#i was going to try and write something coherent but i'm just SO MAD TODAY LOL

[the-cat-and-the-birdie]

I had coffee my thoughts are all over the place it's not gonna make sense and I'm probably gonna change my mind about some of the things I said later but here's my ramble.

I'm so mad right now. There's so many things that piss me off with Peter B. I keep thinking about all the mess he keeps pulling throughout the first and the second movie. The fact that he betrayed Miles not once but twice BUT THREE TIMES (typing Miles up in ITSV, not telling him about the Spider Society or that he was an anomaly, CALLING HQ ON HIM BECAUSE HE WANTED TO SAVE HIS FATHER. Technically that's 4 but moving on.)

He refuses to acknowledge Miles as a fellow spider(which is probably why he didn't feel bad about finding Miles was an anomaly now he has a reason to not take Miles seriously.) And he keeps trying to insert himself into a mentor role when he's yet to do a whole lot of mentoring. What also throws me here is how he had the audacity to say the trauma builds character while being a mentor to help guide Miles into becoming Spiderman so Miles' could avoid the mistakes that Peter made.

I WILL NEVER BE OVER THAT CHAIR SCENE IN ITSV. How is it you as a grown man. A grown white man no less took a black teenage boy who you viewed as so much of a liability that you had to tie him up. And I know multiple people have talked about everything that's wrong with this scene but there's still something so haunting about watching him just nonchalantly be tied up kicking and screaming about how he wants to be let go that bothers me so much. And I find it hard to believe that this was just a scene we're supposed to just move on from. Did they do this on purpose? Was this supposed to showcase something about Peter's character that I'm not picking up on? Because I find it so hard to believe that the writers who made sure to explicitly show how Gwen's Peter is Christian because he later turns into a lizard wouldn't understand the implications of this scene.

I also don't think he's a strategic as he thinks he is. What do you think was going to happen when you forcefully tied this boy to a chair? You thought he was going to sit still? Also would you think the boy who's trying to save his father was going to do? Actually listen to your words? Sit back and be like, oh you're right I should just let my father die. (This is me going off my reasoning that he didn't plan out that one scene in ATSV. I think that he thought that because he's Miles' "mentor" he could get through to him in a way others can't. Which pretentious much?) His actions do more harm than good and it just works out for him somehow. (For instance Miles saving them in ITSV because he came late.)

These are my thoughts do with this what you will. All the stars decided to align today ig because I haven't been able to come up with coherent thoughts like this in a minute.

(I really need to rewatch itsv. So if there's anything here that I'm wrong about regarding itsv it's been like 5 years since I've seen it.)

I GET THISS SOOO HARD (I waited until I had coffee to answer this lol)

BUT YESSSSS Because like I can understanding giving Peter the benefit of the doubt, it makes plausible sense for a movie to have a certain amount of wiggle room plot wise.

But with writers who clearly understood punk enough to accurately show it in Hobie's arc, repeatedly put in the work to respect Cockney and Puerto Rican culture, who wrote every one of Hobie's lines with PERCISION - would just overlook the glaring hole in their story that is Peter.

Because we as a viewer are continually told we SHOULD look up to him and we SHOULD trust him - but in doing so they accidentally make him the exact opposite. Like.. It doesn't make sense to me.

The Focus on Jess & The Absence of Peter:

aka GODDAMN I hate Peter B. Parker [yet another rant about 'bad' writing, plotholes, and Peter not showing up for Miles or Gwen.

For example,

Jess is Gwen's mentor, and we see her mentor style is extremely different from Peter's and that's suppose to be a contrasting dynamic between them and the relationship between Miles and Peter. Okay, makes sense.

But by NOT having Peter be Gwen's mentor, the writers are implying that he didn't step up as an emotional mentor when all this given - HE SHOULD. Because he's the only adult that she knows, and she a freshly homeless teen who needs to be around people she trusts, rather than working at a society with an auditorium of adults.

But by trying to show off how much we should judge Jess, the writers have inadvertently given us a Peter who just..didn't take responsibility. That's what they're implying - that Hobie and Jess were the ones who came to get aid. And we're suppose to look the other way. I... can't do that, sir.

"Look at how mean Jess is, why not blame her-" Jess is doing her job. Where's the adult she actually knows and trusts. Can we get some dialogue about what he did for her? Or did he just do nothing?

Did they just forget to include that, or did Peter just forget to help?

For me, that's two points in the bucket. Not housing Gwen, and not being her mentor. He could've done one, the other or both.

But because he didn't, we're left asking "What WAS he doing in the Society?"

Missions, I assume. Cause he wasn't mentoring her, so he must have been off putting in legit work for Miguel, I assume.

If we're looking at the characters as full-rounded - which I would hope they are considering the depth of Gwen, Miles and Hobie, it's not a large jump to ask 'How involved was Peter in Gwen's time at the Society? Why is he not her mentor, or why is she not living with him?"

Gwen..should be staying with him. If you're an adult who knows a teen and they become homeless, and it is within your means - yeah, I do think it's a moral obligation to open your home to them, at least temporarily. If you care about them. But that aside, let's extend the benefit of the doubt. Maybe Gwen didn't want to see him.

But then the ratting Miles out thing. This, I can't get around-

Some may say that it was simply for plot development and that Lyla spoke suddenly as a mistake on her part.

And I gotta call bullshit.

Firstly, because this is the same movie where we're shown Hobie stealing parts prior to learning what the parts are for. The same film that literally animated a fight accurately to Bushwick down to the very street. Let's cut it some slack here.

And moreso - I could understand the justification that it was a mistake on Lyla's part.

If Lyla was human. She's not.

She's an AI, and a very sophisticated one at that. Lyla runs on protocol, because that's AI's do. She's made to do things the way that is mathematically most effective, based on her analysis and her code.

It's easy to see Lyla as just an avatar, and a comedic one at that - but Lyla is literally one of - if not the - smartest 'person' in the multiverse. She's the only one who can track Spot in real time. If Jess and Miguel need aid on a mission or with Spot, they call Lyla. And she's handled every Society mission prior to the chase.

Her speaking out of turn suddenly and giving Peter away is an understandable plot mistake, if she was subjected to human mistakes.

So far, Lyla isn't. It doesn't make sense, based on what Lyla is.

I think Lyla would know better than to give Peter away suddenly by detecting Miles' presence and still speaking out loud.

A lot ask 'What motive does Peter have for ratting Miles out?', but we also should also ask "What motive does Lyla have for ratting herself out?'

It's her goal to find Miles no matter what. She doesn't care, she kinda can't - she's an AI. She just has to find him and send Miles' location to Miguel. Her objective.

So her locating Peter without his knowledge and then giving herself away to him doesn't make sense - especially if Lyla knew Miles was that close, from a human standpoint and definitely from the standpoint of the most sophisticated AI in existence.

So I was under the assumption that - like you mentioned now, that before when he gets Miles alone, he may genuinely be trying to convince him still, but by the time they get into that space, I think that's around the time that it becomes a 'Okay, let's just get Miles back to HQ and talk about this' situation.

He genuinely ratted Miles out. In my eyes.

Because at this point, Miguel hasn't assaulted Miles. That comes later. So realistically speaking, his goal was probably to calm Miles down, and get him back to HQ however he could, and talk to him there.

Peter could've helped WAYYYY earlier.

People give Peter credit like 'Oh but he came over to Miles' side at the end-'

NO. YOU DO NOT GET A COOKIE.

Peter could've helped SO much earlier, and if anything, he was THE ONLY ONE in a position of helping.

Gwen can't do anything, like they physically restrain her when she tries to. And there's no point after they come to HQ that Gwen has the chance to turn around and help Peter.

Gwen doesn't get that chance. Peter DOES.

Had Peter helped Miles HERE, IMMEDIATELY, Miles would've gotten away without being assaulted by Peter.

If Peter had turned around and changed course in this moment, Miles would have been better off.

Fuck Peter B. Fuckkkkk hiiiimmmmm. NAWWWWWW

If Peter had let him go here, or helped him escape - Miles wouldn't have been taking hits up on that train. That's crazzzy.

But he wasn't trying to help Miles escape. If he wanted to, he would've. He could've just said "Matter of fact Miles, I think setting the WHOLE Society on you is a bizarre move and you should probably get out of here until Miguel can calm down and I can talk to him."

But he was like 'Nah, hold my baby. Matter of fact lemme tell you story in this pivotal moment when you're actively in danger. Here, look at me. What do you mean - I'm not stalling? I didn't rat him out on purpose.

Like either you did. And even if you didn't you didn't help him when you were literally the only person in the universe who could. In fact, he got away slower because of you. Lovely.

Peter is a grown man. He's not an idiot.

He knows Miles is in active danger. Why would an adult turn the conversation in that direction - about his baby - KNOWING Miles has no time.

As soon as Miles got his hands on MayDay, Peter is trying to change the conversation. Suddenly he's joking and laughing.

Even though Miles is freaking out. Why is Peter joking? He knows this isn't a joking situation. But here he is wasting Miles time, either accidentally or intentionally.

Because that'd be some good ass stalling.

There was nothing stopping Peter from helping him leave. But Peter was still on The Society's side, so he didn't. If he was on Miles' side, he would've helped him. He should've, but he was still for Miguel, because at this point Miguel hadn't assaulted Peter yet.

Congrats, Peter. Big L. Humbling Reality Spider-man everyone.

Like combine all this. AND THEN THE SCENE IN ITSV.

LITERALLY AND PHYSICALLY PETER IS ALWAYS HOLDING MILES BACK.

You cannot expect me to believe that the writers of a movie I can write 10k+ words about, just so happened to leave these two glaring plot holes for ONE character.

That I'm just suppose to ignore that Peter restrained Miles, a black boy, in ITSV. That he betrayed Miles for months, wasn't very active in Gwen's time at the Society, and he actively hinders Miles escape - if not actively ratting him out.

It baffles my mind.

It doesn't make sense, that these writers can write Hobie, Jessica, Miguel, Officer Stacy, Rio, and Jeff as fully rounded, well-thought characters. But for some reason, when it comes SPECIFICALLY to Peter B. - they just forget how to write. They just stop thinking about him the second they don't look at him.

IN BOTH MOVIES?

I don't buy it.

To have every other character be thoroughly thought through but have one of, if not these most iconic character full of plot holes...

I think the likely answer is they wrote him that way on purpose and he's just a bad person.

I'm sorry, and I'm laughing while writing this but like.

Either Peter is the ONE singular character who has a series of emotional plotholes - or he's just a bad mentor. It's one or the other. And it's open to interpretation.

But I wanna cut the writers some slack and say, No - they thought it through. And No, Lyla did not just randomly speak out of turn, he contacted her first off-screen before she replied to him.

And by waiting till the very end to come around, waiting until the person who looks up to you is deeply wounded to finally turn around - that's the same arc Officer Stacy goes through.

And we're not supposed to clap for him. It's lovely, but he doesn't get an award. And neither does Peter, not at all.

Maybe if had helped Miles escape in that moment. Maybe if he was Gwen's mentor or he housed her.

But as far as we know he spent those months of Gwen in the Society doing fuck all. We've seen no sign of his contribution anywhere.

And in a story about mentorship, that says something.

Anyway. This is long. Again fiosfgihrgirturetuier I'm SORRY

Once again, Fuck Peter B. All my Hobies hate Peter B. (not a typo)

He's worse than Jess.

And he's not worse than Miguel but I like Miguel more and it's not because of the ass that's just a bonus Miguel is cool (but also very wrong. but like personality wise we're cool).

Ummm I feel like I got off track here. Oh well!!

Damn he be doing Miles dirty. SMH

Bye.

#Gwen Stacy #Peter Parker #Jessica Drew #Miles Morales #Miguel O'hara #miguel o hara #spiderman #atsv #marvel #spider man #across the spiderverse #across the spider verse #atsv analysis #peter B Parker #no proofread

[house-of-mirrors]

I don't think I can coherently share my reactions to the Martyr-King's Cup

(I'm not done yet, just stopped playing today at the point right before going to the Blue Kingdom, nobody mention how it ends thanks)

aaaaaaaaaaaaa (major sskies spoilers under the cut)

The crew watching the Captain be seized by a higher power. Falling under the spell of moonlight. Dragging everyone across the far reaches of the skies on a "quest" for bits of garbage and a broken painting, which by all accounts seems like they've gone mad, but then there's a real magic sword and you use it! You use it to slay the monster lurking in the clock tower.

(which I strongly suspect was Veils, cmon, bat-winged beast glutted on thousands of years of violence. And additionally on that bullet point, AAAAA compared to the amount of painful preparation you have to do in BAL, which doesn't even fully work, versus here in skies you have a sword that was used to end the reign of a judgement - it's such a stark difference in power).

I'm also... emotional at the idea of the Hoarder watching the Captain slipping from reality. It watches them kill who might be Veils and revel in the triumph. Apples and Veils were allies in Old London. What must it be thinking... It refuses to let the Captain near after that incident, not till this issue is resolved. They're unstable and unpredictable right now and what if they think it's a monster next? It has to protect the babies. 😭 I didn't expect to get angst arc in their relationship and yet.........

ANYWAY back to game, the sword is called the Minute to Midnight, which only makes me think of December despite the context of the weapon's use.

The Arthurian quest is masterfully done. I feel like I'm back in my Brit lit college course, and also the Renaissance fair.

The delightful insanity. The inherent eroticism of a powerful being manipulating you 😳 and the writing is so damn funny. The simple mental image of the crew and officers reacting is too much. (Also! The ambition integrates your officers' presence which doesn't happen often! Yay!) The butter knife stabbed into the table instead of a sword. Something about me is that my physical shows of emotion tend to be muted but I've been laughing out loud the whole time. Most excellent.

Then again, my response to horror is also to laugh :)

I'm playing through full embrace of moonlight this time. Strongly get the sense this is going to lead to a bad ending for me but what can I say, I chose what looked cool at the time.

But I intend to immediately restart it and play with no moonlight, because the story is told in a vastly different way depending on the quality. It's just so much. I'm blown away.

In conclusion, THE KING OF HOURS IS A BASTARD 🔪⏳👑☀️ if you know you know

And I'm yelling re: the Blue Kingdom's involvement, lmao, they act all reclusive and poised but they too have killed stars over philosophical disagreements. Who would win, the King of Hours trying to be immortal or the Arbiter of Fates aligned with the Philosophy of Culmination? (it's the Arbiter. girlboss moment)

This also clears up a question I had of how the King of Hours died. I knew the devils had rebelled from the Irem update in Fallen London, but Skies makes it seem like the only way for lower beings to kill a Judgement is with the aid of another Judgement. So the Blue Kingdom helped. Got it.

So now I have to kill three (3) (III) Logoi and I'm so so so so so scared someone please come pick me up I'm so bad at combat and they move so fast and have so much health and attack power. I managed to finish an Undeparted once but oof. And while typing this I just remembered it's hard to repair hull in the Blue Kingdom. 😀👍

In conclusion 2 electric boogaloo: OUGH

Everyone say thank you, Mr Tuffs

#sskies playthrough #sunless skies #the martyr-king's cup #AAAAAaaaaaaAAAAAAA #been pacing like all day over this #so excited that my symptoms are flaring up asdkljdfl this hasn't happened in a while #sunless skies spoilers

[woodchipp]

People who have actually read my critique of OMORI might've noticed that I cited this particular interview as the source for several of my claims.

Today, I'm going to try and dissect that interview as well.

Given that this interview is (apparently) also meant to be a lecture on game design and writing, I believe there is a lot to unpack here.

NOTE: Reader discretion is advised. By clicking on “Keep reading”, you willingly choose to continue reading the post.

IMO, "a sense of spontaneity and randomness" does not equal the lack of a coherent plot, but hey, what do I know?

"My goal was to think very little and let my stream of consciousness flow..." Letting your thoughts flow freely is still thinking them, though. Additionally, what kind of writer advises people to think about the story they're writing as little as possible?

Yume Nikki had eerie piers and quiet trains too. This is not as innovative as she seems to think it is.

"Certain dungeons were only workshopped for only a week or even days." It seems that the game was really rushed.

Keep this in mind. It will become relevant later.

A direct manifestation of one's subconscious that progressively becomes more nightmarish and unpredictable is exactly what Silent Hill is.

I'm not trying to say that writers using previously-explored ideas in some other form in their writing is always bad, of course. However, I believe there is a signficant difference between drawing inspiration from a particular work of fiction for your own and blatantly lifting imagery/concepts from other works to fit your own story. Besides, OMORI doesn't even really put an original or interesting spin on any of the writing conventions and previously-explored ideas it features.

...Sunny's childhood was pretty much ideal, though. His life up until Mari's death is presented as such by the game. He had a loving older sister, very loyal friends and all the newest toys. Not only that, but Omocat herself has previously described Sunny's childhood as "very idealized"

[that passage is its own can of worms lmao. "MARI, the overbearing big sister" literally at what point in the game was she overbearing]

Padding out your game with extraneous fluff just so that people don't get mad about the money they poured into your project seems... rather dishonest to me.

I personally think that length does not equal quality. A game can be 20-30 minutes long and still leave an impact, as LISA: The First can demonstrate.

"The experience becomes what you make of it" reads as a very convenient way to deflect any sort of criticism towards her writing.

"If you found numerous holes in the story and were left dissatisfied as a result, that's your fault sweetie uwu"

I personally see this as laughable writing advice. If you build the foundation of your story on the highly subjective and nebulous Vibes™ while giving little to no consideration to the logistics, your story is going to be a hot mess.

If "there are limits", OMORI's writing doesn't seem to have any. Judging by how thoroughly it permeates the plot, "Feels before reals" could be reasonably taken as Omocat's writing philosophy. There doesn't seem to be any underlying sense of thematic or narrative cohesion to anything that happens in the story other than the aformentioned Vibes™.

As I've detailed in my critique, this "writing philosophy" can be seen in the character writing as well. The game sends the message that Aubrey's hurt feelings are of more importance than the real harm she inflicted on Basil by bullying him, and then undermines its own message of "acting like grief affects only you is selfish" by implying that Sunny and Basil's feelings about their involvement in Mari's death matter more than the real harm they have inflicted on their friends by remaining silent about the real reason she died for 4 years.

I can see her point - that "realistic" horror is way scarier and hard-hitting than something blatantly fictional - and I can agree with that. However, I can't call a panicked 12-year-old improvising a multi-step plan to cover up a murder "a believable circumstance" by any measure.

I suppose that the horror of a beloved family relative unexpectedly committing suicide due to severe and deep-seated mental issues they hid for a long time was too unrealistic of a scenario to explore.

She comes off as... mildly self-aggrandizing here. "yeah Link and Red are assumed to be self-inserts but MY silent protagonist isn't like the other girls 😤"

"actually he thinks a lot" literally where? what little crumbs of narration the player happens to get from both Sunny and Omori are incredibly basic. even Frisk felt more defined as a character than Sunny and Omori do despite having a minimal backstory and similarly staying silent at all times

Not only did Aubrey snoop through her friend's personal belongings while he wasn't looking, she subsequently disowned him and then started bullying him with her new friends because she assumed the worst of him and instantly believed her own assumption without giving him a chance to explain himself.

Man, isn't she just awesome?

Note the casual admission that Kel exists purely for the sake of being a plot device.

Amusingly, this also seems to (inadvertently?) imply that Kel wouldn't be needed at all if Sunny was an actually interesting character in his own right.

There's a single easily-missed bit of flavor text about Mari coming home tired because she's been attending cram school.

That's it.

Even if Mari's perfectionism is supposedly "present in other places", it's still not given enough focus to feel like a substantial and consequential character flaw.

...well that becomes rather uncomfortable in hindsight. man, imagine if Mari treated Sunny the same way Omocat seems to have treated some of her employees

As mentioned in my critique, this reads like a very convenient way to shield Basil from any criticism regarding his decision to stage Mari's death as a suicide.

Loneliness, insecurity and "very deep emotions" are not an excuse to tamper with a corpse.

You'd think such complexity would've been reserved for Sunny, the main protagonist himself. Apparently not.

"...These characters are so loveable! How can I get other people to see how wonderful they are too?"

Note the phrasing here. It's not even something along the lines of "I dearly love those characters, and I hope you will love them too!" She's stating that the characters are loveable and that she wants to get other people to see how wonderful they are, as if it is an objective truth.

I suppose that's the reason the characters seem to feel so shallow upon scrutiny - the game just assumes that you'll fall in love with them on sight and thus doesn't bother putting in the work to make them compelling or even remotely believable.

The game literally makes you look through Basil's photo album three times over the course of the game. In fact, Basil outright spells out that the album is supposed to be "proof of [their] friendship!" And that's not even mentioning Memory Lane and the DUET animation, which are essentially the game forcing the player to look through the photo album two more times.

Remember when I said that the game seems to have been rushed?

It actually was. OMORI was released on December 25, 2020, so there is no way Omocat didn't put herself and her team through insane crunchtime that year in order to get the game out as quickly as possible. In fact, she seems to confirm this when she follows all of this up with

The game she's asking you $18 for is essentially a rough draft.

Oh, and by the way, the total amount of funding OMORI received via Kickstarter was $203,301.

Make of that what you will.

#omori #omori game #omori critical #omori sunny #sunny omori #omori kel #kel omori #omori aubrey #aubrey omori #omori basil #basil omori #omori mari #mari omori

[waveridden]

it’s like, listen, i love what i study, i am so excited to get to do research, i enjoy reading about sentencing, i think it’s important and i enjoy seeing the research other people do. at the same time i am going to singlehandedly murder every judge in america

#waveridden.txt #academia tag #i was going to try and write something coherent but i'm just SO MAD TODAY LOL #sometimes. if brain is a certain way. and i am reading certain things. i regress into wild animal form. bite chomp kill @ justice system

[geniusgub]

north//chapter ten

genre: angst

pairing: season ten spencer reid x female oc

warnings: panic attack, talk of maeve and that whole situation, death, mention of drugs and relapse

word count: 9.8k

summary: spencer gets to see another part of amelia’s ugly side and amelia gets more than she bargained for when she steps onto her balcony

also i just wanted to say that the panic attack described in this chapter is based off of my experience with panic attacks. nobody has the same experience, but this is based off mine. also part two, i don’t know how medication for panic attacks really work, what i wrote is literally based off my experience with migraine medication. so if it’s not accurate, then i apologize. i also apologize for taking so long to write this. school was a lot and my mental health sucks. but it’s here now!! enjoy

AMELIA

"Yaz, if you don't stop moving, I'm going to purposely poke your fucking eye out!"

"It's not my fault! Quinn keeps nudging me!"

"No, I'm not!"

I roll my eyes at the two girls in front of me, flicking my wrist to put the final touches on Yaz’s makeup. "You two need to shut up." I then grab Quinn’s shoulders and force her to move against the wall, right next to Yaz. They continue to quietly bicker with each other.

"So," Frankie speaks up from across my studio, lounged back in a bean bag chair, fiddling away with a camera of his own, "Lia, you're coming up on one year with your genius doctor FBI boyfriend, right?"

"Mhm," I hum, too focused on painting my friends' bodies to give a full and coherent answer.

"Do you guys have plans yet? Dinner? Movie? I don't even know what you guys do as dates. In fact, I don't really know much about this guy at all. Are we even sure he exists?" Michael teases, waving around his bottle of beer. Quinn squirms away from my grasp to take a sip of his beer and only comes back when I tug on her hand. 

"No plans yet," I mumble, biting my tongue for a moment as I focus on getting the swirls of blue and yellow just right. If the painting isn’t absolutely perfect then I’ll never be happy with the way the pictures come out. And if I’m not happy with the pictures that come from today then that just means I wasted my time today. "We don't make plans in advance, really. His job doesn't allow for that."

"His job doesn't allow for that?" Dani scoffs. "Stupid excuse. Horrible excuse. Men are trash. How can you be sure that all the time he’s spending ‘at work’ and not with another girl? Or maybe another guy? I don’t know, I don’t judge. Maybe he’s-"

"Dani," I hiss, twisting my head to send her a pointed look, "he's an FBI agent. He hunts down serial killers for a living. He travels for work on a whim and it’s not a big deal. He’s not gay and it’s rude to speculate about someone’s sexuality, especially if you’ve never met them."

"But don't you want him around him more?" Frankie jumps up from his seat and throws his arm around my shoulder, effectively pulling away from my work. He thinks that grabbing me will diffuse the situation, bring some humor, keep me from getting too upset. But it actually does all the opposite and I can feel a ball of heat growing and swelling in my stomach.

I’ve been friends with this bunch since college. We all went to Carnegie Mellon together and even lived in a house together in junior and senior year, but they aren’t always the best of friends. Clearly. They can be quite judgemental and exclusive when it comes to people outside of our friend group. Jenna and I commonly find ourselves sharing looks across rooms when one of our friends says something rude or stupid. They’re not the best, but we’ve been through so much together and they are all I have.

I push Frankie away from me as best as I can. "Do you guys just not like him because he's a federal agent?" The room goes silent and that's enough of an answer for me. I scoff, moving across the room to grab some more paint and squirt it into my palette. I wind up putting too much on my palette and groan, screwing off the top of the paint tube and trying to scoop the extra paint back in. The longer I try, the less gets back inside the tube and the more my frustration starts to grow, the more tears well up in my eyes. "You're complaining about my boyfriend who you've never met just because he works for the FBI. Ridiculous. Unfair."

"We get arrested all the time and all we do is spray paint empty brick walls," Dani protests, and, again, judging by the silence of the others in the room, I know that they have no problems with what Dani is saying. "It's bullshit! We should be able to express ourselves creatively without having to do art in the middle of the night and worry about being thrown in a holding cell."

"First of all; express yourself creatively on a canvas, not on someone’s property. Second; I can promise that you’re not getting arrested by federal agents. You’re getting arrested by cops and my boyfriend is not a cop," I growl at my supposed friends. I don't get angry easily. In fact, I'm a very patient person and I've been told that by many people on many occasions. My first instinct is to never get mad. Anger doesn’t get anyone anywhere. I prefer to have conversations instead of screaming matches and to hear out the other side's argument. But this is different. This is Spencer we’re talking about. I love Spencer more than anything and since meeting him, I know I'd do anything to protect him, even if that means arguing with my friends on his behalf. It’s not fair for them to be making these judgments about him. "You get arrested by Virginia Police so if you wanna hate anyone then hate them. Don't you dare all go hating my boyfriend for no reason. Don't hate him when you've never met him."

I throw my palette onto a table, not caring about paint splatter, and grab my phone, leaving my studio and heading into the fresh air. My heart is pounding against my tightening chest as I lean against the brick wall and slide down to an incredibly uncomfortable crouching position, tucking my head between my knees. The stance almost instantly makes my back ache and my neck sting but I ignore it. Maybe I deserve the pain. My breathing quickly gets more and more shallow and my head goes light. I try to lift my head to bring sunlight into my eyes, but my head seems far too heavy to move. I reach for my phone and it slips right out of my fingers when they tremble too much for me to get a grip on the thin metal. This feeling is helpless, painful, too familiar. I can’t seem to get a grasp on myself and I’m spiraling out of control more and more by the second. Every gasp for breath turns into a sob and every attempt to move my head turns into overwhelming shame when I notice people passing by are staring at me and whispering.

It's almost perfect that my phone starts to buzz on the ground and I manage to open my eyes enough to see that Spencer is calling me. I attempt another deep breath to calm myself down but it doesn't work and it only makes my grip on reality dwindle. It's getting harder to breathe and my eyes are stinging with tears. With every pounding beat of my heart, my chest gets tighter and tighter and tighter until it feels like someone has successfully squeezed my lungs flat. 

The buzzing of my phone should bring me back to reality but it just makes it worse. It’s an annoying, persistent sound that just won’t stop. It won’t stop. It just won’t stop. I want to answer, I need to answer, but I just wish the sound would stop. The way to get it to stop is to answer. Just answer. It’ll stop if you answer. You’ll feel better if you answer. I slam my hand down on the ground and grope the floor until I manage to grab my phone and bring it up to my ear.

"Hi, love," Spencer's chipper voice comes through the receiver, none the wiser to my current situation. He's been away on a case since early yesterday morning, having woken me up while getting dressed, kissing me goodbye, and leaving my apartment to get to the BAU. I would kill to have him here right now. Maybe he could talk me down and reteach me how to breathe. Maybe he could reinflate my lungs and kiss my hands until they stop trembling. 

I try to answer, but nothing coherent comes out. I let out a strangled sob, my fingernails digging into my knee so hard that I worry I might draw blood. My inability to communicate is frustrating and that ball of heat in my stomach rises up to my chest. The trembling overpowers me and I almost drop my phone again. 

"Amelia? What's wrong? Are you okay? Talk to me," Spencer says quickly, and it's only followed by more choked wheezes from me. "You've gotta breathe, okay? Take really deep breaths for me. In through your nose and out from your mouth.”

His instructions seem simple enough to do. Just breathe. That’s all I have to do. It’s simple. Just breathe. I open my mouth to try to speak to him, to tell him what’s happening, even though I’m pretty sure he can tell, but all that comes out is fragments of words and whimpers.

"It’s okay, you’re okay. You don’t need to speak. In through your nose, out from your mouth, remember? Can you try that for me?" I’m not sure how long I’m sitting there for, on the phone, trying to focus on my boyfriends’ voice as he tries to calm me down. It feels like I’m sitting for a few hours, but my tiny grasp on reality lets me know that it’s been ten minutes at the most. I just do what I can to focus on Spencer and what he is telling me to do and how I can calm down. I clench my fists and finally succeed in doing what he tells me to after a while, breathing heavily in through my nose, my chest burning as the heaving comes to a gradual stop. I breathe out and then repeat the process a few times. “There you go. You’re doing so well. I’m right here for you, okay? Take all the time you need.”

He continues to tell me sweet nothings and encourages me to breathe until my breathing has regulated and my head lays slack against my knees. Spencer lets just a few moments of silence go by to let me collect myself before he speaks again. “Are you feeling a little better now?” I gather enough energy, the last of it, to hum a confirmation. "Where are you right now?" Spencer asks next. Even just his voice calms me down. Maybe it's his experience with his job but he sounds so calm right now. Nobody in my life has ever been able to remain so calm during one of my panic attacks, leaving me to cry and heave and occasionally faint in private. But Spencer's voice sounds so soothing and calm and low that just him speaking helps me more than anything. More than any useless, overwhelming, smothering hug ever has. 

"Studio.”

"Okay. You should get home and get some rest. " 

"Mhm.”

"You shouldn't drive. I don't know if you did, but either way, please don't drive. Take the train or call someone to drive you home," Spencer pleads. "I was calling to tell you that we're on our way home. We closed the case and we're leaving in a few minutes for the airport, but don't wait for me. You need to go home and get rest. Panic attacks are really taxing and you need to re-energize. I'll come over when I get back but you need to get home."

"Amelia?" I hear Jenna's voice approaching me but I don't even bother to look up. "Are you okay?" 

I've exhausted my energy on speaking just those few words to Spencer so when Jenna gets close enough to me, I just lift the phone up for her. She crouches down beside me and grabs my phone, wedging it between her shoulder and her ear as she pushes my hair out of my face. I try to lean away from her touch but I can’t get very far. "Who is this? Oh, hi, Spencer. This is Jenna. She's right next to me. I can definitely bring her home. Don't worry, I'll get her home and I'll stay with her until you come around, it's no problem. I'll take her phone and let you know when I get her home. Okay, bye."

I finally lift my head and look at Jenna, watching her tuck my phone into her pocket, giving me this stupid, pitiful smile that I’ve seen far too many times in my life. A half smile that says, it sucks that you’re going through something but I only kind of care. "Mr. Genius says I gotta bring you home and keep you safe until he comes over and I don't feel like ending up in prison, so let's go, babe." I don’t have it in me to correct her to day Doctor Genius instead of Mister Genius. Jenna holds her hands out to help me up.

I bring my shaking hands up to hers and let her pull me to my feet and lead me over to her car, feeling weak and useless as she pulls the seatbelt over my chest. I pout as she dotes over me, humming casually to herself just so she can make this situation not so tense, but it just makes it seem like she doesn’t care. "Okay," Jenna says, hand poised on the passenger side door, "I'm gonna go kick everyone out of your studio and then we'll get going. Sit tight."

///

"Hi, Spencer, I'm Jenna,"

"Hi, Jenna. Is she okay?"

"Yeah, she's sleeping on the couch. She didn't even wanna go upstairs to bed so she asked me to put on a record and she just passed out on the couch."

Everything sounds foggy as I wake up what I assume is hours later in an uncomfortable position, curled up on my couch. My head is pounding and my eyes feel puffy and I'm now regretting not forcing myself to get into bed. I would have much rathered waking up with my duvet wrapped around me and my head on Spencer’s pillow. Waking up on this stiff couch with my toes virtually frozen and my head twisted uncomfortably on the armrest isn’t how I wanted to wake up post-panic attack. 

I open my eyes just in time to see Spencer setting his go-bag down beside the coffee table, sending me that same stupid, pitiful smile. "Hi," he whispers, coming to sit on the floor in front of me. He raises his hand to drag his fingertips along my cheekbone and the soft touch makes my eyes flutter closed. I’ve gotten used to being without him when he’s away on cases, and having Spencer with me makes all the separated days easier. I know that the moments like this make up for the times I lay awake at night, staring at the ceiling, because I can’t sleep if his arms around me and if I can’t hear his heartbeat. "Are you feeling okay?"

"Mm," I hum, but it's not much of an answer, not a satisfying one, at the least. 

"It's good that you got some sleep but you gotta have something to eat too. Do you want me to order something?" I nod slowly at his suggestion that I couldn’t care less about. I just want his hands on me. "Okay, I will. Sit tight, I'll be right back."

A whine falls from my lips as I reach my hand out for his, hoping to keep him from leaving. I just need his touch and his love and his affection to feel better. I don’t need sleep or food or anything he could possibly suggest that helps a person relax after a panic attack, based on this study I read. I love his facts but I just want him to hold me and tell me that everything is going to be okay, even if it doesn’t feel like it will. The boiling hot baths I usually take after a panic attack never do the trick. Nothing does the trick like physical affection does.

"Don't go," the words could barely be considered words, especially not after I mumble them through almost closed lips.

"I’m not leaving," Spencer crouches down again and presses a kiss to my forehead, and I’m sure he realizes that a kiss was the wrong move because I just keep trying to pull him closer. “I just wanna order you something to eat, okay? Let me bring you upstairs and get you in bed and then I’ll call for something. Is that okay?”

Spencer is sitting up on his knees before I even try to answer because even though he's posed a question, he doesn't need an answer. He knows how to help me from the studies he reads and he knows what needs to be done and he's relatively stubborn. So despite how my body feels heavy and how I wish I could just melt into the couch cushions with my arms wrapped around my boyfriend, I force myself to sit up. Spencer scoops me up and carries me up the stairs, setting me down in bed and tugging the duvet all the way up to my chin.

Spencer goes a bit overboard with tucking me in, but I don’t mind, as long as his hands are on me. And he is happy with his work, he finally takes off his peacoat and sets it on the edge of the bed. "I'm just gonna go run downstairs and order something and make some tea, okay? Did you take your medication?" He turns away from me and goes towards the stairs, digging his phone out of his pocket.

"Huh?"

Spencer halts himself from walking down the stairs, turning his chin over his shoulder. "Your medication," he turns his body towards me. "You know, for your panic attack?"

I shake my head, eyebrows furrowed so much that it makes my headache worse. "No, no, I don't have any."

My fuzzy brain can't exactly decipher the look on Spencer's face, but he turns his back to me yet again and rushes down the stairs. I let out a hum at his confusing reaction, but it turns into a disappointed whine as he gets further and further away from me. So, still in my post-panic attack state, I reach for Spencer's coat for some sort of comfort.

As I tug on it, something falls out of the pocket. I blindly reach for it and have every intention of tucking it back into the pocket it came from, but the cool metal of the object heightens my senses, as if the object brings me back down to earth. I hold Spencer's jacket to my chest as I lay back down against my pillows, looking down at the metal circle in my hand. There's a triangle on the front- or maybe the back?- with a Roman numeral one on it, with the words unity, service, and recovery around the three sides. I turn it over in my hand and find a compass rose with only north labeled.

"Amelia?" My head pops up when I tune into Spencer's footsteps on the last stair, his phone in his hand and his untied converse in the other. He drops his shoes on the floor and then leans against the wall, his eyes traveling down to the floor instead of on me. I can feel his shame from all the way across the room and how his embarrassment starts to consume him. He instantly shuts himself off from me and it’s so disheartening to see how easy it is for him to do so. 

"It fell out," I hold it out to him, despite our distance. "What did you order?"

Spencer doesn't move as I hold the medallion out to him, but all he does is tuck his hands in his pocket and study the patterns on his socks. "You don't wanna know what it is?"

I drop my hand against the bed and sigh, having used too much energy to keep my arm up for longer than two seconds, nuzzling my cheek against Spencer's jacket and trying to get a whiff of his cologne. If he won’t come to me then I’ll have to get a piece of him in my bed, even if it’s just the scent on his jacket. I need his comfort. "I know what it is, dove."

He takes a long breath and then walks over, taking the medallion out of my hand and shoving it in his pocket. "Pizza. I'm gonna go change and I'll be right back."

I hadn't even realized he had brought his go-bag upstairs at some point, but I only see it when he carries it into the bathroom. He doesn't shut the door all the way and I find myself wondering why. Maybe he doesn't want to completely shut himself away from me because he can tell I need him close. Or maybe because he didn’t want to rebuild his emotional walls around me, and closing the bathroom door would separate us. But I don’t have the time to come to a clear and coherent hypothesis before he has returned.

He's in a tee shirt and plaid pajama pants when he returns, dropping his bag onto the floor and letting out a heavy sigh. I watch him as he walks around the bed to grab his shoes and begins the process of shoving them into his bag, even though he doesn't need to. He knows he doesn’t need to clean his stuff up immediately. But I notice his medallion in his hand, squeezed between his pointer and middle fingers, and it makes me call out to him. His head whips over to me and I realize I have nothing to say. I need him beside me but he clearly has so much going on in his head and in all the time we've been together, I've never seen his medallion. That makes me nervous. Is this why he's acting like this? Is he thinking about getting his hands on a drug that will ruin his life?

I have nothing to say. But Spencer is staring at me, waiting for me to ask whatever question he thinks I’m needing to ask, as I clutch his jacket like my life depends on it, eyes half-closed as I start to struggle to breathe again. I open my mouth but nothing comes out and a tear drips down my cheek.

Spencer moves to kneel on the bed, pulling his jacket out of my hands and replacing the fabric with his body. "Hey, I'm right here, Lia, just breathe. Sit up for me, sweetheart," He places his hands on my waist and helps me sit up, coaxing my head between my knees. He somehow knows exactly what to do, despite not being able to see me during my previous attack. He knows just how softly I need to be touched and what volume to speak at without overwhelming me. "It's okay, it's okay, I'm right here, don't worry. I don’t want you to get worked up again." I manage to nod, and he kisses my forehead as a reward. Spencer just keeps holding me and whispering praises, tucking my head under his chin and rubbing my back with a feather light touch.  “There you go. There’s my girl.”

“I’m okay,” I whisper, but it’s more for myself than for him. 

“Yeah, you are,” he affirms. "Will you talk to me about these attacks and how I can help you?" His sweet voice is so buttery and smooth that I get lost in it, eyes fluttering and almost completely missing his question. I just want him to keep talking, to read me poetry or tell me random facts that I’ll probably never need to know. I just want him to talk, and talk, and talk, and break me away from the prison in my mind. I just want him to distract me.

“Um,” I lean into his touch when he brings his hand into my hair, scratching me behind my ears like a cat. But when I manage to open my eyes and look at him, he’s giving me such a serious look, one that says he means business, and I know that there’s no room for jokes or wit. “I don’t know. I’ve mostly dealt with panic attacks alone. I just let them happen and wait for them to be done.”

Spencer’s eyes widen in surprise but he quickly tries to hide his reaction, clearing his throat as a distraction, but it’s nowhere close to this distraction I had hoped for. “So you don’t know any coping mechanisms or take any medication for panic attacks?” I shake my head no. “Have you ever gone to a doctor or a therapist about this?”

Definitely not the distraction I was hoping for. I reach for the duvet and pull it over my head, deciding to ignore him. I manage to crawl out of Spencer’s lap and curl up on my pillow with my back to him, earning a defeated sigh from my boyfriend beside me. He takes a breath to speak but then the doorbell rings and I can only assume that means that dinner is here. Without a word spoken, Spencer climbs off the bed and goes to answer the door. I hear his chatting quietly with the delivery person before his sock-covered footsteps echo back up the stairs, and he returns with a pizza box.

Spencer just casually suggesting I go to a doctor or a therapist is so obnoxious and annoying and I truly can’t remember a time in our relationship when I was this mad at him. He talks as though a doctor's visit will solve all my problems and if taking a pill will turn me into the healthy, stress-free, mental illness-free girl that I want to be, but never have been, and never will be. I spent my childhood taking care of myself and my brother and I can keep doing that as an adult. I’ve gotten this far in my life, farther than I thought I would, so I’m not going to fix something that isn’t broken. 

Spencer sits at the foot of the bed and sets the pizza box in the middle of the bed, not saying a word as he opens it up and separates the slices. I sit up slowly, rubbing my eyes as I tuck my legs underneath me. I reach for a piece of pizza and lean over the cardboard so I don't get the bed messy. If the bed gets messy and crumby then Spencer won’t be able to sleep tonight, knowing that there’s particles of food all over the duvet. He seems to be on the same train of thought because he refuses to move the piece of pizza in his hand away from the box. If I wasn’t so upset, I’d be telling him how cute he is and finding his cleanliness endearing and suggesting that we eat at the table downstairs instead of my bed. But the tension is so thick that I could cut it with a knife, and I don’t have the energy to ease it. But apparently, Spencer does.

"Why didn't you tell me?" Spencer asks casually, keeping his eyes down as he takes another bite of his pizza. "The way you talk,” he pauses and considers his words very carefully, “you've clearly had panic attacks before."

"It's not a big deal."

"Amelia," the stony, serious tone of his voice makes my head pop up. He looks annoyed, as if he doesn't believe what I'm saying. I haven’t yet learned that lying to a profiler is useless. "You had a panic attack on a public sidewalk and it was so bad that you went nonverbal. Panic attacks happen to a lot of people but they're serious and debilitating and you should get treatment for them."

"Don’t tell me what I should do. I don't need treatment," I answer far too quickly. "I know you have your degree in psychology or whatever but I don’t need to hear it. I’ve taken care of myself for this long and I actually happen to think I’ve done a pretty good job at it, so I don’t need medication or therapy to interfere.”

Realization flashes on Spencer's face and he puts his piece of pizza down, leaning his elbows against his knees. "Seeking out help doesn’t make you weak."

I scoff and roll my eyes into the back of my head, but maybe that's just to avoid eye contact or to repress the tears that burn at my ducts. "That's not what this is about."

"I didn’t mention anything about my degree, Amelia,” Spencer snaps. “And all I’m trying to do is help you. You can go to a therapist and discuss coping mechanisms and figure out why you even have them or go to a doctor and get medication that will regulate attacks and maybe you'll get something to take after you get attacks, it'll be so much-"

"No!" I shout, cutting him off, my hands balled into fists as I struggle to rein in all the nasty things I want so badly to say, but that I know he doesn’t deserve. "I won't! I'm not! I'm fine without it! I've gone my whole fucking life like this and I don't need to be fixed!"

I decide it's the appropriate time to throw a temper tantrum and scramble off the bed, not even bothering to grab a jacket or a blanket or shoes or anything as I stomp down the stairs and throw open the door to the balcony. It's colder than I remember it being and the air instantly seizes up my bones, but I ignore the feeling as I close the door behind me. I lean against the railing and let a few tears silently slip down my cheeks, not bothering to wipe them and instead letting them trail down my neck and dampen the neckline of my crewneck. Fresh air used to always calm me down, but now, being alone on a balcony after fighting with Spencer, the air only feels suffocating.

A few minutes pass before I head the door slide open and Spencer steps out. I expect him to speak right away, to use his profiling skills to defuse the situation, but he doesn't. He drapes a blanket over my shoulders and as frustrated as I am at him and at the world and at myself, the tiny gesture makes me feel better. I'm craving his touch yet again and I wish he would just wrap his arms around me, but yet again, he doesn't. I tug the blanket as tight as I can around my shoulders and imagine it's his arms. His arms that are so close to me but feel like they are miles away.

"I've been a hypocrite." Spencer's voice is quiet, but not in the same way as it was during my attacks. No, before he was quiet for my sake. But now he seems quiet because he can't bear to speak any louder. Like if he hears his own words, he will combust and break down. "I kept something from you too."

I turn around and find that he's sitting down in one of the armchairs, another blanket wrapped around his shoulders. I, yet again, notice that his medallion is in his hand. But he's not trying to hide it, he's staring right down at it.

"Does it have anything to do with your medallion and why it was in your pocket?"

"Partly," he answers, and then looks up at me, pretty brown eyes already glistening with tears. If I wasn’t so upset, if Spencer wasn’t so upset, if the tension hadn’t carried outside, I would have poked his perfect nose and told him how cute he is when the tip of his nose gets red from the cold. My eyes are just focused on the medallion though, being passed between his fingers with expertise and never slipping out. "I'm clean, I promise. I wouldn't risk breaking my sobriety. I have too much to lose now. I've got you, and my job, and my team- my friends, Henry. But, um, yeah, there's something that I didn't tell you and I know that I should."

Partially born from my own selfish need for affection, coupled with Spencer's broken down state, I go and sit on his lap. He happily lets me do so, draping one hand over my thigh, holding the medallion there. I rest my head on his chest and wait for him to feel comfortable enough to start his story. I can feel his heart pounding against his chest and I stare down his hand, tap-tap-tapping on the arm of the chair. His nervousness is just as palpable as the tension.

"So, um, do you remember when we first met? You always like to point out how you're not the profiler here but did you happen to notice how nervous I was?"

"Mm," I hum, racking my brain for the memories of our first few coffee dates. I remember his strained smiles and his stuttered out words. I think back to us spending Christmas together and how, later on, he just blurted out an invitation to be his girlfriend that lacked finesse and confidence. He has always been nervous around me, but I always just thought that he was nervous with new relationships. It never crossed my mind that there was a reason other than anxiety. "Of course. The first day we met, I don't even think you took your bag off, right? I just thought dates made you nervous."

"Well, yeah, that's kinda true," Spencer sighs and when he tilts his head down, his lips brush against my temple. His warm lips bring a shiver down my spine and he holds me tighter against his cold body. "The truth is, about two years before I met you, I had a girlfriend, her name was Maeve. Our relationship wasn't really conventional. We, um,” he pauses and shifts his weight, “she was a geneticist and I saw her when I was having migraines, but then we started dating. We never met each other though."

His constant past tense is alarming. Was.

"We talked on the phone. She had a stalker from before I met her and she wanted to make sure that I didn’t get wrapped up in it. And we had to be safe so we only talked on pay phones. Only on Sunday's and never from the same phone twice. I thought I, um, I thought I loved her and then-" Spencer lets out a breath that sounds defeated, tired, helpless. He drops the medallion into my lap and his hands fly up to cover his face, another shaky breath falling from his lips. “I shouldn’t be telling you this when you're in such a fragile mental state. This is a lot of information and-”

"If you want to tell me then you can. I’m not a fragile little girl, I can take it. But if you don’t think you can then that’s okay too. I don’t need you to show me all the skeletons in your closet because you think you’ve been hypocritical.”

Spencer drops his hands, revealing his quivering lips and wet waterline. I return the medallion to the palm of his hand and close his fingers around it. "I mean,” he lets out the tiniest, saddest chuckle, “I was being hypocritical, being mad at you for keeping information a secret when I was doing the same.”

“Okay, maybe a little,” my slight teasing gets a more genuine laugh out of him, and he drops his forehead to my shoulder to hide it. “But it’s okay. I understand that there’s some things you don’t wanna share immediately.” 

Spencer keeps his head down, his hand in a tight fist around his medallion and the other on my waist, keeping me close. I can practically feel his fear and anxiety and his overwhelming pain through the tips of his fingers digging into my skin, and I want so badly to take it from him. I would gladly shoulder his pain so he doesn’t have to drag it around behind him like a suitcase with a broken wheel. But as badly as I want to, I can’t help him the way I want to and so I just need to comfort him to the best of my ability. 

"She got kidnapped and shot in front of me," he blurts out quickly, the memory obviously too painful to say gracefully. "I realized she was gone so the team investigated and we found Maeve and the unsub brought me inside where she was being held and had me see her for the first time ever and then killed herself and Maeve right in front of me and there was nothing I could do about it."

Sometimes I don't know what to say to Spencer. He sees the worst that society has to offer, and the worst took away the first woman that he loved. I don't always know how to comfort him. Sometimes he just wants to be held and would rather not verbalize his feelings. And although I don’t love it when he decides to not talk things out, cuddling and giving out kisses is easier than arguing with him and trying to get him to talk about things he doesn’t want to. So physical affection is easier. But right now he doesn't seem to want to be held and I don't know how to help him. He didn't want to tell me this but clearly, today hasn't gone how either of us has wanted it to go. I've been spontaneously panicking and he's now confessing that his girlfriend was killed. None of this is right.

It takes him a few minutes to start speaking again, but when he does, his voice is quiet. "I almost relapsed after that," his head finds home on my shoulder again, and his other arm wraps around my waist. He holds me tight against his chest, adjusting the blanket around me to make sure I’m always covered and warm. "When I first got clean, I brought my medallion with me everywhere I went. I couldn't leave the house without it. I brought it with me on cases, to the store, everywhere. Then time passed and I could leave without it, and I was really proud of that. But then Maeve died and suddenly it was like I was right back at square one. I couldn't go anywhere without it. I needed the reminder of all my hard work and dedication or else I would've easily relapsed."

"Is," my voice is shakier than I wanted it to be, "is there something that's making you wanna relapse now?"

"Stalking cases," he answers, and that's not at all the answer I was expecting. I’m not really sure exactly what kind of answer I was expecting, but it wasn’t stalking cases. "They're common and they're not always violent so we don't always investigate but when we do, I hate it. It’s like torture on those cases, just having to relive what happened with her. Hotch doesn't even let me take part in takedowns of stalking cases because we both know I wouldn't be stable if a hostage situation happened. So,” he tucks his head into my neck this time, and I can feel his lips on my skin, leaving light kisses to make up for the heavy topic, “yeah, that’s what I was keeping from you. I’m sorry.”

“You don’t need to apologize, dove. I understand.”

I turn my head away from him and stare out at the city. The sun is setting and the sky is painted a pretty pink and purple, mixed together in a way I wish I could achieve in my work. But the people below pay no mind to it. They speed-walk to whatever their next destination is and keep their noses tucked in their phones, or to wave their hand for a cab and bark out orders and throw money at the person who spends their lives being chauffeurs to rude politicians and businessmen. Nobody cares to look up and admire the beauty around them, beauty that they won’t see some day. They don’t look up at the unnatural colors in the sky or check to see if the clouds have taken the form of a shoe or a candy wrapper. They just walk, and walk, and walk. They don’t care. Nobody ever cares. 

"I'm sorry," I choke out, tears suddenly pouring down my cheeks. I reach for Spencer’s hands, intertwining our fingers but keeping his arms around my waist. I don’t want to be without his comfort and his arms and his warmth. He seems to feel the same because he pulls me even closer somehow, my body completely flush against his. "I love you, Spencer, and you-” I hiccup, “fuck, you didn't deserve any of that."

"You're all I need in this life, Amelia. I didn't think I'd ever fall in love again but now I have you and," I can feel his hands shaking in mine, and although it’s hard to tell if it’s from the cold or from anxiety. "I just love you so much. Please don’t leave me."

"I’m never gonna leave you, Spencer Reid. Ever. I'm not going anywhere," I whisper, but I can't tell who it's a reassurance for. "I love you."

///

SPENCER

///

THE NEXT MORNING

///

No amount of nights turned into mornings at Amelia’s apartment could get me used to being woken up to sun beams in my eyes.

I scrunch up my face as the sunlight flows through the windows and almost blinds me. I roll over and reach towards Amelia's side of the bed, grabbing a fistful of sheets instead of a fistful of her. I let out a disappointed sigh and force my eyes open, popping one lid open to confirm my sad realization that I'm waking up alone. Now I'm understanding how Amelia feels when I have to leave for cases.

I can feel the heat blasting and it makes it bearable for me to exist in only my pair of pajama pants, so I don't bother to put a shirt on. I swing my legs over the side of the bed and check my phone, just to make sure there isn't a spontaneous case on a Saturday, and there thankfully isn't anything yet. So I run a hand through my hair that is probably wild and climb out of bed, making the trek down the occasionally terrifying floating stairs.

I pause on the last step when I peer into the kitchen, the dumbest smile appearing on my face when I locate my girlfriend. She's sitting on the counter in the kitchen with her legs up and crossed at the ankles, dressed in only an oversized white tee shirt and pale blue wool socks. Matching, unfortunately. She's wearing her normal butterfly necklace, I can see from here, but she's missing all of her piercings- nose ring and earrings. Her natural curls are out in full force and are only contained by one of her patterned scarves, wrapped around her head like a headband. She's holding an apple in one hand and she has a book resting in her lap but I can't quite see the spine to read the title. But this is one of the moments I'm thankful for my fancy memory, as Amelia calls it, because she looks so effortlessly stunning and perfect and beautiful that I'm glad I'll remember this moment forever.

I watch her for a moment. She wiggles her toes every few seconds and then takes a loud bite from the apple, flipping the page and darting her eyes across the lines. Effortless. Remarkable. I'm often blown away by her simple beauty. I wonder how she does it without trying. How she renders me speechless. How she makes me feel like a teenager in love. How she makes me feel like a lovesick puppy, galloping around at her feet with stars in my eyes. How she makes me feel like she's completely out of my league. How she makes me feel like I'm the luckiest man in the whole world.

When I decide that I have to get my hands on her, I step off the stairs. She still doesn't notice my presence, I credit that to my bare feet on the hardwood, and she only looks up when a floorboard creaks. She lifts her chin and reveals her stunning dimples, ocean eyes wide for me. "Morning!" she quips, tucking a bookmark into the page and setting her book aside. "Wasn't sure you were ever gonna wake up."

"I don't like waking up alone," I brush my fingertips along her leg as I walk closer, eliciting a shy giggle from Amelia. No matter how many times I touch her, she still gets shy about it. I peer over her legs and my eyebrows raise. "You're reading Rossi's book? What's that about?"

Amelia giggles, picking up the book and inspecting the cover. "It's more of a courtesy, actually. I bought all three books of his the other day and I'm planning on ripping out all the pages to use for a piece of art for my next exhibit. But I figured I'd read them first before I destroy them, you know? He saved my life as a kid so the least I can do is read his books before I destroy them."

"Hmm," it's not really at all the answer I was expecting. I watch her face as she plasters on a shy smile, kicking her feet like an excited child and clutching the book to her chest. I don’t have the heart to ask her any more questions about her decision to rip up Rossi’s books because I don’t want to wipe that smile off her face. "Interesting. Breakfast?"

"Not before you give me a kiss," Amelia's delicate voice balances out the horrors Rossi illustrates in his book as she brings her lips to mine. "If you're cooking, I don't care what you make."

"Sounds like a plan,” and just as I didn’t have the heart to question her art, I don’t have it in me to go further than an inch away from her lips before she decides it’s okay. So that leads to kissing for far too long, the book tumbling out of Amelia’s hands and onto her lap, my hands holding her jaw. Her lips are different in the morning, slightly chapped and not yet bleeding from being chewed relentlessly. But, for some reason, I prefer them like this. And I definitely prefer chapped lips to glossy lips that get all over my face and takes a makeup remover wipe to get rid of. I quickly flip through the last few images of Amelia in my head and notice she hasn’t worn lip gloss in a while. Maybe that’s for the better though. She won’t have to hear me complain and watch me rub at my lips and grimace when my hand gets sticky too.

“Okay, okay,” Amelia giggles, grabbing my hands and pushing them away, “let’s not get carried away. I am hungry.”

“Then why didn’t you make breakfast yourself?” I sass, turning on my heel to start collecting breakfast ingredients and feed my hungry lady. 

“Haha,” she snickers sarcastically, rolling her eyes at me. And a comfortable silence falls over us as I start cooking, occasionally glancing over to watch her thumb through the book. It etches a hopefully permanent smile onto my face.

"I do have a question, though," Amelia fiddles with the corner of a page, curling it between her finger and keeping her eyes down. I hum lazily in response, mixing pancakes batter, far too focused on making sure I get measurements correct to be able to make eye contact with her. "I don't wanna make you uncomfortable but your medallion- well, it," she sighs, obviously not able to find the words for what she wants to say.

It’s not my favorite topic of conversation so early in the morning, but I guess the sooner Amelia asks her questions and gets them out of her system, the sooner we can stop having conversations about my demons. "You can ask whatever you want to.”

"It's not a bad question, I don't think," she responds, and turns so her legs are swinging over the edge of the counter, facing me. "I'm just curious what the compass on the back means. It seems odd to me. I mean, the front says recovery and all but the back has a compass? I've never heard of these medallions having a compass on them."

"The designs differ," despite the relatively tame question, I busy myself by trying to create perfect circles with the batter on the hot skillet. She could've asked me about my experience with drugs and how it feels and she could have unknowingly triggered me, but no. She just wants to know about the compass. I guess that’s better than making me relive relapse or make me remember what a high feels like. "I've obviously been clean for more than a year, so the other medallions I have for other years have different designs on the back. But I always liked the one year medallion the best."

"Will you tell me why?" She presses gently, pulling her knees back up to her chest. I've seen her do this plenty of times, shut herself off from conversations, I mean, and I hate it when she does. On normal days, when she shuts herself off from conversations, I do what I can to put her at ease and get her to open back up. But if anyone should be shutting off from this conversation, it’s me. "You don't have to, if it makes you uncomfortable."

"Getting to one year is really hard," I admit quickly, keeping my eyes off her as I move the pancakes from the skillet to a plate. "So when I finally got to one year and I got the medallion, it was a huge accomplishment for me. And the compass? It’s just a thing that my program preached. North is always regarded as the right way to go, even though that’s not really true in theory, but I never pointed that out. But my program had us pick someone or something to represent north for each person. So that way, if anyone was ever going through withdrawals or cravings, we could think of that thing we chose and it would give us the motivation to get through a hard time. The thing would give us a reason to go north, the right way. Basically, the way to recovery. The way to go back home.”

“And what did you choose?”

“My job,” it’s such an unenthusiastic answer, no light or happiness in my voice. “My job was all I had at the time, but my job being my north never felt right. It was never really motivating. Maybe that’s why it was so hard to get past a year. I had nothing to look forward to.” 

"One more question," Amelia speaks, softer this time. "Can you come here?"

I look up and find that Amelia is resting her chin on her knees, giving me that same cute smile from before. I nod, scooping the last pancake off the skillet and putting it on the pile before walking over, dragging my feet. Amelia drops her legs and holds out her arms, wrapping them around my shoulders the moment I get close enough. I instantly melt into her embrace and tuck my face into her neck, feeling her fingers on the back of my neck, tracing small shapes and letters.

"I know that I didn't know you back then," Amelia whispers, warm breath tickling my skin, "but I'm proud of you. I'm proud that you're strong enough to keep your head up and stay clean. And thank you for trusting me with all this information. I love you so much."

My body is filled with that familiar warmth that I only feel when Amelia is around, and I can't stop the smile that comes to my face. The tears in my eyes dry up quickly at the praise. "Thank you for loving me."

"I always will," she pulls away and slides her hands up to my face, pointer fingertips tracing my jaw and up to my cheekbones. She swipes her finger across my bottom lip and then brings it up to my nose, poking it gently and giggling under her breath. She’s deep in thought, I can tell from the look on her face. "You know,” she smooths down my eyebrows and then her fingers follow my hairline all the way down to my jaw, “I’ll be your north," she suggests. "I know you always tell me that talking to me when you're on cases helps, but I wanna help you with everything, with every aspect of your life. I wanna help you with the ugliest parts of your life, and not just the ugly parts of your job. I'll be your north. I'll be your reason to come home and I'll be- I'll be like your guiding light. I'll be your lighthouse. I'll just," her hands halt on my cheeks and her legs twist around my waist, bringing our bodies flush, "I'll be your north."

My heart is pounding as I smile at her, the tears that had just dried up coming back tenfold. She's smiling her stupidly gorgeous smile but not even making eye contact, just staring down at my lips as she lets her brain settle from all the words she just vomited and as she holds herself back from her obvious impulse to actually kiss me. So I lean forward and peck her lips, untangling our limbs. "I'll be right back," I ignore the sting in my chest at the disappointment clear on her face as I pull completely away from her hold. But I kiss her cheek for reassurance before I disappear back upstairs, grabbing my go-bag.

I return to the kitchen with last year’s Christmas present in my hands and open up to the page I'm searching for, walking up to my girl. Her back is to me, pouring more batter onto the skillet to finish up breakfast. But the moment she puts the bowl of batter back on the counter, I swing my arms over her head and bring the sketchbook in front of her to show her a journal entry.

"I didn't always use it for sketches," I explain as she grabs the book from me, "but I use it. A lot. Read that entry," Amelia goes radio silent as she reads, and I rest my chin on my shoulder to read with her.

Amelia is my north. I always thought that I'd be alone for the rest of my life and I'd never fall in love again. I thought I had been scorned too hard and I'd never recover. But Amelia gives me a reason to want to go home. She gives me a reason to not make that reckless decision that comes to my mind in the field and she gives me a reason to not go out in the middle of the night and go searching for a new dealer. She gives me a reason to live and maybe it's wrong of me to rely so heavily on another person who could leave me just as easily as everyone else in my life has, but I don't care. She gives me a purpose and she's the reason I come home every day.

It's the little things she does that make me love her. I love seeing her face pop up on Garcia's video chats and I love seeing the snacks she leaves in my desk and the notes she leaves for me and how she always makes a point to clean my apartment when she's over. I've never met someone quite like her.

I didn't think I'd ever find a person to personify "north." I always thought that "north" would remain this mysterious entity that I would blindly chase after my entire life and remain following towards a life of recovery, or a life of constant relapse and pain. Or that I would just continue lying to myself and saying that my “north” was my job. But now I know that Amelia is that "north" that will always be by my side. As long as I have her, then I'll never have to chase after a nameless, faceless goal. I'll always have my north right beside me.

Amelia sniffles as she shuts the sketchbook, setting it gently on the counter. "Okay, fuck you for making me cry."

I toss my head back laugh, grabbing her waist to turn her around, taking the job of wiping her tears. "I’m sorry, love, that wasn't my intention."

"That was really sweet, dove," Amelia disregards her tears, throwing her arms around me and pressing her face into my neck. “I’m never gonna leave you, Spence. I want you to believe that. I love you so much. I’m not going anywhere.”

“I know,” I clutch her waist in my hands as if that would keep her from leaving, “sometimes, I just feel helpless and unlovable and when I feel like that, I come to you.”

“Good. You’re not unlovable. I am so insanely in love with you and you’re never, ever getting rid of me.”

“Good,” I echo, pressing my lips to her shoulder and trailing kisses up her neck. “You’re-” Amelia’s stomach growling silences me, her cheeks turning pink as she ducks her head away. “Okay, alright, the mushy love fest is over. Eat some breakfast.”

“I’m sorry,” she giggles, turning in my arms to dish out pancakes for us, “I’m just really hungry and I wasn’t gonna make anything until you woke up. But the bottom line is that I love you and I’m always gonna be in your apartment, cleaning shit you don’t want me to and annoying the hell out of you.”

“Yeah, you definitely annoy me when you leave the curtains open and I get blinded in the morning.”

Amelia turns to me with the cutest smile, holding a plate of pancakes out for me. “At least you get to wake up next to me in the morning.”

“Yeah, you’re right.” I lean over the plate to give her what seems like the millionth kiss to the morning, “waking up next to you is pretty amazing.”

 TAGLIST

@bxnnywriting​ @babybloodstonebones​ @blameitonthenight21​ @feralreid​ @anepiphany​ @goldenalvez​ @reidscardigan​ @itsmyblogandillreblogifiwantto​ @stxrryspencer​ @m0rcia​ @whollytaciturn​ @thegingerfairchild​ @yasminwashere​ @shrimpyblog​ @blakes-dictionxry​ @anamelessfacelessnerd​ @wonderlandhatter​ @whxt-to-write​ @inkandexchange​ @just-call-me-non​

#nikos north fic #spencer reid #spencer reid fanfiction #spencer reid fic #criminal minds #criminal minds fanfiction #spencer reid x oc #criminal minds fic #dr reid #dr spencer reid #mgg #matthew gray gubler #matthew gubler

[deliverydefresas]

moving step by step (together)

second and last thing i posted on wp that i haven't posted here ((i think)) feel free to ignore if you've read this on wattpad already, as i'm just posting it in case i need to refer to it later.

(not proofread. it never is)

prompt(?): domestic!simbar deciding to move in together (toanothercountry)

When her day began, she didn't imagine it'd end up the way it did. In fact, to Ámbar the day felt like an endless nightmare.

Between her washing machine breaking, one of her kitchen cloths accidentally catching on fire when she was making her breakfast, her car not starting and thus being late to her first class, forgetting an important paper at home and losing 1/5 of her grade for one of the toughest classes in her semester; Ámbar just wanted to call it a day and forget she even had to endure it.

"The professor told me he'd let me turn it the paper, as long as I added 10,000 words more; and hear this: he won't give me the 20% of the grade, but a 15%, tops." She still needed to get her laundry done, so she'd opted to come by Simón's loft (and Nico and Pedro's too) when her classes had ended. While she waited for it to be done, she'd grabbed a glass of wine while venting her boyfriend's ears off. "So now I need to find something to write about that's worth 1000 words of coherency, otherwise I'll be lucky to even have a 10%. And God knows I need it."

Simón kissed her head sympathetically, adjusting her head - previously leaning on his shoulder- a little bit closer to his neck. "You will, little gem. You're the smartest one in your class, I'm sure you'll find something and, it's penultimate semester, you can do it."

She groaned, "I wish it were as easy as that." He kissed her cheek this time, and she snuggled into him a bit more, needing his support to make her feel less stressed. "Enough of me, how was your day?"

He chuckled, "not as interesting as yours, I'm afraid. Did a little songwriting, had a video-call with a magazine, changed my sheets..." he winked at her, making her laugh.

"Aw, do you want me to give you a gold start? Maybe I should call your mom, tell her her little boy is a nice young man who makes his own bed." Simón leaned in to bite her cheek, causing her to and almost spill her wine all over the couch, and to prevent this, the red liquid ended up on her shirt. Technically, it was one of his, since today's clothes had been thrown in the washer with the rest of the laundry, but still, spilling wine on her clothes wasn't nice. "Simón!" she scoffed him, which only made him laugh at her. He told her to grab another of his old shirts, while he refilled her glass.

She stood up then, cursing him all the way to his room to grab one of the 'pajama' shirts he kept in his top drawer. Ámbar heard him call to her once she had put it on; "hey, is tacos okay with you for dinner? Or do you want me to order you something else?"

"What are the guys having?" she questioned, to prepare herself in case the others ordered less than what their stomachs wanted to eat, and later lead them to steal her food.

"Pedro's staying at Delfi's and Nico is out with his fling, so nothing." Simón answered her, entering his room with his cellphone at hand.

"Then the usual." She told him simply, her boyfriend nodded. "Hey, can I use your laptop to check my e-mail? My phone died."

Simón nodded again. "Sure. Hello? I would like to order two pastor gringas..." he left the room again, not before pointing at his desk, where his laptop was sitting on. She quickly turned it on, taking it to the living room to wait for Simón to finish the call.

Her boyfriend was one of those people who didn't put a password on the device itself, but on the archives in it (which were mostly lyrics, tracks, and unreleased songs), so it didn't take long until she had the browser opened.

Ámbar tried to ignore whatever Simón had open in his last tab, but the images displayed caught her attention.

No, it wasn't porn, nor was it anything compromising. At least not in that way.

Her boyfriend had a Real Estate website open, showing apartments in sale. However, that wasn't what surprised her – he'd talked about finding his own place before-, but that all the options listed Mexico City as their location.

He'd never mentioned moving back to Mexico. They'd planned vacations to his hometown Cancún, sure, but somehow in all their talks about the future she'd had assumed their plans took place in Buenos Aires, close to her family instead of his. She could deal with him going on tour for weeks – she didn't bear months as well as she did weeks, and for this he always flew her in- but to live in two different countries? How was their relationship supposed to work in that scenario? Would it even work out? Sure, she was almost over with her degree, but-

"Little gem," her eyes snapped from the screen to where Simón was standing, by the kitchen's door, "I ordered you an almond horchata, is that okay?" she kept staring at him. "What? Is my laptop giving you problems? Your mail?"

She sighed. "No, I actually haven't opened my mail yet." He gave her a confused look.

"Then what's it? You've been staring at the screen for at least two minutes."

"When were you planning on telling me you're moving to Mexico?"

His mouth shut, his eyes showed surprise and an underlying regret. "Uh... soon?"

"So it's true, then? You're moving there?" Ámbar didn't want her voice to sound as hurt as it did, but she couldn't conceal it, either. After all, this was her boyfriend, the guy she was in love with, and who she'd loved for years now... to imagine him living so far away from her, it hurt her deeply.

To find out like this, instead of from his own mouth, was like salt to the wound. Her already shitty day was turning for the worse.

Simón sighed, his demeanor showing he was ashamed of it. "It's an option." He pursed his lips slightly, walking over to the couch, taking the device off her lap to turn her body towards him. "I was planning on talking to you about this sooner than later, I promise."

"When? When you had already bought it? Or when I had to say goodbye at the airport?" she couldn't help but dab at him, her temper was talking for her right then, "and what do you mean with 'it's an option'? You're looking for a place already, surely it's more than simple 'option'."

Simón let out a sigh, a sign he wasn't sure how to explain it to her, "I- have you noticed how most of our label meetings have been taking place in México?" She nodded, it was hard not to. The boys and him didn't really leave the city unless they absolutely had to, which could be summed up in three reasons: touring, vacations, and meetings. She'd always frown a little when those meetings took place, because she couldn't really understand why they had to leave when their label had offices in BsAs, but never really dared to ask Simón, afraid she'd come out as clingy for not wanting him to leave her for a couple days.

"I just assumed all the 'important' people chose to meet there instead of flying down here."

He scratched his nape. "It's a little bigger than that. Their HQ has always been up there, and their offices here have worked on a smaller scale for years; however, they've wanted all their more... 'recognizable' artists to be closer for a while now."

"So, they're making you move there?"

"Yes and no. They've been nagging us since the beginning to move to Mexico City, but it's only now we've – well, I've- considered it as an option."

"Why? Don't Pedro and Nico want, too?"

Simón grimaced. "They've already been considering it for a couple of years." Oh. Now that she thought about it, Delfina had hinted multiple times over the months 'the possibility' of working in another country. She'd always assumed she meant taking international jobs for a short period while Pedro was out on tour too, but now she guessed she'd meant for her to imagine that possibility, too.

It seemed like she'd assumed lots of things, and it stung to know she'd been in the dark far longer than everyone else. Even Delfi – who'd been dating Pedro a considerably less time than she'd been with Simón- knew of this before her.

Which made her ask him once again. "Why didn't you tell me sooner?"

"Because you're still in uni, little gem, and I didn't want to move somewhere else while you were here; I still don't. I had a plan, honestly; I was going to wait until you neared graduation to slowly get you used to the idea, and, well, I also wanted to wait in case we didn't work out." She pursed her lips as she was still mad, but knew he had a point. He always did.

"You could've talked to me sooner, though. We could've planned this way sooner, make it easier for both." Ámbar sighed out, trying to get her anger out with it.

"I know, I get it now, and I'm very sorry." He apologized sincerely, grabbing one of her hands to kiss it. "This in no way is me telling you I'm moving tomorrow and leaving you here, little gem, I'd never do that. Hell, I don't even think I could. It's just..."

"An option." She finished for him, sighing again. "I guess I- I don't know, maybe I could start looking at internships in CDMX? When- when would this take place anyway? And I have to talk to my mo-" her eyes widened, "God, my mom! What do I tell her if we go? She'll be all alone here!" Her voice sounded panicky even to her.

"Hey, it's okay, there's no hurry. We've already postponed this for years with the boys, another year or so won't change anything, in fact, we'll need all we can get to get papers and stuff in check. And your mom can always come with us if you're worried about her, no biggie." He told her, as if the three of them moving countries wasn't a big deal, or, y'know, extremely expensive.

"Do you seriously want my mom living with us, Simón?" she snapped at him, and immediately felt bad to do so. He was just trying to help her and then here she was, bitching on his offers. "Sorry, sorry. I'm just... overwhelmed, sorry." He shrugged it off.

"I was actually thinking of you two getting your own apartment but since you're oh so kindly offering to live together..." Her eyes widened once more, shocked. She hadn't realized she'd implied that. "... I guess we can either buy or rent one for ourselves and rent another for your mom."

"That's not what- I mean it's not necessary. An apartment for my mom and I would be okay if she even agrees to move."

Her boyfriend started pouting. "Are you saying you don't want to move in with me?"

"No, no, that's not what I mean-" she stopped talking once she saw a teasing grin on his face. "You're messing with me."

He shook his head, silently laughing as he reached out to sit her on his lap, hugging her waist tightly. "I'm not. I'm actually happy you asked me to move with you, so I don't have to when the time comes."

"I didn't ask you." She felt the need to point it out. "You just assumed I did."

"Because you assumed we'd live together. It's okay; if it were up to me I'd be living with you in a heartbeat, I've thought about it for a while."

She gulped. "You have?"

"Yeah, but since I'm living with two dudes and you're living with your mom... it just isn't viable." That got her thinking.

"Why haven't you gotten your own apartment yet? Any of you?"

Simón shrugged, leaning into their coffee table to grab their glasses. "Rent is cheaper when you divide into three, and all of us have been saving up to get our own pads for when we moved to CDMX."

"It was never a matter of 'if', was it? It was always a 'when' you moved." She already knew the answer, of course, so she didn't wait for him to answer. "What took you so long to do so? I'm sure you could've done so years ago, and now you're waiting for Delfi and I, I guess, but before? What held you back?"

He pondered it for a minute, didn't speak immediately. "Something always came up. At first, we didn't have enough money saved, then Nico's mom had an accident, Pedro wanting to stay until his little sister finished high school... then you. My guess is the universe was waiting for us to meet to let me leave the city." She couldn't help but laugh at this.

"You're such a corny guy."

"Only for you, little gem, only for you." Ámbar took a sip of her wine before snuggling closer to his chest, earning her a kiss on her hair. "So, are we doing this?"

She pushed the anxiety of the unknown to the back of her mind, she knew that if she overthought about it she'd find reasons not to. Instead, she took a deep breath, intoxicating herself with the smell of soap and lotion that lingered on her boyfriend all the time.

"Yeah," she sighed, "but we're doing this together."

"Together," he repeated, giving her hand another kiss. "I like the sound of that."

#soy luna #simbar #simón álvarez #ámbar smith #my simbar ff #my sl ff #mine

[wincestismyguiltypleasure]

💕 amber of mine 💕

❣️ my darkling. my dream girl. my secret desire. how can i express how special today is? i didn't know something could make the month of october even more extraordinary for me but the blessed day you came into this universe makes every halloween thrill i've ever felt seem bland and distant. you put the spice in every pumpkin flavored thing.

🎃 remember, remember, the 21st of october because it's my soulmate's birthday. the amberthday as my lame brian likes to call it. i love every part of your mind you've shown me so far and i long for the ones that are still out of my grasp. you inspire me every day. you make the "out of sight, out of mind" saying a fucking lie because these few weeks away from you, from your gorgeous writing and ideas put me through torture. i love how unapologetic you are about things that make you happy. i love how kind and fierce you are. my dream takes no shit but fuckkk, does she do harm to my sanity. i'll always cherish my cherry bomb!verse because it brought you to me. i'll never forget the way my heart flutters at every ask you send me. how hard it is keeping my growling possessive self in check when it comes to you.

🦇 i'm gonna have to fight jensen ackles one of these days. because his weight on top of you is your ideal one. (it'll be a tough fight but i'll go straight for his hat and bring him down)

🔪 i'll never not be mad at the distance between us. i wish i could see your eyes light up as you watch the fireworks make disney even more magical. lay down with you while we watch both scary and cheesy halloween movies. my ears long to hear more of that gorgeous voice of yours and my eyes are starving for your profile as we're driving down the longest roads. you'll pick the music and i'll definitely shut my cakehole, too in awe of you to make any snarky remark to try and play it cool when there's nothing cool about me when i'm around you.

🔥 wish i could have done more than drowning you in words and a shitty aesthetic but i don't take my obsessions lightly. and you've been mine for a long time now. (i'll be waiting on my front stoop for the police)

💋 i hope you're having the best holiday and the best birthday possible. the world doesn't deserve to see how beautiful your face will be every time you'll smile. and also, fuck the randos who'll get to see you in the parks when i can't.

💜 happy birthday, amber of mine. this mess of a submission is only a glimpse of how successful you are in making me blissfully incoherent. i love you, i adore you, i miss you. 💋🔥💕

- bobby

💜 My pretty moon girl🌙, my queen, my walking, talking dream of a girl. How do I express how special this gorgeous gem of a message is to me? How am I supposed to form coherent thoughts when you have my mind and my heart racing and tripping over themselves to re-read your beautiful words over and over...and over again? How can I even attempt to be articulate when the only thing they can focus on is Bobby, Bobby, Bobby? 💋 Well, here it goes anyway! Thank you SO much, baby. You have no idea, nor could I ever put into words how MUCH this means to me. 💜

Your brian isn't lame, my dream. It is fascinating and gorgeous and I'm so damn lucky for all the parts of it that you've let me see and I ache for the ones that are still out of my grasp. You inspire and motivate me every day. Your strength and determination are goals, babe. 💋 Oh my God, and your writing and ideas? As flawless as you are. I miss reading your p e r f e c t tags and posts. Your stunning words are what brought us together, after all. It only makes sense for me to carve them so desperately when you are away. I will forever adore your Cherry Bomb!Verse because the day I found it was the day I found my soulmate. 💕💋🔥 I could never forget the way my heart dances in my chest when I see an ask from you. It's still beating out of control and you sent this beautiful message yesterday. Lol You know my growly possessive self is never in check when it comes to you, no matter how hard I try. You'll just have to forgive me, my love. You know I carve your attention and selfishly want it all for myself. 🔥🔪

Jensen who? I don't know him. All I know is B O B B Y and the delicious shiver her name sends down my spine. ("I'll go straight for his hat" hahaha Baby, I'm DYING. 😂)

You are going to fight Jensen and I'm going to fight all those miles keeping me away from my pretty moon girl. I wish I could hold your hand and see the beautiful colors from the fireworks (especially the purple 💜) light up your perfect face. Snuggling up close to you and watching scary/cheesy Halloween movies sounds too perfect right now. Speaking of cheesy, I would kill to watch the Hollow with you, my dream...Not that I'd be able to pay much attention to the movie if such a stunning goddess like you were by my side. 🔥 I'd never want you to stay quiet, Bobby of mine, that beautiful voice of yours is the only thing I want to listen to as we drive down some old backroad. 💋

Your gorgeous words and aesthetic are more than I could have ever dreamed for. They made me smile like a dork (as your words always do) and I've still got hearts in my eyes from reading them obsessively. (Baby, the only person I'd call the police on is myself because my stalker ass can't get you out of my heart or off of my mind. 💋💕🔥)

Thank you so much, Bobby. I'm having a wonderful vacation and my birthday was SO amazing thanks to you and all my beautiful, sweet friends that made it special for me. The only thing that would have made it better is my queen by my side. 💜

Thank you so, so, so much, Bobby of mine. This submission is perfect, just like you. 💋 Best birthday present a girl could dream of. I love you, baby. I adore you so fucking much and I miss you like crazy. 💕💋🔥

#my pretty moon girl 🌙 #s h e is too good to me #I don't know what I did to deserve her #but fuck am I too self to question it #💕💜💕💜 #thank you my dream #I seriously can't say it enough #you made my birthday so incredibly special #💋🔥 #submission