Hey hey! (^-^)/ How are you doing? Love your work btw, it's always for pretty and fluffy! (* >ω<) I just had a couple of questions, and the first one was: What are your tips for an aspiring comic artist? f(^ー^; I wanna draw some of my favorite scenes from my fanfics, and I thought it might look kinda cool if it was kinda comic/webtoon style? (-。-;) Like what's your I guess take on that and how one might do that? And what about panel style, placement, and size? Is that all up to the artist, or do they have a rhyme and reason? Sorry if this was too long. You don't have to answer btw. I thought I'd give it a shot since y'know. (*´~`*) Anyways have a great day and keep of the good work! d=(^o^)=b See ya! (^_^)v
Hi!~
Pretty busy but fine and thank you! (//∇//)
That’s a big question and I’ll try to do my best! Explaining something that technic not in your native language can be uncertain so, I’m sorry in advance 🙏
First of all: Observe. Comics, doujins, mangas,… Just observe to learn how others do.
Comic is a narrative art so, the most important things in comic is the reading way aka the panels (the angles you choose), the speech bubbles and how you put them in your comic page. It’s really the first thing you have to put in your storyboard!
Texts in the speech bubbles are also veeeery important. Texts that are badly formatted is painful to read… Avoid doing cesura as often as possible and do nice text forms.
And please, if you choose a manga layout, do not put japanese speech bubbles, they’re really not suitable for western texts.
If you want to to a webtoon instead of a regular comic/manga, you have to thing your layout quite differently. Webtoons are more like storyboard for animation. Like a series of forceful scenes. Plus, you have to deal with the required format. I’m not pretty used to do some, I’m just working with a lot of them (I do the texts for them). I can recommend you Sweet Home (cw: horror, hikikomori) to see how the author use the long layout of the webtoon to skillfully instill the jump scares in their episodes!
A quick “how I do” to finish my blah-blah! ٩( ᐛ )و
First, I write my plot like a play (quick context for each act, full dialogues with stage directions) then storyboard. Tiny storyboard, I sketch 15 pages on an A4 page. Better global view. I can’t give specific advices on how to do panels (cause it’s something that just pops in my mind during my storyboard stage 💦) just keep in mind to diversify your angles especially during a talk between 2 characters. Don’t do a shot reverse shot, it’s just boring.
Then pages. I usually rework my storyboard at the sketch stage ‘cause I have a new eye on it lol
Also, don’t forget to think about the facing pages for the narration. You can do some fun page layout!
Tadaa! ✨
Hope it’ll help you and have fun with your comic! (о´∀`о)
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The Artist and the Gem: Part 2
"...this'd better be a dream right now."
Synopsis: You start brainstorming about your mysterious client's request and begin working on it. Unfortunately, that means finding a way to get your unconventional art subject to cooperate with you, whether or not he knows about it.
Notes: Fem! Reader POV will be used in this series as it is what I'm most comfy writing in ^^ Also it's really lengthy lmao (I got too excited writing this) so get ready for lots of reading-
Previously: Part 1
It has been a good number of months since you've received the mysterious client's commission.
You've been finding yourself becoming increasingly productive in both your white collar and artistic jobs, presumably from wanting to rid yourself of as much work as you could to work on Aventurine's portrait. It has gotten to the point you even managed to send out most of your commissions to your other clients, even the impatient one who had been living on your nerves for what felt like an eternity. What made you want to get his portrait done and over with so badly? That was a question you were too afraid to find answers to.
Speaking of Aventurine, you had a problem: you know how he looks like very well, but you have no clue how to draw him that well. The fact that the both of you work in different departments and hence very rarely see each other made your task of observing his appearance better all the more difficult.
With all possible odds pitted against you, only two solutions remain: you could either spy on Aventurine during your lunch and tea breaks and sketch him in secret, or directly ask him to pose for you for a few minutes. Given your current ranking in the IPC, you have a slightly better chance at the former. As the clock strikes at lunchtime, you quickly grab your tablet and head for the first place you can think of: the lounge.
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"...Don't worry, I'll be sure to send you the updates as soon as I get them," Aventurine's carefree voice echoes like a chime as he and the other Stonehearts leave the meeting room for their break. Your breath hitches and you quickly crouch behind the nearest potted plant you spotted in the vicinity, peeking through its leaves cautiously.
"This is the worst idea I've ever thought of..." you curse under your breath as you stabilised yourself against the wall. You have passed by Aventurine during work before on several occasions, and rarely ever get to briefly speak to him about work-related matters, so seeing the man himself with your eyes was not something unfamiliar to you. However, what left you the slightest bit horrified was the next thought that entered your mind.
Aventurine is stunningly handsome.
His sandy hair, which was slightly tucked behind his left ear, flowed down his neck like sand in an hourglass, and his eyes were as vibrant as stained glass windows in the sun. The deep green and gold coattails trailing behind him reminded you of a brightly coloured bird as he strode across the hallway, always seeming like he had people to show off to in every corner.
(Y/n)! Focus! You frantically shake your thoughts out of your hand and ready your tablet. It's your only chance at this, so don't mess this up! Propping yourself against the wall as you continue crouching behind the potted plant, you whip out your stylus and begin drawing furiously.
The first few attempts you made were a little sloppy (by your standards, at least), but in a short while, you manage to fill the better half of your drawing spread with surprisingly good sketches. The fact that Aventurine was perfectly still as you drew each pose made your success feel too good to be true. As you watch Aventurine leave the vicinity with a few cups of coffee in hand, you heave a sigh of relief and stood up, propping yourself against the wall as you wait for your legs to recover from crouching on the ground for so long.
And it's still lunch hour, too! You smile to yourself as you turn to leave for the office cafe. Everything went according to plan. Surely nothing could possibly go wrong after this-
"Oh, (y/n)? I didn't expect to see you here."
A chill runs down your spine as you slowly come face-to-face with none other than Aventurine himself.
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I’m jealous of your lifestyle, how you talk about gardening and swimming in lakes and all that stuff. How are you able to do it? Do you own land? Are you rich? Do you have a job? I know that’s personal, but I ask because I want to make my life more like yours.
Gardening and swimming in lakes is not my life. It's only moments, and I choose to highlight those moments on this blog because I want to share my happy moments with someone, and hopefully inspire people to garden and to be less dependent on grocery stores for food.
It seems you only read few recent posts on my blog, but didn't find my posts where I write about health issues that are so bad that I cannot walk for more than 20 minutes, where I can't keep a full-time job because of my chronic illness, mostly can't afford to buy food and that is why I grow it in the community garden with no budget, posts where I'm heartbroken that the city where I live, with roommates, is taking down trees that are my only source of comfort.
I'm picking and choosing what to write about, and sometimes I only pick good moments because I don't want to spend my time here complaining and making people feel bad for me. And you now picked over those, to create this fictional lifestyle that nobody is having. I'm too sick to have a regular job, so I made peace with poverty and working less. So I have time for gardening, but I have to share a room, and eat just what I grow. And sometimes I can go and dunk myself into the river, which is something anyone can do who lives close to the river.
The thing is, this is what happens with anyone who showcases their light and happy moments online, it creates the illusion of a lifestyle that doesn't exist, you could pick and choose moments from anyone's life and make it seem like they're living a fictional life that feels too good to be true. People will even exaggerate to create that illusion on purpose, to create admiration or jealousy. But I purposely don't do that, I write about ruining my washing machine with moss, fixing my own toilet, despairing because my bike broke and I have no way to get to work because I can't walk, having a neck injury that doctors can't seem to help me with. It is heartbreaking to me that someone would say 'I want this lifestyle', nobody wants this.
If you have few hours of free time a week, and know of a place in a community garden, you can try to get a parcel and grow food there. If you have a body of water near you, you can try swimming in it, provided it's not polluted. If you live in an area where growing space is not accessible, and bodies of water are far away or polluted, then this is made difficult or impossible. My only luck is that the city I live in is not yet so badly polluted that air and water would be poisonous to me, so I can have my little moments enjoying the nature before the climate change gets to it.
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im curious, do you think there is any good way to portray a redemption by death? like, can a character truly be made a better person by dying? or is it just an all-around bad trope? i vaguely saw what the authors were trying to do with tom and sandgorse's situations, but they just sucked too bad and gave it the absolute wrong effect imo
I think there's a way to make anything work! So I won't say "NO NEVER." But personally, I have a big bone to pick with it so I avoid it
A redemption death doesn't give the character time to meaningfully change, imo, or truly make up for their actions. That all has to come before the death itself. And even the very idea of giving your life up to "redeem yourself" just... sits uncomfortably with me.
Dying never makes a person better. It just kills them. A person who's dead is not changing nor growing.
So Tom and Sandgorse... what their deaths are supposed to do is re-frame everything they did before that point. With no apology on Sandgorse's end for how badly he hurt his son or wasn't there for his mate, he was a good enough person to die for someone else and thus must be forgiven. Tom thrashes two women and they both die because of him, but he was still willing to heroically throw his life down for his child, and so he is 'worthy' of being avenged and honored.
No growth. No change. No acknowledgement. The death is supposed to add sympathy to them, while there's no actual reckoning of how they hurt their victims. Not even a real consequence. "Their intentions were good, and this is proven through the ultimate sacrifice." As if that changes anything. It doesn't.
I think if there's an decent example of a redemption death in warriors, it's Bluestar's. I still have problems with how it believes Stone and Misty have to "forgive her" for some reason, REALLY don't like the fact that this series has always equated redemption and forgiveness... but that aside? Just focusing on Firestar, ThunderClan, and Bluestar?
I think what makes the moment so strong is that it is a moment of clarity through her cruelty arc. We saw the heroic person she was at the start of TPB. We know that her actions are coming from anger, spite, and paranoia. That is never shown as a thing to be excused. But while she's wrapped up in her own misery, Fireheart is being the leader she isn't.
And her last life is a return to form, spending it the way she is supposed to, as a leader, and as his mentor.
Her arc could never be about 'growth' because... she WAS a great leader. She WAS selfless, long ago. Her redemption death is a return to that, and a plot necessity. Bluestar and Firestar cannot both exist.
But, anyway, it's generally a trope I'm not fond of. I think that nearly anything can work in the right context, but I think it's so situational that I personally avoid it when possible.
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Can I interest you all in my extremely self serving Mario and Luigi game concept featuring Gooigi and Metal Mario as alternate reality Mario Bros?
I’ve been calling it Mario and Luigi: Elementals and it sounds dumb and that’s because it is dumb
The basic premise is E. Gadd didn’t actually make Gooigi, rather Gooigi is from a Universe where everyone is made of one pure element, and Gooigi ended up in our reality on accident.
Kind of
He splatted through a portal and was pretty much all but dead or “broken” as his universe would put it, but E. Gadd of our world manged to “fix” him, bringing him back. The problem is he lost all his memories, and also can’t speak.
That was a year ago today.
The Mario Brothers are visiting Professor Elvin Gadd in his research laboratory to see his latest invention, and also learn that Stuffwell has become Gooigi’s right hand man, and can even understand his blurbly speech.
E. Gadd’s been fascinated with the portal Gooigi origonally came through for some time now, and has finally made a device that will (hopefully) open it once again. Mayhaps he can get more goo, make more Gooigis! How exciting!
If only the blasted thing worked
His device doesn’t turn on, or work at all, so he sends Mario and Luigi around the lab to fix multiple things; jumping, using the Spin/High jump moves, Mario drinks and spits water, the usual stuff all gets tutorialed at once this way until he’s finally ready to try again.
This time a massive portal opens, sucking in everything in the lab, mostly Luigi who was right next to it. Mario grabs Luigi, E. Gadd grabs Mario, Gooigi grabs E. Gadd, and Stuffwell complains about his unfinished Arm Modificationings
Mario’s grip slips, and Luigi goes flying into the portal, which then closes.
Luigi wakes up in a forest where everything is made of Rock. The Trees, the Ground, the over sized Mushroom kingdom looking mushrooms, all pure rock. Like sculptures. He looks around, calls for Mario a few times, cowars a bit, and then starts to wander, eventually coming across another research lab like E. Gadd’s
Inside is Professor Ectoplasm Gadd, a gooy translucent, almost ghostly like version of Professor E. Gadd, along with Rock Toads; Toads made purely or unpolished, rough rocks.
Ecto Gadd looks up from his machine that is very much like E. Gadd’s portal machine, and immediately starts making a ruckus about Luigi’s Return. He sends the Rock Toads off to “Go get his brother!” and starts marveling at Luigi’s new unique make-up, asking what he’s made of now, and apologizing for the accident.
Luigi Italianese babbles that he has no idea what Ecto Gadd is talking about and starts explaining the portal, when the door breaks down.
“Goodness! I know you haven’t seen eachother for a year now but you didn’t have to break my door!”
Metal Mario puts the door down to the side gently and approaches Luigi, looks him all over, takes a few steps back, and then punches a random machine, destroying it.
It takes a few moments for the shock to were off and for Luigi to notice Metal Mario is really broken up over his missing brother. Luigi does his best to comfort him, a little There There back pat turned into a spine crushing hug from Metal Mario.
Ecto Gadd realizes this is the Wrong Luigi and explains the portal machine, and how he’d been working on it ever sense Goo Luigi went missing. Luigi recognizes “Goo Luigi” as probably being Gooigi, which Metal Mario responds to by grabbing Luigi by his overall straps, picking him off the ground, and shaking him in a “You know where me brother is???? Where??? Take me to him!!!” kind of way.
Ecto Gadd says he can get the portal open again, but he needs more power for his machine to work and stabilize the portal, so he sends Luigi and Metal Mario off to the Plasma Kingdom together.
This is where gameplay starts and also my story concept kind of ends, so this is just all my thoughts mashed together now
You play as two sets of Bros through most the game (this first mission has them mixed up, but eventually swaps them back correctly); Mario and Luigi, and Gooigi and Metal Mario.
Mario plays the same as usual Mario games, High Attack and Speed, Low Defense and Health, if you don’t watch him he’ll become a Glass Canon
Luigi also plays the same, High Defense and Health, Low Attack and Speed, a random extra bit of Stache, might fall behind Mario if you’re not careful
Metal Mario plays sort of like an Extreme Luigi, with wild high defense and stupid slow, but he also hits like a truck with a crazy attack stat. He’ll go after everything else, but he will also likely kill it all in one hit. Also his and Gooigi’s Stache stat is called Sheen and might cause enemies to miss, rather than they randomly get lucky hits. They’re shiny.
Gooigi in turn is like an Extreme Mario, Wicked speed and abysmal defense, but with no attack to back it up. Instead, almost all of Gooigi’s basic attacks inflict status; Poison, Sleep, and Stuck (a Gooigi exclusive status in which the enemy is stuck in goo and can’t move), making him more of a set up for Metal Mario than his own attacker.
You switch between the two groups on set story beats as they traverse eachother’s worlds; Our usual Bros in the new Element lands, and the Element Bros in the usual Mushroom Kingdom worlds. Think like Bowser’s Inside Story meets the Peach sections of the Paper Mario games.
Mario and Luigi can do their usual jumps, the spin and high jumps, they cannot be separated, and eventually get the elemental Fire and Thunder attacks from Super Star Saga, and the Bros Ball from Partner’s in Time. These are also their Bros Attacks. No more shell or fire flower or weird surprise tube I hate those things.
Metal Mario and Gooigi get the hammer abilities, Metal Mario can smash Gooigi over the head to make him small and fit into small spaces and Metal Mario can drill into the ground to get beans. The two can be separated, usually when Metal Mario explores the ocean floor, as Gooigi dissolves in water and Metal Mario sinks.
I can’t decide what Metal Mario and Gooigi’s bros attacks will be. The main thing with them is they’ve been separated for a full year, and Gooigi’s memories are still missing, so they’re not as in-sync as the normal Bros are. Maybe they can have Bros Items from Partner’s in Time?
They’re a lot like the babies from Partner’s in Time I think, more immature and juvenile in my head. Metal Mario constantly forgets his own strength and breaks things on accident, and Gooigi is eager to help anyone who’ll give him a task. They’re both childishly curious about the world around them.
The twist would be someone sent Gooigi through that portal on purpose to get rid of him. I’m thinking a version of King Boo from this Elemental Dimension, but I haven’t thought on it too hard just yet. Maybe Ecto Gadd did it. That’d be fun.
Rose Gold Peach is there and she’s called Rose Gold Peach not Pink Gold Peach I hate that name she is Rose Gold and she’s a lot like Metal Mario in that she forgets her own strength a lot and ends up hurting regular Mario in funny slapstick ways just by interacting with him a lot.
The previously mentioned Plasma Kingdom is the Element Lands version of the Koopa Kingdom. I’ve been trying to decide if I want Bowser to be just pure Fire or not. Magma Bowser maybe? Where some of his upper layer has cooled so he looks like Bowser’s Fury Bowser in color scheme? The Goombas are wooden because I think that’s funny.
I also think the Elemental Bowser and Mario have a much more extreme rivalry compared to our usual duo. Where Mario and Bowser can square off every here and there and then also play tennis, the Elemental Mario and Bowser will fight to the death if squared off together. This Bowser also doesn’t have the Romantic Feelings for Peach to soften him, he wants her just as dead as he wants Mario.
His only soft spot then would be Bowser Jr., who I don’t know if he should be included because it feels like too many main story characters, but he’d be made of paint, and be gooy and fragile like Gooigi, this why Bowser, a Magma/Rock being, is so protective of his soft son.
Finally, I want Wario and Waluigi to be a sort of Rival Encounter to Metal Mario and Gooigi, Like Mid bosses that show up every other big event a little stronger than previously, sense they’re extreme versions Mario and Luigi, much like this version of Gooigi and Metal Mario are.
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