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#i would love it if i can publish my book and have other people make fanart of my characters instead of me doing all of it
emberwhite · 3 months
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I spent the last 11 months working with my illustrator, Marta, to make the children's book of my dreams. We were able to get every detail just the way I wanted, and I'm very happy with the final result. She is the best person I have ever worked with, and I mean, just look at those colors!
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I wanted to tell that story of anyone's who ever felt that they didn't belong anywhere. Whether you are a nerd, autistic, queer, trans, a furry, or some combination of the above, it makes for a sad and difficult life. This isn't just my story. This is our story.
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I also want to say the month following the book's launch has been very stressful. I have never done this kind of book before, and I didn't know how to get the word out about it. I do have a small publishing business and a full-time job, so I figured let's put my some money into advertising this time. Indie writers will tell you great success stories they've had using Facebook ads, so I started a page and boosting my posts.
Within a first few days, I got a lot of likes and shares and even a few people who requested the book and left great reviews for me. There were also people memeing on how the boy turns into a delicious venison steak at the end of the book. It was all in good fun, though. It honestly made made laugh. Things were great, so I made more posts and increased spending.
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But somehow, someway these new posts ended up on the wrong side of the platform. Soon, we saw claims of how the book was perpetuating mental illness, of how this book goes against all of basic biology and logic, and how the lgbtq agenda was corrupting our kids.
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This brought out even more people to support the book, so I just let them at it and enjoyed my time reading comments after work. A few days later, then conversation moved from politics to encouraging bullying, accusing others of abusing children, and a competition to who could post the most cruel image. They were just comments, however, and after all, people were still supporting the book.
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But then the trolls started organizing. Over night, I got hit with 3 one-star reviews on Amazon. My heart stopped. If your book ever falls below a certain rating, it can be removed, and blocked, and you can receive a strike on your publishing account. All that hard work was about to be deleted, and it was all my fault for posting it in the wrong place.
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I panicked, pulled all my posts, and went into hiding, hoping things would die down. I reported the reviews and so did many others, but here's the thing you might have noticed across platforms like Google and Amazon. There are community guidelines that I referenced in my email, but unless people are doing something highly illegal, things are rarely ever taken down on these massive platforms. So those reviews are still there to this day. Once again, it's my fault, and I should have seen it coming.
Luckily, the harassment stopped, and the book is doing better now, at least in the US. The overall rating is still rickety in Europe, Canada, and Australia, so any reviews there help me out quite a lot. I'm currently looking for a new home to post about the book and talk about everything that went into it. I also love to talk about all things books if you ever want to chat. Maybe I'll post a selfie one day, too. Otherwise, the book is still on Amazon, and the full story and illustrations are on YouTube as well if you want to read it for free.
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drchucktingle · 20 days
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Hello Dr Tingle! I wanted to ask you about that re: your post about how all your books are serious literature (hell yeah Love is real). How do you personally deal with the whole traditional publishing institution? It attracts a whole different level of coverage and it seems that they're very quick to try and box you and like turn you into a brand. Is it stiffling? Is it freeing? Does the attention help more people understand your trot? I don't know I've never been published but since you have experience in both traditional and self publishing I'm interested in knowing how that's feeling for you
well this is a pretty complex question with lots of different trots but i will try my best to answer. lets start with WHO I AM as buckaroo name of chuck
what i create has a very strong voice and my way is pretty recognizable. while buckaroos do not know what most authors look like, i REALLY stand out in a dang crowd with a big pink bag on my head. if you see 50 random author photos and mine is mixed in and then you ask 'which photo do you remember the most?' it is probably gonna be chuck. i also have a VERY UNIQUE STORY with what i create and my artistic sensibilities, not a lot of buds are out there making trans mothman erotica along with their big five traditional publishing bestsellers (SIDENOTE preorder BURY YOUR GAYS)
now if you were going to take 'CHUCK TINGLE' to a marketing department they would FALL OVER BACKWARDS IN THEIR DANG CHAIR with excitement. it is hard to think of an author with a stronger BRAND than i already have in the sense of 'instantly recognizable trot and specific unique style'. even in answering this you can tell that i dont even TALK like other dang authors.
what i am getting at is this: i am VERY VERY LUCKY because my existence just so happens to equate to what a company would see as GOOD BRANDING. it is not intentional on my part, it is just the hand of fate i guess. im out here expressing myself in a FULL ON WAY that is PRETTY DANG STRANGE TO SOME and it just so happens to work as mainstream branding too
on paper you might think 'what the heck no way chuck tingle will fly as a mainstream trot' but honestly the main thread of this timeline can be surprising sometimes. ive been saying the key ingredient for years and i will say it again: LOVE AND SINCERITY RESONATE. when you make art with this fuel, the timeline will feel it. when you stand up tall and shout with your whole chest THIS IS MY WAY AND I LOVE MYSELF. I AM THE WORLDS GREATEST AUTHOR TAKE IT OR LEAVE IT, the timeline will listen
so all that said, i do not mind the idea of myself as 'brand' because i am not CHANGING myself to create this effect. what some might see as 'brand' i just see as another part of my art. i have always believed that art is THE WHOLE EXPERIENCE not just the painting but what is outside of the frame. WHO I AM is just as important as the books i write, and interacting with my way is a whole MULTIMEDIA experience that INCLUDES YOU TOO. it is the feeling when your friend shows you your first tingler cover, or the feeling when you realize that i am not playing a character. this is ALL a part of the tingleverse and it is all a part of my honest raw expression as a queer and neurodivergent buckaroo.
YOU ARE PART OF THIS ART TOO
it is my nature of have a PUNK ROCK trot. always has been. but to me that does not mean just angrily going against everything for the sake of going against everything. for me, this punk rock trot means fighting to EXPRESS MYSELF IN THE MOST HONEST AND PURE FORM POSSIBLE and to create the art that i want to make without any boundaries
somehow i have threaded the needle in this really interesting once-in-a-dang-lifetime kind of way. my pure punk rock self as an OUTERSIDER ARTIST just so happens to resonate with this larger system of brand and traditional publishing and popular culture. i COULD reject this, but rejecting it would be LESS HONEST.
this is just who i am. i LIKE pop culture. i LIKE joy. i LIKE dressing in all pink and wearing my custom suits. I LIKE PROVING LOVE IS REAL WHAT THE HECK ELSE EVEN IS THERE? i love being a queer outsider artist and using my small voice to shout at the big bad devils and i like that every time i shout a few more of you buckaroos join the chorus and together we are just getting louder and louder and louder and WHO KNOWS what comes next for us all trotting together.
when i post something like 'WHAT A GREAT DAY TO PROVE LOVE' it is not me sitting here in a bad mood thinkin 'well i gotta make todays post to keep up with my brand'. i am ACTUALLY FEELING THAT FEELING and i actually believe it with every fiber of my being. honestly, half the time i post about the beauty of this timeline i am probably over here literally crying tears of joy (chuck is an emotional bud i get riled over the joy of existence A LOT)
and heres the best part of this trot: because i really have this punk rock way it makes me very powerful. others can pretend not to care about success and brand and all that but I REALLY DO NO CARE. i would write tinglers whether buds were reading them or not, this is just my natural state, and that makes me incredibly strong. if some big corporation says 'YOU MUST DO THIS' and i dont want to do it i just say 'no thanks'. it is not some big debate about my career or anything like that because I REALLY DO NOT CARE IN THE SLIGHTEST. i care about the art
because of this, my relationship with my GIANT TRADITIONAL PUBLISHING MACHINE is great. we trot like equals and we get along really well. i tell them exactly what i want to do and they let me do it. i really do not have to answer to anyone and they deserve a huge amount of credit for respecting me in this way.
and heres the thing, THEY ALSO HAVE SOME GREAT IDEAS
SPECIFICALLY my imprint of NIGHTFIRE is very dang cool. yes, they are the head of a giant hydra of a BIG FIVE PUBLISHER, but nightfire is SO DANG ART-FOCUSED
there is no right or wrong way to be an artist, and my path is not the only one, but i can tell you what WORKS FOR ME. this is the advice i would give myself, and buckaroos can take it or leave it
here it is: never beg the big book publisher, or record label, or movie studio to pay attention to you
do not let it become a lotto ticket in your brain. do not think that you are some weak little creature and maybe if you trot just right they will scoop you up and take care of you. do not go to their door begging to be let in
LET THEM COME TO YOUR DOOR
create something so incredible and beautiful and honest and powerful and unique and important that they would be foolish to miss out. create a community or a system or a timeline or a world of imagination that thrives on its own and THEY SHOULD BE SO LUCKY TO BE A PART OF IT
then when you sit down at that board meeting it is not 'please brand me, ill do whatever you want'. instead, it is 'lets make a deal and see how much love we can prove together.'
now lets trot buckaroos
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corvidcall · 2 years
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None Of You Know What Haiku Are
I'm going to preface this by saying that i am not an expert in ANY form of poetry, just an enthusiast. Also, this post is... really long. Too long? Definitely too long. Whoops! I love poetry.
If you ask most English-speaking people (or haiku-bot) what a haiku is, they would probably say that it's a form of poetry that has 3 lines, with 5, and then 7, and then 5 syllables in them. That's certainly what I was taught in school when we did our scant poetry unit, but since... idk elementary school when I learned that, I've learned that that's actually a pretty inaccurate definition of haiku. And I think that inaccurate definition is a big part of why most people (myself included until relatively recently!) think that haiku are kind of... dumb? unimpressive? simple and boring? I mean, if you can just put any words with the right number of syllables into 3 lines, what makes it special?
Well, let me get into why the 5-7-5 understanding of haiku is wrong, and also what makes haiku so special (with examples)!
First of all, Japanese doesn't have syllables! There's a few different names for what phonetic units actually make up the language- In Japanese, they're called "On" (音), which translates to "sound", although English-language linguists often call it a "mora" (μ), which (quoting from Wikipedia here) "is a basic timing unit in the phonology of some spoken languages, equal to or shorter than a syllable." (x) "Oh" is one syllable, and also one mora, whereas "Oi" has one syllable, but two moras. "Ba" has one mora, "Baa" has two moras, etc. In English, we would say that a haiku is made up of three lines, with 5-7-5 syllables in them, 17 syllables total. In Japanese, that would be 17 sounds.
For an example of the difference, the word "haiku", in English, has 2 syllables (hai-ku), but in Japanese, はいく has 3 sounds (ha-i-ku). "Christmas" has 2 syllables, but in Japanese, "クリスマス" (ku-ri-su-ma-su) is 5 sounds! that's a while line on its own! Sometimes the syllables are the same as the sounds ("sushi" is two syllables, and すし is two sounds), but sometimes they're very different.
In addition, words in Japanese are frequently longer than their English equivalents. For example, the word "cuckoo" in Japanese is "ほ���とぎす" (hototogisu).
Now, I'm sure you're all very impressed at how I can use an English to Japanese dictionary (thank you, my mother is proud), but what does any of this matter? So two languages are different. How does that impact our understanding of haiku?
Well, if you think about the fact that Japanese words are frequently longer than English words, AND that Japanese counts sounds and not syllables, you can see how, "based purely on a 17-syllable counting method, a poet writing in English could easily slip in enough words for two haiku in Japanese” (quote from Grit, Grace, and Gold: Haiku Celebrating the Sports of Summer by Kit Pancoast Nagamura). If you're writing a poem using 17 English syllables, you are writing significantly more content than is in an authentic Japanese haiku.
(Also not all Japanese haiku are 17 sounds at all. It's really more of a guideline.)
Focusing on the 5-7-5 form leads to ignoring other strategies/common conventions of haiku, which personally, I think are more interesting! Two of the big ones are kigo, a season word, and kireji, a cutting word.
Kigo are words/phrases/images associated with a particular season, like snow for winter, or cherry blossoms for spring. In Japan, they actually publish reference books of kigo called saijiki, which is basically like a dictionary or almanac of kigo, describing the meaning, providing a list of related words, and some haiku that use that kigo. Using a a particular kigo both grounds the haiku in a particular time, but also alludes to other haiku that have used the same one.
Kireji is a thing that doesn't easily translate to English, but it's almost like a spoken piece of punctuation, separating the haiku into two parts/images that resonate with and add depth to each other. Some examples of kireji would be "ya", "keri", and "kana." Here's kireji in action in one of the most famous haiku:
古池や 蛙飛び込む 水の音 (Furu ike ya kawazu tobikomu mizu no oto) (The old pond — A frog jumps in The sound of the water.)
You can see the kireji at the end of the first line- 古池や literally translates to "old pond ya". The "ya" doesn't have linguistic meaning, but it denotes the separation between the two focuses of the haiku. First, we are picturing a pond. It's old, mature. The water is still. And then there's a frog! It's spring and he's fresh and new to the world! He jumps into the pond and goes "splash"! Wowie! When I say "cutting word", instead of say, a knife cutting, I like to imagine a film cut. The camera shows the pond, and then it cuts to the frog who jumps in.
English doesn't really have a version of this, at least not one that's spoken, but in English language haiku, people will frequently use a dash or an ellipses to fill the same role.
Format aside, there are also some conventions of the actual content, too. They frequently focus on nature, and are generally use direct language without metaphor. They use concrete images without judgement or analysis, inviting the reader to step into their shoes and imagine how they'd feel in the situation. It's not about describing how you feel, so much as it's about describing what made you feel.
Now, let's put it all together, looking at a haiku written Yosa Buson around 1760 (translated by Harold G. Henderson)
The piercing chill I feel: my dead wife's comb, in our bedroom, under my heel
We've got our kigo with "the piercing chill." We read that, and we imagine it's probably winter. It's cold, and the kind of cold wind that cuts through you. There's our kireji- this translation uses a colon to differentiate our two images: the piercing chill, and the poet stepping on his dead wife's comb. There's no descriptions of what the poet is feeling, but you can imagine stepping into his shoes. You can imagine the pain he's experiencing in that moment on your own.
"But tumblr user corvidcall!" I hear you say, "All the examples you've used so far are Japanese haiku that have been translated! Are you implying that it's impossible for a good haiku to be written in English?" NO!!!!! I love English haiku! Here's a good example, which won first place in the 2000 Henderson haiku contest, sponsored by the Haiku Society of America:
meteor shower . . . a gentle wave wets our sandals
When you read this one, can you imagine being in the poet's place? Do you feel the surprise as the tide comes in? Do you feel the summer-ness of the moment? Haiku are about describing things with the senses, and how you take in the world around you. In a way, it's like the poet is only setting a scene, which you inhabit and fill with meaning based on your own experiences. You and I are imagining different beaches, different waves, different people that make up the "our" it mentioned.
"Do I HAVE to include all these things when I write haiku? If I include all these things, does that mean my haiku will be good?" I mean, I don't know. What colors make up a good painting? What scenes make up a good play? It's a creative medium, and nobody can really tell you you can't experiment with form. Certainly not me! But I think it's important to know what the conventions of the form are, so you can appreciate good examples of it, and so you can know what you're actually experimenting with. And I mean... I'm not the poetry cops. But if you're not interested in engaging with the actual conventions and limitations of the form, then why are you even using that form?
I'll leave you with one more English language haiku, which is probably my favorite haiku ever. It was written by Tom Bierovic, and won first place at the 2021 Haiku Society of America Haiku Awards
a year at most . . . we pretend to watch the hummingbirds
Sources: (x) (x) (x) (x) (x) (x)
Further reading:
Forms in English Haiku by Keiko Imaoka Haiku: A Whole Lot More Than 5-7-5 by Jack How to Write a Bad Haiku by KrisL Haiku Are Not a Joke: A Plea from a Poet Who Has Had It Up to Here by Sandra Simpson Haiku Checklist by Katherine Raine
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vaspider · 1 year
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I agree with you in principle about paying media creators, but the fact is that people who are spreading piracy stuff are often doing so because either 1) they don’t want to give money to the big corporations that control most mass media, or 2) they don’t have the money to give to creators of things they love. I agree that if you have the means to give proper support to things you love, you should, but not everyone has access to library resources (for example, not everyone is American/western and so not everyone has access to online pdfs through a library, or even libraries at all in some places) and it just feels very…. not extreme, but a bit harsh to equate reading a pdf with intentionally withholding money from creators. I’m sorry it this comes across rudely, that isn’t my intent, but it feels very unfair to generalise so harshly on a post about resources for when you can’t access certain things
You aren't entitled to someone else's labor just because it's art.
I'm going to repeat that, because people seem to be confused: you aren't entitled to someone else's labor just because it's art.
Just because you don't have money to pay a creator doesn't mean that you can take what you want and take money out of other people's pockets just because it's art.
I would love to have more art from @fofoart, but I don't have the money to pay them right now, so you know what that means? I don't have more art from them. I would love to read Thistlefoot right now, but I don't have the money to buy it at the moment, and so you know what that means? I wait until I can get it through my library or until I have the money to buy it, because I am not entitled to someone else's labor just because it's art.
There are plenty of books out there which can be read without pirating books. If you sign up to Tor's website you often get emails about free books and short stories. Project Guttenberg exists. Writers often post free stories on websites. There are more legitimate and free books out there right now, in the genres that you like and want to read, than you could ever read in ten lifetimes.
You are not entitled to someone else's labor just because it's art. You are not entitled to fuck up someone's sales numbers or make a publishing house go "your books are pirated too much so we're gonna pay you less" just because you want to read that specific book.
I mean, you can do that, I guess, but you can't do it and be morally correct about it. You can do it and be an asshole, or you can not do it, read one of the many many free books in this world, and not be an asshole.
There are no other choices. You don't get to just say "well I don't have money but I want this" and fucking steal it and then act like this is anything but theft. It's theft! It's not justified just because you really wanna read it!
This isn't "not supporting creators," this is stealing from artists because you feel entitled to do so because "I want it."
That's toddler logic. Grow up.
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wilwheaton · 9 months
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When you watch The Curse, you are watching two children who were abused and exploited daily during production. No adults protected us.
This was originally published on my blog in August, 2022.
I had a wonderful time at Steel City Comicon this weekend. It was my first time at this particular con, so I didn’t know there was such a huge contingent of horror fans, creators, and vendors who attend.
I love horror, and I was pretty psyched to be in the same place as John Carpenter and Tom Savini, across the street from the Dawn of the Dead mall. Pittsburgh feels like one of the places horror was invented, at least to me.
A number of these horror fans came to see me, and asked me to sign posters and other things from a movie my parents forced me to do when I was 13, called The Curse. I had to tell each of these people that I would not sign anything associated with that movie, because I was abused and exploited during production. The time I spent on that film remains the most traumatizing time of my life, and though I am a 50 year-old man, just typing this now makes my hands shake with remembered fear of a 13 year-old boy who nobody protected, and the absolute fury the 50 year-old man feels toward the people who hurt him.
I told this story in Still Just A Geek, and I’ve talked about it in some podcasts I did on the promo tour, but I’ve never put it out in public like this, in its entirety.
I suspect someone at the publisher would prefer I tease this and hope it drives book sales from people who want to read all of it, but I honestly don’t want to have another weekend like this one where everything is awesome, except the few times people who have no idea (and why should they) put that fucking poster in front of me, and all the fear, abandonment, and trauma come flooding back as I tell them that I won’t sign it, and why.
To their credit, each person was as horrified as they should have been, told me they had no idea (if they didn’t read my book why would they), and quickly put the poster away. They were all understanding. I am grateful for that.
But I really don’t need to tell this story over and over again, so here it is, with a child abuse and exploitation content warning, so I can just tell people to Google it.
After Stand by Me, everything changed. The attention from entertainment journalists, casting directors, and especially teen magazines came pouring in. The movie was a generational hit, beloved by critics and audiences alike, and every single one of us could pick anything to do next.
River’s parents and his agent got him Mosquito Coast, with Harrison Ford, as his next movie. I also auditioned for the role, but I knew even then that River was going to book the job. He was perfect, and I’d have to wait a little bit for my opportunity to come along.
I went on a lot of theatrical auditions after Stand by Me. I had tons of meetings with directors and the heads of casting at every major studio. It was all a very big deal, and I felt like we were all looking for something really special and amazing as my follow-up to Stand by Me.
At some point, a couple of producers contacted my agent with an offer to play one of the leads in an adaptation of H. P. Lovecraft’s “The Colour Out of Space.” The script was titled The Farm. (It would, of course, be changed when the film was released).
I read it. I did not like it. It was a shitty horror movie, and I saw that right away. It was the sort of thing you rented on Friday when the new release you wanted was already out of the store.
My mother, already an incredibly manipulative person, used every tool at her disposal to change my mind. My father threatened me, mocked me, told me “It’s your decision” when it clearly wasn’t. It was all so weird; I didn’t understand why they cared so much.
I told my parents I didn’t like it and didn’t want to do it. I clearly recall thinking it was a piece of shit that would hurt my career.
It wasn’t the first thing that had come our way that I wanted to pass on, and every other time, it hadn’t been a very big deal.
Sidebar: I was cast in Twilight Zone: The Movie, in 1983. The film tells four stories, and I was cast as the kid who can wish people into cartoonland. It was a GREAT role, in a movie I still love. (Note that Twilight Zone had four directors. One of them got three people killed. The segment I was cast in was not that one. I mention this because too many people zero in on this to deflect from what this whole thing is actually about.)
But I was CONVINCED by my parochial school teacher that if I worked on The Twilight Zone, which she had determined was satanic, I would go to hell. (This woman and her bullshit played a big role in my conversion to atheism at a young age, but when she told me that, I was all-in on the supernatural story they taught us in religion class.) I was so scared, more scared than I’d ever been to that point in my life, I cried and wailed and begged my parents to not make me do the movie. And I never told them why, because I was afraid my dad would laugh at me for being weak and afraid. My agent tried to talk me into it, and I wouldn’t budge. It’s the only thing I deeply and truly regret passing on, and I really hate I made that choice for such a stupid reason.
Okay. Back to The Curse.
This time, when I told them how much I hated it, they wouldn’t listen to me. My mother, already an incredibly manipulative person, used every tool at her disposal to change my mind. My father threatened me, mocked me, told me “It’s your decision” when it clearly wasn’t. It was all so weird; I didn’t understand why they cared so much.
That is, until they made me take a meeting with the producers of the movie, in their giant conference room on the top floor of a tall building in Hollywood. All I remember about this place was that it was huge; the table was way too big for the five of us who spread around it, and there were floor-to-ceiling windows on three of the walls, but the room was still dark. There was a weird optical illusion in the center of the table, this thing they sold in the Sharper Image catalog, made from two reflective dishes with a hole in the top of one. You placed an object in the bottom of the bottom dish, and it made it look like that object was floating above the whole thing. They had a plastic spider in it. What a strange detail for me to remember, but it’s as clear in my memory as if I were sitting in that room right now.
One man, who I presumed was the executive producer, was European or Middle Eastern (I didn’t know the difference then, he was just Not Like People I Knew), and I was instantly afraid of him. He was intimidating, and seemed like a person who got what he wanted.
So we sat there, my father who didn’t give a shit about me, my mother who was cosplaying as someone with experience, and me, thirteen years old, awkward as fuck, and scared to death.
I don’t remember what they said to me in their pitch or anything other than how uncomfortable and anxious I was to even be in that room. I tried so hard to be grown up and mature, but I — and my parents — was way out of my depth. I’d done one big movie and that was it. We didn’t have my agent with us, who had lots of experience and would have known what questions to ask.
No, in place of my experienced agent, my mother had decided she was going to be my manager, and she tackled the responsibility with an enthusiasm that was only matched by her absolute incompetence and inability to go toe-to-toe with producers the way my agent did. She was outwitted, out-thought, and outmaneuvered at every turn.
“You don’t have a choice,” my father commanded. “You are doing this movie.”
So we sat there, my father who didn’t give a shit about me, my mother who was cosplaying as someone with experience, and me, thirteen years old, awkward as fuck, and scared to death.
At some point, this man, who is represented in my memory by big Jim Jones sunglasses under dark hair above an open collar, said, “We are offering you a hundred thousand dollars and round-trip travel for your whole family. We will cast your sister, Amy, to play your sister in the movie.”
It all made sense, now. I was only thirteen, but I knew my parents were pushing me so hard because this company was offering me — them, really — more money than I’d ever imagined I’d earn in my life, much less a single job.
I knew that the right thing to do, the smart thing to do, was to say no. There would be other opportunities, and it was stupid to cash myself out of feature films for what I thought was, in the grand scheme of things, not very much money.
It’s incredible to me that I knew all of this. It’s incredible to me that I could see all these things, plainly and clearly, and my parents couldn’t (or, more likely, chose not to).
So after this man made his offer, all the adults in the room ganged up on me, selling me HARD on this movie.
My mother said, “Don’t you want your sister to have the same opportunities you’ve had? Wouldn’t it be fun and exciting to go to Rome? Think of all the history!”
The experience was awful. It was the worst experience I have ever had on a set in my life, by every single metric. The movie is awful, and it is the embarrassment I knew it would be.
I don’t think about this very often, because it’s super upsetting to me. Right now, I’m so angry at my parents for subjecting me and my sister to this entire experience. But I’m getting ahead of myself.
In that moment, I felt bullied and trapped. All these adults were talking to me at the same time, and I just wanted it to stop. I just wanted to go home and get out of this room. I just wanted to go be a kid, so I did what I’d learned to do to survive: I gave in and did what my parents wanted.
The experience was awful. It was the worst experience I have ever had on a set in my life, by every single metric. The movie is awful, and it is the embarrassment I knew it would be.
But here’s the thing: when you watch The Curse, you are watching two children, me and my sister, who were abused on a daily basis. The production did not follow a single labor law. They worked us for twelve hours a day, on multiple film units (while I work on First unit, second unit sets up and waits for me. When I should get a break to rest, they send me to Second unit, then to Third unit, then back to First unit. I was 13.) without any breaks, five days a week. I was exhausted the entire time. I was inappropriately touched by two different adults during production. I knew it was wrong, but I was so scared and ashamed, and I felt so unsupported, I didn’t tell anyone. I knew my dad wouldn’t believe me, and my mother would blame me. Anything to keep the production happy, that’s what she did. That was more important to her than the health and safety of her children. The director was coked out of his mind most of the time, incompetent, and so busy fucking or trying to fuck one of the women in the cast, he was worse than useless. He was a fading actor who was cosplaying as a director, as in over his head as my mother. My sister and I were never safe. Instead of harmless atmospheric SFX smoke, they set hay on fire in barrels and blew actual smoke onto the set. They took buckets of talc, broken wood, bits of wallpaper and plaster, and threw it into my face during a scene inside the collapsing house. My sister is in a scene where she goes to get eggs from some chickens, and they attack her. So they hired Lucio Fulci, the Italian horror master, to direct her sequence. His idea, which everyone was totally on board with, was to throw chickens at my sister. Live chickens, live roosters, live birds. Just throw them at a nine-year-old girl. Oh, and then tie them to her arms and legs so they’ll peck her. All of this happened under my mother’s observation, and with her full participation.
Everything I need to know about who my parents are is wrapped up in that experience: the total lack of concern for my safety and happiness, treating me like an asset instead of a son, lying to me, manipulating me, and using me to get things they wanted, and then gaslighting me about it.
If just ONE of the things I can remember happened to someone I loved, I would have grabbed my kids, gone to the airport, and flown home. Fuck those abusive assholes in the production. Let the lawyers sort it all out. Nobody hurts my children and gets away with it.
My mom says she “had some talks” with the producers. She claims that, once, she wouldn’t let us leave the hotel. (God, what a fucking dump that place was. It was just slightly better than a hostel.) I have no memory of that, but honestly the entire experience was so traumatic, I’ve blocked most of it out.
The movie was the commercial and critical failure I knew it would be. My parents spent the money. I don’t know what they spent it on. I got to keep fifteen cents of every dollar, so . . . yay?
My sister and I hardly ever talk about this. I suspect it was as upsetting and traumatic for her as it was for me. I told her I was writing about it, and asked her if she remembered anything. She told me she’d been lied to her whole life about this movie. Our mother let her believe she had been cast on the strength of her audition. “I was excited to work with you,” she said. She reminded me about some stuff I’d blocked out, including a scene where my character’s older brother (played by an actor named Malcolm Danare, who was kind and gentle, and made both of us feel safer when he was around) shoves my character into a pile of cow shit. When it came time to shoot the scene, the mud they’d put together to be the cow shit looked an awful lot like cow shit. When Malcolm pushed me into it, we all found out it was real cow shit. I was FURIOUS. The director had lied to me and had allowed me to have my entire body shoved into an actual pile of actual cow shit. I don’t remember what I said, but I remember he treated me the exact same way my father did whenever I got upset: he laughed at me, told me I was being too sensitive, reminded me that he was the director and he wanted to get a “real” performance out of me, and concluded, “If it bothers you so much, we’ll get you a hepatitis shot,” before he walked away.
My sister also recalled that, after she survived the scene with the chickens, it was the producers’ idea to give her one as a pet.
Okay, let’s unpack that for a quick second: you’ve been traumatized by these birds, so we’re going to give you one as a pet. That you’ll somehow keep in your hotel, and then will somehow get back to America. It will shock you to learn that neither of those things happened.
She remembered, as I do, the huge fight I had with my parents in our kitchen, where I told them I hated the script and I hated the movie. I didn’t want to do it, and I hated that they were making me do it.
“You don’t have a choice,” my father commanded. “You are doing this movie.”
“This is the only film you are being offered,” my mother lied to me. She made me feel like, if I didn’t do this movie, I would never do another movie again in my life. I had to do this movie. As my father bellowed, I had no choice.
Both of my parents denied this argument ever happened. Can I tell you how reassuring it is to know that my sister, who was also there, remembers it the same way I do?
The makeup department decided they would literally cut my little sister’s face with a scalpel, in three places, and put bandages over them.
But one thing she told me, the thing I did not know, the thing that makes me so angry I want to break things, actually managed to make the entire experience even worse than I remembered it.
There’s a scene after her chicken incident where I check up on her in her bedroom. She’s got cuts and bruises, and I guess we talk about it. I don’t remember and I can’t watch the movie because I’m terrified it will give me a PTSD flashback (I’ve had one of those and I recommend avoiding it). Here’s the thing about that scene: she has some cuts on her face, and those cuts are real. They are not makeup.
I’m going to repeat that. My nine-year-old little sister had actual cuts on her face that were placed there by an adult, on purpose.
The makeup department decided they would literally cut my little sister’s face with a scalpel, in three places, and put bandages over them. My sister told me our mother wasn’t in the makeup room when this happened — honestly, it seemed like our mother was strangely and conveniently absent when most of the really terrible things happened to us on the set — and when my sister told her what they’d done, she “lost her shit” at the production. She was pissed, I guess, which is appropriate and surprising. I wonder what would have to have happened for her to put us on a plane and get us home to safety? I mean, her son being abused daily didn’t do it, and her daughter being CUT IN THE FACE ON PURPOSE didn’t do it.
I just . . . I can’t. I can’t understand or comprehend allowing your own children to be physically and emotionally abused. They were literally selling my sister and me to these people, like we were some kind of commodity.
This was a tough conversation. My sister’s experience with our parents is very different from mine. My sister and I love each other. We’re close. I know it’s hard for her to hear that her brother, who she loves, was so abused by her parents, who she also loves. I was really grateful she made the time to talk to me about it, and grateful the experience wasn’t as horrible for her as it was for me.
As we were finishing our call, Amy also remembered one man, a young Italian named Luka, who was our driver for the movie. I haven’t thought about him in thirty years, but I can see his face now. He was kind, he was friendly, he taught us how to kick a soccer ball, and in the middle of an abusive, torturous experience, he stood out as a kind and gentle man. I mention him because she remembered him, which made me remember him, and goddammit I want at least one small part of this thing to not be awful.
The Curse remains one of the most consequential times the adults in my life failed to protect me. I’m 50. I still have nightmares.
Ultimately, as I predicted and feared, this piece of shit movie cashed me out of respectable films forever. I got offers for movies, but they were always mindless comedies or exploitative horror films. They were never the serious dramas I wanted to work in after Stand by Me. The industry looked at me and River, wondering if one or both of us would become a breakout star. They quickly saw that River was doing real acting work, and I was in this piece of shit. For River, Stand by Me was a beginning. For me, it would turn out to be pretty much everything, at least as far as film goes.
There are thousands of reasons film careers do and don’t take off. Maybe mine wouldn’t have taken off anyway. Clearly, it’s not where my life ended up, and I’m super okay with that now. But when all of this happened, it hurt and haunted me.
The Curse remains one of the most consequential times the adults in my life failed to protect me. I’m 50. I still have nightmares. Everything I need to know about who my parents are is wrapped up in that experience: the total lack of concern for my safety and happiness, treating me like an asset instead of a son, lying to me, manipulating me, and using me to get things they wanted, and then gaslighting me about it.
This annotation is the last thing I wrote before I turned this manuscript in, because opening these wounds is hard and painful. I put it off as long as I could, and I feel like I’m still holding back, because just this small glimpse of the experience has taken me a week to write. I can’t imagine trying to go back and unpack the whole thing. (Note that is not in the book: I’ve made an EMDR appointment to work on this because the nightmares have come back after the weekend).
Fuck The Curse, and fuck every single person who exploited and hurt two beautiful children to make it. You all participated in child abuse, and you all knew better. Shame on all of you. I hope this follows you to the end of your life. I hope that living with what you did to innocent children has been as hard for you as it has been for me, because you deserve no less.
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lipglossanon · 1 month
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Desire (I’m Hungry)
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Corrupt Cop!Leon S. Kennedy x fem!reader
<< previous installment >>
Warnings: 18+ MDNI, Leon POV, dark thoughts, being filmed without consent aka Leon’s making a sex tape and reader has no clue, dirty talk, daddy kink, kissing, biting, blood kink, oral (m & f receiving), pussy spanking, clit biting, unprotected sex, creampie
not proofread ✌️
today marks one year that I officially published my first Leon x reader fic that just happened to be Corrupt Cop Leon! 💜 so happy anniversary to the OG! 😘
Title from Desire by Meg Myers 💜
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It’s not unusual to see a police cruiser parked outside the library on any given night. Especially when you’re inside, finishing up whatever class work you can before heading home. 
Leon leans back against the passenger door, one leg crossed over the ankle of the other, arms folded over his chest. His walkie’s turned off since he’s not on duty and he can hear the whispers of people passing him by, from the curious looks of kids to loose women giving him sultry smiles. Except for a cursory glance, his mind doesn’t linger on any single one of them. 
Drumming his fingers on his bicep, he tilts his head as he catalogs the outside of the building. He’s done this a thousand times at this point. Even before you knew he came around, when he would follow you home and watch you from his squad car. He kind of misses those days.    
The sound of a door opening pulls his attention up the library steps. Once you fully step out into the cool evening air, your eyes immediately seek him out. Satisfaction coils deep in his gut as your face breaks out into a bright smile at seeing him. Although he loved quietly following you, having you seek him out is much better. His eyes track your body as you carefully take the stairs and walk over to him. 
He only had to chastise you one time about not rushing down the steps. (You cried so prettily on his cock after he spanked your pussy raw. But the lesson stuck and he hasn’t had to remind you once, such a good girl). 
“Hi,” your soft voice hits his ears and he’s smirking at your shyness. 
“Hi, pretty girl, ready to go?”
You nod, “All set. Thank you for taking me home.”
“Of course, don’t want you getting hurt,” he murmurs, uncrossing his arms to brush a thumb across your cheekbone, “here, let me take your bag.”
Eyes fond, you hand him your book bag and wait for him to open the passenger door for you. Watching as you sit, he sees when your skirt rucks up around your thighs and it makes his blood run hot, pulse quickening in his neck. He walks around the trunk of the car, placing your bag in the back before climbing into the driver seat. 
He checks his mirrors and blind spots before pulling away from the curb. As soon as he’s on the street, his hand grips the dough of your thigh closest to the gear shift. A giddy thrum of excitement bleeds through his thoughts when he hears your little gasp. You’re so easy for him. His pretty, perfect girl. 
He no longer stifles those thoughts or impulses that once might have gotten him locked up. You invite his dark urges in with wet eyes and an even wetter cunt. Today’s special even if you don’t know it. He’s planned a little surprise, something he’s been wanting to do for a while now. 
Glancing out of the corner of his eye, he watches you surreptitiously, taking in the  changing expressions as he drives closer and closer to your house. Just seeing your face makes him ache all the way down to his marrow. He wants to sink his teeth into you until he tastes blood.
“Should we eat out for dinner?”
He glances over at you and tightens his fingers, giving your thigh a quick squeeze. 
“Sure, sweetheart.”
He parks outside your house, letting you walk up to your front stoop first as he grabs your bag. You unlock the door as soon as he joins you, his hand palming your lower back to usher you into the house. Dropping your school bag down onto the floor, he uses both hands to grip your hips, pushing you back against the closed front door. 
Desire pulses throughout his body, a deep seated hunger that makes him want to crack open your rib cage and crawl inside. He’s sure your beating heart would sate this visceral reaction to the possessive want that engulfs his thoughts.
But kissing you will have to suffice for now. 
Your lips part on a sigh as he licks into your mouth, tongue greedy and hot as he tastes you deeply. His fingers dig into your skin, thumbs pressed uncomfortably against your hip bones; he gloats to himself as the twinge of pain has you arching into him. If he could, Leon would rip you apart at the seams, swallow you whole til nothing’s left. 
You whimper into his harsh kisses while your hands grab onto his chest, badge nearly pricking your fingers as you try to find purchase against his uniform. He lets go of your waist to circle his fingers around your wrists, pushing them against the door on either side of your head. Pulling back, his sea dark eyes take in your dilated pupils and swollen lips. 
Now, he thinks, is the perfect time to drag you into your room.
Leon kisses you again, heatedly, pulling you into the bedroom with little preamble. For the surprise he’s been planning, he made sure to sneak into your house earlier in the day. He then hid a camera perfectly angled on your nightstand where you couldn’t see it. 
His mouth waters at the thought of filming everything he wants to do to you. Excitement heightens his aggressiveness. He can’t wait to take you apart in front of the lens, especially without you knowing. He shivers as he licks hungrily into your mouth. 
“Leon,” you whisper when he drags his mouth down to bite your neck, “thought we were going out to dinner?”
“Well, I am gonna eat you out,” he crudely states with a grin, “but first let’s see those pretty tits.”
Biting your bottom lip softly, you step back and pull your shirt off. His eyes watch as you nervously take off your bra and drop it into the floor with your shirt. Leon lets his hands reach out to grope and pinch your hard nipples. His cock throbs where it’s trapped in his pants.
“Get naked, pretty girl, wanna see you,” he coaxes, smile wicked when you do as he says.
Sitting on the edge of your bed, he faces the camera, pulling you down into his lap, your back to his chest. The juxtaposition of having you completely naked on his lap while he’s in uniform makes him bite down on your shoulder hard. You squeal and try to move, but he wraps his arms around you, pinning you in place. 
After you settle down, his hands move to squeeze the fat of your breasts until it dimples between his fingers. Your nipples tighten even further under his palms as he runs them across the stiff buds. 
“Such a good girl,” he kisses the side of your neck, eyes glinting when they look over to the hidden device, “bet that cute pussy’s soaked, sweetheart.”
Squirming against him, you whine pitifully, grinding your wet cunt down onto his bulge, “Daddy, please.”
“Such a well mannered girl,” he coos sweetly, luring you into relaxing against him further. 
The flat of his fingers come down in a hard slap against your pussy, a sharp gasp parting your pretty lips. Leon spanks across your fat cunt until you’re hiccuping little cries, tears streaming down your face to drip onto your chest. Even with the pain, you still part your legs for him, letting him drag his fingers across your wet slit. 
He wonders absently as he toys with your clit if you’d let him bite you here, sink his teeth in your sweet little bud til you scream. That thought alone has precum dripping from his tip, making his briefs damp. 
“Such a slutty cunt,” he whispers in your ear, feeling you shiver, “like when daddy shows you who’s in charge, sweetheart?”
“Yes, sir,” you sniffle wetly. 
That ugly need to hurt you ramps up again and he pinches your clit roughly until you bleat in pain. 
“Good girl,” he chuckles, fingers softly petting your cunt, “my perfect girl.”
“All yours, daddy,” you automatically respond. 
Your voice is hoarse from all your crying and it makes his chest burn like his solar plexus is caving in.
“That’s right,” he croons, cupping your breasts in his hands, thumbs swiping across your nipples, “daddy’s got such a smart pretty girl.”
He wants to laugh at how those words make you press against him, praise making you stupid and pliant for him.
“Get on the floor,” he pushes at your shoulders, “think that sweet mouth deserves a reward.”
Eagerly, you slide off his lap onto your knees, turning around to face him. He unbuckles his belt and undoes his pants, pushing them down his thighs so he can tuck his briefs underneath his balls comfortably. His weeping cock bobs in front of your face, tip brushing across your cheek and smearing precum across your skin. 
“Kiss it, baby, show me how much you want daddy in your mouth,” he grins at you. 
Your shyness just makes him harder as you press a feather light kiss to his dick. He watches as your lips and tongue work in tandem to gently kiss and lick at his fat cockhead. You sigh hard enough he feels the dampness of your breath before your tongue lathes underneath the foreskin, lapping up the sticky precum dripping from his slit. You moan while you taste him, eyes fluttering closed as you get more and more eager at sucking him off. 
Thighs twitching, he grunts when you suck him into your warm mouth, tongue cupping the head when you withdraw, lips tightly wrapped around the tip of his dick. He feels as you circle the head of his cock with your tongue, dipping the slick muscle into his slit to draw out more precum. 
“Good girl,” he groans when your mouth drops down to kiss and suck at his balls. 
Leon keeps his gaze on you as you try to suck both of his balls into your wet mouth, whimpering when you can only fit one. Smearing your own spit across your face, you nuzzle into his squishy sac, mouthing and lapping at the sensitive skin before sucking each of his balls again. 
Whining, you eagerly lap at his sac, tongue slowly tracing up the seam. Your lips meet the base of his cock before you flick your tongue back around his balls. Reaching down, he grabs the back of your neck, pulling your mouth up to suck on his cock. A choked off moan reverberates around his dick as your lips part to sink down around the first few inches. His abs tense when he feels the spit drip down his dick onto his balls. 
“So good, sweetheart,” he murmurs, halfway tempted to gag you on his dick— maybe even choke you on it til you pass out.
More precum blurts across your tongue as he pictures your eyes rolling back, body going limp from lack of air. His fingers spasm around your neck as the tip bumps into the back of your throat. Bucking up into your mouth, the tightness around his cock increases and you retch loudly. 
“Take it or I’m going to get mean with you,” he narrows his eyes down at you.
You cough again, a wet dirty sound as he pulls his cock halfway out of your mouth only to press back in deep, the fat head kissing the back of your throat immediately. It would be easy to keep you here, swallowing around him til he came or you blacked out. His eyes cut to the hidden camera before flicking back down to you. Maybe next time he’ll try it, but for now he wants to make this last longer for the video. 
Rolling his neck til it cracks, he lets you go, watching with hidden glee as you pull off with a gross coughing fit and wet eyes. The dough of your thighs press together drawing his gaze where he can actually see a light sheen of slick coating them. Taking a hitched shuddery breath, you lean forward and kitten lick the head, soft tongue cleaning up any precum spilling from the slit down his cock. 
A flash of your mouth split open and a bloody chin makes Leon place his hands under your armpits and yank you up, turning sideways to toss you onto the bed. He crawls on top of you and kisses you hard enough to bruise. Sinking teeth into your lower lip, he brings his vision to life as he works the wet skin til it splits, the warm taste of pennies flooding his mouth. 
Growling like an animal, he sucks your bloody lip raw. He finally leans up, taking in the mess of your mouth with unreasonable pride. 
“So pretty,” he smiles down at you, blood coating his teeth, “my sweet girl.”
“Yours,” you nod dazedly, eyes blown in arousal, “m’yours, daddy.” 
He moves off the bed and begins to undress, taking extra care to set his holster and gun on top of your dresser. Once his uniform is off, he lays it out on a nearby chair in order to keep it off the floor. It just wouldn’t do to get it unnecessarily dirty. 
He climbs back onto the bed, eyes zeroing in on your bleeding mouth with the awareness of a predator tracking prey. He smiles and grabs your thighs, shoving them up until they’re nearly touching your shoulders. 
“Think it’s time I kiss my sweet girl hello,” his eyes drop from yours down to your soaked cunt, “aww, she always cries so hard for me, baby.”
He shuffles down onto his stomach, hands still pressing on your thighs as he leans in and kisses your swollen cunt.
“Greedy little pussy,” he chuckles derisively, “always begging for more.”
He slides his hands down from your thighs to the outside of your cunt, pulling your pussy lips apart to spit on your clenching hole. 
“Daddy!” 
He hears your voice crack before you gasp when he plunges his tongue into your pussy, fluttering the wet muscle as deep as possible into your spasming walls. You always taste like heaven, like he could die suffocated on your cunt and he’ll never find anything better. His eyes roll back when your slick floods his mouth, clit fat and swollen against his nose as your cunt squeezes down on his tongue.
Leon’s tongue laps at your hole before he runs the wet muscle up your slit to suck sloppily at your clit. He’s being as messy as possible; he knows you love it when your cunt’s coated in his spit after eating you out. The only thing better is when he cums all over your pussy, making you wear your panties to keep that sweet cunt wet and sticky with his seed. 
Your cries and whines fall on deaf ears as he eats you out at his leisure. He makes you cum twice before finally trying out the little earworm that has eaten away at his brain since earlier. Thighs shaking from the last orgasm, you're completely out of it when Leon dips his head and bites down on your fat throbbing clit. 
He growls and humps the bed as you thrash under him, hips trying to buck up to throw him off, hands digging into his hair but he doesn’t budge. He closes his teeth even tighter around your swollen bud and you screech, legs kicking out at him. Leon laughs at you, arms coming up and pinning your lower half down onto the bed. He readjusts his mouth and bites your clit harder than before. 
“No, no, daddy! Please!”
You sob brokenly and Leon feels like he’s going to cum all over the sheets. Letting go, Leon pulls his mouth away for a second wanting to see your tortured little bundle of nerves. It looks so swollen that it makes his jaw ache. He licks and kisses over your clit until you’re whimpering in pleasure, hips writhing as Leon bathes your cunt with rough swipes of his tongue. He works you up to another orgasm and right as your pussy cums, clenching around nothing, he sinks his teeth back into your clit with a groan. 
“Daddy, daddy! Leon, please!”
Your cunt gushes slick as the pain morphs into pleasure, babbling and pleading for more even as Leon sucks your bud into his mouth, hot tongue circling your abused clit. 
“Ready for daddy to to fuck your pretty little cunt?” He rumbles, tongue lashing across your bundle of nerves making you whine. 
“Please, daddy.”
There’s drool and blood all down your chin and he thinks you’re the most beautiful thing he’s ever laid his eyes upon. If he were a better man, he would tell you so. 
Leon crawls back up your body, dragging his cock against your thighs until the tip bumps against your sopping wet pussy. His eyes catalog your wince when his dick drags across your clit and he kisses you until spit runs down your jaw. Balancing himself on one forearm, he brings his other hand down to notch the tip of his cock at your soaked hole. 
“Let me in, pretty girl,” he licks up the blood on your chin as he works his cock into your cunt, “let me stuff this soft little pussy with cum.”
Keening high in your throat, you grind your head against the pillow and Leon takes that opportunity to savagely bite into the side of your neck. He can feel you wheeze in pain underneath his teeth at the same time your pussy walls flutter and clamp down on his cock. Sweet satisfaction hums like electricity in his blood. He trails kisses from the nasty bite mark up to your ear, nipping the lobe. 
“You like what I do to you, don’t you, sweetheart?” He kisses your temple before shifting until his forearms are on either side of your neck, hips rolling back before thrusting forward. 
The tight clutch of your pussy makes him dizzy with lust, knowing he can do anything to you and you’ll not only take it, but like it. The camera is practically an afterthought by this point. Leon’s focus is now on making your hot little pussy cream all over his cock before he shoots his load deep into your hole. 
“Always take it so well,” his baritone rumbles low in his chest and you shudder under him, “got daddy addicted to your soft chubby pussy, baby, always wanna be buried in her.”
Your nails dig into his skin but he loves the stinging scratches you leave on him; proof that you need him just as much as he needs you. He has half a mind to drag this out for hours and hours, but he really wants to send the tape over to Chris. Smugly show off his pretty girl and the sweet sounds she makes for him. 
Leon prides himself on keeping his cool even when he’s buried to the hilt inside your deliciously hot pussy. This time, his nerves fray quicker than he’s used to; too many fun things have happened and all in front of the camera so he can look back on it later. Being able to watch your face again as he bites your clit makes his hips rabbit fast and hard against yours, pussy squelching loudly between your bodies. 
“Got me so worked up,” he laughs, one forearm moving all he can glide his fingers down your side and across your hip, seeking out your sore clit, “squeeze the cum out of me, sweetheart, let daddy give you a nice thick creampie.”
“Ohhh,” you moan shakily, “daddy, please, w’nt it.”
“You’re gonna get it,” he promises, voice dark, “you’re gonna take everything I give you.”
The hot pulsing walls of your pussy makes his hips flex harder, bullying his cock into your cervix, needing to get as deep as possible in your body. 
“Sucking me in,” he murmurs, fingers gently circling your sensitive bundle of nerves, “your sweet cunt’s made for this, isn’t she baby?”
“Yes, Leon, ‘m made for you,” you babble out, eyelashes sticking together from tears as you pant and moan, “daddy, I’m g’nna cum.”
“Fuck, then do it, pretty girl, cream all over me, work this cum into that sweet hole,” he groans when your walls clamp down on his dick. 
He swipes across your clit a few more times as he ruts his cock in and out of your pussy, grinding the fat tip across your g-spot until your back arches, a loud scream pouring from your mouth. 
“Good girl,” he praises, knowing you can't hear him, “doing so well for me, sweetheart.”
As your soft walls pulse and flutter around his dick, he adjusts his hands to hold him up above your body so he can rail you into the mattress. 
“Too much,” you whimper, “Leon, s’too deep.”
“Shhh,” he reaches down to twist a nipple until you clench around his cock, “let me rearrange those guts, baby, daddy needs to cum, too.”
You nod, tears falling down your temples to collect on the pillow and his hips snap harder— the sight of you crying on his cock always does him in quick. He thrusts half a dozen more times before his hips begin to stutter. Burying himself balls deep, Leon’s cock kicks and throbs while he spills hot sticky cum all inside your clenching pussy walls. 
While he fills your cunt with rope after rope of thick jizz, he groans long and low against your ear, “Perfect baby, taking it so well for me.”
“Leon,” you whisper lightly, hands carding through his hair and giving him goosebumps.
He settles his body weight down on you, cock plugging up your pussy so his cum doesn’t leak out onto the bedspread. 
“Gotta surprise for you,” he kisses the side of your head and slowly maneuvers until he can quickly shuffle you around to face the hidden lens. 
He pulls out his half chubbed cock, cream colored slick oozing from your pussy when he spreads it open. 
Smiling up at you, he nods to your nightstand, “Smile for the camera, sweetheart. Show’em what a messy little pussy looks like.”
He watches in utter delight as your brows pinch together before realization dawns across your face. Tears bead in your eyes and he chuckles. 
“Aww don’t be that way,” he croons, fingers digging into your used hole to work more cum into spilling out between your thighs, “be a good girl and let everyone see the creampie daddy left in your pretty cunt.”
Your cubby lips stay spread as he fingers more of his cum out of your hole. 
“So swollen baby,” he groans, fingers glancing across your fat clit, “can’t wait to watch this back.”
You squirm but he catches the hitched breath and dilated eyes. Grinning darkly, he nuzzles against your ear. 
“Maybe next time it’ll be a livestream of how I ream my pretty girl’s tight little pussy,” he kisses the shell of your ear as you moan quietly, “yeah, or maybe we’ll get someone in to watch me take you apart.”
You shiver and writhe against him, pussy sucking his fingers in even as he slowly drags them out of your spent cunt. 
“Guess we’ll need to save that for later though,” he clicks his tongue, moving away from you to shut the camera off, “now let’s go get a shower so we can go out to dinner, sweetheart.”
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yumeka-sxf · 7 months
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My thoughts on Spy x Family: EYES ONLY Guidebook (English ver) - part 1
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I finished reading through my copy of the English version of the SxF manga guidebook "EYES ONLY." There's tons of fantastic information about the series, but I wanted to share my thoughts/commentary on parts that were the most interesting to me. Since there's so much content to cover, I'll be dividing it into a few different posts. Also, rather than go in the order of the book's sections, I decided to group the content based on topic. This first post will cover Endo's comments about the characters individually, as well as information about Garden.
Endo's Q&As and comments about the characters
Loid:
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I like that Endo provides a reason for why Loid wears a WISE logo pin as it's something more than one fan of the series has questioned! And I totally agree with Lin about his "lack of distinctive features." Compared to so many other anime characters, especially shonen main characters, Loid's design is so plain, particularly in his hair and clothes. At least in his spy outfit he has a gun to make him a little flashier, but when he's in his casual clothes, he literally just looks like "some guy," haha. But that also makes sense for his character.
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I love how Endo gave specific numbers for comparing Loid and Yor's strength (Yor: 10, Loid: 6-7)
Anya:
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I did notice what Endo is talking about how Anya's design changed over time. But that can be said for all the characters really, and it's definitely not uncommon for manga-ka's styles to evolve as they get a better feel for their characters and world.
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He mentions the classical language thing that was also brought up in chapter 42. Definitely makes me think that will somehow tie into her backstory.
Speaking of Anya's backstory, there was this little excerpt about the researchers at the lab. So one thing we can say for sure about her past is that she was not treated well there at all (which has been hinted at in the series).
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Endo also discussed the origin of Anya's pink hair (namely, there really isn't any origin, lol).
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Yor:
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Interesting that he spent the most time designing Yor, and also about the origin of her stilettoes. And his apology to the cosplayers for that bonus feature about Yor's hair, haha.
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I had to chuckle when he said they can't measure her strength because she keeps breaking the instruments! Also the fact that she hasn't learned how to make a single successful meal since the stew…Endo is such a savage sometimes, lol. But keep in mind that this book was originally published over a year ago, and obviously we know from recent chapters that her cooking is improving. I also like that he mentions that she has left witnesses to her work, like in Extra Mission 2. I wonder if that will be a bigger plot point somewhere down the line.
Like Anya having pink hair, Endo expresses some regret about making Yor an assassin (but his laugh makes it clear he's not terribly hung up about it!)
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Bond:
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I know some people are bothered by the fact that Yor is Bond's least favorite. But I think Bond's (initial) dislike for her originated from the chapter where he assumes he would have died from her cooking. Also the fact that Anya put the idea in his head that she would "murder" him if he did something she didn't like, like shun her food (which is obviously heavily exaggerated). But again, this book was published over a year ago, and the most recent chapter revealed that he definitely doesn't dislike her even if she's not his favorite. It's perfectly normal for pets to have family members they prefer over others for whatever reason.
Franky:
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I love that Franky does charity work. I hope we'll see that in a future chapter.
Fiona:
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It's interesting that he ranks Fiona's combat ability so low, especially when you consider what she did to Wheeler in the recent arc. But to me, that wasn't so much a display of combat prowess as it was totally raw, uninhibited willpower.
Yuri:
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I love his blunt answer about whether Yuri has other interests besides Yor. Also intriguing that he mentions Nightfall when discussing Yuri's combat ability…maybe those two will meet eventually?
Information about Garden
Since Garden is still such a mysterious entity in the SxF universe, I tried to gather everything about them that the book mentions.
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It's interesting that Yor sees Shopkeeper as her mentor since he taught her survival skills in her youth. The book also raises the question about how Yor found Garden in the first place…maybe something Endo will expand on in the future?
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So the information Franky gives us about Garden is exaggerated? Gah, that just makes them even more mysterious!
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The above was a cool bit of trivia...so it seems like the secret police might know more about Garden than WISE. Perhaps Yuri will find out about Yor's real identity before Twilight?
Continue to Part 2 ->
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hoshifighting · 4 months
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Secrets in Ink
Synopsis: Y/N is the author of a saga of adult books, but no one knows her identity, which makes her products sell more and more. Joshua Hong is a big fan of the books written by the author, but little does he know that his co-worker owns the words that make him thirsty.
Word count: 3.4k
Reader! Anonymous author, Joshua Hong! Reader
Warnings: smut, oral (f. and m. receiving), penetrative sex, a slight voyeurism, smacking, dick riding, fingering (f. receiving), begging, both switch, can have some grammatical errors, so I apologize in advance :)
The saga written by Y/N delved into the realms of passion, desire and forbidden love, creating a literary world that resonated with readers seeking an escape from the mundane. With each new release, expectations among fans reached new heights, fueled by the elusive nature of the author's identity.
Unbeknownst to bookworms, one of Y/N's most dedicated fans was Joshua Hong, a diligent worker at a publishing company in Seoul. Joshua's love for Y/N's books went beyond mere admiration; he found solace, excitement, and a connection to his own desires in the pages of tantalizing sagas.
Little did Joshua know that the woman responsible for his literary desires was none other than his own co-worker. Y/N found a job at the publishing house as a text and publishing analyst, carefully hiding her double life as a talented author. Her days were spent at the office, surrounded by colleagues who were oblivious to the fact that their easy-going co-worker was the mastermind behind the salacious stories that captivated the world.
As the popularity of Y/N's books continued to grow, Joshua's fascination with the elusive author deepened. He participated in online forums, attended autograph sessions, and even tried to discover the identity of the author, all to no avail. Y/N reveled in the irony of her situation, watching Joshua from across the office, knowing that the very person he wanted to discover was hiding in plain sight.
The tension between the secret author and her unwitting fan reached new heights when Y/N's latest release set the literary world on fire. Joshua, enraptured by the narrative, unknowingly sat mere tables away from the woman who wrote the words that fueled his fantasies.
Today was another end of the day where your work friends got together to take a break since the week was long enough. And the chosen destination was a bar that sold fried pork. Y/N was already thinking about the smell of her hair and clothes at the end of the night, while her coworkers commented on the huge success of the books published last Monday.
“They contacted the author today via e-mail, she was so nice! I can imagine the day she will appear at the company…” Eunji said dreamy to Y/N, who was already drinking her beer.
“Honestly, I never thought we would sell books like this.” Seungkwan said with a hand on his chest “It’s the best seller in years! Every day I want to kneel and thank god the the writer chosen our company, I love the fat salary in my account!” 
“Facts! And one day I will be just like Y/N” Eunji breaks Y/N out of her trance as she rests her glass on the table, choking a little on her beer. “Me? Whyyy?” “You arrive on the company at 8a.m in a whole BMW and you think we wouldn’t notice?” 
The woman smiles awkwardly and turn the pork belly on the little grill on your front “It was only thanks to my savings okay? Imagine how much that author must earn” 
“Woah to have her bank account!” 
“Imagine have a night with her! If she writes so well about it, then she must be a demon in bed” The girl by her side says and she couldn’t help but laugh sincerely. That was the part that Y/N love the most, the expectation of people about the writer’s life again.
“But honestly! Her books are so good, that's why it sells so much.” Joshua affirms. 
Y/N gives him a curious glare “Oh! So you like her books?” 
“Of course I do, the writing it’s so captivating, I could read all day long, without any problems” He rise his shoulders.
“Woah! Joshua reading those type of books? Oh! He is so romantic!” Seungkwan sulk at him punching his arm, while Joshua rolls his eyes. “Y’all should read the best seller of your company” Joshua argues.
[…]
After a long day of work, here was the part of the end of the day that Joshua was most looking forward to, as he settled into the comfort of his dimly lit room, the soft glow of the bedside lamp casting a warm tone across the pages, he eagerly dove into the latest release from your favourite anonymous author. The words unfolded like a well-choreographed dance, each sentence leaving him intrigued with what was to come in the narrative.
His eyes scanned the paragraphs, savoring the clever sentences and subtle nuances that made this mysterious writer truly exceptional. Anticipation rose within him, excitement akin to a child unwrapping a long-awaited gift.
The room seemed to come to life with the magic written on the thin pages, and Joshua found himself with his hand under his sweatpants during the heated dialogue and sighing at the intriguing plot twists. The anonymous writer had a way of infusing every line with an exciting energy that left him totally horny. Impatient, he takes off his own clothes from his already sweaty body. Again flipping another page of the book, masturbating his cock as he holds his bottom lip between his teeth. “Ah! Fuck” 
Joshua found himself breathing shakily, while his hand worked harder on his hard cock, the muscles of his arms moved together with his hand, and the room is already filled with the moans that leave from his mouth. It doesn’t take long for Joshua cum in his abdomen holding tight the base of his cock with your head thrown back. He laid the book on this bedside table closing his eyes groaning before going to the bathroom.
[…]
Y/N, however, was not content with mere anonymity. She longed to unravel the carefully constructed façade of her fan, Joshua. Calculating her every move, she orchestrated a plan to reveal her true identity to him in the most unexpected way.
One day, as fate would have it, Joshua was called to Y/N's apartment to fix a supposed computer glitch since she was in her home office that particular day. Y/N meticulously organized the situation, ensuring that he would discover the truth amidst her literary kingdom. When Joshua arrived at Y/N's apartment, anticipation hung in the air like a charged melody. 
The door opened, revealing Y/N standing before him, a sight of fascination. She greeted him with a inviting smile, wearing a sheer white shirt that offered a teasing glimpse of delicate lingerie underneath. Black pants clung to her waist, accentuating curves that, until then, only existed in his realm of imagination. The smell of her home, as well as her literary world, enveloped him – sweet, intoxicating, and inviting. The well-decorated space spoke volumes about the woman behind the words, a place where fantasies and realities converged perfectly.
Joshua, mesmerized by the scene before him, felt a sense of comfort in the atmosphere she had arranged. He waited patiently, his eyes taking in every nuance of the moment. Y/N, his sweet and kind co-worker, made a subtle but deliberate sign, inviting him to her office. With a tilt of her head and a shy smile, Y/N called Joshua into her office. The room, an extension of her creativity, welcomed him with warm tones and the soft glow of ambient lighting. The air was buzzing with a shared secret, and when Joshua entered the space where he barely knew the words that fueled his desires were crafted, he couldn't help but feel a shiver of anticipation.
As he delved deeper into the intricacies of her computer, the air grew thicker with expectation. As Joshua stepped into Y/N's home office, surrounded by filled with books and the subtle shelves aroma of new pages of paper, he went to work on his computer, unaware that the very secrets he sought were hidden in the files he was about to explore.
Smiling, she watched as Joshua stumbled upon a hidden folder containing the manuscripts of his beloved saga. Shock and realization danced across his face, the lines between fiction and reality blurring in a heady revelation. Y/N's secret was revealed before him, and he was caught in the tempting web she spun. The air crackled with tension as Joshua turned to Y/N, his eyes reflecting a mixture of amazement and desire. Her, the architect of the situation, revealed herself with a mischievous glow, her true identity no longer confined to the pages of her books.
In that intense moment, Y/N and Joshua found themselves at the intersection of fantasy and reality. The words that fueled Joshua's desires were no longer the creation of an elusive author, but the passionate reflections of a co-worker who skillfully orchestrated the revelation. As Y/N and Joshua stood enveloped in the charged atmosphere of her office, the unspoken tension between them reached its peak. The revelation had set the stage, and the air seemed to hum with a shared desire that transcended the boundaries of fiction. Y/N closed the distance between them. Joshua, captivated by the allure of the moment, met her halfway. Their lips touched in a kiss that held the weight of a collision of worlds where the line between fiction and reality continued to blur.
The kiss lingered, a moment suspended in time, before Y/N pulled away with a subtle smile. Without breaking eye contact, she took Joshua's hand, leading him out of the office and into her room. The journey through her creatively adorned space was a sensory experience—books whispering stories from shelves, the subtle aroma of scented candles filling the air, and the glow of ambient lighting casting a warm hue. Every step felt like a deliberate move in the narrative they were weaving together. As they reached the doorway of her main bedroom, Y/N turned to Joshua, her gaze a reflection of the desires that had long been confined to the pages of her books. With a silent invitation, she opened the door, revealing a space that mirrored the intimacy and allure of the stories she crafted. They found themselves on the threshold of a new chapter. The bed, adorned with soft sheets and plush pillows, beckoned them into a realm where the boundaries between author and reader, fantasy and reality, continued to blur.
As they entered the room, the door closed behind them, sealing the narrative of Y/N and Joshua in the privacy of her creatively curated sanctuary. The story that had unfolded from the depths of Y/N's imagination now transitioned into a shared experience, a continuation of the tantalizing saga that had brought them to this moment of connection and desire. Y/N intertwined her fingers in Joshua's brown locks, as he caressed their tongues together. 
Joshua, now acutely aware that his hot co-worker was none other than his favorite writer, felt a surge of heat coursing through him, the realization that Y/N, the woman he had worked alongside in the office, was the mastermind behind the steamy tales that had fueled his fantasies, intensified the charged atmosphere. The lines between admiration and desire, professional and personal, blurred into a landscape where the boundaries were defined by the shared heartbeat of two individuals drawn together by the allure of the unknown.
He laid her back on the wall, pressing your bodies together, she could feel his cock hard against her crotch while her hands ruined trough his layers of clothes, pulling your sweater in a single upward movement, he helps her, removing his shirt looking at her teasingly. She starts so open every single button from her transparent shirt, painfully slow. Joshua with the greatest delicacy tried to unbutton them quickly.
“Calm down Joshua I won’t run away from you…” She smiles, kissing his neck, and then licking a stripe with her hot tongue, feeling his skin shiver. “I should take time with my favourite reader, shouldn’t I?” He moans pressing his forehead on her shoulder, while he removes her belt of her silk pants. “You know what? I loved to see your name on my e-mails, giving me a whole feedback about my books… Or when you gone to the book events to get a single autograph, and to try to find out who wrote the dirty words you loved so much. You couldn't imagine that I would reveal myself like this, could you?” 
At this point, their clothes were lying on the bedroom floor, allowing Joshua to play with the thin fabric of her lace lingerie, moving their bodies to her bed. He climbed on top of her, kissing her neck, and played with his teeth, with the thin gold chain that adorned her neck. He rubs his clothed dick, on her covered pussy, eliciting groans from both of them. “Who would have thought that you, all quiet in your corner, would write all these bold books? I would never imagine that you had this naughty mind” He rubs again, making her lips open with a silent sound. 
"Since you've got that wild imagination of yours... If I were one of your characters, what would you do with me here, and now, hm?” Caught off guard by Joshua's unexpected question, she closes her eyes, a mischievous smile playing on her lips. As she imagined the scenario he proposed, a subtle bite on her lip betrayed the depth of her thoughts. When she opened her eyes, a seductive look met Joshua's gaze, and she responded to him by looking him in the eyes. "I'd tie you to this bed, and ride your cock until you begged for more. Or I'd let you fuck me on the balcony, showing all my neighbors how well you fuck your favorite author…” 
She says with so much naturalness, that now it took Joshua by surprise — he even tries to act natural, but his flushed cheeks give him away how aroused he was — she can notice that he is now sinking his fingers into the flesh of her body “You are so surprising, what do I do with you?" he sulks clicking his tongue. 
Y/N hugs her legs around Joshua's waist and grabs his neck, flipping him, so she can sit on his lap “You know what? You'd rock as a character in my next book, but before that, I wanna get a feel of you." Joshua's eyes shine with the answer given to him, but she didn't give him time to think, she was already in between his legs lowering the waistband of his black boxers, his dick jumps, and lays on his stomach. She holds his cock, licking the base, while the angry tip asked for attention. Her finger press his slit, spreading the precum that shone with the room's lighting. His body trembling with the teasing.
Joshua blinked, and when he saw it, his dick was already inside of her mouth, she bob her head on his dick, and he cover his face with both of his hands whimpering in pleasure, he laughs, brushing his hair back with his hands “Oh my God, you’re doing so good for me baby… Ah” he looks at her, holding her hair to go deeper, and she goes, even deeper than he expected, his eyes widen and he arch his back “fuck I’ll cum” he cries, looking at you almost closing his eyes.
“Yeah?” 
“Yeah!” 
“No you won’t!” She drop his dick on his stomach again. 
Joshua gets up, looking at her with pleasing eyes “Why?” “I don’t think you are my loyal reader. Never let them cum so easy, you know that, don’t you?” “Yes, you right.” He gets up again, walking through her room and opening the curtains of her window, revealing, the lights from the city in the night. He turns off all of the lighting, and put a chair in front of the big and vertical window, while she watches him curiously. With strong arms around her, he gets her out of bed, placing her sat on the chair. “What are you doing?” he rips her lingerie from her body, and she open her mouth “Shh! Quiet” 
She opens her legs for him, giving at him a full view from her pussy, dripping already. The lighting was very low, — so people couldn’t see them properly from their windows, or from the street — but she still could see the shameless white smile on his face, before licking a teasing strip on her pussy looking at her eyes. Y/N curl her toes at the sight, the wet and hot tongue, making a mess on her pussy “Fuck, you look so good like this…” he says, and her hand holds his hair, pushing him to eat her out again, he smiles and groan sending vibrations to her clit. 
Joshua holds her legs open, feeling her tights tremble on his hands, while her pornographyc moans fulfilled the room, she was on the edge for the second time, but Joshua wouldn’t let her cum yet. “Why you’re so mean?! I’ll ride you until you cry! Ah!” she threatened angrily at Joshua's long teasing.
He stops and look at her, pushing two fingers inside of her, making her eyes roll at the back of her head “Yeah? And what else are you going to do? Will you be able to do it?” he scoffs looking at her. She’s a trembling mess, and your pussy was already dripping on the chair. 
“I-I will-“ She screams when he curls his fingers inside of her, feeling her eyes kick out the tears from the sides of her eyes.
“Aw babe can’t even speak…” he sulks at her moving his fingers fast enough so she can feel the knot on her stomach again, and he can feel her pussy tighten around his fingers, so he stops again, licking his fingers. 
She open her eyes, and give him an angry glare, she wasn’t kidding anymore. So she gets up, holding his arm, guiding him to sit on the chair angrily. He looks at her a little anxious “So quiet, out of nowhere? Hm?” She laughs at him. 
Y/N holds the base of his dick firmly making him jump, Joshua could only feel her tight, wet and warm walls hugging his dick, before his vision gets white. She slammed her hips on him, and the boy moan loud throwing his head back. Her hand hold his jaw firmly, so he looks at her. He needs to hold the urge to roll his eyes, so he can keep the eye contact with her with furrowed eyebrows. Y/N starts to roll her hips at him, masturbating her clit, so he can fells her pussy tightening even more. Shivers are sent to Joshua’s body. “So good, so good, so good…” 
Joshua takes her hand out of herself, and starts to rub her clit fast, slapping her on the ass. She groans, pulling his hair, and rolling her hips furiously, he looks at her like he was asking for mercy, both of them couldn’t stop their moans to leave their mouths. “Please don’t stop, please don’t stop babe, I’m al-most t-there, I swear! Please! Please?” He asks and her mouth opens in an “O” and he nods at her as a stimulation to cum, then she screams his name, creaming his cock, riding her orgasm, looking at him, to see if he was near because her legs wouldn't last long. He kisses her messy, moaning, and he tries to kiss her until his moans stop him, the orgasm washed over him rolling his eyes, moaning loud enough that his ears rings after. 
She lays on his shoulder, and he hold her waist tight to him. Y/N looks at him with a tired smile “We should get some sleep, we have to wake up early tomorrow…”
[…]
As Joshua and Y/N strolled into the office, a shared secret lingering between them, the evidence of their night together evident in the shared smiles that adorned their faces. The knowledge of Y/N's true identity only fueled Joshua's excitement, and he couldn't help but wear a constant grin as he replayed the events of the previous night in his mind.
Seungkwan, the unsuspecting colleague, announced with enthusiasm, "Hey, did you hear? The mysterious author wants to drop a new smut next month!" Joshua's eyes met Y/N's, and she responded with a playful wink, a silent acknowledgment of their intimate connection.
The office banter continued, but in that moment, amidst the hum of activity, Joshua and Y/N shared a secret that transcended the ordinary workday. The thrill of their clandestine affair and the anticipation of the upcoming literary release painted the day with an aura of shared mischief and unspoken desires.
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ryozaki21 · 11 months
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diary of the heartbreakers;
00z series
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╰┈➤ Diary of the Heartbreakers; 00z series
➸ ♡ They used to be the ones breaking hearts, but when karma comes around, suddenly the don't know what to do. Navigate through college life with your favorite idiots, and read through the Diary of the Heartbreakers.
GENRES: College AU, Smut, Fluff, Angst, Humour
WARNINGS: Minors DNI, Explicit sexual content, drug abuse, Infidelity, Toxic relationships/characters, Heavy topics discussed, player!00z, Language and Violence.
AUTHOR's NOTE: I thought long and hard about making this a series, because of my commitment issues and I don't trust myself to commit to a writing project like this TT, But since I have story ideas for these characters, (00z) I just linked all of them together. SLOW UPDATE. Also my first time doing a series, how about that?!? I hope you guys like it!
DISCLAIMER: This story is purely fanfiction. Only the names of the Idols are used, and does not reflect on them in real life. There's no way in any shape of form that they are like this in person, because I MADE IT UP. I don't personally know them. DO NOT STEAL / TRANSLATE / MODIFY. This is my work and I don't appreciate people stealing it. Thank you.
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╰┈➤ After You
➸ ♡ Na Jaemin had it easy. Loved by everybody, the man of everyone's dream. He's a perfect mix of a charmer and a player. Girls begged to be his, and he loved every part of it. Life used to be so fucking perfect for him. Then comes you. You're like an old book, ink fading, cover tearing, but he swears you're worth the read. Before you, life was easy. After you? He wasn't so sure.
"Break my heart, and you'll find yourself inside."
GENRE: Angst, Fluff, Smut, Mature themes
WARNINGS: Minors DNI, Explicit sexual content, Language, Mental Illness, Drugs/Alcohol usage, toxic!reader, fuckboy!Jaemin (but still a sweetheart)
AUTHOR's NOTE: Oh, this one's heavy. Much serious than the other stories and quite one that's holds some sensitive topics. If I get some things wrong about certain topics, please do tell me and I'll quickly correct it. Enjoy reading!
Expected WC: 15k
STATUS: published
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╰┈➤ Yours, Inevitably
➸ ♡ To say that Lee Jeno is pretty would be an understatement. The man's gorgeous. One thing he uses to his advantage, going through college getting girls he spots his eyes on. But there's one he just couldn't get. His brother's bestfriend. You can continue and avoid your feelings for each other, but eventually, it'll happen. You were someone that stayed, a constant in his life. You might not know it, but for the years you've known Lee Jeno, he slowly became yours, inevitably.
"I should've known that it was you, because no one else made sense."
GENRE: Fluff, Angst, Humour, Smut
WARNINGS: Minors DNI, Explicit sexual content, Language, Alcohol usage, Mentions of Drugs, fuckboy!Jeno, brothersbsf!reader
AUTHOR's NOTE: This story was collecting dust on my drafts for so longg! Originally I was gonna post it as a stand-alone but figured it made sense to be a part of this series. One of my faves. Also lots of other members of nct mentioned. Enjoy reading!
Expected WC: 8k-10k
STATUS: published
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╰┈➤ The Fine Art of Rejection
➸ ♡ Huang Renjun, the sweetie of the year, is one hard star to catch. Not as easy as his other friends, he's quite difficult to have. Although he has a fair share of affairs with girls, it is considered to be a rare occurence. But you? Oh boy were you something. You were quite head over heels over him. His friends could never understand, but you were persistent to get the boy. No matter how much he refuses your advances, Its like you found art in rejection. But to what degree can you hold it out?
"I can be everything I want, but fuck, I only wanted to be yours. Even though you couldn't be mine."
GENRE: Unrequited love, Humour, Fluff, Angst, Smut
WARNINGS: Minors DNI, Language, Explicit sexual content, Alcohol Usage, cheerleader!reader, Renjun is sometimes rude lol
AUTHOR's NOTE: Actually, I wanted to write something pure fluffy for Renjun, but I figured I need to put a sprinkle (more than that actually lmao) of angst. Also my favorite plot to write. Enjoy reading!
Expected WC: 8k-10k
STATUS: published
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╰┈➤ Illicit Affairs
➸ ♡ Infamous for being every girl's guilty pleasure, Lee Haechan strutted through his life shamelessly. But recently, the new girl caught his eye. Im Hayeon, who he believes that would finally tame his wreckless heart. He was confident he could get the girl. And when he did, he never expected her to have baggages. For example, you, Im Hayeon's best friend. Who suddenly, sparked an idea on his pretty little head. You're trouble-- and you're making Haechan commit Illicit Affairs.
"You're making me do bad things, very, bad things. But then again, I'm no stranger in being the bad guy."
GENRE: Fluff, Angst, Humour, Smut
WARNINGS: Minors DNI, Language, Explicit sexual content, Alcohol Usage, Infidelity, Haechan and reader is kind of an asshole
AUTHOR's NOTE: okay, for one, i don't condone cheating. its just for the story! also i won't tackle on it too much-- literally just for the plot. Enjoy reading!
Expected WC: 8k-10k
STATUS: published
«────── « ⋅ʚ♡ɞ⋅ » ──────»
© ryozaki21 2023
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writingwithfolklore · 5 months
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The (not so) Secret Magic of Asking for Things
                I’ve taken three classes I didn’t have the prerequisites for, gotten two jobs in editing, and was offered an internship with a big magazine. My secret? I asked.
                It sounds almost too simple to be true, but that really is all you need to do to get what you want. Ask the right way, to the right person, at the right time, and you can get just about anything you want. The worst thing that has ever happened to me from asking for what I want was an apologetic no. The best things? Jobs I love, classes I’m enjoying, and an internship that’s going to look amazing on my resume.
                When emailing, there’s a structure to making requests. Here’s an email I sent out to take a creative writing class I shouldn’t have been able to take as example:
Subject: Program Override for (Course) (keep it short and clear)
Hello Person,
I hope you’re having a good morning/week/weekend. (always open with a nice pleasantry. Sets a good tone).
I am a third year student in (program) looking to take (course), however I noticed there was a program restriction that bars me from registering for it. (Start with a very quick context, only keep the details that are absolutely necessary.)
Creative writing is my greatest passion and I constantly strive to be better at it. (Course) would allow me to grow my skills in this area and gain valuable connections with other writers at (school). If there is any way to override the restriction, I would be endlessly grateful.
(Make personal connection and state clearly what you want.)
Thank you,
(Sign off)
                Easy peasy, right?
                Other opportunities I got came from knowing the right people. I asked one of my profs if she knew of any internships, and she happened to know an editor of a magazine that she reached out to on my behalf. Within a month I had an interview with them. I made friends with a guy who was hiring for an editing position—I told him I would be interested in it, and in a few weeks I got the job.
                Make clear to the people around you the goals and things that you want. I tend to mention these goals during the “say one interesting thing about you” class introductions thing they make us do.
                So many times have I said, “Hi, I’m Annai and I’m a novel writer looking to get published in YA and hopefully children’s writing” and have had people come up to me with offers to collab on a children’s book, or who know someone getting published, or have a family member who is an editor.
                If you want it, just ask.
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inkskinned · 1 year
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something that stuck with me once, way back in middle school when i was still learning how to write - my teacher said "writing shock and tragedy is easy, it's humor that's the hardest."
i have been up and down the halls of academia. i have the fancy degree and the experience in publishing. i think i paved most of my own road with the little bricks of sorrow i had stored inside of me. i know i did it mostly with works that are blisteringly lonely. i know why we write like that. it's lifesaving.
but yeah, i mean. i also know how much people think that "sad" media is the same thing as "good" media. our human desire to connect is so hard-pressed that we immediately latch onto any broken themes. the bullied kids and the tales of inspiration. people keep saying things like "glass onion" and "everything everywhere" weren't actually good. because, you know, they're. happy. or happy-ish. happy enough. and we only value art if it's grimdark-adjacent.
do you know - people still consistently whine at me that my writing would be so good if i just capitalized things. i used to flinch. i get kind of a weird, vindictive little rush these days - i get to say thank you for the comment! i have chronic pain and this is how i conserve my hands so i can write more during the day :) grammar isn't real anyway! and now they're trapped in the room with me, you know? i get to pull out my map and show them how grammar is not the same thing as good writing.
writers have this thing. we scratch at our insides, constantly, prying our lives apart into splinters. prying the splinters apart into atoms. when we combust something into poetry, we control it. it cannot hurt us if it exists outside of us rather than burning a hole through the bottom of our lungs. it's not a wonder to me that so much of what i make comes out like a death gasp. i spent a long time at the bottom. i keep going back, too. when you're down there for so long, the only thing you can exhale is fumes.
but humor is hard. humor needs timing; which i can't promise in a paragraph. i can kind-of force it through careful spacing, but i have no idea how fast you're reading these things. humor needs a somewhat awareness of your audience, when really - anybody could be looking. humor needs us to understand what the joke is, why it's a joke, and to think - ha! that is funny. in tragedy, everyone understands the metaphor of a kicked puppy. in humor, you need to introduce them to the concept of a dog.
and forget about positivity. forget about anything not made for adults explicitly. every time i see a well-made children's media piece, i feel fucking horrible for the creators. most of the time, people see children's media as being sort of "not worth" applause, even though i'm pretty sure they have to work twice as hard. i have no idea how hard it must be to not be able to have your character just say. "well, fuck." something about a message of peace or friendship or caring - for some reason, that makes the media not for adults. like, okay. i'm pretty sure my father actually, out of all of us, could use a good book on how to control his temper and talk about his feelings.
but whatever. i write a short story about my ocd, and how it's fucking killing me. it gets an award. it gets published. i write a short story about my ocd, and how i'm overcoming it, and how my days are getting lighter and starting to flourish. i keep getting ghosted. no response. it just is lacking... something.
is this it, forever? you can be an artist, okay. but the trade off is that the things you make - if they're happy? if they're joyful? people will say it's stupid and pandering. you bite your nails off. you file your teeth. you hear something inside of you breaking.
the other day in a writing group, someone i'd thought of as a friend said: "you write so much better these days! i love what you make when you'd rather be dead."
3K notes · View notes
alonetimelover · 6 months
Text
pairing: Harry Styles x book writer!reader
fc: Saoirse Ronan
summary: YN just released her debut book, and it became the hot topic online. It might have something to do with certain someone being spotted buying it.
a/n: comments to all those posts are long, because i wanted to somehow incorporate the plot of the book that book writer!reader wrote!
masterlist taglist
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yourinstagram
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liked by fallinloveinbooks, user49 and 89 202 others
yourinstagram Those are the notebooks in which I wrote my little baby. I can't believe I am typing this, but 'Silver Lining' is out !!! You can buy it at all independent London bookstores. I can't wait for your reviews. I'll read them all.
view all 8 201 comments
yourbestfriend MY BEST FRIEND IS AN AUTHOR !!! JANE AUSTEN WHO ???
⤷ yourinstagram do not disrespect the legend here
fallinloveinbooks OMG i've been following you since that one post about understanding fantasy world and being allowed to incorporate real world in it! i can't wait to read it, im going to the store right now!
⤷ yourinstagram YOU. ARE. THE. SWEETEST. and i remember you from that post and all that came after. I LOVE YOU and will wait for your words!
user92 what is the genre of the book?
⤷ yourinstagram it's fantasy! but there are a few subgenres. i'd say romance and mystery play a huge role in this book, too!
user109 will it be available online? im from us and would love to read your book!
⤷ yourinstagram unfortunately, not in a foreseeable future
⤷ user109 oh no, why??
⤷ yourinstagram being completely transparent, i released this book using my own money- no publishing house involved - because no one was really interested in it. what is in the stores is the printing i was able to afford. hopefully, they will sell and i'll be able to print more editions.
⤷ user102 im crossing my fingers for you
hArrysbtch i was looking for some new fantasy books, you are sent from heaven
⤷ yourinstagram hope you like it, angel
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harryupdates
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liked by hArrysbtch, yourbestfriend and 80 393 others
harryupdates HARRY outside of the independent bookstore in London today! EDIT: because all of you are asking, he apparently bought 'Silver Lining' by YN YSN !
view all 2 202 comments
hArrysbtch I've just finished that book and OMG OMG OMG, i don't know what to tell you, but he's getting into something so beautiful so structured so sad, i can't say enough.
⤷ harrysmoustache so it's worth it?
⤷ hArrysbtch YES. YES. YES. absolutely. from the first page to the last, it just consumes you. yn did such a good job, and it's her first book ever!
⤷ harrysmoustache oh, i can't find it online
⤷ hArrysbtch it's only at independent bookstores in London. no publishing house was involved, she printed all the copies available with her own money. i can buy it for you and send it?
⤷ harrysmoustache i DMed you!
stylesbabie harry in his book girl era
harrysmylife he is back and he is reading, he's just like me
user102 there's no way he has that book and i don't
fallinloveinbooks I've read it, and I loved it. I hated it because of how much it made me cry. Harry, you're in for a ride a wild one with all the *wink*wink* scenes and the most heartbreaking chapters of literature I've ever come upon
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yourinstagram
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liked by harrystyles, yourbestfriend and 173 302 others
yourinstagram I cannot express how thankful I am for you and your love for my book. Unfortunately, for now, there are no copies available. But im trying to make it work. But maybe it wasn't meant to be...
view all 10 202 comments
yourbestfriend that's a bestseller book if you ask me
⤷ yourinstagram you are the love of my life
hArrysbtch not you using the last line of the book, like it didn't tear my heart open
hArrysbtch thank god it's already on my bookshelf, happy that it broke my heart and made me horny
⤷ yourinstagram Those were the emotions I wanted people to feel!
harrysmoustache my copy is flying to me, and I can't wait to read it
⤷ yourinstagram ill be waiting for your review!
user102 read, loved, cried and read again
⤷ yourinstagram two times??? i could smother you in kisses
⤷ user102 i wouldn’t mind that
user292 can't explain how unique and original it is
⤷ yourinstagram ❤️
user939 not harry lurking in the likes
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harryupdates
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liked by hArrysbtch, harrysmoustache and 128 402 others
harryupdates HARRY and writer YN YSN out and about in London today!
view all 6 080 comments
hArrysbtch Alexa play that should be me by Justin Bieber
hArrysbtch she's mine harry, fuck off
hArrysbtch what is it that whenever I find someone to obsess over they become somehow connected to harry
hArrysbtch but, i smell couple material !!!
harrysmoustache he's gonna be the inspiration spark
⤷ hArrysbtch don't even start! i read silver lining with Harry in mind as one of the main characters
⤷ harrysmoustache as Emrys, right?
⤷ hArrysbtch yes! my protective and sexy bookboyfriend
⤷ user102 I see, we support complicated men here, i love it
stylesbabie they look so good together
⤷ user02 their backs are towards the camera...
⤷ stylesbabie shhh
harrysmylife I love her style !!!!
user402 she's getting so much attention from it. how did she manage this pr?
⤷ hArrysbtch pr???
⤷ user402 don't tell me it doesn't look like one?
⤷ hArrysbtch yeah, I forgot. every woman harry is seen with is just pr or the one to hate. of course. tpwk does not include woman harry is involved with?
⤷ harrysmoustache burnt!!!
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bloomsbury
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liked by yourinstagram, yourbestfriend, harrystyles and 40 492 others
bloomsbury Our newest pea in the Bloomsbury pod is the sweetest, London based, young author who has just published her debut novel. We are here to help and tell you that 'Silver Lining' is coming to all bookstores in the world and to online shopping as well on the 15th of November. To feel whole again.
view all 2 202 comments
yourinstagram I LOVE MY NEW POD
yourbestfriend DONT FORGET ABOUT ME WHEN YOU BECOME FAMOUS
⤷ yourinstagram NEVER
harrystyles Congratulations, YN ❤️
⤷ yourinstagram well, thank you, harry
hArrysbtch my favourite author is getting famous!!!
fallinloveinbooks I CANT BELIEVE IT !!! congrats, yn!!
⤷ yourinstagram thank you, sweets!
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fallinloveinbooks
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liked by hArrysbtch, harrysmoustache and 6 492 others
fallinloveinbooks I'm attending YN's 'meet the writer' thingy in London and I cannot express how much appreciation I have for her. She thought every little detail in 'Silver Lining' through to make the book perfect. An icon!
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hArrysbtch I am here too! And I love her so much!
harrysmoustache you need to either film some moments or just post-stream it for us!
stylesbabie she looks so beautiful
user102 I am here as well! we need to meet up!
⤷ hArrysbtch im in the second row!
⤷ user102 are you the one with a pixie cut?
⤷ hArrysbtch Yes, that's me!
⤷ fallinloveinbooks I think im sitting next to you, hArrysbtch
user42 come on guys, let us now what are the questions and answers!
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dailymail
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liked by hArrysbtch, user102 and 103 393 others
dailymail NEW COUPLE ALERT? Harry Styles and newly established writer YN YSN were seen leaving the same restaurant (Styles a few moments after YSN). YN independently published her debut novel just two months ago and then signed a contract with Bloomsbury publishing house after Harry had been seen buying her book. For more photos and information, visit the link in our bio!
view all 19 302 comments
user102 not you making harry the only reason she got the contract
hArrysbtch she got a contract because of the interest her book sparked online, not harry
harrysmoustache i'll just leave it here but literally Neil Gaiman praised this book online
user402 oh yes, when the privilege is striking
user99 you just cannot stop taking photos of people in their free time, invading their privacy, can you?
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yourinstagram
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liked by harrystyles, yourbestfriend and 201 392 others
yourinstagram Somethin' is cookin'. And that's the audiobook of "Silver Lining" voiced by me! It will be available on 23rd of December as podcast episodes on Spotify for more of you to enjoy! Merry early Christmas!
PS: there may or may not be someone else to accord their voice to Emrys
view all 19 292 comments
yourbestfriend i could be Rhiannon
⤷ yourinstagram you were laughing your ass off after two lines
⤷ yourbestfriend not my fault that Rhiannon is the comedy queen
harrystyles 📖🎤
hArrysbtch NO WAY! i adore your voice and now i'm gonna picture you as Rhiannon - this book just became even better (it already was perfect, i don't how you're doing it"
⤷ yourinstagram hopefully, i won't end up as her
fallinloveinbooks my dream came true. i usually have such a hard time reading that audiobooks are the only option. now i'm going to listen to my favourite chapter over and over again
⤷ yourinstagram which ones are your favourite?
⤷ fallinloveinbooks definitely 6, 15, 24, 33 and 42
⤷ hArrysbtch all the chapters that depicts love - i see you
⤷ fallinloveinbooks yes! the thing is that number 6 refers to love and all those chapter number's are either 6 or add up to 6
hArrysbtch wait wait wait, i've just realised. what if harry is voicing Emrys????
⤷ harrysmoustache don't give me hope
⤷ fallinloveinbooks that would be perfect
⤷ user102 i'm not ready to listen to chapter 24 and 33 with him voicing it
⤷ hArrysbtch i will die, literally. those scenes are intense!
user102 she just wants people to be able to read the book and not care about paying bundle and having shitty quality. i love her.
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harrysupdates
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harryupdates HARRY and YN at the market in Clonakilty, Ireland!
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hArrysbtch someone tell me is that her home town?
⤷ fallinloveinbooks yes, it is! her parents still live there!
⤷ hArrysbtch meeting parents? oh god, they are serious serious
fallinloveinbooks they live that small town romance book lives
⤷ user102 so true! i need her to write something like this!
⤷ hArrysbtch i would eat it up
stylesbabie Niall is proud right now
harrysmylife i can't express how much i love domestic harry
user20 she started the thunder online after *possibly* announcing that harry will voice Emrys and decided to step away from socials. i love her. i love her. i love her.
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irishharry
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liked by harryupdates, hArrysbtch and 23 403 others
irishharry How thin are the chances to meet Harry in a small Irish town? Very thin. But not thin enough to be impossible. I MET HARRY FREAKING STYLES AND THE LEGEND HERSELF YN YSN !!!
view all 2 022 comments
hArrysbtch they look so cosy... i want what they have
⤷ fallinloveinbooks a man?
⤷ hArrrysbtch yuck, i only like fictional men + harry
harrysmoustache this ken's job is walk
harryupdates this is very aestheticly pleasing photo
stylesbabie small town!harry is my favourite
user102 hopefully the inspiration is overflowing because i'm reading silver lining for the third time
⤷ hArrysbtch are you okay???
⤷ user102 nope. i just love torturing myself
fallinloveinbooks the matching coats...
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yourinstagram
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liked by harrystyles, yourbestfriend and 401 100 others
yourinstagram my love in your heart...
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yourbestfriend answer my calls, yn !!!
⤷ yourinstagram i won't tell you
harrystyles ...my heart in your palm
hArrysbtch I LOVE THE SOFT LAUNCH
hArrysbtch PARENTS
harrysmoustache i love how we all know that this is harry but at the same time it doesn't have to be
⤷ hArrysbtch it better be! this post just cured all my mental problems
fallinloveinbooks the caption... is it the title?
⤷ user102 look at harry's comment, it might be a main thing in her next novel/short story collection
⤷ hArrysbtch the inspiration sparked and inspiration was harry. that's it. when it's published i can die happily
⤷ user102 decide, that or harry voicing Emrys
⤷ hArrybtch im chronically online, don't require any consistency from me
harryupdates vacation in a small irish town birthed some masterpiece, i just know it
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a/n: i have part 2 made in my mind already. do we want more of them?
511 notes · View notes
nouvxllev · 18 days
Note
"When I saw you
I fell in love, and
you smiled
because you knew
-William Shakespeare"
LOVE.LOVE.LOVE.
I wanted to make a request! I had a similar interaction like this, and when I had read this, I fell inloveeeeee with this qoute sm. Can you do a Wednesday x Reader? In which it's Wednesday who actually falls inlove 😭
amore, amore, amore.
Pairing: Author!Wednesday Addams x Gn!Reader
Summary: request!! ^^
Words: 6.0k (oh what the fuck)
Warnings: told in WEDNESDAYS POV AND ALTERNATE TIMELINES!, the gomezification of wednesday addams prevails, yes they meet at a museum, also kinda 7 husbands of evelyn hugo coded, slight plottwist at the end!
a/n: aaaa ofc ofc!! also i absolutely love the idea where wednesday fell first and harder
masterlist
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I believe they cursed me the moment their lips became something worth fighting for.
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"If they intend to halt my publishing, then so be it. I have no interest in entertaining that brain-dead company over countless of reasons as to why I shouldn't spare a few weeks for myself who believe I will fall under their will."
"Wednesday, they're the ones who publish your books, you just can't ignore their calls."
"Barclay, has your brain deteriorated to a degree in such a way that you are forgetting it's my presence that upholds that fucking company? Without me, they are nothing. Have you forgotten with how much power I withhold over them, or have your scales reached that hollow of a brain?"
"You can't ignore the leverage they have over you, sure you have the amount of money, if not more, to sue them, but they could literally tip you off and brand you as some selfish author."
"Please do comprehensively explain to me as to why I would be a selfish author?"
"Wednesday Friday fucking Addams, it's because you're half-way across the fucking world at some fucking museum in Italy while you have a manuscript due a fucking week ago!"
"I fail to see my fault."
"Addams, if you don't get your shit together, I swear—"
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I had solved countless of murders in my time of Nevermore. I had one thing to do when I finally left, and I was going to succeed.
If you had told me after I willingly left that horrid place you call an educating institution that I would experience the same fate as an author, I would've traced the outer skin of your face with a pocket knife and display it on your family's doorstep.
Barclay, amongst others, remained someone I held close. She could be infuriating, but no one would ever be much deserving of a terrible, terrible position than be under my control as my manager when I pursued writing.
But no one tells you how people could easily forget you in a matter of seconds if you don't make a name for yourself when you've put yourself out there, even if it's something far, far from your own.
I was only fortunate enough people enjoyed what I publish.
I couldn't care less if they didn't, that's why I found it hard to give two shits about what that damned company thought of my revised schedule. But I needed to make a living. To make something out of myself.
If I had continued my actions— in which I have full control over with—I could lose everything.
I could've build it up from scratch if it happened, but Lucifer knows how long would a simple idea for a plot that could get into the lack of attention span of the population could take.
I could lose the name I print on paper.
I could lose my name.
And then I realized I haven't.
There was something that I was destined to fall under. It was there with my eyes taped to a painting, not knowing I became one for another.
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I hung up. The mere thought of having a multistep plan to eventually murder my manager was between God and me. That woman had me teetering on the edge of becoming a one-hit serial killer overnight.
My head tilted over a large painting towering amidst the others down the line. My hands remained tucked deep within the pockets of a trench coat far too oversized for me.
I couldn't take much time of squinting, staring as if it had garnered my interest not after a dreaded phone call that I convinced myself truly took my energy and managed to inject anesthesia inside my veins.
A light sway became evident in my steps, as if I was sulking in my own woe of what I should and could've done to prevent myself fucking it up on a company that I could soon own if not me being under the age of what is required to own a firm without having to ring up my own godforsaken of a family.
I could almost take another step if I wasn't met with another person.
Countless of papers flew across the hard-tiled floor. It was over before I knew what had happened. I found myself standing there, eyes glued to the person I collided with, my eyebrows crossed and my mouth hung open like a fool.
"I'm—I'm so sorry, fuck." They grit under their breath, like they were berating themselves while they picked up the rest of what had fell.
I stood there, not knowing what to do or what not to do but stare at them and wait for them to pull themselves up.
And so that's what I did.
I wish I hadn't.
Because now it was the time I was unable to speak. Unable to use the words I've been writing my novels with, the words that I should've spoken in the seconds they had landed in front of me. For the first time, my words had failed me.
A question rang in my head, Why do I now feel as if I do not belong inside of my own body? Why does my life feel complete now that they were here?
When Y/n fixed herself, she looked at me and smiled. I knew I looked like an idiot staring at them, yet I never went out of my way to barely fix myself.
Why were they smiling?
"Why are you smiling?" I asked under my breath, like I was taken breathless. I hadn't mean to say it out loud, but my cold and otherwise damned heart seemed to be alive, like I was suffocating in my own rate. A fool in front of them I must've been.
They looked at their paper, then they looked at me.
They smiled yet again. Another question flicked across my head, what had happened to me to act as if I would go through hell and back for this person?
They smiled at me as if my presence gave them a reason to. And they loved me in every one of it.  
"Sorry—" they apologized, noticing how their thumb kept grazing the surface of their sketch, almost as if they were nervous. "You look prettier than... whatever I drew."
They stole one more look of me.
"Terrifyingly bewitching."
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It's horrifying knowing I couldn't explain what I felt that day. What I know is—I felt everything.
I've endured endless remarks on my appearance ranging from a number of ratings from those nonsensical people on the internet to every synonym people have thrown my way only to fail to evoke even a flicker of emotion.
Though it seems egotistical, I knew they held one intention: they wanted to impress me. They wanted me to know they were different amongst others who have approached me. They wanted to entice me, as if I could be owned.
Were it not for the arsenal and threats I carried, there would be much more.
Y/n was different. They never had any intentions of being with me, no desire to impress or claim me as theirs. They simply wanted me to know I was. That it was true. I just had never heard it from someone who could mutter two words that felt perfect.
And it's much more terrifying knowing I unexpectedly fell first, even if I deny myself.
I could tell you about the way y/n smiled, how it seemed to threaten the sun, warning it not to shine lest it risk embarrassment in contrast of hers. I could tell you the way their eyes followed their smile, how their life was encapsulated in their drawings, mirroring what they felt.
Yet, when it comes to explaining how I fell for them, words escape me. Even I, a tortured author, struggle to describe.
How must I convey the sensation of my heart pounding in my ears as if it was trying to break me? The ache in my stomach, churning every chance it got, every fiber of my being dreadfully surrendering to them.
But one is for certain: meeting them was like coming home.
My home.
But I couldn't bring myself to realize that—It was antagonizing for me. Humiliating and mortifying knowing one person could make me become a total fool, become someone I've never thought I'd be.
I've spent my whole life after hiding what I felt for them, lest I risk experiencing what I truly loathe: love.
I despised them ever since I met them, loathed them, hated them. But for what for? I ask myself countless of times, I have never gotten an answer.
When they left, I left. Thinking it would be fate that had accidentally brought two people together who held no meaning for eachothers life, that it was a mistake, and I could've been wrong with how I'm feeling.
And when I came back, they were there.
And when I approached them, it felt right.
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It was a week after the incident, but no matter how I tried, I still remember how their smile felt around me. Suffering, irritating, lovely. Like I wanted to relieve it, no matter how much time had passed.
Never once did I get their name in the span of meeting them, it was useless to know anyway.
Yet, I find myself returning to the museum every chance I get for God knows what, acting as if I had unfinished business staring at paintings while the staff rambled beside me. They were better off tattooing their explanation in my skull.
I had other places to attend to, other tasks I should've been doing rather than constantly visiting museum in the afternoon as if I have duties and low-paid labor for employment.
I should've been at my apartment days ago, exhausting myself on a half-assed manuscript I would have recurring thoughts of annihilating along with severing Bianca's hands through the phone.
What terrified me is why I was back.
Standing in front of them. My hands tucked deep inside the pockets of another trench coat, looking down on them sitting on one of the blocks of granite surrounding a oddly placed tree in the middle of the hall, drawing whatever there is to draw.
"Hello." I greeted them. They almost looked startled, surprised that I was even talking to them, like I was some vengeful ghost who returned to seek revenge. Though they weren't far off.
They looked up, immediately flipping over their clipboard as they locked eyes with me.
"Oh—" They cleared their throat, "Hi. Hey, hello." They smiled, albeit awkward. But that feeling of dread, or whatever, came back. Stronger than ever, I feared. I almost had half the mind of punching them in the gut and questioning them why they had this effect on me.
"Didn't know you come here often." A chuckle followed their question, or maybe it was a statement, placing their elbows on their lap while they gazed right at me.
I scoffed, murmuring against gritted teeth why did I even approach them in the first place. "And I didn't know you draw me that often."
I look down on the piece of paper, their deliberate and aggressive brush strokes having an effect on the paper, leaving marks upon marks. It was clear that I've been their subject for days on end. Even if I were to absent, I'd still be able to be the pinnacle of their sketches.
It was funny back then, humorous in my mind on how quick they snatched the piece of paper and tried to explain with little to no comprehension that went across their mind.
"Oh, God, no, no! I just—Okay, well, maybe I've been drawing you ever since I saw you, it's creepy now that I mention it... but it's just—it's dumb of me to not draw you, you know?" They were flustered, their mouth opening and closing only for me to receive words that were out of the dictionary.
They sighed, my lips twitched.
"I'd like to ask," My voice trailed off, grimacing even at the thought of having to initiate a conversation with more or less than five words, "What's... your name?"
"Y/N," They nodded, "L/N. Y/N/L/N." They reached out for a handshake only to immediately retract after a brief awkward seconds of staring. Their name sounded familiar.
"Why are you here?"
"Do I need to reason to?"
"I suppose so, no. But I am curious." Even I don't know why I'm still back here.
Y/n sighed, like I was the one getting on their nerves while it was me who battling against whatever fucked-up demon spawned in my stomach that caused me to feel, things.
"Nothing."
I frowned. "You came here because of.... Nothing?"
"Mhm."
"You are drawing strangers you know nothing about because of nothing?"
"Thought I made myself clear on that first word."
"You've made yourself look foolish than any average person."
"Well, you never told me your name. I think that's foolish enough over my case."
It was my turn to sigh.
"Addams." I reluctantly said to them, "Wednesday, Addams."
Then Y/n looked up at me as if I was some sort of otherworldly deity going back down to earth to finish whatever I started. "Wednesday Addams. I think I've heard that name before."
"No. No, you haven't."
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If it wasn't horribly obvious, the sole purpose of my visit to Italy was to neglect everything I left behind in New York—especially deadlines— and hoped my eyes would finally work some sense that would let me start anew.
It was shameful of me, passion that dwindled into something less. If I had the chance, I would've tortured myself for even considering abandoning all of my life's work.
Though, I had my reasons. Even if I had threatened my target population and my audience, it still wouldn't be enough.
In short, I had lost motivation to pursue another book.
I felt as if there was something missing, that I couldn't even dare to even blow the collecting dust in the rims of my typewriter.
I begged for my brain to work, to even produce the slightest idea or word that could have some meaning to it. I was ready to write anything that came to mind, even if it was mediocre.
But, instead, my heart responded.
When I met Y/n, I started writing, and we started talking.
Words flowed through, and my time was wasted on Y/n.
My time was wasted, and they were wasted with their significant other.
I always thought I would suffer the thought of having to live an eternal life with none other than myself, that it was inevitable I was going to perish alone in my own woe.
It remained the same. Now, it's just having to live with the fact that my only greatest love had another.
I felt as if I ate a forbidden fruit once I heard they had someone that loved them as much as I denied myself of the same kind, like I plagued myself with hundreds of years of worry and attachment to someone who had eyes on another, a special muse they had.
Only that I would crumble immediately, tempted to take the fruit in my hands, forever stain my lips of something immoral so that I could forever crawl and weep over them.
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In my time in Italy, I thought i'd be avoiding acquaintances that would be much more of a burden to me rather than someone useful. Yet there I was, watching Y/n saunter into my life like the revelation they were.
It's safe to say that Y/n turned out to be anything but a burden. They became someone I looked forward to seeing every day, though I hadn't realized they were motivation until then.
"Wends!"
Their awfully cheerful voice pierced through the air of the restaurant, almost granting the attention from other people as if they shared the same horrendous and dreadful nickname as me.
As much as I fantasized about walking out of the restaurant with y/n's half-broken jaw, I couldn't deny whatever was swirling in my head.
Ever since they knew of that wretched nickname unfortunately given to me by none other by that infectious and the ever infuriating ball of sunshine, Enid Sinclair, they've been calling me it as if I don't have a birth name.
It was a month ever since I've known Y/n, and it was a month of them being a constant presence in my life. They shared breakfast with me, lunches, and sometimes dinners that I somehow always and reluctantly accepted.
They became my routine, and it was a fact I'd sooner die with than confess to anyone.
Y/n slowly approached my table that was filled to the brim with countless of books and my oddly placed typewriter, putting their own stuff down on the seat beside them. "You're here early. You ordered something yet?"
It was 12PM. We agreed on 1, and I came at 10.
I scoffed, keeping my eyes on the typewriter. "You, of all people, should know by now that I would much rather sooner paint myself neon than touch anything on this menu."
I hear y/n setting their elbows on the table, resting their face between their hands. "Aw, c'mon Wends, it wouldn't kill you.
"Cyanide won't, but this will." I stopped writing to take one look at them, obviously and oddly, my gaze never and will never work on them. "Take my advice if you're eager to leave this restaurant with a mouth able to eat and speak."
"Ever the happiest person, Wends." They chuckled, sliding a somehow too bright and colorful menu towards them, "I'll order for you."
I stopped writing all together, "Y/n."
"Wednesday." They raised an eyebrow, a smile tugging at her lips. It was over before I was even playing the game. Resistance over their lips felt futile anyway.
"Fine." I sighed, shutting my eyes closed just so that for once I can't have my stomach doing fucking acrobatics at the sight of them. "I will... allow it."
The ever-growing smile that crept up to their face was priceless, I couldn't bring myself to pry my eyes away. Murmuring something along the lines that I was too easy to lure in.
Once a waiter passed our table, Y/n ordered something along the lines of whatever the fuck 'Due Cream Soda Alla Vaniglia e Lampone con Glitter Commestibili' was. I was certain I was going to leave the restaurant with a non-working heart and a stomach turning inside and out.
It took no longer than a minute for Y/n to get a hold one of the numerous books piled infront of me. "Are you studying for something?" They asked, opening it only to close it once they noticed how outdated some of the languages are.
I let a small chuckle pass my lips. "What drives you to such a hypothesis."
They gestured to the books and my typewriter, "By how you're literally surrounded by books and you're on a fucking typewriter instead of a laptop." They pointed out, murmuring another, "Also, who the hell says hypothesis."
"People with functioning frontal lobes." I quipped, letting my fingers write on instinct across the typewriter keys as I listened to Y/n's ramblings. "I'm... writing."
"You're an author?"
"No."
"Then why—"
"Are you a painter? An artist?"
"Well... I—no?"
"Then we both don't know what we're doing."
Y/n fell silent moments after, I couldn't help but miss the sound of their voice. Admitting the mere thought aloud seemed absurd, let alone thinking it in the first place. I would've bashed my head on top of my typewriter if not for my resistance.
"How long will you be staying in Italy?" they eventually asked.
"Two more weeks," I replied. "My flight is already scheduled, I'll be leaving then on."
"Oh."
I wasn't expecting an answer anything other than a hint of happiness that I was eventually leaving their life.
"You are?" They repeated, as if they couldn't believe such a statement even escaped my lips, clear disappointment flickering across their face. "That's not... long."
"I am certainly not saying here indefinitely now that I have something to continue when I've arrived at my destination." I cleared out, doing my very best to escape the impending guilt washing over me.
"I'll miss you, Wednesday."
Their words were sincere. Lovely. It had stopped me from writing all together.
Guilt wasn't a feeling I was familiar with at the time. I rarely come across such a feeble emotion. Now it felt like I've committed something immoral. There were times that I lie for my own convenience, and nothing more than my own reason.
Now it felt like I should've lied for them.
I will forever miss you.
I wrote. I never showed them.
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One week had passed and I rarely ever got to see Y/n after. Our encounters became increasingly scarce, and their voice plagued me from days on end.
I clung to the faithless hope I had that they would text me, to reach out, to even show me they're alive and well.
I returned to the museum for every day they were absent in my life, searching for any sign of their presence, but each day ended in disappointment.
Of course, fate is indifferent to my yearning, refusing to grant someone I so desperately sought.
Regret gnawed at me as the days turned into a week, and the week turned into the day before my flight.
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"Addams. I've heard from others that you've been writing."
"Who others?"
"I'll spare a name to spare New York a corpse found in their sewage pipes by the time you've, hopefully I assume, returned and not jump off the plane."
"Even if I went off the grid, your nagging would've been in spirit."
"Don't flatter me."
"Don't kill yourself without showing me a video tape in full resolution for me to get through rough weeks. Or maybe take a shotgun and shoot yourself in your garage and let me have the keys to your house."
"Addams."
I sigh. "Yes, the rumors—though I would want that vampires head on a stake—are true. I've been writing."
"What happened to you there? You met someone?"
"How'd you know—No. No, I—I haven't. What makes you come to such a foolish conclusion?"
"Oh my God, someone actually managed Wednesday—I'd rather kill myself before loving anyone—Addams to fall terribly in love with them. Who's the unfortunate soul?"
"I would not be naming them because they do not exist."
"You just stuttered, Wednesday. The only thing making you stumble your words is when you're overdosing on whatever poison you're having for breakfast."
"They're no one."
"How are you such a bad liar when you have countless of bodies hidden across the globe?"
I sigh again, this time, it was out of annoyance. "I'll be hanging up. Goodbye, Barclay. If ever you are considering to kill yourself, call me. I'll be at my most happiest to watch."
"Wait, no, Wednesday! I need progress on your—"
I hung up. It was pointless to answer her calls when I was a mere few step away from boarding a plane. She always had a way of getting under my skin, even from across the damn globe.
But there was one name that would always surface in my thoughts: Y/n.
The mere thought of their name will forever remind me of how my heart wasn't programmed to love.
I reached for my phone, fingers tracing over the cold screen. My mind was tired, blank. The only thing I could ever do is stare at their contact and wish I could've done something better.
I typed out a hesitant message, my thumb hovering over the send button as if it was something that could end my world. Only two thoughts ran to my mind: Would they reply, or would my message be nothing to them?
I almost hit send before I heard footsteps approaching me.
"Y/n?"
I whispered their name, the love I carried for them being surrendered like I'd crawl for them once I reached purgatory.
"What are you doing here?" My eyebrows furrowed. How could they leave me, only to return as I was about to depart? "Why are you here, you disappeared, avoided me, why—"
"He proposed to me."
Oh.
I always thought a near-death experience with a loved one would be the deepest I could feel.
I realized I was wrong.
Now my eyes ached to the sting. Like I was weeping for someone that perished in my heart, I grieve for a living soul that was me. It was pathetic.
I expected them to be overjoyed, over the moon as they would express themselves from time to time.
But when I met their eyes, all I saw were tears streaming down their face.
Oh, how I wished to wipe their worries away.
"Then why are you crying?"
"I don't know if I love him."
"Nonsense... You told me you loved him—"
"Well, maybe I haven't been saying anything true to you!"
"Look, I don't know what I'm doing—I don't know what the hell are we doing. I'm living in some apartment with some guy I don't even know I even love, I'm currently standing here like an idiot to a girl who's just about to leave my life, and you're—"
"You're everything."
It was that moment I realized I was lost in a haze of admiration and love for Y/n.
That I was far too deep in their life that they became mine. I never knew I needed them as much when I told them to leave with me and break up with their significant other.
I never knew I needed their lips onto mine until the moment I pulled them close to me.
Now I ache of them.
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"Do you regret it, mother? Being such a fool for someone, you became what you hated most. But you endured it all for them."
Wednesday Addams, seating across the bed from her daughter, Blair Addams. She looked just like you, she'd always wonder.
Wednesday sighed, her hand reaching out to gently touch Blair's. "Do you know the phrase, 'Come ti vidi M’innamorai, E tu sorridi Perchè lo sai?'" she asked softly.
"You know I've never indulged myself in whatever you're reading." She shook her head with a smile. She looked even more like you.
She let her fingers trace patterns on her hand, her gaze wandering else where. "Well, it translates to 'When I first met you I fell in love, and you smiled because you knew," she explained.
"And do you believe in that, mother?"
Wednesday could almost smile. Her daughter was always the curious one, yet she always managed to be privy of her life from them. "I always believed Y/N knew the moment we first laid eyes on each other, I fell in love with them."
"So, yes, my raven." She nodded, "I do."
"I never knew Y/n would make me their title, their theme, their muse," Wednesday pondered, "I always wondered why i fell for them."
"Falling is an accident, gullible, like with people who fail to do basic things. But I am one of those people if not more if I fell for their on accident and continued to do so."
She sat beside Blair, her legs crossed beside her. "I've never told you at the time, but Y/n was a painter. And they wanted nothing more but than to forget about their past. They have never told me as to why, but I believe them.""
"I worried that my love was violence. It was pain, it was suffering. But y/n took care of themselves, they took care of me. There is no one in the world who had loved me more than them, I fear that it would break them, that I am deemed no longer someone who is a part of their story."
"Yet here we are."
Wednesday couldn't see the smile creeping from her daughters lips. But she knew it was there, just like how you looked like before. She will always and forever take pride in it.
She always thought her greatest love could be something of a passion, a talent, a hobby perhaps.
But no one told her it could be a person.
Blair stretched and turned on a light beside her bed, opening a drawer and taking out two of Wednesday's books. "Must they be the reason your books has been off to your prior ones, mother? You've written all your life of gore and mystery. Now it's romance."
"Well, I—"
"Oh, I'm definitely the reason why your mother has been subtly—not-so-subtly, switching to the romance genre."
You peered through the door, your body wrapped up in a cozy boritto style and everything with a train draping it's way to your back like some met-gala dress.
"Oh, mon chéri," Wednesday's face lit up at the sight of you, immediately standing up and pulled you close, her arms enveloping you in a warm embrace.
Her lips met yours in soft kisses, leaving the taste of faint vanilla chapstick lingering on your lips. "Why are you up so late?"
"Well," You grinned against her lips, "I felt our bed getting cold and to my surprise my wife isn't nowhere near me. You know how I can't sleep without you." She pulled away, you whined at the lost of contact, but you couldn't smile more brightly as she led you towards your daughter. "G'evening, Blair."
"Evening, Y/n." She greeted you before you kissed her on the forehead.
You leaned against Wednesday's shoulder, whispering softly, "You're telling her our story again?"
Wednesday would've thought her small chuckle went unnoticed, but you definitely heard it. The stupid smile on your face told everything.
Her hand found yours, giving it a gentle squeeze. "She loves it."
"You love it, mother. Probably more than me." Blair retorted back, evident that she was holding back a laugh.
"I do not! When did I ever—"
"Oh, honey, you know love turns your mother into a girl version of your abuelo.
"Do not ever refer to me as my love drunk father or I will subject you to sleeping on the couch." Wednesday rolled her eyes, pinching the back of your palm. "And please do not shame my work of referring to it as such. I've worked hard day and night yet you proceed call it by such an exasperate—"
You turned your head and pressed a kiss on her cheek, the same spot where her freckles resided, causing her to pause mid-sentence. After atleast ten years of being with her, it always made you so giddy.
"Not even in marriage am I spared by your passive aggressive comments," you teased, your lips curling into a smile as you leaned in closer to her.
You hear your daughter sigh after a brief second, "Addams."
Wednesday almost looked shocked, "My Raven, do not call us by our last—"
"Please exit my room. I'll be going to sleep."
And then, the both of them were shoved off before they could even hug their daughter and kiss her goodnight like they always did.
"I... We were rejected, Y/n." Wednesday exclaimed, like she just got struck with the most heartbreaking news. "She used to love our stories together when she was an infant."
You'd think Wednesday was the non-chalant mom who's strict on her child. But, to your surprise, she was the opposite.
She loved Blair just as much she loved you. Hell, you even considered just maybe, maybe not, disowning your daughter because she gets Wednesday's attention more than you do.
You shrugged, taking her hand and leading her to your upstairs bedroom. "It gets stale once in a whileeeOW!" You winced as Wednesday pinched the back of your palm, again. It was starting to become her love language at this point.
"I'm just kidding!" You reassured her, intertwining your fingers with hers as you walked up the stairs together, pulling the door open for your wife. "She's just in her rebellious teen phase, let it go."
Wednesday rolled her eyes, "Too cliche."
"You used to have one too," you scoffed, settling onto your side of the bed and watching as she laid down on hers.
It was a routine you found yourself often doing, taking in the sight of your beloved as if your life with Wednesday was all a dream. You pinch yourself like almost thrice a day just to really make sure.
"Since when?" Wednesday asked, raising an eyebrow in amusement, quietly shuffling towards you.
You sat up for a moment to undo her braids. You always liked playing with her hair, and that one time she asked of you to undo hers, it became a routine. "Since the beginning of time. And somehow, you never grew out of it."
"You didn't even meet me in my teenage years. I am far from rebellious."
"Yes, baby, but not too far from a death penalty." You chuckled, reaching out to gentle stroke her hair, leaning in to press a soft kiss against her forehead.
"Oh, you flatter me," she replied, a smirk across her lips, but the room was too dim to even notice it.
By now, if you were any ordinary person, Wednesday would've made you disappear entirely. But, the thing is, Wednesday always seemed to look at you as if her life never really started until she found you.
Silence managed to take over the atmosphere, you laid back on the comfortable mattress, feeling Wednesday's head nestled on your arms that were tucked under her hair.
You could almost fall asleep in pure bliss knowing that you've met and loved the girl of your dreams if not for her calling out for you.
"Amore." She whispered.
"Amore?" She whispered again, her voice softer than ever before.
You blinked, momentarily. You swore you just heard an angel. "Yes, amore?"
"Can I... Can you—"
You smiled, almost too knowingly. You knew Wednesday, for someone who's such a romantic soul, she's not too expressive on simple terms like these. "Do you want to be the little spoon?"
She grimaced, you could even hear her grunts of disapproval. "I would highly refrain from calling it that before I jump out of bed and skin you from limb to limb. But... yes, I would like to."
A soft chuckle escaped your lips at her response, suppressing a grin to avoid from literally being murdered as you wrapped your arms around her and pulled her close.
Ten years before, if someone had told you that you're going to be doing this to girl you've met at a museum while trying to escape your past, let alone be happily married to her, you would've told them "How the fuck do you know that and please stay away, I have... a boyfriend. I guess."
But now, it seemed so believable. Wednesday was always so relaxed in your arms, your warmth and hers bringing a sort of comfort for the both of you.
You nuzzled your head against the back of her neck, gently moving strands of her hair aside as you pressed soft kisses against her skin, hoping to kick away her tension from the day.
"Stop pouting, Wends," you murmured softly into her skin as you closed your eyes in pure relief.
You hear her scoff, "I am not doing such a humiliating act."
"Oh but you so are." Your grin widening as you pressed another gentle kiss against her nape, "I can hear it from here."
Wednesday let out a sigh, of annoyance? Maybe. But was it tinged with pure adoration and love? Much so. "You don't hear pouts, Y/n."
"When it comes to you, I do and I can."
Silence washed over. This time, you're worried you've teased her that much, she actually got annoyed with you.
"You're awfully quiet. By this time, you're probably threatening to kill me."
"I'm... Sorry." Wednesday whispered, it has an undying tone of tenderness that you don't often see it being expressed through words from her. Slowly, she shifted her body to face yours.
One thing is for certain: She was still so terrifyingly bewitching if not more. She looked pretty in every way possible, it's hard to even believe, it left you in awe.
You feel her gaze darting on your eyes and then drifting down to your lips, hesitating even. It was ridiculous, in the most adorable way possible there is for an Addams like her.
"May I kiss you?"
"You know you're always welcome. It's pointless to ask."
She was the first to reach out, her hand finding it's way to the curve of your cheek, her touch gentle than ever as she traced the line of your jaw as if she was memorizing every feature of yours.
You cupped her face in reciprocation, leaning in closer to where your lips were just hovering inches away from hers. Then, you closed the space between the both of you.
You pulled away, your eyes meeting hers with a soft smile. It was impossible to think that this woman held your heart in her hands like it was nothing.
"Have I ever told you that you're pretty?" you whispered, letting your hands fall to her waist and pulled her close.
"Ever since you've met me."
“You know, I’m surprised you even remember our first meeting.”
“Oh, how could I ever forget my lover?”
You laughed, a symphony that always gets Wednesday to have a slight tug in her lips. “Stop being so romantic. You are a grown woman with a daughter.”
You continued to stare into her eyes as you drape the rest of the blanket for the both for you. "It's hard to think you're the first one to fall in love and not me."
"It's hard to think of anything when you're here with me, te amo." Wednesday replied, her gaze softening almost immediately.
You sighed. "You know I love you, right?"
Wednesday blinked. "I always will."
You smiled.
And Wednesday smiled back.
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a/n: this was longer than i thought. i yap too much in stories i fear
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windvexer · 9 months
Text
Potentially you gotta stop making all those substitutions to the spells, witch bestie.
If you're trying to learn magic and have chosen to do so through other people's published instructional manuals, and the magic isn't working, consider asking yourself if you are actually following the rituals provided.
I've been speaking with multiple people lately who are all struggling with the same thing, so perhaps a post on this topic is germane.
Unless you understand the tradition you're working with and why certain things have certain meanings, you probably do not have the background required to make effective substitutions.
Working within someone else's established tradition is not the same as working within your personal eclectic path.
Imagine you go into a working group which is super into bioregional practice and they've developed elaborate rituals which always work for them.
They give you a purification ritual which calls for a red apple, wild-harvested cotton, and local mulberries to be worked over during a full moon.
They do not tell you why each of these things is included. They just give you the list.
We're going to substitute a store-bought cotton ball, obviously, and what to do about the mulberries? We can google "mulberry correspondences," find out they're related to "healing" which is the closest thing we can figure has anything to do with a purification ritual, then pretty much figure that since chamomile is associated with sleep and purification, and sleep is a Lunar thing, right, that we can just use a sleepytime chamomile tea bag, and there you have it!
What the working group has failed to tell you is that this entire ritual is based on local mythology where the cotton wight fell in love with the mulberry dryad and they got married under the full moon by sharing an apple, and the entire ritual isn't based on sympathetic container magic, but is a heirophany which recreates the marriage of local sacred spirits, each of whom has sworn to heal and purify those who honor their love.
A heck of a lot of witchcraft authors do not break down why every single step is taken.
And if you apply contemporary witch-lite logic to everything ("cotton is white so I'm going to relate that to color correspondences and substitute a white candle for purity"), you can end up immediately canceling out a spell.
Not understanding or connecting with certain spell/ritual steps is not a good reason to change them.
You had mulberries once as a kid and they gave you stomach cramps and now you personally associate them with hexing and sickness, so even though there is a ripe mulberry tree outside, you are going to go get a container of blackberries instead, which you personally associate with purification, and -
(You get the drift)
The spell calls for making a paper box, within which you hide the wild cotton and mulberry. Then, at a crossroads at the full moon, you unfold the box to reveal its contents, and offer an apple to the correspondences.
Which would mean we'd have to learn how to make a paper box (fun!) but also like, why this unfolding thing? Nothing I've read so far in my witchcraft books has explained the magical meaning behind opening a paper box. This is basically a container spell, right? I'll just use a glass jar.
(The plant spirits who informed the local coven about this spellwork specified an opaque, degradable container)
If you're using other people's work, you're more or less sacrificing yourself to the reality that they probably are not explaining everything to you, and that your assumptions about what makes that magic tick could be so far off base that even your most educated guesses will fall short.
Yeah, using other people's traditions can mean you don't have what's required to do everything, and that's kind of just the way it is.
I'm not trying to be Mr. Just Go And Buy Stuff You Moneybags, but I guess I am being Mr. If You Can't Do It Then You Can't Do it.
And no, I'm not saying that it's impossible to figure out substitutions.
I'm specifically referring to a situation where a practitioner is trying to figure out magic, hasn't been able to make strides, and then it turns out they've been radically modifying and altering spells from specific traditions to a point where the spell is obviously functionally DOA.
At one point I was learning some slightly advanced bit of coding. I downloaded a set of files from a code library and installed them on my website.
The thing was, at that point in my education, I had enough experience to basically understand what was going on with each file. So, I edited them as I went, modifying them to my custom specifications.
Wouldn't you know it! When I launched the code it was broken. DOA, if you will.
I went back to the code library, and the top comment was,
INSTALL THE FILES AND MAKE SURE THEY WORK BEFORE YOU TRY TO CHANGE THEM. Everyone keeps changing things before they even test launch it and then they come back here and complain that the code is broken. IT ISN'T BROKEN.
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yazthebookish · 2 months
Text
This might be a bit long but the Gwynriel Reddit thread inspired me to let my thoughts flow about Gwyn and Azriel.
P.s. this will include some HOFAS spoilers.
I've said this before but SJM choosing to end Azriel's chapter with Gwyn is a choice. It's the beginnings and the endings of a chapter that authors tend to put a lot of thought into—so her ending the chapter which felt like her nudging readers' to Gwyn's direction is intentional.
Gwyn was not just a random addition, given their interactions throughout ACOSF their scene in the bonus chapter didn't feel out of place (even if readers' didn't expect to see her in it).
People try to invalidate the bonus chapter as much as they can but HOFAS had proved once again that they are important and canon (though I do think SJM and her publisher need to include these in the main books because they are crucial).
"You depend so much on a bonus chapter that a lot of readers don't have access to"
True but that doesn't mean the next book can't fill in the blanks because Azriel and Gwyn were already interacting in ACOSF, so having that romantic development in the next book (and the possible reveal that they're mates) + ON PAGE will still make it up for the readers that never read the bonus chapter. Like, CC4 will definitely bring up the fact that Ruhn and Lidia got married (despite it happening in a bonus).
I always considered the bonus chapter as a teaser for what will happen in the next book, Sarah confirmed she sprinkled little crumbs and I quote "I want to hear all your theories after you read the book and his [Azriel's] bonus scene, the crumbs have all been scattered, little bread crumbs everywhere" and it will keep readers guessing until the next book is out. So you won't know for sure how relevant or significant the bonus chapter is and the crumbs she scattered until you read the next book.
With that being said, Gwyn's cameo in the bonus chapter didn't come without some interesting clues: Azriel's shadows didn't warn him she was around, they were curious about her and she smiled at them, they danced and sang around her, Azriel revealed he sings because she asked, she thanked him with a smile and he felt settled even his shadows calmed.
We never saw his shadows react to anyone the way they did with Gwyn. They seem drawn to her, they danced, they sang, and while there are many theories about it but I absolutely do think if the shadows would be drawn to someone it would be Azriel's mate.
"Azriel and Gwyn had no romantic development and he didn't think about kissing her and all that"
But did every SJM couple start that way? No. And someone expressing the desire to kiss and hook up with someone is not always an indication of endgame (I can count multiple couples who kissed but weren't endgame).
The crumbs we had of them in ACOSF sets the groundwork for a romantic relationship to build in the next book—because who doesn't want to read about them both falling in love on page?
And yes, Sarah is capable of writing a love story from scratch in a single book (e.g., Tower of Dawn). Another example is how ACOMAF started with Feyre being in love with Tamlin and halfway through she started to really fall in love with Rhys.
The whole Azriel/Elain/Lucien triangle is messy as it is, so I don't think SJM would turn it into a square by inserting Gwyn. SJM could've chose not to give Gwyn and Azriel any ties in any way whether it was him rescuing her, him training the Valkyries, and again, including her in his own bonus chapter (hell even her boss:guardian Clotho made an appearance).
But she did and based on her pattern with her male love interests in particular, she doesn't really insert a new female or have females fight over the male love interest. I don't ever see Elain and Gwyn fight over Az, each might have an issue with Az on their own but do I see them argue with each other over Azriel? Absolutely not.
And if you look at the sequence of the scenes in his chapter, it gives a better idea of how it was planned:
1. Starts with Azriel reflecting on his loneliness while everyone left.
2. Elain shows up and they interact, Azriel gives her the necklace and they almost kiss.
3. Rhysand interferes and Az stops the kiss and tells Elain it was a mistake.
4. Az and Rhys argue and ends with Rhys ordering him to stay away from Elain and dismissing him.
5. Az leaves to the House of Wind wanting to work off the frustration but finds that Gwyn already occupied the training ring.
6. Gwyn and Az interact and he leaves the scene feeling settled down and his shadows calmed.
7. He wakes up, goes to the River House and finds Elain's necklace, he pockets it with the intention of returning it to the shop after the snowball fight.
8. Instead of the shop, he goes to the library to ask Clotho to give the gift to Gwyn and refuses to leave with it.
9. Going back and forth, Clotho eventually agrees and said she will tell Gwyn a friend gave it to her and she thanks Az for the joy it will bring to Gwyn.
10. Az leaves but the mention of Gwyn's joy sparked something in him that it brought a slight smile to his face, he buried the image in his chest where it glows quietly.
Both interactions with Elain and Rhys ended with him feeling miserable, but both interactions with Gwyn and Clotho ended with him feeling lighter and better—and to me that shows me how intentional SJM was with creating these parallels (including the shadows skittered back vs the shadows danced and sang).
Instead of Gwyn and Clotho we could've had Mor or Nesta or Amren, but SJM chose Gwyn and Clotho. Like, it could've ended after Rhys's argument but again, it's a writer's choice.
That's why no matter how many times I reread ACOSF my mind doesn't change much because SJM is not that subtle.
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thebibliosphere · 2 months
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Hi! How are you doing? Sorry to bother you, but i dont know many scottish people and idk who to talk to about this book I found on audible. It's called Imogène, by french author Charles Exbrayat. Do you know him /the book? I've started reading it but I had to pause because, while being sold as a "humorous spy story" I find the protagonist, a "very proudly scottish" woman, to be... an offensive caricature? Like she acts like a fool, honestly. This book contains some interesting points about sexism (it was published in 1959), and ridiculous british habits (such as employees forced to give money for princess anna's birthday or being socially scorned). I'm sure the shared dislike / distrust the protagonist and her british colleagues feel are (were?) realistic. But she is so extra, and the story keeps telling how lonely she is, even after working 20 years in london. She has No friends, most acquitances dont talk to her for various motivations, her bosses hates her ... idk I feel this book is actually mocking scottish people? Or scottish women??? I was SO there for a "strong woman protagonist who gives cutting remarks to her boss or peers", but this looks wrong. Idk. I didnt know whom ask for inputs. Maybe i'm reading too much into it. Feel free to ignore this mega rant. Have a good day!
I think cultural and historical context and time of publication-- which was almost 70 years ago --are important factors to take into consideration when we look at fiction through our current expectations.
I can’t speak to the book as I’ve never read it, but speaking as a Scots woman who worked for an English publishing house for a while, being made to feel alienated by my boss and others due to being Scottish was unfortunately still something going on in 2011.
I’d get lots of “Oh but you sound so eloquent” remarks regarding my thinned-out accent (something I did on purpose to avoid being told to “speak properly” which was also something I heard a lot in school if I ever used my native Scots language instead of “Queen’s English.”) and one time my boss referred to me as “their civilized Scot” to an American author, whose Scottish romance book I was supposed to be fixing the dialogue on.
The phrasing was along the lines of, “Don’t worry, you’ll be able to understand her. Joy is our civilized Scot.”
The author laughed and made another derogatory comment about how they just loved Scottish accents even if it was unintelligible a lot of the time. I kept my mouth shut because I didn't want to lose my first career job.
I kept my mouth shut a lot in that job.
In that regard I could very well empathize with the character being lonely and not engaging with anyone, even after 20 years.
The proud Scottish woman can be a bit of a caricature, but that doesn't necessarily mean it is intended as mocking.
Again, cultural/historical context matters.
I wasn’t alive in 1959, but I know there was a lot of Scottish media about the time that leaned into the stubbornness and pride of Scots women both for humor and to make societal commentary on the fact that women were strong and more independent than they’d ever been following two world two and a lot of men weren’t happy about it and wanted them to go back into their boxes. As a result the mouthy, proud Scots woman became a mockable caricature that turned women into shrill, over proud scolds.
Get back in your box or we’ll make fun of you, basically.
So is this book being mocking, or is it employing popular tropes of the time, knowing that audience will understand what it means and that the female protagonist is being subversive despite what others expect from her?
I can’t say. Again, haven’t read it. It could be utter dogshit and making total fun of my culture. But I do think when looking at older media we need to put our thinking caps on and think, “How would the audience of the time, 1959, have viewed and engaged with this?”
Expecting a “strong female protagonist” as we know it from media today isn’t going to work with media that’s almost 70 years old.
Hell, the “strong woman protagonist” wasn’t even something any piece of media could agree on when I was growing up in the 90s.
Times change. Literary tropes and preferences change. It helps to keep that in mind.
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