#i've been wanting to do something with this color palette for a while!!

[grapecinnamon]

I haven't talked about Welcome Home on tumblr for a while (been busy with college and processing the holiday update) and while I want to go into all the stuff I found neat (and little observations and theories I've thought of), I've had this little headcannon plus scenario about Wally

Wally is like the resident advice giver, but he only really gives advice when no one expects him to, possibly when he feels it's right to.

Like Frank is lamenting to Wally (seems like something he would do a lot) and tells him how he wishes there were more people in the neighborhood who where observant and smart like him. Really what he means is he wants more grouches, but Wally can see right through him.

So while Wally is painting and Frank is lamenting, he says, "Oh, you probably don't even know what I'm talking about." Wally stops painting and gives him his words of wisdom.

"Sometimes people want others to be like them. But there's a reason why we're all different. We all need something different to be. I would hate for everyone to be like me."

Frank raises his eyebrow and says "What do you mean?"

Wally takes his palette and paints little shapes on the canvas. Each one is a different color and shape and they all represent the neighbors. Frank recognized a yellow rectangle as himself.

"We're all different shapes, colors, creatures, but what really makes us unique is our purposes. We all have a different one." He recites this next part like he's reciting a poem:

Barnaby is Boisterous,

Howdy is Helpful,

Julie is Joyful,

Sally's a Star,

Eddie is Ever-so Everywhere,

Poppy is Pretty Petrified,

And you Frank? You're frank, and that's what makes you you

Frank thinks to himself. Wally's right. He's Frank, brutally honest and smart Frank, and no one else could be like him. But now he had something else to ask. "But what's your purpose, Wally?"

"My purpose? Ha. Ha. ha. I'm Wonderfully Wally. And I wouldn't want to be anyone else. Not for my Humble Home." He turns back to the canvas and continues to paint. It seems like now he's making little details on the shapes.

Frank turns to leave and before he does, he looks back at Wally, realizing he's more Wise than he thought.

Just a little discussion. Also sort of based on the theory that the neighbors have a certain purpose they have to fulfill in the show

#welcome home #welcome home puppet show #welcome home arg #welcome home fandom #wally darling #wally darling welcome home #welcome home discussion #welcome home scenario #frank frankly #welcome home frank

[vullcanica]

   ― How the flesh parts for you. Surrenders and yields.

ft. Antonín (@vilestblood)

#𝐓𝐇𝐄 𝐍𝐄𝐂𝐑𝐎𝐌𝐀𝐍𝐂𝐄𝐑 ‒ nikodemus ║ VISAGE #𝐎𝐏𝐔𝐒 ‒ art ║ #you fashioned out of me a temple of need - vilestblood ║ nikodemus & antonin #yeah maybe i was inspired by sunday talk but this has been in my head for a while now. pretty happy how it turned out #introducing: nikodemus' unhinged needle/piercing kink and masochism and antonín's penchant for sweetly indulding him #as any doting loving partner does shfjsfsks #also MAN i've wanted to do something with antonín's paleness and contrast for such a long time #oh and color palettes? so this is essentially all of that in one #/blood #technically even though it's a diff color #/needles

[lustrousims]

✿ Runner || cc set

im baaaaack, and I bear gifts with me!

The download includes:

⚘ 4 meshes - 3 tables and 1 coffee table runner

each table has 12 wooden swatches, the table runner has 32 swatches using this color palette

⚘ each table has a ton of slots, on top and at the bottom shelf. go crazy!

✿ this set is in honor of my little sister who passed away one year ago tomorrow. I told myself I could either grieve and sulk all week, or do something productive that I've been wanting to do for a while. thank you my little love for giving me the push to finally finish this set!

✿ download || free

@public-ccfinds @maxismatchccworld

#s4cc #sims 4 cc #s4 mm cc #sims 4 maxis match #sims 4 download #sims 4 free cc #maxis match cc #ts4cc #sims 4 #sims 4 clutter #sims 4 maxis match cc #ts4 #lustrousims #my cc

[comicaurora]

Hi! I finally got the chance to read Aurora a bit ago. It's a wonderful story--all I was expecting and better! I was particularly amazed and delighted by the artwork and visual mechanics used to tell the story, so I wrote a post to yell about how cool it is and break some of it down. (No criticism, just praise.) I'm mostly a hobbyist, so I'm hoping I've done it justice.

That said: zero pressure to read it or respond to this ask. Normally I wouldn't send it since I tagged, but I know Tumblr's notifs are a mess and things get lost very easily. I've been in both the "one (1) word of praise will feed me for a year" and the "oh gods don't talk about my writing/art because anything that seems Off will break my brain" modes before, and I absolutely don't want to push or make you uncomfortable!

If you are comfortable, however, I wanted to ask about your use of what I'm assuming are Screen and blending modes in sound effect words. (I'm only guessing that's the technique, though, so I could be totally wrong about how it's done! I'm mostly experienced in image manipulation in Photoshop.) Making them semi-transparent over the actions is genius :) What inspired you to do that, and are there specific techniques you use to make it work?

Same questions go for using specific colors to distinguish different characters' words and actions. I really noticed it in the cave sequence with Falst and Dainix, since their colors are so vivid in the dark (ex. Falst's little swats and Dainix's swooping kick at 1.20.9). It lends excellent clarity to busy scenes.

Thanks! Have a lovely day, enjoy your break, and happy holidays <3

You're correct about the technique! "Screen" is the blend mode I use most often for sound effects. I stumbled on it mostly through trial and error - I love how sound effects add depth to a comic panel, but it's very easy for them to obscure the art in a way I find counterproductive, so "Screen" lets me put the sound effect directly over the origin of the sound while still letting it be visible through the word. Early chapters didn't have it as much-

Most of the sound effects in early chapters are just solid colors with reduced opacity if I'm feeling fancy. But I started figuring it out around chapter 8 and 9, because Falst is kind of a sound-effect-heavy guy, especially in his fight scenes.

In order to make sure they don't impede the visibility of the action, I'll often soft-erase the top or bottom half of the SFX to reduce its opacity while still leaving it readable.

I'll usually double that up with an outline on the SFX so it's still readable. This is an especially important consideration if the SFX goes over an area of the background that's very bright or glowing.

Color-coding the speed lines and SFX to the character or force causing them isn't a hard and fast rule, but I like using it (in part because it's a habit from the OSP illustrations, where every character has a single pop of color in their lineart) mostly because it sort of codes every sound to make it clear where it's emanating from, or the general feeling of the sound. Since I normally do character-colors for SFX, something like this stands out more jarringly-

Which it's supposed to, but a big lightning strike doesn't register as anything too worrying because it's just Tess up to her usual shenanigans.

It's also very useful for magic effects, because each form of magic has its own associated palette.

And when I had a very complicated fight scene in a dark environment, I used the texture pattern I'd already made for the monster to color its SFX, so when I Screened them onto the panels they didn't obscure too much while still communicating "this is something else."

Changing the weight, lined-vs-not-lined, and opacity of the SFX words also helps to communicate that not every sound has the same feeling. A strong motion is solid and aggressive, but a crackling, unstable sound is more ephemeral and staticky.

It's definitely been a process of learning as I go - looking back at the earlier chapters I can actually see when I first tried various tricks I now use regularly, like doubling and distorting an SFX to produce the effect of a camera-shaking impact. I haven't really seen any other comics that do it like I do, probably because most other comics follow a more traditional production pipeline where text bubbles and sound effects get locked into the composition early, before the inking stage, because traditional physical comics don't have digital-art layers to play with. Adding sound effects to a page is almost the last thing I do before exporting them, and that only works because digital art and layers allow for a ton of flexibility.

#asks #aurora #art stuff

[canisalbus]

Hello! I'm not a furry either so I'm not sure how I stumbled upon your art, but I'm glad I did because I love everything you do for Machete and Vasco and I admire your art and how much effort you put in fleshing them out. They're gorgeous, and your colouring style is very pretty, too! I'd like to ask some things about them, if you don't mind.

1) Are they specific dog breeds? (I remember you said you're inspired by Borzoi fur for Machete's neck fur!)

2) Are dogs your favourite animal to draw?

3) How did you decide on their names?

The question about the names is because, fun fact: Vasco is an extremely popular football team from Rio de Janeiro, and right now they're competing in Brazil's largest football championship to become the country's champion. So I've been imagining Vasco dragging Machete to a football match and being wildly into it while Machete looks lost in the rambunctious crowd lol but also because I'd like to know if you're applying a nationality to them at all. Their clothes have picked my curiosity!

Thanks for sharing your art with us!

Ah, thank you! I'm glad you like my art and little guys.

1. Both of their breeds are fictional.

Vasco is a scenthound type of dog, if you applied Segugio Italiano's colors to Ariégeois/Porcelaine bodytype you'd get very close to what he's supposed to look like.

Machete is a sighthound and his closest real life counterpart would be Ibizan hound. He's mostly just a little fluffier here and there.

2. Yes, dogs are my favorite thing to draw. Canines in general. Sighthounds in particular.

3. I created Machete almost 16 years ago, I think I was simply reading about weapons and thought the word sounded sharp and had a good rhythm to it. In-universe "Machete" isn't his real name at all, it's something of a mean-spirited epithet/nickname he's acquired from his colleagues (mostly for being efficient at powering through mountains of thankless work, his severe (and increasingly cut-throatish) personality and the fact that he's originally from the part of Italy that was ruled by Spain at the time). His actual name (the one Vasco uses) hasn't been revealed.

I had liked the name Vasco long before I assigned it to this character, to me it sounds friendly and energetic but also noble somehow (but that's just my impression, I don't know any Vascos personally). One of the deciding factors was his color palette, I wanted to aim for shades that would resemble gold. In Finnish, "vaski" is an archaic term for warm colored metals like brass, bronze and copper. It's far fetched in retrospective but when the connection popped in my head I had to go for it.

As for the nationalities, they're both Italian. Vasco is a proud Florentine and Machete is originally Sicilian and now lives in Rome.

I can see how Vasco would be into football, Machete less so.

#answered #anonymous #Vasco #Machete

[spop-romanticizes-abuse]

so 96% of you wanted to see me do a redesign of mermista. and while i can draw, i've been stuck in an art block so i opted to just draw over her current design. i don't hate all of it so i'm not changing everything.

let me go through the complaints i do have about her design.

first off, she does not look like royalty in the slightest. she just looks like some girl who likes the color blue. even the gold accents don't really help. i'm not saying she has to walk around in a gown and tiara but at least add something to her design to indicate that she's a princess?

secondly, those clown shoes are NOT IT. who even thought of that? they look uncomfortable and ridiculous, and doesn't make sense for her character design.

those sleeves/armor (??? i honestly don't know what those are) and gold gauntlets also do not look practical in the slightest. they look like they'd be a hindrance for a swimmer. and guess what, she still has them in her mermaid form.

the OG mermista design wasn't the greatest but at least it looked like she could swim comfortably.

so my objectives were:

give her outfit a more streamlined look so it would make sense for her powers

make her look like actual royalty and not some girl with a cool color palette

expand more on the indian-inspired design and reflect that in her usual outfit, instead of putting her in a saree-inspired dress for one episode and calling it a day (i say saree-inspired because it's not really a traditional saree, but more like a modern and slightly western rendition)

i made two versions of her redesign - one with a dupatta and one without. the dupatta, i understand, could be a hindrance in certain situations but i just wanted to give an example of how to take inspiration from a culture instead of just using it for brownie points. a dupatta is something indians would wear with their casual attire, mostly with salwars, unlike sarees which are generally reserved for special occasions (there are sarees that are casual wear, but they're still not the most convenient).

secondly, i gave her a headwear inspired from desi wedding attire and older indian tiaras. mind you, indian tiaras themselves are a lot more complex and beautifully crafted, but 1. it would take me ages to draw all the details and 2. i figured mermista would go for a simpler look, especially when she's not at her palace. also, while indian headwears are usually made with gold and jewels, i gave mermista's headwear pearls because.. pearls, oysters, ocean. mermaid vibes.

i changed the shoes and gave her a pair that are inspired by water shoes. i know that she would transform into a mermaid while swimming anyway, but these still look more comfortable without serving clowncore.

i replaced her gold accents with silver because the gold doesn't really mesh well with the teal, in my opinion. while indians are known for their love of gold, a lot of people nowadays opt for silver, because it is less expensive and more compatible with casual wear.

i highlighted the fishscale pattern in her outfit since you could barely see them in the original.

i gave her a bindi and the necklace that 80s mermista wore, as a tribute to the OG show, and the design is complete. i know that some of these may not be the easiest to animate but if they could animate perfuma's cape thing, entrapta's hair and a hundred different outfits for catra; this design is just child's play.

let me know what you think of the redesign and if you want me to do the same for the other characters!

#spop critical #spop #spop criticism #spop discourse #she ra #spop redesign #character redesign #character design #mermista #mermista redesign

[thewinterpillarhashira]

i owe everyone a smol collection and commentary to wips/scraps i did before, during and after the fime i went into ur average cliche hollywood cringe emo phase

^^ THIS. oh my god, where do i even start about this.

MY GOSH this was like, the last thing i did b4 i fully succumbed to burn out as a whole LMAO

i made this becoz i got inspired by marc brunet doing yoneyama mai’s style vid that passed by my feed as i scrolled through hoards wanting even a single dose of motivation to prevent what i knew was an upcoming artblock.

and y’know me, i HEART yoneyama sm. so seeing that was my absolutely yumyum cup of tea—temporarily 😭

u see, EVERYTHING WAS GOING SO WELL⁉️ until i reached my limit at (unsurprisingly) hair shading.

needless to say, this was scrapped becaz—sure, the idea was overall wonderful—but the way i did the blue moon weed flower and the lighting was just NOT it for me at all. nuh uh (i essentially went through a major sob story era after this BUT i convinced myself it was just a phase—and guess what? IT WAS!! showed myself i own me n i do me 🗣️ WHOS THE ALPHA⁉️😈)

(..i aint ever physically, mentally, emotionally nor spiritually recovering from typing that.^)

^basically, after struggling to find myself for a while, i soon fortunately managed to get back to it in the slightest!;) andddd so, recently, i alas decided to do something just for me.

no more frieren fridays(+apothecary dairies) were honestly hella extra upsetting when it happened during an existential crisis moment. but hey, i got to finally draw some characs i rlly love!

these are some 30 min warmups to both challenge and to have fun myself considering its been quite some time since ive picked up my pencil and done smth worth my while.

personally content with this. moreover, it genuinely helped a lot for me to start drawing stuff again;)

^now a quick sketch i did with a palette that was somewhat out of my comfort zone.

if you’d notice, i usually use pastel colors when i do things—which i realized as i reminisced my journey and the friends we made along the wa-

in short this was a lil tryout i didto NOT do’at 💪

nothing much to say here other than that this is my forgotten genshin oc whom is now practically a test dummy for me to use whenever i have to experiment colors bcuz she doesn’t have an official one (yet…jk thats never happening sux to be her 😂🤣)

^notbing much I've got to complain about here

it's literally just a mulihaohao art style study

with ri as stelle lmao

i merely got too lazy to get it done

will prob finish....ext year-

..last but DEFO the least, a hu tao with miku fit sketch i ditched

#foolishnyx #OKAY I HAVE A GOOD REASON FOR THIS. #i had NO clue where i wanted tje lifhting to go. #I HAD EVERYTHINF PREPED #or so i thought #BCUZ TURNS OUT I WAS SO EXCITED TO DRAW RHE IDEA THAT I FORGOR THE MOST BITAL KEYPOINT THAT KEEPS ME GOINF DURING COLORING #THE DAMN RENDERING N ALL!!!1!1 #so yea i gave up #genshin impact #hoyoverse #hatsune miku #hu tao #genshin hu tao #hu tao genshin impact #hu tao fanart #sketch #wip #scrapped art #artists on tumblr #digital artists on tumblr #😢😢😭😢😭😢😡😡 #sousou no frieren #frieren at the funeral #frieren: beyond journey's end #frieren fanart #frieren ubel #land frieren #ubel frieren #genshin impact oc #genshin oc art

[barananduen]

Art Advice: How to Deal with Art Block

Welcome to my Art Advice Articles series! In this issue, we'll talk about the different types of art block and how to break through them.

TYPE 1: I want to draw, but I don't know what!

TYPE 2: I want to & know what to draw, but it doesn't come out right.

2a) I've never been able to draw the way I want

2b) I used to like my art, but not anymore

TYPE 3: I have ideas but no motivation

TYPE 4: I want to draw, but I'm scared my new art won't measure up to my last good piece

Choose your type of art block from the list above the cut, and skip to the corresponding section below:

🌟TYPE 1 - I WANT TO DRAW, BUT I DON'T KNOW WHAT!

This is the easiest type of art block to deal with. DRAW ANYTHING! It doesn't have to be something spectacular; drawing an object on your desk or in your room will do; it will help you break out of this art block. Here are some ideas for you:

Ask people for suggestions. You don't have to draw all of them; just do the ones that appeal to you, in any way you wish.

Draw random objects: decorations, an insect, a slice of pie...

Close your eyes, draw a doodle/random shape. Open your eyes, try to make a creature out of it. Now redraw the creature with purpose.

Draw a scene or character from the last movie you watched / book you read / song you listened to.

Experiment with a different art form, like photography, crafts, dancing, etc. or a different medium (acrylic, pastel, pencils, etc.). This will shift your focus while still keeping your mind thinking creatively. Working with different art forms will: 1) loosen you up, and 2) give you ideas that you can apply to your main form/medium.

The last idea has another benefit. While working with a new art form, you will hone different skills, that will help you with your "main" medium if you have one (or the media you normally do). For example, if you draw and are stuck, working on photography can help you with composition and depth of field, among other things. Scrapbooking or making collages can help you with textures, color palettes, and also composition. Sculpting can help you with volume and angles. Dancing can help you with poses. You see things in a different light and can come up with new, fresh ideas. :)

🌟TYPE 2 - I WANT TO & KNOW WHAT TO DRAW, BUT IT DOESN'T COME OUT RIGHT

This type can take two forms:

a) You've never been able to draw the way you want; or b) You used to like your art, but now you no longer do.

The good news is: both are temporary!

⭐ 2.a - I'VE NEVER BEEN ABLE TO DRAW THE WAY I WANT

Many, many people who are starting with art are under the misconception that art learning is a relatively quick process, that you can get good at art in just a couple of months, whereas the fact is, it takes years to get to the level we want, with art as with anything else.

Exercise what I call The Three Ps:

Patience

Practice

Perseverance

We must have patience! It's important to give yourself time; focus, don't rush, and don't get exasperated when things don't go the way you wish they would. They will, with time.

In the meantime, practice! Do studies (from life or photos, not from others' art so you don't accidentally copy other artists' mistakes). Learn how to use shading to convey volume. Practice different light sources. Learn and practice anatomy. Learn about lighting and colors. Try different subjects, styles, genres - experimenting and learning to draw different things is super important! Branching out will not only aid in building your skill-set, but can also help you find what you like.

Keep going and don't give up! You must persevere!

While you're doing that ...

Focus on the journey, not just on the end goal. It is important to enjoy the process for its own sake. This attitude will help with patience and perseverance, and will keep you happy longer.

While you're doing this, don't feel discouraged when things don't turn out the way you want! EVERYONE makes mistakes! And everyone has had to go through a learning process. Just because you don't see others posting things with mistakes doesn't mean they didn't happen. Take mistakes in stride, have a little humor with yourself, and learn from them.

⭐2.b - I USED TO LIKE MY ART, BUT NOT ANYMORE

Usually, when you feel you've hit a wall, when you feel like you're no longer happy with your art, it's right before you begin to improve again, so don't let that feeling make you quit.

What happens is that your brain (your inner art critic) is no longer satisfied with your current work because you've seen things you like better, and, subconsciously, you're going "my work would be better if I could do _." The thing is, once you become aware of what that blank is (which will happen), you'll start working toward achieving it, and you'll be moving forward again.

Sometimes it's helpful to take a short break to clear your mind a little, like when you've been working on a project/paper too long and need a break from it because you can't think anymore. Take a few days, maybe a week or two, but don't quit entirely! In the meantime, you can use your creativity in other media. Try photography, crafts, decorative cooking, anything! Give yourself some time and approach things with a fresh perspective. Give your brain a break from what's bogging you down.

When you come back, you can do three things:

Try again. Sometimes things just "click" after you've taken your focus off of the matter for a while, like how you can better spot errors in an essay after you've laid it down for a day or two, than right after you've finished writing it

Go back and review the basics again. You don't need to spent ages doing this; it's just a refresher. Sometimes, we get hung up on our methods and forget something we once knew we should be doing. A refresher's always good. Personally, I make it a point to go back and briefly review the basics every couple of years.

You can try approaching things in different ways. Experiment! Do things in ways you didn't do them before. Try different types of lighting, coloring, shading, for example. Maybe you'll find something you like better than what you were doing before.

The important thing here is to realize that this sudden dissatisfaction with your work is a GOOD THING! It means you're about to make a leap and get even better! So, embrace it and don't feel discouraged by it!

🌟TYPE 3 - I HAVE IDEAS BUT NO MOTIVATION

This one might be brought on by other things going on in your life, maybe things that are making you feel down. Sometimes, even music or books or whatever used to get you in the mood to do art doesn't work.

Force yourself to draw -ANYTHING- (See TYPE 1 for ideas). This will help jump-start you, and then you can get back to drawing cool things. The same applies to writing - write anything! A poem, a haiku, an anagram. Do a few and you'll get back in the mood. If you do photography, just take your camera and head out. Take pics of ordinary things from different angles; try a type of photography you don't usually do. Don't worry about the results being good. Just focus on doing the thing.

When I've had this type of art block and did these things, I got out of it fairly quickly. When I didn't, and sat it out hoping it would go away on its own, I stopped doing art for five years, and in the process forgot many things I already knew about how to make art. Different people work in different ways, but I do recommend that if you feel this type of art block has been going on for too long, actively do something to try to get out of it, like the examples I mentioned above. You don't want it to drag on long enough to set you back in your progress.

🌟TYPE 4 - I WANT TO DRAW, BUT I'M SCARED MY NEW ART WON'T MEASURE UP TO MY LAST GOOD PIECE

Lastly, I want to address the mental cage that is choking under pressure. You can feel pressured by external sources (other people, social media) and by internal sources (yourself). Sometimes, you might feel like you have to perform at a certain level, and that pressure may make you perform below what you usually do. In worse cases, it may make you freeze and scared to even try! Don't let pressure play you wrong. Breathe deeply a few times and clear your mind… and draw without worrying about it! Just draw!

It's like how, sometimes, doodles on lined paper come out better than things you draw on a white sheet or on a canvas… it's because you're not putting pressure yourself to come up with a masterpiece.

Draw without worrying about how good or bad the outcome will be. If it's not as good as your last piece - nothing bad happens! Honestly! But you know what does happen if you freeze up because you're afraid you won't measure up to your previous works? You will not create equal or even better works at all! So, let go of the pressure, don't worry, and just draw. You WILL make better works; it's natural and makes sense. More practice and time leads to improvement, no matter what level you're improving from. Just give yourself the opportunity to do so!

Let go of pressure and expectations and just draw for the sake of it! You'll do fine.

Yes, it's important to challenge yourself and break out of your comfort zone to learn new skills, but sometimes (like when you're in this type of art block), going with your own personal strengths will give you the morale boost you need to draw again, and then you can keep moving forward and tackle challenges and new things with more confidence.

Believe in yourself! And remember: don't stop or you won't create the next awesome artwork you didn't know you would make, because your future pieces will always be better than your past ones. Don't forget that!

🌟CLOSING

I hope his article can give you some ideas and motivation to help you plow through your art block, whichever type it may be, and you'll be back on your way to creating beautiful works! 💟

~B~

You can find the index to all Art Advice Articles [here]

#art block #art advice #art tips #art help #art resources #artists on tumblr #art #how to #art tutorial

[vampyr-bats]

how do you determine your color palette...? color is something i have a lot of difficulty with and i really want to learn how to at least figure out a color palette 😅

i guess another way to phrase it is how did you go about learning color theory?

the number one most helpful thing i did for myself when teaching myself to color was to realize that every artist colors differently.

i already knew color theory in advance, i memorized every word i had been told throughout every highschool art class i had taken, but knowing the actual facts and knowing how to apply them are very different skills!

if you haven't learned the facts of color theory, i highly suggest these two videos (thing 1) (thing 2). <- the most important part of watching those videos is to hold them in your head as facts. if watching them doesn't make you necessarily understand how to apply them, that's okay! these videos are to give you the skills to be able to study color.

for a simple example, when it comes to picking colors based off the mood of your piece, pretty much everyone knows that blue will make an image feel more sad and emotional. yellow feels happy, red feels angry, pink feels affectionate.

a great way to teach yourself how to APPLY mood through color is to go back to a drawing you're already very proud of, and just mess around recoloring it. pick one thing you want to work on and try to use your color choices change the emotional effect of the piece.

it's incredibly helpful to use a piece that you have already colored, preferably one you're the most proud of. this is so that you aren't stressing yourself thinking about things like proportion or composition, and allows you to think solely about your color choices.

here's my example! for this example, my goal was to make this one feel far more bleak than my original finished piece.

i achieved this change by shifting the colors to all be more cold and desaturated, as well as making the blacks of his undershirt and tie look more washed out. most people associate cool colors with sadness, and dull colors with defeat. mixing those two makes the mood more bleak. color placement can also change a lot— for this version, i placed a lot of the blush color (which i desaturated significantly) higher up his face, which gives him a more horrified and thoughtful expression

once you've done exercises like this once or twice, a great way to decide how you want to color is to find out how other people pick their colors. one way to do this is color picking studies, and another is to watch youtube videos like this one where an artist explains their personal thought process while choosing colors.

if you'd like to know how i, personally, go about picking my colors, i would be happy to make a separate post outlining my process! it would take a pretty long time, though, because a lot of my process is to not leave things alone until i'm satisfied with how they look

the thing about being a self-taught artist is that everyone tells you that the way to get better is to "just practice," but that's not the whole story! art is a skill you have to build, and i've found the most effective ways to improve are to do studies, and to learn how to spot your mistakes and problem-solve until you can fix them.

i hope this was a good way to get you started on learning how to internalize and apply color theory! the more you study, and the more you learn, the better your results will be

#color theory #echolocating #art tutorial #art tips #artists on tumblr #digital artist #tma #the magnus archives #jonathan sims #how to color

[boymeetswerewolf]

Sterek Week '23 // Day 1, Only Just Begun / @sterekweek-2023

"Coffee Shop" color palette

i love you for sentimental reasons i hope you do believe me i've given you my heart - Natalie Cole, "For Sentimental Reasons"

"Coffee Shop"

As Stiles made his way to the counter with the gentle sounds of jazz drifting through the shop from an antique gramophone, he pulled out three singles from his back pocket to pay for his order. His eyes were trained on Derek, the somewhat distant, non-smiling yet excruciatingly attractive owner of the shop, who went about tidying up the counter and filling up the display jars on the shelf behind him.

Before he knew it, Stiles found himself standing at the counter and quickly put on a casual smile to try and mask the anxiety brewing inside him. He'd played the scenario over in his head a hundred times while sitting in the corner sipping his coffee, yet now that he had to act it out he was all jittery... or maybe that was just the caffeine.

"Hey, Derek," he began, his voice slightly shaky. He held up the three dollars for his order but before Derek could take it, Stiles said, "I was just wondering, uh, if I could buy you a coffee?" He looked up at Derek and immediately felt frozen in place like a deer in headlights as he waited for Derek to react.

"I usually like the five dollar stuff," Derek quipped as he returned two more jars of coffee grounds to the display shelf. 

Stiles, confused for a second, looked at the three dollars in his hand and back at Derek. "Uh... oh! No, this is for you. I mean— for me. To pay for my coffee, my order." The twin flames of mortification began to engulf Stiles' face and he was fully convinced his cheeks were as bright as a lighthouse, broadcasting his embarrassment for anyone within a five mile radius to see. 

Derek, who rarely smiled, offered Stiles a sly grin as he took the three dollars. "I know," he said softly. "You've been coming here every Wednesday - and sometimes Mondays - for the last six months and you always order a caffè misto, tall. It's $2.95 and you always tell me to keep the change, which I then donate on your behalf to the Wolf Preservation Fund." Derek took a nickel from the cash register as he placed Stiles' three dollars inside, then dropped it into the donation jar, Stiles' eyes following his every move. 

Chuckling bashfully, Stiles shifted from foot to foot. Derek's smile had caught him off-guard, but also somehow put him at ease. "Sorry," he said, not sure what he was apologising for but doing it anyway. "What I meant is I'd like to buy you a coffee sometime, if you'd like that. To get to know you better."

"And why would you want to do that?" Derek asked in return, the smile gone from his lips but still very much lingering in his eyes.

The soft music from the record player reaching Stiles' ears suddenly became familiar and he said, "For Sentimental Reasons," as he glanced in the direction of the old gramophone and the song's title sprung to mind. "I want to do it for... sentimental reasons." He looked back at Derek and suddenly the discomfort and anxiety seemed to wash away as his sincerity came through.

A half-smile returned to Derek's lips, this time expressing a softness Stiles hadn't seen before. "Well, you're in luck," Derek replied quietly. "I close up around 7pm. Maybe you should come by then, and we can have that coffee? Bring five dollars."

When Stiles overcame his disbelief that Derek said yes, he could hardly contain his excitement as he watched Derek's eyes meet with his. A moment formed between them, one they'd both remember for a long time to come. With a casual nod, Stiles replied, "Yeah, 7pm sounds perfect! I'll see you then."

The exchange was brief, but left Stiles with a newfound sense of anticipation. As he left the shop, he didn't see Derek's ears turn a bright shade of red, or the broad smile he tried to hide from the other customers. Neither of them knew this would be the start of something new, something wonderful, but it was just the beginning.

#sterekweek2023 #sw23theme #sw23onlyjustbegun #eternalsterek #sterek #my sterek #my art #my fic

[heartfullofleeches]

i've missed the gallery, so here's a question. how would the gallery gang be with a nightguard/frequent visitor reader who's an aspiring artist? i've seen people talk about going to actual galleries for inspo or just sketching the paintings, and was wondering if the art pieces would be honored to be models or something. i dunno man this is my first ask im not sure how this stuff works lol

(I've done this as individual hcs - hope you don't mind!)

The Scavenger

"Draw, please..." "You want me to draw a candy wrapper?" "Draw."

If you want inspiration, Scavenger has got you covered. They'll pull out their finest stole goods for your seeing eyes alone - necklaces, vintage toys - and pretty much anything that catches their eye or isn't nailed to a wall. Most nights they just hold up a pocket mirror and tell you to draw what you see, because it's the best thing in the gallery. If you give them your sketches, don't be surprised if they just shove them in their mouth and return to their painting without another word. Something this precious must be kept on their person at all times.

The Painter

Gasp. A future master in their presence? Well, the only correct course of action is for two geniuses to put their heads together, and create gorgeous works of art together that will bring tears to the eyes of any manner of creature. If you are a painter like them, they create a palette for you out of their own flesh and blood. Hm, as perfect as their colors are - something feels missing. As, yes. Red. That other guard has lots, and is being selfish by hogging it all. Not to worry, dear - your muse is on the case! Sir, sir! Stop running - your sacrifice is needed for greatness!

The Lady in Red

How charming.... Will you sketch her something to put on the walls of her cabin while you are away? She'll let you go for the evening if you do. Leaving old sketches around when there are others on site will also secure their safety as she'll drop everything to have a piece of you. Draw a picture of her and she'll be the wailing ghost of the eve.

The Faceless Angel

Monitors your location and makes sure nothing disturbs you. If you ask them to sit down they will start to hum to fill the silence, stopping if you look their way. Even if you ask to sketch them, the angel is surprised when you show them the finished work. Ah, they've gone and ruined it with their tears. If they are allowed to be greedy, could you draw what you imagine their face to look like?

RoseBud

It's only logical a gallery would attract an artist. Rosebud points out the flowers that are in this season for you to warm up, and tells you to come when you're ready to draw the finishing piece. Their babes are extra yippy tonight, but they are just as excited as them and unable to contain it like their greater half. Give it directly to Rose or they will eat it, but unlike the Scavenger they feel bad and start to cry. Rosebud has some artistic skills of their own and will ask to draw you some nights

Soleil

You want to draw them? Oh, but their gears haven't been polished in ages - their casing could use a shine as well. Don't even get them started on their dials. Give them a few nights to spruce themselves up and they'll be the perfect model for you to sketch and adore

Anri

You draw? How cool! They'd love to draw with you, but they don't have the same talent as you. Would you still mind if they doodled a bit in your book anyway? Maybe when you get off work you can hit up a coffee shop and give them a few pointers.... Oh.

Julian

Outright steals your notebook and tells you to give up before you get ahead. Realizes he's doing the same as his parents and gets it back... with a few sketches thrown in the back. They're all of you in different parts of the gallery doing your job... Except for one. Why did he draw you sleeping? And why does he know the color of your bedsheets

The Director

How fun! The gallery is always open to new donations. He'd love if you drew him, or one of the many stories he has to tell. He has a perfect tale about a painter who got lost in the woods and tricked by a power beyond their understanding. Why won't you come up to his floor and let him watch you work your magic as he tells it to you? Kick back and relax. Stress is the last thing that should be on an creative's mind. Get comfortable...stay as long as you want.

#Night gallery #yandere imagines #yandere x you #yandere headcanons #yandere scenarios #male yandere #yandere blurb #yandere insert #yandere x reader #yandere oc #female yandere #yandere teratophilia #yandere

[palmofafreezinghand]

Aww, I miss you, lovely! I've been gone for a minute myself. Give me something sweet with Edward and Esme, or maybe Esme's pov of the Ephraim confrontation 💕

Thank you for the prompt! I miss you too, I hope you're doing well 💖

2007. 

After months of chaos, dozens of strangers in her house, and the ever constant threat of death looming over her family’s head Esme was savoring the first quiet moments back in her studio. No sooner had she laid a rough underpainting when a familiar footfall made its way down the hall and eventually stopped in front of her door. 

He did not knock, he never did, but instead walked into the room as if it was his own. He slumped into the loveseat — too big for the room but a requirement of him and his father —  slinging his legs over the armrest. 

“I’ve missed you,” Edward sighed. 

She raised her brow, eyes focused on her canvas.  ‘I do not believe I went anywhere.’ 

“I can not hear you,” he said, tapping his temple. “Bella,” he smiled like a fool whenever he said her name, “is practicing her restraint, she wanted to test blocking the voice I know the best.” 

“Is that not Carlisle?” She asked, noting how the shuffling of papers downstairs halted when she mentioned his name. Nosy or besotted, she was unsure which. 

“It appears I know what he is going to think before he does.” 

Her eyes rolled before she could think better of it. The two were too similar for their own good. 

“So I am second fiddle,” she said, attempting to feign annoyance. She knew better than to tease him, but he made it far too easy. 

“Think of it as you’re the person I know better than almost anyone else in the world.” 

“Mhm.” 

They fell into comfortable silence. Edward began leafing through a decade old copy of Architect Digest. Esme began mixing her color palette, something light and peaceful, a slow introduction back to painting. She would not let her art get tainted by the turbulence, the fear, the anger… 

“You truly can’t hear my thoughts?” 

“No.” 

‘You can not hear this?’ 

“If you are asking me if I can hear you the answer is no.” 

‘How did you know what I was asking?’ 

“I know you, Esme,” he grinned, that knowing smile he had worn since the day they met eighty years prior. 

She set down her palette and turned on her stool to look at him fully. ‘I enjoy jazz.’ His face did not change. She narrowed her eyes. ‘I think that sleeveless shirt you wear is ridiculous.’ Nothing. ‘Carlisle and I were the ones who broke your baby grand in 1948, we let Emmett take the blame.’ That clinched it. This revelation would have caused a civil war in their house, and yet nothing. Besides a slightly amused smile. 

“You can’t hear me,” she breathed. 

“You are too stubborn for your own good.” 

She scoffed, he beamed. “I am the stubborn one!” 

“Your husband is close behind.” 

“This is rich,” she laughed to herself. 

It was an odd feeling, being completely alone in her own brain while he was sitting across from her. The only time her brain had ever belonged to her alone were years she wished to never relive. She could think of anything at all. 

The latest bodice ripper she was reading. 

Their fight of 1927. 

The whispered sweet nothings Carlisle said in the privacy of their bedroom. Or his office. Or most recently the garden shed. 

“Please, stop thinking of Carlisle in the nude,” Edward groaned lightheartedly. 

“You said you couldn’t hear me!” 

“I can see your face,” he grimaced. 

“You are such a prude for a man who’s had a child,” she laughed, unable to deny his accusation. 

She returned her attention back to her paints, letting her thoughts roam, now with a few restrictions. 

“That’s the first time you’ve called me a man,” Edward said quietly after a minute or two. 

“No it isn’t.” The palette knife cut a dollop of prussian blue, then crimson, mixing the two in a pool of titanium white, mix. 

“Yes,” he nodded, “it is.” 

The three colors were now a well blended lavender. “I… it is not the… I feel as if… I must have thought it before…if not…” 

As she tried to formulate her thoughts, it dawned on her that in eighty six years she had never had to tell him how she felt, about anything. He had always known, was constantly piecing together her thoughts before she did. How was the first time she was expected to verbalize her feelings now? Was she supposed to tell him how much fatherhood had changed him, had fundamentally changed their relationship, how she could never view him as she once did?

Crimson, cadmium yellow slapped onto the palette with a smidgen too much force, six parts titanium white. 

“I know, Esme. We don’t have to do this, I know.” 

‘Thank you,’ she thought. She knew he couldn’t hear her. Yet something by the way he smiled and nodded, turning his attention back to the article he had read dozens of times before, told her maybe he just knew.

#edward cullen #esme cullen #my stories #thank you for the prompt sorry this isn't pure sweetness but every time i tried to write just them this conversation kept bugging me

[xandreath]

MHA Dragon AU - Toshinori Yagi © Xandreath 2023

So... I'm sharing something with you guys. Something very special to me. As a person and an artist I've always been drawn to dragons like... My entire life. They are so neat and easily one of my favorite thing things to draw. But then comes in fandoms, and my big love for MHA and all things Dadmight. So I thought of a way to combine the two and fill my heart with immense joy by designing my favorite hero as a dragon.

I took great care to make him unique and original, while still looking like a possible creature/animal. The warm color palette isn't something I'm used to, but honestly I've come to love it so much. Especially since drawing MHA fanart, and most Toshinori lol, I've come to appreciate yellow so much more.

But right now I'm in the middle of planning a big fic for this AU. I'm so excited for that.

Anyways, I give permission for anyone who wants to draw fanart of this design to do so if you like! Tag me if you do! I'd love to see it! ^^ Just don't claim this AU design as your own because then I'd be sad and cry at your house.

#yagi toshinori #my hero acedamia #mha #bnha #mha au #anime and manga #izuku midoriya #fanfiction #dragon #mha drawing #fantasy au #xandreath #xan's fanfics #fanart yes #dadmight

[comicaurora]

This is probably a weird question, but what are some tips you could give on character design? I've been trying to feel confident with my own designs, but they feel kind of bland... what kinds of things would you suggest to help make designs stand out more?

Hoo boy. Hm. I feel like I am not the right person to ask about this because objectively I do almost nothing you're "supposed" to, but if it's working I guess that means I might be onto something?

A lot of my design considerations are practical. I don't want to give anybody a design that's going to be a nightmare to draw over and over again. I've done enough commissions in my time to know when somebody is overdesigned and therefore hugely annoying to draw, and that's a no-no. So I tend to stick with simple patterns at most, not too many layers, no need for five million belts, no need for incredibly intricate hairstyles, etc. This is a practical consideration for the medium of comic art, but other mediums have different considerations - 3D-modeled art, for instance, can overdesign the characters as much as they want because they only need to model them once, and a lot of visual novel characters are limited to a very small handful of poses and some interchangeable expressions, meaning it isn't prohibitively complicated to make them a little Extra. The most time-consuming and frustrating commissions I've ever done were for characters who were frankly never designed to be drawn more than once. A quick sampling of highlights for the design features I swore to myself I would never deal with again-

So on a basic level, if you're designing a character to draw over and over again, it needs to be something you're willing and able to draw over again. Intricate patterns, a lot of interlocking plates, anything with lace - those are all things I try to avoid.

I've often seen the advice that character silhouettes should be super visually distinct, that characters should be very strongly shaped like different things. I think that's great if your style is that flexible, but if you kind of want everybody to be shaped like a human being with a skeleton, this advice is not very useful.

I think a diversity of body shapes is great, but the style I favor requires the anatomy to at least sort of makes sense, which means while there can still be a lot of variation in the distribution of muscle and fat, everyone's bones are gonna be in roughly the same place. I can't just draw a square and fill it with a dude. So instead I try and distinguish my character silhouettes in other ways.

Everyone's hair is different, and because most characters have big hair, this plays a large part in their silhouette. Falst and Erin both have short hair, but Falst's is a bristling mane while Erin's is usually more swept and soft-looking. Dainix and Kendal both have long hair, but even when Dainix's hair is loose it doesn't hang or flow the same way Kendal's does - it gets in the way, drapes in front of his face and overall doesn't move the same. Alinua's hair is bouncy curls. On top of that, everyone's outfits are fairly simple, but no two of them are exactly the same - Erin has a monopoly on poofy sleeves, Kendal has cuffed boots and the back-slung sword, Dainix has the poncho and the poofier pants, Alinua has the v-neck top with slightly pauldron-y shoulders and the slippers, Falst's clothing is ragged at the edges, etc. Even without getting into their distinct color palettes, everyone's at least a little bit distinct.

And this is another place where I purposefully try to avoid overdesigning. If everyone has too much going on it can circle around to being hard to tell the characters apart, because too much is happening. Who can pay attention to the fact that one character is sleeveless and one has asymmetrical boots and one has a mullet when everybody is wearing eight layers of embroidered fabric with four belts and half a breastplate on top?

Avoiding same-face is hard, and I'm not very good at it. But I do try to make sure everyone's face shape, nose and eyes are at least slightly different from everyone else's. It might not show from a distance and it might not be as extreme as a pixar design sheet, but it's something.

Ultimately the main consideration I keep in mind when designing characters is - perhaps a bit redundantly - their character. Who they are as people, and how that will impact the way they look. Everybody stands differently, and shifts their weight differently when a situation is changing.

Despite both being short, lightweight guys with short hair, Falst and Erin are wildly different people and are not going to dress the same, make the same facial expressions or hold themselves the same way. Despite both being tall, long-haired, generally friendly warrior badasses, Kendal and Dainix carry themselves very differently and react to things in very distinct ways. Tess and Erin have the exact same haircut and nobody noticed for ages because of everything else.

The designs aren't complicated, and compared to some, they aren't even that distinct. But I try to make sure that their personality is visible in every aspect of their design. Every "why?" in their design has an in-character answer, and since they're all quite different on the inside, keeping things simple means that starts showing through on the outside.

This is also how I can visually distinguish between Vash and Kendal, who have the exact same body and clothes.

we can never underestimate the importance of ✨body language✨

#asks #aurora #art stuff

[magnoliaroad]

Magnolia Road is Moving + Exciting Projects!

Hi there - Rizu here! It's been about a year since I last posted an update here. Life got really busy and pulled me away from Petz. As life calmed down I had the itch to return to some unfinished petz projects! Here's a look at some of the things I've been working on. The major one being the launch of my new home - Magnolia Road on Neocities! Keep reading for more details!

When I first launched this tumblr blog, I wanted a platform that didn't require a whole lot of set-up to get started. While it has served its usefulness as my first home in the Petz community, I need more room for the amount of content that I'm planning on making.

So I've been quietly working on a complete website overhaul and it's been such a blast. I think it will serve me better as a home for my crew and petz content. For the foreseeable future I am planning on keeping this tumblr for long-form write-ups on Petz things.

Without further ado, check it out here.

Not everything on the website is finished but I've put the 'good enough' stamp on it for now. I'm looking forward to fleshing out the pages more with some exciting content.

On that note...

Projects!

Something that I've wanted to do for a while is to create more custom content for Petz 5. Though Petz 4 is the community favorite, I feel Petz 5 has a lot of nostalgic charm and a lot of potential for quality of life upgrades. Despite Petz 5's glitches and bugs, I've by and large have learned to live around them without too much trouble and largely prefer some aspects of Petz 5 over Petz 4, such as the expanded color palette for playscenes, weather, day/night cycles, being able to carry all the toyz with you, etc.

With the new content that I am working on, I hope to inspire some more love for Petz 5 and make it a more welcoming home for your Petz!

So what am I working on? I've been working on a MASSIVE rework of the Petz 5 playscenes. They are quite dated and an eye-store in some instances.

So here's a sneak peek of what I've got going so far. These are not finished yet so these may change a bit!

I'm going for a Luxury Living theme based off of neutral beiges, greys, and gold, with a touch of rococo. I've painstakingly fixed the window sprites (they're a pixelized mess in the original), replaced the garden backdrop with my renovated back yard (see below), and gave the night scene some gentle spot lighting. No more ugly orange floor and yellow fridge.

Continuing on the Luxury Living theme, the family room gets an upgrade.

This one definitely needs more work before it is done but here's my Cozy Cabin themed room.

I've always disliked the original snow scene in that all the trees look like lifeless lumpy snow blobs. I wanted to bring back some greenery and make the scene look more vibrant. I replaced the really bland skyboxes with more realistic skies, with the night scene featuring an aurora borealis.

Inspired by my love for Lilly Pulitzer prints, this beach remodel is a more colorful upgrade over the original. I've recolored the sand to look more like....sand and less like this weird ugly yellow sand the original had. I'm planning to make a daytime one as well.

Salon upgrade. This one is very incomplete, so expect this one to change a bit. The original dresser is so hideous that it's hard to make it look "better".

And finally, perhaps my pièce de résistance and my most time consuming overhaul was the backyard. The original looks so junky with its broken fence, muted colors, and lack of landscaping. It definitely needed some more life to it. I hope I achieved that with my 4 seasons remake of the back yard. To say it was a challenge is an understatement. I had to make 3 versions for EACH season. Day, night, and stormy versions. So 12 BMPs along with the edited leaf sprites. The fall leaves are not stills - they are recolors of the original animated sprites and move in the actual playscene! I was excited to be able to pull this one off and I'm happy with how it turned out.

And lastly I've reworked the Petz 5 carrying case skin with a template that makes it easy to come up with new carrying case skins quickly.

Here's just one of the many carrying case skins that I have planned. This one matches the pattern featured in the beach remodel.

And there you have it! These are all works in progress and I can't wait to share more updates with you all. As always, thank you for stopping by!

#petz #petz 5

[girlfriendsofthegalaxy]

tuesday again 2/27/2024

this is the longest ive ever been unemployed and media is only doing so much to beat back the horrors. so let’s talk about the media instead of the horrors

listening

Come Up For Air by We The Commas, off i think one of the autogenerated spotify indie mixes?

sort of a rollicking modern little surf rock thing, they describe themselves as "surf and alternate rhythm and blue" which is pretty bang on imo. they're all brothers (their last name genuinely is Comma, which i salute as a fellow weird last name haver), and cite john mayer (i don't really hear it) and the beach boys (yes i hear this very much) as some of their influences. a song i had on loop for an entire forty minute drive and did not get tired of. spotify

-

reading

three books that MUST go back to the library tomorrow bc their autorenew is up and i was emotionally unable to get a library card without tooling around and getting a stack of books a month ago.

thank you philip.

i really only liked the Carmilla adaptation by Amy Chu, bc it really gets at what i didn't realize was the heart of the original 1872 lesbian vampire novella: a toxic gay housing situation you have fallen into and can't get out of bc your area is so so so expensive and housing is so so so tenuous. i have read the original but not in a while, this is an excellent modern adaptation centering around a nyc social worker in the late seventies that presupposes no knowledge and intertwines the original novella in the form of a stolen rare book. (nonconsecutive pages)

i don't have much to say about the DC young adult comic about the circus career of one of the Robins (Dick Grayson). i didn't love the loose artstyle and am not in its intended age range plus it had a bit too much therapyspeak, but it did have a clever use of a very limited color palette.

let's yank the amazon description for the detective novel, which i grabbed bc it vaguely pinged something in my brain about one of the fallout 4 sidequests and i've picked books up for worse reasons (SPOILERS):

Jacob Rigolet, a soon-to-be former assistant to a wealthy art collector, looks up from his seat at an auction—his mother, former head librarian at the Halifax Free Library, is walking almost casually up the aisle. Before a stunned audience, she flings an open jar of black ink at master photographer Robert Capa’s “Death on a Leipzig Balcony.” Jacob’s police detective fiancée, Martha Crauchet, is assigned to the ensuing interrogation. 

i simply fucking hated this authorial style and tone and ditched it two chapters in. i don’t currently have the patience for reading about a clinically insane mother and hate crimes against Jewish people. despite the fairly dark premise, the first two chapters veer into cozy mystery with very short sentences, which do not a noir make. now, it does not advertise itself as noir or neo-noir, but as an homage to noir. it is for me unbearably smug. in my most unkind heart of hearts i want to say it's like if wes anderson tried to make a noir. this is a book that wants you to know it has read other noirs. yes thank you ive read several others, that’s why im reading this one, stop reminding me of better books i could be reading.

there's some weird descriptions of womens' bodies in here. chandler (my beloved) is certainly guilty of this as well, but he lavishes a sort of equal opportunity eye on the men in his mysteries. cf the infamous daniel lavery description.

when i read a chandler description of someone’s physical appearance there’s a fruity bisexual aftertaste in my mouth. Howard Norman, below, saying a woman takes great care of herself puts my hackles up. i understand the difference between an author and a character believing something and i don’t want to read a book where either the author or the character have this sort of pitying condescension towards a woman’s body. im feeling extremely terrible about my own body right now due to the various maladies, and another sort of breaking point for me is when an author repeatedly describes "naked breasts" (exact wording) pressing against someone's torso. it feels so juvenile. that's the sexiest thing you can possibly think of??? that's the sexiest way you can think of to describe an early mornign moment of intimacy???? augh i read the NYT review and it gets worse.

shut the FUCK up. i left my apartment at 1130 PM to go put this book in my CAR. i don't want it in my HOUSE.

-

watching

Bullitt (1968, dir. Yates, free on Tubi). the baddie in this is Robert Vaughn (who i know from cowboys), a guy i fucking love to see. i can take or leave Steve McQueen but he does such a killer job parallel parking in this movie and i wish all driving movies made their leads parallel park. shockingly realistic hospital, morgue, and police work scenes, apparently was one of the big films to popularize blood squibs. also love to see a haunted man splash water on his face and stare into a mirror.

if you asked me how long the famous car chase was i would have said like 2:30? substantial but snappy. no!!! eleven minutes!! (video a bit trimmed). also a rare movie that makes a foot chase through an airport as exciting as that eleven minute car chase!!!

the mob dodging plot was a little hard to follow, but i was operating on like four hours of sleep and a rum and coke. this has got to be a tremendous movie to watch when you’re home and sick on the couch huddled under a blanket. i mean this as a compliment, as someone who watches Escape from New York whenever i feel very sick

-

playing

really wanted to get to 69 shrines before writing this post and finally did it. all the little divine beasts walking along the loading screen are SO cute i've never gotten all four before

all the divine beasts are unlocked and the champions laid to rest! im feeling some type of way emotionally speaking about all of them telling link IMMEDIATELY that it wasn't his or zelda's fault they died

rudania has the worst boarding mission (in order of ones i most enjoyed it's camel [SO fast and SO fun], bird [lots of time to think and plan and aim], elephant [did not make me do a tedious stealth mission but i am bad at locking on to rapidly moving things behind me, much like in real life], and lizard. the lizard stealth mission is simply unpleasant). however, my brain really clicked with the puzzles in rudania: i had to consult a walkthrough once for an optional chest. in order of interior beast puzzle enjoyment for me it's lizard, bird, elephant, and camel. really got stuck for a long time on the waterwheels with the elephant before consulting a walkthrough.

the yiga clan stealth mission was not as hard as i thought it would be. i don't know why i put that off for two real life weeks but i will not learn my lesson and i will never improve. this boss battle was just silly.

the vah naboris interior puzzles were not fun. idk what it was about them or my brain that made me have such a bad time, but i spammed revali's gale and skipped a lot of chests bc i was not having fun. this is why god invented the walkthrough but sometimes. shit is just too fiddly.

i did succeed on the thunder ganon boss battle first try, but i came in with extra hearts from mipha's grace, used another mipha's grace in the fight, went through five fairies and seven hearty simmered fruits that were 5x durians (which gives you 20 extra hearts or some shit). fucking nightmare. i was stuck on one hit left on ganon for like five minutes bc he got stuck in the very fast flurry attack cycle. unpleasant. deeply grateful it only made me smack him with the magnesis pillar once bc that was also really fiddly with my poor reaction time + poor fine motor skills + previously mentioned ancient controller with some drift. in order of boss battle enjoyment i think it's lizard (made me think and kept me on my toes a little but i did have to look up how to break the shield), elephant (you can just kind of tank it), bird (same), and camel (extremely not fun).

this was WITH a fully upgraded gimp suit btw. that shit (ganon) just hits hard.

shrine shenanigans:

crowned beast very fun, i have one or two of kass' songs left and then i hope i get to see him back in rito village with his family??? a little nervous bc i went right to the jungle spring without hearing his song first so idk if that will. count??? or softlock me.

the MOUNDS of failed cooking attempts around this shrine on the grasslands side of the gerudo barrier mountains were SO funny.

unlocked all the spring shrines. what a fun mission. what a fun climb.

went to my FAVORITE shrine!!! going into what you think will be a normal cave and discovering it is DEEP with a BIG WHALE INSIDE is top three video game whale moments (the other two are diving with the whales in ABZU and meeting the last whale in the first dishonored).

other bits and bobs:

eggman rocks???

this quest was really cute and i wish there was a corresponding quest for the guy hanging around the broken heart pond, but it always makes me laugh whenever a dragon shows up in the background of a screenshot. a really great touching moment but watch out for the elemental orbs rapidly approaching us

also made me chortle. get it together barta.

i wish the helm was upgradable but i think making me kill a molduga in order to borrow it is a pretty fair trade actually.

-

making

i originally had a really long thing here about litterbox trials and tribulations but i have decided to spare you all. you're welcome.

many balcony improvements, including putting up trellises and installing bird spikes to hopefully keep a very persistent orange tom off my balcony and away from my girls.

there are a goofy number of obstacles in the way of me making a proper planting diagram (sketchbooks buried deep in closet. flung the seeds in a box on a shelf i need to find my stepstool for. can't find pencil sharpener) so for the second week in a row that's not happening. however, sprouts.

baby italian lettuce blend

bush beans in the front and cucumbers + sweet peas in the back.

#tuesday again #tuesday again no problem