I was reading a reddit thread about lost media you'd like to see recovered and someone mentioned a 9/11 video titled "LOL SUPERMAN". "LOL SUPERMAN" is allegedly an up amateur recording of one of the twin towers jumpers actually hitting the ground up close. it was purportedly a popular shock video in the early aughts that became increasingly difficult to find for reasons unknown. all that exists at this time is a nondescript screenshot of the buildup to the event.
Now, there is absolutely no doubt in my mind that this video does not exist. There is no way that footage from 9/11, let alone footage of someone dying on 9/11 that was fashioned into viral shock content, could ever go unarchived. Even the title "LOL SUPERMAN" implies a degree of well-recognized memeticism in saving and sharing the video. If this video was real there would have been an encyclopedia dramatica article about it where a low res gif of the person hitting the ground was stickied to the top of the page. There would be a gallery subsection where someone would have edited awesomeface over the face of the deceased. And a sped-up version of the gif with the caption "chocolate raaaaaaiiin". The opening of the article would be something like "LOL SUPERMAN" is a shock video of a twin towers jumper being pwned by gravity".
And yet, a Mandela effect seems to have occurred. Hundreds of people insist that they have seen this video with no detail of the circumstances beyond having a vague recollection of it being online- and despite its virality, they never happen to be any one of the ones who actually saved and sent it to someone. I can't help but wonder if this type of amnesia is induced from a combination of the post 9/11 cultural landscape, where lurid images of victims were weaved into every aspect of reality, and the rise of aughts shock sites ripping videos of people dying from the context of their own lives to induce a similar kind of unease on the internet. The camcorder footage of people waving for help in the burning buildings has the same crunchy, digital consistency of camcorder footage you'd find on liveleak. At a certain point of constant exposure, it all just becomes snuff. I can imagine someone hearing about "LOL SUPERMAN" in 2009 after viewing 2guy1hammer on ebaumsworld and thinking "well, it's gotta exist, right?".
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sorry i dont have anyone to talk to this about lol so it's going in your inbox but i'm in my mid-20s and only now for the first time in my life have i changed my mind on rpf specifically because of phanfic. i'm a returning phannie but like.... the last time i watched them was all the way back in 2012. and was very ani-rpf then and have continued to be through the years. and i think in a lot of cases i maintain that position. but after falling back in love with dnp and the phandom and caving into the urge to read some phanfic knowing that dnp themselves encourage and respect it im kind of shocked to find it's actually a really beautiful, metatextual, interactive creative outlet. i think youve talked a bit about how phanfic isnt really rpf to you and i kind of agree, because dan and phil to me are like.... an idea, a mythology, a narrative, that theyre aware of and have built as well as being aware that we're aware of. like the idea of dan and phil has been constructed by them and their fans hand in hand for over a decade. and i find that phanfic itself is very aware of this and exists to expand upon those ideas. lol. yeah that's it sorry for this ramble. i just find it surprising that something could change my mind on that in this day and age but it's been a very cool experience.
hello welcome youve come to the right place for this yap because i COMPLETELY understand you. like genuinely i am not this attached to any other "rpf" content like this? ok i had an egobang phase but honestly arin and danny have grown to share a similar but not exact same connection as dnp BUT I DIGRESS
but yeah i think a lot of it is due to the contrastive relationships between the brand of Dan and Phil™, their separate individual brands Daniel Howell and AmazingPhil (particularly dan), the Phanon dnp, and the actual real people dan and phil. i always go back to the fanfiction segment of tatinof but its just such a perfect example of what i mean. like, the entire idea to have a fanfic scene was ofc the real people's idea, and they used tropes they would see in the phanon to convey the audience interactive story, but at the same time had to keep it at least Somewhat appropriate for the Brand™ at the time being very pre-teen and teen focused. honestly idk how much you've gone back and watched of what you missed, but i would suggest doing that not just cuz theres some incredible stuff from those eras, but also seeing the intersection of the brand, fanon, and real people and when they split apart. you see it a lot especially in gaming videos imo where theyre unscripted, and once they got more comfortable in the gaming channel roles the energy shifting away from Brand but never too far... until ofc now where what even is their brand anymore just Chaos and Queerness i guess
OH ALSO go read some old fic and compare to newer ones like its not just that writing styles changed or that dnp themselves have changed, but the like. energy and intent put into fic has changed. i would say in the past it was more exploratory, putting dnp in AU's and imagines, or exploring what Could have happened. whereas now, yes ofc there are au's and fic for the purpose of exploring a concept or world, but also its a lot more introspective. exploring the inner world a bit more. idk i just thijk dnp are funny lil guys and they accidentally created some freaky lil creatures in a lab somewhere...
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sorry sometimes i think about mako and my heart hurts so much. this kid raised himself and his brother on the streets in homelessness and utter poverty from eight through fifteen, promptly after seeing the violent death of his mother and father. he turned to the triple threats because they couldn't survive as a pair of wretched kids without any adult support, and the environment forced him to turn into the exact character that killed his parents in a terrible twist of irony. and after sheer-fucking-luck hits and they aren't homeless anymore, their livelihood wavers on the outcome of what's a literally game to everyone but them; and after things are finally starting to look up and their team is going places and things just might be okay, his gradually stabilizing world unceremoniously expands and everything goes to shit.
and the city that chewed him up and spat him back out, ruined him as a child and took away his ability to stay afloat in a true sense of normalcy as an adult — when it's on the verge of destruction and falling to pieces before his eyes, he gives himself to save it with the full expectation to die. he went from the kid who didn't and couldn't care about anything outside of himself and his brother, to finding redemption for his younger self in his police work despite its injustice against him, to willingly sacrificing himself to a world that had never loved him.
he's a desperate people pleaser, socially and emotionally stunted for the adult he had to be as a kid, unable to navigate interpersonal relationships easily yet still trying his damned hardest. he's intensely and entirely devoted to the things that matter to him and for so long it was only him, bolin, and ensuring their survival — yet by the end, that devotion has expanded to protecting the rest of the world. he starts out entirely self-reliant and ends in trusting the people he cares about to know their own needs, to be able to take care of themselves, to be okay without him despite having spent so much of his life defined by his role in others' well-being.
just. what the fuck i'm such a big fan of this fictional guy and i'm unashamed about it at this point. also let him cry please (if you won't i'll do it i'll let him cry)
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how did you find the courage/means to do full-time freelance? it’s something i’ve been thinking about for a long time (i take comms in between college work) but i just. don’t know where to begin? i’d really appreciate any advice. thank you!
ill start this off w a disclaimer that i live in a country thats considered a social security state so i've received rent support from the government ever since moving out when i started uni (bc i dont make that much, prolly below min. wage, meaning my taxes are also relatively low), as well as student loans that aren't so horrible here as there are in the US for example - i'm sure if i had to get a job next to my studies i wouldn't have had nearly as much time/energy for establishing myself as a freelance illustrator over the yrs...
for me my uni yrs were when i really started doing more private commission work, because i had a lot of free time outside of exam periods, and i was p motivated to do that bc i was studying history which u know.. doesnt rly lead u down a secure career path lmfao... as for courage i would say it might be more fear of the alternative? i have depressive tendencies sometimes and i think i would be very unhappy having to spend 40 hours of my life every week in a job that wud likely feel unfulfilling compared to making art for ppl... so i took those student loans and drew and drew and drew until it became Actually Feasible to live off of my labour
i would say... Really try to minimize ur expenses if ur wanting to get into freelance illustration, bc any amount of time u need to spend on say a diff 'regular' job uve got to make ends meet will make things harder - this might seem like kind of scary advice but moving somewhere where the rent is cheap is an option u shouldnt overlook (i lived in social housing before moving to a rural area), bc kind of all u need rn is a freaking internet connection to find folks thatll hire u fdjgdfg - also in the same vein moving in with friends and sharing costs🤔
besides that, all i can suggest is find things that inspire you, draw as much as u can manage and post a lot so that ppl can discover u !
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sorry for being an anti-modern media curmudgeon on main but just something about the way there seems to be a popular public consensus to look down on low budget slasher films of the 70s & 80s followed by a shift now to turn the sequels into big budget blockbusters that flatten everything unique to the slasher genre so that they can make movies that are comfortable for them to make — movies that look the same, sound the same, feel the same as any other modern action movie. and then they reduce the terminology coined to describe slasher genre conventions into these over-simplistic concepts no longer grounded in any of the films but just pop culture imagination (i.e. “final girl” means whatever now basically lol) and apply them to the horror genre as a whole. and now everybody’s a fucking expert on classic slasher movies because they’ve seen scream. this is a dead dead dead dead genre and we’re just dragging the corpse around. shaking filmmakers by the shoulders why does your movie have a budget!!! where’s the innovation
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ace/riddle/floyd - nonary game
"We shouldn't trust him," says Ace, whose voice is a little rueful and whose watch reads 6; "Like, c'mon, when did he do a single thing that made any sense while we were in that room with him?"
Never, if Riddle's being honest--which is exactly why he can't shake the trepidation lingering in the hollows of his chest. Floyd is erratic, the type to get bored and wander off in the middle of a death game, and that means at this very moment on a whim he might be pressing Ally with just a single point left on his bracelet--or he might very well be pressing Betray.
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