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#if anything the specials just prove that plot and her actual character development will always play second fiddle to this annoying romance
acourtofthought · 9 months
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Okay beside the fact that right now Azriel is not an ideal love intrest we can admit that he is loyal to his friends and family? that much is clear.
SO WHY THESE E/RIELS THINK THAT HE WOULD TURN HIS BACK ON HIS FAMILY FOR SOME GIRL WHO HE MET FOR 2 YEARS AND ONLY FEELS LUST FOR!? Like it's some kind of a revenge from IC (specially Rhys) bc they won't let them be together and honestly were did that came from?
It pisses off every time that someone mention it. Like no, trust me he will never do that!! He will never turn his back on his 5 century family to be with her. He gave up after Rhys told him to stop whatever he was about to do and it was never mentioned throughout the story and we know he's a little rebellious towards orders so if he REALLY wanted to be with Elain it would've happened. (And pls don't tell me it was from Nesta's pov it's was from Cassian's too and he knows his brother or sjm wouldve found a way to mention it)
They're so aggressive and embarrassing!! They don't even know the characters they're dealing with. The ONLY thing that they care about is these two characters become a couple... to what end!? For sjm to change her whole plot line and characters!? Will it really be the story yall fell in love with?
Oddly enough I was thinking of this exact thing this morning.
The IC is the only real family Az has really known for the last 500+ years. His mother is still alive but she's not a regular part of his life (from what we've seen so far). But he and his brothers have loved and fought for one another for centuries. Rhys sacrificed his body for them for 50 years. Rhys sacrificed his life for his friends and family by dying for them in ACOWAR. But suddenly Az is going to throw that friendship out the window because Rhys is a big bad meanie who won't let him have Elain after Az's refusal to tell Rhys he's over Mor and doesn't want just to screw Elain?
I think it's an immature mentality that thinks love between two people is all that should matter because when you enter into an actual adult relationship, you do realize that love isn't everything. Your relationships outside your significant other are still just as important and to some extent, the opinions of those that love you and know you best aren't something to ignore.
If your love has to burn every bridge in your life then it's not healthy. I'm not talking about failed relationships that were always toxic and that you learned to walk away from. I'm talking about friends and family who have always supported you but because they sense your fixation on someone isn't healthy you become defiant and oppositional and develop a "screw you! I'll do what I want!" mentality.
I think Rhys only wants happiness for his brothers but he KNOWS that the way Az is behaving is concerning. He KNOWS Az needs to really deal with his feelings for Mor before moving on with anything else. And he KNOWS the things Az is saying about Elain is not the way you're supposed to think about someone you really care for.
The take that Az and Elain will defy everyone and prove their forbidden love is glorious and right is so in the opposite direction of SJMs underlying theme of found family that she puts in all her books. It means that the entire E/riel book will be them lying to everyone around them. It means they don't care about hurting others because they'd rather sneak around than try having conversations with the people that are owed conversation.
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usernoneexistent · 2 years
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These are my Fantasatic Beast era characters who I find fascinating and definitely my darkest ones. The purpose for me introducing is so if others wish, they can be used by others for their FB era writings if they wish to have some antagonists in their stories or for their ocs.
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Hetty Johanna Rosewood | Xiang Cheng
• Born 01/10/1909 • Gryffindor • Chinese • Muggleborn • ISTJ • Grindelwald's acolyte • Traitor • FC: Liu Yifei •
Abandoned by her parents in Britain when her magical powers exploded frightening them at 3/4 years old. Cheng was sent off to Angela King's orphanage (@whatwouldvalerydo oc) by aurors as they didn't know what to do with a child. She caught the attention of Glenn who was in the process of adopting another baby at the time when her emotional outburst caused a magical one. So he adopted Cheng, now by Hetty along with a baby Oscar.
Hetty didn't speak or understand a work of English, so Glenn acquired a tutor who could speak fluent English and Mandarin Chinese to teach her English but also to retain her Chinese heritage. Her father, Glenn bonded with her a lot faster than with her brother, Oscar and pushed her to excel in everything she did.
At Hogwarts, Hetty was sorted into Gryffindor like her father but she was fairly popular and well-liked and was the darling student of the professors. She was the captain of the Gryffindor quidditch team, prefect and head girl however Hetty harboured a big secret from everyone except one which is her deep fascination for the dark arts and how to use it. The only other person she shared this love with is her brother, Oscar.
During the 1920s, Hetty along with Oscar heard and read about Grindelwald and became enarmored by him and his movement so much so that they plotted a plan to leave Britain and join Grindlewald. When Hetty was seventeen, she and Oscar successfully ran away and managed to evade the aurors until they found Grindelwald.
During her time with Grindelwald, she proved herself to be a successful hitwoman and committed gruesome crimes under her birth name. Though by 1937, she became disillusioned and wanted to leave. She reached out to her father for help, but they both knew the severity of her crimes that Hetty was a wanted witch so he bargained out a deal for her with his influence in the Wizengamot. They agreed if she can provide information and be a double agent, then she can have a more lenient sentence. Hetty tried to convince Oscar to change sides but she was betrayed by him instead. Hetty managed to escape and served out a twenty-five year sentence in Azakban and once released, she moved away to Australia where her father Glenn was residing in his retirement.
*Hetty is open as a romantic interest in case someone wants to have an interesting dynamic of opposites sides fall in love or something.
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Oscar Ebenezer Rosewood | Tadhg O'connor
• Born 20/05/1913 • Slytherin • Irish • Blood status unknown • ENTP • Grindelwald's acolyte • FC: Finn Cole •
Oscar was adopted by Glenn after he got into an argument with his own father about getting married and have children to pass on the family name. Glenn decided to skip the marriage part and went straight to adopting a child which ended with two.
Oscar was smart but always was just not as good enough as Hetty in anything. His grandmother was the only person who actually made him feel special. In his opinion, he always thought that his father preferred Hetty over him and thus started feelings of jealousy of both Glenn's attention and Hetty's powers leading to a bitter rivalry into Hogwarts.
Being sorted into Slytherin, Oscar contiuned to work hard to be better than his sister. While he wasn't as well liked as Hetty was, he did garner a level of respect for his commitment to his studies. Though he developed a love for the dark arts which he discovered his sister had too. This finally set aside the years of bitterness of their rivalry and finally brought them together as siblings.
Oscar read a lot about Grindelwald and almost idolized him, thinking he was cool and that wizards should rule over the muggle world. Along with his sister they ran away when he was fourteen and a year later they managed to find and join Grindelwald's movement.
Under Grindelwald, their feud came out again and not in a good way. Oscar became worse and more gruesome in his killing, preferring to drag out by torture magic, mind tricks and even cursing from a distance. Oscar was angry at Hetty's betrayal and when she came back to change his mind, he almost killed her for her act of betrayal. By 1945, at the fall of Grindelwald, he had multiple life sentences but narrowly avoided the demenetor's kiss as a kindness from his father.
What has to be yet determined is that he may have escaped during the second wizarding war or if he put into a stronger facility. If he did escape though it is unknown if he was killed due to his refusal to join Voldermort or if he rearrested again. We do not know...for now...though what is known is that he had a squib child in America who seemingly did not know him but his grandson, and three great grandchildren are back in Britain under the surname Nowak.
* He is not open for romance as his romance is set already.
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erb23 · 3 years
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Four seasons in and we finally have a new costume for our titular heroine. It feels a bit... too little to late by this point.
#a lot of potential developments in this show do tbh#they've been dropping the ball for 3 whole seasons and now we're on the 4th#her recognized design is just what it is now. you only have to look at other shows to see that new designs tend to not stick#at least in terms of general recognition outside of avid fans#i'm no fool so i wont hope that she'll actually get to focus on plot this season#if anything the specials just prove that plot and her actual character development will always play second fiddle to this annoying romance#its not even interesting at this point because it so obviously detracts from actual interesting narrative points#will she track down the big bad? is she gonna develop her powers? train? confront her partner on their lack of commitment to saving the city#nah she'll just embarrass herself over a boy for 24 mins. rinse and repeat for 3 whole seasons with little to no advancement#in any of her relationships. we just got flat dynamics all around. to the point where the only reason she's going to visit her own damn fam#is cuz her crush is gonna be nearby. like. excuse me!#no build up. no intrigue into her own damn family outside of her following her crush to a different fucking country while she's visiting#pls someone pull the plug on this show so we can get a reboot in 10 yrs with more competent writers i am begging you#ignore me#long tangent but i am tired of this gd show and only continue because watching it makes me appreciate other shows more#like they couldn't properly set up of foreshadow if their lives depended on it#new shows by only like a couple of years have done more in one season than we got in 4 plus 2 specials and an upcoming movie#not to mention the hill-full of canceled projects too
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fireemblems24 · 3 years
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Why I Never Really Talk About Claude
Because there's nothing to say. As much as I hate to say it.
NOTE: I love Claude, and this is in no way meant to say anything bad about him, but Verdant Wind and how it handles him. I didn't tag him, but I want Claude fans to give me their amazing meta analysis and help me indulge in his character. So if you see this - no hate. Please send love.
Gronder Field was obviously a huge turning point for AM and Dimitri - and trust me, I'll definitely get to that - but ironically it was also an eye-opener for VW.
This game is four routes, and at first I tried to give all four their dues, but lately I've talked almost exclusively about CF and AM. With CF on hold until the other routes are also at their final chapter(s), it's become more apparent how little I mention SS and VW.
SS is obvious. It lacks a strong central figure. Rhea is MIA. Edelgard has no presence. Claude and Dimitri weren't supposed to be big characters here, and they aren't. Byleth is too much of a non-character (by design) to pull the weight of a route on his own (my SS is M!Byleth).
But what about VW? What happened?
Initial Impressions of Claude
Claude's writing, before any other character, got my attention. Edelgard I was already biased towards before even opening the game, fueled by her stark difference in design/unit type than other FE leading ladies and knowledge that her route had a split. Hilariously, Dimitri's the one I paid little attention too. But once I actually started the game and heard the characters talk and such, it was Claude who stood out the most.
Claude was witty, promising, and mysterious in a natural way and not the "yeah, sure" way I felt towards Dimitri's "darkness." 😅Edelgard turned out exactly how I expected (and not in a bad way); it was Claude who proved unexpected. It was his prologue dialogue I enjoyed the best, his class introductions that made me laugh.
But sadly that interest burned out.
Edelgard continued to demand my attention throughout part 1. I didn't always agree with her, but I did stay invested in figuring out what her deal was, what she'd do next, etc . . . She surprised me, intrigued me, made me want to discuss her ideas.
Dimitri blindsided me. He tore at my heartstrings without even trying. Ever since the Lonato rebellion, Dimitri got my attention and never let it go. His empathy and stark contrast with his revenge, the truth about his darkness, and so, so much more took him from "there's a third guy" to hands down favorite.
But what did Claude have going for him? Looks? Sure. A fun personality? Definitely. But what about plot, conflict, growth? Throughout part 1, I wanted to know more about what Edelgard planned behind the scenes and her ideals. And during that time, my heart ached for Dimitri as I watched a battle he kept losing and felt so conflicted about his desire for revenge.
What did Claude feel? What did he want? I still kind of don't know. Lack of prejudice between borders? Me too! But what does that have to do at all with what's happening in the game? Nothing. Nothing at all.
Gronder Field
Gronder Field made it just how apparent Claude and VW feels like an awkward third wheel.
During the cut scene, Dimitri and Edelgard had parts that made me (or would've made me) desperate to know what on earth was going on with them. Why is Edelgard invading everyone and, once again, trying to kill her classmates? If she's sad about it, why did she start this war? WTF happened to Dimitri? WTF is going on in the Kingdom? If I wasn't in the middle of it, I'd plan to get to CF and AM asap.
Claude says nothing interesting. Nothing intriguing. It's a throwaway line any character could've said about how this is such a bad class reunion. Honestly, it feels like he got dumped with the lines they needed for advertising because the other two were too caught up in having an actual storyline.
Throughout the game, there's moments that would've made me desperate to play CF and AM, but Claude really hasn't gotten the same treatment.
Claude Deserves Better
The thing is, I like Claude. Writing this reminded me what a fantastic impression he made initially. I love his drive for knowledge, the almost idealistic world he lives to create despite his world-weary character, and how he seemed far more mysterious than the other two (and still is frankly), and didn't get used as a tool to pander to the player self-insert nearly as much either.
But he's been given nothing to work with. Rhea, Edelgard, and Dimitri all have desperate stakes in what happens. Claude doesn't. Or it feels like he doesn't. Even more of the students and faculty have more going on than poor Claude. Things are desperate, emotional, full of conflict, growth, and action. This is what makes someone connect to a story, but Claude feels so disconnected that it's hard to invest.
VW feels less like a cohesive story that could stand on its own and more like a series of battles strung together. Claude has neither Edelgard's strong motivations and active presence nor Dimitri's strong motivations and dynamic development.
It's in the details too. In CF, people are fighting for Edelgard and the Empire. In AM, people are fighting for Dimitri and the Kingdom. In SS, people are fighting for Byleth, Rhea, and the Church of Serios. In VW, people are fighting for . . . Byleth.
I mean, even in FEH Claude doesn't get special treatment. It seems Legendary Edelgard got a giant advertisement video for her release, and Legendary Dimitri got his own mini-foreging bonds with full voice acting. Legendary Claude got nothing. Maybe he's not as popular are the other two (I've stayed out of the fandom outside of my blog for obvious reasons - so I don't really know), but maybe the reason he's less popular (I'm assuming) is because there's a lack of emotional resonance compared to the others.
Honestly, it makes me irritated. Claude has so much potential as a lead character. There's so much to work with, but the game just doesn't play to his strengths, doesn't connect his desires and goals to the plot, ignores Almyra, and has him remain distant from everyone - including the plot. He deserves better.
Claude Fans, I Need Your Help
That said, I know, for fact, I am overlooking parts of his character. Claude fans, please help! Send me your analysis of his characters, what you admire, what his faults are etc . . . (please just no spoilers post Gronder, if you let me know I need to read it later, I'll like it go back to it).
I'm playing all 4 routes at the same time, which means I'm doing monastery weeks back-to-back-to-back-to-back - which means lots and lots of supports all at once. It's impossible for me to retain all that information. There are definitely Claude moments I've overlooked and forgotten.
I also know, for fact, that when you love a character, you can write an entire essay off of one line of dialogue/scene (yes, I've done it 😅). Please send me those essays. I want more Claude love on here, because I'm quickly remembering how much I loved Claude.
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How I’d rate the Gods/Goddesses(riordanverse)
This is my rating based off the way Rick Riordan portrayed them in the Riordanverse. The traditional myths have been taken into account but do not make up my entire opinion. 
Hestia:
10/10 would give my life for this goddess. In all aspects of the word, this goddess is a goddess. I want a novella of her watching over the hearth and watching out for her family and the heroes. I imagine her being a very comforting presence and warm like a hug, and maybe this is me projecting my mummy issues but I just want her to hug me. 
Dionysus:
A solid 7.35/10 for Mr D. Naturally he was a bit annoying, but we were never under the pretence that he he was meant to be anything more than what he provided and I respect that. Him caring about his kids at camp, and staying relatively loyal to his wife is always a plus. And I like his relatively humble beginnings being a hero and becoming a god and then not causing that much trouble in the series. Unlike some other pieces of shit. 
Hermes:
4/10. Mans had no right blaming Luke’s thirst for mass genocide on 16 year old Annabeth. Not cool man. Not cool. He gets the points he got because he did genuinely care about Maia, and Luke, but he lost the rest of them by having a blatant favourite (who literally caused so much destruction). However I do still like his line about family in sea of monsters and never giving up on them. Nice meaning. But he was still a shitty father and only intervened out of self interest most of the time. 
Aphrodite:
2/10. I hate how low I have to rank her. But my god did Rick do her dirty in his depiction. Just the misogyny, the lack of depth, and the untouched potential she has as a character, as a goddess, THE OLDEST GOD/GODDESS and Rick really made her throw rose petals around the battle fields on one of (what was meant to be) the biggest fights of the riordanverse. Absolute robbery. If I’m not mistaken as well, she was a huge contributor to the issues and obstacles percabeth went through and we do not Stan. HOWEVER, I love her as a goddess normally, and what she could represent if she’s written properly. 
Hephaestus:
8/10. I have no qualms with this man. I too prefer the company of inanimate objects to people and get stressed about social interaction. And I too have mummy issues. So me and Hephaestus are on the same page. Let this man tinker away in his little bunker. He never went out of his way to make things harder for demigods, and was helpful when they came to him for help which I can also respect. (Point deduction because it was on his land that Bianca died…if I’m not mistaken). 
Ares:
-12/10. This man was introduced as a bully, and gives off the vibes of every phobic, known to humanity. I do not vibe. I do not agree. I do not stan. ALSO his motorbike seat is apparently made from "Caucasian human skin”!!!!!!???? We as children never questioned this? We just went sure aight move on?! Please this man has the biggest small dick energy if I ever saw it and I despite him so much. Mans was also never helpful. Ever. I don’t think. I think Mars was better than him though so I’ll give him that. 
Artemis:
9.99/10 all hail queen of the lesbians. Mad respect to this woman. In what she stands for, who she protects and in her actions. She’s what I embody when I stand up for myself in fights and when I speak to have my voice heard. I like Rick’s depiction of her and I love seeing her and her hunters pop up in his books. Would love a couple books on the hunters and their adventures. Also I love archery. And I’m biased to the moon because I love the night so she gets extra points for all of that too. 
Apollo:
Prior to Trials of Apollo 7/10, after TOA 9.90/10. Yes it’s a big jump but my god did Lester grow on me. Prior to TOA he was pretty average. He was funny, always provided a good laugh to the plot and was always helping the demigods which I loved. But I know he’s an asshole full of himself so I can’t give him any higher than that until he had some character development, which we got in TOA (specifically after Burning Maze). And I really like who he is now and the type of character Rick shaped him out to be. In the myths he’s a big creep, and I still stand by that idea, hence why he doesn’t get a full 10. 
Athena:
3.5/10…ughhh I hate to say this. But part of it is the same reasoning I gave about Aphrodite. I just have so many issues with the way she’s portrayed and it’s not accurate to what I believe in my heart she should represent. And as a child of Athena, I feel like Rick then did her entire legacy dirty. She has her moments, but since I can’t even fully recall one right now, it just proves my point. As a goddess as a whole though, what she represents is everything I aspire to be in life. She’s my entire aesthetic of hard work, creativity, and strength and grit, without taking away of being a powerful female. Zeus’ lead strategist like shit, Rick could have done so much. But he did not. And I am thus sad about it. 
Demeter:
6/10. I have no issues with Demeter. Kinda boring. I think that’s what most of the fandom thinks as well. She just didn’t get enough screen time or development. I have no attachment to her. I think the powers that she has, and has passed on to her kids is cool though so there’s that. But in the series as well she doesn’t do much. She also (initially) doesn’t fight in the battle of Manhattan so maybe I’m slightly bitter there. But yeah, i’m indifferent. 
Hades:
8.99/10 Okay so hear me out I know this man gets so much bad rep in the myths and that’s part of why he doesn’t get a full 9. But I really really love the way he’s depicted in the riordanverse, especially with his entire arc with his kids/specially with Nico. Like literally one of my favourite quotes In the entire series is “my children are so rarely happy, I would like to see you be the exception.” Out of the gods listed here (and excluding Dionysus), he acts like a genuine parent to his kids and tries. And like there’s issues, sure, but he works on them. And since so much of the first series is about how the gods are neglectful, seeing him change and seeing him fight for Nico is my everything. 
Poseidon:
7.1/10. Honestly this feels too high considering mans was nearly If not just as bad as Zeus in keeping it in his dam pants. His points come from treating Sally like the queen she is, and trying with Percy (albeit too little too late but I can see the minimal effort). That being said, he’s really shitty in the myths so I can’t really give him anything higher than this. He’s barely a dad, and sees Percy more as an ally than an actual son or human being that needs attention. I like him more in Fanon and the way that I write him lmao because I humanise him. But I won’t lie he’s dilf material, and I still like rick’s depiction of him. 
Hera:
3/10 I’m surprising myself with this rating because tbh I might even push her to 4.5 just because she’s so consistent in her own goals and agenda, and that perseverance is very admirable even if it was at the cost of some of my favourite characters. She was very much two faced though and fucked around stuff that she should have stayed out of. Her hatred for literal children though is a bit problematic. I have no attachment to her but I admire how much she just wants a family. However she just really needs to assess how she approaches that since it’s a bit messed up.  
Zeus:
-5/10 I really don’t Zeus, his character, him in the myths, everything about him. He gives off the vibes of a man who abuses the power that he was given. And I don’t like that. It makes me uncomfortable and I don’t like him at all. His treatment of his children, of the demigods, and the way he governs Olympus. Not a fan. I could rule Olympus better and I’m a mentally unstable, serotonin deficient 20 year old with a hyper fixation on greek mythology and Minecraft. However despite not liking his character, I think Rick does a great job at depicting him accurately to how he was in the myths. 
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starfire-s · 3 years
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here’s a list of the best, mediocre and worst kdramas i watched in 2020
no one asked for this but it’s happening because i have thoughts (also all opinions are my own if you disagree then get well soon i guess... no i’m kidding make your own posts about it don’t hate me please) ahsjsj anyways click to read a lengthy post and if you actually read the whole thing then thank you i hope you enjoy this wild ride! 
THE BEST KDRAMAS -
mystic pop up bar - this show had everything i ask from a kdrama literally i can name it all found family (to real family), well thought out characters, a mystery plot, special effects, soft romances that were well written, a happy ending! no show in 2020 even comes close to how good this one was! the writers literally guided you throughout the whole thing so you could come up with theories and didn’t do a ‘aha! gotcha’ thing where they want to prove the audience wrong but they wanted us to be right and satisfied! the worst part about the drama is that it’s still so underrated and people just brush it off as some random fantasy show but it’s so much more than that! 1000/10
flower of evil - who doesn’t want to see lee joon gi being the son of a serial killer, living with the name of a man who is in a coma, and hiding his real identity from his wife who is a detective? this show constantly had me at the edge of my seat on a weekly basis so the emotions i went through while watching this are unparalleled! the writers also did such a good job on writing a coherent story that made sense and tied up all the plot points in the end. just a really satisfying show to watch! 10/10
where your eyes linger - i literally bought a $8 viki pass to watch this show so it should tell you everything you need to know about how i feel ahsjsj the episodes were 10 minutes long but we got a good story with well written characters who got character development in a total of 80 minutes it’s insane! honestly it’s still hard to believe this show had rookie actors because they were just so emotive that you could feel all the happiness, sadness, yearning and pining! probably one of my fave kdramas this year because of the acting that i always constantly rewatch! would recommend 10/10
crash landing on you - okay so this drama was actually released on my birthday last year and it was a time in my life when i was going through a lot so maybe it’s the comfort this show provided me through that time this is why i have such a soft spot for it? like the romance was good, it was funny, there was found family, the nk soldiers were all softies, there were strong female leads, soft male leads!!! ahh!! no other show on this list made me think about the unification of south korea and north korea irl because i wanted se ri and jeong hyeok to be together 4ever! but the only issue i had with this show was the ending they gave seung jun if they didn’t do that i’d give this show a 10/10 but just for that they get a 9/10
psycho but it’s okay - this was one of those shows where you’re literally like ‘wow everyone here needs therapy’ but this show was amazing i loved the story telling and how each episode related to children’s book/fairytales! the writers also did a good job with how carefully they talked about mental health in depth without villainising their characters but actually tried to make the audience understand why they were this way which included all the side characters too who had a well thought out story in each episode! also the dynamic between moon young, kang tae and sang tae was everything to me the actors all did an amazing job portraying their characters, it truly was a healing drama. the only thing i didn’t like about this show was the whole plastic surgery plot with the mother like that was very far fetched but it provided drama so i’ll let it slide because the rest was amazing. this show is a solid 8.5/10
18 again - another underrated gem! who would’ve thought a remake of that zac efron movie could be this good!! lee do hyun stole this show for sure the way he portrayed his character and gave heart eyes to his kids (when he’s only 25 irl was the best thing i saw this year ahsjs) i loved the family dynamics in this show, i loved how it talked about what it’s like to be young parents and how society still think it’s taboo to be divorced! it’s a show that makes you laugh and cry at the same time and that’s why everyone should watch it! however, the biggest clown thing this show did to me though was that i got sls for the first time while watching a kdrama... hwang in yeop if u’re reading this i love u and u deserved better 🤡 that aside this show was a 8/10
itaewon class - i actually didn’t watch this drama as it was airing because i thought i wouldn’t enjoy the plot but when i watched it i binged the whole thing in 2 days and my biggest regret is i didn’t watch it sooner! everyone knows i have a soft spot for park seo joon since he’s my favourite actor i’ve literally watched all his dramas like he could star in the trashiest drama out there and i’d still watch it and be like wow (looking at she was pretty 👀) this show aside from the acting had one of the best revenge plots in a kdrama! just watching a character realistically hustle his way to reach the top while fighting the corrupt man whose son killed his father was so so satisfying to watch! however, the love triangle in this show was questionable idk what they were trying to do with that but it personally annoyed me! but still i’ll give this show a 7.5/10 because i enjoyed it a lot!
do you like brahms? - kim min jae and park eun bin.. that’s all you need to know about why this is a good kdrama! i’m usually not a big fan of melodramas and everyone knows i prefer rom coms but this show was just so perfectly melo that i loved all the angst and pain we got!! also just watching two introverted people awkwardly fall in love was amazing! the characters story arcs were also handled pretty well with song ah finally learning to speak up for herself and joon young learning to express how he truly feels! but... the love square? was probably the most annoying thing the rest in my opinion was nicely done! i know people had mixed feelings about the ending but i loved that after all the pain joon young and song ah went through they got a happy ending together! 7/10
find me in your memory - okay this show started off very slow and it was confusing at the start but as it progressed everything in the plot started to fall into place! i mean this show really took opposites attract to a new level where the male lead could remember every single detail from his life but the female lead had to forget some of her traumatic memories to help her cope with her life! they were also tied together through a mutual character who was a big part of their lives in a different way! just an interesting melodrama with interesting characters i liked it! and moon ga young... i love you queen!!! 7/10
THE MEDIOCRE KDRAMAS -
more than friends - was the storytelling in this show groundbreaking? no. was the acting decent? yes. also probably the main reason i stuck with this show until the end! i think we can all agree lee soo had the best character development on this show he started off as a bad boy who wore one ear stud to actually becoming a well liked character... who else did it like him? no one. also the chemistry between the mains was 🔥 but the second male lead was so annoying is there a opposite word for second lead syndrome because i had that for sure! i think the best part about this show was the people i watched it with on here... shoutout to the five of us ahsjsj also this show introduced me to a talented actor/singer like ong seong wu (y’all know my kpop knowledge is nonexistent so no i didn’t know he was in a band called wanna one) all in all a predictable show but i had fun watching it so 6.5/10
tale of the nine tailed - i didn’t actually watch this show i watched it through gifs and instagram posts ahsjsjs so am i qualified to talk about my opinion definitely no... will I talk about it anyways yes lmao. lee rang deserved better that’s all goodbye and take care. 5.5/10
start up - probably one of the most awaited opinions. y’all thought this would be in the worst kdramas section but i decided to give this show some rights. the show started off strong, lost it’s way after episode 6 and then the last episode gave me what i wanted so i have mixed feelings. the writing was not the best i think we can all agree, love triangle as a plot device? wow so groundbreaking 🤡 the characters on the other hand... i loved every single one of them i mean ship wars? i don’t know her. the show had a lot of potential that was wasted but we also got some cute moments between the characters so there was really no winning or losing with this show? but in all honesty you can’t put a talented cast together like this and then just decide to give the audience a mediocre plot but the writers did exactly that! i think i can redirect y’all to my ‘crimes this show committed’ post for a in-depth analysis. lastly nam do san was a GOOD and REFRESHING male lead and ji pyeong was also a GOOD and FUN second male lead!!! this show gave me the ugliest ship war ever that i was transported back to my high school tvd days so thank you for that!! but the cast was loveable and all had a lot of chemistry together so here’s a 5/10 maybe that's too generous but... i think the reason why i didn't enjoy watching this show as much was definitely because of the tag on here lmao
THE WORST KDRAMAS -
the king eternal monarch - i miss clowning this show so much. the amount of braincells i lost while trying to understand this plot... i should be compensated by the writers. however, woo do hwan was a treat to look at on a weekly basis... however the writers kept decreasing his screen time even though he had a dual role... make it make sense? and i cannot comment on the plot of this show because i still don’t understand anything? also in my opinion tae eul and lee gon were the most bland couple of 2020, there was no chemistry between them and there was just a random kiss in episode 5 and they randomly said i love you... where was the development? also lee gon was soooo boring and such a one dimensional male lead! literally all the side characters were so much more interesting and the cast was good... but this plot. 2/10
do do sol sol la la sol - i wanna fight the writer who decided that the plot twist on the show would be that jun is a minor? i had no expectations from this show but it looked cute and nonsensical but that plot twist made me run the other way so fast that i never looked back! just because jun is a boy they really thought this would be excused like lmao we all have critical thinking skills???? the clown behaviour. a solid 1/10
record of youth - i hate this show so much. imagine not utilising park so dam who just starred in the biggest oscar winning movie to her full potential. imagine just making her a love interest to park bo gum’s character in the year 2020. i watched it up until episode 6 and i kept waiting for her character to get development... but it never happened so i dropped this show. also this show featured the MOST useless love triangle i have ever seen in my life like what was the point? also park bo gum’s characters family was straight up annoying (minus the grandpa) but they got so much screen time like that should’ve been given to park so dam... also villainising a gay side character for no reason at all in the year 2020? this show was a waste of my time i want the 6 hours i spent watching this back. -100/10 
backstreet rookie - i watched one episode of this and literally wanted to rip my eyeballs out of my head. idk what ji chang wook was thinking when he signed this drama i think he lost his ability to read because that's the only reasonable explanation for why he chose to star in such a dumpster fire show! this show had a racist character... had a high schooler kiss an adult... sexist jokes... just the worst things you can think of in a drama... this show had it. i still can’t believe so many people watched this show to the point where it had better ratings than pbio... really made me question everyone’s taste? but sorry can’t relate my taste is excellent so here’s the rating this show actually deserves -1000/10
if you made it this far... thank you for reading. let’s continue to love some kdramas together and get clowned by others in 2021! looking forward to it 😅
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acenancy · 3 years
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The Ace x Nancy x Tamura of It All
I’m here as a hardcore Nace shipper (see the URL) to throw my two cents into the Ace x Nancy x Tamura discussion.
Some of you straight up hate Tamura and that’s cool, I get it, no judgement, but I personally like him a lot as a character. And I LOVE the connection he and Nancy have. Their repartee is entertaining, they share a passion for solving mysteries which is key to being Nancy’s friend, and their very different life experiences help balance each other out. 
You know, since one of them is grounded in reality and the other is navigating through life in a supernaturally charged hellmouth.
That being said, I hope they grow closer during S3 WITHOUT becoming explicitly romantic. And I think that may be exactly what happens! At most, I think that while solving magical mysteries, Nancy and Tamura will engage in a fun little flirtationship  that will lead to genuine friendship. His partnership with Nancy would be solidified this way as well as his honorary membership to the Drew Crew. This could serve three purposes: 
Forcing Tamura to accept the supernatural elements of Horseshoe Bay, thus weaving him more intricately into the plot.
Creating tension between Nancy and Ace 😏
Exploring and adding depth to whatever sort of relationship they’re trying to establish between Tamura and Ace.
I see all of this playing out fairly simply: while Nick and George are busy juggling real life and a wedding, while Bess devotes her time and energy into researching her family history and finding love, and while Ace prioritizes Amanda, Nancy finds herself without proper backup. So! Perhaps unintentionally, Nancy gravitates to Tamura. There's crimes and mysteries to be solved and since her friends are not fully available to her, who better to turn to than the guy who’s job it is to investigate these things? And so begins the Nancy and Tamura buddy cop comedy that is both dreaded and highly anticipated depending on what social media outlet you’re using.
Though let me repeat: BUDDY COP. 
I really don’t think we’re going to have an Ed and Lorraine Warren situation on our hands with these two. Truly, if the S2 finale is anything to go by, I think S3 will allow Nancy to grow into herself outside of a romantic or sexual relationship. She’s not running from herself and into someone else’s bed anymore. She’s embracing and learning to love herself. I’d even go so far as to say Nancy’s love interest next season will be...Nancy lmao. 
As for Tamura, if they decide to give him a romantic interest, I think they would either have his ex-fiancée reenter the picture or maybe even do him dirty and stick him with Temperance for plot reasons. A doomed Tamura x Temperance romance would actually be fun to see, in my opinion, and would be a great way to open Tamura’s eyes to the supernatural. That’s just me spit-balling, though. Whether it’s because of Temperance or not, I think Tamura is finally going to have to accept ghosts and witches and magic are real this season. It’s just a requirement for working with Nancy Drew.
MOST IMPORTANTLY, we have to address the Nace of it all. Sorry to Tamura but I do believe you’re being used as an obstacle in True Love’s way next season. I think fandom’s general consensus is that the more time Nancy and Tamura spend together, romantic or not, the more jealous Ace will become. While I agree, I think Ace’s jealousy will stem from somewhere a little deeper than just seeing Nancy with another guy. 
Take Gil, for example. Ace was sort of jealous of Gil, but more than anything he was wary of him and concerned for Nancy’s wellbeing when she was with him. Unlike Ace, Gil never had anything to offer Nancy except for sex and a getaway car. He sure as hell was never her number one person. In fact, he wasn’t even Nancy’s number five person. There was never a reason for Ace to be envious of him.
Tamura, on the other hand, can prove to be just as much of an equal to Nancy as Ace is. As chief/lead detective, he also has power and influence that Ace and Nancy do not, and access to people and resources that Ace does not have (unless he can hack into them). Tamura can help Nancy bend and break the law without consequence if need be, too. And, although naive in regards to the mystics of Horseshoe Bay, he is just as smart as Nancy and has, on the rare occasion, even been one step ahead of her. Tamura is an asset, to say the least. Together, he and Nancy make a formidable duo.
That’s what will make Ace jealous. More than the prospect of romance between Nancy and Tamura, I think that Nancy finding another intellectual match is what will rub Ace the wrong way. They’ll find themselves at a brief moment in time where Nancy will turn to Tamura for assistance before anyone, including Ace, and Ace will realize he absolutely hates that someone who is not him is Nancy’s partner in crime now.
Maybe Nancy won’t notice, but Ace will probably realize his love for her is not of the philia sort. I’m sure Amanda also will. And? Maybe Tamura will see it too.
Which brings me to one of my favorite dynamics of the show: Ace and Tamura’s.
I’m not gonna sit here and spin my crazy conspiracy theory that they’re brothers. Though that idea will always hold a special place in my heart, slowly but surely I am accepting that Ace’s long lost brother really is Grant. I’m being a total grownup about it. I swear.
Nevertheless, I do think they’ve been trying to build some kind of relationship between Ace and Tamura since before Tamura even met Nancy. What sort of relationship? God, I wish I knew.
They meet each other first, which doesn’t necessarily mean a lot, but it’s worth noting that they’re on each other’s funny little shit lists before Nancy even enters Tamura’s picture. It’s also Ace and Ace alone that hears from McGuinness that Tamura will be replacing him in the same episode. Then, of course, we have that crazy Shabbat dinner in 2x03 that exacerbates their antagonistic relationship further. Then there’s their snarky banter and all of those totally unnecessary side-by-side shots of them saving Noah in 2x10. Apart from Nancy, Ace is the only member of the Drew Crew that we’ve seen Tamura develop a real connection with, even if it is an unfriendly one. And, as of now, their relationship doesn’t even have anything to do with Nancy.
So where are the writers going with this hilarious and hostile bond between Ace and Tamura? Has all of this really just been buildup for a romantic rivalry? Hey, maybe! I really can’t figure out another reason why the writers have gone out of their way to create their dynamic since the Brother Theory has been disproven. But something tells me this may be the beginning of a beautiful friendship.
And when I say “this”, I mean Tamura taking a step back from Nancy once he realizes he may just be filling in the love of her life’s shoes. Because that’s where I think all of this is going. Not necessarily anywhere romantic between Nancy and Tamura, but somewhere more friendly between Tamura and everyone.
At the end of it all, Tamura is going to finally embrace the supernatural, he’s going to become an ally to Nancy, Ace, and the rest of the Drew Crew, and, when the timing is right, he’s going to hop onboard the Nace ship with the rest of us. 
I HOPE.
Side note: this is just where my head is at. I truly respect all of your opinions and ask that you respect mine too. If you agree with what I’ve said and want to talk, let’s talk! If you disagree and want to talk, we can talk too! Please, just don’t get nasty with me. This is a television show about fictional characters at the end of the day, and I am a real person. Much love to you all. ❤️
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Part 1 - Basic Concepts of Miraculous Ladybug: Miraculous Jewels
Alright! I promised you meta and now I deliver!
I feel like people mostly watch Miraculous for the romance these days. Shipping is all everyone cares about. I wonder why? Probably because writers themselves don't take their worldbuilding very seriously and because they don't put much effort into making the audience care about something other than Love Square, like the mythology behind the Miraculous, or motivations of the main villain, or some pretty heavy topics for a kid's show that they bring up and then refuse to touch again. You know, all the good things. And this is coming from someone who is a passionate multishipper. I have lived through several shipping wars in different fandoms and came out victorious after all.
I am probably the only person out there who cares about the big picture, the overall storyline and the worldbuilding of Miraculous in addition to all details and implications that could develop into fascinating plotlines relevant to the main story. It is a rather lonely fandom experience, I must confess. But, hey? Who cares? I am here to have fun and bring to the table discussions no one wants to have.
So, let's talk about the basics.
If you, as the writing team, are capable of keeping only 1 thing consistent, then please, I beg you, let it be the basic concepts of your universe. Because in this case, one has to actively put effort into writing characters and conflict resolutions badly. And also because nothing can save bad worldbuilding.
I don't have high worldbuilding standards for Miraculous. They certainly aren't as high as the ones I had for Legend of Korra (which was a badly written trainwreck, that ATLA doesn't deserve as a sequel) or the ones I currently have for Dragon Prince. Therefore I won't be too harsh in my criticisms. Granted, I think that Miraculous has better worldbuilding and lore consistency than Winx Club for example (I haven't seen the reboot yet, so writers might have fixed their worldbuilding at least a little bit). Even though I enjoyed Winx when I was younger and some elements of this story still attract me.
Both serialised and episodic shows as well as movies to the lesser extent must have some flexibility in worldbuilding and plot because you can never be 100% sure where your story is going. Maybe, you'll get money for more seasons, maybe not. However, you must never lose sight of your basic concepts. They have to stay the same no matter what, because rewriting lore and retconning major developments every new season is not and never will be called good writing.
Forgive me for using architectural metaphors, but you need a solid foundation to build any kind of structure. Otherwise, everything falls apart.
I like to apply this logic to writing as well. When designing a world where your story takes place, you must lay a few ground rules. It's especially important if you have a magic system. What kind of ideas absolutely must exist? What kind of conclusion do you want your story to have? Does your magic system has limitations? Where is the grey area? Could you introduce new elements later on?
And I feel like the writing team of Miraculous Ladybug did not ask these questions. This may feel like I am nit-picking canon material and looking for problems that simply aren't there, but I promise that I am not. You see, things that I am about to point out only seem small at first glance. But these details are actually the source of the largest plotholes in the series. And their presence negatively affects character development, conflicts and resolutions of said conflicts.
That doesn't mean that I have nothing good to say about the magic system of the show and its elements. There are a lot of great ideas and concepts. And some of them have the potential to contribute to the delightful story.
Let's dive right into it, shall we?
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Camouflage
I have to give credit where it's due because the idea of camouflage and shapeshifting for Miraculouses is brilliant. It seems like Miraculous can't fundamentally change its type of jewellery or accessory. The ring will always be the ring but with a different ornament, colour or shape. This is true most of the time (Monkey Miraculous is an exception since it transformed into earplugs/headphones/headband/circlet) It makes sense and avoids plotholes. Grimoire doesn't have the pictures of each Miraculous in disguise for identity protection. That was very neat too. I have no comments. This concept was very good.
Also, since Marinette wore a nose ring of the Ox in "Kwamibuster" without any problem and Adrien wore Ladybug's earrings in "Reflekdoll", we can assume that you don't need to have piercings to wear a Miraculous. Miraculous just magically passes through your skin.
I'm interested to know the following. Can Kwamis recognise a camouflaged Miraculous on a person? Can the holder order them to confess the identity of this person? This shouldn't be possible for identity protection just like with Kwamis sensing each other. But more on that in later posts.
Power Levels
For a long time, we assume that there are only 7 Miraculouses. Turtle belongs to Master Fu, Gabriel has Butterfly and Peacock, Marinette and Adrien have Ladybug and Black Cat. Everything is pretty straightforward. Then it's revealed that there are more jewels and more boxes. It makes the worldbuilding interesting, but it also majorly complicates things, making them inconsistent.
Their position in the Miracle Box implies their power levels. Creation and destruction are the most powerful forces in existence, therefore they are at the top. Moreover, it makes this Box the most important, the most powerful out of all others. Su Han in "Furious Fu" calls it "Mother Miracle Box". Fox, Turtle, Bee, Butterfly and Peacock have less power than the main pair, but more than the Miraculous of the lower Zodiac tier (since they correspond with animals of the Chinese Zodiac).
1. Ladybug can create anything out of nothing (Lucky Charm, which gives what you need the most at the moment). This Miraculous can resurrect the dead, reverse the effects of the Cataclysm. The power of Miraculous Cure or Miraculous Ladybug can work in several ways:
it simply repairs the damage (puts stuff back together, heals injuries and so on)
it reverses time for the matter, restoring things back to the state they were before the destruction occurred (however, the Cure doesn't erase people's memories of everything that happened unless they were mind-controlled, frozen in place or transformed by Akuma into something else - this is an important point that I'll discuss some other time)
How does Miraculous Cure work when there are no supervillians? In NY Special Marinette just says this.
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Excuse me, what? What was that? You can't do anything when the villain is gone? What the hell?
*insert here every scene where Ladybug fixed Paris after destroying akumatized/amokized object (this action causes the Akuma victim to detransform/sentimonster to disappear - villain is gone) and purifying butterfly and feather*
It was such cheap angst. I couldn't even be upset when Adrien gave up his Miraculous, because that whole situation is just stupid. But, never mind. We aren't talking about that today.
Apparently, Lucky Charm and Miraculous Cure only work when summoned to battle a specific villain. What is the point then? Huh? You can't tell me that Ladybug has the power of unlimited creation and then say that she can't repair the damage without a special Lucky Charm that was magically synchronised with specific big bad of the week.
Ladybug also can purify Akumas. It makes sense for Ladybug to have the ability to reverse the magic of less powerful Miraculous. But this power can't be applied universally. How does this power of reversal apply to different situations where there is no evil Butterfly holder? Can Ladybug reverse the magic of any Miraculous?
The unlimited power of creation introduced in season 4 ("Mr. Pidgeon 72") is another fascinating thing. On one hand, it's logical and proves the status of this Miraculous as the most powerful. On the other hand, by introducing this power, you have created a plothole. Look, Marinette can create the charm which repels Akumas. If Ladybug can create anything then what stops her from creating a tool for finding Hawkmoth (like special glasses for discovering identities or a compass)? I mean, the show says that the power of creation is unlimited, it means that the creation of such tool is possible.
2. Black Cat can destroy anything with Cataclysm, even other Miraculous. He can kill living things and turn them into ash, but not himself. This Miraculous is supposed to have other special abilities that we don't see. And they should be equal to powers of Ladybug, both in number and in potency. Unfortunately, after 3 seasons writers didn't give us anything. It makes laughable the idea of balance between Ladybug and Black Cat.
Now, to the second tier. These Miraculouses have a singular ability, but they need a second one to keep the power balanced between Zodiac and the main pair.
3. Butterfly creates champions with different superpowers. But how does the time limit of children work for Butterfly? In theory, the countdown should start right after the creation of the Akuma since for Ladybug and Chat Noir countdown starts after activation of their powers even if they don't use them. However, if the countdown of the Butterfly begins after Akuma creation then there's no point because the holder has to stay transformed to guide their champion. The charged butterfly won't have time to even grant powers before the transformation of the child-holder drops. This issue is never explored because Gabriel doesn't have a time limit. However, I feel like it should be addressed in flashbacks of past Butterfly holders for example.
This Miraculous should be less powerful than Ladybug and Black Cat. It's often not. Some Akumas are too overpowered. Stormy Weather can move the Earth away from the Sun, Timetagger can send people through time and jump through time as well, Chat Blanc destroyed the world with a single energy blast, Miraculer could steal powers of those more powerful than her by default. These are the most notable examples. One could argue that Chat Blanc was a different case. Hawkmoth simply gave the most powerful Miraculous a boost. However, we know that even without a holder (the wildest and the most powerful form of uncontrolled Miraculous magic) Plagg's Cataclysm can't destroy the universe just like that (he presumably wiped out dinosaurs and sunk Atlantis on his own without a holder). I think that the less powerful Miraculous (Butterfly) shouldn't be able to increase the power of destruction to such a degree and give Black Cat the power to destroy celestial bodies and galaxies.
Writers want us to see Hawkmoth as the formidable villain. But it's not easy because he is less powerful than your main heroes by default of your worldbuilding. Sometimes writers make the Butterfly more powerful than creation and destruction to raise the stakes, breaking the laws of their magic system. So, how do you solve this? Let Ladybug and Black Cat keep their status as the most powerful and instead of giving Hawkmoth more magical power, make him smarter, more cunning, inventive. Gabriel is a fashion designer, whose creativity makes him a very good Butterfly holder. He has a life full of experience, he knows much more about things than the main teenage characters. Catalyst was very interesting for this very reason. Gabriel sort of discovered a cheat code to boost his powers. Show us how he experiments with his powers, how he analyses his past Akumas and tries to find the most effective ones. Maybe Gabriel tries to design Akumas that can specifically neutralise Ladybug and Chat Noir. This exploration could also give writers an opportunity to explain how the powers of Butterfly work. Can he control the type of powers he grants? Can he control the appearance of Akumas? There are many things to be explored.
4. Peacock creates sentimonsters. I remember that fans were very disappointed when the power of the Peacock was revealed at the end of season 2. I was one of them. The concept of Amoks is far too similar to akumatized butterflies. Other Miraculouses have unique abilities and keywords for their powers, while Peacock just looks like Butterfly 2.0. That glowing mask effect just adds insult to injury.
You have to start by figuring out the powers of the Peacock in a normal situation. If a holder is a good person, then how does their power work? For example, make them related to sight (because of the "eye" pattern on feathers). Maybe, Peacock grants the ability to see the several possibilities of the future, but only a few minutes ahead. Maybe, this Miraculous gives you the ability to see through someone's eyes for a few minutes (and the victim is completely unaware of the intrusion). Perhaps, Peacock allows the holder to use feathers (or tiny peacocks) as cameras one at a time and be all-seeing. These feather-spies can be destroyed by the holder or disappear on their own after some time. Such power could be devastating when used against heroes in canon.
5. Bee can paralyze. This power is pretty straightforward. Once I read a fanfiction focused on very vell done Chloe Redemption, where she fights alongside Ladybug and Chat Noir. Eventually, she grows and becomes a better person. This fic ends with an Akuma battle, where LB and CN are trapped and Akuma is ready to kill them. But Chloe uses a second power of the Bee on the villain - Miraculous Stinger. It's deadly both for the holder and for the victim (because bees die when they sting someone). Chloe kills the Akuma with a Stinger before it can get LB and CN, but she too dies making the ultimate irreversible sacrifice. I will add a link if I find it again.
6. Turtle can create a shield. I don't have much to say on this either. It feels underpowered compared to others in the second tier. Maybe Turtle can also slow down opponents (because turtles aren't the fasters animals out there).
7. Fox creates illusions and acts as their puppeteer. In order to create a balance between other powers, these illusions must hold for as long as the holder needs them to. I propose this mostly because we see that Venom of the Bee lasts very long, the shield of the Turtle lasts either until it's destroyed or the holder wants to remove it, same goes for Akumas and sentimonsters who disappear only when the holder wants them to or their affected object is destroyed.
Let's talk about Zodiac tier. Miraculous of the third tier shouldn't have the second ability like more powerful ones. These powers are the most inconsistent. Even if we haven't seen all of them yet.
8. Mouse can create many small clones of the holder. It is unclear how these clones communicate with each other and how many of them this Miraculous can create. The holder can control the number of clones. This power was very convenient in "Kwamibuster" and it makes sense symbolically for the mouse. What activates the time-limit for children? Marinette didn't have any problems with it when she became Multimouse.
9. Snake can create a 5-minute time loop and has the ability to come back in time. This Miraculous feels a bit overpowered for the Miraculous of the Zodiac Tier. The holder can reset the time as many times as he/she needs to. It's was a good source of drama and trauma in "Desperada". I was honestly surprised that Adrien was capable of fighting after spending months in a loop. But this doesn't change the fact that Snake is overpowered. You can give this Miraculous the power to hypnotise or keep the time ability but place a limit on the number of resets. How does the lyre work as a weapon? Who knows? No one!
10. Dragon can shapeshift into elements: water, wind and lightning. It has the coolest transformation words hands down (Bring the Storm and Open Sky). Apparently this Miraculous doesn't have the time limit.
11. Rabbit can time travel or jump through alternative realities, even writers aren't sure. Time-travel in this show is so badly written it gives me a headache. This Miraculous shouldn't exist just like its powers. Snake belongs to the same tier, but 5 minutes and whole centuries of time jumps aren't comparable in power levels. They are not and this is the hill I will die on. Give the Rabbit powers related to its symbolism in China like an ability to de-age people, heal them or give them a speed boost in contrast with Turtle who might have the ability to slow down.
This Miraculous is so special that its Kwami - Fluff can live separately from his Miraculous in a Miracle Box for millennia (Fluff lives in the Box in "Sandboy", but his Miraculous, pocket watch, was passed down for generations in Alix's family). This is a discussion for a separate post, however. There's a lot to unpack. We'll do that some other time. You will suffer with me but at a later date.
12. Horse can create portals. They could lead anywhere, which is pretty cool. On the other hand, this power is not very useful in direct combat, especially when it's used by a child since we can have only one portal per transformation.
13. Monkey can cause a malfunction in powers of other people. What is the point of this? This power was specifically created by writers to defeat Akuma in "Party Crasher". That's it. What if your target is not magical? How does this Miraculous work in different circumstances?
14. Pig shows people their greatest desire. Both the holder and the recipient of this power can see this desire. Chat Noir wasn't impressed in "Guiltrip" and neither was I. It's underpowered compared to other Miraculous in this tier. Also, why does the tambourine can shoot energy beams? Why?
That's all I have to say on the matter. I'll update the power analysis as needed.
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ordinaryschmuck · 3 years
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Why I (Want to) Love Tangled: The Series/Rapunzel's Tangled Adventure
Salutations random people on the internet who most likely won’t read this. I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons.
When I heard Disney was making an animated series based on Tangled, acting as a continuation from the original movie, my initial thought was, "Why?"
Sure, Disney is infamous for its unnecessary sequels of the story after happily ever after, with the many, many, many failures that follow suit. Even then, though, most of these continuations were movies that kind of have the potential to tell more of a story. But what more could be said about Tangled? Sorry to spoil a movie that's over ten years old at this point, but by the end of it: Rapunzel lost her golden hair, was reunited with her parents, fell in love, and lived happily ever after. Her losing the golden hair is the most essential part of that list because how can you do a series based on a Disney princess when her most iconic feature is gone? Then I found out that the series forced a way for her hair to come back, and my new initial thought became, "Oh man. This is gonna suck, isn't it?"
Despite the hesitation, I decided to give it a chance anyway. After all, I've been pleasantly surprised before. Things like My Little Pony: Friendship is Magic, The Mitchells vs. the Machines, and even The Owl House (yes, really), were shows (and a movie) that I didn't think would be that special. Only to find myself enjoying nearly every minute. So after watching Tangled: The Series/Rapunzel's Tangled Adventure, I can certainly say I was surprised...but it was entirely for the wrong reasons.
And to explain how requires spoilers. So if you haven't checked the series out yet, I highly suggest you do it to form your own opinion. Just keep in mind that it's a bit of a mess, but it can be an enjoyable mess...sometimes...let me explain.
WHAT I LIKED
The Animation/Art Style: The series swapping from 3D to 2D might have been the most brilliant decision anyone could have ever made with this series. Usually, when an animated movie gets turned into a show, the most noticeable downgrade is always the animation. Whether it’s not as detailed or not as fluid, it's always subjective that the movie is better animated than the series. But by switching up the styles, the contrast becomes objective instead. 2D and 3D animation each have their pros and cons, so deciding which one is better is nothing more than a matter of opinion. So by changing the style, Tangled: The Series/Rapunzel's Tangled Adventure avoids getting complaints of being a downgrade from the original movie. It also helps that the art style of the series is really unique.
The best way to describe how the show looks is that it's like a coloring book brought to life. At times, everything looks like it was drawn and colored in with crayons, which sounds like an insult, but in actuality, it's one of the best features of the series. As much as I love most animated shows nowadays, I will admit, they all look a little too similar at times. Then here comes Tangled: The Series/Rapunzel's Tangled Adventure, which tries to incorporate a whole new style that successfully sets it apart from most shows.
As for the animation itself, it's really well-made! It's remarkably expressive when required, while the movements are really fluid during the correct scenes. Sure the fighting can be a little floaty during some action set pieces (yes, those exist here), but the dialogue and comedic moments are really where the series shines with its animation. I may have problems with the series as a whole, but I give credit where credit is due for the perfectly executed effort that I see in every episode in terms of animation.
Rapunzel and Eugene’s relationship: This was not something I was expecting to enjoy from the series. In the movie, Rapunzel and Eugene were fine. They were the typical Disney couple that worked off of each other enough that it was always entertaining, even if it was unbelievable that they fell deeply in love with each other after, like, two days. They weren't bad, but they weren't anything to go crazy over.
But the writers for the series said, "You know what, let's make these two adorable in nearly every scene they're in." And they are!
Even though I don't believe in their relationship in the movie, I fully believe it here. Both characters have a large amount of faith in one another on top of having endless love for their partner. Like how Eugene knew Rapunzel would be fine when taking out an airship or how Rapunzel couldn't bring herself to say a bad thing about Eugene when making Cassandra a sparring dummy of him. It's legitimately pleasant to watch, to the point where I put Rapunzel and Eugene in my top ten list of favorite fictional couples. They're that good to me, and it's one of the reasons why I don't jump on the bandwagon of shipping the two main female characters together. I'm all for LGBTQA+ representation, but give Cassandra her own girlfriend. Rapunzel's taken, and most of my enjoyment of this show comes from her and her man. So, you know, keep things as they are.
Cassandra (Seasons One and Two): Seeing how I've already mentioned her, let's talk about Cassandra, shall we? Because when making a series based on a movie that had only four prominent characters, with two of them being comedic animal sidekicks, you're going to need to introduce more members to the main cast to write more potential stories. And Cassandra, in Seasons One and Two (I'll get to Season Three), is a worthy addition. She acts as a strict straight man (I know the irony) who interacts well with Rapunzel and clashes perfectly with Eugene on occasion. She was passably entertaining in Season One and developed amazingly in Season Two. Her growing frustrations with Rapunzel's actions lead to a slow build-up that made her betrayal heartbreaking but somewhat understandable. And as for the results in that betrayal...yeah, I'll get into that later. For now, I'll just say that Cassandra was a pleasant addition to the main cast, especially when she was a part of the main trio, and she's yet another good surprise that the writers supplied for the series.
The Songs: The songs are...not going to be for everyone. Most of them are passable yet kind of generic, while others sound like they belong on Disney Junior (Looking at you, "Bigger Than That"). But when Tangled: The Series/Rapunzel's Tangled Adventure makes a hit, MAN, it is a home run. Numbers like "Ready As I'll Ever Be" and "Nothing Left to Lose" are sung phenomenally, orchestrated well, and are songs I can listen to on repeat multiple times. And "Waiting in the Wings" is not only something I consider to be the best song in the series, but it's also something I'd place as high up on Disney's best due to how f**king incredible it is. "Waiting in the Wings" is a powerful ballad that manages to be both tragic yet inspiring on top of how well it sums up Cassandra as a character. The writers may not always be on top of their game when it comes to music, but songs like these prove that they know how to earn that Disney name.
And that’s all I have for the likes...Oh boy. That’s not a good thing is it?
WHAT I DISLIKED
It Peaked at Season One: It did. It really did.
Season One felt like the writers had a grip on what type of show they wanted: A slice-of-life series with Rapunzel dealing with the issues of her kingdom with a meager threat of these black rocks growing in the background. It was all cute and well-balanced for the most part, but that all disappears in Season Two. Because now it's sort of about this adventure, but because Tangled: The Series/Rapunzel's Tangled Adventure set itself as a slice-of-life series, there need to be these small-scale stories that intertwine the grand narrative being told. The issue is that the story comes to a grinding halt one too many times as fans are forced to sit through these filler episodes that, while not all of them are bad, still feel like a distraction. And by Season Three, the series does feel more focused while having some slice-of-life episodes added to the ongoing story instead of distracting us from it. But the writing isn't as strong, there are several plot holes in the narrative (how did Rapunzel's sunstone get into her dress?), and there is way too much time going back and forth on Cassandra's morality. They claim that she's a villain while arguing that there might still be some good in her, and they continue this train of thought for nine episodes when it really could have been settled in two. For me, it's a bad sign for a series when the first season is the best one. Because if it's all downhill from there, what's the point of even watching?
It Tries to be Epic: This might have been the worst decision the writers could have made.
Now, here's the thing: I don't mind grand epic tales of adventure and battles against demons. If anything, I'm all for them...when it's appropriate and fits with the tone of the series.
Tangled: The Series/Rapunzel's Tangled Adventure suffers a similar problem Frozen II has, in which the writers felt like a big, life-threatening adventure was the perfect continuation of a meager, personal story about the relationships of characters. It isn't. If anything, it's completely missing the mark about what the original story was about. And sure, sometimes writers can succeed in telling personal stories through grand adventures. Just look at The Owl House and parts of Amphibia. But with those shows, it's established within the first few episodes that action and peril will be a series staple. With Tangled, while there was some action and peril, it's all very subdued compared to how high the stakes got raised in later episodes in the show. Especially in the series finale.
And, I mean, c'mon. You're making Rapunzel an action hero?
Judy Hopps? Yes.
Moana? Maybe.
Raya? Most definitely.
But Rapunzel? The character who’s all about optimism and seeing the best of others. That's the character you're going to morph into a hero that fights against an evil demon laid dormant for years? Did you even watch the original movie? Yeah, sorry, but I just don't buy it.
If you want to tell an epic story that gets the blood pumping for fans addicted to adventure, go for it! See where the wind takes you. But make sure to set that tone as early as possible while also making sure that it fits with the characters. If not, the end result is a series that feels like it's trying to be something it’s not.
Eugene is Kind of an Idiot at Times: It should be noted that Movie-Eugene and Series-Eugene are practically two different characters. In the film, Eugene was more or less the straight man, as he often questions the wackiness in the world around him and keeping Rapunzel grounded in reality. For the series, most of that personality got transferred to Cassandra. Thus making Eugene's new role in the series act as the egotistical imbecile. Sure, he had those moments in the film, but not as frequently, and it really pains me when the writers really lean hard into a minor aspect of his personality. Sometimes there are moments when Eugene acts like his original self. But it's all small scenes that are spread apart with entire episodes where he has half a brain cell. I'm sure some people didn't mind this change to the character, but as someone who adores the movie version of Eugene, I can't help but feel disappointed.
The Villains are the Worst: Now, I don't mean the one-off villains that show up, cause some chaos for a bit, and disappear at the end of the episode. Those are characters with fun personalities, occasionally cool designs, and do their job as villains of the week. It doesn't matter if their motivations are laughably simple, as their purpose is to be enjoyable characters above anything else. So I actually enjoy those villains...it's the ones that act as season-long antagonists that really grind my gears.
The purpose behind these types of foes is to build up how evil they are throughout the season. The issue is that the writers try to give these characters, or at least two of them, a point. To be fair, this can work. Just look at Killmonger from Black Panther and sometimes Karli Morgenthau from The Falcon and the Winter Soldier. You understand and probably even sympathize with the logic and reasoning these characters have. It's just that their actions couldn't be farther from what you would do. The problem with Varian and Cassandra is that they have the motivation, but it's not written suitably for the story.
Cassandra is a whole can of worms I'll get to in a minute, but Varian is someone I can easily discuss for a brief time. Because while I can comprehend his pain for having his father frozen in yellow rock, I don't think turning evil is the best decision to go with that character. Because A. Everything is his fault. He blames Rapunzel for not helping him, but even if she didn't have a crisis to deal with, there was nothing she could have done to stop it. His frustrations are not only unjustified, but given the fact that this wouldn't have happened if he listened to his father in the first place, it feels like him becoming evil is too drastic of a turn. And B. Varian worked much better as a supporting character rather than a primary antagonist. He was just this hopeful, if not a clumsy scientist who wanted to prove himself, who causes minor catastrophes due to not thinking ahead. Turning a character like Varian into a villain is a bit of a misstep because if the guy acts hilariously incompetent as a good guy, it makes little sense to have him be intelligent and ten steps ahead of Rapunzel when being evil. If he were to become more serious and careful when helping the rest of the main cast, I'd consider that character progression done properly. But becoming a villain is just an overreaction.
However, none of that compares with my issues with the main antagonist of the series: Zhan Tiri. This goes back to my problems with the series making itself too epic. Because if Zhan Tiri existed in any other show, I probably wouldn't have any problem with her. She's built up well throughout all three seasons and is kind of threatening at times. But she doesn't belong in a series based on a movie that dealt with a small, personal issue where it wasn't even the character who killed the villain in the end. It was her love interest and animal sidekick. Even if Zhan Tiri works well as a character, the fact that it doesn't feel like she belongs in the show makes her too distracting to enjoy. And that's why these villains suck. If not poorly written, they don't belong in a series that should focus on small-scale issues. And if you can functionally write an antagonist that appears for only one episode but flounder with ones that show up in several, well, that's just embarrassing.
Cassandra (Season 3): OOOOOOOOOOOOOOOOOH BOY, do I have some words to express with this character. Like with Movie-Eugene and Series-Eugene, Cassandra from Seasons One and Two is frustratingly different from the psychotic IDIOT from Season Three. Basically, just take the issues I have with Varian, multiply them by ten, add them with some bafflingly stupid decisions, and you still wouldn't get how much Season Three-Cassandra frustrates me!
First off, her motivation...what the f**k were the writers thinking? The big reason why Cassandra betrays Rapunzel and motivates all of her misdeeds was that Cassandra's mother was Mother Gothal...EXPLAIN THAT LOGIC TO ME?! Because Cassandra should know what type of woman Mother Gothal was. She should know what Mother Gothal did to Rapunzel in the first eighteen years of her life. So how is Cassandra being abandoned by Gothal the central motivator to cut ties with Rapunzel, who is probably an even bigger victim in this scenario!? Seriously, Rapunzel was cut off from the rest of the world and treated as an unknowing prisoner because she was beneficial to Gothal. Cassandra was adopted into a household with mutual love and got to actually live her life. In no way does it make sense for her to be angry at Rapunzel.
Nor does it make sense that the writers try to play it off as a good thing in the song "Crossing the Line!" Sure, it sounds nice, but thematically, it gives across the opposite feelings that the audience should have. Because if Cassandra cutting ties with Rapunzel is meant to be tragic and awful, why is the music suggesting it's the best possible thing that's ever happened for the character? If you like the song, fine, but even you have to admit that it's thematic nonsense.
But, sure. Cassandra's evil now, and she considers it a good thing. Whatever. I'll take it as long as it leads to good stories...but here's the thing: In the penultimate episode before the three-part series finale, Cassandra asks a question. A question I would have never expected her to ask, despite everything that has happened in the last season. A question that was so baffling, I had to legitimately pause the episode to process the fact that she asked something so stupid. Because Cassandra, the character who is intelligent and grounded in reality, asked, "Am I the bad guy?"
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I was honestly shocked to find out she was shocked! How, in the flying, everlasting, cock-a-doodle-doodling F**K does a person like her not pick up that maybe, just maybe, she isn't the hero in this story!? Call me crazy, but endangering the lives of people you once called friends and family, dressing in black, AND HAVING A GIANT EVIL-LOOKING TOWER MADE OUT OF F**KING SPIKES aren't qualities I would give to a hero!
If Cassandra was like Thanos, a character so wrapped up in his ego that he can't even notice how evil he is, I would understand. But she doesn't have an ego. Anger, yes. But for the most part, her personality is based on having logic and reasoning. So turning her into a villain and having her unaware that she's a villain is an act of lunacy that I am incapable of understanding. I don't know who's idea this was, but whoever is to blame...you've got issues.
>Sighs<...This series isn't good, is it?
IN CONCLUSION
I like the animation and some of the characters...but that's not enough. Tangled: The Series/Rapunzel's Tangled Adventure is a mess of a show that tries to do too much for a story that should have so little. Meaning that it's a D+ for me. I want to enjoy it and give it a higher grade, especially with how much I hear people praise this series. And if you do enjoy it, all the power to you. Your opinions are valid, even if I highly disagree with them. Because for me, this is a show that I won't get myself tangled up in again in the future.
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miraculouscontent · 3 years
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(Shanghai-related asks)
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Anonymous said:
Did you see how, supposedly, the reason Marinette goes to Shanghai is bc Adrien is there. Because you know, that's a totally normal thing to do.
You know, there’s this suspension of disbelief where characters are allowed to do certain things that you’re like, “okay that’s not realistic but it’s fun so I don’t mind.”
Yeah, this is not fun.
Anonymous said:
Based on the new trailer for the Shanghai special, one of my biggest fears is that we won't see Marinette interacting with Sabine's family outside of Uncle Wang, even Sabine is nowhere to be seen in the trailer, please ZAG at least give us one of Sabine's parents, we're starving
I’m still rolling my eyes that there’s not one piece of dialog with Sabine talking about stuff related to her family, though her cheongsam is also flipped so--
Anonymous said:
Synopsis for the Shanghai Special: To join Adrien in Shanghai, Marinette is going to visit her uncle Wang who is celebrating his anniversary. But, as soon as she arrives in China, her purse gets stolen with Tikki inside, whom she needs to secretly transform into Ladybug! Without money and alone in the immense city, Marinette accepts the help of a young and resourceful girl, Fei. The two girls will ally and discover the existence of a new magical jewel, the Prodigious. Hawk Moth, also also present in Shanghai, seeks to finding it since a long time... Yea, cause Marinette still hasn’t suffered enough :p
mAriNEtTe mAkeS a mIsTakE iN eVeRY sToRY
Anonymous said:
As someone of Chinese descent, I felt extremely bothered by how miniscule the boy's , the one on the right (?) taking a picture with Adrien, eyes were when I saw the Shanghai trailer. It feels extremely... stereotypical? Not sure if that's the right word. I mean, he could just be squinting, but it still bothers me. Especially if that's their normal eye shape.
I heard similar complaints when Kagami arrived. They really stress the eye shape when it comes to someone full-on Asian (and if you’re half-Asian then you get wholly round eyes which makes no sense). It also gets weird because I feel like we have characters in the show who could pass for Asian (Mireille at least has the proper eye shape without it being over-exaggerated; I don’t remember if her skin tone is correct or not), but when characters are actually Asian, it’s usually taken to the exaggeration.
My sympathy goes out to everyone of Chinese descent who’s going to have to deal with the special. I’m literally a mish-mash of whiteness (American, French, and German) but even I know it must suck.
Anonymous said:
im tempted to watch the Shanghi special with my family, we're part chinese and have been to shanghi a few times. Then we can laugh and yell at it together, no need for show context
omg
As long as you have fun! Give it a good roast for me!
Anonymous said:
Excuse my french (pun intended) but
WHAT EVER LOVING HELL HAPPEN TO THE SPECIAL!!
Marketing.
Also the writers wanting to make sure you don’t forget that Adrien is a guy who exists.
Anonymous said:
Hi, Clarity! If you don't mind me asking, do you have any thoughts on the upcoming Shanghai special based on the information and trailers we have?
When I found out that Marinette was spending time with her great-uncle Wang, I was so excited. I was hoping that this special will be a breath of fresh air and spontaneously focus just on Marinette and her family for once. Maybe we'd explore Marinette's Chinese heritiage and learn more about her mother, Sabine and extended maternal family.
Then I saw Gabriel in which I eye-rolled 180* like any degree of character development. Like... great... more needless Miraculous lore/exposition. (Can we even call it exposition? I doubt any of the Miraculous-related events will be referenced within the show.) Whilst Miraculous lore is great and does expand our knowledge on the Miraculous, it steals any individual focus that Marinette could potentially have. It also tends to "hands everything" to Hawk Moth, who gets almost everything done his way without him even trying. Hmm, I guess as Shadow Moth, he won't have to use Mayura as his catslyst anymore. He'll have to ruffle his own feathers. (I don't know why I'm making a bird joke about Gabriel here. I hate him snd I couldn't care less about him.)
Also by reading the special's synopsis, it mentions that Adrien and Gabriel go to China for an unknown reason (maybe business related.) So Marinette decides to go to spend time with him (also spend time with Wang concurrently.) This might be a minor issue but I don't want Adrien to always be the centre focus of Marinette's motivations/desires. (He isn't always but I feel he is more than he should be.) Let our beautiful amazing girl just have an amazing time with her family in China. The writers need to stop Adrien being an integral part of Marinette's character. This special should be about Marinette (along with her family) and them solely.
Moreover, I'm worried that Marinette will imminently be embarassed/scolded/humiliated in some way. The synopsis mentions that she loses her bag (that contains Tikki.) Inevitably, she's going to be scolded for this for not being careful. The writers will blame her for the destruction that Hawk Moth will cause and not the actual man terrorising Shanghai himself. And no needless lovesquare drama please. If I'm not interested in it in Paris, don't think I'll be interested in it in Shanghai. And please do not let it be used to cause Mari/LB to suffer. Romance (no matter how contrived it is in this show) should be about finding joy and happiness. It should never intentionally be a burden for anybody, especially if it's for comedic purposes. Why am I worried that CN will yell at LB this time?
Maybe I'm just being pessimistic. I hope that the writers actually have them communicate properly about this time. Like they should both be honest (an important aspect of healthy relationships), to build clarity and to avoid confusion. Like the needless drama in NY could have been avoided if Adrien didn't ignore Ladybug and actually TRUSTED her by telling her the truth about him going somewhere instead of complacently lying to her, then losing her trust. Both could have told each other that they are going to NY "for personal reasons" without giving too much detail. To prevent suspicion, the writers could have included the American superheroes hosting an event inviting them or asking for their help to defeat that Micromonster guy. LB and CN could have both then collectively made a decision that if anything were to go wrong in Paris, they could quickly use the Horse Miraculous to transport to France in time (like Marinette was advised to do in "Startrain") or use the Rabbit Miraculous to travel back in time/manipulate events. There was no need to make Marinette suffer for the sake of needless lovesquare drama.
However, I love the animation for the special. It is mesmerising and beauitful and the graphics look superb. The atmosphere looks so clean and the nature-aspects (Hawk Moth's hideout) are intricately detailed. The lighting also complements the charactrrs and the settings' colours. A huge round of applause to SAMG for their excellant hardwork for animating this special despite the pandemic!
If you have any worries about the special, free free to do so! I want to conclude my message by thanking you so much for being such a lovely, kind, confident and resilient person. You always confidently express your opinions and strcture your essays clearly and legibly. I always look forward to reading your posts. I know I can always count on you to express our frustrations with the show's writing on our behalf and speak up for Marinette's mistreatment and inustice! 😊
Firstly, thank you! I gotta defend Marinette because we know the show won’t!
Anyway, I agree with basically everything you said. My biggest comments on it are like--
- I’m already tired of places just being used as set pieces for specials. I actually have a history of disliking specials/movies for shows because its purposes is usually just to get people hyped up, but that means big plots with big stakes and I end up thinking, “okay, but why can’t we have that in the show?” That’s always the issue I take with it; movies/specials prove that they can come up with high stakes plots, but we can’t have equivalents in the show because...?
- I officially tune out now anytime Marinette’s crush on Adrien is mentioned. It gets tiring and it just makes me feel bad for her and simultaneously angry at the writers for treating her this way. Add that onto the “Marinette always makes mistakes” rule and it’s clear that they’re creatively bankrupt and needlessly restrict themselves for the sake of making Marinette suffer. I’m just insulted that Gabriel is going to Shanghai for his fashion business but Marinette being into fashion is ignored.
- The animation is nice but whenever I see it, I’m reminded that we couldn’t have much SAMG in Season 4+5 because they were busy working on the special. The show should always take priority over some lame special/movies. I won’t judge the special for it but I’m salty about it regardless.
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appleinducedsleep · 3 years
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Never Let Me Go discussion @readerbookclub​
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Never Let Me Go is a 2005 dystopian science fiction novel written by Kazuo Ishiguro. The story is narrated by Kathy H., who describes herself as a carer (and has been for twelve years), talking about looking after organ donors. Her story often returns to Hailsham, a boarding school in England, where she grew up with her friends and where the teachers are known as guardians.
Review: 🌟🌟🌟 I liked the writing style, the first person narrative really worked in this story. It might not be everyone's cup of tea though. The theme is interesting enough, but the universe itself is underdeveloped and you finish this book with more questions than answers.
Next up *spoilers* :
For our March book club book, a new set of questions was provided by @readerbookclub (thank you!)
Is this a book you would have otherwise read? If not, are you more open to similar books in the future?  Are dystopian novels something you typically enjoy? How would you say this book compares to other dystopian literature?
I do like dystopian stories, though I don’t read them regularly and it’s pretty much all YA or George Orwell books. Maybe that’s why the stories I read were more about changing the established order. This story was not about changing anything, it was bleak and passive and nostalgic about it. 
Other people already pointed out how frustrating this mind-set is, and I absolutely agree. Perhaps because the big scandal that rocked the country wasn’t even about clones rebelling, but about genetics being used to make super-humans. The clones themselves were an after-thought, not even considered human anyway.
If you had to describe this book in three words, what would they be?
Passive, tragic, trapped.
Do you think the donors are a metaphor for something in the real world?
According to the interview, they aren’t. It’s about love, friendship and mortality. It’s easy to put some sort of meaning into it though. Whether it be organ donations or a religious theme. But it’s not. More the pity. Yet it was obvious that the universe wasn’t really thought out. It didn’t seem to extend beyond Hailsham and England, and even the way the donations worked was kept vague but inescapable.
Did the story play out in the way you expected, or did it surprise you? Which scene stood out most to you? Why?
So I actually had read this book before, but didn’t remember it. The first chapter already was familiar enough though. The more I read, the more I already knew how all the big plot points would play out. Still I wanted that referral to work out... and even that dream, the referral itself, would have bought Kathy and Tommy only three or four years. That’s how little they allowed themselves to hope.
That said, several scenes were pretty heart-wrenching and memorable, I’m picking three:
1) Ruth not knowing how to play chess, pretending she did, and then freezing Kathy out when Kathy asked her to teach her (p.53), was not even the first red flag, but it was significant. How different would Kathy’s life at Hailsham been had she struck up a friendship with Moira right there and then, instead of living for Ruth’s approval. I thought that really reflected childhood friendship though.
2) Tommy catching Kathy looking at porn mags (p.134), and realizing it went much, much deeper, though the truth wouldn’t come out until the Norfolk trip, where they would find the lost cassette (which was also memorable). Tommy was so underappreciated in this book.
3) But the moment on page 264, just suckerpunched me; Miss Emily, this fighter in the trenches, said:
“Make no mistake about it, my child, Marie-Claude is on your side and will always be on your side. Is she afraid of you? We’re all afraid of you. I myself had to fight back my dread of you all almost everyday I was at Hailsham. There were times I’d look down at you all from my study window and I’d feel such revulsion...” She stopped, then something in her eyes flashed again. “But I was determined not to let such feelings stop me doing what was right. I fought those feelings and I won. Now, if you’d be so good as to help me out of here, George should be waiting with my crutches.”
What a hero, indeed. Where do you go from there? Even your fiercest supporter flinches back from your existence.
And how does that make sense in the narrative... why prove these children have a soul at all, if you think them so unnatural? How can you say this to your two former charges, who you watched grow up, whose art you took, and comforted when they couldn’t produce any? Who exactly is the real monster here?
What did you think of the authors style? Have you read any of their books before? Would you read their work in the future?  How did you feel about Kathy as a narrator? Do you think first person narration suited this story?
The author had a way of making the horrible absolutely mundane. There was almost more emphasis on the teenage squabbles than on the organ donation. It makes sense, the writer said this story was supposed to be about love, friendship and mortality, and there was something unsettling about this creeping horror in the background.
While I mostly enjoyed Kathy’s way of narrating, sometimes it jumped around a lot. Like ‘to understand [this moment], we have to go back to [some other moment]’. Sometimes  I just wanted to understand the story about the vegetable patch without jumping through three memory hoops.
@elfspectations​ also talked about how Tommy would be an interesting narrator, and while I don’t think this story would have lend itself to multiple narrators (I’m so glad there was just the one!), it’s an interesting thought.
Would you say the characters’ personalities changed throughout the story? If so, how did you feel about these changes?  The characters were often unnecessarily mean in the way they talked to one another. Why do you think that is? Did this affect your sympathy for them?
Not until the actual donations, except for Tommy. Like Ruth suddenly became weak as a kitten, and Kathy felt bad for kicking her when she was down, but still ganged up on her with Tommy. Ruth was always the one that needed attention, the one who would lie and manipulate and wanted to be special. I can’t blame her exactly. Growing up with the knowledge that you’re just on earth to give away your organs... like I can’t blame Ruth for wanting some control in her life, for wanting to be special, to be singled out by a guardian. Maybe I’m reading too much into it, but Tommy had his meltdowns (he developed as a character though, because he mostly grew out of this), while Ruth fiercely tried to cling to control, and Kathy found safety in being the objective observer. Still, Ruth is just unredeemable after she admitted to just wanting to keep Kathy and Tommy apart, cheating on Tommy and pretend Kathy was a freak for her sexual urges. She gave them Madam’s address, but too little, too late.
So for a book supposedly about friendship, I felt the friendships were actually pretty terrible. Tommy was often the butt of the joke, even by Kathy. Something that should have been innocent teasing, often didn’t feel that way. Still, Kathy and Tommy’s friendship was the one positive note in this whole book.
If you could ask the writer a question, what would it be?
However did Ruth and Tommy end up together? I want that scene, because their relationship didn’t make any sense to me. Ruth was, of course, a terrible, terrible friend, and wanted to keep Tommy away from Kathy, but this whole thing just baffled me anyway. Everyone deserved better (and with everyone I only mean the clones).
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unfvckbls · 2 years
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   @c23intros​
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   { eyes rodgers, 21, cis-female, she + her } || EDIE SATO  is a mutant with the ability of PSIONIC ENERGY MANIPULATION. they’ve been in new york for FIVE YEARS where they spend most of their time as PHARMACIST. when i think of them, i think of FALLING STARS IN EYES , COUNTING CLOUDS IN THE SKY & DROPS OF JUPITER IN ATMOSPHERE.
   HOKKAIDO. november 17 , 1976. chihiro edith sato , is born at the height of snow season & would be told tales of being born with a frozen solid heart. she’s her mother’s first born child & her father’s fifth , with the other four residing back in his native country of jamaica. eds practically oozed charisma even as just a baby , quickly becoming her daycare’s most popular attendee , among staff & students alike.
   HOKKAIDO & MANDEVILLE. a gifted child through & through , she excelled in all aspects of her academics. staying top of her class all throughout elementary & junior high school. particularly gifted in science & maths , she was always hungry for a challenge. eager to prove that she was no ordinary human. turns out she wasn’t human at all. between both parents , they’re unsure of where eds’ gift was passed along from. not even any of her siblings from her father’s side , were gifted an ability. let alone one as perplex & unique as their daughter’s. & unlike most heard of cases of mutants devolving their powers little by little , eds was hit with the entire package , at once. days before her eleventh birthday , they manifest in the blink of an eye. an unmeasurable surge of energy expelled itself from her , causing the destruction within the radius of the playground she’d been playing at. suddenly she’s able to hear what others thought , feel what they felt, move objects & so on. it was overwhelming to say the least & at the time she had no way of controlling it. it took many trial & errors , before she was able to master her gift.
   MANDEVILLE & NEW YORK. by the time she was fifteen , edie knew her abilities through & through. it was also at this time , the sato family had decided to pack up & leave for mandeville , jamaica. mainly her dad’s idea. figured it was time for eds & her mom , to meet his other family. this is where her true character began to shine through. something no one saw coming. in the year spent on the caribbean island , her thirst for knowledge grew. festering until she left for college , in new york. edie studied medicine & chemistry , specializing in pharmaceutical practices.
   HIGHLIGHTS. edie works as a pharmacist at a high end research facility , using it as a cover to fund her own business. using her powers to her advantage , she takes stolen medication & drugs , dealing them for nearly three times their actual price. the money that’s pulled from this , is used for her own personal experiments. she wants to develop a pill that when swallowed , can greatly enhance what ability a mutant may have. even temporarily grant average humans , with an untapped ability.
   POSSIBLE CONNECTS. lackey(s). someone(s) she can easily manipulate with or without the use of her abilities , to further her study along. / roommate. couldn’t or could know about her side hustle , maybe wants to join in? / willing or unwilling test subjects. / (best ) friend(s). just because she’s got an agenda , doesn’t mean she has to be friendless. people seem to naturally gravitate towards. / hook ups & flings. eds swings literally any & all ways , if someone is intriguing enough to hold her attention , consider her attracted. / anything else we could plot out!
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kreept12 · 3 years
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So I saw a The Good Place AU on ao3, rewatched the show and I had so many ideas for a different take on it like seriously !
So here's a bunch of the ideas I had bc I'm losing my mind at this
First of all : Warning, there's gonna be spoilers of season 1 and probably 2 of the show, please go watch it it's so good and funny.
So all the class are residents, except Tsumugi and Kiibo. Kiibo is the equivalent of Janet. Welcome to The Good Place, yaddy yaddy, except there are 3 bad apples : Ryoma, Maki and Kokichi.
 Each one of them are given an identity that isn’t theirs and they’re trying to pull it off, for a while at least. When the day after their arrival chaos happen and they find themselves the only one without the “emergency suit”, Ryoma decide to tell Tsumugi and Kiibo, but Maki and Kokichi saw that he was a fraud too and kept him from giving himself away, because right now Tsumugi and Kiibo don’t know what’s causing all the chaos, but if Ryoma gives himself away, is sent to The Bad Place but chaos is still happening, they will know the other two are here. Ryoma ask them what’s their plan then, which Maki says they try to blend in. Try to BE good people. Kokichi doesn’t believe one bit of this but act like he does to convince Ryoma. And so begin their journey to becoming good people.
(more under the cut cause it’s kinda long)
Here a list of the soulmates btw (not ship, most of them are made for plot purpose)
Suichi Saihara | Kaede Akamatsu
Kaito Momota | Maki Harukawa
Tenko Chabashira | Korekiyo Shinguji
Ryoma Hoshi | Kirumi Tojo
Kokichi Ouma | Gonta Gokuhara
Himiko Yumeno | Miu Iruma
Angie Yonaga |  Rantaro Amami
But it turns out that trying to be a good person isn’t necessary instinctual for them, Ryoma is the one doing well but oh boy the other two are messes. Maki keeps menacing other people and her polite smile is so forced even Gonta knows it’s fake. Kokichi just keeps making pranks on the other residents because there’s no harm in a little prank (he just had problem adjusting to this new group and hates that he likes some of them so he pranks them so they get away from him and he doesn’t have to be vulnerable around them.) 
Ryoma ends up sitting them down after a few days and telling them they need help. So they debate about who would be the best fit. They end up with Korekiyo, mostly because he studies human and they guess moral are part of humen so maybe he knows the best way to be a good person, plus the guy is lonely most of the time, doesn’t gossip and creepily study and takes note of the other residents. 
They ask him and he accepts. He takes it as a new way to study human behaviour in a field he didn’t specialize during his life. (btw, here the characters are aged-up, they’re in their 20s so they can have more Life Knowledge:TM:). They chose to meet up at Korekiyo’s house to study because his soulmate, Tenko, hates his gut and never comes to visit; while the other three have way too caring soulmates that comes to visit them on a daily basis (Kaito being the more insistant, Gonta and Kirumi try to respect their personal boundaries but still, the gang doesn’t want to be interrupted by them, so at Korekiyo’s it is.
A little more about Tenko and Korekiyo. When Tsumugi introduced them to each other, Tenko was out of her mind. First, she’s a lesbian, second, she finds Korekiyo super creepy and has a bad feeling about him, worst than all other degenerate male she ever met (nevermind the fact that she says this every time she meets a new guy). Korekiyo is also unpleased by this arrangement, mainly because she’s a bit much for him. Tsumugi says soulmates aren’t always romantic, they can also take form in a strong companionship. Both are still skeptical when she leaves and basically avoid each other. Korekiyo also asked Tsumugi about other neighboorhood and if visiting is possible, since he would like to see his sister. 
(Little point here, I doubt Korekiyo might be a serial killer here, he might have thought about it but never acted on it. He’s still pretty fucked up by the abuse his sister made him go through, but he also doesn’t recognise it as abuse yet, part of his character arc would be to come to term with that)
So ! The teaching is... Sure going. Korekiyo is good at teaching the theory but oh boy if he doesn’t suck at practice. They’re sure learning, but it’s still a trainwreck and Ryoma is the only reasonnable person in this house. They need a person who is a good person naturally, and wouldn’t go tell Tsumugi their situation...
Yeah they take a look at Gonta and it’s settled. The man is way too nice to everyone and “a true gentleman never tells friends secret to others !”. They thought about Angie for a moment, she seems nice with everyone and alwyas organise parties or artistic activities to unite everyone together, but she’s close friend with Tenko and Himiko so they doubt she would let Korekiyo hang out with her friends. 
Gonta is not the best teacher. He tries his best, but even though he is nice and try his best to help everyone, he is also incredibly naive and can be mislead to do bad things pretty easily, which is what Kokichi proves within the first day his soulmate agrees to help them. They basically have a Insect Meet and Greet. Once Gonta understands he hurt his friends, he’s pretty sad and isolate himself. Ryoma would probably come talk to him. Gonta talks about how he didn’t act like a gentleman and he regrets it, which leads to a conversation about why he wants so badly to be a gentleman and their past life. Ryoma mentions how he didn’t have anything to live for back on earth, no family, no friends, no lovers. Gonta says he’ll make sure he does now, which makes Ryoma laugh. They grow closer after that, Gonta trying to spend more time with him. 
Meanwhile, Kokichi is onto something. Since he arrived here, he felt like something was wrong. Tsumugi keeps saying they have no idea what’s causing all the chaos and there’s no way someone got here by accident ? Three frauds in one go ? That’s not right. So he investigates, everyone. Their past, their actions, their words, he wants to know everything and understand what is really this place. He doesn’t trust anyone. So he used the Insect Meet and Greet to find more info while everyone is busy. That’s when he’ll cross path with Shuichi, because he sneaked into his and Kaede’s house. Shuichi become suspicious of him from there on and they develop a kind of rivalry where Shuichi knows Kokichi is up to something but doesn’t know what, and Kokichi likes to mess with him. He also likes to mess with Kiibo to ask them a myriad of questions about everything and nothing.
Kokichi : Hi Kiiboy !
Kiibo : Not a boy, but hi (bc hell yes nb Kiibo and maybe this whole thing was based of my want to write this dialogue down, but who knows really)
MEANWHILE, Maki ends up hiding with Kaito who has been trying to talk to her for a while and now she can’t leave him because there are insects everywhere outside. They sit there for a while, Kaito trying to start a conversation, but getting frustrated because she doesn’t talk back until they both lash out. Maki insists she doesn’t want to make friends, especially with him and not on the basis of them being soulmates or whatever. She adds that he doesn’t want to be friend with her, trust her. He asks why but she doesn’t answers. So he starts all over again, straighten up and introduce himself again. “Name’s Kaito Momota, Luminary of the Stars and totally not your soulmate.” She sniggers and introduce herself. They chit-chat for a bit and once the insects are gone, they leave. They say goodbye and Maki avoids him a bit less after this. 
The day after the Insect Meet and Greet, Kokichi arrive at Korekiyo’s home earlier than the others. He brags about how much of a shame it is that Gonta won’t work with them anymore, really it’s too bad. Except that when Ryoma arrives with Gonta in toe, his eyes are the size of saucers. In the days following, Kokichi still tries to use Gonta and make the giant hate him, which is slowly irritating Ryoma. He asks him why he keeps trusting Kokichi after everything he’s done, but Gonta says he believes Kokichi can become a good person, it’s actually the point of everything they’re doing. After a while Kokichi expends his pranks to the other frauds and Shuichi. That’s when it clicks for Korekiyo who goes to talk to him in private. He tries to ask him why he’s trying to get everyone who is close to him into hating him. Kokichi denies everything, just says it’s fun. Korekiyo just tells him it’s not doing him any good and they won’t hurt him if he let them get closer. He still prank them all, but it’s less mean. 
There is also a point where the group wonder if Miu isn’t a fraud too because of her loud mouth. She’s super annoyed by the automatic swear words blocker. She’s so loud and don’t get along at all with her soulmate Himiko who finds her exhausting. 
Also at some point, after Korekiyo began to understand that he was abused by his sister, Tsumugi reaches out to him. She give him a letter from his sister. She tells him visiting is not authorised yet, but she managed to negotiate postal communication just for him. He doesn’t take it well. At all. He has a mental breakdown, having flash-back and being terrorised of what to do with this letter. He doesn’t leave his home anymore and doesn’t answer to anybody, the group can’t have class with him. Everyone is getting worried and ends up asking Tenko for helps. They don’t really think he’ll talk to her but they really tried everything else. Himiko slides a word in their favor and Tenko agrees. She goes to the house, knocks and tells him to open. He doesn’t. She stays in front of the door for a while. After a few hours, Korekiyo finally asks what she wants. She says she wants to make sure he’s not dying or something. He says she heard his voice so now she knows he’s not dead, she can leave. But she doesn’t. She asks him to open the door, that it’s typical degenerate male behavior to lock themselves up and not face their emotions. She’s about to say he’s an idiot for making everyone worry like that, but the words die in her throat as the door opens and she sees her soulmate. He’s a mess. He lets her in. He sits down on the floor, she follows. After a few minutes she asks what’s going on. He tells her about how he recently found out what he always believed was false and maybe someone he cares a lot about actually hurt him a lot. He talks about his sister, about what he thought. He says he was wrong but don’t go in the details, he can’t for now. He cries and lose his composure again, which rings a billion alarms and raise his sister voice in his mind. Tenko instinctively reach her hand out and tries to stroke his hairs in a reassuring paterms. After a while, he calms himself and show her the letter, tells her he doesn’t know what to do. She takes it, rise to her feet and help him up. She goes to the chimney, light up a fire and give him back to him. “You don’t have to worry about this if it doesn’t exist anymore”. He let it falls into the flames and they both watch it burns until they are only ashes left. 
Korekiyo still needs some time, but he slowly let the other back. Tenko also go to talk to Tsumugi, telling her to cut the postal communication thing. She seems disapointed but agrees. 
After that they both start to get better. Tenko slowly try to have a better view on guys, she understands maybe not all of them are bad, like all women are perfect. Korekiyo is slowly opening up to others, slowly trying to move on from the abuse. It’s slow, for both of them, Tenko stops calling guys degenerate, but keeps the male, Korekiyo drops the hat, but keep the rest of the uniform. They’re making progress and supporting each other in little ways. 
Maybe the cast of Danganronpa 2 can be the demons (you know bc of Ultimate despair and all, and maybe the survivors of the game can be the demons that would end up agreeing with the humans) but I didn’t thought too much on this.
ANYWAY that’s a few things in my mind. If some of you are interested I’ll probably answer questions about it or post more if I have ideas. Maybe draw, who knows ! Hope some of you liked my ideas
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ryuichirou · 3 years
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Hi, Ryu❤️ Hope u’r doing well❤️
Since u’r talking about ships lately, I’m really curious to hear your opinion about Aru//Ani, its execution, development and progression throughout the whole plot👀, if it’s not a problem and especially if u have the time to. Its shippers claim Isym has been doing a great build up since FT arc (???) and that, despite the lack of development onscreen, the dynamic makes sense (???) cause they “complete” each other and they learnt how to “love and respect” each other throughout the past 4 years (???!!!).
And... I don’t know, Ryu: I really tried to consider their pov, even reread the A/A interactions and look at the dynamic with shipping goggles on, but I really failed to see and understand what they claim. Actually, I keep seeing this dynamic as insulting not just for Armin and Annie’s characters in first place, but also for Eren, Mikasa, Hitch and Berthold. Moreover, it seems nothing but an addiction made out for fanservice, cause it serves absolutely nothing to the plot: if u cut their interactions post 131ch, the story wouldn’t change in the least. Also, their interactions weren’t even that romantic and weren’t focused at all about their supposed “crush” for each other. I personally believe Armin is using Annie as coping mechanism and/or just a mean to substitute Eren; whereas Annie is substituting Armin with her father, cause she feels adrift and desperate, and seeks for someone who cherishes her and appreciates her for the person she is no matter the harsh things she did in the past (I’m crying for Hitch in the mid time....). Other than that, I’m believing also in Berthold’s influence on Armin, cause it’s the only explanation for the sudden interest of boy towards girl, that happen to begin exactly after he ate Berthold: it can’t be just a coincidence imo.
So yeah, at the end of the day, I’m pretty sad cause I used to love both the characters and now I’m much conflicted atm, cause I see nothing but a huge derailment for both and a waste for Annie’s one, who’s developing literally over a love interest... And it’s a very huge pity to me.
Sorry for the big ask, lol... I have this weight on my chest and I confess it’s actually ruining my love for SnK: I feel like everything after 131ch started sucking pretty hard... Plus, the fandom became more toxic than ever😔😔😔
I was waiting for someone to ask me about them eventually, and honestly... Anon, you're such a big mood lol
You’ve guessed correctly: I don’t like AruAni. Not because we personally don’t ship it, but because it doesn’t make sense and (for now) it’s unclear what it the purpose of this storyline and if there’s even going to be a purpose. I don’t recommend anyone shipping them reading my reply.
Basically, Anon, you’ve described everything perfectly, so I’m just going to agree with all your points. I also don’t see a reason for Armin to have this type of love for Annie. I see a coping mechanism, I see something to escape to from the Eren problem, I can even see a self-punishment of sorts, but I don’t see that sweet crush we’re led to believe is there. See, Armin didn’t even know Annie that well. They talked like twice, and then the Female Titan thing happened, and then… he was talking to her for years, but he still never learnt anything about her. How can he love her if he doesn’t even know who the fuck Annie is? And yeah, it’s convenient Bertold timing, I wonder if it’s going to come up later.
We feel like it’s unfair to other characters. It’s also extremely unfair to Hitch that’s also been here for Annie for all those years but didn’t get the special treatment for some reason. Like... their reasoning would be pretty much the same, they could’ve made Hitch her love interest for all the same reasons.
It’s unfair to Annie herself, because, based on what we know about her, she’s drawn to stubborn idiots going against the flow. Because she herself could never do that. This is the point of her character: she could never stand against what people asked her to do, even when she knew it was useless or wrong. This is why Eren intrigues her, this is why Marlo intrigues her.
Of course I’m biased here, and don’t get me wrong: I don’t see EreAnnie becoming a canon thing either lol and I talked about how I don’t care about ships being canon in general a bunch of times already. I’m saying this as an example of a dynamic that actually... works for her type of character. But all the development Annie’s got was kickstarted by Eren being interested in her fighting style and being the first person who legitimately interested her on this island (and who was interested in her too to some extent, at least interested in something she was proud of and deeply loved). She also deeply appreciated it, they had funny dialogues together, and he was the first and only person she had flirted with, which is a huge step for a character as shy, distant and serious as Annie. Seeing her now blushing for Armin looks like a joke when you keep these things in mind. You can listen to his stories all you want, but it’s strictly one-sided. And, like I said, Hitch can also have the same chances with this type of logic. Their pie-eating scene has more chemistry than all AruAni moments.
The “good person/bad person” dialogue with Armin doesn’t feel like a development to me because they were just mirroring each other’s thoughts, so it’s like talking to yourself…
Ok, that was a little bit off topic lol. But yeah, this is why for now we think that either there will be a twist of sorts (i’ll take killing Armin as a twist) or the editor just made Isayama push this narrative, since Isayama doesn’t strike me as a type who likes romance that much or ships his own characters, plus he used romance for proving the cruel world motif so many times already. Or this is just exactly what it is, a last minute het romance, and we’ll end up sitting there like bitter losers being all upset, Anon haha
The fandom’s always going toxic and pretty feral as soon as het couples pop up, and in general huge fanbases mean nothing good unless you want that sweet clout to make money or get attention, so the only thing I can advice you is to distance yourself from them so that it won’t ruin your SnK experience even more. I don’t know you or your feelings, but I think you’re just upset about AruAni thing, this is why the manga sucks to you right now (well, you basically said it yourself, if I got you correctly). And that’s fine and we’re annoyed by this thing a lot too, so we can definitely understand this sentiment. Personally, we pretend like this bs romance never happened so it won’t ruin our experience, and we’ll see what to think about it when SnK is over. Like, what if it’s just a plot device and we get ourselves worried about nothing? I wanna believe that... :”)
And can I just… use this chance to say how frustrated I am that the majority of Annie content there is is either AruAni or BerAni (or the trio)? It’s like she isn’t important when she’s not in the context of those relationships… It upsets me a lot.
Let me just say this… Reiner had more development with Annie than Armin and Bertolt combined. There, I said it. And Reiner’s fucking gay.
Overall, we’ll see how everything plays out, and then you can come again to us and we’ll bitch together lol
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ikuzeminna · 3 years
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Why I love Gundam Wing and hate Frozen Teardrop
With Frozen Teardrop being the first new thing released in the Gundam Wing universe in ages, I feel I should make my stance on it clear, seeing as I’ve read (and by now thankfully forgotten) a large chunk of it.
So, what do I like about Gundam Wing? I can say without lying, almost everything. I like the story, the characters, the themes, the designs and the music. I like its humor, its subtlety, the fact that everyone plays a role and that there's no definite bad guy (nor good one for that matter). I like its dynamics and how you can view it any way you want, e.g. the Gundam pilots being heroes or plain murderers. And I like that you can and even must dig to understand things. The whole composition really works for me.
And what's best is that this entire composition makes Gundam Wing more; it makes it unique. I grew up with classics like Dragonball and Sailor Moon, the forefathers of the 'Idiot Hero' archetype for both males and females. Even to this day you see series featuring these types of main characters. Classic scenario of a naive yet pure kid growing up to become the savior of the world. We've all seen that.
It's why Gundam Wing is so special to me. It has a completely atypical setup and there's absolutely no stereotype I can apply to any character, no matter what TV Tropes may say. Heero is hardly your typical hero, is he? Heck, Heero is hardly a typical anything. What's more, Gundam Wing doesn't follow the 'growing stronger' plotline that, for example, the original MS Gundam or Seed series used. No, Gundam Wing starts out with fully trained soldiers who can kick your butt from episode 1 and will kill you without qualms if the situation requires it. (That's not to say that the characters don't grow, it's the physical growth and capabilities I'm talking about.) What's truly surprising about that is the age of the characters. This is another important point. Gundam Wing and realism. Many times I hear that GW is realistic. I'm sorry but no. Teens fighting against armies isn't realistic. Teens leading said armies isn't either. Neither is bending steel bars, nor surviving jumping off cliffs or blowing up your suit, nor successfully back-flipping from a motorbike onto a clothesline, nor becoming the Queen of the World as a teen, nor stealing a MS carrier plus suit at the age of ten, nor walking around with bazookas at the age of ten nor what have you. It's safe to say that Gundam Wing lacks any sense of realism. But it does not lack logic.
Realism never was Gundam Wing's aim to begin with. The way I see it, it's not just the plot or circumstances that prove this, but also the "inhumanity" of the characters. Would a real person with a similar background as Heero, Duo or Trowa really exhibit such selflessness or noble-mindedness as them and risk his life for strangers by fighting a war that could end in their death? I don't think so. Would anyone as sheltered as Relena give up her lifestyle, have the guts to go against the world's armed rulers with just words and put her life on the line for the sake of others? Hard to believe.
And that's it. One of the things that contributes to Gundam Wing's uniquity and is therefore a, if not the, defining trait of the series, is that it doesn't tell the story about angst-riddled terrorists and princesses, but a tale of heroes. The characters are ridiculously noble, strong, selfless, courageous, determined, make the impossible possible and still retain a certain purity, despite having gone through hell and back. It's what makes them so awesome. It's what makes the series so awesome. Duo isn't badass because he fights in the war. He's badass because he fights "so that no one else will have to" and when you see what he went through, you can only say "wow". Lady Une killed Relena's father and when Relena is given the opportunity to take revenge, she declines, saying there's been enough bloodshed. That's role model material there. Something that is sorely lacking in a lot of shows nowadays. And something that a lot of people seem to miss the point of (I'm referring to those that call the pilots wussies for not killing in EW).
All of this is the reason I hate Frozen Teardrop with a passion. Forget the nonsensical, recycled plot or the billion clones of everyone or the terrible mobile suit names like Snow White or Merciless Fairies. Forget Treize getting French’d by his mom or the Zero System being a digital cat or Relena’s grandfather being a disgusting ephebophile. That stuff is messed up and random and dumb and I have no idea what was wrong with the author at the time to write this.
It’s also that he completely destroys the essence of the original series, making every single characters whine about some drama and the never ending “woe is me” monologue I had to wade through every chapter.
Let’s take Duo, for example. He woke up one morning and decided to become an irresponsible, gold-digging bastard. To get Hilde’s money, he agreed to her terms to cut his braid off and get a “proper” name, just to buy himself a motorbike with their joined assets. Then he inherited a church plus orphanage, which Hilde got stuck with, too, being his wife, and when she asked him how to fund the orphanage, Sumizawa wants me to believe that Duo freaking Maxwell was just “Eh, whatever, leave them to it. I’m out” before taking off? Excuse me, what???
I’ve had discussions with people about this and there were statements that maybe more people just need to learn how actual manic depressives and people with PTSD act in relation to Duo's development in Frozen Teardrop. I've noticed a tendency for people to want to apply realism to Gundam Wing, especially in fanfics, but as I said before, Gundam Wing and realism don't have anything to do with each other. So why should I apply it?
What I expect from anything featuring Gundam Wing's characters is the same "heroic" behavior that was displayed in the series. Sure, the pilots each had a mental burden to carry but it wasn't what defined them. For example, Trowa's insecurity about not having a name or yearning for a home never became the main focus unlike his endless selflessness. And Heero's bitterness about the colonies' betrayal was well hidden under his joining the Treize faction to be able to keep retaliating against OZ. A noble deed to fight on but was it really necessary for him to go for the missions with the lowest chance of survival?
As I said, Gundam Wing is unique because it is atypical. That encompasses pretty much everything; you have bloody murderers in the role of the 'heroes', noble, honorable 'bad guys' who value life and the ever flashy Gundams that can't even begin to compare to non-flashy Relena's influence and importance to the plot. So why on earth should I go along with Duo and Wufei bickering like kids, like characters from five million other series do? I want my uniquity. I'm not saying that it isn't a possible outcome for Duo and Wufei to become bitter and bicker and argue and not be able to stand each other when they become adults. But considering those two could get along splendidly, it's a letdown. Duo and Wufei are very much alike; they both lost people important to them twice, they both fight partly out of revenge and their loss has had the biggest impact on shaping them into what they are in the series, unlike the other pilots. Heck, they both wear their respective culture's colors for mourning. Despite that, their personalities (or ways of dealing) are exact opposites. It's enough to make for a more interesting relationship dynamic between them than what was done in Frozen Teardrop and a lot of Gundam Wing fanfics.
Heero's regression is the same. He was frozen because J said something to the extent of "a guy like him would be needed in the future". How J is even alive is another point of unnecessary addition. But what would a guy like Heero be needed for? Killing, apparently.
Way to ignore the ending of Endless Waltz.
I guess it's partly my wish for Heero and everyone else to live a well-deserved 'happily ever after' which makes me have such a knee jerk reaction to all the drama. That and the fact that there was nowhere near as much drama in Gundam Wing. Nor sap, nor stereotyping, nor "realism". >_>
This grated on my nerves, which was why I dropped Frozen Teardrop like a hot potato and haven’t bothered since. This novel does not only fail on a general level with all the random, messed up crap and terrible pacing, it also fails to satisfy the Gundam Wing fan in me because Sumizawa, the very head writer of the show, also ignored major character traits on top of everything else. Why would Catherine, who stated that she hates war and did everything she could to keep Trowa from fighting, train his clone to become a soldier? Why would Duo become that deadbeat I described above?
Being the sole writer of Frozen Teardrop meant he could take as many creative liberties as he wanted. But in the end, he took too many, which in turn resulted in so many inconsistencies with the series that Frozen Teardrop now takes place in an alternate universe, in which not the series but the manga Glory of Losers takes place. Which is the sole reason I’m not bothered by Frozen Teardrop’s existence anymore.
There were some good passages in the novel, it wasn’t all bad. The battles with the new characters were exciting at times, I’ll be honest, but even those couldn’t be called genuinely good because of the carbon copies deal. There is always some blemish. Like Heero’s proposal to Relena. I’ve seen fans of the pairing rejoice at the scene. Alas, I’m not one of them because frankly, the characters in the novel hardly resemble the original ones. So I don’t care.
As the head writer of the show I had expected him to treat the source material with more care and not run it over with retcons and meaningless additions. Best example being everything surrounding Odin. The world could've definitely done without him being Heero's father. Or freaking Trant being related to him.
But again, alternate universe so who cares.
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fly-pow-bye · 3 years
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DuckTales 2017 - The Absolute Best!
After doing the least best this series has done, it's time for a much, much harder list to put together: the absolute best episodes of DuckTales 2017. I am not going to lie: this was hard to put together. Anyone could guess that based on how I once planned to have this list alongside the worst list and that did not happen. I can also see myself forgetting about other really good episodes of this show. However, after days of pondering, I believe I have a good list here.
Same rules as the last list.
It has to be an episode of DuckTales 2017. No shorts, even if the shorts combined can make up a full episode.
With this list, I have to say something bad about each of these episodes. Not necessarily the worst part of the episode, but a bad part nonetheless. These are going to be more nitpicky, but it is only fair to prove the constant that there is no such thing as a perfect piece of media and it is a decent challenge for me.
This is my opinion and my opinion alone. There are episodes I didn't like as much that a lot of people did. The last list should be a huge hint at that.
Alright, let's begin.
10. Jaw$!
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I mentioned this episode in my Least Best as the better example of the show establishing the relationship between Lena and Magica De Spell. It establishes Magica De Spell better than either of the episodes that featured her before this one. One was a tease put in the very last minute of the episode to show how Lena is going to be far more important than the "cool new goth girl", and the other was the Terra-Firmians episode that used her as a way to improve what would otherwise be a not-so-good filler episode. This one is a far better example, and it's not just because a money-shark is a lot more interesting and threatening than a bunch of cutesy rock creatures.
It also has a B-plot about Scrooge's Board of Directors scheduling an interview to improve his PR, and hilarity ensues when Scrooge has to defend his zillionaire antics when a shark made of his own fortune is causing havoc throughout the town. Glomgold also makes an appearance during this, which only makes it better. Along with some neat Jaws references along the way, this is not an episode to miss.
Bad thing: They really did not want to mention the obvious plot hole of the kids being able to go into the money bin. This was long before F.O.W.L. began their plans against Scrooge or even the 87 cent problem, but still, one would think this would be one of the most highly secure places at Killmotor Hill considering all of his enemies. Considering I didn't particularly love the Impossibin episode, as much as I love the idea of it, it might be for the best.
9. The First Adventure!
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Going from an arc from season 1 to an arc from season 3, though some may argue the F.O.W.L. arc has been happening since season 1. Anyway, this is an episode that brings back the younger Donald and younger Della that was first seen in "Last Christmas!" in their first adventure with their Uncle Scrooge. It's very interesting to see the similarities between their first adventure with Scrooge and the first adventure with Huey, Dewey, and Louie.
Even though this does give good development to the arc, arguably even bigger characters in this episode are Bradford Buzzard and Black Heron, as this episode details the origins of the Fiendish Organization of World Larceny. Their antics throughout this episode are very entertaining, with the plot toying with the dynamic of the more chaotic evil Heron and the more lawful evil Buzzard. With all it all ties together, I had to put the First Adventure on this list.
Bad thing: The sense of time in this episode is odd. We get a title card showing that it's the 60's in the opening scene, and yet there is very little suggestion of any passing of time between the opening scene and the scenes that I assumed took place in the 80's.
8. Quack Pack!
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It would be too easy to just put in episodes that are important to any of the various story arcs that went throughout this series, so here's an episode that could be taken out of the series without harming anything. However, it is still a very memorable episode of the show, where the cast of characters have to be in this weird sitcom. There's also a mystery element, as there is a culprit to why these characters are in this sitcom world.
I really like the whole meta element, with the characters picking apart all not only the clichés in sitcoms, but sitcom production as well. I also really appreciated the "special guest", another sitcom staple, being a character from a different Disney Afternoon show with some great references to it. Quack Pack turns out to be the antithesis of the show it was named after; it's not dated, it's really funny, and it realistically portrays how freaked out these characters would be if they saw those weird hairless apes.
Bad thing: I wish they did more with the concept of this world being made up by someone who was locked away from the world since 1990. Maybe not references to the era of Disney that gave us "Gotta Be Gettin' Goofy", but more jokes about how the 90's were different from now. They kind of ignore this, as if they only mentioned 1990 because of the DuckTales movie they were referencing.
7. Last Christmas!
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Wait, a Christmas episode in a Top 10? I have my reasons for including this one. It's not just because the idea is pretty great, as it uses the very tale that inspired Scrooge's entire character in the first place. Obviously, we already had one of the best cartoon renditions of A Christmas Carol, and this episode does not try to recreate that. Instead, we get a different tale, mostly featuring Scrooge and Jiminy Cricket, er, the ghost of Christmas Past, going back to the past to experience a good Christmas party. If only we can do the same, like Dewey accidentally does in the episode.
This was also the first time we also got to see a young version of Donald, who, in this episode, is voiced by none other than the late, great Russi Taylor. It was almost like having one of the siblings from the old show interact with one of the new ones. This is also the first time we got to see and hear her outside of a painting, and it's heartbreaking and yet understandable when we get to the scene where Dewey has to say goodbye. It's a good scene, and they weren't afraid to even throw in a joke that does not ruin the moment.
Bad thing: No, episode, this is the Scrooge they were looking for. Were they trying to make it seem like Scrooge was always a hero and not a miser who would deserve getting three ghosts to visit him with that line? I don’t buy it.
6. The Ballad of Duke Baloney!
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Got to pay some respect to Scrooge's arch-rival with an episode that really shows off his character, which is a bit ironic as this is an episode about him getting amnesia and getting a brand new, at least to us, persona named Duke Baloney. Amnesia episodes tend to be a dime-a-dozen, and anyone could predict this new persona is not going to last, but the way this episode develops is actually much more interesting. This is the episode for Glomgold character development, with dream sequences, flashbacks, and a great scene in the ending that takes place in a storm that he may or may not have made up in his head. I may not have given a lot of his episodes high-rated reviews, but this is easily not only one of his best appearances, but one of the best episodes of DuckTales 2017.
Bad thing: The dream sequence really subtly implies that Duke Baloney is about to become Glomgold again. How? By having him outright say "this gold, it's GLOOMING onto me!" ...okay, I'll admit, that was a stretch for a bad thing, but with a dream sequence with subtleties, that took me out of it.
5. The Last Crash of the Sunchaser!
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I called this episode "the best episode of the series so far" when I reviewed it, a pretty late episode in a season with lots of good episodes, I would say that's a good sign that this one was going to be a shoo-in for at least the Top 10. What I love most about this episode is that it gives a little more humanity to the legendary Scrooge McDuck. Sure, this was shown a bit in "Woo-oo!" and "Mount Never-Rest!", but I felt this episodes was one of the best examples of that. Throughout this episode, he sees himself as this legendary figure, as everyone sees him, and he ends up failing to live up to those impossible standards by crashing in a plane in a way where they may not survive.
Much like Quack Pack, there's no traditional villain like Glomgold or Magica. Eventually, this leads to Scrooge finally bringing up his biggest failure: his loss of the Spear of Selene and a certain relative that was piloting it, and it is one of the biggest emotional moments of the series, both in and out of universe. It's one of the most important episodes in the series, and it is also one of the best.
Bad thing: The Last Crash of the Sunchaser is a neat title, but it doesn't really fit the episode. The Sunchaser will certainly crash again. At most, maybe it could be referring to Scrooge crashing down to the lowest point he gets to in the series, but that's not the Sunchaser's fault.
4. Moonvasion!
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My big hot take: the season 2 finale, the best of the season finales in my opinion, is not the best episode of the series. However, it is very close. It's actually kind of funny; I had plenty of criticism against the build-up to his finale, especially the Louie Inc. plot that led to an episode that was just kind of lackluster to me, and of all the, some alien commander from the Moon who thinks the Earth revolved around his "planet" wasn't exactly as threatening as an all powerful witch or the scheming businessman who knew Scrooge's every move. Okay, when I put it like that, the alien does sound more threatening, but trust me, even Bradford had his moments.
The biggest thing about this episode is the sheer scale of it. It really did feel like every major player in the series had a part in this, from Scrooge and the nephews, to Dijon and Amunet, to the new Darkwing Duck, to Donald and Della, to even the Greek pantheon! Oh, and Glomgold, too, in what may be his finest moment in the series! It really does feel like a finale for the series, and I say this even if I felt The Last Adventure was a great one as well.
Bad thing: In hindsight, this would have been a good time for the Terries and Fermies to come back. They're in the earth! That episode wasn't bad because of them.
3. Let's Get Dangerous!
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I'll tell you a secret: I did not watch Darkwing Duck as a kid. It was just DuckTales '87, and even then, I did not remember a lot of episodes of that. This show was made for people who did not grow up with DuckTales '87, because they were not even alive. Though there are parts of this episode that can be appreciated by those who were familiar with the heroes of the Disney Afternoon, I will still say this episode works very well as its own superhero movie. That is what it is, really!
This special is the true continuation of another episode, though we saw this defictionalized-within-the-fiction Darkwing Duck in the Moonvasion, and it may as well be a pilot for a Darkwing Duck reboot that spins off from this show, with its villains, its origin stories, its sidekicks, and its memorable catchphrases. It all works very well. Who knows where the new Darkwing Duck reboot will go, though I would at least imagine that they would eventually get to certain Darkwing-related plot threads that never got resolved.
Bad thing: Outside of using a few cliche moments to extend the episode that end rather predictably, in the attempt to make Darkwing Duck as cool as he wants to be, the regular cast essentially become jobbers in their own show.
2. What Ever Happened To Della Duck?!
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It's the question everyone wanted to know ever since Dewey said the last line in the first episode: what ever happened to Della Duck? This is one of the more artsy episodes of the show, focusing on one duck on what she assumes is a barren moon until she finds a monster that seems to do nothing but impede on her quest to get someone to save her. It does heavily expand from there, to the point where we get to see some more new characters, one who I thought was going to be way more important than the other. I decided to call that guy "General Not Penumbra", and that name could still be fitting as an insult.
This episode would be made or broken by how good Della is, and this is a very good episode for her first voiced debut as an adult. We did get to see her in the IDW comics, but this episode is where her character is developed. Throughout the episode, she has elements of her kids and especially her brother Donald. While there are future episodes that develop her further as a mother who wants to make up for all of those years she missed, one of the biggest defining moments is right in this episode, where she sings a version of the Capcom game's famous moon theme. An amazing episode all around.
Bad thing: Do I have to? Uh, flares do not work on the Moon? No, seriously, I can't think of anything worse than that.
Honorable mentions from each season:
The Shadow War! - An excellent way to end Season 1 that would only be topped by the Moonvasion.
Nightmare on Killmotor Hill! - A dream episode that really works with the concept, especially how Lena is the one involved with it.
Double-O-Duck in You Only Crash Twice! - This is an action packed episode where Launchpad really shines.
And now, #1:
1. The Duck Knight Returns!
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Yes, I decided to put the prequel episode to Let's Get Dangerous as higher than the big Darkwing Duck episode, and part of this may be a little bias on my part. While it was not the very original intention of it, Fly Pow Bye started as a project to review a reboot, so of course an episode about Darkwing Duck, a fictional show within the fiction, getting a dark and gritty reboot would be right up my alley. We have Launchpad, a Darkwing Duck superfan, reacting to how they're going to ruin Darkwing Duck. We got the conflict between what the big studio execs wanted Darkwing Duck to be and Dewey's version of it. Finally, we have the conflict between Jim Starling, an obvious reference to original Darkwing Duck voice actor Jim Cummings who is even voiced by him, and his replacement, who appears to be some guy named Drake Mallard.
A lot of these plots converge in very interesting ways, with plenty of twists. Drake Mallard, the guy Launchpad was trying to replace with the original, turns out to be very worthy of the role by also being a superfan! Dewey's version has dancers, just like that Batdance music video! Okay, maybe that last one isn't that great, but it does not overstay its welcome. And, of course, Jim Starling ends up causing a huge cliffhanger that, despite the show being over, we will still be hanging from. We can only wonder what was going to come next, but I do not have to wonder what the best episode of DuckTales 2017 is.
Bad thing: I can't really think of a bad thing for this episode, but I can say that it is odd that there's no real transition from "TV character" to "real hero". It does help that it's not the TV actor that ends up becoming Darkwing, but "fanboy of TV character turning into a real hero" is just as much of a leap, even with an incompetent hero like Darkwing. I would also consider the show never following up on this episode's cliffhanger a bad thing, but that's not this episode's fault.
How does the whole show stack up?
It is an excellent modern take on the Disney Ducks. Opinions may vary on how this will compare with the original, since it is very much a modern take, with a different style of humor than the one from the original or the one in the original comics. Anyone who loves shows like Gravity Falls will be right at home here. Any fan of the original comics or the original cartoon may balk at some of the creative decisions made with the characters, but I would say it pays some good respect to them.
Oh, and before anyone asks, no, I am not going to give a rating for the whole series. I've already imposed a 10 image limit on myself, and since I grade on a relative scale, the average is always, in theory, going to be in the middle. It's a good show, that's what you're going to get from me.
And that's it for DuckTales 2017. Hurrah for Disney and Clan McDuck. Bye.
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