs. “Oh yeah, let me just go hire an agent, cause I have such a need for someone to monitor my every move,” Steve snarked. Billy just looked at him like he had failed to add 2 and 3.
“You’re telling me you, part of one of the biggest channels on Youtube, don’t have an agent?” 
“We’re not one of the biggest channels, and we’ve never needed one! We’ve got our team of editors and assistants, no need for some agent.”
“Steve,” Billy says patiently, like he was explaining something to a child, “You have over 4 million subscribers. That’s a big channel.” 
“We’re still not one of the biggest channels, dipshit.”
“Oh, I'm the dipshit? I didn’t start a fucking fandom frenzy apparently by accident. Because I was smart and got a fucking agent.”
“You’re such an asshole.” 
“Whatever you say Princess.”
“Stop fucking calling me a princess!” Steve screams, voice booming in the silent conference room. “Why do you do that? Pretty Boy, Princess, Stevie? Just- just stop with the fucking nicknames. It’s not fair.” The second part of his outburst comes out as a whisper, sounding almost desperate. 
Billy was at a loss for words, but then again, he had always been more of a man of action. 
So he says nothing, only gives a seconds’ thought of what he was going to do, before lunging forward and doing it. 
Steve’s next words are muffled as Billy crashes their lips together with absolutely no finesse, teeth clacking. It probably constituted as the worst kiss Billy has ever had, but as he moves back, Steve grabs a fist full of blond locks and pulls him forward. Their 
second kiss is far better. By no means is it soft, but that was just par for the course with them wasn’t it? 
The kiss comes to a natural ending as they both pull back to breath, before Steve starts to giggle. 
“You really need to work on your pick-up lines, Rat King.”
A soft gasp from the doorway cuts off Billy’s retort, and they both turn to see a girl decked out in Youtube merch, including a jacket with the Upside Down Theories logo on it. She had dropped her backpack, and was open-mouthed gaping at the two. Her eyes are as wide as dinner plates as she frantically gathers up her backpack and shoots out of the conference room. 
“Chances that this blows up online by tomorrow?” Steve asks, turning to the blond next to him. 
“I’m betting in the next two hours, Pretty Boy,” Billy replies.
A wicked smirk creeps onto Steve’s lips as he shrugs and says, “Oops. What was that about getting an agent to help with this stuff?” 
---
Aside from this taking FOREVER, I hope you guys enjoy this! It was tons of fun to write.
tag team: @lostnoise @gideongrace @stevefuckingharrington @a-magey @catharrington @trashycatarcade @myboyfriendsteve @thesummerof84 @lightsupinthenorth @smashmouth-hargrove (lmk if you would like to be added/removed from the list!)
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taxominn · 4 years
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A Comprehensive Guide to Archive of Our Own Filters
It’s complicated, I know. I’ve been using the website for years and there’s still stuff I don’t understand! I thought it’d be a nice idea to add a little guide for the filters on here for all those who need it. Enjoy!
What is Archive of Our Own?
Archive of Our Own, called Ao3 for short, is an “archive for transformative fanworks, like fanfiction, fanart, fan videos, and podfic.” (Official Statement on the website.) It’s a place where fans can find and enjoy work from the others within their own fandom, as well as upload their own work!
What are Filters?
On Ao3, Filters allow users to narrow down their searches so that they can find the specific things they’re looking for. BUT, the Filtering system — as well as the tagging system — on Ao3 can get a little complicated.
That’s what this guide is for, so continue on!
Understanding Filters
After selecting a fandom to search in, you’ll see the following image, slightly varied depending on if you’re on desktop or mobile:
(I’m on mobile and I used the Naruto fandom as an example.)
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Upon clicking the Filters button, you’ll see a number of choices and drop-down menus:
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I’ll be going over these in order!
What is Sort By?
The first option you see is the Sort By menu. Upon clicking the drop-down menu, there are nine things to choose from. What Sort By allows you to do, is choose the order you want your search results to appear in. If, for example, you want the longest fanfics with a bunch of words to appear first, you would click the Word Count option.
If you want the most recently updated fanfics to appear first, you would click the Date Updated option. If you want the fanfics to appear in an alphabetical order (A-Z), you would either click Title or Author.
NOTE: 
Numerical Order — Word Count, Hits, Kudos, Comments, Bookmarks.
Alphabetical Order — Author, Title.
Chronological Order — Date Posted, Date Updated.
Include or Exclude?
After Sort By, there are two sections: Include and Exclude.
If there are tags you want to see, make sure to select them under the Include section.
BUT, if there are tags you do NOT want to see, select them under the Exclude section.
What are Ratings?
Content ratings are used for games, TV shows, and movies. They rate how suitable the work is for its audience, and Ao3 does the same.
Ratings are as follows from most widely suitable to least suitable:
General Audiences - E for everyone can read it!
Teen and Up Audiences - 15 and up, leave the children behind.
Mature - 18 and up, sorry teens, adults only!
Explicit - Even some of the adults left the room. 🤐
Not Rated - In limbo, the author decided not to use a rating.
What are Warnings?
Warnings are assigned to works that contain triggering content that can make readers upset or uncomfortable.
Ao3 Warnings are as follows:
Major Character Death - If a work includes an important character death that doesn’t happen in the source material.
Graphic Depictions of Violence - If a work includes gruesome scenes, blood, murder, death, torture, or fighting.
Underage - If a work includes minors participating in illegal acts, specifically regarding sex.
Rape/Non-Con - If a work includes scenes where non-consensual sex takes place.
No Archive Warnings Apply - None of the above warnings are included in the work.
Creator Chose Not To Use Archive Warnings - For one reason or another, the creator does not disclose the warnings in the tags, or the warnings just don’t apply.
What are the Categories?
Ao3 Categories allow you to pick the relationship dynamics you wish to search for, or exclude from your search. They are as follows:
M/M - Two male characters in a relationship.
F/F - Two female characters in a relationship.
F/M - One female character and one male character in a relationship.
Multi - More than one kind of relationship and/or a relationship with more than two people.
Other - A relationship that’s not covered by the above categories.
Gen - Fics that aren’t primarily about shipping or explore different types of character relationships.
What are the Fandoms?
Obviously, fandoms are the different fan communities for pieces of entertainment media (musicians, games, tv, anime, etc.) Since you usually select the Fandom you want before filtering, this might confuse you, but it does have a purpose.
The Fandoms section allows you to choose other fandoms within the one you’re searching for. This is for crossover fanfics, or fics that take inspiration and story elements from more than one source material.
When you click the Fandoms tab, it shows you the top ten most used fandom tags under the fandom you’ve already picked. My example fandom was Naruto, so Naruto is the first fandom that shows up.
What are Characters?
The Characters tab shows you the characters in the source material of the fandom you’re looking in. It shows the top ten most used character tags within your search and the amount of fics that they are tagged for in parenthesis.
Select their names to include/exclude different characters.
What are Relationships?
Under the Relationships tab, it shows you the top ten most used relationship tags for the characters within your fandom. The relationships might include characters from other fandoms as well as the commonly written Blank Character/Reader or Blank Character/Original Character fanfics, if that’s what you’re looking for.
Select any of them to include/exclude from your search.
What are Additional Tags?
When you click Additional Tags, it shows the top ten most used tags in general for your fandom that don’t apply to the prior sections. Here, you’ll probably find the Alternate Universe tags, the Angst tag, the Fluff tag, and other common subjects found in your fandom’s fanfiction community.
Other Tags To Include/Exclude?
If the tag you’re looking for couldn’t be found in the previous options, then type it into the Other Tags search bar and you’ll likely find it. If it's a common tag, then it’ll show in an autofill selection pop-up underneath the search bar. If it doesn’t show up there, then you can still type it in yourself and see if you can find any fanfics that fit your search.
...
Now, after all that, there’s still a few more things to tackle, and that would be the More Options section. Under More Options, there are miscellaneous things you can choose to further refine your search.
Crossovers?
We talked about crossovers earlier! Under this section, you can choose one of three options: Include Crossovers, Exclude Crossovers, and Show Only Crossovers.
Include Crossovers allows crossover fanfics into your search, Exclude Crossovers removes crossover fanfics from your search, and Show Only Crossovers is for if you’re only searching for crossover fanfics.
What is Completion Status?
Completion Status is how much of a work is finished. Here, you have three options: All Works, Complete Works Only, and Works in Progress only.
All Works includes both complete and incomplete works in your search. Complete Works Only filters out any works that are not finished. Works in Progress Only filters out any works that are finished.
What is Word Count?
Under Word Count, you can decide how long you want the fanfics in your search results to be. Depending on the amount of words you specify, it will filter out any fanfics that do not fit into your range.
There are two search bars. The first search bar is labelled From. The second is labelled To.
If you put a number in the From search bar, your search results will only show you fanfics with a word count that is equal to and more than the number you searched for.
If you put a number in the To search bar, your search results will only show you fanfics with a word count that is equal to and less than the number you searched for.
Putting numbers in both search bars will give you fanfics with a word count that falls between the two numbers.
What is Date Updated?
Under Date Updated, you can search for works that were updated within a specific time period.
Like the Word Count tab, there is a From search bar and a To search bar. Clicking on either of these search bars should cause a mini calendar to pop up, where you can select the date that you want to specify.
If, for some reason, that does not happen, then the date format should look like this: YYYY-MM-DD.
If you put a date in the From search bar, your search results will only show you fanfics that have been updated on that date and afterwards.
If you put a date in the To search bar, your search results will only show you fanfics that have been updated on that date and previous.
Putting dates in both search bars will give you fanfics that have been updated within the time span you have searched for.
What is Search Within Results?
The Search Within Results search bar allows you to further specify what you want. Here, after you select all your tags, any thing you put in this search bar will be found in the title or summary of your search results. You can search for specific authors or specific phrases, if you want. NOTE: all the stories you search for will have all the tags you selected.
There’s a small blue question mark next to where it says Search Within Results, and that gives you instructions on how to use special characters/symbols to include or exclude which words you’d like or would not like to find.
What is Language?
After choosing all the different tags and all of that, you have your last selection option. Here, you’ll see a drop-down menu where you can choose one language that you want all of your search results to be in.
Anddd… done!
When you’re ready, click the Sort and Filter button and your search results will pop up!
I hope A Comprehensive Guide to Ao3 Filters has been helpful for anyone confused about the filters and search options. If you’ve got anymore questions, don’t be afraid to ask.
ℋ𝒶𝓅𝓅𝓎 ℛℯ𝒶𝒹𝒾𝓃ℊ!
Taxomin, out! ⭐️
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