Tumgik
#idk who post about it i'm sorry
incorrect-whos-lila · 7 months
Text
Tumblr media
i don’t think this post ever made it to tumblr despite me laughing hysterically every time i look at it so here it is for posterity’s sake lmao
also hi it's mod's birthday today :)
642 notes · View notes
nyerusnova · 8 months
Text
Glad to see that Tim being a giant Dick Grayson fanboy is finally being highlighted again, and sparking more discussion especially on their early relationship! (Please gimme more!!! I love them so much, augh!)
Probably as a result of that surge, there seems to be reciprocal chatter on the topic of how young Tim actually felt towards Jason, too. It's honestly pretty interesting, because it's more nuanced than it appears at first glance.
Which means it's very fun to dissect! ✨
There's a degree of subjectivity to keep in mind, because readers are going to have different interpretations of the same scenes, or will pull from entirely different scenes than one another to form their individual view on this topic. That's just how it is in comic book fandom, for many things! Regardless, in this case... if the scale ranges from the extreme of "Jason was Tim's Robin" to the other extreme of "Tim actually hated Jason [as Robin] or thought he was a loser that got himself killed" — the actual truth is closer to the middle, as is often the case.
At least, in my opinion.
Mainly I want to focus on those relatively early days with this post, to highlight Tim's initial(-ish) feelings towards his heroes, and touch on the point at which they really begin to change. This turned into a very long post, though. Brevity is beyond my skill, so grab snacks and water lol. Transcripts for each image will be posted at the very end under the cut.
So, the two storylines I want to cover are "Rite of Passage," which is rolls into "Identity Crisis." (NOT to be confused with the major crossover event "Identity Crisis™" which came years later, and is where Jack Drake dies.... But it sure is an interesting coincidence that Tim deals with the loss of each parent in two similarly named stories!) These take place before Tim is even Robin, and I'll be considering them as one arc for this post.
Tumblr media Tumblr media
Detective Comics vol. 1 #618 (July, 1990) -- Pages 1 & 2
"When Gotham needed him, he was there. When the Batman needed him, he was there. He was a hero."
"One day, I'll be as good as Jason. One day I'll wear the suit."
To start off, we have this opening from "Rite of Passage." Tim is still in training here, mainly helping Bruce with minor stuff from the cave. His parents are off traveling, alive and well as of these next few pages. He's still bright-eyed and full of wonder. An extraordinarily weird but ultimately innocent kid.
So his view on Jason is positive and fairly simple: a hero, and someone to look up to as Robin. Clearly, Tim here doesn't think Jason was deficient in his role, either as a protector of Gotham or as Batman's trusted partner.
Moreover, Tim already held Dick in very high regard because he was amazingly skilled before he became Robin. To Tim, that's not something he'll ever be able to achieve. Meanwhile, Jason wasn't like that. He was a regular kid without crazy acrobatic training since practically birth. Yet he still went on to be a hero—which is obviously motivational for Tim who finds himself in similar shoes.
It's true that Tim only ever knew or thought of Jason as Robin, and idolized him in that regard. But that's kind of all that mattered to him at that point, because he was this kid who was utterly star-struck by his heroes. Even if he's technically aware of their shortcomings as people, it's overshadowed by the hero-worship.
It was kind of the same with Bruce as Batman at first. (Which was still enough for Tim to risk life and limb to help his beloved hero, before Bruce even knew his name.) Dick was the only one Tim had any sort of "personal" relationship with beforehand, so there is an extra level of attachment—and hence why it was the nidus for his obsession with Batman. Yet even then, it wasn't like he actually knew anything about Dick as a person until later. Until then, Tim's ideas of him were all he had, too. With Jason, Tim just didn't get to know him at any point before his return (oof), apart from what he heard over the years secondhand (also oof).
Ultimately, it's the loss of innocence—along with the ricocheting bullet that is the unresolved guilt of those around him—that begins to change Tim's perception. Not just of Jason, but of things in general.
Tumblr media
Batman vol. 1 #455 (Oct., 1990) -- Page 13
"I know why they do it now. Why they put on the suits, and the masks, and go out into the night. They're angry, they're full of rage. They want to hit back."
Losing his mother was a major shift for Tim, obviously. This is right after the previous storyline, and Tim's had the worst week or two of his life (so far). His monologue here is a reference to what happened to both Dick and Jason. The unbearable pain of loss, the rage masking the grief underneath. And importantly, that he feels both of them were justified in their anger. (And Bruce too, indirectly.)
The major theme of the aptly named "Identity Crisis" is to mirror aspects of Dick and Jason and Tim's lives—to show how they converged onto the same tragic road. It's something that Tim notices early in the story, and was frightened by. Now, horrifically, it's become a part of him as well. His parents are gone, and he was entirely helpless to do anything about it. Dick was the same way, Jason was the same way. The cycle is repeated.
In particular, the part about him wanting to go to Haiti for revenge—for his mother—sort of struck me as being an intentional parallel to Jason and Ethiopia. It's a bit of a stretch, especially in isolation, so others may see it differently (e.g. the angry ramblings of a grieving child that does sound like something anyone might say). But it always stuck out to me because of how much Tim is compared directly to Jason in this arc. More on that below.
It's not something I can really give an accurate feel of because it's a lot of subtle things that begin to add up, so I'd encourage folks to read this arc themselves to see what I mean. (Or maybe you'll still disagree which is fine too lol.) Again, many things are in reference to both Dick and Jason in relation to Tim, but it's weighted more on Jason's side.
Tumblr media
Batman vol. 1 #455 (Oct., 1990) -- Page 18
"You think my anger will boil over, the way Jason's did. I can assure you, it won't!"
Tim's grief has begun to pull away the veil of idealism that enshrouded his heroes in his mind. It doesn't apply only to Jason, but to the rest of them. Plus add the fact that Tim's keenly aware that he's being managed, even if the adults around him are careful to not outright say certain things. He still knows.
Bruce, Dick, and Alfred are all worried about Tim potentially turning into "another Jason." They (and mainly Bruce) caution Tim to not ignore his emotions, but they're still concerned that he may be overly eager to prove himself in order to cope, and could get hurt or killed as a result. While they aren't wrong for their caution—especially at how unsettlingly similar all the circumstances are—they aren't very subtle about the elephant in the room.
Imagine how that would affect Tim's perception of his predecessor, especially when he's in the midst of a traumatic event he hasn't had time to fully process. The negative association is pretty much inevitable.
Tim's known from day one that he's walking in Jason's shadow, and now it's become inescapable. Tim went from seeing Jason as a goal to reach, to feeling that unless he surpasses him, he wasn't going to be taken seriously by anyone. However, as of this arc, Tim doesn't even fully come to that point yet.
Tumblr media Tumblr media
Batman vol. 1 #456 (Nov., 1990) -- Pages 14 & 15
"Drop-outs don't make it. And dead heroes are no use to anyone!"
It's really easy to take away "Tim totally thought Jason got himself killed" as the main thing here, but I think that's missing the forest for the trees.
First some context: Bruce has gone out on a mission to get Scarecrow, and expressly forbade Tim from doing any shenanigans. Meanwhile, Tim is grappling with wanting to prove himself and trying to help Bruce from the cave, all while trying to deal with his emotions. At some point, he falls asleep and ends up having like... exhaustion-grief hallucinations of Dick!Robin and Jason!Robin who confusingly caution yet encourage him. The main theme of this part is facing your fears.
Depending on how you want to interpret the intent of Jason's dialogue here, you could go several ways with it. Ranging from "writer's feelings towards Jason" to "a peek into Tim's mind as his fears manifest as visions of his heroes" or some mixture thereof.
Though Tim argues with Bruce that Batman needs a Robin, we're shown that Tim is understandably scared of joining Batman's "war." He's still not willing to let Bruce go it alone, though, and that's something he feels more strongly than his fear.
Meanwhile, hallucination!Jason's warnings are a lamentation of what happened to him in a way, but it actually exactly describes Tim's current situation even more so. Unlike Jason, Tim is under-trained, under-experienced, doesn't even have a suit of his own yet. But like Jason, he can't sit by and do nothing while someone he cares about is in danger. Tim knows that if he goes out there, he will probably get himself killed, and it will be his own fault. So he's about to disobey Batman's orders, and fly right into danger. If that got Jason killed, then Tim—who is in a way worse position experience-wise—has every chance of ending up the same.
Like... it's about Jason, but it's also about Tim. It's Tim's worst fears made manifest, via the representation of why he is even here in the first place (Jason's death).
That's my theory anyway, but perhaps this is an overly charitable reading of this scene on my end. (Not that I think that makes me wrong lol.) However given that Grant wrote both parts of this arc, and the beginning of which is especially favorable towards Jason, it certainly is something to ponder. I have a lot of thoughts on it I can't expand on here tbh but perhaps that'll be another post.
Anyway, returning to the point of the similarities vs differences between Tim and Jason: since this is the arc that solidified Tim as the next Robin in comic continuity, it makes sense that the writers really pushed the comparisons between the two of them, specifically. (Even though Dick was pretty similar, as going against Batman's orders is the Robin thing to do, it's not his shoes Tim is directly filling.) So making Tim's "debut" story arc mirror Jason's "swansong" is an obvious narrative choice.
To drive home the parallels, I wanted to include this panel from just a few pages prior to the "daydream":
Tumblr media
Batman vol. 1 #456 (Nov., 1990) -- Page 9
"The suit is magic."
That so distressingly close to Jason's famous "being Robin gives me magic" line (Batman #385, page 6). Given all the previous context, it's hard for me to just dismiss it as pure coincidence. Even if it is, the point still stands. Tim is shown having the some of the same heartbreakingly naive views as Jason once did, right in front of Jason's memorial, just as he's about to go and run off into the night against orders.
I think that speaks for itself. There's a lot to take away from it, if you so choose. Especially given the context of that specific Jason arc.
Alright, back to the main course:
So in the end, Tim actually goes out in civvies and a ski mask because if he fails, then at least he wouldn't bring shame to Robin's legacy™. When he gets fear gassed saving Batman, it's once again both Dick and Jason that he hallucinates encouraging him to push past his fear. (Shout out to the fact that he's literally more afraid of tarnishing the legacy of Batman & Robin than he is of dying.... I'm sure this will not be a recurring thing for him in the future.)
Tim's ideology is shown to be similar to Jason's, and the actions Tim ultimately takes are similar to Jason's... but the outcome is different. And it really isn't just "Tim succeeded where Jason failed." At least, that's not what I took away from this. Rather, Tim had no reason to succeed any more than he had to fail, just that he did. Luck combined with caution because he knew what happened to his predecessor, and the fact that Batman was there to finish the job all made the difference.
You could say (and I know some will) that it's just classic Jason character assassination and the writers trying to implore readers that this new kid is different we promise pls don't hate us look how much better he is! But in this case, that feels like it undermines the whole point of this story. It doesn't fit with what the characters actually say.
Thus, we return to the question of how Tim felt towards his predecessor. And the answer is different from where we started, because Tim is different. Not that different though. Because even though at this point Tim—like all the adults around him—has probably attributed Jason "going off on his own" being what led to his death, Tim still thought of him as a hero to look up to. It's about Robin, first and foremost, yes. But Tim is fully aware of the people who made that suit mean what it does, because it's all intertwined.
Tumblr media
Batman vol. 1 #457 (Dec., 1990) -- Page 20
"I mean--Dick made it into a symbol the whole world knows. Jason gave his life for it."
Even further, Tim thinks of it in terms of Jason having given his life for what he believed in, for the legacy that now falls to Tim. There's a sense of gravitas there. He's afraid of failing both the Robins who came before him.
Ultimately do I think Tim adored and loved Jason on the same level as Dick or something? No. It's not comparable. (Dick was like part of some of Tim's earliest memories and everything! They have a really unique bond ok.) Yet Tim was also far from thinking poorly of Jason so early on. Frankly, it seems that Tim thought of Jason as a noble hero and a cautionary tale. Yes he took risks and sometimes went too far, generally stuff that Tim doesn't want to repeat and all that. At the same time, Tim still saw him as someone whose legacy and memory was worth honoring.
It's complicated, which is why I like it so much—because it feels real. Having conflicting feelings towards someone is... so human. Especially someone you never got to know, yet who plays such an integral role in your life via the shadow of their death. How can you feel anything but complicated towards them?
It has to be said that, yes, Tim's views—even before Jason's return—change over the years. He becomes more jaded as a person and is surrounded by people who are even more jaded than him... and who often mention Jason as the "failed Robin." It's something that's hung over Tim's head all the damn time. The curse of the Robin mantle.
So it shouldn't come as a surprise that Tim's idea of him becomes more akin to "sounds like a skill issue" as the years go by. All bets are off after Jason's return, and the Titans Tower Incident™. At that point it's firmly "I am better than you, loser" lmao.
And... that's all without getting too into things like authorial intent and general "moods" of different DC writers towards Jason at a given point. Or retcons that played a role in his characterization and how other characters talk about him, depending on what "era" you're reading. That's way beyond the scope of this post though!
TLDR; even though young Tim Drake was obsessed with Dick Grayson as Robin, he still looked up to Jason Todd as well. He didn't think of Jason as a cringefail loser until later. :)
(image dialogue transcripts under cut ↓)
Dialogue Transcript for Image 1 (Detective Comics vol. 1 #618 -- Page 1):
Narration box (Tim): When Gotham needed him, he was there. When the Batman needed him, he was there. He was a hero.
Dialogue Transcript for Image 2 (Detective Comics vol. 1 #618 -- Page 2):
(Scene continued from previous page)
Narration box: But he was nothing special, really. Just a boy, who was taught--trained--brought to his full potential by someone who knew how. Just a boy... like me. I know I can do it. I know I can. One day I'll be as good as Jason. One day I'll wear the suit. One day I'll be a hero.
Dialogue Transcript for Image 3 (Batman vol. 1 #455 -- Page 13):
Tim: I hate him! I hate him! I know why they do it now. Why they put on the suits, and the masks, and go out into the night. They're angry. Full of rage. They want to hit back. They want to fill the hole that's burning inside them.
Bruce: There's more to it than that, son. Much more.
Tim: I know. It's just--I feel--like going to Haiti myself and strangling that creep with my bare hands!
Bruce: The Obeah Man will spend the rest of his life in a prison hospital. He's history. Forget him! But don't fight against your anger. It's natural. Accept it. Live with it. One day it'll be your friend.
Dialogue Transcript for Image 4 (Batman vol. 1 #455 -- Panels from page 18):
Tim: Because you think my mother's death has upset me too much. Well, it did. But I've taken your words to heart. I can cope. You think my anger will boil over, the way Jason's did. I can assure you, it won't. But that doesn't make any difference, does it? Why can't you have a little faith in me?
Dialogue Transcript for Image 5 (Batman vol. 1 #456 -- Page 14):
Narration box (Tim): Blast it! My head's starting to swim. I'm about ready to give up. I almost wish I'd never heard of Batman and Robin!
Vision Dick: Heroes never give up, Tim.
Vision Jason: You know that.
Tim: Dick--! Jason Todd!
Vision Dick: You're training to fight in a war, Tim. It'll last all your life. No matter what, you have to go on fighting.
Vision Jason: Drop-outs don't make it. And dead heroes are no use to anyone! I thought I knew better than Batman. I thought I could run before I could walk. I killed myself, Tim. Because I couldn't wait. Because I couldn't think it through.
Dialogue Transcript for Image 6 (Batman vol. 1 #456 -- Page 15):
(Scene continued from previous page)
Vision Dick: Think, Tim. Concentrate!
Vision Jason: You can do it.
Both: You can do it!
Tim, waking up: What--? Robin...?
Narration box (Tim): I must have been daydreaming. They're right, though. There's a solution to everything. I can find it! So here I go again... Whim. Caprice. Doing something without forethought.
Dialogue Transcript for Image 7 (Batman vol. 1 #456 -- Panel from page 9):
Narration box (Tim): The suit is magic. It gives you power. It hides your weakness. It makes you give it everything you've got. It makes you a hero. If only I could!
Dialogue Transcript for Image 8 (Batman vol. 1 #457 -- Page 20):
Bruce: Are you afraid of it?
Tim: No. It isn't fear. It's more... the suit carries so much history. I mean--Dick made it into a symbol the whole world knows. Jason gave his life for it. Failing them--what they fought so hard to build--that's what worries me!
Bruce: I appreciate that, Tim. That costume weighs a whole lot more than any symbol should... and I'd be failing you if I expected you to bear that weight. So... let me know what you think.
Narration box: A mask has a double edged, he said. It hides your own anxiety as it strikes fear into your enemy.
538 notes · View notes
aq2003 · 5 months
Text
really love how throughout a lot of smith and jones martha is really skeptical and apprehensive towards ten (+ one of my favorite exchanges between them - "what, people call you 'the doctor'?" "yeah?" "well, i'm not. far as i'm concerned, you've got to earn that title."), not taking everything he says at face value, even doubting the fact he's an alien until over halfway through the episode.. And like. i really truly think the thing that wins her over isn't him kissing her or any of the other insane mixed messages he manages to send, it's this scene here, where he /earns that title/ in her eyes:
Tumblr media
(+ david's bit in the commentary, where he says: "[the doctor] has actually sacrificed himself, and - i would say, that that final act of selflessness is what finally, eventually, welds martha to him. [...] and she now returns it. she returns that act of selflessness.")
this is what their relationship is built on. it isn't about martha being the second-best replacement to rose or a rebound or whatever. bc it isn't really about rose. it's about doctor-in-training martha meeting someone (quite literally, "the doctor") whose ideals she aspires to, and doing her best to be the same person to him as he is to everyone else. it's about ten in return admiring her intelligence and inquisitiveness and how she cares for human life, recovering his compassion, letting himself lean on her for support - and then remembering at the most inopportune moments that he's supposed to not need anyone and be on his own forever. And around in their little nightmare loop they go where they save each other over and over until one of them breaks
i've seen ppl look at martha and go "why she does she admire/why is she so in love with ten if he acts like that to her?" or something along those lines and like. it's not just the fact she's in love with him (in fact i'd argue she actively tries to push it aside post-gridlock). it's the fact that she knows he's the kind of person to put everyone else's lives/well-being over his own. she trusts him to save her when she's in trouble even though it's been like two days at most that they've known one another bc she recognizes that same "deep all-encompassing drive to help others" in him. and she also recognizes, much much earlier than him, that he needs someone to save him, especially when he's unwilling to save himself. and yeah for a bit she thinks he returns her feelings and is just playing hard-to-get, but she realizes pretty early on that this probably isn't the case, and i think that realization fully solidifies here:
Tumblr media
(this is when she's listening to ten talk abt gallifrey). And idk it might just be me but i think this expression isn't just her empathizing with his loss. it's also guilt, for wanting something from him that he's clearly unable to give when he's wracked with so much grief. (and you see it in the next episode, where tallulah asks if they're together and martha says for certain that they're not, and that he doesn't know about her feelings for him. she keeps everything to herself bc she now knows that when he shut her flirting down at the end of 3x01 it was the genuine reaction of someone who a) isn't interested and b) is scared of getting close with someone else again)
freema described their dynamic as "she's keener than him" and i think about this all the time. martha doesn't really take what ten throws at her. what she does instead is constantly poke holes in his already-failing front of "i will show someone the wonders of the universe so i can ignore what is wrong with me". what she does is stand up and fight him when he tries to go off on his own. what she does is put aside her well-being in favor of helping someone - just like what she saw him do for the people in the hospital when they first met. tldr, that's the doctor and his doctor and rip martha you would've loved who's gonna save u now by rina sawayama
359 notes · View notes
mastersoftheair · 1 month
Text
ok, so my own final (and very, very fresh) thoughts, bc i wanted to wait until i'd watched everything to make a sweeping opinion of the whole series, and it's quite opinionated. and long. probably too long. i write essays for fun (everyone point and laugh):
my personal (and very, very fresh) ranking of the hbo war shows (not including gen kill bc that's a different war, sorry) goes- band of brothers > masters of the air > the pacific (it's the same for my title score rankings. that hasn't changed yet)
my main points of contention with MotA are 1) the nine episodes, 2) the length of the episodes, and 3) certain editing choices. nine episodes, compared to the classic ten, isn't Nearly enough time to showcase all that they wanna showcase (especially when the episodes are as short as they are, once you get past the recap and "next on" parts). and they wanna showcase A Lot! there so much going on! i'd ask them to pace themselves, but they literally Can't!
i mean, the editing choices are a Whole Thing! practically gives me whiplash sometimes lol. i feel like the weaker episodes still have parts that are Really good, but like. Individually. they don't work together as a stronger whole, which is to the episode's detriment. rather than jumping around (as the show often did), they could've benefited a lot from focusing on the One Story instead of squeezing three more stories into there (i say that, but i think the 4-5-6 episode run (all with multiple stories per episode) did this very well while Still being very good episodes, so it's not like it Can't be done, it just didn't work for 7, 8 and (partly) 9). granted, i suspect a chunk of the weird editing can be blamed on, well, there being only nine (and not all that long) episodes and no one wanting to cough up enough money for a tenth. ugh! i'm blaming both hbo And appletv for this (and covid19 ig). it's just One More Episode, how much could it cost?? and on the subject of episodes, why no episode titles? you used to love episode titles! i could've brainstormed episode titles for them For Free!!
when it comes to the characters, the rankings remain the same: BoB > MotA > TP. it's not totally fair tho, since BoB followed the exact same (and large-ish) group of guys from beginning to end, so you're Gonna know who they all are and get attached. this wasn't the case (for me!) when watching TP, since, unlike BoB, they jump around from group to group. i never felt like i got to know them all that well, outside of the main characters. i think MotA almost hits that sweet spot, especially knowing they had those two main things going against it: large cast And jumping from group to group. there's a case to be made for bias here (i Was the blog blogging about everything MotA for like. years.), but i still think they found a good enough balance of fleshing out the main characters while Also helping the audience get to know about a bunch of minor characters, of which there are a shitton (and their personalities, motivations, backgrounds, quirks).
there's also the representation of women. actual angel renée lemaire is and will always be a cut above the rest (bastogne is just That Good, argue with the wall). she's written so well that it almost makes me forget about how a bunch of women are portrayed in carentan. i have...issues with how women are portrayed in TP (even tho i love lena), so there's that. MotA falls in the middle (again) bc there's Way more women on-screen, but the writing can be questionable. balanced (as all things should be?) captain l'sandra wing-westgate is a character of all time, but episode 7 birthed the craziest discourse known to man (the hbo war fandom), but it wasn't all that unwarranted. manon and michou were sooo cool, but we didn't see nearly enough of them (another victim of the 'editing too many stories into one episode' problem. why not a whole resistance episode? or at least as the only b-plot?). paulina was interesting, but fulfilled one of those 'attractive foreign woman gives sage advice during/after sex' tropes (there's probably a tvtropes page for that idk). so many red cross girls, but none of the in-depth payoff :/ epic highs (multiple women!!) + epic lows (writing women??) = pretty tolerable. not great, not terrible. it was aight. i trust the fandom to build on this tho.
narrative is the big one tho. it's the whole "doing so much with so little" thing they've got going on (i'm ignoring their big budget here lol, could've been bigger). rather than having one main story with many connecting side stories (like BoB), it does the TP thing where there's many semi-connecting side stories set in the same general area. it helps that there's crosby's narration (i enjoy narration, sue me!), and he helps everything connect, sorta. but there's still other side stories that have Nothing to do with him (sandra's side gigs (revealing what she did takes away the mystery of what she Might be doing), the tuskegee airmen, quinn and bailey's eurotrip). would it have helped if there were two narrators (say, someone like rosie)? idk. gonna sit with that one. if there's a through-line, it's not super obvious like in the other two shows. which is insanely funny to me bc i literally like TP less, but that show's got an Extremely tight through-line all the way down. i can't lie and say it doesn't!
back to budget- i've seen people criticize this show for being called "masters of the air" when there's not much of "the air". ig that's fair, but there's the money issue, again. also, it'd get very repetitive if they were always in "the air". there was enough confusion about identifying who was who with the masks on, so imagine if that was Every Episode. out of All the issues the show has, this is the least issue-y. again, that's just my opinion, and it could change.
another budget thing (i think??)- idk enough about costuming and hair for period pieces so i can't comment on that with my 0 background in it, all i Can say is that i knoooooow people were clowning on marjorie cleven's hair in episode 1 (and i could see why, no such thing as 1940s beach waves). but from what i could understand- that actress' addition was a last-minute thing (bc i had No idea who the hell she was and i already found someone cast for marjorie all the way back in 2021). maybe there's something to say about the quality of rush jobs, but i really do think it was the most last-minute thing bc it came out of Nowhere, and timeline-wise, it looks like that bit was done long after everything else had been filmed. outside looking in, it seems something probably went wrong/didn't work out with who or what they already had and there wasn't enough wiggle room (time and money) to fix it. this isn't me being an apologist (lol), but i feel like a theorist at a big board bc nothing adds up! and i wanna know what happened! i'm just speculating! speculating on this blog is All i did for like Years lmaooo.
this is more of a side thing, but some of the lines in MotA feel really on-the-nose, almost corny. and that was Gonna be a knock against it, but there's some equally Extremely on-the-nose lines in both BoB and TP (Especially in BoB), so if i give MotA shit for it, i'd have to give all three shows shit for it lol. none of them are free of cheese.
another silly aside- no peaches, no main gingers, no main eugenes! we can't have 'em all, but c'mon!
there Is some good tho lol. one thing that MotA really has going for it, that i think the other shows have less of, is- and GOD it feels so weird to call this "world-building" when it's actual goddamn history, but- it's got world-building. maybe that isn't the best word for it. but i like how much Bigger ww2 feels in this show. BoB is one stop, then the next stop, then the next stop, which is, admittedly, good from a narrative-perspective (easy to follow), but not as good when you want a scale of how devastating the war is (in fairness, it was filmed in 2000). even TP feels pretty "enclosed" in a way. there's island-hopping, yeah, but all the damn islands look the same (not including australia lol). it's a theatre of the war we otherwise don't really get to see, but there still isn't all that much to see. it's water and sand and rock and dirt. which is the point, but Whatever! would've been cool if we saw sledge and co. in china, but moving on. MotA's able to really show the scale of it, both in the air and on the ground (that scene in germany during episode 6 was both harrowing and fantastic, also the inclusion of the actual children forced to fight nearer to the war's end in the finale). idk i just liked how it was able to zoom in and zoom out (and in and out again) in a way that the other shows weren't.
another thing it's got that the other shows don't is Really driving home how young everyone is (not "child soldier" young, but damn young). the cast is full of baby faces (rip babyface). a lot of ww2 shows/movies don't bother casting to reflect this, but i think overlooking that takes away from the overall impact. you browse through some old newspaper articles or photos of soldiers during ww2 enough and you're gonna Regularly get hit with the face of someone who looks like they could've sat in the desk next to you during a high school lit class. a lot of those b&w grinning faces look like kids bc they pretty much were (more so if they lied about their age). you don't really get that in BoB or TP (it's Crazy when the real life pics of the soldiers portrayed in those shows look younger than the actors).
i'm mixed about the tuskegee airmen. what we have, i love (thank you, dee rees). unfortunately, my biggest irk is that it leaves me wanting more of them, which i won't ever get. speaking as a black person (not speaking for All black people, just how i personally feel about it), having them included feels like a catch-22. if they weren't included in any capacity (all while knowing there were whole tuskegee airmen in stalag iii with the white main characters), there'd be a problem. however, including them (all while having these time constraints and not enough focus on them) leads to the feeling of having them "tokenized" (which i can see). there's no world where there'd be 50/50 split (even a 70/30 split) bc, at that point, just give them a show of their own. but there'd still be a general annoyance that big budget ww2 shows are only ever white. on the other hand, hanks and spielberg and orloff and miller and all the directors (except dee rees) are white, and how good of a story about black people are you really gonna get from the perspective of nonblack people? that in mind, i personally don't feel put-off by having the three tuskegee airmen in the posters/trailers/promos, bc i just Know there'd be a whole nother problem if they weren't included in them at all despite being in the show for however long (it'd be even worse if they made their pictures smaller). like i don't work in advertising, but i don't know if a "sweet spot" even exists for something like this. people would be pissed off no matter what imo (i'm also speaking with a bias here bc i had to browse through sooooo many comments written by white guys whining and crying and pissing and shitting themselves once they learned that the tuskegee airmen were gonna be in the show in Any capacity, so i'm just cool knowing they're in shambles rn (and josiah cross- he played richard macon- always goes Wild seeing his face in the promos, and his joy is pretty contagious).
i give it somewhere like a 7.5-8/10. 3.75 stars out of 5. not perfect, subject to change, gotta marinate, but i'm overall happy with it! MotA's best episodes are better than many other individual hbo war episodes. should i be grading it using the overall sum of its parts, not just the different parts? idk, i'm not being paid to grade lol.
28 notes · View notes
absenthearted · 1 year
Photo
Tumblr media Tumblr media Tumblr media Tumblr media
LITTLE RED RIDING HOOD || HACKEARNEY + ALTERNATE UNIVERSES [1/?]
A girl walks into the woods, and a wolf walks out.
The village has a tradition: a girl is chosen as a sacrifice to the Wolf. The Huntsman leads the Chosen into the woods and keeps vigil at the entrance. 
The girl does not come back. The Wolf stays away.
This is how it has always been—until now.
391 notes · View notes
shrinevandal · 2 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
lost meme dump because i cannot be assed to make individual posts
66 notes · View notes
fortyfive-forty · 13 days
Text
i've been ruminating a lot on it because i think i'm bad at putting my thoughts into words but i need y'all to understand that while there are absolutely a lot of Not Good Things about the finals being held in saudi arabia for three years...the way people seem to treat is as morally black and white is shortsighted and unhelpful.
realistically the players traveling there will be protected. it may be uncomfortable, it's certainly not ideal, but they will travel there for a few weeks, play their tennis, then leave. there are a lot of women, a lot of queer people who actually live in saudi arabia who cannot just leave, who are actually subjected to laws and social climates...and to me it just seems very disrespectful to that actual lived experience, for everybody to sort of turn their noses up and get on their high horses. of course, if the players wish to opt out, that is their choice, but that is their choice to make. that's their judgement. not ours.
and then, what about a tournament like miami? florida is literally experiencing one of the worst active regressions that i've seen in the us (granted i'm young). things like critical race theory and lgbtq+ ed are being removed from curriculums, rights for trans youth, trans healthcare, etc. are going backwards. abortion rights? gun violence? and yes i know that the laws and climate in saudi arabia are different gravy, i understand that, but my point is, no one would ever DREAM of arguing against hosting a tournament in miami despite all of these issues. and we can extend this to a lot of other tournaments! i mean, all the outrage about fifa hosting a world cup in qatar, but we don't have any of these sentiments about doha? i've seen other people bring up that the finals were hosted in singapore when gay marriage was still illegal there. we've already talked about italy's fascist prime minister. and i could go on and on and on about the war crimes of countries like the us or the uk - is the us not participating actively in genocide right now? where is the standard? if you argue against hosting the finals in saudi arabia for the reason of human rights, to me it seems you have to uphold that standard for the location you do land on. and i can guarantee, you will not find a single country in the world with clean hands.
i want to be clear i am not arguing that hosting the finals in saudi arabia is a good thing, especially for three years, especially because it's definitely going there because of money, and not for any of the "good" reasons i think some people want us to believe about "improving the region" (which is very weirdly white savior-esque anyway). i don't really have an official "conclusion" to this discussion.
what i am arguing is that i think a lot of the protests against saudi arabiahosting the finals are more an example of implicit anti-arab bias and islamophobia, rather than genuine discussion. key word implicit: i don't think most people are purposefully trying to be anti-arab/islamophobic. or at least, i'd like to believe nobody is. but i also think, particularly in the west, there is already so much of this xenophobic sentiment ingrained. and this is why i think it's really really REALLY important to check ourselves when we talk about it instead of just jumping straight to the human rights conversation without a second thought.
i'll say it plainly: i don't think the finals should be held in saudi arabia. but for me, it has more to do with sportswashing, with the dangers of the way money is thrown around in sports, and because i think it's more evidence that the wta doesn't care about player welfare but rather about making a profit (what else is new). human rights are absolutely a concern of mine, but how is it fair to hold saudi arabia to a standard that we don't seem to care about for literally anybody else?
literally look at the us's ugly ugly history, past and present, and tell me why we deserve to host a tennis tournament.
23 notes · View notes
toashesireturn · 3 months
Text
absolutely insane take from the priest this past sunday but apparently he doesn't consider marriages only carried out at the courthouse and not through the church as real marriages so if you got married and didnt get a specifically catholic marriage then having sex is still a sin. absolutely baffling take along with the rest of the purity culture bs he was spouting
49 notes · View notes
doubledyke · 1 month
Note
Once I head someone say Sarah is the only really necessary or meaningful female character, and that Nazz and the Kankers are pretty much disposable; ''Nazz has no personality, and the Kankers are absent from 50% of episodes and are just a Diabolous ex-machina ending when they appear. The could work very well without any of them.''
What do you think of this?
are they implying that she's only "meaningful" because she's related to ed? because...yikes dog. sarah serves a pretty similar role to the kankers in that she foils the scams and pranks and acts as an obstacle and/or deterrent. an antagonist. but the way they fulfill the role and the reaction they get from the eds are different in ways that i'm too lazy to get into at the moment.
now i could genuinely be missing something because i've never taken a class on media analysis or whatever the fuck, but i truly don't get what people mean when they say nazz is uniquely lacking in personality. i'm not saying eene has excellent, fleshed out female characters, but some people act as if 1) any of the non-eds have highly complex personalities that are explored canonically 2) being kind, outgoing, flirtatious, sporty, etc. aren't personality traits. just because someone doesn't like her personality doesn't mean it doesn't exist. and we know just as much, if not more about nazz's interests than we do the kankers. or jonny: he likes wood, is laid back and seems to enjoy superheroes. or kevin: he likes bmx. he's a bully. he has a crush on nazz. he's buds with rolf, whose backstory we probably know the most about after the eds (maybe even more?). then there's jimmy who lowkey has a great, complex personality.
seems like since nazz is pretty, is into stereotypically "girly" things and is nice, people consider her a "bad" (female) character. which to me is hilarious and ironic. these are the same people who call the kankers "evil". like okay... 😂
this idea that all female characters are supposed to be virtuous geniuses... it's a show about 3 dumbass preteen boys. there are tons of female-led shows available out there, and female main characters galore. these people should go watch em. seriously. im tired of hearing about it frankly.
oh and if edd was canonically a girl, people would hate her and call her a mary sue 👍
21 notes · View notes
moongothic · 2 months
Text
Do wanna say, I am actually really curious how Iva-chan would feel if the Dragodile Divorce went REAL BAD
'Cause they didn't know the two were in a relationship at all, right. (Otherwise, like, if Iva-chan knows about Crocodile having a kid then surely they'd realize that would've also been Dragon's kid and like. Understands that's Luffy etc) So as far as Iva-chan understands the situation, Crocodile may have been secretly slightly involved with the Revolutionaries for a period of time, had a kid out of the blue, transitioned, and either immidiately broke ties with the Revs entirely and fucked off to Alabasta, or kept on assisting the Revs in secret (possibly monetarily, being a sugar daddy and all 💰🐊💰) for however long in secret, only to pretty much betray them out of nowhere by attempting to take over Alabasta 17 years later Either way, surely Ivankov would've been deeply confused by this turn of events, right? Like what happened to him, why would Crocodile do any of this?
But if the straw that broke the camel's back and shattered Crocodile's psyche was the Dragodile Divorce going really bad, either from Dragon not being that accepting OR due to things going violent over a miscommunication... How would Ivankov feel about that?
Keep in mind, we've only ever heard Iva-chan talk about Dragon with nothing but adoration and respect. They sincerely hold Dragon in such high regard, can you imagine how badly either revelation could change how Iva-chan's views Dragon? 'Cause like, sure if Dragon's straight then that's one thing, but lashing out at his loved one? When he came out? At what might've been the most emotionally vunerable time of Crocodile's life (between the transing and the baby and having to leave his son forever. Y'know. Heavy shit)? Yeah, frankly speaking, Iva-chan would be completely justified in slapping the shit out of Dragon and giving him some choise words. Perhaps even some 💉 Karmic Punishment 💉 to teach a lesson Feeling disappointed in Dragon would be an understatement. But even if The Divorce happened due to a tragic accident (of Dragon attacking the strange man he has never seen before out of instinct when going to see his wife and child), it's been nearly two whole decades. Have the two even spoken since then? Like presumably not considdering Crocodile didn't even know who Luffy was. So if they haven't spoken at all-- did Dragon ever apologize? Or was he that much of a coward he couldn't face Croc and take responsibility for what he did? If so, that is absolutely pathetic and frankly irresponsible considdering the feelings he would've left Crocodile festering with.
Like either way, I'm deeply facinated how Iva-chan would take the news. How that could impact their relationship with Dragon, as well as how they've viewed Crocoboy for the past few years as well.
Because suddenly Crocoboy didn't just go bonkers out of nowhere, abandon and betray the Revolutionaries to try to do something monstrous for selfish gain. Suddenly, it was Dragon who abandoned Crocodile and left him all alone for nearly two decades, believing obtaining an Ancient Weapon was the only way to take down the World Government. Countless innocent lives that perhaps could've been spared in Alabasta had Dragon just fucking talked to his ex--
Yeah. I'm curious how Iva-chan would feel
#Moon posting#OP Meta#Sorry my brain is soup I can't form a coherent thought rn#Something about the mental image of Iva-chan getting fucking furious at Dragon on Crocodile's behalf#Just#I'm not crying shut up#Like if there is a scenario where Dragon genuinely needs to apologize to Crocodile for however the hell he fucked up#I think Iva-chan taking Crocodile's side and telling Dragon that he fucked up and needs to take responsibility would be like. Important#'Cause I think Iva-chan might be the only person in the world who could get Dragon to apologize (considdering how long they've been friends#Especially because Iva-chan might be the person who genuinely understands Crocodile's feelings the best#(Depending on how his egg got cracked and whether or not Iva-chan needed to help with that etc etc)#All of this to say; the Dragodile Divorce really would be more interesting if it went Real Bad. It would impact so many more characters#Another familiar question: What would Kuma have thought of it? How about Sabo and Koala?#But yes Iva-chan's reaction is the one I'd be the most interested in. Especially considdering like. IDK I kind of thought they'd have...#...a bigger role in Kuma's backstory but they actually kind of didn't. Like their friendship was not that important in the end#And a part of me deeply feels like Iva-chan should have a bigger role somehow in the story. Like they should impact things more#And yes if Crocodad Real then that alone would add to Iva-chan's role a whole bunch. But that would be like in past tense.#How about how things are going to go down from here on out? Yeah
19 notes · View notes
torgawl · 3 months
Text
i forgot to make a post about this but one of the reasons i believe megumi will be saved and come back, and how that will tie with a major moment in the story (either related to sukuna or the merger), is because of his name. or, to be more precise, because of his father and the legacy he chose to leave behind. toji's character has been the catalyst for almost everything in the current timeline of jjk. he was behind gojo's awakening, riko's death, geto's spiraling and defection which ultimately led to kenjaku's possession of geto's body, the lack of options to release gojo from the prison realm when he was imprisoned by kenjaku, he was the object of yuki's study to break free from the status quo, etc. quite literally, if we do have a plot, we have to thank toji for it. toji, who turned the world upside down and changed everyone's lives by breaking the chains of fate - literal symbolism used in regards to him and other concepts within the story like binding vows, specifically the one sukuna made with yuuji. toji, the one who linked the six eyes, the star plasma vessel and tengen (subsequently relating to the merger) by achieving a state of no cursed energy and reaching something akin to enlightment. such a bringer of chaos who was looked upon as the key to save the world by yuki, who knew there would have to be a change in the souls of the population of japan and cursed energy as a whole to finally break free from the cycle of suffering (breaking from the samsara and achievement of nirvana). now, how does that relate to megumi? the irony in the role toji plays within this story as someone who was born without power. the fact his influence caused nothing but destruction yet he birthed a blessing. what if megumi's name meaning blessing isn't just a coincidence or cute detail symbolising toji's love for his family but a sign for what's to come? what if the blessing yuki saw in toji's achievements as well actually translates to something more meaningful. more precisely, what if megumi is, quite literally, the embodiment of it?
23 notes · View notes
maddy-ferguson · 4 months
Note
women will literally accuse women and esp lesbian circles of "not unpacking ""man-hating""" alleged ""misandry" sweetie xo" getting offended ppl aren't appropriately uplifting how "men are amazing and awesome and attractive and i won't be shamed for thinking so" as if appreciating men is a real counter opinion than blame whatever gave women of every sexuality instance to be jaded weary cautious and tired and who'll complain every now and then and continue on with her life until she dies putting up with patriarchy. just welcome to the "woke" internet where misogyny's over and "man-hate" "shamed for not hating men" is worth springing to defences for
yeah i've only seen people talk like men's rights activists and think they're being unbelievably progressive on tumblr it's kind of fascinating. like i can see how seeing people hate on men could mess with people and stuff but you can't demand men appreciation posts that's literally the whole world outside of idk your tumblr dash (or even on your tumblr dash because fandom misogyny from people who think they're not misogynistic at all is really something). men get praised for "babysitting" their own kids like be serious? it's very let men be masculine
i don't think being like men are soooo gross and we hate them is actually constructive and it can definitely veer into transphobia (you'll always be a man/"a male" and thus a danger to women/why would you ever want to become a man they're the enemy and the bane of society etc) and homophobia relatively quickly?
but the way people ON TUMBLR ""combat that"" is often so off to me like if the most basic feminist principles offend you then i'm not really sure where to go from here. i remember seeing a post that was like "men aren't your enemy. they're your friend/brother/father/colleague/neighbor" with a lot of notes and like i don't know how to tell you this but that's literally who's most likely to harm a woman, the men she knows?😭 and obviously not every system of oppression is exactly the same but would you say the same thing to someone criticizing white people like...just very weird
i think women who are attracted to men and dating them making jokes about how they only tolerate being attracted to men because they have no choice and especially the whole i'm bi so i love every woman and only find 1 in a 1000 men attractive (very often said while in a relationship with a man) thing is obnoxious and annoying for like everyone who has to hear it lmao but also when women who date men make jokes about it (not about them being ugly or unattractive or whatever but about them being bad partners in general) it's like. what else are they going to do like you said they're gonna endure patriarchy for the rest of their lives and as girlfriends/wives/mothers they go through the most it's very bleak? idk. it's not like you can date a better man yourself out of patriarchy
of course men aren't a all as bad as the worst guy you can imagine and they're not all out to get you or whatever but saying things like "men don't all benefit from the patriarchy rich men benefit from the patriarchy but jake, 23, is not oppressing you" is like. kind of insane. jake, 14, was oppressing me like have you never interacted with boys in school😭 and it's not like it was entirely their fault we all have to outgrow misogyny it's just you know society etc but some of them never outgrow it lmao and just...the takes you see on feminism on tumblr are astounding i hate it here
#and like i do think that young guys who feel bad about themselves only having people who make them feel worse and who actively make them#worse like incels and idk youtube algorithms to turn to is a problem but like. again it's the same thing as white people who feel bad about#being white to me in a way like are women and GIRLS supposed to coddle them and say it's gonna be okay you're great even when they're#like actually harming them by being misogynistic to them? that's already what they're taught to do always#the notes on that male loneliness epidemic post i reblogged a few weeks ago still haunt me like OH MY GOD#and if you think misogyny isn't as prevalent anymore you're very naive. and probably misogynistic yourself#i'm not even sure young men being more feminist is true (well it's probably true when you compare it to like the 50s) but even#when men ARE like yeah women shouldn't have to do everything i can help with chores (the use of the word help is already a red flag lmao)#when you look at what they actually do they still do way less like i don't have links because these are tags on a tumblr ask but i read#somewhere that men think chores are 50/50 when they're only doing like 30% of the work? like it just seems hopeless#sometimes i'm happy and then i think about the mental load#sorry for not uplifting men 24/7 you can just hang out on the steve harrington tag or something there's actually a lot of people doing that#when someone said um does the ronance fandom not seem terfy to you...because of a post that was like can the lesbian ship ronance#be about the lesbian ship ronance not about steve A MAN#like you can't make this up#i meant it when i said the average tumblr user would benefit from being exposed to more misogyny like i swear they forget it's even a thing#like obviously they wouldn't BENEFIT from it lmao but their posts wouldn't be as dumb and that would benefit me🙏#ask
22 notes · View notes
viensamoimoncher · 3 months
Text
I've absolutely missed everything to do with this, but why the hell are people wanting the show to get cancelled?!
Don't like?
DON'T WATCH
Is that so fucking hard to grasp?
Without new fans, media dies
Whether or not you like a certain adaptation, you should be happy it's introducing new blood (pun intended) to the source media
Sure, people are gonna have their favourite versions. Some people may not want to read the source material. Some people may not want to see the film. Similarly, some people may not want to see the show
But it's keeping it alive
And some of the new fans are gonna dive into the source material and love it
The brilliant thing is, you can love and respect all versions of something. That's possible. That's great!
And on the other hand you can dislike a certain version of something yet still remain civil and kind to others who enjoy it. That's also great (with a strong emphasis on the 'remain civil and kind to others' part)!
Infighting in fan spaces is only ever going to end badly. Don't like an adaption? Don't be a dick, just be civil and move on
And more importantly, if you love something (like the source material) so much to be so passionate about it, you should at the very least be happy it's not being forgotten
14 notes · View notes
fiepige · 6 months
Text
Hobie Brown variant OC:
I finally decided to make Symbiote!Hobie (nicknamed SH by Hobie, which over time turned into Sage) his own thing, cause I've made so many changes to him that I've decided he's just gonna be another version of Hobie from another dimension.
I basically came up with him when thinking about what it would take for Hobie to truly bond with a symbiote and this is what I came up with.
While he's technically Hobie too I'm gonna refer to him as Sage in this post to avoid confusion <3
Gonna start with his appearance and then move on to his origins and how he got involved with the Spider-Society:
Disclaimer: I cannot draw so I haven't even attempted at drawing his face cause I know I'd never be able to draw him in a way I'd like- So I did the next best thing:
Tumblr media
(He has a normal face I just tried to find a way for me to draw him without drawing his face lol)
Pictured above is Sage and his symbiote K.A.T (and their symbiote form- yeah it's the same as Venom!Hobie cause I like the design lol)
He looks like Hobie but younger- he's around 11 when he's bitten by the spider and fused with K.A.T - he's around 12 when he gets introduced to the Spider-Society
He's got short hair as it was completely shaved off when he got caught by Oscorp - more about this under his origins - he wants to let it grow out after meeting Hobie and being inspired by his approach to his looks (he really looks up to Hobie but don't tell anyone I said that!)
His left iris is white as a result of the symbiote DNA being fused to him. He can make it match his right eye if he concentrates but only really bothers to do so if he feels it draws too much attention
After meeting Hobie he helps Sage get a few piercings of his own
He usually wears a hoodie and/or a mask to hide his face - he's super paranoid and does his best to hide himself from others
Never goes anywhere without his noice cancelling earmuffs - he's got enhanced senses due to his spider powers but they can be a bit of a nuisance since he's also sensitive to loud noises due to his symbiote...
He also usually wears sunglasses to shield himself from sensory overload as he was subjected to it a lot as part of the experiments he was put through at Oscorp - and thus getting his senses overstimulated can result in panic attacks, so he does what he can to avoid it + it hides his eyes as well
K.A.T (Killing Authority-opposing Targets) is Sage's symbiote
It usually stays hidden unless they're alone or around people they trust/already knows about its presence.
If it does show itself it'll usually stay on Sage's shoulder or sit in his lap, it's still tethered to him so it can't go that far without him - not that it really wants to anyways
The reason K.A.T takes this form is that Sage is a cat person and it used it as a method to make him like it more when they first "met" + petting it helped Sage calm down and still does
K.A.T is still made of the same goo as regular symbiotes so it does not feel like petting a cat at all- Sage doesn't mind but most other people get suprised when they first touch it
If it likes someone it'll rub itself against their legs and mimic purring noises - if it dislikes someone it'll hiss and arch its back at them
K.A.T is a more animalistic symbiote and mainly communicates with Sage by letting him feel its emotions instead of speaking to him
To avoid making the post even longer than it's already gonna be I'll link to this post where I go into more detail about the design of thier Symbiote form instead of describing it here too ^^'.
This was originally supposed to be a short summary but I've realised I'm incapable of making short posts when it comes to stuff like this:
Origin:
Sage is a younger version of Hobie Brown. (11 years old when bitten by the spider and fused with his symbiote)
Sage and K.A.T "met" at one of Oscorp's labs
He was living as a homeless kid (having escaped an abusive household a few months prior)
He was bitten by a radioactive spider while looking for a place to spend the night.
He got very sick from the bite and was easily captured by Oscorp goons looking for new test subjects in the streets
Despite his young age Sage is a more ruthless Hobie variant, in part due to his upbringing and due to his symbiote (and the trauma they both go through at the hands of Oscorp)
K.A.T was a new kind of experimental symbiote that was set to be terminated due to it killing all its previous hosts - Sage was their last attempt at fusing it with someone
They decide to fuse it with Sage as he was deemed indisposable due to him seeming more dead than alive - suffering from the venom of spider bite at the time - and thus it wouldn't be a problem if the symbiote killed him too
Since the spider bite was still changing his DNA as he got fused with K.A.T some of its DNA got fused with him as well as a "side effect" during the process
Due to this it's incredibly hard (if not impossible) to seperate the symbiote from Sage without severely hurting them both
His body develops organic web shooters when it fuses with K.A.T - the webs are black and can be shot from either of his 4 arms when in his symbiote form (they can also be shot regularly while in his human form)
Sage develops enhanced senses and a taste for human flesh after being fused with K.A.T - he also has enhanced senses from the spider bite - making it easy to overstimulate his senses and overwhelm him before he learns to get it more under control
Since Sage's gotten powers from both the spider bite and the symbiote they quickly become the subjects for many inhumane and painful experiments as the scientists futilely try to figure out how to replicate the symbiote (as they're unaware of the spider bite, thinking the symbiote alone is behind Sage's new powers)
The main scientist behind the experiments is this dimension's version of Peter Parker!
Sage eventually manages to escape the lab during one of their many tests- killing as many guards and scientists on his way out as possible - and eating some of them as well
As a result of their treatment at the lab + his past with his abusive foster family, both Sage and K.A.T have developed a deep distrust to other people - at this point they both consider the other their only friend
Sage goes back to living as a homeless kid, avoiding people as best as he can, but he's also got an insatiable taste for human flesh as well!
He will usually target anyone associated with Oscorp when he's hungry (if none are available cops are the next best thing- his dimension is just as corrupt as -138 Hobie's dimension)
He doesn't feel bad about killing but will still try not to harm civilians (emphasis on try- sometimes the hunger gets the best of him)
Due to his senses being extra sensitive + his paranoia from his experiences at the lab and his foster homes, he tries to avoid crowded and noisy places - This all leads to him being more active at night while he usually tries to lay low and hide during the day.
He lived like this for months until a certain event changed that:
First encounter with the Spider-Society
Sage's dimension is blacklisted meaning people from the Spider-Society aren't allowed to go there (cause a spider-person who's embracing their symbiote instead of resisting it is deemed unsafe by Miguel and thus best to be avoided)
Sage does still get introduced to the spider-society albeit through a rather unconventional way:
- One day a portal opens up and pulls Sage through it, sending him to another dimension as an anomaly
Having no idea about what's going on, and being scared and confused about the whole situation, he does his best to lay low and avoid other people.
Because of this he spends a lot of time in the other dimension before the society discovers signs of an anormaly - glitched objects like seen when Kingpen uses the collider in itsv, or the museum that the Vulture appears in in atsv
Sage eventually has his first run in with other spider people when his hunger gets the best of him and he becomes more careless as he turns into his symbiote form to go look for prey
Here he encounters Gwen and Peter B as they're looking for the anomaly causing things to glitch out in the dimension
Not knowing he's a spider person and an actual child, Peter and Gwen attack him as they always do with anomalies - it also doesn't help that Sage doesn't exactly look friendly when in his symbiote form.
He fights back cause these masked people attacked him for no reason so they must be bad guys and of course he's gonna defend himself - it also doesn't help that he's starving and thus not thinking clearly at this point.
Unfortunately for him, these guys have high frequency equipment to deal with symbiotes and thus they manage to subdue him, but not before he manages to fight back, revealing his organic webbing which tips Gwen and Peter off to him having spider powers as well
He's subdued and forced into an electric cage (which brings back a lot of unpleasant memories from his time at Oscorp) and sent to the Spider-Society afterwards
When he arrives at the Society he quickly gets overstimulated and has a panic attack and lashes out in a desperate attempt at escaping his electric cage - also seeing the face of the scientist who tortured him for months everywhere certainly didn't help
Gwen then uses a high-frequency device made to combat symbiotes to force him to revert back to his human form
She immediately recognises him as a young version of -138 Hobie
Her and Peter both panic cause 1. They realise they basically beat up a kid and locked him up. 2. That kid has a symbiote! 3. That kid is a younger version of another spider-person they both know (and who they both know has a very long and strained history with symbiotes!)
Miguel gets involved and a discussion begins about whether they should try and seperate Hobie (Sage) and his symbiote
- The other spiders mean well by this but Sage and K.A.T both panic at the thought of being separated - at this point they really view the other as their only friend as it's been them against the world ever since they fused
Sage, still panicking, tries to protest but they won't listen as they view him as a kid who doesn't know what's best for him
Sage is taken to the room with all the villains while they discuss what to do with him
Here Margo sees Sage and K.A.T comforting each other, K.A.T manifesting physically in Sage's lap, being hugged tightly by Sage as he promises it he'll never let anyone separate them
Seeing this, Margo takes pity on them and 'accidentally' sends them home before the other spiders get a chance to try and remove K.A.T from Sage.
Relationships with other spider-people
Some time later Sage has an encounter with Hobie who found out about the whole mess - despite Miguel ordering Gwen and Peter not to tell him
While Hobie isn't exactly a fan of symbiotes he first and foremost sees Sage as a traumatised homeless kid in need of safety and stability
Hobie offers Sage to stay at his boat whenever he wants (as long as he promises not to eat anyone while he's there), he also gives him one of his bootleg watches so he can come and go as he pleases (and explains that he can also use it to get home to his own dimension if he's ever unwillingly sent to another dimension again)
Sage declines at first but over time he slowly opens up to Hobie and begins to trust him
(He also secretly looks up to Hobie once he trusts him, cause who doesn't? He's an older version of himself who's got a place to call his home, one that he opens up to strangers in need such as himself, he uses his powers for good and not just to survive. He's not afraid to be who he is and draw attention to himself - something Sage has been too afraid to do ever since his time at Oscorp. He's got friends and people he trusts. - all things that Sage wants too but doesn't believe he'll ever have) Also he'll never admit that he looks up to Hobie but he can tell anyways
Hobie's the one that gives Sage his nickname, it started as SH but over time it turned into Sage instead, though he doen't mind being called Hobie as well, it's just easier to go by Sage when both he and Hobie are present.
He still doesn't trust people, especially not the Spider-Society after their first meeting, which made it very awkward when Gwen showed up to visit Hobie while Sage was there - luckily Hobie managed to interfere before they beat each other up too much...
(He trusts Margo a bit as well since she 'saved' him from the Spider-Society - also it's nice to be around someone who doesn't smell like food since she's an avatar and not made of flesh and blood)
He currently lives at Hobie's boat, switching between it and his own dimension as he pleases
Hobie did his best to hide it but he was rather freaked out by K.A.T's presence in the beginning, he did his best to supress it cause he genuinely wants to help Sage
Hobie mentors him in how to use his Spider Powers and tries to give him a moral compass to at least prevent him from eating civilians when he gets too hungry - He usually targets cops or people working for Oscorp but the hungrier he gets the less picky he is
Another reason Hobie took him in is because he knows ostracising someone won't make them a better person and while Hobie doesn't believe in deciding what's best for others he still knows life will be a bit easier for Sage if he doesn't just kill whoever he wants whenever he wants - impulse control is important when you have a cannibalistic symbiote in your body.
- Hobie still dislikes symbiotes but he respects Sage's choice to keep his and does his best to help him control some of the more violent urges that come with a symbiote.
Hobie introduces Sage to his punk ideologies and slowly introduces him to the punk community
Hobie also introduces him to some of his friends but it's a slow process due to Sage having a hard time trusting people - especially spider-people after his Spider-Society encounter
Some of the spider-people also have a hard time opening up to him because of his symbiote
But Hobie's good at making a safe space for Sage to feel like he can slowly start to open up to others
For the first time in years Sage feels like he has someone (besides K.A.T) he can trust and over time he starts to view Hobie as his older brother
And that's that folks! (at least for now)
To the one person who actually bothered to read all of this - know that I'm infinitely grateful that you took your time to read about my boy <3
- I initially tried to keep this short but I gave up cause Sage has been living rent free in my head for weeks and it feels so nice to finally flesh him out and write about him!
You know I couldn't resist making my first oc angsty - but at least he ends up doing better than where he started.
Hopefully you guys like him too! If you have any questions please let me know, I could talk about him forever <3
#help I think I have a condition where I need to make all my new posts longer than the previous one!#can't believe I initially tried to make this post short and then it ends up being 2759 words long...#wasn't sure about his name but I wanted it to be something else than Hobie#so Sage it is!#Also I really wanted the symbiote to be called cat or kat - due to the form of its physical manifestation#so I had to come up with an abbreviation to make it fit lol#also evey time I've tagged a post Symbiote!Hobie this is who I've been thinking of!#I just didn't have a name for him back then#just to reiterate - Symbiote!Hobie and Venom!Hobie are two different people#their symbiote form looks the same but that's it#Venom!Hobie is -138 hobie with a symbiote but everything else about him is still hobie#Symbiote!Hobie is Sage who's another version of hobie from his own dimension#hope there aren't too many spelling errors but it's 1 am here and I've read through it once already so sorry if I missed something!#gonna post this and then go to bed lol#I'm addicted to that angst but I tried to give him a somewhat happy “ending”#though there's still a lot of room for improvement lol#also this is my fist oc which is very exciting!!!#idk if you can call it an oc when he's based on an existing character#but I've made so many changes to him that I feel like I can allow myself to call him an oc <3#Symbiote!Hobie#Sage#hobie brown#spider punk#symbiote oc#symbiote hobie#gwen stacy#peter b parker#miguel o'hara#margo kess#across the spider verse
20 notes · View notes
crescentfool · 6 months
Text
beaming everyone on the dashh with good brain day vibes!!! i hope that you all can remember to extend self-compassion to yourself whenever you're feeling down about something 💙
#lizzy speaks#the human brain works in such profound ways i think#lately i've been thinking about that post that was like 'you will always be your oldest friend take care of yourself'#it's definitely a sentiment i agree with and i appreciate how it emphasizes the importance of extending compassion to yourself#you wouldn't say such hurtful things to your friends right? (or at least i'd hope so)#so why would you say it to yourself?#you are your own friend too. and i think everyone has a beautiful soul within themselves. nurture it! water it! feed it good thoughts.#basically i wish everyone a 'i hope that your brain is not your own enemy but rather a friend that you can find comfort in'#things will work themselves out with time. there's beauty in life and you will find small delights to cherish!! i am manifesting it for u!!#and for those who find it difficult to transition from a self-critical mindset to one that's more compassionate and nonjudgmental#i truly think that with time you will be able to rewire your brain to be kinder to yourself. i'm proud of you for taking any first steps :)#there are times in which it feels counterintuitive to go against habits that feel hard-wired... but brains are very malleable littel guys-#with such a wonderful capacity for changing and learning new things. so i hope everyone can learn to be their own best friend!#not to undermine the importance of a support network ofc. that's good too and im all for that!! but i hope everyone remembers to be kind-#not only to others but also to themselves!! you're going to do great out there!! i love you all!!#ive just been thinking about this a lot... i needed to get it out there. you all shine so brightly!!! we shall be fine!!! have a good week!#sorry if this is out of nowhere but if there's anything about me you should know it's that i'm the 'hey dont cry 8 billion people on earth-#ok?' post. idk i just find great joy in knowing others are out there thriving and finding a daily delight yknow i love humanity!!
21 notes · View notes
lambjock · 4 months
Text
genuinely hope natalie keeps jackie's necklace in s3 -- that she fiddles with it and stares at it, a little crooked heart on a golden string, and thinks about jackie taylor and how never in a million years would she have given this gift to nat, and yet it now belongs to her anyways. the good luck charm. the blessing of protection. an undying promise of a love natalie has struggled to know her whole life ( i would never hurt you on purpose / you're my best friend and i'd do anything for you ) and most importantly it's something that replaced the cold steel of a knife against her neck in the form of their soccer captain's delicate heart. it's hers, hers, hers, and when her head is weighed with antlers the only warmth she feels is from a metallic shape that's long since indented itself against her sunken, bony skin. a love she'll pass down to prey she'll always feel sorry for but a love that'll return to her all the same. and maybe in a kinder life it was something nat rightfully earned rather than the premature consolation it really was. and maybe in that other world the necklace comes from a well maintained, plushy hand : dangled into nat's ring-clustered fingers with a smile. and instead of pitiful sorry i love you's, it's a sickly fond look, one that's just for her.
16 notes · View notes