The funny thing about stuff like Mystery Flesh Pit and other ecological horror where a part of the irony/ tone comes from explaining the horrors in understandable and scientific terms or making pamphlets simplifying the horrors is that if it’s TOO well done, the part of my brain that loves learning about lifeforms and going to parks and zoos and aquariums lights up and I just start seeing that thing as a little organism and it neutralizes the threat in my mind and I just think it’s a neato and a sweetie! and ofc it gets to stay and be a part of this earth!! That is just a blood siphonophore, and as we know siphonophores are one of the coolest angels in the ocean. what I’m saying is the propaganda is working on me I’m the one that trusts the blood siphonophore :0/
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how tf do you have healthy parasocial relationships?
The most important thing is that you never forget that the other person is a stranger. So you gotta treat them accordingly. You may know a lot about them that they decided to share, but to them you're just a stranger. So maybe don't walk up to them like "hi dude, nice to see you, your kids have gotten so big!" Just put yourself into their shoes and imagine a stranger being super familiar with you.
I also noticed a lot of entitlement from fans. Remembering you're just a random stranger helps with that too. No celebrity owes you anything. Or do you wanna be the creepy guy who begs a woman he doesn't know for a date cause she just HAS to get to know him cause he's such a nice guy? Probably not. I know how important it is to get a photo or an autograph or a short talk with your fave, I flew to different countries and waited for hours in the rain at night after concerts, unsuccessfully hoping for any of that. I understand that you may get mad and impatient. It's not too much to ask, right? The dude could just come outside for one second. And yes, he could, but he doesn't have to. He just played a show. He wants to relax. He's been doing this for decades. He releases new music and does interviews and goes on tour and releases new merch, everything else is absolutely optional.
And, no matter how well you think you know them: don't forget that you actually don't. All you know is what they choose to share. By now we all know that what people post on social media is fake and staged, but many people still seem to think that it's different with celebrities cause they watched every interview for years and put in a lot of "work" to be as close to their idols as possible. Accept that you don't know shit about them, only their public persona. Don't try to connect some absurd dots like those Swifties apparently did.
TLDR: Your favorite celebrity is a stranger. Treat them as you'd treat any other stranger if you ever get the change to interact with them, but also in your general existence as a fan. Respectfully and with the proper distance.
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In short the article on wiki says Ocelot has completely gotten over BBoss during mgsv and on?? I dont know about this one. He says that about a completely different person! And I dont mean the obvious spoilery stuff, from his perspective this is The Big Boss. But The Big Boss for some reason woke up a completely changed person. He isn't the person who made Ocelot all yeehaw anymore. I think that's why Ocelot is so chilled all thorough the mgsv, because he feels like this obsession/relation is over. Maybe he thinks they both changed too much, maybe he even feels like he misremembered some things about bb. There's probably some resignation in there. The thrill is gone, the fun is gone.
And then when he learns the real Big Boss is here again he immediately jumps on the occasion to light him a cigar and go back to being unhinged mess around him for the next twenty-so years, so no, it doesnt seem like he got over it lol
(It's about 95% overthinking mgs to 5% actually learning about mgs canon, so it may be very well a complete bullshit. Or beating a very dead horse.)
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HDJXJD FINISHED SAILOR MOON
It feels so weird that it’s over like,,,
I started it this summer, just some months ago and now it’s,,over?
Not entirely though since I still have a few movies to watch, then ill read the manga THEN I’ll watch Crystal & Eternal & Cosmos <3
SAILOR MOON AINR OVER JUST YET! IVE SUBK MY TEETH IN & IM NOT LETTING GO
Okay first off;
I love you Outer Guardians
I love you gay couples (Kunzite & Zoisite, Haruka & Michiru, Siren & Crow (see tags))
I love you gnc icons (Haruka, Sailor Starlights)
I love you Seiya
I love you Nezu (Iron Mouse)
I love you, Enemies (Dark Kingdom, Black Moon Clan, & Amazon Trio)
I love you, silly minions the Main villains would create
GHFUCNSM
Ofc it ends happily with everyone alive & well (after they all died but shhh Sailor Moon fixed it by seeing & reaching out to the Good left in Galaxia <3)
I’ve also become addicted to the intro (Japanese & English translation AND the American ver. theme song that played back when this show actually aired)
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one thing I've learned from writing a 300k+ word fanfic is that I am going to be a lot kinder if I ever make a "I just wish they'd done this" or "this had so much potential!" comment. Because while I do think sometimes there are missed opportunities, there are infinite numbers of them and you have to chose one. Maybe the author chose something I wouldn't have, but that's okay; they're not writing for me personally and it's okay that our tastes differ
And this isn't about anything like harmful representation or similar issues that are valid to critique, this is about critiquing the story for being the story it is, I suppose is how I'd phrase it
Every day when I write I'm so conscious of all the potential things I could write and the details I could add, and I have to choose between them all because it is literally impossible to include everything. Not even 300k+ words is enough to do everything. Sometimes I recognize something that would be so fun to explore, and I have to let it go no matter how much I love it because my story isn't the right place, my story needs to focus on something else, my story couldn't do it justice, and because I have to narrow it down.
And the further you get into a story, the more it narrows, and the more you lose some people, but that's unavoidable. Odds are, authors have recognized numerous moments where they wished they could've done something. I certainly have. There are some we as readers might never be aware they let go
So while I'm not saying I'll never--or that no one should ever--make a comment like that again, because there are definitely moments in stories where I really wanted something and think it would genuinely add something worth the effort, at the end of the day the author had to make a choice. That's how writing works. And I don't think lamenting every single missed opportunities is fair because they are infinite.
And if what you want doesn't match what the author wants and does? That doesn't make it a bad story. That just makes it a story that wasn't for you. Which is fine.
Just something I've been thinking about
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Am re-reading Hogg's Private Memoirs and Confessions of a Justified Sinner and I know it's not a new or original thought but it's just striking to me again how young George (younger) and his brother Robert must have been during the tennis match and Black Bull mob scenes.
If the 'famous session' refers to the 1703 session of parliament (or even if it refers to the previous year's sitting which Queensberry also oversaw), and if old Dalcastle married in 1687 (or later), then at most George could have been 16 and his brother 15, and it's probable that both boys are younger.
I don't remember too many of the details from the first time I read this book so will have to finish it before I make any further judgement. However I don't think it detracts from Robert's culpability or nastiness in any way to take into account his probable age in the earlier portion of the narrative. I think makes for a more interesting reading when forcibly reminded that he's a young teenager. Even taking into account different social mores and expectations placed on children in both the period in which the novel is set, and the early 19th century when it was written, it seems to me that that's an element that will still have particular significance for readers in the 21st century, regardless of one's personal experience with extreme forms of Presbyterianism.
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