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#i'm like the hulk
evelina-maar · 2 years
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If you're cold, they're cold! Bring your vigilante lawyers inside.
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thelastharbinger · 2 years
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I’m already seeing male reactors get very verbally defensive about that scene in She-Hulk where Jennifer describes how, simply as a woman, she has more experience in suppressing rage than Banner because speaking out will get you labelled “hysterical”, “emotional”, “difficult”, “too much of a feminist”, the list goes on. And if you snap back at the wrong cat-caller, you can get murdered. So now mcu bros are rushing at the opportunity to cry out “this is just another ‘marvel throwing in another woke scene for woke’s sake’. But like...it isn’t untrue. Comic nerds are all for female superhero protagonists until she, god forbids, talks about the dynamics of what it’s like to live within the confines of patriarchy.
MCU fans are always clamoring for the social commentary to be more “subtle” and not so “in-your-face”, just so they can mindlessly enjoy a punchy fighty show and not have to confront any real-world intersections with racism, misogyny, xenophobia, transphobia, all the -isms and -phobias you can imagine. Additionally, even when the social criticisms are embedded into the story, the conflicts are routinely either overlooked or watered-down and discussed at the individual-level as if these are just isolated incidents and not reflective of larger phenomena. Dudebros forget that superhero comic media, from the very beginning, has always been political. A lot of the mainstream characters we know and love today were created in response to the anti-war and peace movements during the seventies in the United States (this is also not to say that there isn’t some definite war propaganda and Red Scare-inspired comics out there either).
Comics are teaching grounds for morality, human good, and bad, power, greed, corruption. Comics have been about the social commentary from the get-go. The idea that the government (and by extent society at large) is villainizing and surveilling a specific minority group who carry varying physical and genetic traits contrasting to that of the “ideal national subject” because of a perceived inherent aggression or difference based on their physical attributes *ahem ahem mutants*...where do you think they got that from?
I literally sat through a dude being like “IN MY EXPERIENCE AS A MAN, THAT IS NEVER THE CASE! IF A WOMAN GETS UPSET AND MAKES A SCENE IN PUBLIC, THE MAN ALWAYS LOOKS LIKE THE BAD GUY BECAUSE IT IS ASSUMED HE DID SOMETHING WRONG. MEN ARE THE ONES WHO CAN NEVER BE ANGRY.” (Obviously for Black men, my argument is different because when Black men express rage, they are viewed as a threat or turned into spectacle, but the person who made this rant was not a Black man, nor was he factoring race into his argument). As if masculinity and gratuitous violence have not become nearly synonymous. When male celebrities are accused of beating their partners, fans run to their defense to say “well she shouldn’t have provoked him.” When Will Smith slapped Chris Rock, the internet rooted for a televised boxing match between the actors/comedians. We all watched the Trump and Hillary debates right, where his belligerent behavior was coddled while she had to maintain composure?
We’ve collectively grown up watching male newscasters, talk show hosts, and reporters make jokes about angry women in sports, in the media or in news reports being on their periods, as a way to minimize the stressful and abusive circumstances, or people, women are subjected to. The world expects women to react to harassment with class and elegance; women’s anger, Black women especially, is never not mitigated. For male fans to come away from that scene wanting to eye roll is why the commentary is so “in-your-face” because a lot of y’all still don’t get it! Men are still finding ways to make women’s issues about them and the “loss” of their rights. In a world where Brock Turners are able to walk free, are you really trying to argue against this scene? Really? What else do you expect out of a series whose main character is AN ATTORNEY? Y’all are just not going to enjoy this series then, as per usual.
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razmerry · 5 months
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can the mediator of vengeanceclan really fall in love with a kittypet?...
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pixelpeebs · 2 years
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LADIES & GENTLEMEN!!!!!!!! WE GOT HIM 11!!!11!
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hopefulqueer · 8 months
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Hank Green on Dimension 20: Pelicans--
Entire rest of the cast: immediately erupting into nervous giggles
Hank Green:
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whetstonefires · 7 months
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“The Justice League and the Avengers are very different teams”
In what respect? Like, how would you say both teams differ in terms of overall function, how they respond to threats, how they’re viewed by their respective publics, etc?
😂 who even are you?
anyway, these two teams have been reformed and rebooted so many times and are the flagships of the two juggernauts of their industry, so their natures have evolved and influenced one another heavily over the decades as you see armies tend to do in prolonged warfare, so there is probably not one single statement you could make about either one that's always true.
it would be crazy to try to explain the difference in diegetic terms, because those aren't goalposts they're hockey pucks. the difference in kind exists at a publishing level.
fundamentally, the Avengers was designed to rest, in narrative terms, on everyone's personal relationships and neuroses, and develop soap opera subplots and office drama around how these intersected with each other and various villains. because in the 60s Marvel was launching the Big New Thing which was heightened naturalism and relatability in comics.
(spiderman and the whole genre of underdog superhero who can't catch a break rather than slyly winking at the audience as the world looks down on his secret identity, not knowing how impressive he really is, dates to this pivot of Marvel's. both Superman and Captain America did the latter in their early days, which is highly dissonant from Cap and Bucky looking at them today, but Cap was retired from print for like 20 years and got heavily rebooted for the new age.)
they had an actual mansion they could all live in, and many of them did, for a solid chunk of time early on. there's a reason people swung so hard for the 'everyone lives in stark tower' scenario foreshadowed at the end of Avengers (2012)--that's how the Avengers are! you bang the action figures together and give them angst and bonding about it!
they fractured repeatedly under the weight of all that drama (because psychology and because stories that don't end are unable to make any narrative sense, and breaking up a team is honestly a half-decent substitute in the Eternal Now of big comics) and at this point the current avengers is much more impersonal and even pays salaries, like basically the commune-underwritten-by-rich-buddy has reincorporated as an NGO.
but it still runs on the same types of narrative tensions mostly--huge epic stuff will be happening, but the Avengers tension comes down to whether everyone really hates T'Challa this month for that thing he did. and what this is doing to group cohesion.
the Justice League on the other hand was not built for character-driven story.
they've done plenty of them, after it became the done thing, and even imitated the Avengers and did the diegetic collapsing and reforming arcs and so on. but it's not fundamental to how a Justice League runs; you could do a super long run where the interpersonal tensions never rose above B-plot status and it wouldn't be tonally dissonant.
it would be weird for many of the Justice League to live together--when a character is shown living in Justice League facilities it is usually to signify that they are isolated and don't have a life and this is Bad. the Martian Manhunter and Maxwell Lord dominated era was deliberately aping the Avengers imo and came out weird as a result, and Lord turning out to be a mind-controlling supervillain was not unrelated to how weird most people felt it was.
the Justice League is like. joining a club rather than a frat. like being on the board of an NGO, rather than taking a full-time job there.
you know? the type of commitment is different. the level of intimacy is different.
cap and iron man's relationship has generally played out primarily in the context of their positions within the Avengers, even though it spills into their own titles, while superman and batman have had entire joint books just for them, and their friendship has not usually been allowed to take up much page time in Justice League issues. because that would be indecorous.
commercially speaking, Justice League is first and foremost an easy-buy showcase for high-profile hero characters and anyone you want to burnish up by displaying adjacent to them.
They've totally gotten messy with it over the years but like. I think the seminal Justice League internal dramas were 1) that time Barry Allen killed the guy who'd killed his first wife and was about to kill his second one and they put him on trial 2) that time Wonder Woman killed a dude who told her under truth compulsion that the only way to stop him from mind-controlling Superman to murder people was to kill him and they put her on trial 3) blah blah Batman paranoia exploited by eeeeevil (barely counts imo) and 4) that extremely oogy time it turned out the Justice League had been using magic to forcible reform criminals and erased Batman's memories of this being a thing when he found out and objected because ethics wtf.
That last one was sufficiently story-breaking they started pretending it hadn't happened as quickly as possible. Which was amazingly quickly considering Identity Crisis was the basis for things like killing off the presiding Robin's remaining parent. They actually soft-reset the whole world fairly soon after by timeskipping over most of a year and being like ahem anyway the past is in the past. And then the universe just kept serially ending for over a decade, so it's been weird.
Justice League has reliably gotten a shiny coat of polish with every reboot tho lol.
(Still not over the way they were like, okay we're wiping Green Lantern back to Hal but now we don't have the token black guy everyone who saw the cartoon expects, let's promote Cyborg people know him because of that other cartoon, ah shit he doesn't work without a partner to do bits with. well we can't put garfield logan in the justice league it's too prestigious, he's from the doom patrol for a reason, yeah i know we've had folks like plastic man shut up this is a Cool Sexy new reboot where Superman and Wonder Woman are fucking, we're not using friggin beast boy. how about Captain Marvel? yeah ok shazam is An Silly Joker now and besties with this 20 year old who may or may not know about his elaborate cognitive situation. i don't actually think they put even this much effort into it but otoh maybe they debated really hard and this was the compromise.
........actually vic could probably work up a decent oppositional patter with eel o'brien ik they were never gonna use plastic man but i don't hate it.)
Right. There was a point.
Obviously I'm probably missing a few big dramas here, but the point is DC was trying to keep up with the fantastic dysfunction of the Avengers because if it bleeds it leads, but even in the Dark Age they could not dive in groin first without tarnishing valued brands. The Justice League is simply not built to tell the same types of stories that the Avengers are.
In Justice League stories the narrative will typically be split in focus to a varying degree between the problems created by the villain and the personal emotional situations--the problems--of the heroes. Usually the villain leads and provides the emotional stakes. Only occasionally, overall, do problems between the heroes rise to the same level. Even when they're having them canonically in some other book Justice League tends to be ruled not the right place for that.
Secret identities are traditionally kept to a minimum in the League and League stories, though what this means in practice has gone through some shifts.
This is not just the difference between DC and Marvel house styles, though of course that's part of it, nor is it the League being older, because it isn't by any significant amount. It replaced the Justice Society of America in 1960. Other teams, even the Titans to an extent which was just the junior wing of the League at first, were allowed to get more into the grit sooner, and have the experimental story of Speedy's career-ending heroin problem happen and intra-team dating drama take the foreground, and all that. Doom Patrol was all about the dysfunction, god.
But the Justice League is simply not designed to be that kind of a team book, and when it's occasionally written that way the seams usually creak.
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haaam-guuuurl · 20 days
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Little Women Amy x Laurie Fake Dating Modern AU
Theodore Laurence and Amy March run into each other in France, after years of not speaking.
The not speaking thing wasn’t their fault, though, not really. But Laurie and Amy’s sister Jo, who’d been his best friend, had a big falling out a couple of years before, after he told her he loved her and she told him she didn’t. Consequently, Laurie took upon himself a March embargo, determined to completely forget about Jo and anything that could remind him of her, which included her family.
Which is a shame, since he’d been quite close with the March sisters, and came to regret not keeping in touch with Meg and her husband, his good friend John, and their new babies, as well as not being there as Beth got sick, and no longer seeing Amy, whom he’d started to be real friends with as well.
So, the contrast of denying himself their presence and suddenly being completely surrounded by Amy almost overwhelms Laurie, but as it turns out, he’s nothing but happy upon seeing her, as well as relieved.
Amy March is as bubbly as he remembers, even though she’s older, and accordingly more mature. She’s not as dramatic, he thinks, and seems to be more careful of what she says and how she moves. For a second, he reflects on how the innocence and freedom of childhood is truly gone, if Amy, the youngest among them, is now a grown woman, but mostly he marvels at the adult she’s become.
Amy, for one, is ecstatic at seeing Laurie again – he’d been severely missed in the March household, and while Jo had been annoyingly vague about what had happened between them, they got the gist of it, and gave them the room they needed to process it all.
Amy always thought it was unfair, though. That just because he and Jo had a fight, that no one else could be in contact with him either. Sure, they’d been best friends (which they’d never missed a chance to remind the others of, always going off on their own lone adventures), but Laurie had at least been friends with them, too. But they weren’t allowed to say anything, and Laurie became a ghost, vaguely somewhere across Europe, but as good as dead for Jo March, and so as well for the rest of them.
Finding him in France, though, leaves no room for Amy’s grievances, or her insecurities. They were friends, it’s clear now. They are friends. They can have their own relationship, independent of Jo, and she’s so happy to have her friend back, to have back a piece of home that’d been missing for long.
They become almost lifelines for each other in the foreign country. Laurie has his contacts, and Amy has made friends in the art course she’s taking there, but the two quickly become inseparable, almost as if making up for all the time they lost not talking - she fills him in in all things March; he regales her with tales of his gap year misadventures. And a misplaced piece of the universe rights itself a little bit.
So, when Amy needs an reason to refuse a date with Fred Vaugh – an old acquaintance, here on business, whom yes, she’s admittedly been flirting with for the past few weeks, but whom she can’t, in good conscience, actually go out with, because while he’s perfectly nice and respectable, he doesn’t actually do anything for her romantically, and wouldn’t that be leading him on? – Laurie’s is the first name to pop into her head, and is, she thinks, a perfectly valid excuse. Well, valid, with a few tweaks. Namely, saying that he’s her boyfriend, as opposed to the far truer, yet less usable, boy friend.
When she explains the situation, Laurie finds it weird. Then funny. Then, given the opportunity to act out the role at a party she knows Fred will be at, downright hilarious. Amy would be furious at him for making fun of her situation, if he didn’t manage to, at the same time, make a convincing enough showing that Fred leaves her alone. And, she has to admit, it is pretty funny.
It hadn’t been anything more than that, really. Shortly after, Fred went back to London, and the whole thing was simply a lark between the two friends, notable only because Laurie starts referring to Amy as a heartbreaker.
It only becomes a thing a couple of months later.
Amy has since returned home, her summer course over, and spends the first weeks of Autumn in Massachusetts, prepping for her final school year, looking after Beth as she waits for test results about her remission, babysitting the twins for Meg, and avoiding telling Jo about her summer, since she’s not quite sure how her stance on Laurie has shifted (or not) in the past few years.
This becomes apparent when Laurie calls her, a few weeks into the semester, to cash in.
Apparently, Amy has inspired him, and Laurie is returning to the US as well. Seeing her has made him realize he misses home, and, admittedly, his grandfather has been on him about what is an acceptable amount of time for a gap year. This decision prompted him to reach out to Jo. They talked, for a bit, and mostly everything was fine. Great even, and signs pointed to them being able to return to their friendship after all! Until Laurie had the brilliant idea to tell her he’s dating her sister.
Amy, which she feels he deserves, promptly laughs in his face when he tells her.
He says he’s completely and totally over Jo, he is! (Amy maintains a healthy skepticism about this, but lets him go on) It seems that Jo had been looking forward to seeing him again, but adamant that her feelings hadn’t changed, and hoped he’d finally moved on. He’d made assurance after assurance, but the only way he could think of to truly prove it was to tell her he was seeing someone – which isn’t completely a lie, as he had dated other people in the meantime – only to then pop out Amy’s name when Jo asked about it – which is completely a lie.
Here is where Amy questions his reasoning, since he could have said literally any other name beyond Jo’s baby sister’s, and how could he think she’d take that well, and Jo was going to think she’d kept it from her, Laurie, did he have any idea how furious she will be when she sees her at Christmas??
But Laurie maintains that Amy owes him for Fred Vaughn – which has her rolling her eyes every time he mentions it, because c’mon, that was nothing like this – and that she’d been the first person he’d thought of – which does warm her heart a little – and who else could he rope into a fake relationship who could understand the whole thing with Jo?
“Fake relationship” stops Amy in her tracks.
Apparently, Laurie has a plan. A whole plan.
Amy tries to explain that all her lie had demanded of him was going to cool party. Laurie doesn’t see the relevance. Amy wants to yell at him through the phone.
Laurie will be arriving in Massachusetts shortly before Amy’s winter break, giving him only a while to face Jo on his own (and hopefully mend some bridges), at which point Amy will return home, spend her break cuddling with him by the fire – “Is that really so bad, Ames?” – convincingly enough that Jo sees he has completely moved on. Come the New Year, Amy will return to school, and eventually they’ll break the news of their uncoupling, stating how they’re better as friends, and everything will go back to normal.
It’s so easy!
Sure.
It starts off not easy at all, when the very next call Amy receives is from Jo, demanding to know every single detail of her relationship with Laurie.
For all intents and purposes, Amy is pretty proud of her performance, actually, given how little time she had to prepare. She thinks she manages to sound convincing yet apologetic, explaining how they’d gotten close in Paris and had been keeping it low-key because they weren’t sure where it was going yet, plus the long-distance while Amy went back to the States and Laurie stayed in Europe, not to mention his previously chilly relationship with the rest of the family (a not-intentional, but also not-untrue dig at Jo, there, which Amy isn’t sure she gets or not). She talks about how she totally intended on telling her when they knew it was serious, but Laurie totally blindsided her by telling Jo so soon. The best lies, Amy finds, have a little bit of the truth.
“So it’s serious?” Jo asks, and Amy hesitates for a second. A serious relationship. With Laurie. Faking a serious relationship with Laurie.
Her heart does a weird little twist she isn’t sure comes from lying to her sister, the anticipation of the scale of the performance she’ll have to give when they’re all together, or something else entirely.
“I guess.” she settles on, and promptly puts it out of her mind. There’s no point in spiraling for the intervening weeks, she tells herself, even if she does get progressively more stressed out as the semester ends.
When she does get home, though, it’s all so familiar, her anxiety just vanishes.
She’s missed her family. As close as they’ve always been, it’s always been tough being away from them all for months at a time. As soon as she walks through the door, it’s all hugs and smiles, and she feels nothing but welcomed.
And, admittedly, despite everything else, she’s missed Laurie, too. He’s already there when she arrives, like he’d told her he’d be, and Amy doesn’t even think about it before hugging him tightly when she sees him. It’s been ages since they’ve been together in person, after all, and this after months of spending every day together. No matter what else is going on, she just missed him.
It’s only when Jo chides at them to “break it off, lovebirds” that Amy remembers, and hopes her resulting awkward smile/grimace is seen as embarrassment for being with her “boyfriend” in front of her family, instead of regret over her every decision of the past few months.
Other than that, though, it ends up being not too bad. As much as Amy is loath to admit it, Laurie wasn’t too far off in his plan. They don’t have to act that lovey-dovey, just sit together at gatherings, hold hands once in a while, talk amongst themselves for a bit. It’s actually remarkably similar to how they’d behaved nearly every day in Paris. Amy hadn’t even thought of it as romantic, though, not until now, when the contrast of how they used to be, in their childhoods, is so apparent.
Her family’s reactions aren’t so bad either. Dad makes a joke about Laurie having to watch himself from now on, but since it’s been well established how much he loves him and the Laurences, it’s never meant as nor taken seriously. Marmee attempts to have a talk with her about their relationship, but Amy manages to abort that pretty quickly. Meg looks at them like she wants to say something, but doesn’t ever actually do it. Beth, bless her, just tells her she’s happy for them. And Jo makes a few comments here and there, which almost get to Amy, until she reminds herself that the whole purpose of this thing was for Jo and Laurie to get their friendship back.
And it even seems to be working. Since she’s been home, Amy’s watched Jo and Laurie joke around, argue and play off each other almost exactly like they did when they were kids. She can’t bring herself to talk about it with Laurie, but he hasn’t said anything to indicate otherwise, either, not that it was going poorly between them, nor that it was going in any other direction at all.
She’ll admit she was skeptical, when Laurie explained his plan to her, and that a large part of it was because she wasn’t ever truly sure if Laurie was really over her sister, as he claimed. He’d seemed so in love with her, before. And he’d been so heartbroken, when she’d rejected him. A small part of Amy wondered if he wasn’t just saying all of this for show, and if, once he saw Jo again, his feelings wouldn’t come rushing back. Amy does hope not. Even if she had her doubts, she wants for Laurie to be over Jo, really. She never did think they be very good together, is all. And she doesn’t want them to go through that heartbreak again.
If she watches them closely, just to try and see if there’s anything in Laurie’s eyes beyond friendly affection… Well, she’s just looking out for him, isn’t she? For both of them, really, or even for all of them, because everyone’s been excited to have the March and Laurence families together again, and another big emotional fight is the last thing they need.
And if she’s a little relieved every time Laurie notices her there and comes over, slinging his arm over her shoulders, or giving her a peck on the cheek… Well, that’s not really anyone’s business, is it?
It all goes fine, though. Jo and Laurie are perfectly friendly, not a hint of romantic drama nor icy coolness between them, and everyone’s happy through the holidays, and no one’s seemed suspicious of Amy and Laurie at all.
Amy’s all but forgotten about the plan and her anxieties over it, until it becomes all too real right on top of her.
Literally.
On Christmas morning, after they’ve opened their presents, and once Laurie and his grandfather have joined them for breakfast, Amy’s just greeting him, like she’s done every day, when Beth pipes up.
Amy hadn’t realized. She hadn’t been there when they decorated the house this year, even though their decorations haven’t changed in years.
As it always has been, right in the middle of the archway that separates the kitchen from the dining room, and right on top of where Amy and Laurie are standing, is a sprig of mistletoe.
It’s not even a big deal. Beth is the only one who noticed, and then Jo, who turned to look at them when she said it, but everyone else is busy, no one is really paying attention to them.
Yet, in Amy’s mind, this is maybe the worst thing that could’ve happen.
Mistletoe. Of course there’s mistletoe. How could she not have remembered the mistletoe?
Laurie seems as dumbstruck as she is, but he recovers quickly. They’re supposed to be a couple, after all. Couples aren’t supposed to be completely terrified by the mere notion that they kiss.
Amy only has time to register that it’s happening before it happens. Laurie inches his face closer to hers, and Amy doesn’t move away, doesn’t say anything. She meets him when he reaches her, and they kiss.
Laurie only intended it to be a chaste kiss, anyways. Something tangible enough for the others to not get suspicious, but light enough as to not make things uncomfortable, threading the needle to slip under the guise of them not wanting to kiss in front of their families.
It was supposed to be a chaste kiss.
It’s not that.
It’s something else entirely.
Before he knows it, not only has Laurie stepped closer into Amy’s space, but his hands have come up to her cheeks, and Amy has responded by placing hers on his waist. His eyes are closed, yes, he can’t see the room surrounding them, but all of a sudden he isn’t even aware of it. The only thing he’s aware of is Amy.
It’s so familiar. She’s Amy. He’s known her almost all their lives. They’ve been close for most of that time, have seen each other in all sorts of ways, have touched each other numerous times, they’ve shared friendly kisses and teasing ones, they’ve even kissed under the mistletoe before, a simple kiss on the cheek, when they were very little, after which Amy had blushed furiously, and Jo mercilessly made fun of them for the rest of the day.
But it’s also so new. He’s never been this close to Amy. Has never touched her like this, has never known what her lips tasted like before now. Peach chapstick. It should all be so simple and familiar, and Laurie should just let go and pretend it was nothing, but it isn’t and he can’t.
He has no idea how long they’ve been kissing, when Meg and John’s twins barge into the kitchen, crashing into Amy and Laurie and sending them almost flying apart. Jo “oooh”s at them teasingly, but it’s quickly forgotten about, in the bustle of the twins’ arrival, and the adults trying to get everyone to sit down and have breakfast.
Except that Laurie can’t forget about it. He can’t stop thinking about it, in fact. He can’t even make sense of it. He tries to catch Amy’s eye, to try and see how she’s feeling, but she won’t meet his. Is she being glib? Did it really mean nothing to her at all, just a fake kiss for their fake courtship? Or is she totally weirded out, unable to meet his eye? Could she be just as lost as he is?
The rest of the day passes by quickly, almost in a blur, and before he knows it, goodbyes are being exchanged, everyone headed back home for the night.
Amy’s barely looked at him since the kiss, but he tries one more time to talk to her before they leave.
And though she does look at him, this time, and smiles, gives him a quick hug goodbye, even, she’s gone before he can barely say anything.
She clearly doesn’t want to talk about it, then, so Laurie decides to try his best at putting it out of his mind. It was a kiss. So what? A great kiss, yes, but that was that. It was part of a plan. His plan. A plan that went great, even. Him and Jo are friends again, the Marches don’t hate him, and all they have left to do is explain they decided to break it off, in a few weeks. That they tried, but determined they were better of as friends. Him and Amy. Friends. Because that’s what they are.
Except that friends don’t think about each other for as long as Laurie starts finding himself thinking about Amy that week. Friends don’t wonder what it would have been like if they’d kissed any other time in the past couple of days, or if they’d been alone when they had, or wondering about any scenario where Laurie could have kissed Amy again, or for longer. And friends probably take each other’s calls, too. Which Amy hasn’t done since Christmas Day.
While Laurie understands she could perfectly well be busy, which would be a logic assumption from her curt text responses saying just that, Laurie also knows how it feels like to be brushed off, and it quickly becomes obvious she’s just avoiding him.
He wants nothing more than to talk to her, be near her again, something in the back of his mind desperate to be with her. It’s like seeing her in Paris after all those years set something off in him that can’t be satisfied, and it was only made stronger by that goddamn kiss.
But he won’t push her. He hopes she isn’t mad at him for the whole scheme, it is possible it was more taxing than he’d anticipated, after all. She’s probably weirded out by the kiss and needs some space. Okay. Space. He can do that. He won’t push.
He does count down the days until he sees her again, though.
Namely, at the Laurence’s New Year’s party, a week later.
Though Amy hasn’t explicitly stated she’ll come, the Marches have all been attending for years, and while there have been exceptions granted for illness, or work, Laurie sees (hopes for) no reason for Amy not to attend.
He’s already planned out what he wants to say, how he’s sorry for the whole thing, how he understands if she feels put off by him, how he just wants the two of them to be okay, and they never have to mention anything about the whole mess ever again.
Of course, though, as soon as he sees her, walking through the door after her sisters, the first that comes into his mind is how he wants to kiss her again.
Instead, he turns right back around and gets a drink.
He spends the next hour telling himself to get it together, that it’s just Amy, and he’s being ridiculous, and only then goes to talk to her.
Amy is reticent about being alone with Laurie, but also knows she’s avoided it for as long as she can, and they really should talk.
It’s not like anything will happen, right? Just because they’re alone, and Amy’s been thinking about the kiss since then, as well as basically everything that happened over Christmas, it doesn’t mean anything will happen when she actually talks to Laurie, other than just that. Talking.
Aware she’s trying way too hard to convince herself of this, Amy follows Laurie, becoming determined to push all of her internal doubts and bubbling feelings to the side and just have a talk with her friend. They’ll clear the air, he’ll tell her how the kiss meant nothing and will never happen again, and they’ll be back to normal. Friends. As it should be. And anything Amy might be feeling that’s clearly been brought on by the nostalgia of being home and not having been in a relationship in a while and not at all by this new-found closeness with Laurie and inability to pay attention to anything else when he’s near, it will all just fade away.
When they’re alone, he does apologize for his scheme and how maybe it went too far. He thanks her for going along with it, but that he never meant to make her uncomfortable, and he probably didn’t think it through as he should have, and if she wants, they can just come clean to their families right now.
Something in Amy melts a little. She’s not mad at him, not really. The fake relationship thing was weird, sure, but in the end, she gets it, and if things can be good between all of them in the end, then it was worth it. It was all maybe a bit more than she’d bargained for, but that doesn’t really matter does it? It’ll all just go away.
She also predicts that telling everyone they were lying now will just make things worse and more confusing, so Amy tells him she appreciates it, but there’s no need, they’ll just lay low and stick to the original timeline.
They both leave the room feeling better for having hashed it out, but still a little disappointed. It’s been agreed. They’ll just let the next few weeks go by, and that’ll be that. Back to normal, and no possibility for anything else. Great.
The rest of the party goes well, as light and fun as it can be. And if Amy and Laurie barely leave the other’s side during it, well, to anyone else, they’re supposed to be in a relationship, right? That’s normal. Beyond even that, they’re friends, it’s totally okay! Just like before, Amy squashes any feelings, even part of her is telling herself to enjoy it while it lasts.
Either way, when Mr. Laurence announces to the party that it’s only a couple of minutes till midnight, of course Amy and Laurie find themselves next to each other.
The panic from their first kiss is gone, and a certain inevitability remains over them. Well, of course this would happen. Of course, as a couple they’ll be expected to kiss at the stroke of midnight. When they turn to each other, Amy’s prepared to shrug it off like just something else they’ll have to do – she does not want to be caught off guard again – but finds Laurie already looking at her, a slight smile on his lips, and she can’t help but mirror him.
When the clock strikes midnight, cheers go up around them, but Amy and Laurie are oblivious. This one doesn’t even start as a peck. For all her distancing herself from it, Amy leans into the kiss fully intending to savor it this time. And for all his denial over it, Laurie does the same.
Before long, Amy’s hands are reaching up into Laurie’s hair, and his arms are circling her waist. One kiss turns into two, then three, as they slowly disentangle themselves to get some air.
Amy feels lightheaded, her body against into Laurie’s, their foreheads pressed together and her eyes still closed. She can’t push it away this time. She wants to do that again. She wants to kiss Laurie forever, if that’s even possible. She just wants Laurie.
She doesn’t feel able to say anything right now, but Laurie beats her to it.
He says he’s been wanting to do that again since the last time, and Amy can’t help but agree.
She opens her eyes, sees Laurie, looking at her like he’s just had some revelation of his own, and Amy wonders just how long they’ve been headed here without realizing it. Before Christmas? Since Paris? Maybe even before that? Either way, standing here now, it feels inevitable. Her and Laurie, it’s just… It’s fitting. She doesn’t want to let go.
Amy drops the pretense.
“What are we doing, Laurie?” she asks, softly,
“I don’t know” he answers. “Do you want to stop?”
She shakes her head no, and he smiles.
“Can you just…” Amy adds. She needs to make sure. “This isn’t… It’s not the plan, right? It feels, different, at least for me, so just tell me, Laurie, is this still about that? Is it still about Jo, about getting things back to how they were?”
Laurie shakes his head, already interjecting as soon as Amy finishes speaking “No! No, it’s different for me too. It’s not… It’s certainly not about Jo. Amy, I haven’t been able to stop thinking about you in days. Actually, probably years. I don’t want things to go back to how they were. Not if they can be better.”
“Yeah?”
“Yeah.”
Amy can’t help but smile brightly. “I haven’t been able to stop thinking about you either. This feels… I don’t know what it is, but… Better, yeah. Better’s good.”
Laurie’s grinning right along with her, and he has, frankly, waited long enough, and dips his head to kiss her again.
When they finally separate, Amy asks “So, you still think we should go tell our families we’ve broken up?”
Laurie laughs, the whole plan he’d concocted feeling like a lifetime ago. “Well, maybe not right now. Or in the next few weeks. Or years. I don’t know, how about we just see where this goes?”
Amy grins. “That sounds good, yes.”
The two kiss one more time, blissfully unaware of the party going on around them, the Marches and Laurences and other guests toasting, and celebrating, and awaiting the New Year unfolding in front of them all.
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robotpussy · 2 years
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some of u are not real megan thee stallion fans cause it was announced she might show up in she hulk almost a year ago don't say they didn't warn us 🙏
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the-local-scp · 1 year
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hcing that Dabi, Shoto, and Endeavor are a lil intimidated by Tokoyami.
Dabi and Shoto cause they're aware had it not been for the fact their powers are Dark Shadows exact weakness, they'd be screwed.
Endeavor is intimidated by Tokoyami cause any time Hawks and Endeavor are in proximity of one another, Tokoyami just stares at Endeavor with the eyes of someone who has seen God and was disappointed.
Hawks knows this. He doesn't even try to stop Fumi. He thinks its hilarious that a 6'5, fuckin brick wall of a man, feels even a little scared of a fuckin teenager who will likely only grow another inch in his life.
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plaidpyjamas · 8 months
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sucks being 6'2" when all ur faves are huge - all the fics revolve around how tiny reader is but then I look up the character's canon info and it turns out I.....am their height
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pharahsgf · 2 years
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i know lan wangji's formal, concise speech is difficult to translate in a way that stays true to the original style but my fucking g-d literally anything would be more accurate than Me Lan Zhan Me Jungle Man
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inkoutsidethelines · 6 months
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If I was making an MCU show that involved Daredevil, a character famously known for being blind, and Charlie Cox had to tell me that Daredevil was blind, and that he couldn't do what I had scripted for him to do? Which is basic, well known information about his character?
I would take that to my grave. I wouldn't admit it under torture. If someone else told on me, I would lie. I wouldn't in a million years talk about it in front of a camera as if it was a funny joke instead of something revealing my incompetence.
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minty-bunni · 2 years
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What if the Box Ghost is only pathetic because he is "playing" with a baby ghost and not actually into harming Danny/his humans? Instead he is trying to get Danny to improve his fighting by playfighting with him and bringing him weaker threats.
Like how cats teach kittens. Playfights and half-dead prey.
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dylanconrique · 10 months
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sometimes i remember that lucas was fully prepared to get strangled to death by jason until he looks over to check on max and sees her starting to float and i just—
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Oh I forgot to mention both also rely on twerking as a source of humor because that's what the kids think is funny these days, right?
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soupsandstars · 1 year
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Some recent hulk sketches! Still trying to figure out how I want to draw them.
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